Fuller House Quotes

Writing without revising is the literary equivalent of waltzing gaily out of the house in your underwear.

If Thy dear home be fuller, Lord, For that a little emptier My house on earth, what rich rewards That guerdon were.

There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.

In my view, it is an error to think about 'alternatives to prison' if what we mean by that is 'electronic bracelets,' through which people are subject to computer-monitored house arrest, or granting fuller surveillance and disciplinary powers and technologies to other state agencies, such as welfare and mental health, through 'transcarceration' policies...We need to decrease, not increase, the means by which the state, in its multifarious networks of authority, controls human lives and selectively incapacitates people who, no less than others, have the potential to contribute to the improvement of hte human condition.

I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.

Decrying the sublimation of women’s minds to domesticity, Fuller asserts that “a house is no home unless it contain food and fire for the mind as well as for the body” and admonishes that “human beings are not so constituted that they can live without expansion.

The following year the house was substantially remodeled, and the conservatory removed. As the walls of the now crumbling wall were being torn down, one of the workmen chanced upon a small leatherbound book that had apparently been concealed behind a loose brick or in a crevice in the wall. By this time Emily Dickinson was a household name in Amherst. It happened that this carpenter was a lover of poetry- and hers in particular- and when he opened the little book and realized that that he had found her diary, he was “seized with a violent trembling,” as he later told his grandson. Both electrified and terrified by the discovery, he hid the book in his lunch bucket until the workday ended and then took it home. He told himself that after he had read and savored every page, he would turn the diary over to someone who would know how to best share it with the public. But as he read, he fell more and more deeply under the poet’s spell and began to imagine that he was her confidant. He convinced himself that in his new role he was no longer obliged to give up the diary. Finally, having brushed away the light taps of conscience, he hid the book at the back of an oak chest in his bedroom, from which he would draw it out periodically over the course of the next sixty-four years until he had virtually memorized its contents. Even his family never knew of its existence. Shortly before his death in 1980 at the age of eighty-nine, the old man finally showed his most prized possession to his grandson (his only son having preceded him in death), confessing that his delight in it had always been tempered by a nagging guilt and asking that the young man now attempt to atone for his grandfather’s sin. The grandson, however, having inherited both the old man’s passion for poetry and his tendency towards paralysis of conscience, and he readily succumbed to the temptation to hold onto the diary indefinitely while trying to decide what ought to be done with it.

The house had always been full of books, far too many for one person to get through in a lifetime. Her father didn't collect them to read, to own first editions or to keep those signed by the author; Gil collected them for the handwritten marginalia and doodles that marked the pages, for the forgotten ephemera used as bookmarks. Every time Flora came home he would show her his new discoveries: left-behind photographs, postcards and letters, bail slips, receipts, handwritten recipes and drawings, valentines and tickets, sympathy cards, excuse notes to teachers; bits of paper with which he could piece together other people's lives, other people who had read the same books he held and who had marked their place.

The schools wear the blank faces of war buildings, their windows blown blind by rocks or guns or mortars. Their plaster is an acne of bullet marks. The huts and small houses crouch open and vulnerable; their doors are flimsy pieces of plyboard or sacks hanging and lank. Children and chickens and dogs scratch in the red, raw soil and stare at us as we drive through their open, eroding lives.

Fuller House never catches the same lightning in a bottle we captured with Full House, but it is a little love letter written on a Post-it note for the fans. And if it didn’t touch your heart, no worries, it was never meant for you in the first place. Bob Saget would joke, “We did Full House, Fuller House, next will be Fullest House, where I’ll be in a nice urn above the fireplace.” Of course, there could never be any version of the show without Bob.

Then I made myself as tidy as I could, and went to Andrew Bradford the printer’s. I found in the shop the old man his father, whom I had seen at New York, and who, travelling on horseback, had got to Philadelphia before me. He introduced me to his son, who received me civilly, gave me a breakfast, but told me he did not at present want a hand, being lately supplied with one; but there was another printer in town, lately set up, one Keimer, who, perhaps, might employ me; if not, I should be welcome to lodge at his house, and he would give me a little work to do now and then till fuller business should offer.

