Fruit Lover Quotes

i don't know when love became elusive what i know, is that no one i know has it my fathers arms around my mothers neck fruit too ripe to eat, a door half way open when your name is a just a hand i can never hold everything i have ever believed in, becomes magic. i think of lovers as trees, growing to and from one another searching for the same light, my mothers laughter in a dark room, a photograph greying under my touch, this is all i know how to do, carry loss around until i begin to resemble every bad memory, every terrible fear, every nightmare anyone has ever had. i ask did you ever love me? you say of course, of course so quickly that you sound like someone else i ask are you made of steel? are you made of iron? you cry on the phone, my stomach hurts i let you leave, i need someone who knows how to stay.

I want to read every book that’s written hear every song that was sung I want to gaze at every cloud and hold the zing of each fruit on my tongue.

Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars.

Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!" Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.

Tohr shook his head. "If you're going to get plastered, why can't you do it like areal man." "I like the taste of fruit." "You are what you drink." The angel glanced up at the clock, "Shit. I missed Maury. But, I DVR'd Ellen.

I want to take you under the moonlight.

Think the tree that bears nutrition: though the fruits are picked, the plant maintains fruition. So give all the love you have. Do not hold any in reserve. What is given is not lost; it shall return.

She had assumed they would see each other every day but she hadn’t really thought about the implications of having an affair with a married man. It wasn’t going to be a normal relationship.

If you had closed your eyes and looked inward, you would have seen me; you would have seen us. We have always been inseparable, like night and day, light and dark, flowers and fruits, and spirituality and sexuality.

Who owns Cross Creek? The red-birds, I think, more than I, for they will have their nests even in the face of delinquent mortgages..It seems to me that the earth may be borrowed, but not bought. It may be used, but not owned. It gives itself in response to love and tending, offers its sesonal flowering and fruiting. But we are tenants and not possessors, lovers, and not masters. Cross Creek belongs to the wind and the rain, to the sun and the seasons, to the cosmic secrecy of seed, and beyond all, to time..."

One sip of this wine and you will go mad with drunkenness. You will drop your masks and tear your clothes — destroying everything that separates you from the Lover. Once you taste the fruit of this vine, you will be kicked out of the city of yourself. You will forget the world. You will forget yourself. I tell you: you will become a madman who wanders the streets looking for the Lover once you drink this Wine of Love.

Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done. And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.

May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.

A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-

Hélène Lagonelle’s body is heavy, innocent still, her skin’s as soft as that of certain fruits, you almost can’t grasp her, she’s almost illusory, it’s too much. She makes you want to kill her, she conjures up a marvelous dream of putting her to death with your own hands. Those flour-white shapes, she bears them unknowingly, and offers them for hands to knead, for lips to eat, without holding them back, without any knowledge of them and without any knowledge of their fabulous power. I’d like to eat Hélène Lagonelle’s breasts as he eats mine in the room in the Chinese town where I go every night to increase my knowledge of God. I’d like to devour and be devoured by those flour-white breasts of hers. I am worn out with desire for Hélène Lagonelle. I am worn out with desire. I want to take Hélène Lagonelle with me to where every evening, my eyes shut, I have imparted to me the pleasure that makes you cry out. I’d like to give Hélène Lagonelle to the man who does that to me, so he may do it in turn to her. I want it to happen in my presence, I want her to do it as I wish, I want her to give herself where I give myself. It’s via Hélène Lagonelle’s body, through it, that the ultimate pleasure would pass from him to me. A pleasure unto death.

Men of dreams, the lovers and the poets, are better in most things than the men of my sort; the men of intellect. You take your being from your mothers. You live to the full: it is given you to love with your whole strength, to know and taste the whole of life. We thinkers, though often we seem to rule you, cannot live with half your joy and full reality. Ours is a thin and arid life, but the fullness of being is yours; yours the sap of the fruit, the garden of lovers, the joyous pleasaunces of beauty. Your home is the earth, ours the idea of it. Your danger is to be drowned in the world of sense, ours to gasp for breath in airless space. You are a poet, I a thinker. You sleep on your mother's breast, I watch in the wilderness. On me there shines the sun; on you the moon with all the stars. Your dreams are all of girls, mine of boys—

Lovers with all the glories and all the graces are supposed to be plentiful as blackberries by girls of nineteen, but have been proved to be rare hothouse fruits by girls of twenty-nine.

Perfectly good fruit, simply in being bumped about by chance, indifferently sniffed at, idly handled and overlooked, is sometimes gradually made unfit for those who would otherwise choose it. So it is with lovers.

Syrian monk, Isaac of Niniveh: Many are avidly seeking but they alone find who remain in continual silence. … Every man who delights in a multitude of words, even though he says admirable things, is empty within. If you love truth, be a lover of silence. Silence like the sunlight will illuminate you in God and will deliver you from the phantoms of ignorance. Silence will unite you to God himself. … More than all things love silence: it brings you a fruit that tongue cannot describe. In the beginning we have to force ourselves to be silent. But then there is born something that draws us to silence. May God give you an experience of this “something” that is born of silence. If only you practice this, untold light will dawn on you in consequence … after a while a certain sweetness is born in the heart of this exercise and the body is drawn almost by force to remain in silence.

What if our bodies were transparent, like a washing machine window? How wondrous to watch ourselves. Joggers would job even harder, blood pumping away. Lovers would love more. God damn! Look at that old semen go! Diets would improve-- kiwi fruit and strawberries, borscht with sour cream.

To Selene (Moon) Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night. With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride: Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline. Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon: Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light. Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life: Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end. Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil; Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light, Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.

You do bad things to me, Carrie,” he grinned, “Very bad things.

I had a dream about you. You owned a farm, and you grew teamwork, because yours was an ant farm. I was a coach looking to recruit some new fruit, but I decided to give your produce a try. I made the right decision because I ended up winning the 2014 World Picnic Championships.

Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love.

I want to be like that – a woman with a unique personality softened with gentleness, who leaves others with a sweet feeling.

On the trees were no longer only leaves but brown fruits, on the bushes no longer blossoms but clusters of red berries. And the wind had a rough manliness in its voice - the tone not of a lover but of a husband.

Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas. But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things. They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.

