“
I ask the impossible: love me forever.
Love me when all desire is gone.
Love me with the single mindedness of a monk.
When the world in its entirety,
and all that you hold sacred advise you
against it: love me still more.
When rage fills you and has no name: love me.
When each step from your door to our job tires you--
love me; and from job to home again, love me, love me.
Love me when you're bored--
when every woman you see is more beautiful than the last,
or more pathetic, love me as you always have:
not as admirer or judge, but with
the compassion you save for yourself
in your solitude.
Love me as you relish your loneliness,
the anticipation of your death,
mysteries of the flesh, as it tears and mends.
Love me as your most treasured childhood memory--
and if there is none to recall--
imagine one, place me there with you.
Love me withered as you loved me new.
Love me as if I were forever--
and I, will make the impossible
a simple act,
by loving you, loving you as I do
”
”
Ana Castillo (I Ask the Impossible)
“
These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart.
”
”
Pat Conroy (The Prince of Tides)
“
But the memories that hang heaviest are the easiest to recall. They hold in their creases the ability to change one's life, organically, forever. Even when you shake them out, they've left permanent wrinkles in the fabric of your soul.
”
”
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
“
The archive of supposed photocopies (I.E. memory) actually offers up strange creatures; the green paradise of childhood loves that Baudelaire recalled is for many a future in reverse, an obverse of hope in the face of the gray purgatory of adult loves.
”
”
Julio Cortázar (Around the Day in Eighty Worlds)
“
But the memories that hang heaviest are the easiest to recall.
”
”
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
“
It was a time when she did not have the words to name things she saw, and so now, when she tried to recall them, the words could never be right.
”
”
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
“
There are two possibilities why your memories of childhood are so hazy,” I suggest to people. “Either nothing happened worth remembering, or too much happened that may be hurtful for you to recall.” As we shall see in a later chapter, human beings can tune out entire periods of their lives that were characterized by emotional pain.
”
”
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
“
So much of our early gladness vanishes utterly from our memory: we can never recall the joy with which we laid our heads on our mother's bosom or rode on our father's back in childhood. Doubtless that joy is wrought up into our nature, as the sunlight of long-past mornings is wrought up in the soft mellowness of the apricot, but it is gone for ever from our imagination, and we can only BELIEVE in the joy of childhood.
”
”
George Eliot (Adam Bede)
“
The most difficult journey any of us ever take in our adulthood is the return to our parents’ house. A home visit makes us recall all of the childhood events that formed us. Returning home reacquaints us with family members and our former self.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
memories were tricky things…they weren’t stable. they changed with perception over time. …they shifted, and [she] understood how the passage of time affected them. the hard working striver might recall his childhood as one filled with misery and hardship marred by the cat calls and mae calling of playground bullies, but later, have a much more forgiving understanding of past injustices. the handmade clothes he had been forced to wear, became a testament to his mother’s love. each patch and stitch a sign of her diligence, instead of a brand of poverty. he would remember father staying up late to help him with his homework – the old old man’s patience and dedication, instead of the sharpness of his temper when he returned home – late- from the factory. it went the other way as well.
[she] had scanned thousands of memories of spurned women, whose handsome lovers turned ugly and rude. roman noses, perhaps too pointed. eyes growing small and mean. while the oridnary looking boys who had become their husbands, grew in attractiveness as the years passed, so that when asked if it was love at first site, the women cheerfully answered yes. memories were moving pictures in which meaning was constantly in flux. they were stories people told themselves.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
I’ve long suspected that many of my memories of childhood are actually drawn from old pictures, that they are a composite of snapshots, a mosaic of celluloid images reworked into a remembered reality. Kodak cast backward. Maybe it’s better to recall the past that way. We rarely take pictures of sad occasions.
”
”
Anonymous
“
... it is no longer an organism that functions but a BwO that is constructed. No longer are there acts to explain, dreams or phantasies to interpret, childhood memories to recall, words to make signify; instead there are colors and sounds, becomings and intensities (and when you become-dog, don't ask if the dog you are playing with is a dream or a reality, if it is 'your goddam mother' or something else entirely).
”
”
Gilles Deleuze
“
In the water’s reflection she saw only loving scenes from her childhood, countless memories, her mother kissing her good night, unwrapping a new toy, plopping whipped cream onto pancakes, putting Annie on her first bicycle, stitching a ripped dress, sharing a tube of lipstick, pushing a button to Annie’s favorite radio station. It was as if someone unlocked a vault and all these fond recollections could be examined at once.
Why didn't I feel this before? she whispered. Because we embrace are scars more than our healing, Lorraine said. We can recall the exact day we got hurt, but who remembers the day the wound was gone?
”
”
Mitch Albom (The Next Person You Meet in Heaven)
“
I was increasingly both horrified and sceptical about these memories - I had no recall of these things at all, though I couldn't imagine why I'd want to make it all up either. It felt as though it had all happened to somebody else, I was not there - it wasn't me - when those people did nasty things.
But then, of course, it didn't feel like me, that's the whole point of dissociation - to create distance between the victim and her experience of the abuse. The alters were created for just that purpose: so that I'd not be aware that it happened to me, but rather to "others". The trouble is, in reality it was my body that took the abuse. It was only my mind that was divided, and sooner or later the amnesic barriers were bound to come down.
And that's exactly what had begun to happen as I heard their stories. They triggered a vague and growing sense in me that this really is my story.
”
”
Carolyn Bramhall (Am I a Good Girl Yet?: Childhood Abuse Had Shattered Her. Could She Ever Be Whole?)
“
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.
When I told my mother about the dream, she was puzzled.
'But what's scary about that? You were never scared of that doll.'
I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.
My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears.
Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
”
”
Lisa Tuttle (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
“
We all still show too little respect for nature, which in Leonardo's deep words recalling Hamlet's speech "is full of infinite reasons which never appeared in experience." Every one of us human beings corresponds to one of the infinite experiments in which these "reasons of nature" force themselves into experience.
”
”
Sigmund Freud (Leonardo da Vinci and a Memory of His Childhood)
“
Those faces on Main Street shaded by wide straw hats are surrounded in my child-memory by hardware and ploughs, seed bags and bales of cotton, the smell of guano and mule lots, hot sun on sidewalks and lovely white ladies with sweet childlike voices and smooth childlike faces, and Old gardens of boxwood and camellias, and fields endlessly curving around my small world. I know now that the bitterness, the cruel sensual lips, the quick fears in hard eyes, the sashshaying buttocks of brown girls, the thin childish voices of white women, had a great deal to do with high interest at the bank and low wages in the mills and gullied fields and lynchings and Ku Klux Klan and segregation and sacred womanhood and revivals, and Prohibition. And that no part of this memory can be understood without recalling it all of it.