We expect a solution of the unemployment problem, the cancer problem, the housing problem, the problems of currency, of war, of education. We expect from it a brighter, cleaner and fuller life for our children, in which we and they can march ever onward and onward and develop to the full urge of life which God has given each one of us.

God knows!” replied Driver. “It sounds as if someone has been trying to attack Miss Fuller, but you know how mysterious people are when telephoning to the police: they seem to think that the criminal must be lying in a ditch outside the house tapping the wires. It’s all the fault of these crime-books you see on every library shelf. Now that every Tom, Dick, and Harriet has turned to writing about murder...

A brick could be used to show you how to live a richer, fuller, more satisfying life. Don’t you want to have fulfillment and meaning saturating your existence? I can show you how you can achieve this and so much more with just a simple brick. For just $99.99—not even an even hundred bucks, I’ll send you my exclusive life philosophy that’s built around a brick. Man’s used bricks to build houses for centuries. Now let one man, me, show you how a brick can be used to build your life up bigger and stronger than you ever imagined. But act now, because supplies are limited. This amazing offer won’t last forever. You don’t want to wake up in ten years to find yourself divorced, homeless, and missing your testicles because you waited even two hours too long to obtain this information. Become a hero today—save your life. Procrastination is only for the painful things in life. We prolong the boring, but why put off for tomorrow the exciting life you could be living today? If you’re not satisfied with the information I’m providing, I’m willing to offer you a no money back guarantee. That’s right, you read that wrong. If you are not 100% dissatisfied with my product, I’ll give you your money back. For $99.99 I’m offering 99.99%, but you’ve got to be willing to penny up that percentage to 100. Why delay? The life you really want is mine, and I’m willing to give it to you—for a price. That price is a one-time fee of $99.99, which of course everyone can afford—even if they can’t afford it. Homeless people can’t afford it, but they’re the people who need my product the most. Buy my product, or face the fact that in all probability you are going to end up homeless and sexless and unloved and filthy and stinky and probably even disabled, if not physically than certainly mentally. I don’t care if your testicles taste like peanut butter—if you don’t buy my product, even a dog won’t lick your balls you miserable cur. I curse you! God damn it, what are you, slow? Pay me my money so I can show you the path to true wealth. Don’t you want to be rich? Everything takes money—your marriage, your mortgage, and even prostitutes. I can show you the path to prostitution—and it starts by ignoring my pleas to help you. I’m not the bad guy here. I just want to help. You have some serious trust issues, my friend. I have the chance to earn your trust, and all it’s going to cost you is a measly $99.99. Would it help you to trust me if I told you that I trust you? Well, I do. Sure, I trust you. I trust you to make the smart decision for your life and order my product today. Don’t sleep on this decision, because you’ll only wake up in eight hours to find yourself living in a miserable future. And the future indeed looks bleak, my friend. War, famine, children forced to pimp out their parents just to feed the dog. Is this the kind of tomorrow you’d like to live in today? I can show you how to provide enough dog food to feed your grandpa for decades. In the future I’m offering you, your wife isn’t a whore that you sell for a knife swipe of peanut butter because you’re so hungry you actually considered eating your children. Become a hero—and save your kids’ lives. Your wife doesn’t want to spread her legs for strangers. Or maybe she does, and that was a bad example. Still, the principle stands. But you won’t be standing—in the future. Remember, you’ll be confined to a wheelchair. Mushrooms are for pizzas, not clouds, but without me, your life will atom bomb into oblivion. Nobody’s dropping a bomb while I’m around. The only thing I’m dropping is the price. Boom! I just lowered the price for you, just to show you that you are a valued customer. As a VIP, your new price on my product is just $99.96. That’s a savings of over two pennies (three, to be precise). And I’ll even throw in a jar of peanut butter for free. That’s a value of over $.99. But wait, there’s more! If you call within the next ten minutes, I’ll even throw in a blanket free of charge. . .

