Frizzy Hair Quotes

We've searched our database for all the quotes and captions related to Frizzy Hair. Here they are! All 54 of them:

Guess who has PE first hour? This is so unfair. I start the day off perspiring like an elephant in heat. Don't the people who make up our schedule understand body odor? Don't they understand frizzy hair?
Becca Fitzpatrick (Silence (Hush, Hush, #3))
So . . . middle school? Awkward. Having a hobby that's different from everyone else's? Awkward. Singing the national anthem on weekends instead of going to sleepovers? More awkward. Braces? Awkward. Gain a lot of weight before you hit the growth spurt? Awkward. Frizzy hair, don't embrace the curls yet? Awkward. Try to straighten it? Awkward!So many phases!
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
My English teacher has no face. She has uncombed stringy hair that droops on her shoulders. The hair is black from her part to her ears and then neon orange to the frizzy ends. I can't decide if she had pissed off her hairdresser or is morphing into a monarch butterfly. I call her Hairwoman.
Laurie Halse Anderson (Speak)
If my hair gets any frizzier, I'll shave it to the scalp. Or light it on fire. Whichever is easier.
Victoria Scott (Fire & Flood (Fire & Flood, #1))
A rack of mugs rested alongside. There were two hand-drawn labels affixed to the decanters. “Happy Tea!” read one, above a drawing of a wide-eyed, grinning Human with frizzy hair standing on end. “Boring Tea,” read the other. The Human drawn there looked content, but indifferent.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
I still think of Oregon Trail as a great leveler. If, for example, you were a twelve-year-old girl from Westchester with frizzy hair, a bite plate, and no control over your own life, suddenly you could drown whomever you pleased. Say you have shot four bison, eleven rabbits, and Bambi's mom. Say your wagon weighs 9,783 pounds and this arduous journey has been most arduous. The banker's sick. The carpenter's sick. The butcher, the baker, the algebra-maker. Your fellow pioneers are hanging on by a spool of flax. Your whole life is in flux and all you have is this moment. Are you sure you want to forge the river? Yes. Yes, you are.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
To say I have frizzy hair is an understatement. It is kinky, more pubic than cranial, and whitish blond, breaking off easily, like hay.
Kathryn Stockett (The Help)
I've been praying to Jesus and the Holy Ghost for patience and I have also mentioned that it would help if I did not have frizzy hair.
Margaret Sartor (Miss American Pie: A Diary of Love, Secrets and Growing Up in the 1970s)
...the hair...that frizzy nest which grew outwards, horizontal like a wind-blown tree in an Italianate painting.
Peter Carey (Oscar and Lucinda)
Buttony eyes, stitched lips, frizzy hair, a face full of old regrets.
David Mitchell (The Bone Clocks)
I think we've had rather too much dirt rather than not enough. That's not a prudish English remark, but a statement of saturation. These up-and-coming young men," she splutters. "Penelope Fitzgerald -- they think, 'Ah! Middle-aged lady with frizzy hair and a nice smile; she must be writing tastefully.' I say she's writing against taste, quite savagely. But they don't pick it up because they're brash young men poncing about, waving their blood and thunder and condoms!
A.S. Byatt
The high-waisted bodice had been cut quite low, much lower than anything she had ever worn before, and she had to resist the temptation to keep yanking it upward. Unfortunately, no one had been able to do much with her hair. It formed a very unfashionable, slightly frizzy halo around her head.