”
”
Lillian E. Smith
“
Disclosures of childhood sexual abuse have frequently been discredited through the diagnosis of hysteria. In this view, women/female children were seen either as culpable seducers who were not really damaged by the sex abuse or as dramatic fantasizers projecting their own incestuous wishes onto the father. I will argue that this view pervades the false-memory movement and can be found, for example, in Gardner's work (1992).
”
”
Judith L. Alpert (SEXUAL ABUSE RECALLED: Treating Trauma in the Era of the Recovered Memory Debate)
“
There are two types of memory frequently experienced by individuals who have had overwhelming trauma that has been suppressed psychologically or chemically. The first is general memory, experienced as an adult, in which there is a natural recall of early events. The other is the memory that is often associated with post traumatic stress syndrome (PTSS). The person suddenly smells, sees and feels as though he or she is actually living the event that took place months or years earlier.
Many soldiers who survived horrifying combat experiences have PTSS. This has frequently been discussed in terms of Vietnam veterans who suddenly mentally find themselves in the jungle, hiding from the enemy or assaulting people they see as a threat. The fact that they have not been in Vietnam for decades and that they are experiencing the flashbacks in shopping malls, at home or at work does not change what they are mentally reliving. But PTSS has existed for centuries and has affected men, women and children in the midst of all wars, horrifying natural disasters and other traumatic experiences. This includes physical and sexual abuse when growing up.
the PTSS Cheryl was experiencing more and more frequently, in which she found herself seeing, feeling and re-experiencing events from her childhood and adolescence had become overwhelming. She knew she needed to get help.
”
”
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
“
Luce didn’t wait for Daniel to lean forward and kiss her. Instead, she pressed her lips to his, relishing his moan of surprised pleasure, wanting to cleanse him of any pain he’d ever felt at losing her.
Kissing Daniel was somewhere between exhilaratingly new and unmistakably familiar, like a childhood memory that felt dreamlike until photographic evidence was found in an old box in the attic. Luce felt as if a hangar full of monumental photographs had been discovered, and all those buried moments had been released from their captivity into the recesses of her soul.
She was kissing him now, but strangely she was kissing him then. She could almost touch the history of their love, taste its essence on her tongue. Her lips traced Daniel’s just now, but also in another kiss they’d shared, an older kiss, a kiss like this one, with her mouth just there and his arms around her waist like that. He slipped his tongue against her teeth, and that recalled a handful of other kisses, too, every one of them intoxicating. When he passed his hand across her back, she felt a hundred shivers like this one. And when her eyes fluttered open and shut, the sight of him through her tangled lashed seemed a thousand kisses deep.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Sometimes when I recall the abominations of that barbarous Russian life I question whether they are worth dwelling on. But on further consideration I am convinced that they demand being exposed, for they are the vicious tenacious truth, which has not been exterminated to this very day. They represent a truth which must be exposed to its roots and torn out of our grim and shameful life - torn out of the very soul and memory of man.
But there is another, more positive reason impelling me to describe such horrors. In spite of their repulsiveness and they way in which they mutilated what would otherwise be fine natures, the Russian is sufficiently young and wholesome in spirit to abolish such things and he will surely do so.
Our life is amazing not only for the vigorous scum of bestiality with which it is overgrown, but also for the bright and wholesome creative forces gleaming beneath. And the influence of good is growing, giving promise that our people will at last awaken to a life full of beauty and bright humanity.
”
”
Maxim Gorky (My Childhood)
“
I took a deep breath and recalled every smell of my childhood: the cinnamon that dominated not only winter baking, but many of the tomato-based Italian dishes Mom loved; vanilla, always used as an undertone to her egg-based savories; and rosemary. When did she not use rosemary?
”
”
Katherine Reay (Lizzy and Jane)
“
As you say, DeWar, our shame comes from the comparison. We know we might be generous and compassionate and good, and could behave so, yet something else in our nature makes us otherwise." She smiled a small, empty smile. "Yes, I feel something I recognise as love. Something I remember, something I may discuss and mill and theorise over." She shook her head. "But it is not something I know. I am like a blind woman taking about how a tree must look, or a cloud. Love is something I have a dim memory of, the way someone who went blind in their early childhood might recall the sun, or the face of their mother. I know affection from my fellow whore-wives, DeWar, and I sense regard from you and feel some in return. I have a duty to the Protector, just as he feels he has a duty to me. As far as that goes, I am content. But love? That is for the living, and I am dead.
”
”
Iain M. Banks (Inversions (Culture, #6))
“
Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory _of_ what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
”
”
George Eliot (The Mill on the Floss)
“
Most of us can only recall important events in our childhood. The inner child tends to be pushed aside when we grow up and develop our identity as an adult. However, the unresolved hurtful feelings that we have carried since childhood still reside in our memories and body, whether we are aware of them or not.
”
”
Yong Kang Chan (Parent Yourself Again: Love Yourself the Way You Have Always Wanted to Be Loved (Self-Compassion Book 3))
“
She remembered the days when she and her best friend would draw hearts on the beach, the waves erasing their ephemeral creations. Those carefree moments seemed like a distant dream now—afternoons at the arcade, junk food on the boardwalk. She couldn’t recall the last time she did anything so wonderfully silly.
”
”
Katherine Rawson (One Day, A Thousand Autumns (Crescent Cove Book 1))
“
One hundred twenty-nine women with documented histories of sexual victimization in childhood were interviewed and asked about abuse history. Seventeen years following the initial report of the abuse, 80 of the women recalled the victimization. One in 10 women (16% of those who recalled the abuse) reported that at some time in the past they had forgotten about the abuse. Those with a prior period of forgetting--the women with "recovered memories"--were younger at the time of abuse and were less likely to have received support from their mothers than the women who reported that they had always remembered their victimization. The women who had recovered memories and those who had always remembered had the same number of discrepancies when their accounts of the abuse were compared to the reports from the early 1970s.
Recovered memories of abuse in women with documented child sexual victimization histories.
Journal of Traumatic Stress. 1995 Oct;8(4):649-73.
