Darkness Visible Book Quotes

Don Quixote could never manage without his patient servant Sancho Panza.

I can tell by my own reaction to it that this book is harmful." But let him only wait and perhaps one day he will admit to himself that this same book has done him a great service by bringing out the hidden sickness of his heart and making it visible.— Altered opinions do not alter a man’s character (or do so very little); but they do illuminate individual aspects of the constellation of his personality which with a different constellation of opinions had hitherto remained dark and unrecognizable.

The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.

There’s too much trust in the world. There’d be a lot less suffering if the general policy was to trust no one.

I must have had a dozen rides that evening. They blear into a nightmare, the one scarcely distinguishable from the other. It quickly became obvious why they picked me up. All but two picked me up the way they would pick up a pornographic photograph or book - except that this was verbal pornography. With a Negro, they assumed they need give no semblance of self-respect or respectability. The visual element entered into it. In a car at night visibility is reduced. A man will reveal himself in the dark, which gives the illusion of anonymity, more than he will in the bright light. Some were shamelessly open, some shamelessly subtle. All showed morbid curiosity about the sexual life of the Negro, and all had, at base, the same stereotyped image of the Negro as an inexhaustible sex-machine with oversized genitals and a vast store of experiences, immensely varied. They appeared to think that the Negro has done all of those “special” things they themselves have never dared to do. They carried the conversations into depths of depravity.

The savage tom-tom of her activity was proceeding at an incredible tempo when it came to an abrupt halt: Ken winced visibly at the sound of sheets being ripped violently from the carriage and dropped into the wastebasket. In rapid succession he considered and rejected the possibilities of: (1) urging Miss Todd to accomplish her task at a less tempestuous and disastrous pace, (2) paging Jane at Bonwit Teller's, (3) leaving banking for a less nerve-wracking profession and (4) committing suicide.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

Who of us, humans, at least once a lifetime, didn’t deeply fall into contemplation, standing in the darkness of such eventides beneath the constellations that are hiding different wyes and planets still hardly visible or reachable for our eyes and minds? How many chances are there that in one or few of those unknown worlds, some mighty civilizations had contrived the ways to see through the past time and billions of light-years? If this is the case, they’d also be able to descry the stories happening on the Earth… like the one narrated in this novel.

Change is hard. Our very human nature pulls us back to the status quo, not because it’s better, but because it’s familiar. However, I learned a few things about change as I visited bright spots: The unspoken culture we operate in trumps any policy on the books or nice speech by the boss. We create that culture by the stories we tell ourselves. And change gets a little easier when it’s visible. When we see that somebody’s out there doing things differently, we begin to think that maybe we can, too. We start finding others like us and build networks to create our own bright spot in the darkness. So

Blinking and it's dripping, the wet eyes The cold tears or foggy breath Pitter patter, but the melting one The deafening silence, shining My amusement, my curtains The cold, behind the landscape The conscious of aftermath Missing, night lamp lighting A symbolic gesture, raising my arm My bewilderment, this work done The cost of life, my uneven quilts These slurks of cold air, slowly entering By and by grabbed, a handful of curtain Failed to judge, the end of same Eventually, discovered the light Flashing my eyes, my un-dilated pupil The pane partiality covered, but visible The range of Bimar Narsar, like a bride It's blanket of white, flashing everywhere It's been snowing throughout the dark

depression in its major stages possesses no quickly available remedy: failure of alleviation is one of the most distressing factors of the disorder as it reveals itself to the victim, and one that helps situate it squarely in the category of grave diseases. Except in those maladies strictly designated as malignant or degenerative, we expect some kind of treatment and eventual amelioration, by pills or physical therapy or diet or surgery, with a logical progression from the initial relief of symptoms to final cure. Frighteningly, the layman-sufferer from major depression, taking a peek into some of the many books currently on the market, will find much in the way of theory and symptomatology and very little that legitimately suggests the possibility of quick rescue. Those that do claim an easy way out are glib and most likely fraudulent. There are decent popular works which intelligently point the way toward treatment and cure, demonstrating how certain therapies—psychotherapy or pharmacology, or a combination of these—can indeed restore people to health in all but the most persistent and devastating cases; but the wisest books among them underscore the hard truth that serious depressions do not disappear overnight. All of this emphasizes an essential though difficult reality which I think needs stating at the outset of my own chronicle: the disease of depression remains a great mystery. It has yielded its secrets