Amanda Quick (Ravished)
There were two hand-drawn labels affixed to the decanters. “Happy Tea!” read one, above a drawing of a wide-eyed, grinning Human with frizzy hair standing on end. “Boring Tea,” read the other. The Human drawn there looked content, but indifferent. The handwriting was the same as the sign on the Fishbowl door. Kizzy’s.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
I’m so far gone now, sometimes I feel like maybe it’s almost enough. Because, honestly, there isn’t the slightest trace left of that frizzy-haired, freckle-faced, clarinet-playing, scared-silent little girl. And her big secret is really not such a huge deal anymore. It was all so long ago now, it practically never even happened.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
She looked like a hippie who’d been kicked to the side of the road maybe forty years ago, where she’d been collecting trash and rags ever since. She wore a dress made of tie-dyed cloth, ripped-up quilts, and plastic grocery bags. Her frizzy mop of hair was gray-brown, like root-beer foam, tied back with a peace-sign headband. Warts and moles covered her face. When she smiled, she showed exactly three teeth.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
The moms and dads and grandparents didn’t wear suits like the lawyers and judge. They wore sweatpants and stretchy pants and T-shirts. Their hair was a bit frizzy. And it was the first time I noticed “TV accents”—the neutral accent that so many news anchors had. The social workers and the judge and the lawyer all had TV accents. None of us did. The people who ran the courthouse were different from us. The people subjected to it were not.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
In the light of the crappy little lamp, all I was looking at was a frizzy mop of blonde hair and a bare back with one big angry red patch on it, but Jesus fucking God she was beautiful, and if you don't understand that, I'm sorry for you.
John Barnes (Tales of the Madman Underground)
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.
Jeff Phillips (Turban Tan)
I’m not telling you what I look like in any detail. I hate those endless descriptions of a heroine’s physical attributes: “She had piercing blue eyes and a heaving milk-white bosom blah blah,” or “She hated her frizzy hair and fat ankles blah blah, blah blah.” First of all, it’s boring. You should be able to imagine me without all the gory details of my hairstyle or the size of my thighs. And second, it really bothers me how in books it seems like the only two choices are perfection or self-hatred. As if readers will only like a character who’s ideal—or completely shattered.
E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
Come on, you deucies!" a relatively young man snarled. He wore his blue scarf around his throat like a rally-racer's ascot. He was bald except for two fluffs of frizzy red hair, one on each side of his head. To Susannah, this fellow looked like Clarabell the Clown; to Eddie he looked like Ronald McDonald; to both of them he looked like trouble.
Stephen King (The Waste Lands (The Dark Tower, #3))
And there he stood looking like... RON WEASLEY to be precise….and that’s where it all started. People found him "boring" , "dumb" but did I really see what others couldn't ? Or was I blinded with that deep Infatuation. Well he din't have the perfect body , his hair was always messy like a frizzy bear, stammered when he spoke but his flaws had swept me off by my feet like a Supernova. From the time we knew about each others existence on planet earth we din’t really like each other reason being we had fought on a whole new level in a page on Facebook [ lame, but we were young]. Then as we reached high school… things became different, there was a drastic change. “WE BECAME FRIENDS” First it was really scary but as time passed we became inseparable. But I din’t realize that amidst all that small inside jokes , teasing , recalling our embarassing past …I fell for him. And that too for the first time and believe me I fell hard. In a blink of an eye he who was a complete “moron” turned out to be the person who mattered the most to me. . .
Biipso
Hey,” I said to her. “Let me get your opinion on something.” She stopped and listened. She was about four foot ten, with short, frizzy hair and a marshmallow body, but she had a nice smile; she would be good practice. I decided to use the Maury Povich opener. “My friend Grimble there just got a call today from the Maury Povich show,” I began. “And it seems they’re doing a segment on secret admirers. Evidently, someone has a little crush on him. Do you think he should go on the show or not?” “Sure,” she answered. “Why not?” “But what if his secret admirer is a man?” I asked. “Talk shows always need to put an unexpected twist on everything. Or what if it’s a relative?” It’s not lying; it’s flirting. She laughed. Perfect. “Would you do the show?” I asked. “Probably not,” she answered. Suddenly,
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
At night, my own century-old wooden floors creaked while I dreamed of her, as she looked before radiation destroyed her famously enormous hair and removed all evidence of her addiction to homemade brownies. I woke to clammy sheets and the grim reminder that Liz’s soul was not, in fact, speaking to me from beyond the grave. Rationally, I knew that memory synapses of plump, frizzy Liz were bursting forth from the depths of my brain. Emotionally, I wanted Liz back with me, no matter what her form—but getting her back would require a leap of faith that the rest of me (the stuff surrounding that Liz-shaped hole) just couldn’t take.