She had changed into another mourning gown, cut somewhat fuller than the other, and instead of a hat she had wound her black lace shawl about her hair for covering. She was talking to Wellington, her profile turned to me, and got some reason or other I remembered what she had said the night before about Ambrose teasing her, how he had told her once that she reeked of old Rome. I think I knew now what he meant. Her features were like those stamped on a Roman coin, definite, yet small; and now with that lace shawl wound about her hair I was reminded of the women I had seen kneeling in that cathedral in Florence, or lurking in the doorways of the silent houses.

Nathaniel Hawthorne, a friend of Margaret Fuller’s in Concord who followed her path to the Continent several years after her death, undertook an experiment in fictional form when he put aside writing stories in favor of longer narratives. He preferred to call his books “Romances,” not novels. “When a writer calls his work a Romance,” Hawthorne explained in his preface to The House of the Seven Gables, “he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.” The novelist, in Hawthorne’s terms, aims to achieve “a very minute fidelity” to experience, whereas the author of a romance may “bring out or mellow the lights and deepen and enrich the shadows of the picture” while still maintaining strict allegiance to “the truth of the human heart.

Waternish Estate was sold to a Dutchman in the 1960s when Bad-tempered Donald died. In turn, the Dutchman sold a part of the estate to the Scottish singer-songwriter Donovan. Donovan was the first of the British musicians to adopt the flower-power image. He is most famous for the psychedelically fabulous smash hits “Sunshine Superman,” “Season of the Witch” and “The Fat Angel,” and for being the first high-profile British pop star to be arrested for the possession of marijuana. Donovan has a history of being deeply groovy and of being most often confused with Bob Dylan, which reportedly annoys Donovan quite a lot. “Sometime in the early seventies, Bob Dylan bought part of the estate,” Mum tells me. “But he put a water bed on the second floor of the house for whatever it is these hippies get up to, and it came crashing through the ceiling.” “Not Bob Dylan,” I say. “Donovan.” “Who?” Mum says.

OF him I love day and night, I dream’d I heard he was dead; And I dream’d I went where they had buried him I love—but he was not in that place; And I dream’d I wander’d, searching among burial-places, to find him; And I found that every place was a burial-place; The houses full of life were equally full of death, (this house is now;) The streets, the shipping, the places of amusement, the Chicago, Boston, Philadelphia, the Mannahatta, were as full of the dead as of the living, And fuller, O vastly fuller, of the dead than of the living; —And what I dream’d I will henceforth tell to every person and age, And I stand henceforth bound to what I dream’d; And now I am willing to disregard burial-places, and dispense with them; And if the memorials of the dead were put up indifferently everywhere, even in the room where I eat or sleep, I should be satisfied; And if the corpse of any one I love, or if my own corpse, be duly render’d to powder, and pour’d in the sea, I shall be satisfied; Or if it be distributed to the winds, I shall be satisfied.

OF him I love day and night, I dream’d I heard he was dead; And I dream’d I went where they had buried him I love—but he was not in that place; And I dream’d I wander’d, searching among burial-places, to find him; And I found that every place was a burial-place; The houses full of life were equally full of death, (this house is now;) 5 The streets, the shipping, the places of amusement, the Chicago, Boston, Philadelphia, the Mannahatta, were as full of the dead as of the living, And fuller, O vastly fuller, of the dead than of the living; —And what I dream’d I will henceforth tell to every person and age, And I stand henceforth bound to what I dream’d; And now I am willing to disregard burial-places, and dispense with them; 10 And if the memorials of the dead were put up indifferently everywhere, even in the room where I eat or sleep, I should be satisfied; And if the corpse of any one I love, or if my own corpse, be duly render’d to powder, and pour’d in the sea, I shall be satisfied; Or if it be distributed to the winds, I shall be satisfied.