It's a curious thing that the mental life seems to flourish with its roots in spite, ineffable and fathomless spite. Always has been so! Look at Socrates, in Plato, and his bunch round him! The sheer spite of it all, just sheer joy in pulling somebody else to bits...Protagoras, or whoever it was! And Alcibiades, and all the other little disciple dogs joining in the fray! I must say it makes one prefer Buddha, quietly sitting under a bo-tree, or Jesus, telling his disciples little Sunday stories, peacefully, and without any mental fireworks. No, there's something wrong with the mental life, radically. It's rooted in spite and envy, envy and spite. Ye shall know the tree by its fruit.

Imagine Persephone for the first time in the absolute intoxication of dark, her senses stretching languid, the cave as moist as lover's breath. The feast, the chair, the plate, the fruit: red. Imagine a story whose moral is mute desire.

Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.

In the Land under the Hill, in the Time Before … Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel. Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side. And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her. And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing. She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild. Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature. She did not lie, for she could not lie. Humans are animals. Pain is their nature. For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy. Until the day one brother discovered the truth of the other. The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie. The lady set the useless brother free and allowed him to believe he had freed himself. The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her. The lady let her lover renounce her and run away. And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him. As she had given him his story, she gave him his children. She had nothing left to live for, then, and so lived no longer. This is the story she left behind, the story her lover will never know; this is the story her daughter will never know. This is how a faerie loves: with her whole body and soul. This is how a faerie loves: with destruction. I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that. I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever. This is how a faerie loves: with a gift.

What is the fruit of these teachings? Only the most beautiful and proper harvest of the truly educated—tranquility, fearlessness, and freedom. We should not trust the masses who say only the free can be educated, but rather the lovers of wisdom who say that only the educated are free.

And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.

No, there's something wrong with the mental life, radically. It's rooted in spite and envy, envy and spite. Ye shall know the tree by its fruit.

In this day and age, it is hard for a saint to trust the cucumber.

Strawberries should be admired, not eaten.

You have two options in life: stay home, and stay hungry, or go out there, pluck some cashews, and convert them into cash.

Avocado must be a magical fruit. The name itself sounds like an invocation.

Introverts are like the stars in star apples. They don’t feel the need to reveal themselves, except someone rips them open.

He looked at me like I was crazy. Most of my lovers do, and that's partly why they love me, and partly why they leave.

When a fruit salad, a lover, or a jazz trio is just too imperfect for our tastes, we stop eating, kissing, and listening. But the law of large numbers suggests that when a measurement is too imperfect for our tastes, we should not stop measuring. Quite the opposite - we should measure again and again until niggling imperfections yield to the onslaught of data.

She unlocked the door, and they walked through to the small backyard. It was fall, and two of their three fruit trees were in season: a Fuyu persimmon tree and a guava tree. “Sadie, do you see this? This is a persimmon tree! This is my favorite fruit.” Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. “Can you believe our luck?” Marx said. “We bought a house with a tree that has my actual favorite fruit.” Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love. “Shouldn’t you wash that?” Sadie asked. “It’s our tree. Nothing’s touched it except my grimy hand,” Marx said. “What about the birds?” “I don’t fear the birds, Sadie. But you should have one of these.” Marx stood, and he picked another fruit for himself and one for her. He walked over to the hose at the side of the house, and he rinsed the persimmon. He held out the fruit to her. “Eat up, my love. Fuyus only yield every other year.” Sadie took a bite of the fruit. It was mildly sweet, its flesh somewhere between a peach and a cantaloupe. Maybe it was her favorite fruit, too?

Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love. “Shouldn’t you wash that?” Sadie asked.

Ever since, two summers ago, Joe Marino had begun to come into her bed, a preposterous fecundity had overtaken the staked plans, out in the side garden where the southwestern sun slanted in through the line of willows each long afternoon. The crooked little tomato branches, pulpy and pale as if made of cheap green paper, broke under the weight of so much fruit; there was something frantic in such fertility, a crying-out like that of children frantic to please. Of plants, tomatoes seemed the most human, eager and fragile and prone to rot. Picking the watery orange-red orbs, Alexandra felt she was cupping a giant lover’s testicles in her hand.

-The lover is only a lover; however, the sober, beautiful, and wise choice is the best life-mate, who holds the friendship, love, sex, and all responsibilities to fulfill; it is the gift, fruit, and the truth of the real LOVE.

Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard?

It is part of the nature of a strong erotic passion—as distinct from a transient fit of appetite—that makes more towering promises than any other emotion. No doubt all our desires makes promises, but not so impressively. To be in love involves the almost irresistible conviction that one will go on being in love until one dies, and that possession of the beloved will confer, not merely frequent ecstasies, but settled, fruitful, deep-rooted, lifelong happiness. Hence all seems to be at stake. If we miss this chance we shall have lived in vain. At the very thought of such a doom we sink into fathomless depths of self-pity. Unfortunately these promises are found often to be quite untrue. Every experienced adult knows this to be so as regards all erotic passions (except the one he himself is feeling at the moment). We discount the world-without-end pretensions of our friends’ amours easily enough. We know that such things sometimes last—and sometimes don’t. And when they do last, this is not because they promised at the outset to do so. When two people achieve lasting happiness, this is not solely because they are great lovers but because they are also—I must put it crudely—good people; controlled, loyal, fair-minded, mutually adaptable people. If we establish a “right to (sexual) happiness” which supersedes all the ordinary rules of behavior, we do so not because of what our passion shows itself to be in experience but because of what it professes to be while we are in the grip of it.

After God tells Eve what is going to happen, now that she has awakened, He turns to Adam—who, along with his male descendants, doesn’t get off any easier. God says something akin to this: “Man, because you attended to the woman, your eyes have been opened. Your godlike vision, granted to you by snake, fruit and lover, allows you to see far, even into the future. But those who see into the future can also eternally see trouble coming, and must then prepare for all contingencies and possibilities. To do that, you will have to eternally sacrifice the present for the future. You must put aside pleasure for security. In short: you will have to work. And it’s going to be difficult. I hope you’re fond of thorns and thistles, because you’re going to grow a lot of them.

So through the eyes love attains the heart: For the eyes are the scouts of the heart, And the eyes go reconnoitering For what it would please the heart to possess. And when they are in full accord And firm, all three, in the one resolve, At that time, perfect love is born From what the eyes have made welcome to the heart. Not otherwise can love either be born or have commencement Than by this birth and commencement moved by inclination. By the grace and by command Of these three, and from their pleasure, Love is born, who its fair hope Goes comforting her friends. For as all true lovers Know, love is perfect kindness, Which is born—there is no doubt—from the heart and eyes. The eyes make it blossom; the heart matures it: Love, which is the fruit of their very seed.

