Front Door Quotes

We've searched our database for all the quotes and captions related to Front Door. Here they are! All 100 of them:

I gave up practically the whole world for you,” I tell him, walking through the front door of my own love story. “The sun, stars, ocean, trees, everything, I gave it all up for you.
Jandy Nelson (I'll Give You the Sun)
Seventeen, eh!" said Hagrid as he accepted a bucket-sized glass of wine from Fred. "Six years to the day we met, Harry, d’yeh remember it?" "Vaguely," said Harry, grinning up at him. "Didn’t you smash down the front door, give Dudley a pig’s tail, and tell me I was a wizard?" "I forge’ the details," Hagrid chortled.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Did you like question ten, Moony?" asked Sirius as they emerged into the entrance hall. "Loved it," said Lupin briskly. "Give five signs that identify the werewolf. Excellent question." "D'you think you managed to get all the signs?" said James in tones of mock concern. "Think I did," said Lupin seriously, as they joined the crowd thronging around the front doors eager to get out into the sunlit grounds. "One: He's sitting on my chair. Two: He's wearing my clothes. Three: His name's Remus Lupin...
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
A breeze ruffled the neat hedges of Privet Drive, which lay silent and tidy under the inky sky, the very last place you would expect astonishing things to happen. Harry Potter rolled over inside his blankets without waking up. One small hand closed on the letter beside him and he slept on, not knowing he was special, not knowing he was famous, not knowing he would be woken in a few hours' time by Mrs. Dursley's scream as she opened the front door to put out the milk bottles, nor that he would spend the next few weeks being prodded and pinched by his cousin Dudley...He couldn't know that at this very moment, people meeting in secret all over the country were holding up their glasses and saying in hushed voices: "To Harry Potter - the boy who lived!
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?" His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together." "Then why did you lie to me?" We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help. "Why did you lie?" I murmured again. Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer. "Because we can't be together." "Because of the age thing, right?" I asked. "Because you're my mentor?" His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
one thing I don’t need is any more apologies i got sorry greetin me at my front door you can keep yrs i don’t know what to do wit em they don’t open doors or bring the sun back they don’t make me happy or get a mornin paper didn’t nobody stop usin my tears to wash cars cuz a sorry.
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
When someone you love says goodbye you can stare long and hard at the door they closed and forget to see all the doors God has open in front of you.
Shannon L. Alder
The universe contains any amount of horrible ways to be woken up, such as the noise of the mob breaking down the front door, the scream of fire engines, or the realization that today is the Monday which on Friday night was a comfortably long way off. A dog's wet nose is not strictly speaking the worst of the bunch, but it has its own peculiar dreadfulness which connoisseurs of the ghastly and dog owners everywhere have come to know and dread. It's like having a small piece of defrosting liver pressed lovingly against you.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
Nathan nods. "Have a good time. Don't do anything I wouldn't do." I hear Andy as I'm walking out the front door. "Honey, that threat doesn't work when you're gay.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
He said that if culture is a house, then language was the key to the front door; to all the rooms inside. Without it, he said, you ended up wayward, without a proper home or a legitimate identity.
Khaled Hosseini (And the Mountains Echoed)
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
My best friend is dead, and I could have saved her. It’s so wrong so completely and painfully wrong, that I walked through my front door tonight smiling.
Nina LaCour (Hold Still)
There was a brief silence in which the distant echo of Hagrid smashing down a wooden front door seemed to reverberate through the intervening years.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He pushed me back up against the door, slamming me against the doorbell. I heard it ring out. "Coming!" I heard Holly say as she clicked across the floor to the front door. "Not quite, but she’s close." He chuckled, removing his hand and leaving me breathless and rosy cheeked.
Alice Clayton (The Unidentified Redhead (Redhead, #1))
Well, this should be easy, then.” Puck smirked. “We’ll just stroll in the front door, waltz up to Virus, grab the scepter, have some tea and save the world before breakfast. Silly me, thinking it would be hard.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Hey!” Dawson yelled from the front door. “I think Dee caught the microwave on fire. Again. And I tried popping some popcorn with my hands and it kind of went wrong. Like really, really wrong.” Daemon pressed his forehead against mine and growled. “Dammit.
Jennifer L. Armentrout (Opal (Lux, #3))
The front door shut, leaving Alec sitting in the half-lit garden, alone. He closed his eyes for a moment, the image of a face hovering behind his lids. Not Jace's face, for a change. The eyes set in the face were green, slit-pupiled. Cat eyes.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You have to take risks, he said. We will only understand the miracle of life fully when we allow the unexpected to happen. Every day, God gives us the sun--and also one moment in which we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist--that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists--a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Jem raised his hand, and his witchlight flared into life, frightening a group of blackbeetles. They scurried across the floor, causing Will to grimace. “Nice place to live, isn’t it? Let’s hope they left something behind other than filth. Forwarding addresses, a few severed limbs, a prostitute or two…” “Indeed. Perhaps, if we’re fortunate, we can still catch syphilis.” “Or demon pox,” Will suggested cheerfully, trying the door under the stairs. It swung open, unlocked as the front door had been. “There’s always demon pox.” “Demon pox does not exist.” “Oh ye of little faith,” said Will, disappearing into the darkness under the stairs.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
The front door swung open, and Zsadist strode into the house. Wrath glared. "Nice of you to show up, Z. Busy tonight with the females?" "How about you get off my dick?