His Burden Is Light Then Jesus said, “Come to me, all of you who are weary and carry heavy burdens, and I will give you rest. Take my yoke upon you. Let me teach you, because I am humble and gentle, and you will find rest for your souls. For my yoke fits perfectly, and the burden I give you is light.” Matthew 11:28-30 What heavy burden is weighing you down and causing a heaviness and weariness in your spirit? Is it the need to take care of an elderly parent? a seemingly impossible deadline at work? juggling overwhelming responsibilities of a job plus parenting a houseful of kids? the burden of chronic illness? a difficult relationship with someone you love? financial struggles? Whatever your “heavy burden” might be, Jesus invites you, just as he did the crowds he was teaching: Come to me. Give me the heavy load you’re carrying. And in exchange, I will give you rest. Whenever I read these verses from Matthew, I breathe a sigh of relief. Jesus knows the challenges and deadlines we face and the weariness of mind or body we feel. He understands the stress, tasks, and responsibilities that are weighing us down. As we lay all that concerns us before him, his purpose replaces our agenda, and his lightness and rest replace our burden. LORD, thank you for your offer to carry my burdens for me. I give them all to you and I gladly receive your rest! I place myself under your yoke to learn from you. Teach me your wisdom that is humble and pure, and help me to walk in the ways you set before me. Thank you for your mercy and love that invite me to live my life resting and trusting in you!   WHEN HE SAYS TO YOUR DISTURBED, DISTRACTED, RESTLESS SOUL OR MIND, “COME UNTO ME,” HE IS SAYING, COME OUT OF THE STRIFE AND DOUBT AND STRUGGLE OF WHAT IS AT THE MOMENT WHERE YOU STAND, INTO THAT WHICH WAS AND IS AND IS TO BE—THE ETERNAL, THE ESSENTIAL, THE ABSOLUTE. Phillips Brooks (1835-1893)    

Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.

Ideally, you want components with a flat frequency/response curve: they apply identical amounts of energy to every sound frequency, so the proper balance between high and low is maintained. Although Neat Acoustics isn’t as well known in the States, I’d heard some of their speakers demoed at a conference in Brussels once and decided I needed a pair if I could ever afford them. When I bought the house, I settled on a pair of Ultimatum XL6s. Only three feet high, they use some neat engineering tricks to generate a much fuller frequency range than you’d expect. For example, each speaker contains an isobaric bass chamber, with two drivers lined up one behind the other inside the closed compartment. With the two woofers rigged so their cones move simultaneously, you can create the same bass sound in half the cabinet space. Unfortunately, the trade-off for such a compact design is density, of

So my two buildings are the funeral parlor and the doctor’s house. But when I started finding stuff on Dr. Fuller, I started finding stuff about an epidemic, too. I mean, they called it an epidemic, but nobody knew what was causing it.” “And when was this?” “Around nineteen hundred. The statistics were unbelievable, so many people died. And lots of them were children.” Parker automatically grabbed a tissue off the nightstand and gave it to Ashley.

In a letter written to the play's director, Peter Wood, on 30th March 1958, just before the start of rehearsals, Pinter rightly refused to add extra lines explaining or justifying Stanley's motives in withdrawing from the world into a dingy seaside boarding-house: 'Stanley cannot perceive his only valid justification - which is he is what he is - therefore he certainly can never be articulate about it.' But Pinter came much closer than he usually does to offering an explanation of the finished work: We've agreed: the hierarchy, the Establishment, the arbiters, the socio- religious monsters arrive to affect censure and alteration upon a member of the club who has discarded responsibility (that word again) towards himself and others. (What is your opinion, by the way, of the act of suicide?) He does possess, however, for my money, a certain fibre - he fights for his life. It doesn't last long, this fight. His core being a quagmire of delusion, his mind a tenuous fuse box, he collapses under the weight of their accusation - an accusation compounded of the shit- stained strictures of centuries of 'tradition'. This gets us right to the heart of the matter. It is not simply a play about a pathetic victim brainwashed into social conformity. It is a play about the need to resist, with the utmost vigour, dead ideas and the inherited weight of the past. And if you examine the text, you notice how Pinter has toughened up the original image of the man in the Eastbourne digs with 'nowhere to go'. Pinter's Stanley Webber - a palpably Jewish name, incidentally - is a man who shores up his precarious sense of self through fantasy, bluff, violence and his own manipulative form of power-play. His treatment of Meg initially is rough, playful, teasing: he's an ersatz, scarpegrace Oedipus to her boardinghouse Jocasta. But once she makes the fateful, mood-changing revelation - 'I've got to get things in for the two gentlemen' - he's as dangerous as a cornered animal. He affects a wanton grandeur with his talk of a European concert tour. He projects his own fear on to Meg by terrorising her with stories of nameless men coming to abduct her in a van. In his first solo encounter with McCann, he tries to win him over by appealing to a shared past (Maidenhead, Fuller's tea shop, Boots library) and a borrowed patriotism ('I know Ireland very well. I've many friends there. I love that country and I admire and trust its people... I think their policemen are wonderful'). At the start of the interrogation he resists Goldberg's injunction to sit down and at the end of it he knees him in the stomach. And in the panic of the party, he attempts to strangle Meg and rape Lulu. These are hardly the actions of a supine victim. Even though Stanley is finally carried off shaven, besuited, white-collared and ostensibly tamed, the spirit of resistance is never finally quelled. When asked how he regards the prospect of being able to 'make or break' in the integrated outer world, he does not stay limply silent, but produces the most terrifying noises.

