From The Archives Quotes

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And so, does the destination matter? Or is it the path we take? I declare that no accomplishment has substance nearly as great as the road used to achieve it. We are not creatures of destinations. It is the journey that shapes us. Our callused feet, our backs strong from carrying the weight of our travels, our eyes open with the fresh delight of experiences lived.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
You sent him to the sky to die, assassin," Kaladin said, Stormlight puffing from his lips, "but the sky and the winds are mine. I claim them, as I now claim your life.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Authority doesn't come from a rank.," Kaladin said, fingering the spheres in his pocket. "Where does it come from?" "From the men who give it to you. That's the only way to get it.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
The mark of the true hero is that the most heroic of his deeds is done in secret. We never hear of it. And yet somehow, my friends, we know. —Father Tyler’s Collected Sermons, FROM THE ARVATH ARCHIVE
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
I was born very far from where I'm supposed to be, and so I'm on my way home.
Bob Dylan (Bob Dylan - No Direction Home: A Martin Scorsese Picture)
What are you doing here, bridgeboy?” Adolin hissed from within his helmet. “Playing one of the ten fools.” Adolin grunted. “Welcome to the party.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
We actually killed the thing.” “Sad, I know,” she said, feeling depressed. “It was beautiful.” “It would be more beautiful if it hadn't tried to eat me.” “From my perspective,” Shallan noted, “it didn't try, it succeeded.” “Nonsense,” Kaladin said. “It didn't manage to swallow me. Doesn't count.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood. I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither. Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse. A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
You learned this,” Kabsal said, lifting up her drawing of Jasnah, “from a book.” “Er…yes?” He looked back at the picture. “I need to read more.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Using a fetching face to make men do as you wish is no different from a man using muscle to force a woman to his will. Both are base, and both will fail a person as they age.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I trust you. It’s a very strange sensation.” “Yeah, well, I’ll try to hold myself back from going skipping across the plateau in joy.” Adolin grinned. “I’d pay to see that.” “Me skipping?” “You happy,” Adolin said, laughing. “You’ve got a face like a storm! I half think you could frighten off a storm.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Don't try to stop yourself from feeling. You'll hate who you become.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Descartes spent far too much time in bed subject to the persistent hallucination that he was thinking. You are not free from a similar disorder.
Flann O'Brien (The Dalkey Archive)
I know what you are,” Shallan whispered. “You’re the blankness upon my memories. The part of me that looks away. The part of my mind that protects me from my past.” “Of course I am,” Veil said. “I’m your veil, Shallan.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Navani!” Dalinar shouted, pulling his horse to a slippery stop across the tarp from her. “I need a miracle!” “Working on it,” she shouted back.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Maybe I’ll remove dying from my list of tasks to do this week.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Let us save what remains: not by vaults and locks which fence them from the public eye and use in consigning them to the waste of time, but by such a multiplication of copies, as shall place them beyond the reach of accident.
Thomas Jefferson
I’ll admit, Jasnah, that I empathize with your skepticism, but I don’t agree with it. I just think you've been looking for God in the wrong places.” “I suppose that you’re going to tell me where you think I should look.” “You’ll find God in the same place you’re going to find salvation from this mess,” Wit said. “Inside the hearts of men.” “Curiously,” Jasnah said, “I believe I can actually agree with that, though I suspect for different reasons than you imply.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Stories are a way of subtracting the future from the past, the only way of finding clarity in hindsight.
Valeria Luiselli (Lost Children Archive)
No army, no matter how clean its reputation, walked away from war untainted. And no leader, no matter how noble, could help but sink into the crem when he stepped into the game of conquest.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Those who truly seek wisdom are those who will acknowledge the virtue in their adversaries and who will learn from those who disabuse them of error.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
What separates the heroes from the villains? One speech in the night?
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
In a culture that is becoming ever more story-stupid, in which a representative of the Coca-Cola company can, with a straight face, pronounce, as he donates a collection of archival Coca-Cola commercials to the Library of Congress, that 'Coca-Cola has become an integral part of people's lives by helping to tell these stories,' it is perhaps not surprising that people have trouble teaching and receiving a novel as complex and flawed as Huck Finn, but it is even more urgent that we learn to look passionately and technically at stories, if only to protect ourselves from the false and manipulative ones being circulated among us.