Every idiot assumes there's a pressing circumstance about his love that necessitates particular haste, and thereby lays bare the intensity of his love, unwittingly putting a weapon into the hands of his beloved. If his lover is smart, she'll postpone the answer.The moral: Haste delays the fruits of love.

Or what is it you used to say when we’d to go out in my pickup truck down by the pond, just the two of us? I’m the bit to your bridle. I’m the Jack in your Daniels….” Would it be weird if I were shedding tears right now? “You’re the fruit in my pie…you’re the sprinkles on my cake,” I finish his sentence.

What is the fruit of these teachings? Only the most beautiful and proper harvest of the truly educated—tranquility, fearlessness, and freedom. We should not trust the masses who say only the free can be educated, but rather the lovers of wisdom who say that only the educated are free.” —EPICTETUS, DISCOURSES, 2.1.21–23a

Naked Girl and Mirror This is not I. I had no body once- only what served my need to laugh and run and stare at stars and tentatively dance on the fringe of foam and wave and sand and sun. Eyes loved, hands reached for me, but I was gone on my own currents, quicksilver, thistledown. Can I be trapped at last in that soft face? I stare at you in fear, dark brimming eyes. Why do you watch me with that immoderate plea- 'Look under these curled lashes, recognize that you were always here; know me-be me.' Smooth once-hermaphrodite shoulders, too tenderly your long slope runs, above those sudden shy curves furred with light that spring below your space. No, I have been betrayed. If I had known that this girl waited between a year and a year, I'd not have chosen her bough to dance upon. Betrayed, by that little darkness here, and here this swelling softness and that frightened stare from eyes I will not answer; shut out here from my own self, by its new body's grace- for I am betrayed by someone lovely. Yes, I see you are lovely, hateful naked girl. Your lips in the mirror tremble as I refuse to know or claim you. Let me go-let me be gone. You are half of some other who may never come. Why should I tend you? You are not my own; you seek that other-he will be your home. Yet I pity your eyes in the mirror, misted with tears; I lean to your kiss. I must serve you; I will obey. Some day we may love. I may miss your going, some day, though I shall always resent your dumb and fruitful years. Your lovers shall learn better, and bitterly too, if their arrogance dares to think I am part of you.

January 2nd EDUCATION IS FREEDOM “What is the fruit of these teachings? Only the most beautiful and proper harvest of the truly educated—tranquility, fearlessness, and freedom. We should not trust the masses who say only the free can be educated, but rather the lovers of wisdom who say that only the educated are free.” —EPICTETUS, DISCOURSES, 2.1.21–23a

All these were lovers and emulators and disciples of the culture of the Lacedaemonians, and any one may perceive that their wisdom was of this character; consisting of short memorable sentences, which they severally uttered. And they met together and dedicated in the temple of Apollo at Delphi, as the first-fruits of their wisdom, the far-famed inscriptions, which are in all men’s mouths—‘Know thyself,’ and ‘Nothing too much.

The Filipino-style Chinese donut, or shtekeleh, is the great contribution of the District of Sitka to the food lovers of the world. In its present form, it cannot be found in the Philippines. No Chinese trenchermen would recognize it as the fruit of his native fry kettles. Like the storm god Yahweh of Sumeria, the shtekeleh was not invented by the Jews, but the world would sport neither the God not the shtekeleh without Jews and their desires.

God says something akin to this: “Man, because you attended to the woman, your eyes have been opened. Your godlike vision, granted to you by snake, fruit and lover, allows you to see far, even into the future. But those who see into the future can also eternally see trouble coming, and must then prepare for all contingencies and possibilities. To do that, you will have to eternally sacrifice the present for the future. You must put aside pleasure for security. In short: you will have to work.

They no longer felt desolate, hungry outcasts; unloved and unwanted, despised of the world. They were lovers who walked in the vineyard of life, plucking the warm, sweet fruits of that vineyard. Love had lifted them up as on wings of fire, had made them courageous, invincible, enduring. Nothing could be lacking to those who loved—the very earth gave of her fullest bounty. The earth seemed to come alive in response to the touch of their healthful and eager bodies—nothing could be lacking to those who loved.

Absence " Then the birds stitching the dawn with their song have patterned your name. Then the green bowl of the garden filling with light is your gaze. Then the lawn lengthening and warming itself is your skin. Then a cloud disclosing itself overhead is your opening hand. Then the first seven bells from the church pine on the air. Then the sun's soft bite on my face is your mouth. Then a bee in a rose is your fingertip touching me here. Then the trees bending and meshing their leaves are what we would do. Then my steps to the river are text to a prayer printing the ground. Then the river searching its bank for your shape is desire. Then a fish nuzzling for the water's throat has a lover's ease. Then a shawl of sunlight dropped in the grass is a garment discarded. Then a sudden scatter of summer rain is your tongue. Then a butterfly paused on a trembling leaf is your breath. Then the gauzy mist relaxed on the ground is your pose. Then the fruit from the cherry tree falling on grass is your kiss, your kiss. Then the day's hours are theatres of air where I watch you entranced. Then the sun's light going down from the sky is the length of your back. Then the evening bells over the rooftops are lovers' vows. Then the river staring up, lovesick for the moon, is my long night. Then the stars between us are love urging its light.

Actually, yeah, I did buy a few new things,” she confirmed, then she teased a little more by adding, “I think Pete is going to really enjoy my outfit tomorrow night.” “Pete seems to like you no matter what you’re wearing,” Luke grumbled. “So, what did you buy for good ol’ Pete?” Darn, if he didn’t sound jealous! Could it be possible? It’d mean she meant something to him. Something more than Dr. Doolittle anyway. “I bought a mini skirt.” She wouldn’t tell him about the hair and the shoes. Or what she bought to wear under the skirt. She heard him cough. Hard. As if having a spasm. “Luke? Are you okay?” A couple more very tense seconds of coughs, and then, “Did you say a skirt?” She wanted to smack him.

Prayer O Lord, great Creator of our great universe and all its splendors, and lover of all that is true and good and beautiful, we give thanks for all your works and for your giving us the privilege of being creators too under you. Forgive us that, made in your image, we have represented you so poorly, and we have been such irresponsible stewards in the world that you gave us to order and to enjoy. Grant that even now we may become such faithful agents of your kingdom and entrepreneurs of your calling, that the fruit of your gifts, and the schemes of our minds and the works of our hands may once again produce a way of life that is true to our calling and worthy to represent you. In the name of Jesus, Amen.

Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.

As Thomas Watson beautifully wrote long ago: The first fruit of love is the musing of the mind upon God. He who is in love, his thoughts are ever upon the object. He who loves God is ravished and transported with the contemplation of God. “When I awake, I am still with thee” (Ps. 139:18). The thoughts are as travellers in the mind. David’s thoughts kept heaven-road, “I am still with Thee.” God is the treasure, and where the treasure is, there is the heart. By this we may test our love to God. What are our thoughts most upon? Can we say we are ravished with delight when we think on God? Have our thoughts got wings? Are they fled aloft? Do we contemplate Christ and glory? Oh, how far are they from being lovers of God, who scarcely ever think of God! “God is not in all his thoughts” (Ps. 10:4). A sinner crowds God out of his thoughts. He never thinks of God, unless with horror, as the prisoner thinks of the judge.

In Elizabethan times lovers were so enamored of each other’s body odors that it was common for a woman to keep a peeled apple in her armpit until it had absorbed her sweat and smell. She would give this “love apple” to her lover to sniff at in her absence. We, on the other hand, use synthetic aromas of fruits and flowers to mask our body odor from our lovers. Which of these two approaches is acquired and which is natural is not so easy to determine. A substance as “naturally” repugnant to us as the urine of cows is used by the Masai tribe in East Africa as a lotion for their hair—a direct consequence of the cow’s importance in their culture. Many tastes we think “natural” are acquired through learning and become “second nature” to us. We are unable to distinguish our “second nature” from our “original nature” because our neuroplastic brains, once rewired, develop a new nature, every bit as biological as our original.

And blood, in all the cities through which he passed, ran down. There seemed no door, anywhere, behind which blood did not call out, unceasingly, for blood; no woman whether singing before defiant trumpets or rejoicing before the Lord, who had not seen her father, her brother, her lover, or her son cut down without mercy; who had not seen her sister become part of the white man's great whorehouse, who had not, all too narrowly, escaped that house herself; no man... who had not been made to bend his head and drink white men's muddy water... their very names were nothing more than dust blown disdainfully across the field of time - to fall where, to blossom where, bringing forth what fruit hereafter, where? their very names were not their own. Behind them was the darkness, nothing but the darkness, and all around them destruction, and before them nothing but the fire - a bastard people, far from God, singing and crying in the wilderness!

A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

There seemed no door, anywhere, behind which blood did not call out, unceasingly, for blood; no woman, whether singing before defiant trumpets or rejoicing before the Lord, who had not seen her father, her brother, her lover, or her son cut down without mercy; who had not seen her sister become part of the white man's great whorehouse, who had not, all too narrowly, escaped that house herself; no man, preaching, or cursing, strumming his guitar in the lone, blue evening, or blowing in fury and ecstasy his golden horn at night, who had not been made to bend his head and drink white men’s muddy water; no man whose manhood had not been, at the root, sickened, whose loins had not been dishonored, whose seed had not been scattered into oblivion and worse than oblivion, into living shame and rage, and into endless battle. Yes, their parts were all cut off, they were dishonored, their very names were nothing more than dust blown disdainfully across the field of time — to fall where, to blossom where, bringing forth what fruit hereafter, where? — their very names were not their own. Behind them was the darkness, nothing but the darkness, and all around them destruction, and before them nothing but the fire — a bastard people, far from God, singing and crying in the wilderness!

He discovered another bell, huge as well, but not plain and bare. Its metal sides were covered in scenes, bas-reliefs spreading their greenish lace over the bronze dress. Its casting mould must have been as complicated as the plate for an etching. From a distance Borluut could make out figures, hazy scenes, but the bell was too high above to make out precisely what they represented. Seized with curiosity, he found a pair of stepladders and climbed up until he was close to them. The bronze was a wild orgy, a drunken, obscene carnival; naked satyrs and women were swirling round the bell, its curve giving movement to their saraband. At intervals couples had tumbled to the ground, piling up, body against body, mouth to mouth, flesh mingling in the fury of desire. The bronze picked out, emphasized the details... The vine of sin with its feverish fancies, clinging, thrusting up, falling back down the sides - and the breasts plundered like bunches of grapes! Here and there, away from the rest, on a curve of the bell far from the stampede of the dance, were lovers silently enjoying their love like a fruit. They looked as if they were each, through the other, discovering their naked flesh, which was not yet ripe for sensual pleasure. The idyllic retreats apart, Sex was everywhere triumphant, howling cynical.

From the Desire Field” I don’t call it sleep anymore.         I’ll risk losing something new instead— like you lost your rosen moon, shook it loose. But sometimes when I get my horns in a thing— a wonder, a grief or a line of her—it is a sticky and ruined         fruit to unfasten from, despite my trembling. Let me call my anxiety, desire, then Let me call it, a garden. Maybe this is what Lorca meant         when he said, verde que te quiero verde— because when the shade of night comes, I am a field of it, of any ready to flower in my chest. My mind in the dark is una bestia, unfocused,         hot. And if not yoked to exhaustion beneath the hip and plow of my lover, then I am another night wandering the desire field— bewildered in its low green glow, belling the meadow between midnight and morning. Insomnia is like Spring that way—surprising         and many petaled. the kick and leap of gold grasshoppers at my brow. I am struck in the witched hours of want— I want her green life. Her inside me in a green hour I can’t stop.         Green vein in her throat green wind in my mouth green thorn in my eye. I want her like a river goes, bending. Green moving green, moving. Fast as that, this is how it happens—         soy una sonámbula. And even though you said today you felt better, and it is so late in this poem, is it okay to be clear,         to say, I don’t feel good, until I can smell its sweet smoke,         leave this thrashed field, and be smooth. Natalie Diaz, poets.org (5 June 2017)

I know you're a chocolate lover. I can always tell. I'm about to temper the chocolate. I have my own method; want to watch?" "Could I?" Inside my head, a little voice was reminding me that I had to get back to the office, but it was drowned out by the scent of chocolate, which flooded all my senses with a heady froth of cocoa and coffee, passion fruit, cinnamon and clove. I closed my eyes, and for one moment I was back in Aunt Melba's kitchen with Genie. I opened them to find Kim dancing with a molten river of chocolate. I stood hypnotized by the scent and the grace of her motions, which were more beautiful than any ballet. Moving constantly, she caressed the chocolate like a lover, folding it over and over on a slab of white marble, working it to get the texture right. She stopped to feed me a chocolate sprinkled with salt, which had the fierce flavor of the ocean, and another with the resonant intensity of toasted saffron. One chocolate tasted like rain, another of the desert. I tried tracking the flavors, pulling them apart to see how she had done it, but, like a magician, she had hidden her tricks. Each time I followed the trail, it vanished, and after a while I just gave up and allowed the flavors to seduce me. Now the scent changed as Kim began to dip fruit into the chocolate: raspberries, blackberries, tiny strawberries that smelled like violets. She put a chocolate-and-caramel-covered slice of peach into my mouth, and the taste of summer was so intense that I felt the room grow warmer. I lost all sense of time.