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Michael!” Oliver’s voice came faint through the front door. “Something you should see, my boy! Look out your windows!” “Trap,” Shane said instantly, and reached out to grab Michael’s arm as he walked by. “Don’t, man.” “What’s he going to do? Make faces at me?
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Cole made a hissing sound. "Are you inside yet? God bless America and all her sons. What is taking you so long?" The front door was locked. "Here, talk to Grace" "Mommy isn't going to give a different answer than Daddy," Cole said, but I handed her the phone anyway.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
The difference between a non-suicide and an ex-suicide leaving the house for work, at eight o'clock on an ordinary morning: The non-suicide is a little traveling suck of care, sucking care with him from the past and being sucked toward care in the future. His breath is high in his chest. The ex-suicide opens his front door, sits down on the steps, and laughs. Since he has the option of being dead, he has nothing to lose by being alive. It is good to be alive. He goes to work because he doesn't have to.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
I sighed and put Slayer between the front seats. "Stay here. Guard the car." Saiman shut the door. "Is the sword sentient?" "No. But I like to pretend it is.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
In zazen, leave your front door and your back door open. Let thoughts come and go. Just don't serve them tea.
Shunryu Suzuki
Despite the business and auto-rickshaws and bantering Bengalis just beyond his brown front door, Sanjit cultivates a distinct learning environment and energy, one created and galvanized above the tile floors, within the thin walls, below the imperative ceiling fans, and embraced by books.
Colin Phelan (The Local School)
Only downside to your place is the disturbing low amount of extraneous toiletries. No conditioner? Lip gloss? Sunscreen?" I jerked my thumb toward the front door. "I need to brush my teeth. And I need a shower." He grinned, hopping off the bike. "Now that is an invitation.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
My name is Olivia King I am five years old. My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon trickling down her arm, wrapped around her wrist. She was smiling at me as she untied the ribbon and wrapped it around my hand. “Here Livie, I bought this for you.” She called me Livie. I was so happy. I’d never had a balloon before. I mean, I always saw balloons wrapped around other kids wrists in the parking lot of Wal-Mart, but I never dreamed I would have my very own. My very own pink balloon.
Colleen Hoover (Slammed (Slammed, #1))
My front door had seen jean skirts, dresses, even a see-through tube dress over a string bikini. A handful of times, spackled-on makeup and glitter lotion. Never pajamas.
Jamie McGuire (Walking Disaster (Beautiful, #2))
The necklace was a good excuse," he murmured. "For what?" "I thought maybe I could go to Charleston and show up at your front door to give this back and maybe… you might let me in. Or something. I was worried that another male would court you, so I've been trying to go as fast as I could. I mean, I figured maybe if I could read, and if I took a little better care of myself, and if I tried to stop being such a mean-ass motherfucker…" He shook his head. "But don't misunderstand. It's not like I expected you to be happy to see me. I was just… you know, hoping… coffee. Tea. Chance to talk. Or some shit. Friends, maybe. Except if you had a male, he wouldn't allow that. So, yeah, that's why I've been hurrying." His yellow eyes lifted to hers. He was wincing, as if he were afraid of what might be showing on her face. "Friends?" she said. "Yeah… I mean, I wouldn't disgrace you by asking for more than that. I know that you regret… Anyway, I just couldn't let you go without… Yeah, so… friends.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
You were afraid this might be the case. Your dad has blocked the front door with the REFRIGERATOR. Looks like he's taking the grounding seriously this time.
Andrew Hussie
He [Ranger] stopped in front of my parents' house, and we both looked to the door. My mother and my grandmother were standing there, watching us. "I'm not sure I feel comfortable about the way your grandma looks at me," Ranger said. [Stephanie] "She wants to see you naked." "I wish you hadn't told me that, babe." "Everyone I know wants to see you naked." "And you?" "Never crossed my mind." I held my breath when I said it, and I hoped God wouldn't stike me down dead for lying.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin...