George Saunders (The Braindead Megaphone)
The first step is to care, Tukks’s voice seemed to whisper. Some talk about being emotionless in battle. Well, I suppose it’s important to keep your head. But I hate that feeling of killing while calm and cold. I’ve seen that those who care fight harder, longer, and better than those who don’t. It’s the difference between mercenaries and real soldiers. It’s the difference between fighting to defend your homeland and fighting on foreign soil. It’s good to care when you fight, so long as you don’t let it consume you. Don’t try to stop yourself from feeling. You’ll hate who you become.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I'm an expert on one-armed Herdazian jokes. 'Lopen,' my mother always says, 'you must learn these to laugh before others do. Then you steal the laughter from them, and have it all for yourself.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Kaladin screamed, reaching the end of the bridge. Finding a tiny surge of strength somewhere, he raised his spear and threw himself off the end of the wooden platform, launching into the air above the cavernous void. Bridgemen cried out in dismay. Syl zipped about him with worry. Parshendi looked up with amazement as a lone bridgeman sailed through the air toward them. His drained, worn-out body barely had any strength left. In that moment of crystallized time, he looked down on his enemies. Parshendi with their marbled red and black skin. Soldiers raising finely crafted weapons, as if to cut him from the sky. Strangers, oddities in carapace breastplates and skullcaps. Many of them wearing beards. Beards woven with glowing gemstones. Kaladin breathed in. Like the power of salvation itself—like rays of sunlight from the eyes of the Almighty—Stormlight exploded from those gemstones. It streamed through the air, pulled in visible streams, like glowing columns of luminescent smoke. Twisting and turning and spiraling like tiny funnel clouds until they slammed into him. And the storm came to life again.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
You cannot have my pain.” “Dalinar—” Dalinar forced himself to his feet. “You. Cannot. Have. My. Pain.” “Be sensible.” “I killed those children,” Dalinar said. “No, it—” “I burned the people of Rathalas.” “I was there, influencing you—” “YOU CANNOT HAVE MY PAIN!” Dalinar bellowed, stepping toward Odium. The god frowned. His Fused companions shied back, and Amaram raised a hand before his eyes and squinted. Were those gloryspren spinning around Dalinar? “I did kill the people of Rathalas,” Dalinar shouted. “You might have been there, but I made the choice. I decided!” He stilled. “I killed her. It hurts so much, but I did it. I accept that. You cannot have her. You cannot take her from me again.” “Dalinar,” Odium said. “What do you hope to gain, keeping this burden?” Dalinar sneered at the god. “If I pretend … If I pretend I didn’t do those things, it means that I can’t have grown to become someone else.” “A failure.” Something stirred inside of Dalinar. A warmth that he had known once before. A warm, calming light. Unite them. “Journey before destination,” Dalinar said. “It cannot be a journey if it doesn’t have a beginning.” A thunderclap sounded in his mind. Suddenly, awareness poured back into him. The Stormfather, distant, feeling frightened—but also surprised. Dalinar? “I will take responsibility for what I have done,” Dalinar whispered. “If I must fall, I will rise each time a better man.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
You stopped for food on the way, Leyten,” Sigzil said. “Even Rock beat your time, and he was skipping like a girl the last third.” “Was Horneater dance of victory,” Rock said from near Leyten. “Is very manly.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Although she was a logical, practical person, she believed that in books there existed a kind of magic. Between the aging covers on these shelves, contained in tiny, abstract black marks on sheets of paper, were voices from the past. Voices that reached into the future, into Claire's own heart and mind, to tell her what they knew, what they'd learned, what they'd seen, what they'd felt. Wasn't that magic?
Christi Phillips (The Devlin Diary (Claire Donovan #2))
Honor’ is a word applied to the actions of men from the past who have had their lives scrubbed clean by historians.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Ignorance may reside in a man hiding from intelligence, but scholarship can seem ignorance hidden behind intelligence.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Baby one night somebody Going to strike a match on a tombstone And read your name.
Frank Stanford (Hidden Water: From the Frank Stanford Archives)
Children force parents to go out looking for a specific pulse, a gaze, a rhythm, the right way of telling the story, knowing that stories don't fix anything or save anyone but maybe make the world both more complex and more tolerable. And sometimes, just sometimes, more beautiful. Stories are a way of subtracting the future from the past, the only way of finding clarity in hindsight.
Valeria Luiselli (Lost Children Archive)
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
Thomas Harris (Hannibal Rising (Hannibal Lecter, #4))
Kusha searched about it on the Central Library’s online archive after coming from the auction. Of course, it was a lie.
Misba (The Oldest Dance (Wisdom Revolution, #2))
I pull the key from around my neck and slip it into the hole beneath my brother’s card. It doesn’t turn. It never turns. But I never stop trying.
Victoria Schwab (The Archived (The Archived, #1))
She ran down the street and round the corner and up two more streets and crossed the road. ‘Will I be safe from him?’ the girl had said. And will I be safe from Samuel? She reached her car and threw her bag on the front seat and sat holding the steering wheel. Where to go, where to run to?
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
His lips linger on mine, urgent and warm. Lasting. And then he pulls away, breath ragged. His hand falls from my skin, and I understand. He’s not wearing his ring. He didn’t just kiss me. He read me.
Victoria Schwab (The Archived (The Archived, #1))
I do want it. I want you to stay. Time and disease are taking you from me. You’ve told me, made it clear, this is the only way I can keep you close. I will not lose that.
Victoria Schwab (The Archived (The Archived, #1))
We are not creatures of destinations. It is the journey that shapes us. Our callused feet, our backs strong from carrying the weight of our travels, our eyes open with the fresh delight of experiences lived.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I am still frozen when he reaches out and brushes a finger over the three lines etched into the surface of my ring, then twists one of his own rings to reveal a cleaner but identical set of lines. The Archive’s insignia. When I don’t react—because no fluid lie came to me and now it’s too late—he closes the gap between us, close enough that I can almost hear the bass again, radiating off his skin. His thumb hooks under the cord around my throat and guides my key out from under my shirt. It glints in the twilight. Then he fetches the key from around his own neck. “There,” he says cheerfully. “Now we’re on the same page.
Victoria Schwab (The Archived (The Archived, #1))
Has no one done my son a service and assassinated you yet?" "No assassins yet," Wit said, amused. "I guess I've already got too much ass sass of my own."..."Oh really, Wit" she said. "I thought that kind of humour was beneath you." "So are you technically," Wit said, smiling, from atop his high-legged stool.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
People often expect irrational things from their inferiors.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
The Stormlight rising from his exposed skin was enough to illuminate the chasm, and it cast shadows on the walls as he ran. Those seemed to become figures, crafted by the bones and branches stretching from the heaps on the ground. Bodies and souls. His movement made the shadows twist, as if turning to regard him.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
You can tell a lot about an area from its library, and I'd never discount the usefulness of town archives.