Preparatory men. I welcome all signs that a more manly, a warlike, age is about to begin, an age which, above all, will give honor to valor once again. For this age shall prepare the way for one yet higher, and it shall gather the strength which this higher age will need one day - this age which is to carry heroism into the pursuit of knowledge and wage wars for the sake of thoughts and their consequences. To this end we now need many preparatory valorous men who cannot leap into being out of nothing - any more than out of the sand and slime of our present civilisation and metropolitanism: men who are bent on seeking for that aspect in all things which must be overcome; men characterised by cheerfulness, patience, unpretentiousness, and contempt for all great vanities, as well as by magnanimity in victory and forbearance regarding the small vanities of the vanquished; men possessed of keen and free judgement concerning all victors and the share of chance in every victory and every fame; men who have their own festivals, their own weekdays, their own periods of mourning, who are accustomed to command with assurance and are no less ready to obey when necessary, in both cases equally proud and serving their own cause; men who are in greater danger, more fruitful, and happier! For, believe me, the secret of the greatest fruitfulness and the greatest enjoyment of existence is: to live dangerously! Build your cities under Vesuvius! Send your ships into uncharted seas! Live at war with your peers and yourselves! Be robbers and conquerors, as long as you cannot be rulers and owners, you lovers of knowledge! Soon the age will be past when you could be satisfied to live like shy deer, hidden in the woods! At long last the pursuit of knowledge will reach out for its due: it will want to rule and own, and you with it!

went to her workshop three times a week to paint with Kirsten. She rarely frequented the Lark House dining room, preferring to eat out at local restaurants where the owners knew her, or in her apartment, when her daughter-in-law sent the chauffeur around with one of her favorite dishes. Irina kept only basic necessities in her kitchen: fresh fruit, oatmeal, whole-grain bread, honey. Alma and Seth often invited Irina to their ritual Sunday lunch at Sea Cliff, where the family paid the matriarch homage. To Seth, who had previously used any pretext not to arrive before dessert—for even he was unable to consider not putting in an appearance at all—Irina’s presence made the occasion infinitely more appealing. He was still stubbornly pursuing her, but since he was meeting with little success he also went out with previous girlfriends willing to put up with his fickleness. He was bored with them and did not succeed in making Irina jealous. As his grandmother often said and the family often repeated, why waste ammunition on vultures? It was yet another enigmatic saying often used by the Belascos. To Alma, these family reunions began with a pleasant sense of anticipation at seeing her loved ones, particularly her granddaughter, Pauline (she saw Seth frequently enough), but often ended up being a bore, since every topic of conversation became a pretext for getting angry, not from any lack of affection, but out of the bad habit of arguing over trivialities. Seth always looked for ways to challenge or scandalize his parents; Pauline brought to the table yet another cause she had embraced, which she explained in great detail, from genital mutilation to animal slaughterhouses; Doris took great pains to offer her most exquisite culinary experiments, which were veritable banquets, yet regularly ended up weeping in her room because nobody appreciated them; good old Larry meanwhile performed a constant balancing act to avoid quarrels. The grandmother took advantage of Irina to dissipate tension, because the Belascos always behaved in a civilized fashion in front of strangers, even if it was only a humble employee from

refuge imagine how it feels to be chased out of home. to have your grip ripped. loosened from your fingertips, something you so dearly held on to. like a lover’s hand that slips when pulled away you are always reaching. my father would speak of home. reaching. speaking of familiar faces. girl next door who would eventually grow up to be my mother. the fruit seller at the market. the lonely man at the top of the road who nobody spoke to. and our house at the bottom of the street lit up by a single flickering lamp where beyond was only darkness. there they would sit and tell stories of monsters that lurked and came only at night to catch the children who sat and listened to stories of monsters that lurked. this is how they lived. each memory buried. an artefact left to be discovered by archaeologists. the last words on a dying family member’s lips. this was sacred. not even monsters could taint it. but there were monsters that came during the day. monsters that tore families apart with their giant hands. and fingers that slept on triggers. the sound of gunshots ripping through the sky became familiar like the tapping of rain fall on a window sill. monsters that would kill and hide behind speeches, suits and ties. monsters that would chase families away forcing them to leave everything behind. i remember when we first stepped off the plane. everything was foreign. unfamiliar. uninviting. even the air in my lungs left me short of breath. we came here to find refuge. they called us refugees so, we hid ourselves in their language until we sounded just like them. changed the way we dressed to look just like them. made this our home until we lived just like them and began to speak of familiar faces. girl next door who would grow up to be a mother. the fruit seller at the market. the lonely man at the top of the road who nobody spoke to. and our house at the bottom of the street lit up by a flickering lamp to keep away the darkness. there we would sit and watch police that lurked and came only at night to arrest the youths who sat and watched police that lurked and came only at night. this is how we lived. i remember one day i heard them say to me they come here to take our jobs they need to go back to where they came from not knowing that i was one of the ones who came. i told them that a refugee is simply someone who is trying to make a home. so next time when you go home tuck your children in and kiss your families goodnight, be glad that the monsters never came for you. in their suits and ties. never came for you. in the newspapers with the media lies. never came for you. that you are not despised. and know that deep inside the hearts of each and every one of us we are all always reaching for a place that we can call home.