”
”
Linda M. Williams
“
There is no reason to deprive your body of love, beauty, creativity, and inspiration, Chopra said. I wrote out a collection of sensory memories from childhood, recalling how it felt to be nourished and soothed. Rice steaming, rain outside. Standing in a towel heated by the tall furnace, feet dripping on the hardwood floor. The smell of sun on asphalt. Cold water on my face in the morning. Eating a bowl of cereal at midnight. The sound of a page turning as I am being read to. The thud of a peach falling. The dusty smell of sand. The scorch of cocoa, the sticky film of melted marshmallow. Spongy insides of bread sopping up tomatoes and vodka sauce. I am reminded of what I am capable of feeling. The ways I consume, my senses opening to receive, at ease, indulgent.
”
”
Chanel Miller (Know My Name: A Memoir)
“
It was this feeling which had impelled him to visit once more those places familiar to his youth, to live over again in memory those dear, painfully sweet recollections of his childhood, overshadowed with a poetical sadness, to wound his soul once more with the sweet grief of recalling that which was for ever past—the irrevocable purity and clearness of his first impressions of life.
”
”
Aleksandr Kuprin (A Slav Soul and Other Stories)
“
For those of you who have childhood memories with pain or loss in them, it probably doesn't take much to recall those grievances and grudges. But as we look at the power of confronting the truth about your past, I hope that you (...) can avoid the waste before the days turn into weeks, weeks turn into months, and months turn into years. You can take control. You can avoid those wasted years.
And it's never too late to start.
”
”
Kevin Leman (What Your Childhood Memories Say about You . . . and What You Can Do about It)
“
It is therefore perfectly plausible that memories of childhood sexual abuse could be buried for years and then recalled, and that motivated forgetting, dissociative amnesia, or some other mechanism could account for some of the allegations in cases that Loftus has testified in. But because of the way in which the entire debate has been framed around the issue of "repression" and "recovery," these nuances have been largely ignored.
”
”
Moheb Costandi
“
But often one hears nothing when one listens for the first time to a piece of music that is at all complicated. [...] And so it is not wrong to speak of hearing a thing for the first time. If one has indeed, as one supposes, received no impression from the first hearing, the second, the third would be equally "first hearings" and there would be no reason why one should understand it any better after the tenth. Probably what is wanting, the first time, is not comprehension but memory. For our memory, relatively to the complexity of the impressions which it has to face while we are listening, is infinitesimal, as brief as the memory of a man who in his sleep thinks of a thousand things and at once forgets them, or as that of a man in his second childhood who cannot recall a minute afterwards what one has just said to him. Of these multiple impressions our memory is not capable of furnishing us with an immediate picture. But that picture gradually takes shape in the memory, and, with regard to works we have heard more than once, we are like the schoolboy who has read several times over before going to sleep a lesson which he supposed himself not to know, and finds that he can repeat it by heart next morning.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
Small acts of kindness are so important," she remembered her mother telling her as they had pulled away. "I once stood in the same spot she is now. I came from nothing."
"I don't know what I'd do if I had nothing," Snow recalled saying.
Her mother had lifted Snow's chin and looked her straight in the eye. "If that day ever comes, are you going to give up? No. You will carry on just as I did. I didn't give up, and someone took a chance on me." She straightened and leveled her gaze on young Snow. "Always remember your past, Snow, and let it help you make decisions on how to rule your future. But never, ever give up.
”
”
Jen Calonita (Mirror, Mirror)
“
The memory of his childhood suddenly grew dim. He tried to call forth some of its vivid moments but could not. He recalled only names. Dante, Parnell, Clane, Clongowes. A little boy had been taught geography by an old woman who kept two brushes in her wardrobe. Then he had been sent away from home to a college, he had made his first communion and eaten slim jim out of his cricket cap and watched the firelight leaping and dancing on the wall of a little bedroom in the infirmary and dreamed of being dead, of mass being said for him by the rector in a black and gold cope, of being buried then in the little graveyard of the community off the main avenue of limes. But he had not died then. Parnell had died. There had been no mass for the dead in the chapel and no procession. He had not died but he had faded out like a film in the sun. He had been lost or had wandered out of existence for he no longer existed. How strange to think of him passing out of existence in such a way, not by death but by fading out in the sun or by being lost and forgotten somewhere in the universe! It was strange to see his small body appear again for a moment: a little boy in a grey belted suit. His hands were in his side-pockets and his trousers were tucked in at the knees by elastic bands.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
[O]ften one listens and hears nothing, if it is a piece of music at all complicated to which one is listening for the first time. And yet when, later on, this sonata had been played over to me two or three times I found that I knew it quite well. And so it is not wrong to speak of hearing a thing for the first time. If one had indeed, as one supposes, received no impression from the first hearing, the second, the third would be equally ‘first hearings’ and there would be no reason why one should understand it any better after the tenth. Probably what is wanting, the first time, is not comprehension but memory. For our memory, compared to the complexity of the impressions which it has to face while we are listening, is infinitesimal, as brief as the memory of a man who in his sleep thinks of a thousand things and at once forgets them, or as that of a man in his second childhood who cannot recall, a minute afterwards, what one has just been saying to him. Of these multiple impressions our memory is not capable of furnishing us with an immediate picture. But that picture gradually takes shape, and, with regard to works which we have heard more than once, we are like the schoolboy who has read several times over before going to sleep a lesson which he supposed himself not to know, and finds that he can repeat it by heart next morning. It was only that I had not, until then, heard a note of the sonata, whereas Swann and his wife could make out a distinct phrase that was as far beyond the range of my perception as a name which one endeavours to recall and in place of which one discovers only a void, a void from which, an hour later, when one is not thinking about them, will spring of their own accord, in one continuous flight, the syllables that one has solicited in vain. And not only does one not seize at once and retain an impression of works that are really great, but even in the content of any such work...it is the least valuable parts that one at first perceives.