Shannon Drury (Atheist Voices of Minnesota: An Anthology of Personal Stories)
How?” Dr. Tuttle asked. “Slit her wrists,” I lied. “Good to know.” Her hair was red and frizzy. The foam brace she wore around her neck had what looked like coffee and food stains on it, and it squished the skin on her neck up toward her chin. Her face was like a bloodhound’s, folded and drooping, her sunken eyes hidden under very small wire-framed glasses with Coke-bottle lenses. I never got a good look at Dr. Tuttle’s eyes. I suspect that they were crazy eyes, black and shiny, like a crow’s. The pen she used was long and purple and had a purple feather at the end of it. “Both my parents died when I was in college,” I went on. “Just a few years ago.” She seemed to study me for a moment, her expression blank and breathless. Then she turned back to her little prescription pad. “I’m very good with insurance companies,” she said matter-of-factly. “I know how to play into their little games. Are you sleeping at all?” “Barely,” I said. “Any dreams?” “Only nightmares.” “I figured. Sleep is key. Most people need upwards of fourteen hours or so. The modern age has forced us to live unnatural lives. Busy, busy, busy. Go, go, go. You probably work too much.” She scribbled for a while on her pad. “Mirth,” Dr. Tuttle said. “I like it better than joy. Happiness isn’t a word I like to use in here. It’s very arresting, happiness. You should know that I’m someone who appreciates the subtleties of human experience. Being well rested is a precondition, of course. Do you know what mirth means? M-I-R-T-H?” “Yeah. Like The House of Mirth,” I said. “A sad story,” said Dr. Tuttle. “I haven’t read it.” “Better you don’t.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Typical. I had no contacts in, no make-up on, my hair was a frizzy state, my bum was on show for the whole world to see and, for the piéce de resistance, I also happened to be hanging upside-down from a tree.
Aurelia B. Rowl (A Girl Called Malice (Facing the Music, #2))
Mrs. Fritz is wearing her favorite purple, floral dress today. Her deep-set eyes are offset, as usual, by her purple eyeglasses and her almost-explosive frizzy hair. “Those are good examples. Do you all want to hear what my favorite urban legend is?” We nod. “It’s the one about the grandchildren who actually call to say thanks when you send them birthday presents.” We stare at her.
Meg Kimball (Corey Takes a Leap! (The Advice Avengers: Volume 4))
A single runlet of blood, incredibly bright in the gray day, slipped from the corner of his mouth. The few remaining Pubes stared at him mutely as he slipped to his knees, and one of them turned to run. “Not at all,” Eddie said. “Stay put, my retarded friend, or you’re going to get a good look at the clearing where your path ends.” He raised his voice. “Drop em, boys and girls! All of em! Now!” “You . . .” the dying man whispered. “You . . . gunslinger?” “That’s right,” Eddie said. His eyes surveyed the remaining Pubes grimly. “Cry your . . . pardon,” the man with the frizzy red hair gasped, and then he fell forward onto his face.
Anonymous
Maybe you inherited craziness like you did brown eyes or frizzy hair, I thought. Maybe you just went nuts and did that sort of thing if your mother got a divorce and a new boyfriend.
Wally Lamb (She's Come Undone)
The screen door opened, slapped loudly shut. An enormous woman had come onto the porch, a woman with a fierce turtle like face and wild frizzy carrot colored hair. She was wearing a bright yellow tent size dress with dark half moons of sweat fanning out from the armpits.