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

O happy age, which our first parents called the age of gold! Not because of gold, so much adored in this iron age, was then easily purchased, but because those two fatal words mine and thine, were distinctions unknown to the people of those fortunate times; for all things were in common in that holy age: men, for their sustenance, needed only lift their hands and take it from the sturdy oak, whose spreading arms liberally invited them to gather the wholesome savoury fruit; while the clear springs, and silver rivulets, with luxuriant plenty, ordered them their pure refreshing water. In hollow trees, and in the clefts of rocks, the laboring and industrious bees erected their little commonwealths, that men might reap with pleasure and with ease the the sweet and fertile harvest of their toils. The tough and strenuous cork-trees did of themselves, and without other art than their native liberality, dismiss and impart their broad light bark, which served to cover these lowly huts, propped up with rough-hewn stakes, that were first built as a shelter against the inclemencies of air. All then was union, all peace, all love and friendship in the world; as yet no rude plough-share with violence to pry into the pious bowels of our mother earth, for she, without compulsion, kindly yielded from every part of her fruitful and spacious bosom, whatever might at once satisfy, sustain, and indulge her frugal children. Then was the when innocent, beautiful young sheperdesses went tripping over the hills and vales; their lovely hairs sometimes plaited, sometimes loose and flowing, clad in no other vestment but what was necessary to cover decently what modesty would always have concealed. The Tyrian dye and the rich glossy hue of silk, martyred and dissembled into every color, which are now esteemed so fine and magnificent, were unknown to the innocent plainness of that age; arrayed in the most magnificent garbs, and all the most sumptous adornings which idleness and luxury have taught succeeding pride: lovers then expressed the passion of their souls in the unaffected language of the heart, with the native plainness and sincerity in which they were conceived, and divested of all that artificial contexture, which enervates what it labours to enforce: imposture, deceit and malice had not yet crept in and imposed themselves unbribed upon mankind in the disguise of truth and simplicity: justice, unbiased either by favour or interest, which now so fatally pervert it, was equally and impartially dispensed; nor was the judge's fancy law, for then there were neither judges nor causes to be judged: the modest maid might walk wherever she pleased alone, free from the attacks of lewd, lascivious importuners. But, in this degenerate age, fraud and a legion of ills infecting the world, no virtue can be safe, no honour be secure; while wanton desires, diffused into the hearts of men, corrupt the strictest watches, and the closest retreats; which, though as intricate and unknown as the labyrinth of Crete, are no security for chastity. Thus that primitive innocence being vanished, the opression daily prevailing, there was a necessity to oppose the torrent of violence: for which reason the order of knight-hood-errant was instituted to defend the honour of virgins, protect widows, relieve orphans, and assist all the distressed in general. Now I myself am one of this order, honest friends; and though all people are obliged by the law of nature to be kind to persons of my order; yet, since you, without knowing anything of this obligation, have so generously entertained me, I ought to pay you my utmost acknowledgment; and, accordingly, return you my most hearty thanks for the same.

the word desirable. Of course, we learn later just how seductive that can be. Early rabbinic literature showed a sexual connotation to chamed as chamdam, using it as a reference to a lustful person. Chimmud is even blunter as a reference to a sexual appetite. As a verb chamed means to be excited or hot. Hebrew Jewish grammarian David Kimhi (Radak) states that it is no coincidence that the word cham (hot), makes up two thirds of the root. He points out that lechem chamudot is taken by some to mean fresh, hot tasty bread. So what I am drawing from this? Is Solomon’s beloved saying she is sitting under the apple tree with one hot number? Well, there is much more to my research on this verse that I cannot put into a short study, so I am leaving open a number of gaps, but let me just share my conclusion on Song of Solomon 2:3. The young lover is making a very distinct play on the word chamed by bringing it into association with the apple tree among the trees of the woods. This is a direct reference to the forbidden fruit of the Garden of Eden. She sits under her beloved’s shadow with covertness or chamed eating this forbidden fruit. You see the word chamed ultimately has the idea of intimacy or totally possessing and consuming something. This fruit is not forbidden so long as she consumes it within the bounds of intimacy born out of love with her beloved. Just as a sexual relationship is forbidden outside

The next time you run into a difficult person, try making an excuse for her behavior. Maybe she's not feeling well. Maybe she got some bad news today. Maybe her earthworm got squished. Feeling empathy for a thorny person can soften our hearts and generate the compassion we need to offer a smile or a word of encouragement. Make an excuse, feel empathy, reach out with kindness

So this is my prayer: that your love will flourish and that you will not only love much but well. Learn to love appropriately. You need to use your head and test your feelings so that your love is sincere and intelligent, not sentimental gush. Live a lover’s life, circumspect and exemplary, a life Jesus will be proud of: bountiful in fruits from the soul, making Jesus Christ attractive to all, getting everyone involved in the glory and praise of God. Philippians 1:9–11 Message

Become someone who is eager to give freely and to give first. And when others offer you injury or doubt or sorrow, return to them only forgiveness, faith, and joy. PRAYER Father God, You are truly a God of giving. Thank You so much for all You have given me. I can never repay You for all Your graciousness. Amen. HEART ACTION Are you waiting for someone to give to you before you are willing to give to him or her? Try the reverse: Give to that person first. Step out today in faith and give. Conduct is what we do; character is what we are. Conduct is the outward life; character is the life unseen, hidden within, yet evidenced by that which is seen... Character is the state of the heart; conduct is its outward expression. Character is the root of the tree, conduct, the fruit it bears. E.M. BOUNDS

Just wait until they cut you lose, Kat, and find some other nice Kindred. Try a Blood Kindred like Sylvan—they’re wonderful.” “I would have to put in a vote for a Beast Kindred,” Olivia said, grinning. “Not only are they the best lovers, they’re the best cooks too. Baird has been making me something new every night.” “Better than his first attempt at pizza, I hope?” Kat said, trying to smile. Liv grinned. “Much better. Baird’s come a long way from the days when he thought fruit cocktail was a good topping option.” Kat sighed. “They sound great and both of your husbands are wonderful men…” “I hear a ‘but’ coming,” Sophie murmured. “But, I’m just not interested.” Kat sighed and put her head in her hands. “I don’t know, maybe when this is all over with I’ll just go back to Earth and try to find a regular human guy. One who doesn’t force me to feel his painful emotions all the time, one without a tortured secret past, one who doesn’t freaking have to have his brother in bed with him to have sex.” Liv snorted. “Uh, sorry Kat but that came out sounding really wrong.” Kat waved a hand. “You know what I mean. It’s not sexual—not between them, anyway. But they seriously can’t touch me unless the other one is too, or it hurts them.” Sophie shook her head. “That’s so weird.” “Weirder than being bitten every single time you have sex?” Liv said, frowning. “Weirder than any of the other stuff that goes with being a Kindred bride?” “Well, I guess not,” Sophie said, shrugging. “But you have to admit, it’s not what we’re used to.” “Different isn’t always bad,” Liv said. “And love comes in all shapes and sizes. Maybe Deep is afraid to let himself love you, Kat. Maybe because of whatever it was that happened he feels unworthy of your love.” Kat frowned. “He did say something about me being unattainable—like the moon or the stars or something like that.” She crossed her arms over her chest. “But then he went right back to being a jerk.” “He went back into his protective shell,” Olivia said. “I’m telling you, Kat—I bet he loves you just as much as Lock does—in his own way.” “Yeah? Well he could have fooled me,” Kat said sarcastically.