”
”
Marcel Proust (Within A Budding Grove, Part 1)
“
Silent remembering is a form of prayer. No fragrance is more enchanting to re-experience than the aromatic bouquet gleaned from inhaling the cherished memories of our pastimes. We regularly spot elderly citizens sitting alone gently rocking themselves while facing the glowing sun. Although these sun worshipers might appear lonely in their state of serene solitude, they are not alone at all, because they deeply enmesh themselves in recalling the glimmering memories of days gone by. Marcel Proust wrote “In Search of Time Lost,” “As with the future, it is not all at once but grain by grain that one savors the past.” Test tasting the honeycombed memories of their bygone years, a delicate smile play out on their rose thin lips. The mellow tang of sweet tea memories – childhood adventures, coming of age rituals, wedding rites, recreational jaunts, wilderness explorations, viewing and creating art, literature, music, and poetry, sharing in the mystical experiences of life, and time spent with family – is the brew of irresistible intoxicants that we all long to sip as we grow old. The nectar mashed from a collection of choice memories produces a tray of digestible vignettes that each of us lovingly roll our silky tongues over. On the eve of lying down for the last time in the stillness of our cradled deathbeds, we will swaddle ourselves with a blanket of heartfelt love and whisper a crowning chaplet of affection for all of humanity. After all, we been heaven blessed to take with us to our final resting place an endless scroll amassing the kiss soft memories of time yore.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
For a split second, Elsa recalled a new memory of her younger self. She was building a snowman with another girl. They pulled the snowman around the room laughing. It was clear they loved each other. Her hands started to tingle in an unfamiliar way- they were warm- then the sensation was gone and she was left with a sharp headache.
What was that? she wondered. The girl had to be in her imagination. She had never used magic before that week. Had she?
Elsa stood up, her legs shaking. She held on to her bed frame to keep from falling. Heart pounding, fingers aching, she closed her eyes again and tried to remember the love she had just felt coursing through her veins. The emotion was stronger than fear. This feeling had come from building something out of love- a snowman for the two girls to enjoy.
”
”
Jen Calonita (Conceal, Don't Feel)
“
Everybody needs a place where they feel protected, secure, and welcome. Everybody yearns for a place where they can relax and be fully themselves. Ideally, the childhood home was one such place. For those of us who felt accepted and loved by our parents, our home provided this warmth. It was a heartwarming place—the very thing that everybody yearns for. And we internalize this feeling from childhood—that of being accepted and welcome—as a fundamental, positive attitude toward life that accompanies us through adulthood: we feel secure in the world and in our own life. We’re self-confident and trusting of others. There’s the notion of basic trust, which is like a home within ourselves, providing us with internal support and protection. Many people, however, associate their childhood with largely negative experiences, some even traumatic. Others had an unhappy childhood, but have repressed those memories. They can barely recall what happened. Then there are those who believe their childhood was “normal” or even “happy,” only to discover, upon closer examination, that they have been deluding themselves. And though people may attempt to repress or, as an adult, downplay childhood experiences of insecurity or rejection, there are moments in everyday life that will reveal how underdeveloped their basic trust remains. They have self-esteem issues and frequently doubt that they are welcome and that their coworkers, romantic partner, boss, or new friend truly likes them. They don’t really like themselves all that much, they have a range of insecurities, and they often struggle in relationships. Unable to develop basic trust, they therefore lack a sense of internal support. Instead, they hope that others will provide them with these feelings of security, protection, stability, and home. They search for home with their partner, their colleagues, in their softball league, or online, only to be disappointed: other people can provide this feeling of home sporadically at best. Those who lack a home on the inside will never find one on the outside. They can’t tell that they’re caught in a trap.
”
”
Stefanie Stahl (The Child in You: The Breakthrough Method for Bringing Out Your Authentic Self)
“
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little.
"Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!"
...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
”
”
George Eliot (The Mill on the Floss)
“
The authors’ prior experience in clinical research4 had amply convinced us of the possibility of long-term performance enhancement using psychedelic agents in a safe, supportive setting. Though not deliberately sought, there were numerous spontaneous incidents of what appeared to be temporarily enhanced performance during the drug experience itself. These observations led us to postulate the following: Any human function can be performed more effectively. We do not function at our full capacity. Psychedelics appear to temporarily inhibit censors that ordinarily limit what is available to conscious awareness. Participants may, for example, discover a latent ability to form colorful and complex imagery, to recall forgotten experiences of early childhood, or to generate meaningful symbolic presentations. By leading participants to expect enhancement of other types of performance—creative problem solving, learning manual or verbal skills, manipulating logical or mathematical symbols, acquiring sensory or extrasensory perception, memory, and recall—and by providing favorable preparatory and environmental conditions, it may be possible to improve any desired aspect of mental functioning.
”
”
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
“
Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn’t know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that “half,” although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
”
”
George Eliot (Complete Works of George Eliot)
“
Once again I sensed in myself the mysterious gestation of that language so different from words blunted by use, a language in which I could have said softly, meeting Charlotte’s gaze: ‘Why does my heart miss a beat when I hear the distant call of the Kukushka? Why does an autumn morning in Cherbourg a hundred years ago, yes, a moment I have never lived through, in a town I have never visited, why do its light and breeze seem to me more alive than the days of my real life? Why does your balcony no longer float in the mauve air of the evening above the steppe? The transparency of dreams that once enveloped it is now broken like an alchemist’s flask. And the glass splinters crunch together and prevent us talking as we used to . . . Are not your memories, which I now know by heart, a cage that holds you prisoner? Is not our life simply the daily transformation of the fluid and warm present into a collection of frozen memories, like butterflies crucified on their pins in a dusty glass case? And if so, why do I sense that I should without hesitation exchange this whole collection for the unique sharp taste left on my lips by that little imaginary silver dish in that illusory café at Neuilly? For a single mouthful of Cherbourg’s salt breeze? For a single cry of the Kukushka recalled from my childhood?
”
”
Andreï Makine (Le Testament Francais (Sceptre 21's))
“
The biology of potential illness arises early in life. The brain’s stress-response mechanisms are programmed by experiences beginning in infancy, and so are the implicit, unconscious memories that govern our attitudes and behaviours toward ourselves, others and the world. Cancer, multiple sclerosis, rheumatoid arthritis and the other conditions we examined are not abrupt new developments in adult life, but culminations of lifelong processes. The human interactions and biological imprinting that shaped these processes took place in periods of our life for which we may have no conscious recall.
Emotionally unsatisfying child-parent interaction is a theme running through the one hundred or so detailed interviews I conducted for this book. These patients suffer from a broadly disparate range of illnesses, but the common threads in their stories are early loss or early relationships that were profoundly unfulfilling emotionally. Early childhood emotional deprivation in the histories of adults with serious illness is also verified by an impressive number of investigations reported in the medical and psychological literature. In an Italian study, women with genital cancers were reported to have felt less close to their parents than healthy controls. They were also less demonstrative emotionally. A large European study compared 357 cancer patients with 330 controls. The women with cancer were much less likely than controls to recall their childhood homes with positive feelings. As many as 40 per cent of cancer patients had suffered the death of a parent before the age of seventeen—a ratio of parental loss two and a half times as great as had been suffered by the controls.