His “light” is a swifter movement which for us is nothing at all; and what we call light is for him a thing like water, a visible thing, a thing he can touch and bathe in—even a dark thing when not illumined by the swifter. And what we call firm things—flesh and earth—seem to him thinner, and harder to see, than our light, and more like clouds, and nearly nothing. To us the eldil is a thin, half-real body that can go through walls and rocks: to himself he goes through them because he is solid and firm and they are like cloud. And what is true light to him and fills the heaven, so that he will plunge into the rays of the sun to refresh himself from it, is to us the black nothing in the sky at night. These things are not strange, Small One, though they are beyond our senses.

In the case of the airport, code both facilitates and coproduces the environment. Prior to visiting an airport, passengers engage with an electronic booking system – such as SABRE – that registers their data, identifies them, and makes them visible to other systems, such as check-in desks and passport control. If, when they find themselves at the airport, the system becomes unavailable, it is not a mere inconvenience. Modern security procedures have removed the possibility of paper identification or processing: software is the only accepted arbiter of the process. Nothing can be done; nobody can move. As a result, a software crash revokes the building’s status as an airport, transforming it into a huge shed filled with angry people. This is how largely invisible computation coproduces our environment – its critical necessity revealed only in moments of failure, like a kind of brain injury.

The storm which swept me into a hospital in December began as a cloud no bigger than a wine goblet the previous June. And the cloud—the manifest crisis—involved alcohol, a substance I had been abusing for forty years. Like a great many American writers, whose sometimes lethal addiction to alcohol has become so legendary as to provide in itself a stream of studies and books, I used alcohol as the magical conduit to fantasy and euphoria, and to the enhancement of the imagination. There is no need to either rue or apologize for my use of this soothing, often sublime agent, which had contributed greatly to my writing; although I never set down a line while under its influence, I did use it—often in conjunction with music—as a means to let my mind conceive visions that the unaltered, sober brain has no access to. Alcohol was an invaluable senior partner of my intellect, besides being a friend whose ministrations I sought daily—sought also, I now see, as a means to calm the anxiety and incipient dread that I had hidden away for so long somewhere in the dungeons of my spirit.

The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.

— ’tis flatten and fold, isn’t it, and flatten again, among the thicknesses of Hide, till presently you’ve these very thin Sheets of Gold-Leaf.” “Lamination,” Mason observes. “Lo, Lamination abounding,” contributes Squire Haligast, momentarily visible, “its purposes how dark, yet have we ever sought to produce these thin Sheets innumerable, to spread a given Volume as close to pure Surface as possible, whilst on route discovering various new forms, the Leyden Pile, decks of Playing-Cards, Contrivances which, like the Lever or Pulley, quite multiply the apparent forces, often unto disproportionate results. . . .” “The printed Book,” suggests the Revd, “— thin layers of pattern’d Ink, alternating with other thin layers of compress’d Paper, stack’d often by the Hundreds.” “Or an unbound Heap of Broadsides,” adds Mr. Dimdown, “dispers’d one by one, and multiplying their effect as they go.” The Macaroni is of course not what he seems, as which of us is?— the truth comes out weeks later, when he is discover’d running a clandestine printing Press, in a Cellar in Elkton. He looks up from the fragrant Sheets, so new that one might yet smell the Apprentices’ Urine in which the Ink-Swabs were left to soften, bearing, to sensitiz’d Nasalia, sub-Messages of youth and Longing,— all about him the word repeated in large Type, LIBERTY. One Civilian leads in a small band of Soldiers. “Last time you’ll be seeing that word.” “Don’t bet your Wife’s Reputation on it,” the Quarrelsome Fop might have replied. Philip Dimdown, return’d to himself, keeps his Silence.