Shirley Jackson (The Haunting of Hill House)
But...surely you know where your nephew is going?' she asked, looking bewildered. 'Certainly we know,' said Vernon Dursley. 'He's off with some of your lot, isn't he? Right, Dudley, let's get in the car, you heard the man, we're in a hurry.' Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. 'Off with some of our lot?' Hestia looked outraged. Harry had met the attitude before: witches and wizards seemed stunned that his closest living family took so little interest in the famous Harry Potter. 'It's fine,' Harry assured her. 'It doesn't matter, honestly.' 'Doesn't matter?' repeated Hestia, her voice rising ominously. 'Don't these people realise what you've been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement? 'Er - no, they don't,' said Harry. 'They think I'm a waste of space, actually, but I'm used to -' 'I don't think you're a waste of space.' If Harry had not seen Dudley's lips move, he might not have believed it.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I flung open the door. I got a momentary flash of about a hundred and fifteen cats of all sizes and colours scrapping in the middle of the room, and then they all shot past me with a rush and out of the front door; and all that was left of the mobscene was the head of a whacking big fish, lying on the carpet and staring up at me in a rather austere sort of way, as if it wanted a written explanation and apology.
P.G. Wodehouse (A Wodehouse Bestiary)
But the person who stepped out of the front door was tall and thin, with short, spiky dark hair. he was wearing a gold mesh vest and a pair of silk pajama pants. He regarded Clary with mild interest, puffing gently on a fantastically large pipe as he did so. Though he looked nothing at all like a Viking, he was instantly and totally familiar. Magnus Bane
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You can control yourself if you really want to. I'll tell you how I know you can control yourself. If you were in a full fledged emotional temper tantrum in your house and I knocked on your front door..... Come on! Let me tell you what, you would get control of yourself, and it would only take a few seconds.
Joyce Meyer
Not much had changed at Magnus’s since the first time Jace had been there. Jace used an open rune to get through the front door and took the stairs, buzzing Magnus’s apartment bell. It was safer that way because Magnus could be playing video games naked or really anything. Magnus yanked the door open, looking furious. He was wearing a black silk dressing gown, his feet were bare, his dark hair was tangled, “What are you doing here?” “My,” said Jace, “You’re so unwelcoming.” “That’s because you’re not welcome.” “I thought we were friends,” said Jace. “No, you’re Alec’s friend, Alec was my boyfriend so I had to put up with you. But now he’s not my boyfriend so I don’t have to put up with you.” “I think you should get back together with Alec,” said Jace. Magnus looked at him, “And why is that?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Valkyrie Cain got out of the passenger side. She zipped up her black jacket against the cold, and joined Skulduggery as he walked up to the front door. She glanced at him, and saw that he was smiling. "Stop doing that,” she sighed. “Stop doing what?” Skulduggery responded in that gloriously velvet voice of his. “Stop smiling. The person we want to talk to lives in the only dark house on a bright street. That’s not a good sign.” “I didn’t realise I was smiling,” he said. They stopped at the door, and Skulduggery made a concerted effort to shift his features. His mouth twitched downwards. “Am I smiling now?” “No.” “Excellent,” he said, and the smile immediately sprang back up.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
Suddenly I realized that I wanted everything to be as it was when I was younger. When you're young enough, you don't know that you live in a cheap lousy apartment. A cracked chair is nothing other than a chair. A dandelion growing out of a crack in the sidewalk outside your front door is a garden. You could believe that a song your parent was singing in the evening was the most tragic opera in the world. It never occurs to you when you are very young to need something other than what your parents have to offer you.
Heather O'Neill (Lullabies for Little Criminals)
He does this on purpose," Stephanie's mother said as they sat in the car, seat belts on and ready to go. They watched him appear at the front door, shrug into his jacket, tuck in his shirt, go to step out, and then pause. "He looks like he's about to sneeze," Stephanie remarked.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
They say you never know what you would do in a hypothetical situation. We’d all like to think we’d be one of the people who gave up their lifejackets and waved a stoic good-bye from the slanting deck of the titanic, someone who jumped in front of a bullet for a stranger, or turned and raced back up the stairs of one of the towers, in search of someone who needed help rather than our own security. But you just don’t know for sure if, when things fall apart, you’ll think safety first, or if safety will be the last thing on your mind.
Huntley Fitzpatrick (My Life Next Door)
This wasn't prayer anyway, it was just argument with the gods. Prayer, he suspected as he hoisted himself up and turned for the door, was putting one foot in front of the other. Moving all the same.
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
We are born into this time and must bravely follow the path to the destined end. There is no other way. Our duty is to hold on to the lost position, without hope, without rescue, like that Roman soldier whose bones were found in front of a door in Pompeii, who, during the eruption of Vesuvius, died at his post because they forgot to relieve him. That is greatness. That is what it means to be a thoroughbred. The honorable end is the one thing that can not be taken from a man.