A piano tuner used to come over to our house when I was young. He was a blind man, his eyes burnt-out holes in his head, his body all bent. I remember how strange he looked against the grandeur of our lives, how he stooped over that massive multitoothed instrument and tweaked its tones. The piano never looked any different after he’d worked on it, but when I pressed a C key or the black bar of an F minor, the note sprung out richer, as though chocolate and spices had been added to a flat sound. This was what was different. It was as though I’d been visited by a blind piano tuner who had crept into my apartment at night, who had tweaked the ivory bones of my body, the taut strings in my skull, and now, when I pressed on myself, the same notes but with a mellower, fuller sound sprang out.

Inside the vault housing Shalmaneser: cool. Waiting for the launch window, which is a decorative way of saying when the GT guide is good and ready to start, this fact has already decided several of the crowd one hundred nine strong (some of whom are tourists some of whom are genuine potential recruits lured by the handouts and TV plugs of the GT Corp. some of whom have seen themselves here so often in the personae of Mr. & Mrs. Everywhere that they couldn’t tell you why they bothered to make the visit in reality and some of whom are GT’s own plantees primed to speak up at the right moments and give the impression of Things Happening) that they aren’t going to be interested in what they’re shown. Cold! In May! Under the Manhattan Fuller Dome! And clad in Nydofoam sneakers, MasQ-Lines, Forlon&Morler skirtlets and dresslets; strung about with Japind Holocams with Biltin g’teed Norisk LazeeLaser monochrome lamps, instreplay SeeyanEar recorders; pocket-heavy with Japind Jettiguns, SeKure Stunnems, Karatands to be slipped on as easily as your grandmother drew on her glove. Uneasy, watching their accidental companions on this guided tour. Well-fed. Shifty-eyed, slipping tranks into their chomp-chomp jaws. Damned good-looking.

Jim Cashman welcomed his former master back, offering him the same courtesies and warm hospitality any southern gentleman might extend to a visitor and proudly reciting his achievements. “The Lord has blessed us since you have been gone. It used to be Mr. Fuller No. 1, now it is Jim Cashman No. 1. Would you like to take a drive through the island Sir? I have a horse and buggy of my own now Sir, and I would like to take you to see my own little lot of land and my new house on it, and I have as fine a crop of cotton Sir, as ever you did see, if you please—and Jim can let you have ten dollars if you want them, Sir.

I took this picture about a month ago when he invited me to an animal shelter event his brokerage was holding. Except both him and the pets have laser beams shooting out of their eyes and the heading above it says ‘Ryan Fuller, Hallowsdeep’s most untrustworthy realtor. Don’t trust him around your house or your pussy.’ The laser beams from the cat’s eyes are setting homes on fire in the background.

Develop spatial skills by modeling your school, house, or neighborhood. Learn engineering and design skills by making structural models of Buckminster Fuller’s tetrahedron-based geodesic domes, Snelson’s tensegrity sculptures, and other architectural forms. Teacher Brenda Jackson particularly recommends the modeling of bridges for its multidisciplinary aspects: “In [a] bridge design project,” she says, “a variety of disciplines is involved. Drawing the proposed design, coping with the practical problem of tension, and using calculations and manual skill in making the model, are all parts of the problem. Testing the bridge to destruction, although somewhat noisy, involves learning in a practical way, and the results are often so spectacular that they are unlikely to be quickly forgotten.