Punishment cells were set up in the two-story cathedral ... Poles the thickness of an arm were set from wall to wall and prisoners were ordered to sit on these poles all day ... one's feet could not reach the ground. And it was not so easy to keep balance ... the prisoner spent the entire day just trying to maintain his perch. If he fell, the jailers jumped in and beat him ... Every little island and every little hillock of the Archipelago had to be encircled by a hostile, stormy Soviet seascape ... Escapes multiplied ... For half a year the sea was frozen over, but not solidly, and in places there was open water, and the snowstorms raged, and the frost bit hard, and things were enveloped in mists and darkness. And in the spring ... there were the long white nights with clear visibility over long distances for the patrolling cutters ... it was only when the nights began to lengthen, in the late summer and the autumn, that the time was right ... for those who were out in work parties, where a prisoner might have freedom of movement and time to build a boat or a raft near the shore ... and to cast off at night ... and strike out at random, hoping above all to encounter a foreign ship ... The whole long history of the Archipelago, about which it has fallen to me to write this home-grown, homemade book, has, in the course of half a century, found in the Soviet Union almost no expression whatever in the printed word. In this a role was played by that same unfortunate happenstance by which camp watchtowers never got into scenes in films nor into landscapes painted by our artists ...

One can do only so much to control one's life,' Ernestine said, and with that, a summary statement as philosophically potent as any she cared to make, she returned the wallet to her handbag, thanked me for lunch, and, gathering herself almost visibly back into that orderly, ordinary existence that rigorously distanced itself from delusionary thinking, whether white or black or in between, she left the car. Instead of my then heading home, I drove crosstown to the cemetery and, after parking on the street, walked in through the gate, and not quite knowing what was happening, standing in the falling darkness beside the uneven earth mound roughly heaped over Coleman's coffin, I was completely seized by his story, by its end and by its beginning, and, then and there, I began this book. I began by wondering what it had been like when Coleman had told Faunia the truth about that beginning--assuming that he ever had; assuming, that is, that he had to have. Assuming that what he could not outright say to me on the day he burst in all but shouting, "Write my story, damn you!" and what he could not say to me when he had to abandon (because of the secret, I now realized) writing the story himself, he could not in the end resist confessing to her, to the college cleaning woman who'd become his comrade-in-arms, the first and last person since Ellie Magee for whom he could strip down and turn around so as to expose, protruding from his naked back, the mechanical key by which he had wound himself up to set off on his great escapade. Ellie, before her Steena, and finally Faunia. The only woman never to know his secret is the woman he spent his life with, his wife. Why Faunia?

Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.

Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.” “I don’t see all your weapons,” said Reepicheep. “Are they invisible too?” The words were scarcely out of his mouth before they heard a whizzing sound and next moment a spear had stuck, quivering, in one of the trees behind them. “That’s a spear, that is,” said the Chief Voice. “That it is, Chief, that it is,” said the others. “You couldn’t have put it better.” “And it came from my hand,” the Chief Voice continued. “They get visible when they leave us.” “But why do you want me to do this?” asked Lucy. “Why can’t one of your own people? Haven’t you got any girls?” “We dursen’t, we dursen’t,” said all the Voices. “We’re not going upstairs again.” “In other words,” said Caspian, “you are asking this lady to face some danger which you daren’t ask your own sisters and daughters to face!” “That’s right, that’s right,” said all the Voices cheerfully. “You couldn’t have said it better. Eh, you’ve had some education, you have. Anyone can see that.” “Well, of all the outrageous--” began Edmund, but Lucy interrupted. “Would I have to go upstairs at night, or would it do in daylight?” “Oh, daylight, daylight, to be sure,” said the Chief Voice. “Not at night. No one’s asking you to do that. Go upstairs in the dark? Ugh.” “All right, then, I’ll do it,” said Lucy. “No,” she said, turning to the others, “don’t try to stop me. Can’t you see it’s no use? There are dozens of them there. We can’t fight them. And the other way there is a chance.” “But a magician!” said Caspian. “I know,” said Lucy. “But he mayn’t be as bad as they make out. Don’t you get the idea that these people are not very brave?” “They’re certainly not very clever,” said Eustace.