Oswald Spengler (Man and Technics: A Contribution to a Philosophy of Life)
As he unlocked his front door, he could hear the phone ringing. It took him a few moments to get in - the wooden frame had swollen with all the rainfall, and the door got gummed up sometimes - but when he got in, it was still ringing. Must be urgent , he thought, absent-mindedly. He shouted, “Padfoot? You in?” as he crossed the the room, then lifted the receiver, “Hello?” “Hello? Hello, Remus, is that you?” “Mary? Hi! I just got back - where the hell is everybody?!” There was a strange silence on the end of the phone, and a horrible static prickle ran down his spine. “Mary?!” “You haven’t heard…” “Jesus Christ, Mary, what?!” “Remus… something awful has happened.” She started explaining, and Remus fell to his knees as the whole world began to fall apart.
MsKingBean89 (All the Young Dudes)
I recently concluded that there’s no other explanation for how you and I could end up on the same planet, in the same species, in the same century, in the same country, in the same state, in the same town, in the same hallway, in front of the same door for the same reason at the exact same time. If God didn’t believe in me, then I’d have to believe you were just a coincidence. And you being a coincidence in my life is a lot harder for me to fathom than the mere existence of a higher power.
Colleen Hoover (All Your Perfects)
When she opened her door, Levi was sitting in the hallway, his legs bent in front of him, hunched forward on his knees. He looked up when she stepped out. “I’m such an idiot,” he said. Cath fell between his knees and hugged him. “I can’t believe I said that,” he said. “I can’t even go nine hours without seeing you.
Rainbow Rowell (Fangirl)
you call me to tell me you miss me i turn to face the front door of the house waiting for a knock days later you call to say you need me but still aren't here the dandelions on the lawn are rolling their eyes in disappointment the grass has declared you yesterday's news what do i care if you love me or miss me or need me when you aren't doing anything about it if i'm not the love of your life i'll be the greatest loss instead
Rupi Kaur (the sun and her flowers)
Before I love you can come out of my mouth again, the front door swings open and Julia walks outside. "We're going to have to set some ground rules," she says. There's more amusement in her voice than anger or annoyance. "Sorry, Julia," I yell over my shoulder. I turn back to Lake and kiss her one last time, then take a step away from her. "It's just that I'm madly in love with your daughter!" "Yeah." Julia laughs. "I can see that.
Colleen Hoover (This Girl (Slammed, #3))
Fuck!" He hit the door frame. It hurt. He did it again. "Problems?" "Yeah," said Gabriel. "Nick took the car." Michael didn't even look up from the screen. "Huh. Didn't you do the same thing this morning?" "Don't talk to me like I'm a little kid." Now his brothers eyes flicked up. "I'm sorry, was that a mature adult punching the front door?
Brigid Kemmerer (Spark (Elemental, #2))
She nodded, grabbed her purse out of the drawer and skedaddled, walking like she was on a catwalk, one foot in front of the other, her ass swaying under the skirt of her expensive, tailored suit. Bitch. I thought again, watching her go. “No comparison,” Luke said after the door closed behind Dawn and I turned to him. “Excuse me?” “Dawn’s a man eater. You’re not. No comparison,” Luke answered and I didn’t know how to take that. “Is that good?” The half-smile came back. “Most men prefer to do the eating.” Holy fucking cow.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays—I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot…I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The truth is you already know what it's like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes. But it does have a knob, the door can open. But not in the way you think...The truth is you've already heard this. That this is what it's like. That it's what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali--it's not English anymore, it's not getting squeezed through any hole. So cry all you want, I won't tell anybody.
David Foster Wallace (Oblivion: Stories)
Libraries are a force for good. They wear capes. They fight evil. They don’t get upset when you don’t send them a card on their birthdays. (Though they will charge you if you’re late returning a book.) They serve communities. The town without a library is a town without a soul. The library card is a passport to wonders and miracles, glimpses into other lives, religions, experiences, the hopes and dreams and strivings of ALL human beings, and it is this passport that opens our eyes and hearts to the world beyond our front doors, that is one of our best hopes against tyranny, xenophobia, hopelessness, despair, anarchy, and ignorance. Libraries are the torch of the world, illuminating the path when it feels too dark to see. We mustn’t allow that torch to be extinguished.