Ruhn shook his head. “The sword doesn’t work like that. Aside from being picky about who draws it, the sword has no power without the knife.” “The knife?” Hunt asked. Ruhn drew the sword, the metal whining, and laid it on the table between them. Bryce leaned back, away from it, as a bead of starlight sang down the fuller and sparkled at the tip. “Fancy,” Hunt said, earning a glare from Ruhn, who had raised a brow at Bryce, no doubt expecting some kind of reverence from her at a sword that was older than this city, older than the Vanir’s first step in Midgard. “The sword was part of a pair,” Ruhn said to him. “A long-bladed knife was forged from the iridium mined from the same meteorite, which fell on our old world.” The world the Fae had left to travel through the Northern Rift and into Midgard. “But we lost the knife eons ago. Even the Fae Archives have no record of how it might have been lost, but it seems to have been sometime during the First Wars.” “It’s another of the Fae’s countless inane prophecies,” Bryce muttered. “When knife and sword are reunited, so shall our people be.” “It’s

the sword has no power without the knife.” “The knife?” Hunt asked. Ruhn drew the sword, the metal whining, and laid it on the table between them. Bryce leaned back, away from it, as a bead of starlight sang down the fuller and sparkled at the tip.

owed, Bronson’s wife, Abigail, had opened a packet of Mary’s letters to Elizabeth and found out their true opinions. Elizabeth, outraged at the violation of her privacy and frightened by Abigail Alcott’s spiteful accusations of disloyalty, packed and left the house—with its brood of three small daughters, Anna, Louisa May, and the baby Elizabeth, named for Peabody as another form of payment in kind—and the city of Boston to live with her family twenty miles north in the old port town of Salem.

and of eminent scientist R Buckminster Fuller, who put it this way: You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete There is profound wisdom in Fuller’s advice. However, a new model will not come into view until men clean their inner houses. Once the inner republic is hygienic and free of disorder, the answers to external pestilence will be revealed. In the meantime man can waste his time with political reforms. That is as good as moving the furniture around on the Titanic.

Now we were standing around holding hands and not much was going on. I began to think of words I had known, just for fun, to fill up the blank space in my head. Couch, I thought. Cuisinart, I thought. The words felt different right now than they had before. They meant a little less, held a little less, but seemed somehow fuller: I had never really noticed how much sound there was in a word. The way it filled your mouth up with emptiness, a sort of loosened emptiness that you could tongue, an emptiness you could suck on like a stone. Stomach, I thought. Variety, I thought. Expectation. Intimation. Infiltration. Infiltration: I tongued that one further. I knew it had a hostile aspect, like someone breaking into your house or posing as someone you should trust. But it also had a lovely sound, a kind of tapered point and a gently ruffled edge, and as I repeated it over and over in my mouth it took on a really great flavor and I thought of water filtering in and out of a piece of fabric, back and forth, moving between, soaking it and washing out, soaking in and taking with it pale tremors of color, memory, resistance, all that stuff, until I felt like one of those pieces of cloth on the television commercials that got washed with the name-brand cleanser and is now not only white, but silky and mountain-scented.

Steve and I sat down in 2008 and made a practical list of the things that make our family work. We basically answered the question, “When things are going really well in our family, what does it look like?” The answers included sleep, working out, healthy food, cooking, time off, weekends away, going to church, being present with the kids, a sense of control over our money, meaningful work that doesn’t consume us, time to piddle, time with family and close friends, and time to just hang out. These were (and are) our “ingredients for joy and meaning.” Then we looked at the dream list that we started making a couple of years ago (and keep adding to). Everything on this list was an accomplishment or an acquisition—a house with more bedrooms, a trip here, personal salary goals, professional endeavors, and so forth. Everything required that we make more money and spend more money. When we compared our dream list to our “joy and meaning” list, we realized that by merely letting go of the list of things we want to accomplish and acquire, we would be actually living our dream—not striving to make it happen in the future, but living it right now. The things we were working toward did nothing in terms of making our life fuller. Embracing

So far, she had nothing but fear and the nauseating sensation that the hour would pass and she would be just as helpless as when she’d first left the Fuller house. The same problems that had plagued her before were on an endless loop that took up every conscious thought. Her mother: persistently unavailable. Huckleberry: worthless. Jacob Mayhew: probably working for the congressman. Fred Nolan: ditto, or maybe he had his own agenda. Congressman Johnny Jackson: Paul’s secret uncle. Powerful and connected, and duplicitous enough to stand with the Kilpatrick family during press conferences, as if he had no idea what had happened to their precious child. Adam Quinn: possible friend or foe.