So through the eyes love attains the heart: For the eyes are the scouts of the heart, And the eyes go reconnoitering For what it would please the heart to possess. And when they are in full accord And firm, all three, in the one resolve, At that time, perfect love is born From what the eyes have made welcome to the heart. Not otherwise can love either be born or have commencement Than by this birth and commencement moved by inclination. By the grace and by command Of these three, and from their pleasure, Love is born, who its fair hope Goes comforting her friends. For as all true lovers Know, love is perfect kindness, Which is born—there is no doubt—from the heart and eyes. The eyes make it blossom; the heart matures it: Love, which is the fruit of their very seed.

Having a form of godliness, but denying the power thereof: from such turn away.” And they that teach this false gospel know nothing about the power of our Almighty God to save, to break the power of sin, and to set the captive soul free to walk in newness of life in Christ, which is a life of holiness. That’s why their converts bring forth the fruits listed in the preceding verses of 2 Timothy 3: “This know also, that in the last days perilous times shall come. For men shall be lovers of their own selves, covetous, boasters, proud, lasphemers, disobedient to parents, unthankful, unholy, Without natural affection, rucebreakers, false accusers, incontinent, fierce, despisers of those that are good, Traitors, heady, high-minded, lovers of pleasures more than lovers of God; Having a form of godliness, but denying the power thereof: from such turn away.”—2 Timothy 3:1-5

Spring And Autumn. Every season hath its pleasures; Spring may boast her flowery prime, Yet the vineyard's ruby treasures Brighten Autumn's soberer time. So Life's year begins and closes; Days tho' shortening still can shine; What tho' youth gave love and roses, Age still leaves us friends and wine. Phillis, when she might have caught me, All the Spring looked coy and shy, Yet herself in Autumn sought me, When the flowers were all gone by. Ah, too late;--she found her lover Calm and free beneath his vine, Drinking to the Spring-time over, In his best autumnal wine. Thus may we, as years are flying, To their flight our pleasures suit, Nor regret the blossoms dying, While we still may taste the fruit, Oh, while days like this are ours, Where's the lip that dares repine? Spring may take our loves and flowers, So Autumn leaves us friends and wine.

Why are you adrift, like a boat, in the midst of the river. your thwarts in pieces, your mooring rope cut? Your face covered, you cross the river of the Inner City.' 'How could I not be adrift, how could my mooring rope not be cut? The day I bore the fruit, how happy I was, happy was I, happy my husband. The day of my going into labor, my face became darkened, the day of my giving birth, my eyes became clouded. With open hands I prayed to Bēlet-ilī: 'You too have borne a child, save my life!' Hearing this, Bēlet-ilī veiled her face. 'You [. . .], why do you keep praying to me?' [My husband, who loved me], uttered a cry, ['Why do you take from me] the wife in whom I rejoice?' [] years on end, [] . . . . . . [] Inner City, . . . . you sounded a wail. [All] those [many] days I was with my husband, I lived with him who was my lover. Death came creeping into my bedroom: it drove me from my house, it tore me from my husband, it set my feet into a land of . . . .

His apartment is not only beautiful, it is unusual. Some pieces of high-tech furniture are arranged in each room with very few decorative items, but the backlit glass panels covered in intricate patterns of trapped air bubbles create the illusion of movement and provide a sense of comfort. These panels – all completely different, but each beautiful in their own way – serve as internal walls that divide up a huge space into separate rooms. The otherworldly music, quiet and barely perceptible, suits this ‘apartment of the future’ perfectly, the relaxing background sounds adding the finishing touch. The external walls are all floor-to-ceiling windows covered in a translucent white cloth so delicate that the slightest breeze lifts them like sails, revealing an enormous terrace with a pool surrounded by plants. My nose picks up the subtle aroma of either citrus fruits or vanilla – probably also some super-advanced system to ensure a consistent fragrance.

As Ross entered the kitchen, he saw Ernest sitting at the scrubbed wooden table. The boy wolfed down a plate of breakfast as if it were the first decent meal he'd had in months. Sophia stood at the range with the scrawny cook-maid, apparently showing her how to prepare the morning's fare. "Turn them like this," Sophia was saying, expertly flipping a row of little cakes on a griddle pan. The kitchen atmosphere was especially fragrant today, spiced with frying bacon, coffee, and sizzling batter. Sophia looked fresh and wholesome, the trim curves of her figure outlined by a white apron that covered her charcoal-gray dress. Her gleaming hair was pinned in a coil at the top of her head and tied with a blue ribbon. As she saw him standing in the doorway, a smile lit her sapphire eyes, and she was so dazzlingly pretty that Ross felt a painful jab low in his stomach. "Good morning, Sir Ross," she said. "Will you have some breakfast?" "No, thank you," he replied automatically. "Only a jug of coffee. I never..." He paused as the cook set a platter on the table. It was piled with steaming batter cakes sitting in a pool of blackberry sauce. He had a special fondness for blackberries. "Just one or two?" Sophia coaxed. Abruptly it became less important that he adhere to his usual habits. Perhaps he could make time for a little breakfast, Ross reasoned. A five-minute delay would make no difference in his schedule. He found himself seated at the table facing a plate heaped with cakes, crisp bacon, and coddled eggs. Sophia filled a mug with steaming black coffee, and smiled at him once more before resuming her place at the range with Eliza. Ross picked up his fork and stared at it as if he didn't quite know what to do with it. "They're good, sir," Ernest ventured, stuffing his mouth so greedily that it seemed likely he would choke. Ross took a bite of the fruit-soaked cake and washed it down with a swallow of hot coffee. As he continued to eat, he felt an unfamiliar sense of well-being. Good God, it had been a long time since he'd had anything other than Eliza's wretched concoctions. For the next few minutes Ross ate until the platter of cakes was demolished. Sophia came now and then to refill his cup or offer more bacon. The cozy warmth of the kitchen and the sight of Sophia as she moved about the room caused a tide of unwilling pleasure inside him.