The thirty-year follow-up of Johns Hopkins medical students was previously quoted. Those graduates whose initial interviews in medical school had revealed lower than normal childhood closeness with their parents were particularly at risk. By midlife they were more likely to commit suicide or develop mental illness, or to suffer from high blood pressure, coronary heart disease or cancer. In a similar study, Harvard undergraduates were interviewed about their perception of parental caring. Thirty-five years later these subjects’ health status was reviewed. By midlife only a quarter of the students who had reported highly positive perceptions of parental caring were sick. By comparison, almost 90 per cent of those who regarded their parental emotional nurturing negatively were ill. “Simple and straightforward ratings of feelings of being loved are significantly related to health status,” the researchers concluded.
”
”
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
“
Your memory of any sunny day in your childhood is merely a version of the last time you thought about it. Among the stunning implications is that intervening in the reconsolidation process can alter a memory and change how it feels. Some of the most intriguing research on this idea has been led by Joseph LeDoux, a neuroscientist who has been working since the 1970s to investigate how processes in the brain generate emotions. In recent years, he and colleagues have investigated whether giving people an antianxiety drug as they recall a traumatic experience can reduce the dread they feel upon further recollections. If it works, it could be one of many opportunities for reshaping memory, as LeDoux told MIT Technology Review ’s deputy editor, Brian Bergstein, in his NYU office.
”
”
Anonymous
“
This isn't his home anymore. And it's not yours either. It's a set of chains.... His words..recall to me a vivid memory of my childhood and a rider who came up this mountain to warn: Leave Monticello now or find yourself in chains.
”
”
Stephanie Dray (America's First Daughter)
“
Look,” I said to the girls, and they offered a polite coo of awe. I thought of the discrete memories of my childhood—vivid moments rising above the vagueness of long stretches of unremembered time—and I wondered if they would recall this day, and the five of us together.
”
”
Shawna Yang Ryan (Green Island)
“
Were I to add but a trace note of leather to New Wave, Claude, I would say that I had drawn on my canvas the olfactory silhouette of the Nazi.” The word jolted Claude. He shuddered. The LeFever twins had been small boys during the Nazi occupation of Paris, but they recalled it as an adult recalls the breaking of a bone in childhood: the sickening crack, the fear, the pain, the sadness, the sudden ooze of blood that shows itself like the black blush of fairy-tale witches. It was a wound upon their memory, a thud of monster boots in a distant sandbox.
”
”
Tom Robbins (Jitterbug Perfume)
“
He wept on account of his helplessness, his terrible loneliness, the cruelty of man, the cruelty of God, and the absence of God.
"Why hast thou done all this? Why hast thou brought me here to die?"
He did not expect an answer, and yet wept because there was no answer and could be none. The pain again grew more acute, but he did not stir and did not call. He said to himself: "Go on! Strike me! But what is this for? What have I done to Thee?"
Then he grew quiet and not only ceased weeping but even held his breath and became all attention. It was as though he were listening not to an audible voice but to the voice of his soul, the the current of thoughts arising within him.
"what is it you want?" was the first clear conception capable of expression in words that he heard.
"what do i want? to live and not to suffer." He answered.
"What do you want? what do you want" he repeated to himself.
And again he listened with such concentrated attention that even his pain did not distract him.
"to live? how?" asked his inner voice.
"Why, to live as before - well and pleasantly."
as you lived before, well and pleasantly?" the voice echoed.
And in imagination he began to recall the best moments of his pleasant life. But strange to say, none of those best moments of his pleasant life now seemed at all what they had seemed then - none of them except the first recollections of childhood. There, in childhood, there had been something really pleasant with which it would be possible to live if it could return. But the child who had experienced that happiness existed no longer, it was like a reminiscence of somebody else.
As soon as the period began which had been produced the present Ivan Ilych, all that had then seemed joys now melted before his sight and turned into something trivial and often nasty.
And the further he departed from childhood, and the nearer he came to the present, the more worthless and doubtful and false were the joys. This began with the School of Law. A little that was really good was still found there - lightheartedness, friendship and hope. But in the upper classes there had already been few of such good moments. Then during the first years of his official career, when he was in the service of the Governor, some pleasant moments again occured: they were memories of love for a woman. then all became confused and still less of what was good. later on again there was no good. the further he went, the less there was. his marriage, a mere accident, then the disenchantment and his wife's bad breath following it. Then the deadly official life and those preoccupations of money, a year of it, and two, then ten, then twenty years. and the longer it lasted, the more deadly it became. "What really happened was I went down hill but thought I was going up!
”
”
Lev Tolstoy
“
With means, if more than a little diminished means, of his own Ethan had done what his father before him, likewise a lawyer, had done, and had once in days past counselled him to do before it was too late, before this might spell an irrevocable retirement. He made a Retreat. (To be sure he had not been bidden so far afield as had his father, who’d spent the last year of peace before the First World War as a legal adviser on international cotton law in Czarist Russia, whence he brought back to his young son in Wales, or so he announced, lifting it whole out of a mysterious deep-Christmas-smelling wooden box, a beautiful toy model of Moscow; a city of tiny magical gold domes, pumpkin- or Christmas-bell-shaped, sparkling with Christmas tinsel-scented snow, bright as new silver half-crowns, and of minuscule Byzantine chimes; and at whose miniature frozen street corners waited minute sleighs, in which Ethan had imagined years later lilliputian Tchitchikovs brooding, or corners where lurked snow-bound Raskolnikovs, their hands stayed from murder evermore: much later still he was to become unsure whether the city, sprouting with snow-freaked onions after all, was intended to be Moscow or St. Petersburg, for part of it seemed in memory built on little piles in the water, like Eridanus; the city coming out of the box he was certain was magic too—for he had never seen it again after that evening of his father’s return, in a strange astrakhan-collared coat and Russian fur cap—the box that was always to be associated also with his mother’s death, which had occurred shortly thereafter; the magic bulbar city going back into the magic scented box forever, and himself too afraid of his father to ask him about it later—though how beautiful for years to him was the word city, the carilloning word city in the Christmas hymn, Once in Royal David’s City, and the tumultuous angel-winged city that was Bunyan’s celestial city; beautiful, that was, until he saw a city—it was London—for the first time, sullen, in fog, and bloodshot as if with the fires of hell, and he had never to this day seen Moscow—so that while this remained in his memory as nearly the only kind action he could recall on the part of either of his parents, if not nearly the only happy memory of his entire childhood, he was constrained to believe the gift had actually been intended for someone else, probably for the son of one of his father’s clients: no, to be sure he hadn’t wandered as far afield as Moscow; nor had he, like his younger brother Gwyn, wanting to go to Newfoundland, set out, because he couldn’t find another ship, recklessly for Archangel; he had not gone into the desert nor to sea himself again or entered a monastery, and moreover he’d taken his wife with him; but retreat it was just the same.)