Today the cloud is the central metaphor of the internet: a global system of great power and energy that nevertheless retains the aura of something noumenal and numnious, something almost impossible to grasp. We connect to the cloud; we work in it; we store and retrieve stuff from it; we think through it. We pay for it and only notice it when it breaks. It is something we experience all the time without really understanding what it is or how it works. It is something we are training ourselves to rely upon with only the haziest of notions about what is being entrusted, and what it is being entrusted to. Downtime aside, the first criticism of this cloud is that it is a very bad metaphor. The cloud is not weightless; it is not amorphous, or even invisible, if you know where to look for it. The cloud is not some magical faraway place, made of water vapor and radio waves, where everything just works. It is a physical infrastructure consisting of phone lines, fibre optics, satellites, cables on the ocean floor, and vast warehouses filled with computers, which consume huge amounts of water and energy and reside within national and legal jurisdictions. The cloud is a new kind of industry, and a hungry one. The cloud doesn't just have a shadow; it has a footprint. Absorbed into the cloud are many of the previously weighty edifices of the civic sphere: the places where we shop, bank, socialize, borrow books, and vote. Thus obscured, they are rendered less visible and less amenable to critique, investigation, preservation and regulation. Another criticism is that this lack of understanding is deliberate. There are good reasons, from national security to corporate secrecy to many kinds of malfeasance, for obscuring what's inside the cloud. What evaporates is agency and ownership: most of your emails, photos, status updates, business documents, library and voting data, health records, credit ratings, likes, memories, experiences, personal preferences, and unspoken desires are in the cloud, on somebody else's infrastructure. There's a reason Google and Facebook like to build data centers in Ireland (low taxes) and Scandinavia (cheap energy and cooling). There's a reason global, supposedly post-colonial empires hold onto bits of disputed territory like Diego Garcia and Cyprus, and it's because the cloud touches down in these places, and their ambiguous status can be exploited. The cloud shapes itself to geographies of power and influence, and it serves to reinforce them. The cloud is a power relationship, and most people are not on top of it. These are valid criticisms, and one way of interrogating the cloud is to look where is shadow falls: to investigate the sites of data centers and undersea cables and see what they tell us about the real disposition of power at work today. We can seed the cloud, condense it, and force it to give up some of its stories. As it fades away, certain secrets may be revealed. By understanding the way the figure of the cloud is used to obscure the real operation of technology, we can start to understand the many ways in which technology itself hides its own agency - through opaque machines and inscrutable code, as well as physical distance and legal constructs. And in turn, we may learn something about the operation of power itself, which was doing this sort of thing long before it had clouds and black boxes in which to hide itself.

For validation of knowledge about something, seeing something is not necessary. We use inference to know about things we have not seen, but which nevertheless are considered as true by inference. We would infer that someone put book on table if it was lying in cupboard when we last saw it. If we see an infant crying in a stroller in park and is unattended, we would immediately search for the parent or attendant who would have accompanied the infant to this place. Inference can be used to derive valid knowledge about unseen concepts whose physical manifestations can however be observed like gravity, for instance. We know that dark energy and dark matter, detectable only because of their effect on the visible matter around them, make up most of the universe. We knew black holes exist even before we observed them through a visible image in 2019.

we have known since the 1970s—that dark matter in the universe outweighs visible matter by a ratio of six to one. But no one has ever been able to find it. There’s a world, literally, in which dark matter is hidden away.

As she felt his fangs against her neck, she was in another world. There was screaming. A woman was somewhere in agony. Everything was black, and the tormented scream was overwhelming, echoing through the emptiness. After the screaming subsided, there was panting, loud and steady, and it wasn’t as dark anymore. There was a room visible now, in a reddish light. A pale man with black hair hovered over a woman dressed in white. She lay on a bed, looking disheveled and sweaty. Her brown-black hair clung to her wet forehead and shoulders. She was covered in blood. The man sat next to her, and held her close to him. He stroked her hair as her chest heaved desperately. “I love you, my dearest Katerina,” he said, cradling her in his strong arms. “Soon, we’ll be together forever.” Everything faded to black once more, and the woman stopped breathing. All was silent and still.