They spent the night tucked beneath a spare scrap of canvas in the boat bottom, listening to the sluicing of waves against the pine-tarred hull and watching the night wheel over them like a dancer's star-studded skirt. Ade nestled into the softness of his arm and thought about happily-ever-afters and sweet-tasting endings. Yule thought about once-upon-a-times and bold beginnings. At dawn they departed. When asked what she wanted to see, Ade replied, "Everything," so Yule obediently charted a course toward everything. They docked first at the City of Sissly, where Ade could admire the pink domes of the local chapels and taste the pepper-bite of fresh gwanna fruit. Then they stayed three nights on the abandoned Island of Tho, where the ruins of a failed City loomed like broken gray teeth against the sun, before skipping along a string of low, sand-scoured islands too small to be named. They walked the streets of the City of Yef and slept in the cool grottoes of the City of Jungil, and walked across the famed bridge connecting the twin Cities of Iyo and Ivo. They sailed north and west, following the summer currents out of the sweating heat of the equator, and saw Cities so distant even Yule had only read their names on his charts.

I learned to forgive before I learned to speak / to turn palms upward to God and my lover / to let a man ruin me with his love / to call the ruins sacred / to uproot everything and call the new place mine / to name the nostalgia something sweet / a ripened fruit growing out of a dying tree

Though so much was ill-gotten, when one came to think of it. How did anybody become rich other than by exploiting others? And even those who did not exploit could enjoy the fruits of exploitation. Rich Western societies were wealthy because of imperialism, which had been a form of theft, and now the poor in those rich societies strove to obtain more generous payments from the state, which could only pay them because of the position of relative economic advantage which past plunder had set up. Living, just living, it seemed, meant that one had to participate in a crime; unless, of course, one changed one's definition of a crime to include only those things that one did oneself. And surely this was the only practical way of looking at it.

Bara Brith Cake (Recipe inspired by the Welsh Board of Tourism site, visitwales.com.) 1 pound of self-rising flour 1 teaspoon of spices (allspice, cinnamon, nutmeg, a pinch of clove, ginger) 6 ounces of brown sugar 1 medium-sized egg 1 tablespoon of orange zest (lemon zest works too) 2 tablespoons of orange juice 1 tablespoon of honey (you can substitute 2 tablespoons of marmalade for the juice and honey) 10½ fluid ounces of cold tea 1 pound mixed dried fruit (you can substitute fresh grated ginger for 2 tablespoons of this mixture) Extra honey for glazing Put the mixed dried fruit in a bowl, pour the tea over it, cover, and leave to soak overnight (you can replace ¼ of the tea with whiskey). The next day, mix the sugar, egg, orange juice, orange zest, and honey and add to the fruit mix. Sift in the flour and spices and mix well. Pour the mixture into a 2-pint loaf pan. Bake for 1 hour and 45 minutes at 325 degrees. The cake should be golden and firm to the touch in the middle. Baste the cake with honey while it’s still warm, then allow it to cool.

But drugs are like old lovers: you think you’re completely over them, and then the two of you find yourselves alone in a room together once more, and a rush of lust sends your stomach through the floor as your tongue glides from your mouth to greet the forbidden fruit all over again.

Hildy. You don't want anyone who 'just wanders away.' This is a potential lover, not an Alzheimer's patient. If you dangle your fruit and he can't be bothered to --" "Don't say 'danger my fruit.' That's revolting." "Okay. If he's not into you enough for a little flirtatious back-and-forth, he doesn't deserve you." "But --" "Just no. Seriously. What are you? Boneless chicken that's passed its best-before date? You don't have to mark yourself down for quick sale.

this home is empty now no gas no electricity no running water the food is rotten from head to foot i am layered in dust fruit flies. webs. bugs. someone call the plumber my stomach is backed up—i've been vomiting since call the electrician my eyes won't light up call the cleaners to wash me up and hang me to dry when you broke into my home it never felt like mine again i can't even let a lover in without getting sick i lose sleep after the first date lose my appetite become more bone and less skin forget to breathe every night my bedroom becomes a psych ward where panic attacks turn men into doctors to keep me calm every lover who touches me—feels like you their fingers—you mouths—you until they're not the ones on top of me anymore—it's you

We gather as we always have: Naomi and Ruth, Aphrodite and Helen, Eve and her lioness. We are good girls. Mothers and dancers and counselors. We are wicked too, but we won't tell you this. Instead we arrange plates of bread and fruit, slip into the center of each other. Find our childhoods, our varied pleasures, the aged and blistered scars. We are half drunk, half destroyed. Nothing left but blood and bone. Still we surface— fold into each other like paper cranes. Her, like a long-lost lover. Her, a cool and healing balm.

The waiter talks us through the selection of confectionery. There's a white chocolate mousse cake infused with fresh mint and topped with raspberry purée, organic truffles made with my favorite Madagascar beans flavored with jasmine tea, passion fruit and limes sundried on trees in Iran.

Ask your lover what flavor of topping is preferred; there are endless possibilities. Peach and fresh ginger. Mixed berry. Apple, cinnamon, clove. Cardamom and pear. Lemon plum.

Love must be told at all hours how beautiful it is, how rare, how flesh-necessary; love should be allowed to tire us, to work itself out through our fingertips, our tongues, our teeth; love must eat us so we may find it delicious, so our lovers may seem like fruit, we are always biting into for the first time. — Robert J. Levy, from “On Making Love after Having Made Love,” Poetry (February 1990)

So this is my prayer: that your love will flourish and that you will not only love much but well. Learn to love appropriately. You need to use your head and test your feelings so that your love is sincere and intelligent, not sentimental gush. Live a lover’s life, circumspect and exemplary, a life Jesus will be proud of: bountiful in fruits from the soul, making Jesus Christ attractive to all, getting everyone involved in the glory and praise of God.

I leave you free to be yourself: to think your thoughts, indulge your tastes, follow your inclinations, behave in ways that you decide are to your liking.” And you will notice something else: The person automatically ceases to be especial and important to you. And he/she becomes important the way a sunset or a symphony is lovely in itself, the way a tree is especial in itself and not for the fruit or the shade that it can offer you. Your beloved will then belong not to you but to everyone or to no one like the sunrise and the tree. Test it by saying those words again: “I leave you free to be yourself …” In saying those words you have set yourself free. You are now ready to love. For when you cling, what you offer the other is not love but a chain by which both you and your beloved are bound. Love can only exist in freedom. The true lover seeks the good of his beloved which requires especially the liberation of the beloved from the lover.