Again To Carthage Quotes

Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall? Assyria, Babylon, Egypt, Greece, Carthage, Rome, the Empires of Charlemagne and the Turk: Ground to dust and plowed with salt. Spain, France, Britain, America—burned into the oblivion of the centuries. And again and again and again. Are we doomed to it, Lord, chained to the pendulum of our own mad clockwork, helpless to halt its swing? This time, it will swing us clean to oblivion.

Imagine a Carthage sown with salt, and all the sowers gone, and the seeds lain however long in the earth, till there rose finally in vegetable profusion leaves and trees of rime and brine. What flowering would there be in such a garden? Light would force each salt calyx to open in prisms, and to fruit heavily with bright globes of water–-peaches and grapes are little more than that, and where the world was salt there would be greater need of slaking. For need can blossom into all the compensations it requires. To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing–-the world will be made whole. For to wish for a hand on one’s hair is all but to feel it. So whatever we may lose, very craving gives it back to us again.

In such a night stood Dido with a willow in her hand upon the wild sea-banks, and waft her love to come again to Carthage Jessica: In such a night Medea gathered the enchanted herbs that did renew old Aeson. Lorenzo: In such a night did Jessica steal from the wealthy Jew, and with an unthrift love did run from Venice, as far as Belmont. Jessica: In such a night did young Lorenzo swear he lov'd her well, stealing her soul with many vows of faith, and ne'er a true one. Lorenzo: In such a night did pretty Jessica (like a little shrow) slander her love, and he forgave it her. Jessica: I would out-night you, did nobody come; but hark, I hear the footing of a man.

Standing in the courtyard with a glass eye; only half the world is intelligible. The stones are wet and mossy and in the crevices are black toads. A big door bars the entrance to the cellar; the steps are slippery and soiled with bat dung. The door bulges and sags, the hinges are falling off, but there is an enameled sign on it, in perfect condition, which says: “Be sure to close the door.” Why close the door? I can’t make it out. I look again at the sign but it is removed; in it’s place there is a pane of colored glass. I take out my artificial eye, spit on it and polish it with my handkerchief. A woman is sitting on a dais above an immense carven desk; she has a snake around her neck. The entire room is lined with books and strange fish swimming in colored globes; there are maps and charts on the wall, maps of Paris before the plague, maps of the antique world, of Knossos and Carthage, of Carthage before and after the salting. In the corner of the room I see an iron bedstead and on it a corpse is lying; the woman gets up wearily, removes the corpse from the bed and absent mindedly throws it out the window. She returns to the huge carven desk, takes a goldfish from the bowl and swallows it. Slowly the room begins to revolve and one by one the continents slide into the sea; only the woman is left, but her body is a mass of geography. I lean out the window and the Eiffle Tower is fizzing champagne; it is built entirely of numbers and shrouded in black lace. The sewers are gurgling furiously. There are nothing but roofs everywhere, laid out with execrable geometric cunning.

Yet it is hard to find many wars that have resulted from miscommunications or misunderstandings. Far more often they break out because of malevolent intent and the absence of deterrence, or because a prior war ended without a clear resolution or without settling disagreements—in a manner of Rome’s first two wars with Carthage. Again, Margaret Atwood was empirical when she wrote in her poem, “Wars happen because the ones who start them / think they can win.

It would always be the best of times, he thought. That’s what we are condemned to know. And it’s not just the youth. Everybody gets that. It’s youth blazing along on some kind of spectacularly high octane. It’s like having a benign fever all the time. It’s like being in love.

And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]

He had the usual sense of déjà vu in the moment when all the topside sounds muted away to the background and almost all auditory input imploded into the bubbly roar of his own exaggerated breathing.

But one thing was certain: today, they had regained control of their lives. With the rudder of their life in their hands again, they could now face the world, work, and fight to shape their fate.

There might have been alcoholics in the group, Cassidy knew, but most of them were too young to know it yet. Cassidy didn't think he was one, but he wasn't sure. He was certainly capable of overdoing things, and not just booze. He figured it was that thing–that thing about going too far–that maybe made him a good runner and a good diver and sometimes a hair brained poet. It made his life exhilarating and sometimes ridiculous at the same time.

And as short as two miles had come to seem to him over the course of his running career, it occurred to him now that two miles was an insurmountable distance to an infant, or a legless man, or a human cadaver for that matter. Einstein was right, he decided. It is all relative.

Cassidy could see through half-closed eyes the unadorned western horizon and in a quirky mind trick he could sense the entire fifty-mile stretch of deep purple Gulf Stream between the tiny wave-skipping boat and the limestone-and-coral Florida peninsula. He could sense as well the huge pelagic fish that moved through the stream deep and shallow and also all the manatees and sunfish and whales as well as all the German submarines and wooden sailing ships and blockade-runners that had plied it in years and centuries past, some bringing Tories, slaves, bricks; others taking guns, drugs, rum; and some dealing death and leaving burning American boys in oily life jackets within sight of straw-boatered dandies strolling the boardwalks at Daytona. In his presleep state he had the sensation of being able to grasp it all at once, as if in a four-dimensional painting encompassing both time and space, his own place in it an inconsequential squiggle of comings and goings.

girl in school, she was hot as a two-dollar

One day your parents are laughing twentysomethings aiming a garden hose at this skinny turbocharged brown buzz-cut ninny hopping around a plastic wading pool. Then all that exists only in jerky black-and-white eight-millimeter reels and faded prints and maybe it never happened at all.

But when he reached the door, he heard his name. “Yes, sir?” “Remember one thing, Quenton.” “Yes, sir?” “No matter how cool you think your generation is, fifty years from now when they show pictures of you all dancing, you’re going to look just as ridiculous as those guys doing the Charleston.

before his trip to England, he had bought on account Harper’s Classical Library, which included John Dryden’s translation of the Aeneid. In Mardi, he had mentioned “Virgil my minstrel,” and in White-Jacket, the sight of Jack Chase encouraging the poet Lemsford had put him in mind of the Roman patron “Mecaenas listening to Virgil, with a book of the Aeneid in his hand.” But these pro forma nods toward the Roman poet had been conventionally reverent; it was not until sometime in 1850 that Melville had his true encounter with the Aeneid and found himself recapitulating Virgil’s story of a haunted mariner voyaging out to avenge a grievous loss.* The men of Moby-Dick are Virgilian wanderers. They long for home even as fate calls them away from “safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities.” Early in the book, one hears echoes of Virgil’s account of the Trojan mariners preparing, after brief respite, to set sail again with ships newly caulked as Queen Dido watches them from a hilltop in Carthage.

The reference point argument is as follows: do not compute odds from the vantage point of the winning gambler (or the lucky Casanova, or the endlessly bouncing back New York City, or the invincible Carthage), but from all those who started in the cohort. Consider once again the example of the gambler. If you look at the population of beginning gamblers taken as a whole, you can be close to certain that one of them (but you do not know in advance which one) will show stellar results just by luck. So, from the reference point of the beginning cohort, this is not a big deal. But from the reference point of the winner (and, who does not, and this is key, take the losers into account), a long string of wins will appear to be too extraordinary an occurrence to be explained by luck. Note that a “history” is just a series of numbers through time. The numbers can represent degrees of wealth, fitness, weight, anything.