Hester Young (The Gates of Evangeline (Charlie Cates, #1))
The finest defense of character is correct action. Acquaint yourself with virtue, and you can expect proper treatment from those around you.
Brandon Sanderson (The Way of Kings, Part 1 (The Stormlight Archive, #1, Part 1 of 2))
Adolin might claim he was a different from his father, but in fact they were two shades of the same paint. Often, two similar colors clashed worse than wildly different ones would.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Perhaps she herself is a page that was torn from a story and folded into a star and thrown in the shadows to be forgotten. Perhaps she should not steal books from hidden archives only to rip out their pages and then, give them away. But it is too late to change any of that now. And a beloved book is still beloved even if it was stolen to begin with. And imperfect. And then lost.
Erin Morgenstern (The Starless Sea)
Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity.
Richard Fortey (Dry Store Room No. 1: The Secret Life of the Natural History Museum)
You couldn’t live your life getting up and seeing the same things every day. You had to keep moving, otherwise people started to know who you were, and then they started to expect things from you. It was one step from there to being gobbled up.
Brandon Sanderson (Edgedancer (The Stormlight Archive #2.5))
Ask if you would like to,’ he said, smiling, ‘Or if you prefer, we could just sit.’    ‘But I guess you’re not just sitting.’   He smiled again. ‘No.’   ‘So … are you praying?’   ‘Yes. I try and pray a lot.’  ‘Can I pray?’  ‘Yes. Of course.’  ‘I think … maybe …’  ‘Yes?’  ‘You are praying that I might be able to pray. Because you know that I don’t know how to.’ ‘Yes, I am. And I believe you will be able to. There is something you need help with, and you will get that help.’  ‘So … is God there then?’  ‘Yes, God is there. God is here. Everywhere. He wants you to ask for help and He will give it. He wants you to know what to ask for. You can ask Him anything.’ ‘Anything?’   ‘Anything at all. Absolutely anything at all. He will give you strength and guidance and protect you from evil.’  Natasha sat very still and wiped away the tears. She wished she could believe it.
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
Memories die as soon as they are plucked from their surroundings, they burst, lose color, lose suppleness, stiffen like corpses. All that remains are shells with translucent edges. Half-erased brain platelets are a slippery terrain, deceptive. One’s mental archive is locked, it languishes in the dark. The past is riddled with holes, souvenirs can’t help here. Everything must be thrown away. Everything. And perhaps everyone as well.
Daša Drndić (Belladonna)
We remain convinced that this is the best defensive posture to adopt in order to minimize casualties when the Great Old Ones return from beyond the stars to eat our brains.
Charles Stross (The Atrocity Archives (Laundry Files, #1))
I had archives of everything that had happened since I hacked my governor module, but I hadn’t had as much relevant experience in that time. But what I did have were thousands of hours of category mystery media, so I had a lot of theoretical knowledge that was possibly anywhere from 60 to 70 percent inaccurate shit.
Martha Wells (Fugitive Telemetry (The Murderbot Diaries, #6))
Hey, have you heard about the time I saved Huio from being swallowed? Oh yes. He was going to get eaten. By a monster uglier than the women he courts. And I flew into the thing’s mouth to save him. Off the tongue. Then I was very humble about having done such a heroic deed.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
One of the cardinal rules of lying is to never, if it can be prevented, involve someone else in your story, because you can’t control them. Which is why I want to punch myself when the lie that falls from my lips is, “To hang out with Wesley.
Victoria Schwab (The Archived (The Archived, #1))
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.' I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world." [Shakespeare & Company, archived statement]
George Whitman
Have you ever considered, bridgeman, that bad art does more for the world than good art? Artists spend more of their lives making bad practice pieces than they do masterworks, particularly at the start. And even when an artist becomes a master, some pieces don’t work out. Still others are somehow just wrong until the last stroke. “You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way. So I’m glad we have bad art, and I’m sure the Almighty agrees.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
In a matter of a moment the amount of sand in the upper part of the hour-glass had dwindled dramatically, the tiny grains were rushing through the opening, each grain more eager to leave then the last, time is just like people, sometimes it’s all it can do to drag itself along, but at others, it runs like a deer and leaps like a young goat, which, when you think about it, is not saying much, since the cheetah is the fastest of all the animals, and yet it has never occurred to anyone to say of another person He runs and jumps like a cheetah, perhaps because that first comparison comes from the magical late middle ages, when gentlemen went deer-hunting and no one had ever seen a cheetah running or even heard of its existence. Languages are conservative, they always carry their archives with them and hate having to be updated.
José Saramago (Seeing)
The supposed reality of misfiring synapses, chemical imbalances, frontal lobe anomalies and the like - did not sway her desire for escape into an alternate universe - where she could discover fascinating things about her inner world - or where she could hide from the real world.