William Gay (Provinces of Night)
The problem with intensifying an image only by adjectives, as you can see from these examples, is that adjectives encourage cliché. It’s hard to think of adjective descriptors that haven’t been overused: bulging or ropy muscles; clean-cut good looks; frizzy hair. If you use an adjective to describe a physical attribute, make sure the phrase is not only accurate and sensory but fresh. In “Flowering Judas,” Katherine Anne Porter describes Braggioni’s singing voice as a “furry, mournful voice” that takes the high notes “in a prolonged painful squeal.” Often, the easiest way to avoid an adjective-based cliché is to free the phrase entirely from its adjective modifier. For example, rather than describing her eyes merely as “hazel,” Emily Dickinson remarked that they were “the color of the sherry the guests leave in the glasses.” Making
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
I was a woman with wild, out-of-control, frizzy hair. Maybe change needed to start at the top.
Elise Sax (An Affair to Dismember (Matchmaker Mysteries, #1))
Tia stepped into the room. Hester’s hair was always frizzy, a sort of bottled off-blond. She somehow gave you the sense that she was harried and yet totally together. Some people command your attention—Hester Crimstein actually seemed to take you by the lapels and shake you and make you stare into her eyes. “Sure,
Harlan Coben (Hold Tight)
Mrs. Byrne looks around the room, leading with her chin. “As you know, we have needed extra help for quite some time, and I am pleased to report that we have found it. This is Dorothy.” She lifts her hand in my direction. “Dorothy, say hello to Bernice”—the woman with frizzy hair—“Joan and Sally”—the women at the Singers—“Fanny”—the only one who smiles at me—“and Mary. Mary,” she says to the young girl, “you will help Dorothy get acquainted with her surroundings. She can do some of your scut work and free you up for other things. And, Fanny, you will oversee. As always.
Christina Baker Kline (Orphan Train)
Unfortunately, no one had been able to do much with her hair. It formed a very unfashionable, slightly frizzy halo around her head.
Amanda Quick (Ravished)
I have changed. No glasses. No frizzy hair. Better clothes. Bigger boobs... Not that any of that matters. You made it clear what you thought about me." "That was a long time ago." His voice was rough, strained. "I don't feel good about what happened." "What a coincidence. Neither do I.
Sara Desai (The Dating Plan (Marriage Game, #2))
Some of the groupies who had been visiting Richard in Los Angeles now began to go to San Francisco to see him. Doreen was unhappy with all the competition she had. She’d complain to him that they were taking visiting time away from her, but Richard enjoyed all the female attention. Never before had he had so much female admiration—and he reveled in it, thrived upon it. Cindy, unlike Doreen, didn’t mind Richard’s other visitors, as long as none of them bothered her. But there was one woman Cindy and Doreen came to refer to as “the bimbo,” who did, in fact, start getting aggressive with both Cindy and Doreen. The Bimbo, a heavy-set, well-built belligerent blonde with frizzy hair, and a big nose, began to challenge Cindy and Doreen when she ran into them at the jail. “He’s mine. Stay away from him or I’ll break your face,” she’d say regularly. Cindy stood up to her, telling her to fuck off, but Doreen did not have Cindy’s combative nature and would take the Bimbo’s threats, taunts, and admonitions. The Bimbo began regularly to step on Doreen’s toes and call her “Dogreen.” It got to the point that Doreen began asking the jail guards to walk her to her car, she was so afraid of the Bimbo. Doreen again complained to Richard, but he didn’t stop the Bimbo from coming to the jail. Several of the Ramirez women would bring phallic-shaped vegetables with them on their visits and would sexually excite themselves with the vegetables while Ramirez watched. For many of these women Richard Ramirez was a turn-on.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
Denise was there when I got to Rachel's room, and we didn't really have anything to say to each other, so we both awkwardly sat there for a while. I felt like I should leave, but I knew that would make me feel even worse. Rachel wasn't awake. She had pneumonia, apparently. I really wanted Rachel to wake up. In retrospect, this was stupid and pointless, because I had nothing to say to her, but I just wanted to talk to her again. I sat there staring at her for like an hour. Her frizzy hair was gone, and her mouth was closed, so I couldn't see her sort of big teeth. And her eyes were closed, so I couldn't see them, either. So you'd think the person lying there wouldn't have looked like Rachel at all, but somehow she did. Actually I was crying the whole time, because for some reason it had never really sunk in with me that she was dying, and now I was literally watching her die, and it was somehow different. There was just something about her drying that I had understood but not really understood, if you know what I mean. I mean, you can know someone is dying on an intellectual level, but emotionally it hasn't really hit you, and then when it does, that's when you feel like shit. So like an idiot, I hadn't understood until I was sitting there actually watching her physically die, when it was too late to say or do anything. I couldn't believe it had taken me so long to understand it even a little bit. This was a human being, dying. This was the only time there was going to be someone with those eyes and those ears and that way of breathing through her mouth and that way of building up right before a monster laugh with her eyebrows all raised and her nostrils flaring a little bit, this was the only time there was ever going to be that person, living in this world, and now that was almost over, and I couldn't deal with it.
