Friends Think Alike Quotes

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I appeal from your customs. I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be happier. If you cannot, I will still seek to deserve that you should. I must be myself. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly but humbly and truly. It is alike your interest, and mine, and all men’s, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and if we follow the truth it will bring us out safe at last.—But so may you give these friends pain. Yes, but I cannot sell my liberty and my power, to save their sensibility. Besides, all persons have their moments of reason, when they look out into the region of absolute truth; then will they justify me and do the same thing. The populace think that your rejection of popular standards is a rejection of all standard, and mere antinomianism; and the bold sensualist will use the name of philosophy to gild his crimes. But the law of consciousness abides.
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
Victims of misfortune are quick to sense another of their kind from a distance, but in old age they rarely become friends, which is in no way surprising: they have nothing to share together - not even hope.
Ivan Turgenev (Home of the Gentry)
Say to my friends, when they look upon me, dead, Weeping for me and mourning me in sorrow, ‘Do not believe that this corpse you see is myself, In the name of God, I tell you, it is not I, I am a spirit, and this is naught but flesh, It was my abode and my garment for a time. I am a treasure, by a talisman kept hid, Fashioned of dust, which served me as a shrine, I am a pearl, which has left it’s shell deserted, I am a bird, and this body was my cage, Whence I have now flown forth and it is left as a token, Praise to God, who hath now set me free, And prepared for me my place in the highest of the Heavens, Until today I was dead, though alive in your midst. Now I live in truth, with the grave – clothes discarded. Today I hold converse with the Saints above, With no veil between, I see God face to face. I look upon “Loh-i-Mahfuz” and there in I read, Whatever was and is, and all that is to be. Let my house fall in ruins, lay my cage in the ground, Cast away the talisman, it is a token no more, Lay aside my cloak, it was but my outer garment. Place them all in the grave, let them be forgotten, I have passed on my way and you are left behind, Your place of abode was no dwelling place for me. Think not that death is death, nay, it is life, A life that surpasses all we could dream of here, While in this world, here we are granted sleep, Death is but sleep, sleep that shall be prolonged Be not frightened when death draweth nigh, It is but the departure for this blessed home, Think of the mercy and love of your Lord, Give thanks for His Grace and come without fear. What I am now, even so shall you be, For I know that you are even as I am, The souls of all men come forth from God, The bodies of all are compounded alike, Good and evil, alike it was ours. I give you now a message of good cheer May God’s peace and joy forever more be yours.
Abu Hamid al-Ghazali
Because, dear, I don't think you suited to one another. As friends you are very happy, and your frequent quarrels soon blow over, but I fear you would both rebel if you were mated for life. You are too much alike and too fond of freedom, not to mention hot tempers and strong wills, to get on happily together, in a relation which needs infinite patience and forbearance, as well as love.
Louisa May Alcott (Little Women (Illustrated))
No two dogs are alike. And yet, all dogs have something in common that makes them dogs, and makes them different from cats. The same goes for men and women. The trouble starts when cats don't realize that dogs are different. Dogs think differently, and perceive the world differently, than cats do. I'm a dog. You're a cat. And a dog knows better what it's like to be a dog than a cat does.
Oliver Markus Malloy (Why Men And Women Can't Be Friends: Honest Relationship Advice for Women (Educated Rants and Wild Guesses, #1))
There are certain prejudices attached to the human mind which it requires all our wisdom to keep from interfering with our happiness; certain set notions, acquired in infancy, and cherished involuntarily by age, which grow up and assume a gloss so plausible, that few minds, in what is called a civilized country, can afterwards overcome them. Truth is often perverted by education. While the refined Europeans boast a standard of honour, and a sublimity of virtue, which often leads them from pleasure to misery, and from nature to error, the simple, uninformed American follows the impulse of his heart, and obeys the inspiration of wisdom. Nature, uncontaminated by false refinement, every where acts alike in the great occurrences of life. The Indian discovers his friend to be perfidious, and he kills him; the wild Asiatic does the same; the Turk, when ambition fires, or revenge provokes, gratifies his passion at the expence of life, and does not call it murder. Even the polished Italian, distracted by jealousy, or tempted by a strong circumstance of advantage, draws his stiletto, and accomplishes his purpose. It is the first proof of a superior mind to liberate itself from the prejudices of country, or of education… Self-preservation is the great law of nature; when a reptile hurts us, or an animal of prey threatens us, we think no farther, but endeavour to annihilate it. When my life, or what may be essential to my life, requires the sacrifice of another, or even if some passion, wholly unconquerable, requires it, I should be a madman to hesitate.