Kelly Proudfoot (Delwyn of the Realms (Storming Archives - Book 1))
Kaladin was the one who had changed, not they. He felt a strange dislocation, as if he’d allowed himself to forget—if only in part—the last nine months. He reached back across time, studying the man he had been. The man who’d still fought, and fought well. He couldn’t be that man again—he couldn’t erase the scars—but he could learn from that man, as a new squadleader learned from the victorious generals of the past. Kaladin Stormblessed was dead, but Kaladin Bridgeman was of the same blood. A descendant with potential.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
how often has "hope" been the reason someone refuses to move on and accept a realistic attitude? How often has "hope" caused more pain or delayed healing? How often has "hope" prevented someone from standing up and doing what needs to be done, because they cling to a wish for everything to be different?
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
I want to be oblivious to the hurt written on her face. I want to be selfish and young and normal. M would be that way. She would need space to grieve. She would rebel because her parents were simply uncool, not because one was wearing a horrifying happy mask and the other was a living ghost. She’d be distant because she was preoccupied with boys or school, not because she’s tired from hunting down the Histories of the dead, or distracted by her new hotel-turned-apartment, where the walls are filled with crimes.
Victoria Schwab (The Archived (The Archived, #1))
Taken in its entirety, the Snowden archive led to an ultimately simple conclusion: the US government had built a system that has as its goal the complete elimination of electronic privacy worldwide. Far from hyperbole, that is the literal, explicitly stated aim of the surveillance state: to collect, store, monitor, and analyze all electronic communication by all people around the globe. The agency is devoted to one overarching mission: to prevent the slightest piece of electronic communication from evading its systemic grasp.
Glenn Greenwald (No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State)
Someday when we get around to writing a genealogy of our failures, inadequacies, and disappointments, an important place in such a study will be the books we never read, for whatever reason. Aside from the music we never listened to, the movies we never watched, or the old archives and maps we never explored, the books we never read will be one of the indicators of our anachronisms and our flawed humanity.
Boris Gunjević (God in Pain: Inversions of Apocalypse)
Oh!” Pattern said suddenly, bursting up from the bowl to hover in the air. “You were talking about mating! I’m to make sure you don’t accidentally mate, as mating is forbidden by human society until you have first performed appropriate rituals! Yes, yes. Mmmm. Dictates of custom require following certain patterns before you copulate. I’ve been studying this!
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
There is a mirror across from me, and I check my reflection in it before heading home. Despite the bone-deep fatigue and the growing fear and frustration, I look…fine. Da always said he’d teach me to play cards. Said I’d take the bank, the way things never reach my eyes. There should be something—a tell, a crease between my eyes, or a tightness in my jaw. I’m too good at this. Behind my reflection I see the painting of the sea, slanting as if the waves crashing on the rocks have hit with enough force to tip the picture. I turn and straighten it. The frame makes a faint rattling sound when I do. Everything in this place seems to be falling apart.
Victoria Schwab (The Archived (The Archived, #1))
She wrote somewhere that photographs create their own memories, and supplant the past. In her pictures there isn’t nostalgia for the fleeting moment, captured by chance with a camera. Rather, there’s a confession: this moment captured is not a moment stumbled upon and preserved but a moment stolen, plucked from the continuum of experience in order to be preserved.
Valeria Luiselli (Lost Children Archive)
The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.
Brandon Sanderson (The Way of Kings: Book One of the Stormlight Archive)
There is no father,’ he said eventually, ‘And I believe you’re running away from something. You’re a lovely woman trying to hold it all together but it’s too much for you. You think I’m a stupid old man who doesn’t care what he looks like and sits here day after day with nothing to do. And doesn’t notice anything. But you don’t know what’s here inside …’ he laid his arm across his chest, ‘My soul and my heart and my mind. There is so much in here it’s bursting and roving around the world like a lost soul with no home, endlessly looking and searching. I feel the mystery, I sense the mysteries – and the endless joy and the wonder and incredible beauty of the world and the pain and the cruelty. You feel all this too Sarah, but you pretend you’re a shallow woman with some sort of story, and underneath you think about … many things. Which of my books are you itching to get your hands on, huh? And you’re carrying the pain around with you, and something has just happened, and you are worried and, something has happened in the last few minutes and it’s all more than you can bear, and you need to tell me, yes me, Samuel. I am so much more than you think I am, and I can understand, and I can help.’ Ruby looked up startled and their eyes met. ‘I am so tired,’ she said, ‘Yes, you are right. I am so very tired of it all.' 
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
The archival record backs up the testimony of the survivors. Neither crop failure nor bad weather caused the famine in Ukraine. Although the chaos of collectivization helped create the conditions that led to famine, the high numbers of deaths in Ukraine between 1932 and 1934, and especially the spike in the spring of 1933, were not caused directly by collectivization either. Starvation was the result, rather, of the forcible removal of food from people’s homes; the roadblocks that prevented peasants from seeking work or food; the harsh rules of the blacklists imposed on farms and villages; the restrictions on barter and trade; and the vicious propaganda campaign designed to persuade Ukrainians to watch, unmoved, as their neighbours died of hunger.