Jesse Andrews (Me and Earl and the Dying Girl)
This kind of stress is simply the ambient noise of faithfulness. This is the kind of stress that you feel right before Thanksgiving dinner. When you could just take a nap instead of slapping together one more pie. But the pie is good. And making it is good. And the fact that your legs ache and your hair is frizzy is just a sign that you have been doing other good things. What I mean by ambient noise is not just the soothing sound of waves in the background. It is more like you are a basketball player on the free-throw line, and the other team’s fans are getting all the noisemakers out. When all that screaming and honking and waving and shouting insults is going on, it doesn’t mean that you are doing something wrong. It means that there is a lot of noise in the room hoping you will do something wrong. Some kinds of “stress” are simply what happens when you are being faithful.
Rachel Jankovic (Fit to Burst: Abundance, Mayhem, and the Joys of Motherhood)
Miss Steele was a thin, quiet woman of about sixty, who used rouge and powder somewhat heavily, whose white, frizzy, well-kept hair had the appearance of being, without being, a wig, and whose whole manner gave the impression of her having, without her having had, a past. She was careful to avow at all times her predilection for ‘fun’, for ‘cocktails’, for ‘broadmindedness’, for those who in common with her were ‘cursed’ with a sense of humour, and for the company of young people as opposed to ‘old fogies’ like herself. But she had, in fact, little fun, no cocktails, and no company younger than that furnished by the Rosamund Tea Rooms. She was also advanced in the matter of culture, for she had no time for ‘modern novels’. Instead she read endless Boots’ biographies of historical characters, and was, in fact, a historian.
Patrick Hamilton (The Slaves of Solitude)
Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.
Angie Sijun Lou (All We Ask is You to be Happy)
I’m fat and what you might call mannish-looking. That’s what Taryn Anderson told me in sixth grade. She didn’t even have the decency to say it about me. No, she said it right to my face. My eyes are close together and my brown hair is both curly and frizzy, which is the worst hair possible. My nose is wide in the wrong place. My lips are the only thin part of me.
K.M. Walton (Empty)
Romantic love is the most important and exciting thing in the entire world. If you don’t have it when you’re a proper grown-up then you have failed, just like so many of my art teachers who I have noted are “Miss” instead of “Mrs.” and have frizzy hair and ethnic jewelry.
Dolly Alderton (Everything I Know About Love: A Memoir)
It was just four years of torture and mean girls and football players and bullies. You could easily say that I wasn’t very popular growing up, due in large part to my huge, frizzy hair and nerdy tendencies.
Caroline Frank (Fall Into You (Seasons of Love #1))
Her cheeks are flushed from adrenaline and her hair is all frizzy around her face and she’s the most beautiful girl I’ve ever seen.
Amy Sparling (Bella and the New Guy (Love on the Track, #1))
But really, I always felt like her sleek brown hair, compared to my frizzy, wild mane of golden curls, was the perfect depiction of our personalities; organized and orderly, practically perfect in every way, versus… me? Not so much. More like Hot Mess Express.
Aimee Vance (Fates Illuminated (Call of the Norns, #1))
She stares at me, her hand reaching toward my frizzy red hair. “I’ve never seen hair that color. Is it real?” “Of course it’s real! It would look way better than this if I paid for it.” I tuck a loose corkscrew behind my ear.