Libba Bray
He's not in a very good mood," said Luke, pausing in front of a closed door. "I shut him up in Freaky Pete's office after he nearly killed half my pack with his bare hands. He wouldn't talk to me, so"—Luke shrugged—"I thought of you." He looked from Clary's baffled face to Simon's. "What?" "I can't believe he came here," Clary said. "I can't believe you know someone named Freaky Pete," said Simon. "I know a lot of people," said Luke. "Not that Freaky Pete is strictly people, but I'm hardly one to talk.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
One day soon, you’ll hear a car pull up to your curb, an engine cut out. You’ll hear footsteps coming up your front walk. Like they did for Edward Wayne Edwards, twenty-nine years after he killed Timothy Hack and Kelly Drew, in Sullivan, Wisconsin. Like they did for Kenneth Lee Hicks, thirty years after he killed Lori Billingsley, in Aloha, Oregon. The doorbell rings. No side gates are left open. You’re long past leaping over a fence. Take one of your hyper, gulping breaths. Clench your teeth. Inch timidly toward the insistent bell. This is how it ends for you. “You’ll be silent forever, and I’ll be gone in the dark,” you threatened a victim once. Open the door. Show us your face. Walk into the light.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Help me,” said Jesper. “We need to barricade the entrance.” The man behind the desk wore gray scholar’s robes. His nostrils were flared so wide in effrontery that Jesper feared being sucked up one of them. “Young man—” Jesper pointed his gun at the scholar’s chest. “Move.” “Jesper!” his father said. “Don’t worry, Da. People point guns at each other all the time in Ketterdam. It’s basically a handshake.” “Is that true?” his father asked as the scholar grudgingly moved aside and they shoved the heavy desk in front of the door. “Absolutely,” said Wylan. “Certainly not,” said the scholar. Jesper waved them on. “Depends on the neighborhood. Let’s go.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Gandalf never had this kind of problem. He had exactly this problem, actually, standing in front of the hidden Dwarf door to Moria. Remember when . . . I sighed. Sometimes my inner monologue annoys even me. “Edro, edro,” I muttered. “Open.” I rubbed at the bridge of my nose and ventured, “Mellon.” Nothing happened. The wards stayed. I guessed the Corpsetaker had never read Tolkien. Tasteless bitch.
Jim Butcher (Ghost Story (The Dresden Files, #13))
Will sat where he was, gazing at the silver bowl in front of him; a white rose was floating in it, and he seemed prepared to stare at it until it went under. In the Kitchen Bridget was still singing one of her awful sad songs; the lyrics drifted in through the door: "Twas on an evening fair I went to take the air, I heard a maid making her moan; Said, 'Saw ye my father? Or ye my mother? Or saw ye my brother John? Or saw ye the lad that I love best, And his name it is Sweet William?" I may murder her, Tessa thought. Let her make a song about that.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
You're Nephilim," he said. "The Clave owes us protection in these circumstances." ... "I dont see anything you need protecting from here," said the boy. "Except some bad décor and a possible mold problem. But you can usually clear that up with bleach." "There's a dead body outside this bar's front door," said Bat, enunciating carefully. "Dont you think-" "I think it's a little too late for him to need protection," said the boy, "if he's already dead." -Freaky Pete, Jace, & Bat, pg.35 & 36-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Kyler half-jumped half-threw himself toward my open window. I was wussy. Closing my eyes, I balled my hands up near my chest and let out a little shriek. There was a sound of flesh hitting wood and my eyes flew open. He came through the open window, landing on his feet like a damn cat. He stumbled though and banged into my desk, causing books and my computer to shake. He held his hands out to his sides and looked around slowly before his gaze settled on me. “I am awesome.” I could barely breathe. “Yeah.” A knock sounded on my bedroom door a second before it opened. Dad popped his head in, eyes wide. “I’m just making sure he made it up here alive.” I nodded and Kyler flashed a grin. “I’m in one piece.” “That’s good to see.” Dad started to close the door, but stopped. “Next time, use the front door, Kyler.” “Yes, sir,” Kyler said.
Jennifer L. Armentrout (Frigid (Frigid, #1))
Failure is easy to measure. Failure is an event.Harder to measure is insignificance. A nonevent. Insignificance creeps, it dawns, it gives you hope, then delusion, then one day, when you’re not looking, it’s there, at your front door, on your desk, in the mirror, or not, not any of that, it’s the lack of all that. One day, when you are looking, it’s not looking, no one is. You lie in your bed and realize that if you don’t get out of bed and into the world today, it is very likely no one will even notice.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Though I have always made it my practice to be pleasant to everybody, I have not once actually experienced friendship. I have only the most painful recollections of my various acquaintances with the exception of such companions in pleasure as Horiki. I have frantically played the clown in order to disentangle myself from these painful relationships, only to wear myself out as a result. Even now it comes as a shock if by chance I notice in the street a face resembling someone I know however slightly, and I am at once seized by a shivering violent enough to make me dizzy. I know that I am liked by other people, but I seem to be deficient in the faculty to love others. (I should add that I have very strong doubts as to whether even human beings really possess this faculty.) It was hardly to be expected that someone like myself could ever develop any close friends—besides, I lacked even the ability to pay visits. The front door of another person’s house terrified me more than the gate of Inferno in the Divine Comedy, and I am not exaggerating when I say that I really felt I could detect within the door the presence of a horrible dragon-like monster writhing there with a dank, raw smell.
Osamu Dazai (No Longer Human)
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Hands quivering, she reached toward him. "Don't." He turned his back to her, facing the door. That word had stopped her once before. But not now. Not now that she had glimpsed through the funeral front of Varen's own eternal Grim Facade. Despite all the dark armor, the kohl eye liner, the black boots and chains, she saw him clearly now. She peered through the curtain of that cruel calmness, through the death stare and the vampire sentiments and angst and, behind it all, had found true beauty.