Anne Applebaum (Red Famine: Stalin's War on Ukraine)
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said. Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe. “What?”Sadeas asked. “The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.” Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.” “Do we have a deal?”Dalinar asked. “Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—” Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp. Kaladin stared, unable to move, unable to think. Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.” Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage. “They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!” Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.” He began to walk away. Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?” Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.” “But…” “What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.” “You really think it was a good trade, don’t you?” Kaladin said, amazed. Dalinar smiled in a way that seemed strikingly paternal.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
What is madness?” she asked, sitting with one leg up against her chest, vaporous skirt flickering around her calves and vanishing into mist. “It’s when men don’t think right,” Kaladin said, glad for the conversation to distract him. “Men never seem to think right.” “Madness is worse than normal,” Kaladin said with a smile. “It really just depends on the people around you. How different are you from them? The person that stands out is mad, I guess.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it’s only in the same way a fish lacks a sense of the ocean. Because the numinous is everywhere, we need to be reminded of it. We live among wonders. Superhuman cyborgs, we plug into cell phones connecting us to one another and to a constantly updated planetary database, an exo-memory that allows us to fit our complete cultural archive into a jacket pocket. We have camera eyes that speed up, slow down, and even reverse the flow of time, allowing us to see what no one prior to the twentieth century had ever seen — the thermodynamic miracle of broken shards and a puddle gathering themselves up from the floor to assemble a half-full wineglass. We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn’t we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in — and we made Superman, after all.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
It is spectacular,” his mother said. “Though I’m a little more stunned to hear you referring to Brightness Navani Kholin by her first name. Isn’t she queen of this tower?” Kaladin shrugged. “I’ve grown more informal with them as I’ve gotten to know them.” “He’s lying,” Syl said in a conspiratorial tone from where she sat on Hesina’s shoulder. “He’s always talked like that. Kaladin called King Elhokar by his name for ages before becoming a Radiant.” “Disrespectful of lighteyed authority,” Hesina said, “and generally inclined to do whatever he wants, regardless of social class or traditions. Where in Roshar did he get it?” She glanced at Kaladin’s father, who stood by the wall inspecting the lines of strata. (less)
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.” “But…” “What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
This seems to me absolutely one of the quintessential things about the human condition. It’s what actually distinguishes man from any other animal: living with those who have lived and the companionship of those who are no longer alive. Not necessarily the people that one knew personally, I mean the people perhaps whom one only knows by what they did, or what they left behind, this question of the company of the past, that’s what interests me, and archives are a kind of site in the sense of like an archaeological site.
John Berger (Portraits: John Berger on Artists)
I could have traveled quickly. But all men have the same ultimate destination. Whether we find our end in a hallowed sepulcher or a pauper’s ditch, all save the Heralds themselves must dine with the Nightwatcher. “‘And so, does the destination matter? Or is it the path we take? I declare that no accomplishment has substance nearly as great as the road used to achieve it. We are not creatures of destinations. It is the journey that shapes us. Our callused feet, our backs strong from carrying the weight of our travels, our eyes open with the fresh delight of experiences lived. “‘In the end, I must proclaim that no good can be achieved of false means. For the substance of our existence is not in the achievement, but in the method.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
And so, Navani painted a prayer onto the stones themselves, sending her attendants for more ink. She paced off the size of the glyph as she continued its border, making it enormous, spreading her ink onto the tan rocks. Soldiers gathered around, Sadeas stepping from his canopy, watching her paint, her back to the sun as she crawled on the ground and furiously dipped her brushpen into the ink jars. What was a prayer, if not creation? Making something where nothing existed. Creating a wish out of despair, a plea out of anguish. Bowing one's back before the Almighty, and forming humility from the empty pride of a human life. Something from nothing. True creation. Her tears mixed with the the ink. She went through four jars. She crawled, holding her safehand to the ground, brushing the stones and smearing ink on her cheeks when she wiped the tears. When she finally finished, she knelt back before a glyph twenty paces long, emblazoned as if in blood. The wet ink reflected sunlight, and she fired it with a candle; the ink was made to burn whether wet or dry. The flames burned across the length of the prayer, killing it and sending its soul to the Almighty.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
What think you? Can beauty be taken from a man? If he could not touch, taste, smell, hear, see . . . what if all he knew was pain? Has that man had beauty taken from him?” “I . . .” What did this have to do with anything? “Does the pain change day by day?” “Let us say it does,” the messenger said. “Then beauty, to that person, would be the times when the pain lessens. Why are you telling me this story?” The messenger smiled. “To be human is to seek beauty, Shallan. Do not despair, do not end the hunt because thorns grow in your way. Tell me, what is the most beautiful thing you can imagine?” .... “I see,” the messenger said softly. “You do not yet understand the nature of lies. I had that trouble myself, long ago. The Shards here are very strict. You will have to see the truth, child, before you can expand upon it. Just as a man should know the law before he breaks it.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Noel ducked to the lower cabinets – a percussion of pots and pans clanged into each other. “Are you intentionally trying not to listen to me?” His head popped above the counter. “I resent that. I’m a great listener. Just ask the TV.” Emily rolled her eyes. “Alright. I had…” Noel heard her swallow and he suddenly wanted to knock himself out with the frying pan. “…relations…with a mortal, Tommy.” He ducked again, this time from embarrassment. He groaned silently, wishing she’d turn and walk away before she said what he knew was coming. “It wasn’t quite the same as it was when I was human. It didn’t—” “Please you, yeah I got it,” he blurted. “Please, for the love of God, stop.
Devon Ashley (Metamorphosis (The Immortal Archives, #2))
The bridgeman knelt on the stone, head bowed, shoulders slumped. Storms … Adolin had been forced to carry him away from the battle, numb and broken. Looked like that emotion had caught up to him again. Kaladin’s spren—Adolin could only guess that was the identity of the pretty girl in blue—stood beside him, one hand resting protectively on his back. “Kaladin’s not well,” she said. “I have to be well,” Kaladin said, his voice hoarse as he climbed back to his feet. His long hair fell across his face, obscuring his eyes. Storms. Even surrounded by monsters, the bridgeman could look intimidating.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote: ***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy … Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote.