Julia Huni (Waxing the Moon of Lewei (Tales of a Former Space Janitor #3))
Maddy’s hair arrived in the classroom before she did. The dark frizzy strands swelled around her tiny frame. She looked more hair than human. Mouths dropped at the sight.
Tiffany D. Jackson (The Weight of Blood)
We want to be seen. We want to matter. We want to belong. We want to be loved. We are built with these desires - desires so deep it is instinctual from the moment we are born. For me, middle school was awful. I was deeply insecure, and I was certain everyone was laughing at me. If I caught a glimpse of myself in the locker room mirror, I would cringe. I couldn't stand the way I looked. I hated my frizzy, curly hair and the gap between my front teeth. I hated my fair skin. I hated the way I felt inside my skin. I wanted to be someone else. Someone cool, someone prettier, someone happier, someone more loveable. I thought the answer was Reebok tennis shoes, but after this conversation I knew that wasn't the answer - I just hoped the answer wouldn't be impossible to find.
Lisa Leonard (Be You: 20 Ways to Embrace Who You Really Are)
The long drive to work gave me time to apply my makeup in the car and for my hair to air dry, providing it wasn’t humid enough to give me the frizzies.
J.A. Konrath (Jack Daniels Boxset, #4-6 (Jack Daniels Mystery, #4-6))
began. A chief element in positioning the new Barbie was her promotion. In 1984, after a campaign that featured "Hey There, Barbie Girl" sung to the tune of "Georgy Girl," Mattel launched a startling series of ads that toyed with female empowerment. Its slogan was "We Girls Can Do Anything," and its launch commercial, driven by an irresistibly upbeat soundtrack, was a sort of feminist Chariots of Fire. Responding to the increased number of women with jobs, the ad opens at the end of a workday with a little girl rushing to meet her business-suited mother and carrying her mother's briefcase into the house. A female voice says, "You know it, and so does your little girl." Then a chorus sings, "We girls can do anything." The ad plays with the possibility of unconventional gender roles. A rough-looking Little Leaguer of uncertain gender swaggers onscreen. She yanks off her baseball cap, her long hair tumbles down, and—sigh of relief—she grabs a particularly frilly Barbie doll. (The message: Barbie is an amulet to prevent athletic girls from growing up into hulking, masculine women.) There are images of gymnasts executing complicated stunts and a toddler learning to tie her shoelaces. (The message: Even seemingly minor achievements are still achievements.) But the shot with the most radical message takes place in a laboratory where a frizzy-haired, myopic brunette peers into a microscope. Since the seventies, Barbie commercials had featured little girls of different races and hair colors, but they were always pretty. Of her days in acting school, Tracy Ullman remarked in TV Guide that she was the "ugly kid with the brown hair and the big nose who didn't get [cast in] the Barbie commercials." With "We Girls," however, Barbie extends her tiny hand to bookish ugly ducklings; no longer a snooty sorority rush chairman, she is "big-tent" Barbie.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
I can see pats her frizzy hair and baggy clothes straight to her soul, and I swear she's so beautiful.
Robin Reul (My Kind of Crazy)
An antique mirror showed off my now damp frizzy hair to perfection. Oh well, I’d tried. Jimmy’s hipster up-do still looked perfect, of course. I doubt Mother Nature would dare mess with him even at her bravest. She’d put so much effort into getting him right, after all.
Kylie Scott (Lead (Stage Dive, #3))
I looked them over. Teka, her blond hair made frizzy by the Ogran humidity. Yssa had glowing bracelets up to one elbow, and she had lined her eyes in luminous pencil, so they glowed oddly. Ettrek waggled his dark eyebrows at me. Was this the crew I would march back into Voa with, triumphant? Well. It was the best I was going to get.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
A smile tugged at my lips. God, I fucking loved her frizzy hair.
Emilia Rose (My Brother's Best Friend (Bad Boys of Redwood Academy #5))