Paul must have watched the tapes on the same VCR that Lydia and Claire had seen in the Fuller house. Claire imagined her young, awkward husband sitting in front of the television watching his dead father’s movies for the first time. Was Paul surprised by what he saw? Was he disgusted? She wanted to think that he’d been outraged, and repulsed, and that habituation and necessity had compelled him not only to sell the tapes, but also to try out his father’s deviations for himself.

CHARCOAL-BURNER carried on his trade in his own house. One day he met a friend, a Fuller, and entreated him to come and live with him, saying that they should be far better neighbors and that their housekeeping expenses would be lessened. The Fuller replied, “The arrangement is impossible as far as I am concerned, for whatever I should whiten, you would immediately blacken again with your charcoal.” Like will draw like.

He landed on his stomach with a thud that shook the Portal Mage’s house. Hardman’s eyes raised speculatively. “I think I’ll let you take the next go at it, lass. I need another example before I attempt that. I’ll barricade the door and make sure this fellow stays quiet for a couple of hours . . . or so.

A house is no home unless it contains food and fire for the mind as well as for the body,” Margaret Fuller

A house is no home unless it contains food and fire for the mind as well as for the body. MARGARET FULLER

Reflecting on the rapid series of events, Margaret wrote to her American readers, “The revolution, like all genuine ones, has been instinctive, its results unexpected and surprising to the greater part of those who achieved them.” In a subsequent session, the assembly voted to call Mazzini to Rome, where he would soon become the most powerful of three triumvirs selected to lead the young republic through its infancy, as the new government prepared to implement a program of drastic reform. A punitive tax on flour would be repealed, a national railway system constructed, church properties claimed for inexpensive housing, and papal lands outside Rome divided among the contadini (Italy’s peasant class).

It was when she thought about Nino that Margaret lost her courage, “became a coward”: “It seemed very wicked to have brought the little tender thing into the midst of cares and perplexities we had not feared in the least for ourselves.” At night she “imagined every thing.” Perhaps Nino would be killed by troops massing outside the city, as she had heard the Croatian soldiers fighting for Austria in Lombardy had massacred babies; they might set fire to Chiara’s house and Margaret would not be there to save him. Giovanni could be killed in the fighting; Margaret herself might not survive the French assault. What would become of Nino then? Since Nino’s birth, “my heart is bound to earth as never before.” But she could not leave, she “could not see my little boy.

it says ‘Ryan Fuller, Hallowsdeep’s most untrustworthy realtor. Don’t trust him around your house or your pussy.

three Emmys for our original kids shows Alexa and Katie, Fuller House, and A Series of Unfortunate Events.

A house is no home unless it contains food and fire for the mind as well as for the body,” Margaret Fuller wrote in Woman in the Nineteenth Century in 1845.

After Full House ended, I basically quit Hollywood. I went to college, lived abroad, married my boyfriend, had kids, got walloped by debilitating depression and anxiety, and went through a divorce. In short, I got lost and then I found my way back. Literally, I found my way back to the Tanner family home on the spin-off series Fuller House. How's that going for full circle?

Memory is the treasure house of the mind wherein the monuments thereof are kept and preserved." - Thomas Fuller

After the City of London itself, Southwark was the oldest bit of London proper, dating all the way back to the first ad hoc settlement on the south end of London Bridge. It had also always been the place that London stuck the things it didn’t want inside its walls, the tanneries, fullers, dyers and other industries that involved urine on an industrial scale. And, likewise, the other things that London needed but didn’t want too close, the bath houses and stews, the theaters and the bear pits. Carved through stinking, drunken, declaiming streets were the two Roman roads that linked the great bridge with Canterbury and the south coast.