Misba (The Oldest Dance (Wisdom Revolution, #2))
In those times panics were common, and few days passed without some city or other registering in its archives an event of this kind. There were nobles, who made war against each other; there was the king, who made war against the cardinal; there was Spain, which made war against the king. Then, in addition to these concealed or public, secret or open wars, there were robbers, mendicants, Huguenots, wolves, and scoundrels, who made war upon everybody. The citizens always took up arms readily against thieves, wolves or scoundrels, often against nobles or Huguenots, sometimes against the king, but never against cardinal or Spain. It resulted, then, from this habit that on the said first Monday of April, 1625, the citizens, on hearing the clamor, and seeing neither the red-and-yellow standard nor the livery of the Duc de Richelieu, rushed toward the hostel of the Jolly Miller. When arrived there, the cause of the hubbub was apparent to all.
Alexandre Dumas (The Three Musketeers)
There is an allegory for historians in the diverse functions of saw, wedge, and axe. The saw works only across the years, which it must deal with one by one, in sequence. From each year the raker teeth pull little chips of fact, which accumulate in little piles, called sawdust by woodsmen and archives by historians; both judge the character of what lies within by the character of the samples thus made visible without. It is not until the transect is complete that the tree falls, and the stump yields a collective view of the century. By its fall the tree attests the unity of the hodge-podge called history. The wedge on the other hand, works only in radial splits; such a split yields a collective view of all the years at once, or no view at all, depending on the skill with which the plane of the split is chosen[...] The axe functions only at an angle diagonal to the years, and this is only for the peripheral rings of the recent past. Its special function is to lop limbs, for which both the saw and wedge are useless. The three tools are requisite to good oak, and to good history.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
Since the dawn of time, several billion human (or humanlike) beings have lived, each contributing a little genetic variability to the total human stock. Out of this vast number, the whole of our understanding of human prehistory is based on the remains, often exceedingly fragmentary, of perhaps five thousand individuals. You could fit it all into the back of a pickup truck if you didn't mind how much you jumbled everything up, Ian Tattersall, the bearded and friendly curator of anthropology at the American Museum of Natural History in New York, replied when I asked him the size of the total world archive of hominid and early human bones. The shortage wouldn't be so bad if the bones were distributed evenly through time and space, but of course they are not. They appear randomly, often in the most tantalizing fashion. Homo erectus walked the Earth for well over a million years and inhabited territory from the Atlantic edge of Europe to the Pacific side of China, yet if you brought back to life every Homo erectus individual whose existence we can vouch for, they wouldn't fill a school bus. Homo habilis consists of even less: just two partial skeletons and a number of isolated limb bones. Something as short-lived as our own civilization would almost certainly not be known from the fossil record at all. In Europe, Tattersall offers by way of illustration, you've got hominid skulls in Georgia dated to about 1.7 million years ago, but then you have a gap of almost a million years before the next remains turn up in Spain, right on the other side of the continent, and then you've got another 300,000-year gap before you get a Homo heidelbergensis in Germany and none of them looks terribly much like any of the others. He smiled. It's from these kinds of fragmentary pieces that you're trying to work out the histories of entire species. It's quite a tall order. We really have very little idea of the relationships between many ancient species which led to us and which were evolutionary dead ends. Some probably don't deserve to be regarded as separate species at all.
Bill Bryson (A Short History of Nearly Everything)
For the survivors and their testimonies I want to single out from the huge and forbidding archive a volume that deserves permanent currency: Anton Gill’s The Journey Back from Hell. It is an extraordinarily inspiring treasury of voices, and one grounded and marshalled by the author with both flair and decorum. Indeed, these reminiscences, these dramatic monologues, reshape our tentative answer to the unavoidable question: What did you have to have to survive? What you had to have is usually tabulated as follows: luck; the ability to adapt, immediately and radically; a talent for inconspicuousness; solidarity with another individual or with a group; the preservation of decency (“the people who had no tenets to live by—of whatever nature—generally succumbed” no matter how ruthlessly they struggled); the constantly nurtured conviction of innocence (an essential repeatedly emphasised by Solzhenitsyn in The Gulag Archipelago); immunity to despair; and, again, luck.
Martin Amis (The Zone of Interest: A novel)
Their daughter was born just before sunrise. She had skin the color of cedarwood and eyes like wheat. They named her for an old, half-forgotten god from Ade's own world, whom Yule had studied once in an ancient text preserved in Nin's archives. He was a strange god, depicted in the faded manuscript with two faces staring both backward and forward. He presided not over once particular domain but over the places between- past and present, here and there, endings and beginnings- over doorways, in short. But Ade thought Janus sounded too much like Jane, and she'd be damned if any daughter of hers would be named Jane. They named her after the god's own month instead: January. Oh, my sweet daughter, my perfect January, I would beg for your forgiveness, but I lack the courage. All I can ask for is your belief. Believe in doors and worlds and the Written. Believe most of all in our love for you- even if the only evidence we've left you is contained in the book you now hold.