Kelly Creagh (Nevermore (Nevermore, #1))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
Almost every time i saw you, you were with him. But one day, you walked up to the building alone. I was holding the door for several girls in front of you, and i waited for you to catch up. When you reached me, you look pleased, and a little surprised. Unlike the others, you didn't expect the door to be held for you by some random guy. You smiled up at me and said, 'Thank you.' That was the last straw. I prayed you 'd never come to a session, and not with him. I didn't want you to know i was the tutor.
Tammara Webber (Easy (Contours of the Heart, #1))
The Cyclops was about to roll the stone back into place, when from somewhere outside Annabeth shouted, "Hello, ugly!" Polyphemus stiffened. "Who said that?" "Nobody!" Annabeth yelled. That got exactl;y the reaction she'd been hoping for. The monster's face turned red with rage. "Nobody!" Polyphemus yelled back. "I remember you!" "You're too stupid to remember anybody," Annabeth taunted. "Much less Nobody." I hoped to the gods she was already moving when she said that, because Polyphemus bellowed furiously, grabbed the nearest boulder (which happened to be his front door) and threw it toward the sound of Annabeth's voice. I heard the rock smash into a thousand fragments. To a terrible moment, there was silence. Then Annabeth shouted, "You haven't learned to throw any better, either!" Polyphemus howled. "Come here! Let me kill you, Nobody!" "You can't kill Nobody, you stupid oaf," she taunted. "Come find me!" Polyphemus barreled down the hill toward her voice. Now, the "Nobody" thing would have confused anybody, but Annabeth had explained to me that it was the name Odysseus had used to trick Polyphemus centuries ago, right before he poked the Cyclops's eye out with a large hot stick. Annabeth had figured Polyphemus would still have a grudge about that name, and she was right. In his frenzy to find his old enemy, he forgot about resealing the cave entrance. Apparently, he did even stop to consider that Annabeth's voice was female, whereas the first Nobody had been male. On the other hand, he'd wanted to marry Grover, so he couldn't have been all that bright about the whole male/female thing. I just hoped Annabeth could stay alive and keep distracting him long enough for me to find Grover and Clarisse.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
My son, Sam, at three and a half, had these keys to a set of plastic handcuffs, and one morning he intentionally locked himself out of the house. I was sitting on the couch reading the newspaper when I heard him stick his plastic keys into the doorknob and try to open the door. Then I heard him say, "Oh, shit." My whole face widened, like the guy in Edvard Munch's Scream. After a moment I got up and opened the front door. "Honey," I said, "what'd you just say?" "I said, 'Oh, shit,'" he said. "But, honey, that's a naughty word. Both of us have absolutely got to stop using it. Okay?" He hung his head for a moment, nodded, and said, "Okay, Mom." Then he leaned forward and said confidentially, "But I'll tell you why I said 'shit.'" I said Okay, and he said, "Because of the fucking keys!
Anne Lamott (Bird by Bird)
What, you didn’t pack your lunch?” Ty asked sarcastically as he shifted around in the seat and wedged himself against the door. He kicked a foot up and propped it on the console between the two front seats. “Sure, in my SpongeBob SquarePants lunch box. I have the thermos, too,” Morrison shot right back. Zane kept his mouth shut, eyes moving between the two men, and occasionally back to the driver, who was casually paying attention. Ty stared at the kid and narrowed his eyes further. “Spongewhat?” he asked flatly. Zane didn’t even try to hold back the chuckle when Morrison looked at Ty like he’d lost his mind. “Spongewha … you’re yanking my chain, aren’t you?” Morrison said. “Henny, he’s yanking my chain.” “Yeah, well, that’s what you getting for waving it in his face,” the driver answered reasonably. “What the hell is a SpongeBob?” Ty asked Zane quietly in the backseat.
Madeleine Urban (Cut & Run (Cut & Run, #1))
I began to like New York, the racy, adventurous feel of it at night and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I like to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others—poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner—young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
Maybe my values are outdated, but I come from an old school of thought. I think that men ought to treat women like something other than just shorter, weaker men with breasts. Try and convict me if I’m a bad person for thinking so. I enjoy treating a woman like a lady, opening doors for her, paying for shared meals, giving flowers–all that sort of thing.
Jim Butcher (Storm Front (The Dresden Files, #1))
Then what are you doing here, Luce?" he asked, his voice elevating. "You want time? You want space? Fine. I gave that to you. But then you keep throwing yourself back into my life whenever the hell you choose. No warning. No apology, No permanence. You show up at my front door and sneak out the back without so much as a goodbye," he continued, never taking his eyes off of me. "You couldn't take the up and down. The roller coaster was going to kill you. You know what I can't take? You in and back out of my life before I even knew you were there in the first place. You looking at me the way you are now and then able to turn your back and walk away five minutes later." His hands clenched over my cheek before he lowered it. "That is what will kill me. I can't live wondering if you're still mine to claim.