Ann Radcliffe (The Romance of the Forest)
You probably think you know all about men, because you read a lot of romance novels, so you think you're an expert on men. But I'm gonna tell you a little secret: the men in those books are fiction. They do not at all represent how men in real life actually think. Those romance novels were written for women by women (and a few men who know what women like to read, so they write romance to make a quick buck.) When you read a book like Grey, Christian's inner monologue does not at all sound like how a man actually thinks in real life. It sounds like a woman does a poor job of imagining how a man thinks. The fictitious men in romance novels are as fake and imaginary as vampires. They're not real. Right about now, there's probably a little voice in your head, screaming: “NOOO!!! You can't say that! You can't speak for all men! Every man is different!!” True. No two dogs are alike. And yet, all dogs have something in common that makes them dogs, and makes them different from cats. The same goes for men and women. The trouble starts when cats don't realize that dogs are different. Dogs think differently, and perceive the world differently, than cats do. I'm a dog. You're a cat. And a dog knows better what it's like to be a dog than a cat does.
Oliver Markus Malloy (Why Men And Women Can't Be Friends: Honest Relationship Advice for Women (Educated Rants and Wild Guesses, #1))
Gregori’s silver eyes moved over both women, then settled on Shea. “The child must be protected. It is no use appealing to Raven for logic, as she has none, and Mikhail is so besotted with her that he does not see his first duty, so it is up to you. For the sake of all of us, you must protect this child. Do you understand?” She felt ensnared by those molten eyes. She might not fully comprehend his reasons, but she felt his genuine urgency. She nodded. “I’ll watch over her, healer.” “It is not for my sake only, but for humans and Carpathians alike. This child must live, Shea,” he reiterated. “She must.” She felt clearly the warning, the plea from his otherwise damned soul. This child was his only hope. “Gregori,” Mikhail reminded him softly, “if the child is your lifemate, and you do something careless, you are condemning her to death. Keep that in mind when you enter this place of madness.” Gregori’s eyes flashed at his old friend. “Do you think I would chance harming her in any way? I have waited several lifetimes for her. These humans are nothing. They have persecuted our people for far too long. I mean it to stop.” Mikhail nodded, his dark eyes, so like his brother's, black ice. "You are up to this, Jacques?" Jacques' smile was a humorless promis of retaliation. "Have no worries about me. I am looking forward to this." Mikhail sighed. "Two bloodthirsty savages thinking they are in the dark ages." Jacques exchanged a humorless grin with Gregori. "The dark ages were not such a bad time. At least justice could be dispensed easily without worrying about what the women would think." "You both have gone soft," Gregori snickered. "No wonder our people have such problems. The women are ruling, and you two besotted idiots just follow along." Jacques' solid form wavered, became transparent. "We will see who proves to be the soft one, healer." His body completely disappeared from sight. Mikhail glanced at Gregori, shrugged, then followed suit. None of this was to his liking. Gregori was a time bomb waiting to explode. And God only knew what Jacques was capable of.