Alix E. Harrow (The Ten Thousand Doors of January)
Why do you do that? Do what? Push the sceptic thing so hard!? I mean, it made sense at first, but now? After everything we’ve seen, after everything you’ve read! I hear you recording statements and y-you just dismiss them. You tear them to pieces like they’re wasting your time, but half of the “rational” explanations you give are actually more far-fetched than just accepting it was a, a ghost or something. I mean for god’s sake John, we’re literally hiding from some kind of worm… queen… thing, how, how could you possibly still not believe!? Of course, I believe. Of course I do. Have you ever taken a look at the stuff we have in Artefact Storage? That’s enough to convince anyone. But, but even before that… Why do you think I started working here? It’s not exactly glamorous. I have… I’ve always believed in the supernatural. Within reason. I mean. I still think most of the statements down here aren’t real. Of the hundreds I’ve recorded, we’ve had maybe… thirty, forty that are… that go on tape. Now, those, I believe, at least for the most part. Then why do you – Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched. I… I lose myself a bit. And then when I come back, it’s like… like if I admit there may be any truth to it, whatever’s watching will… know somehow. The skepticism, feigning ignorance. It just felt safer.
Jonathan Sims (The Magnus Archives: Season 1 (Magnus Archives, #1))
He’s ruined that magic,” this aide said of Trump. “The disdain he shows for our country’s foundation and its principles. The disregard he has for right and wrong. Your fist clenches. Your teeth grate. The hair goes up on the back of your neck. I have to remind myself I said an oath to a document in the National Archives. I swore to the Constitution. I didn’t swear an oath to this jackass.” As this aide saw it, there has been a silent understanding within the national security community that diplomatic, military, and intelligence officers were doing the right thing, quietly risking their lives to protect the American way of life. This aide saw Trump’s move against Brennan as one of the first steps of undercutting America’s democratic system of government and the belief system upon which it was founded. According to the aide, it was the president declaring, “It’s not okay to disagree with me. I can remove you from this work and your career. “If he wanted to, how far could he push this?” this aide asked. “Look back. Did people in the 1930s in Germany know when the government started to turn on them? Most Americans are more worried about who is going to win on America’s Got Talent and what the traffic is going to be like on I-95. They aren’t watching this closely. “I like to believe [Trump] is too self-engrossed, too incompetent and disorganized to get us to 1930,” this aide added. “But he has moved the bar. And another president that comes after him can move it a little farther. The time is coming. Our nation will be tested. Every nation is. Rome fell, remember. He is opening up vulnerabilities for this to happen. That is my fear.” —
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
I try to shape a tight laugh, and it dies in my throat. "This is new to me, Wes. Sharing. Having someone I can share with. And I really appreciate your help -- That sounds lame. I've never had someone like... This is a mess. There's finally something good in my life and I'm already making a mess of it." My cheeks go hot, and I have to clench my teeth to stop the rambling. "Hey," he says, knocking his shoe playfully against mine. "It's the same for me, you know?" This is all new to me. And I'm not going anywhere. It takes at least three assassination attempts to scare me off. And even then, if there are baked goods involved, I might come back." He hoists himself up from the bench. "But on that note, I retreat to tend my wounded pride." He says it with a smile, and somehow I'm smiling, too. How does he do that, untangle things so easily?
Victoria Schwab (The Archived (The Archived, #1))
That's what we've been taught, this is the underpinning of all European culture-this firm belief that there are no secrets that won't sooner or later come to light. Who was it that said it? Jesus? No, Pascal, I think it was… so naïve. But this faith has been nurtured for centuries; it has sprouted its own mythology: the cranes of Ibycus, manuscripts don't burn. An ontological faith in the fundamental knowability of every human deed. The certainty that, as they now teach journalism majors, you can find everything on the Internet. As if the Library of Alexandria never existed. Or the Pogruzhalsky arson, when the whole historical section of the Academy of Sciences' Public Library, more than six-hundred thousand volumes, including the Central Council archives from 1918, went up in flames. That was in the summer of 1964; Mom was pregnant with me already, and almost for an entire month afterward, as she made her way to work at the Lavra, she would get off the trolleybus when it got close to the university and take the subway the rest of the way: above ground, the stench from the site of the fire made her nauseous. Artem said there were early printed volumes and even chronicles in that section-our entire Middle Ages went up in smoke, almost all of the pre-Muscovite era. The arsonist was convicted after a widely publicized trial, and then was sent to work in Moldova's State Archives: the war went on. And we comforted ourselves with "manuscripts don't burn." Oh, but they do burn. And cannot be restored.
Oksana Zabuzhko (The Museum of Abandoned Secrets)
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote: ***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy … Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote. It worsened when ads started coming up on her HOME page after reading it. The ads had horrible titles: Dream Youth For The Low Grades. Alternate Longevity. A Secret Pleasurable Way To Youth. Get Your Dream Citizenship With Pleasing Pleasure Contract. The last one is for non-citizens, of course. At least, she’s a citizen. But when Kusha discovered how many unevolved men and women enter such contracts just for citizenship, it made her face crease. As if she’d caught a nasty smell. For a moment, she even thought, she hated every High Grade in the world, including everyone in her adoptive family. Right now, standing in front of Meera, the hatred swells.