Nicole Williams (Clash (Crash, #2))
When Alex leaves a little later, Carlos steps forward. “Need help?” I shake my head. “Are you ever gonna talk to me again? Dammit, Kiara, enough with the silent treatment. I’d rather have you say your little two-word sentences than stop talkin’ altogether. Hell, just flip me off again.” I toss my backpack in the backseat and start the engine. “Where are you goin’?” Carlos asks, stepping in front of my car. I beep. “I’m not movin’,” he says. My response is another beep. It’s not an intimidating, deep beep like most cars, but it’s the best my car can give. He places both hands on the hood. “Move,” I say. He moves all right. With pantherlike quickness, Carlos jumps through the open passenger window, feet first. “You should get the door fixed,” he says.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
It wasn't you're fault," I whisper. And then out of self-protection more than anything else, I bring the glory. I don't warn him or anything. I don't damp it down. I bring it. The room fills with light. "This is what I am," I say, my hair ablaze around my head. He squints at me. his jaw juts out a little in pure stubbornness. He stands his ground "I know," he says. I take a step towards him, close the space between us, put my glowing hand against his cheek. He starts to tremble. "This is what I am," I say again and my wings are out now. His knees wobble, but he fights it. He puts his hand at my waist, turns me, pulls me closer, which surprises me. "I can accept that," he whispers, and holds his breath, and leans in to kiss me His lips brush mine for an instant, and an emotion like victory tears through him, but he pulls away and glances at the front door. Groans. Christian is standing in the doorway. "Wow," Tucker says, trying to grin. "You really know how to cramp a guy's style." His legs give out. He falls to his knees. My light blinks off.
Cynthia Hand (Boundless (Unearthly, #3))
Barrons stood inside the front door, dripping cool old-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “ ‘One eye is taken for an eye . . .’ ” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
He is lying on dirty straw. He has been beaten so many times, his body is one bloodied bruise; he is filthy, he is hideous, he is a sinner and he is utterly unloved. At any moment, at any instant, he will be put on a train in his shackles and taken through Cerberus's mouth to Hades for the rest of his wretched life. And it is at that precise moment that the light shines from the door of his dark cell #7, and in front of him Tatiana stands, tiny, determined, disbelieving, having returned for him. Having abandoned the infant boy who needs her most to go find the broken beast who needs her most. She stands mutely in front of him and doesn't see the blood, doesn't see the filth, sees only the man, and then he knows; he is not cast out. He is loved.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.
Warsan Shire (Teaching My Mother How to Give Birth)
The Viscount stepped into the room. "Came to see if you was dead," he said. "Laid Pom odds you weren't." Lethbridge passed his hand across his eyes. "I'm not," he replied in a faint voice. "No. I'm sorry," said the Viscount simply. He wandered over to the table and sat down. "Horry said she killed you, Pom said So she might, I said No. Nonsense." Lethbridge still holding a hand to his aching head tried to pull himself together. "Did you?" he said. His eyes ran over his self invited guest. "I see. Let me assure you once more that I am very much alive." "Well I wish you'd put your wig on," complained the Viscount. "What I want to know is why did Horry hit you on the head with a poker?" Lethbridge gingerly felt his bruised scalp. "With a poker was it? Pray ask her, though I doubt if she will tell you." "You shouldn't keep the front door open," said the Viscount. "What's to stop people coming in and hitting you over the head? It's preposterous." "I wish you'd go home," said Lethbridge wearily. The Viscount surveyed the supper-table with a knowing eye. "Card-party?" he inquired.
Georgette Heyer (The Convenient Marriage)
Forgetting who you are and where you are and if you're there. Getting lost in the thought that you might be imagining everything, you might be dreaming your life. You look at your hand in front of your face, surrounded by light, and your heart thrums as you think: I'm dreaming, I'm not even here, I don't exist. It is too fascinating, the thought that you aren't. The thought that if you watch the lake long enough you might disappear into the white flames of light on the blue, which seem to be just inches from your face. It sucks you in, and you stare, only a little afraid. And then you scream, startled, when your mother comes through the door. You crash back to earth. It's dark. It's evening. You're here and your mother is looking at you asking, What?
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
She, like all mothers, constantly casts out her thoughts, like fishing lines, towards her children, reminding herself of where they are, what they are doing, how they fare. From habit, while she sits there near the fireplace, some part of her mind is tabulating them and their whereabouts: Judith, upstairs. Susanna, next door. And Hamnet? Her unconscious mind casts, again and again, puzzled by the lack of bite, by the answer she keeps giving it: he is dead, he is gone. And Hamnet? The mind will ask again. At school, at play, out at the river? And Hamnet? And Hamnet? Where is he? Here, she tries to tell herself. Cold and lifeless, on this board, right in front of you. Look, here, see. And Hamnet? Where is
Maggie O'Farrell (Hamnet)
I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.