”
”
Malcolm Lowry (October Ferry to Gabriola)
“
I believe my strength has something to do with memory, with that concept of fluid time. For while I recall with clarity the terror of abuse, I also recall the green and lovely dream of childhood, the moist membrane of a leaf against my nose, the toads that peeled a golden pool in the palm of my hand. Pleasures, pleasures, the recollections of which have injected me with a firm and unshakable faith. I believe Dostoevski when he wrote, “If one had only one good memory left in one’s heart, even that may be the means of saving us.” I have gone by memory.
”
”
Lauren Slater (Welcome to My Country: A Therapist's Memoir of Madness)
“
The research will involve quantifying responses to a series of drawing tasks. All participants in the study will be female, roughly between the ages of twenty and twenty-two. In 1990, at the time of the war, they would have been between four and six years old. I will use Piaget’s model of the preoperational stage of childhood development to limit the study’s grouping parameters. From Utrecht in Chicago, I bought enough art supplies to quantify their qualitative responses. Each participant must complete the same tasks: First, mix a color that represents how she remembers the invasion as a child. Second, draw her first memory of the invasion. Third, draw the objects around her during the invasion. The study will use projective drawing tasks to elicit and examine the nonverbal mental schema of the subjects, all of whom lived in Kuwait throughout the invasion and eventual liberation. The results will be measured for repetition of color, image, and symbol (CIS). I hope to find the answer to these questions from these young adults: Can childhood memories of the 1990 invasion be more accurately recalled using nonverbal, rather than verbal, communication skills? If so, do the recollections contain patterns of color, imagery, and symbols?
”
”
Yvonne Wakefield (Suitcase Filled with Nails)
“
The mental Images were liquifying So I could no longer separate what I was recalling from the past from what I'd seen in detailed photos that afternoon. Like life. I've long suspected that many of my memories from childhood Are actually drawn from old pictures, That they are composed of snapshots, A mosaic of celluloids Images reworked into a remembered reality. Kodak cast backwards. Maybe it's better to recall The pass that way. We rarely take pictures of sad occasions.
”
”
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
“
You must know that there is nothing higher and stronger and more wholesome and good for life in the future than some good memory, preserved from childhood, of home. People talk to you a great deal about your education, but some good, sacred memory, preserved from childhood, is perhaps the best education. If a man carries many such memories with him into life, he is safe to the end of his days, and if one has only one good memory left in one’s heart, even that may sometime be the means of saving us. Perhaps we may even grow wicked later on, may be unable to refrain from a bad action, may laugh at men’s tears and at those people who say as Kolya did just now, “I want to suffer for all men,” and may even jeer spitefully at such people. But however bad we may become— which God forbid— yet, when we recall how we buried Ilyusha, how we loved him in his last days, and how we have been talking life friends all together, at this stone, the cruelest and most mocking of us— if we do become so—will not dare to laugh inwardly at having been kind and good at this moment! What’s more, perhaps, that one memory may keep him from great evil and he will reflect and say, “Yes, I was good and brave and honest then!” Let him laugh to himself, that’s no matter, a man often laughs at what’s good and kind. That’s only from thoughtlessness. But I assure you, boys, that as he laughs he will say at once in his heart, “No, I do wrong to laugh, for that’s not a thing to laugh at.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
From this general memory about memory I draw a certain inference. What was wonderful about childhood is that anything in it was a wonder. It was not merely a world full of miracles; it was a miraculous world. What gives me this shock is almost anything I really recall; not the things I should think most worth recalling.
”
”
G.K. Chesterton (The Autobiography of G.K. Chesterton)
“
Her limbs function, and she finds this miraculous when she dwells on it. In fact, she finds plenty of things miraculous. Forcefully, she summons her best memories. That time on a red-eye bus when the driver used the intercom to contemplate, in campfire baritone, the wonder of his grandchildren, the way they validated his life as time well spent. As he lulled the passengers with stories, someone began to pass around a Tupperware of sliced watermelon, and a drunk man offered to share the miniature bottles of whiskey from his bag, and Joan felt such overwhelming affection for her species, she feared she would sacrifice herself to save it.
A bad summer storm. Green sky, tornado warning, violent winds. Joan was downtown, leaving work early, briskly walking toward the parking garage where her station wagon waited. On the opposite end of the sidewalk, a large woman in her sixties collapsed. Immediately, two people rushed to the woman's side, gingerly tending to her, touching her shoulders and face, speaking to her as though she were their mother -- a cherished one -- and Joan understood that human tenderness was not to be mocked. It was the last real thing.
Dining alone on a blustery Easter night at the only Chinese restaurant in town. When she asked for the check, the waiter said, "It just started to rain. You're welcome to stay a little longer, if you want." Miraculous. Joan recalls the existence of dogs, craft stores, painkillers, the public library. Cream ribboning through coffee. The scent of the lilacs near her childhood home. Brown sugar on a summer strawberry. Her father's recovery from the tyranny of multigenerational alcoholism. The imperfect but true repossession of his life. The euphoria of the first warmth after winter, the first easy breath after a cold, the return of one's appetite after an anxiety attack. Joan has much to be happy about. She thinks: I am happy, you are happy, we are happy. These thoughts -- how she can force herself to have them. Miraculous.
”
”
Tess Gunty (The Rabbit Hutch)
“
My mother and my father both, you know, the term would be, ‘suck it up and just get on with it’; ‘don’t let bad things that happen to you stop you’; ‘you’re in control of your life,’” recalls Bloomberg. That advice is one of his sharpest childhood memories.
”
”
Joyce Purnick (Mike Bloomberg: Money, Power, Politics)
“
Aamir, recalling back to the idyllic days of his college youth, pictured himself once again sitting quietly on a familiar neighbourhood rooftop. He often enjoyed relaxing there, alone or with friends, while watching the colourful fluttering prayer flags on rooftop poles, especially in the warmth of an early evening breeze, as wispy clouds drifted against the jagged Himalayan backdrop. He has oft times wondered, ever since his childhood, if the prayers to the spirits of the dead, flying out from those slowly tattering rags, will ever really be answered. Perhaps it will be in another place, in another time, when we’re living another life that we shall finally know. Aamir had calmly thought at the time. He was that sort of philosophical guy.