Misba (The Oldest Dance (Wisdom Revolution, #2))
As but one example, the title of this book comes from a 1968 article that appeared in the prestigious Archives of General Psychiatry, in which psychiatrists Walter Bromberg and Frank Simon described schizophrenia as a “protest psychosis” whereby black men developed “hostile and aggressive feelings” and “delusional anti-whiteness” after listening to the words of Malcolm X, joining the Black Muslims, or aligning with groups that preached militant resistance to white society. According to the authors, the men required psychiatric treatment because their symptoms threatened not only their own sanity, but the social order of white America. Bromberg and Simon argued that black men who “espoused African or Islamic” ideologies, adopted “Islamic names” that were changed in such a way so as to deny “the previous Anglicization of their names” in fact demonstrated a “delusional anti-whiteness” that manifest as “paranoid projections of the Negroes to the Caucasian group.”10
Jonathan M. Metzl (The Protest Psychosis: How Schizophrenia Became a Black Disease)
How can you be a lighteyes without light eyes?” Teft said with a scowl. “By having dark eyes,” Rock said, as if it were obvious. “We do not pick our leaders this way. Is complicated. But do not interrupt story.” He milked another reed, tossing the husk into a pile beside him. “The nuatoma, they see our lack of Shards as great shame. They want these weapons very badly. It is believed that the nuatoma who first obtains a Shardblade would become king, a thing we have not had for many years. No peak would fight another peak where a man held one of the blessed Blades.” “So you came to buy one?” Kaladin asked. No Shardbearer would sell his weapon. Each was a distinctive relic, taken from one of the Lost Radiants after their betrayal. Rock laughed. “Ha! Buy? No, we are not so foolish as this. But my nuatoma, he knew of your tradition, eh? It says that if a man kills a Shardbearer, he may take the Blade and Plate as his own. And so my nuatoma and his house, we made a grand procession, coming down to find and kill one of your Shardbearers.” Kaladin almost laughed. “I assume it proved more difficult than that.” “My nuatoma was not a fool,” Rock said, defensive. “He knew this thing would be difficult, but your tradition, it gives us hope, you see? Occasionally, a brave nuatoma will come down to duel a Shardbearer. Someday, one will win, and we will have Shards.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop. Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest. He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.” Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed. Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.” Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.” Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway. “Um. Did you just promise not to kiss me ever again?” Emma whispers. “Can we talk about this later? The Archives are obviously here, angelfish.” She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“ At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.” “Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.” Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
Biography is the medium through which the remaining secrets of the famous dead are taken from them and dumped out in full view of the world. The biographer at work, indeed, is like the professional burglar, breaking into a house, rifling through certain drawers that he has good reason to think contain the jewelry and money, and triumphantly bearing his loot away. The voyeurism and busybodyism that impel writers and readers of biography alike are obscured by an apparatus of scholarship designed to give the enterprise an appearance of banklike blandness and solidity. The biographer is portrayed almost as a kind of benefactor. He is seen as sacrificing years of his life to his task, tirelessly sitting in archives and libraries and patiently conducting interviews with witnesses. There is no length he will not go to, and the more his book reflects his industry the more the reader believes that he is having an elevating literary experience, rather than simply listening to backstairs gossip and reading other people’s mail. The transgressive nature of biography is rarely acknowledged, but it is the only explanation for biography’s status as a popular genre. The reader’s amazing tolerance (which he would extend to no novel written half as badly as most biographies) makes sense only when seen as a kind of collusion between him and the biographer in an excitingly forbidden undertaking: tiptoeing down the corridor together, to stand in front of the bedroom door and try to peep through the keyhole.
Janet Malcolm (The Silent Woman: Sylvia Plath and Ted Hughes)
The Atonist nobility knew it was impossible to organize and control a worldwide empire from Britain. The British Isles were geographically too far West for effective management. In order to be closer to the “markets,” the Atonist corporate executives coveted Rome. Additionally, by way of their armed Templar branch and incessant murderous “Crusades,” they succeeded making inroads further east. Their double-headed eagle of control reigned over Eastern and Western hemispheres. The seats of Druidic learning once existed in the majority of lands, and so the Atonist or Christian system spread out in similar fashion. Its agents were sent from Britain and Rome to many a region and for many a dark purpose. To this very day, the nobility of Europe and the east are controlled from London and Rome. Nothing has changed when it comes to the dominion of Aton. As Alan Butler and Stephen Dafoe have proven, the Culdean monks, of whom we write, had been hired for generations as tutors to elite families throughout Europe. In their book The Knights Templar Revealed, the authors highlight the role played by Culdean adepts tutoring the super-wealthy and influential Catholic dynasties of Burgundy, Champagne and Lorraine, France. Research into the Templars and their affiliated “Salt Line” dynasties reveals that the seven great Crusades were not instigated and participated in for the reasons mentioned in most official history books. As we show here, the Templars were the military wing of British and European Atonists. It was their job to conquer lands, slaughter rivals and rebuild the so-called “Temple of Solomon” or, more correctly, Akhenaton’s New World Order. After its creation, the story of Jesus was transplanted from Britain, where it was invented, to Galilee and Judea. This was done so Christianity would not appear to be conspicuously Druidic in complexion. To conceive Christianity in Britain was one thing; to birth it there was another. The Atonists knew their warped religion was based on ancient Amenism and Druidism. They knew their Jesus, Iesus or Yeshua, was based on Druidic Iesa or Iusa, and that a good many educated people throughout the world knew it also. Their difficulty concerned how to come up with a believable king of light sufficiently appealing to the world’s many pagan nations. Their employees, such as St. Paul (Josephus Piso), were allowed to plunder the archive of the pagans. They were instructed to draw from the canon of stellar gnosis and ancient solar theologies of Egypt, Chaldea and Ireland. The archetypal elements would, like ingredients, simply be tossed about and rearranged and, most importantly, the territory of the new godman would be resituated to suit the meta plan.
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)