This is light.” He tightened his fist and then quickly opened his fingers releasing a magical burst of flame from his right hand. Swirling around his palms in different directions he caused the scarlet blaze to dance in thin air before he firmly clutched it and caused it to disappear, ”Light is the natural agent that stimulates sight and makes things visible. It causes things to burn and sparks the act of ignition…In the Mortal Bible in the book of Genesis it is the beginning of life...” The Professor opened his arms wide as he spoke with great bravado “‘And God said, “Let there be Light!’” and there was light.’’ His hands released a stream of lightning bolts that flashed so majestically that it caused all of the onlookers to mask their eyes from its harsh glow before the bolts ceased in their gleaming, “But remember God also labeled that light as good and God divided the light from the darkness…” As quickly as the flame flourished in his hands before, he used his fists with the same intensity causing all of the fluorescent bulbs to dim and the room to suddenly fall into complete darkness.

Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?

The Almighty Power threw him Down in flames from the skies of Heaven With terrible flame and destruction, down To the bottomless pit of hell, to live there Bound in unbreakable chains, burned with punishing fire, For having dared challenge the Almighty to battle.   For nine days, as they are measured By men, he and his terrible gang Lay beaten, thrashing in the fiery sea, Defeated though still immortal: But his fate Raised further anger in him; for now the thought Of the happiness he had lost and the pain he now faces Tortures him: he cast around his hate filled eyes Which showed great pain and terror Mixed with unyielding pride and unmoving hate: As far as Angels can see he sees The terrible place, bleak and wild, A horrible dungeon, whose walls all around Burned like one great oven, but from those flames There is no light, but a visible darkness Which only showed things of sadness, Lands of sorrow, miserable shadows, where peace And rest are unknown, where the hope that comes to all Never comes; endless torture Drives on forever, and there is a fiery storm, fed By sulphur which burns forever and never runs out: This was the place God’s justice had made For these rebels, here he had ordered their prison built In total darkness, and their allotted place Was to be as far away from God and Heaven’s light As three times distance from the equator to the Poles.   Oh, how different it was to their former home! There those who fell with him,

The simple beauty of the yin/yang system is based on the observation that everything has two sides. The word yin designates the shady side of a mountain; the word yang represents the sunny side. By extension, yin came to mean all things dark, cool, damp, hidden, withdrawn, interior, feminine, while yang represented all things light, warm, dry, exteriorized, visible, masculine.

Dear Daughter, The beauty of the stars is visible in the night. So, when you are in the dark, do not forget to shine.

God’s presence is more visible when you go through darkness, but you need perseverance in order to experience His light.

Darkness. Darkness everywhere. I was in a sleep that I couldn't awake from, and it seemed to last forever. Finally, I opened my eyes. Instead of darkness, dirt surrounded me. Someone had buried me. I started clawing my way out of the ground, my hands not visible. As I did, I felt my familiar bow in my hand. I kept digging myself up, up, and up, until I finally popped out of the ground. I stood up. My entire body felt light, and as I moved around, it rattled. The moonlight shined above me as I looked at my hands.

And then red, marbled with pink, around two imperfect circles of bone-white with dark centers. A space where there shouldn’t be one—ground visible, covered with grass, and some clover. Red again—an image of the tomatoes on the kitchen counter flashed across Beatrice’s mind—surrounding two more bone-white circles. The hand bearing the peacock was severed, that was why Beatrice could see a sliver of ground where basic biology dictated there should be skin. There was a clean cut five inches or so above the wrist, just missing the edge of the peacock’s tail, the muscles and tendons—the bones—neatly sliced through like a Swiss round steak prepared by an expert butcher.

Yamauchi reached over to his desk to retrieve a piece of paper. “Let me quote what scholar Paul Maier said about the darkness in a footnote in his 1968 book Pontius Pilate,” he said, reading these words: This phenomenon, evidently, was visible in Rome, Athens, and other Mediterranean cities. According to Tertullian . . . it was a “cosmic” or “world event.” Phlegon, a Greek author from Caria writing a chronology soon after 137 A.D., reported that in the fourth year of the 202nd Olympiad (i.e., 33 A.D.) there was “the greatest eclipse of the sun” and that “it became night in the sixth hour of the day [i.e., noon] so that stars even appeared in the heavens. There was a great earthquake in Bithynia, and many things were overturned in Nicaea.”10 Yamauchi concluded, “So there is, as Paul Maier points out, nonbiblical attestation of the darkness that occurred at the time of Jesus’ crucifixion. Apparently, some found the need to try to give it a natural explanation by saying it was an eclipse.