”
”
Andrew James Pritchard (One In an Eleven Million)
“
One hundred twenty-nine women with previously documented histories of sexual victimization in childhood were interviewed and asked detailed questions about their abuse histories to answer the question "Do people actually forget traumatic events such as child sexual abuse, and if so, how common is such forgetting?" A large proportion of the women (38%) did not recall the abuse that had been reported 17 years earlier. Women who were younger at the time of the abuse and those who were molested by someone they knew were more likely to have no recall of the abuse. The implications for research and practice are discussed. Long periods with no memory of abuse should not be regarded as evidence that the abuse did not occur.
Journal of Consulting and Clinical Psychology, Vol 62(6), Dec 1994, 1167-1176
”
”
Linda M. Williams
“
Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't.
The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories.
But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love.
Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength.
My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go.
Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks.
Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass.
February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring.
One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February.
I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance.
A light snowfall was dotting the night air when
”
”
John R. Powers (The Unoriginal Sinner and the Ice-Cream God (Loyola Classics))
“
And in his imagination he called to mind the best moments of his pleasant life. Yet, strangely enough, all the best moments of his pleasant life now seemed entirely different than they had in the past -- all except the earliest memories of childhood. Way back in his childhood there had been something really pleasant, something he could life with were it ever to recur. But the person who had experienced that happiness no longer existed. It was as though he were recalling the memories of another man.
”
”
Leo Tolstoy (The Death of Ivan Ilych)
“
Still, she did not allow self-pity to overcome her. She relied on her ability, since childhood, to chase away bad memories. She did not ponder on all the evil done to her in the village; nor did she recall the fear she had felt on the viaduct. Her mind did not return to the past, and an inner strength blanked out her fears and sorrows. The only bad memory she could not erase was that of her aunt making her cry in front of the locked door, as well as the shame she had felt returning to say good-bye as she walked down the muddy road in the village. Her black plastic shoes reminded her of those incidents.
”
”
Zülfü Livaneli (Bliss)
“
Memory loss has been reported in people who have experienced natural disasters, accidents, war trauma, kidnapping, torture, concentration camps, and physical and sexual abuse. Total memory loss is most common in childhood sexual abuse, with incidence ranging from 19 percent to 38 percent.19 This issue is not particularly controversial: As early as 1980 the DSM-III recognized the existence of memory loss for traumatic events in the diagnostic criteria for dissociative amnesia: “an inability to recall important personal information, usually of a traumatic or stressful nature, that is too extensive to be explained by normal forgetfulness.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
The mental images were liquifying so I could no longer separate what I was recalling from the past from what I'd seen in detailed photos that afternoon. Like life. I've long suspected that many of my memories from childhood are actually drawn from old pictures, That they are composed of snapshots, A mosaic of celluloids Images reworked into a remembered reality. Kodak cast backwards. Maybe it's better to recall the past that way. We rarely take pictures of sad occasions.
”
”
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
“
Of all the gems of wisdom that they shared with me, this insight, from Norma, stood out: “When the kids come home for a family reunion, I like to listen to their banter back and forth about the experiences they had growing up, and which had the greatest impact on their lives. I typically have no memory of the events they recall as being important. And when I ask them about the times when Jim and I sat them down specifically to share what we thought were foundationally important values of our family, well, the kids have no memory of any of them. I guess the thing to learn from this is that children will learn when they are ready to learn, not when we’re ready to teach them.” It’s a beautiful way of articulating the importance of building the third of the capabilities—priorities. It affects what our children will put first in their lives. In fact, it may be the single most important capability we can give our kids. You can probably recall similar moments from your own childhood—the times that you picked up something important from your parents that they probably weren’t aware they were sharing. Your parents most likely weren’t thinking consciously about teaching you the right priorities at the time—but simply because they were there with you in those learning moments, those values became your values, too. Which means that first, when children are ready to learn, we need to be there. And second, we need to be found displaying through our actions, the priorities and values that we want our children to learn.
”
”
Clayton M. Christensen (How Will You Measure Your Life?: A thought-provoking approach to measuring life's success)
“
But what if current misery hindsightfully selects and reconstructs memories of childhood to be consistent with a miserable state today? Peter Lewinsohn and Michael Rosenbaum (1987) set out to answer this question with a rare prospective study of over a thousand citizen volunteers.
[...] The results were consistent with the hypothesis that recollection of one’s parents as rejecting and unloving is strongly influenced by current moods; negative recollections were not a stable characteristic of depression-prone people.
[...] This study of depression is important in that it casts doubt on the degree to which adult problems are caused by childhood ones. Given a biasing effect of mood on memory, people who are distressed as adults tend to remember distressing incidents in their childhood. And, if a person also believes that current problems have their roots in early life (perhaps because their therapist told them so), this view itself may serve as an organizing principle to produce even greater distortion of recall (remember the Conway & Ross [1984] study).
”
”
Reid Hastie (Rational Choice in an Uncertain World: The Psychology of Judgement and Decision Making)
“
Basically I’ve just really been trusting in the process here. I want it to work. I want to change and I actually have hope that it might be possible. A lot of this is due to some of the more intense alternative therapies they offer here, like Somatic Experiencing. Through these sessions I’ve been able to recall events from my childhood that I had completely suppressed from my memory.
”
”
Nic Sheff (Tweak: Growing Up On Methamphetamines)
“
I’ve long suspected that many of my memories of childhood are actually drawn from old pictures, that they are a composite of snapshots, a mosaic of celluloid images reworked into a remembered reality. Kodak cast backward. Maybe it’s better to recall the past that way. We rarely take pictures of sad occasions.
”
”
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
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This time it was a strawberry shortcake with homemade whipped cream. If Angela closed her eyes, she could still remember the fluffy perfection of the shortcake, the ripe flavor of the strawberries, the sweet thickness of the cream. But more than that, she remembered a summer day from her childhood that the cake made her recall. She'd been only seven years old, and on the hottest day of the summer, she and Daddy had gone down to Sweet Creek, which ran right through town, meandering behind houses and through the park, until it emptied into Dove Pond itself.