Christine Feehan (Dark Desire (Dark, #2))
There. On the end.” Flowers pointed. “Wait. I’ll go announce you.” He slipped inside the tent, leaving Griff to contemplate the gilded skull of his old friend. In life, Ser Myles Toyne had been ugly as sin. His famous forebear, the dark and dashing Terrence Toyne of whom the singers sang, had been so fair of face that even the king’s mistress could not resist him; but Myles had been possessed of jug ears, a crooked jaw, and the biggest nose that Jon Connington had ever seen. When he smiled at you, though, none of that mattered. Blackheart, his men had named him, for the sigil on his shield. Myles had loved the name and all it hinted at. “A captain-general should be feared, by friend and foe alike,” he had once confessed. “If men think me cruel, so much the better.” The truth was otherwise. Soldier to the bone, Toyne was fierce but always fair, a father to his men and always generous to the exile lord Jon Connington.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The secret—to being you, to being Happy?” “Just keep on smiling. Even when you’re sad. Keep on smiling.” Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can’t. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. “It’s simple,” he says. “There’s more than one path to happiness.” Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. It’s worth considering carbon. We wouldn’t be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one way—in tight, interlocking rows—and you have a diamond. Assemble it another way—a disorganized jumble—and you have a handful of soot. The arranging makes all the difference. Places are the same. It’s not the elements that matter so much as how they’re arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didn’t make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and she’s likely to reply, “You’re not asking the right question.” Yes, we want to be happy but for the right reasons, and,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
We are told that we are not to resist evil but to turn the other cheek. The world assumes that evil must be resisted by every means available. We are told to love our enemies and bless those who curse us. The world assumes that friends are to be loved and enemies hated. We are told that the sun rises on the just and the unjust alike. The world considers this undiscriminating; it would like to see clouds over evil people and is offended when they go unpunished. We are told that outcasts and harlots enter the kingdom of God before many who are perfunctorily righteous. Again unfair, the world thinks; respectable people should head the procession. We are told that the gate to salvation is narrow. The world would prefer it to be broad. We are told to be as carefree as birds and flowers. The world counsels prudence. We are told that it is more difficult for the rich to enter the kingdom than for a camel to pass through a needle’s eye. The world admires wealth. We are told that the happy people are those who are meek, who weep, who are merciful and pure in heart. The world assumes that it is the rich, the powerful, and the well-born who are happy. The great Russian philosopher Nikolai Berdyaev said that a wind of freedom blows through these teachings that frightens the world and makes us want to deflect them by postponement—not yet, not yet! H.G. Wells was evidently right: Either there was something mad about this man, or our hearts are still too small for his message.
Huston Smith (The World's Religions: Our Great Wisdom Traditions)
He sighed. Morrie had counseled so many unhappy lovers in his years as a professor. “It’s sad, because a loved one is so important. You realize that, especially when you’re in a time like I am, when you’re not doing so well. Friends are great, but friends are not going to be here on a night when you’re coughing and can’t sleep and someone has to sit up all night with you, comfort you, try to be helpful.” Charlotte and Morrie, who met as students, had been married forty-four years. I watched them together now, when she would remind him of his medication, or come in and stroke his neck, or talk about one of their sons. They worked as a team, often needing no more than a silent glance to understand what the other was thinking. Charlotte was a private person, different from Morrie, but I knew how much he respected her, because sometimes when we spoke, he would say, “Charlotte might be uncomfortable with me revealing that,” and he would end the conversation. It was the only time Morrie held anything back.“I’ve learned this much about marriage,” he said now. “You get tested. You find out who you are, who the other person is, and how you accommodate or don’t.” Is there some kind of rule to know if a marriage is going to work? Morrie smiled. “Things are not that simple, Mitch.” I know. “Still,” he said, “there are a few rules I know to be true about love and marriage: If you don’t respect the other person, you’re gonna have a lot of trouble. If you don’t know how to compromise, you’re gonna have a lot of trouble. If you can’t talk openly about what goes on between you, you’re gonna have a lot of trouble. And if you don’t have a common set of values in life, you’re gonna have a lot of trouble. Your values must be alike. “And the biggest one of those values, Mitch?” Yes? “Your belief in the importance of your marriage.” He sniffed, then closed his eyes for a moment. “Personally,” he sighed, his eyes still closed, “I think marriage is a very important thing to do, and you’re missing a hell of a lot if you don’t try it.” He ended the subject by quoting the poem he believed in like a prayer: “Love each other or perish.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never leave a woman, a friend, a city in one go. And then everything looks alike: Shanghai, Moscow, Algiers, everything is the same after two weeks. There are moments—rarely—when you make a landmark, you realize that you’re going with a woman, in some messy business. The time of a flash. After that, the procession starts again, you begin to add up hours and days: Monday, Tuesday, Wednesday. April, May, June. 1924, 1925, 1926. That’s living. But everything changes when you tell about life; it’s a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. [...] “I was out walking, I had left the town without realizing it, I was thinking about my money troubles.” This sentence, taken simply for what it is, means that the man was absorbed, morose, a hundred leagues from an adventure, exactly in the mood to let things happen without noticing them. But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. And the story goes on in the reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: “It was night, the street was deserted.” The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice. I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail.