YOU CAN’T HAVE death without birth. The Ancient Egyptians believed that before creation, there was only unity —no death, no birth, no light, no darkness, no earth, no sky. Just an undifferentiated oneness, into which something had to be carved. Atum was the androgynous creator god. His name literally means All. The Coffin Texts say that Atum created the first male/female pair. He masturbated into existence Shu— the luminous space between sky and earth, and spat out Tefnut—the divine moisture. In Middle Egyptian, the word hand is feminine, so the male Atum has a feminine element of himself that he uses to fashion the world. It’s because of this belief that Egyptian religion uses the concept of syncretism. Two deities who appear as separate gods in temples can be taken back a generation, before they split. Amun-Re is the hidden Amun and his visible form, Re, together. You start with a unified whole, and then as time passes, you differentiate and organize and divide. Creation, by definition, is separation. Moving forward means being split apart.

A couple of nights ago, I was getting a taxi home on my own after a book launch. The streets were quiet and dark, and the air was oddly warm and still, and on the quays the office buildings were all lit up inside, and empty, and underneath everything, beneath the surface of everything, I bagan to feel it all over again - the nearness, the possibility of beauty, like a light radiating softly from behind the visible world, illuminating everything. As soon as I realized what I was feeling, I tried to move toward it in my thoughts, to reach out and handle it, but it only cooled a little or shrank away from me, or slipped off further ahead. The lights in the epty offices had reminded me of something, and I had been thinking about you, trying to imagine your house, I think, and I remembered I'd had an email from you, and at the same time I was thinking of Simon, of the mystery of him, and somehow as I looked out the taxi window, I started to think about his physical presence in the city, that somewhere inside the city's structure, standing or sitting, holding his arms one way or another, dressed or undressed, he was present, and Dublin was like an advent calendar concealing him behind one of its million windows, and the quality of the air was instilled, the temperature was instilled, with his presence, and with your email, and with this message I was writing back to you in my head even then. The world seemed capable of including these things, and my eyes were capable, my brain was capable, of receiving and understanding them. I was tired, it was late, I was sitting half-asleep in the back of a taxi, remembering strangely that wherever I go, you are with me, and so is her, and that as long as you both live the world will be beautiful to me.

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There exists a culture shared even by those who are dissatisfied with mass culture, and it is among the most dangerous precisely because it is dazzling—deceptive. It is a culture that belongs to those who are "dissatisfied with the world as it is." This manifests in the following ways: They still carry a certain belief and hope in humanity. If they suffer, they might dream that their suffering will one day “be heard by everyone.” Through their works, they may fantasize about becoming popular. They might romanticize the psychiatric term "trauma." They might aim to "fix and recover" things or people. They might set their minds on leaving a "meaningful impact" and become activists. They might frequently “discuss” on philosophy forums. They might be aiming at “dark vibes.” They might cling to mottos like “forever alone.” They might refer to themselves as "just a random book lover.” They might have interests in “just some random weird stuff.” They might still be screaming into the void. They might try to “prove their depth” publicly. They might refer to themselves as "lost souls" to the point of weariness, even internalizing this very term—coined by the system to reduce by classifying them—implying a form of domesticated rebellion. And so on. These supposed outsiders are actually on the inside, worshipping at the altar of visibility, validation, and vague worldly hope. Their beliefs—“art-as-cure,” “literature-as-refuge,” “activism-as-purpose”—are not radical to the point of exile but packaged and predictable. They don't reject the system; they only ask to be understood within its boundaries. They weep, but with an eye to applause. They write, but always with a publisher in mind. They compose, but just to make money. They mourn, but only to be noticed. They claim detachment, but still speak as if begging to be liked and heard. They imagine themselves as “wild,” but only within the categories that subcultures and language allow. After all, there are two ends to the ruins: on one end, these kinds of “loners” who are still tied to conventional wisdom; and on the other, the utterly unknown, mystic, cosmic, and free spirits who have transcended everything human.