Daddy had loved creeks, and there was nothing he liked better than to roll up his pants and walk barefoot over rocks worn smooth by cool, shimmering water. She'd learned to love that same experience herself. That summer day, the heat of the late afternoon had dissipated as the coolness of the water washed over their feet. They'd held hands as they walked, and had laughed and talked as they splashed and scared off more fish than she could count.
Oh, how she relished that memory. And Ella's cake had made it so immediate, so real, that when Angela had finished swallowing the final bite, she'd had to wipe away happy tears. That had been one of the best days of her life.
But then that was the beauty of an Ella Dove cake. It wasn't just the flawlessness of the bake, or the richness of the flavors, although they were something to behold themselves. It was the unexpected memories of those perfect combinations of flavor and texture stirred. The glimpses of special, exquisite moments from one's past were astoundingly real and, oh, so precious.
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Karen Hawkins (The Secret Recipe of Ella Dove (Dove Pond #3))
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Psychologist Ernest Schachtel compared the challenges of recalling dreams to the difficulty of remembering childhood memories.
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Alice Robb (Why We Dream: The Transformative Power of Our Nightly Journey)
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These are the quicksilver moments of my childhood I cannot recapture entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart. There is a river, the town, my grandfather steering a boat through the channel, my sister fixed in that suspended rapture she would later translate into her strongest poems, the metallic perfume of harvested oysters, the belling voices of children on the shore . . . When the white porpoise comes there is all this and transfiguration too. In dreams, the porpoise remains in memory’s waters, a pale divinity who nourishes the fire and deepest cold of all the black waters of my history. There were many things wrong with my childhood but the river was not one of them, nor can the inestimable riches it imparted be traded or sold.
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Pat Conroy (The Prince of Tides)
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Air-conditioning will give you kidney stones,” Luka said. I was gradually recalling those mundane moments—the ones that had until now given way to more traumatic memories—of a childhood governed by collective superstition: Never open two windows across from each other—the propuh draft will give you pneumonia. Don’t sit at the corner of the table; you’ll never get married. Lighting a cigarette straight off a candle kills a sailor. Don’t cut your nails on a Sunday. If it hurts, put some rakija on it.
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Sara Nović (Girl at War)
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I recalled the time he tricked me into eating a live snail, explaining that snails were a delicacy in France, and if I were to develop a true palate, I had to eat one. It wasn't until later that I learned they were, indeed, delicious, but one didn't just pick up a snail from the garden and put a dash of salt on it. Snails we're eaten after a long curing process and served after they were baked in loads of butter, garlic, and parsley- les escargots de Bourgogne.
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Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
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Sometimes people suggested that I must have an amazing memory—that surely I must recall so many scenes, moments, sensory details from my early years. But the truth is that I have a terrible memory. I struggled to access any of my childhood or even my teenage years. I had no recollection of it as a story. And so I followed my own line of words to see where it would lead me.
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Dani Shapiro (Inheritance: A Memoir of Genealogy, Paternity, and Love)
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The two boys did quite a lot of cycling, playing cycle polo in a field not far from Cooldrinagh, just as their father had done earlier in a team run by a man called Wisdom Healy.110 The scene in Beckett’s novel Dream of Fair to Middling Women, where the two brothers go off on their bicycles to the sea, recalls a poignant memory of his childhood: That was in the blue-eyed days when they rode down to the sea on bicycles, Father in the van, his handsome head standing up out of the great ruff of the family towel, John in the centre, lean and gracefully seated, Bel behind, his feet speeding round in the smallest gear ever constructed. They were the Great Bear, the Big Bear and the Little Bear; aliter sic, the Big, Little and Small Bears … Many was the priest coming back safe from his bathe that they passed, his towel folded suavely, like a waiter’s serviette, across his arm. The superlative Bear would then discharge the celebrated broadside: B-P! B-P! B-P! and twist round with his handsome face wreathed in smiles in the saddle to make sure that the sally had not been in vain. It had never been known to be in vain.111
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James Knowlson (Damned to Fame: the Life of Samuel Beckett)
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Before we do anything, here's the first lesson in dessert making: don't stint on any of the good stuff. Fill it up with butter, and cream, and sugar, and fruit. All the things we want loads of but really shouldn't have. It should feel decadent."
That's her grandfather talking, of course: "Pudding is an indulgence; it should feel like it," he used to say. She could recall one day, in the kitchen of their house in London, when she was maybe nine or ten, helping her mother frost a birthday cake for one of her sisters (Meg, surely; Julia had given up cake, by that point). Elliott sat on a stool at the kitchen island, watching them, guiding Susan's technique: "Take off just enough of the frosting to give a smooth appearance, but don't scrape it all off. The whole point of cake is the frosting, isn't it? You don't want a bare cake."
"Julia would," Susan commented with a wry smile.
"Julia doesn't appreciate things like this" was Elliott's response.
"Now, now," Susan's mother gently remonstrated with a warning look at her father-in-law.
"Well, I worry about Julia," he said. "If you can't indulge in a little cake now and again, what sort of joy do you have in your life? Can you indulge in anything? And yes, cake is an indulgence. You don't need it, but you want it. It should feel celebratory and just a little delightfully naughty when you have it. It's the same with any dessert.
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Brianne Moore (All Stirred Up)
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But did you know that you can also go directly from thinking to being—and it’s likely that you’ve already experienced this in your life? Through the meditation that is at the heart of this book (this chapter will give you a prelude), you can go from thinking about the ideal self you want to become, straight to being that new self. That is the key to quantum creating. Change all begins with thinking: we can immediately form new neurological connections and circuits that reflect our new thoughts. And nothing gets the brain more excited than when it’s learning—assimilating knowledge and experiences. These are aphrodisiacs for the brain; it “fondles” every signal it receives from our five senses. Every second, it processes billions of bits of data; it analyzes, examines, identifies, extrapolates, classifies, and files information, which it can retrieve for us on an “as needed” basis. Truly, the human brain is this planet’s ultimate supercomputer. As you’ll recall, the basis for understanding how you can actually change your mind is the concept of hardwiring—how neurons engage in long-term, habitual relationships. I’ve talked about Hebbian learning, which states: “Nerve cells that fire together, wire together.” (Neuroscientists used to think that after childhood, brain structure was relatively immutable. But new findings reveal that many aspects of the brain and nervous system can change structurally and functionally—including learning, memory, and recovery from brain damage—throughout adulthood.)
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Joe Dispenza (Breaking the Habit of Being Yourself: How to Lose Your Mind and Create a New One)