Donna Tartt (The Goldfinch)
Is that all?” he blurted out. Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully. “Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide. “Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning. “Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?” Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah. “Congratulations!” The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought. After the first concerted shout, people began cheering and calling his name, laughing and waving to him. Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter. “Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again. Will tuned to Halt accusingly. His teacher grinned at him. “Your face was a study,” he said. “Do you so that to all apprentices?” Will asked. Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Alec cleared his throat. He felt dizzy, but he also felt alive — blood rushing through his veins like traffic at top speed, everything seemingly almost too brightly colored. As he stepped through the door, he turned and looked at Magnus, who was watching him bemusedly. He reached forward and took hold of the front of Magnus’ t-shirt and dragged the warlock toward him. Magnus stumbled against him, and Alec kissed him, hard and fast and messy and unpracticed, but with everything he had. He pulled Magnus against him, his own hand between them, and felt Magnus’ heart stutter in his chest. He broke off the kiss, and drew back. “Friday,” he said, and let Magnus go. He backed away, down the landing, Magnus looking after him. The warlock crossed his arms over his shirt — wrinkled where Alec had grabbed it — and shook his head, grinning.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
The senior wizards of Unseen University stood and looked at the door. There was no doubt that whoever had shut it wanted it to stay shut. Dozens of nails secured it to the door frame. Planks had been nailed right across. And finally it had, up until this morning, been hidden by a bookcase that had been put in front of it. 'And there's the sign, Ridcully,' said the Dean. 'You have read it, I assume. You know? The sign which says "Do not, under any circumstances, open this door"?' 'Of course I've read it,' said Ridcully. 'Why d'yer think I want it opened?' 'Er ... why?' said the Lecturer in Recent Runes. 'To see why they wanted it shut, of course.' This exchange contains almost all you need to know about human civilization. At least, those bits of it that are now under the sea, fenced off or still smoking.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall. Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously. Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so— Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall. The wall was strangely warm. The wall chuckled. “Whoa,” a deep voice said. “You okay, sweetheart?
J. Lynn (Wait for You (Wait for You, #1))
Allison." I almost collapsed in relief. "Yeah," I whispered, forcing a pained smile as he stared at me as if I were a ghost. "It's me. Damn you, Kanin. You were a pain in the ass to find, you know that?" Kanin didn't answer. Without warning, his hands rose, pressing to either side of my face as I went rigid. His stare was awed, hopeful, as if he couldn't quite believe I was real and had to touch me to make sure I wasn't a phantom. "You're here." I barely caught the whisper, and Kanin's eyes closed again as he bowed his head. It was a broken sound, a man desperately grasping at the last thread of hope, when he had been in the darkness for so long. "You came." And, as I stood, shocked, against the wall of the cell, Kanin sank to his knees in front of me, holding the backs of my legs. The top of his bowed head pressed against my thighs. "You came," he repeated, a chant holding him to sanity. I swallowed the lump in my throat and touched his broad shoulders, biting my lips to keep the tears in check, as the cell door opened with a creak, and the Prince beckoned us both to freedom.
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
There is a story I would like to tell you about a woman who practices the invocation of the Buddha Amitabha's name. She is very tough, and she practices the invocation three times daily, using a wooden drum and a bell, reciting, "Namo Amitabha Buddha" for one hour each time. When she arrives at one thousand times, she invites the bell to sound. (In Vietnamese, we don't say "strike" or "hit" a bell.) Although she has been doing this for ten years, her personality has not changed. She is still quite mean, shouting at people all the time. A friend wanted to teach her a lesson, so one afternoon when she had just lit the incense, invited the bell to sound three times, and was beginning to recite "Namo Amitabha Buddha," he came to her door, and said, "Mrs. Nguyen, Mrs. Nguyen!" She found it very annoying because this was her time of practice, but he just stood at the front gate shouting her name. She said to herself, "I have to struggle against my anger, so I will ignore that," and she went on, "Namo Amitabha Buddha, Namo Amitabha Buddha." The gentleman continued to shout her name, and her anger became more and more oppressive. She struggled against it, wondering, "Should I stop my recitation and go and give him a piece of my mind?" But she continued chanting, and she struggled very hard. Fire mounted in her, but she still tried to chant "Namo Amitabha Buddha." The gentleman knew it, and he continued to shout, "Mrs. Nguyen! Mrs. Nguyen!" She could not bear it any longer. She threw away the bell and the drum. She slammed the door, went out to the gate and said, "Why, why do you behave like that? Why do you call my name hundreds of times like that?" The gentleman smiled at her and said, "I just called your name for ten minutes, and you are so angry. You have been calling the Buddha's name for ten years. Think how angry he must be!
Thich Nhat Hanh (Being Peace (Being Peace, #1))
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))