Jean-Paul Sartre (Nausea)
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
WHOEVER YOU ARE, WHEREVER YOU ARE..I'M STARTING TO THINK WE'RE A LOT ALIKE. HUMAN BEINGS SPINNING ON BLACKNESS. ALL WANTING TO BE SEEN, TOUCHED, HEARD, PAID ATTENTION TO. MY LOVED ONES ARE EVERYTHING TO ME HERE. IN THE LAST YEAR OR 3 I'VE SCREAMED AT MY CREATOR. SCREAMED AT CLOUDS IN THE SKY. FOR SOME EXPLANATION. MERCY MAYBE. FOR PEACE OF MIND TO RAIN LIKE MANNA SOMEHOW. 4 SUMMERS AGO, I MET SOMEBODY. I WAS 19 YEARS OLD. HE WAS TOO. WE SPENT THAT SUMMER, AND THE SUMMER AFTER, TOGETHER. EVERYDAY ALMOST. AND ON THE DAYS WE WERE TOGETHER, TIME WOULD GLIDE. MOST OF THE DAY I'D SEE HIM, AND HIS SMILE. I'D HEAR HIS CONVERSATION AND HIS SILENCE..UNTIL IT WAS TIME TO SLEEP. SLEEP I WOULD OFTEN SHARE WITH HIM. BY THE TIME I REALIZED I WAS IN LOVE, IT WAS MALIGNANT. IT WAS HOPELESS. THERE WAS NO ESCAPING, NO NEGOTIATING WITH THE FEELING. NO CHOICE. IT WAS MY FIRST LOVE, IT CHANGED MY LIFE. BACK THEN, MY MIND WOULD WANDER TO THE WOMEN I HAD BEEN WITH, THE ONES I CARED FOR AND THOUGHT I WAS IN LOVE WITH. I REMINISCED ABOUT THE SENTIMENTAL SONGS I ENJOYED WHEN I WAS A TEENAGER.. THE ONES I PLAYED WHEN I EXPERIENCED A GIRLFRIEND FOR THE FIRST TIME. I REALIZED THEY WERE WRITTEN IN A LANGUAGE I DID NOT YET SPEAK. I REALIZED TOO MUCH, TOO QUICKLY. IMAGINE BEING THROWN FROM A PLANE. I WASN'T IN A PLANE THOUGH. I WAS IN A NISSAN MAXIMA, THE SAME CAR I PACKED UP WITH BAGS AND DROVE TO LOS ANGELES IN. I SAT THERE AND TOLD MY FRIEND HOW I FELT. I WEPT AS THE WORDS LEFT MY MOUTH. I GRIEVED FOR THEM, KNOWING I COULD NEVER TAKE THEM BACK FOR MYSELF. HE PATTED MY BACK. HE SAID KIND THINGS. HE DID HIS BEST, BUT HE WOULDN'T ADMIT THE SAME. HE HAD TO GO BACK INSIDE SOON, IT WAS LATE AND HIS GIRLFRIEND WAS WAITING FOR HIM UPSTAIRS. HE WOULDN'T TELL ME THE TRUTH ABOUT HIS FEELINGS FOR ME FOR ANOTHER 3 YEARS. I FELT LIKE I'D ONLY IMAGINED RECIPROCITY FOR YEARS. NOW IMAGINE BEING THROWN FROM A CLIFF. NO, I WASN'T ON A CLIFF, I WAS STILL IN MY CAR TELLING MYSELF IT WAS GONNA BE FINE AND TO TAKE DEEP BREATHS. I TOOK THE BREATHS AND CARRIED ON. I KEPT UP A PECULIAR FRIENDSHIP WITH HIM BECAUSE I COULDN'T IMAGINE KEEPING UP MY LIFE WITHOUT HIM. I STRUGGLED TO MASTER MYSELF AND MY EMOTIONS. I WASN'T ALWAYS SUCCESSFUL. THE DANCE WENT ON.. I KEPT THE RHYTHM FOR SEVERAL SUMMERS AFTER. IT'S WINTER NOW. I'M TYPING THIS ON A PLANE BACK TO LOS ANGELES FROM NEW ORLEANS. I FLEW HOME FOR ANOTHER MARRED CHRISTMAS. I HAVE A WINDOWSEAT. IT'S DECEMBER 27, 2011. BY NOW I'VE WRITTEN TWO ALBUMS, THIS BEING THE SECOND. I WROTE TO KEEP MYSELF BUSY AND SANE. I WANTED TO CREATE WORLDS THAT WERE ROSIER THAN MINE. I TRIED TO CHANNEL OVERWHELMING EMOTIONS. I'M SURPRISED AT HOW FAR ALL OF IT HAS TAKEN ME. BEFORE WRITING THIS I'D TOLD SOME PEOPLE MY STORY. I'M SURE THESE PEOPLE KEPT ME ALIVE, KEPT ME SAFE.. SINCERELY. THESE ARE THE FOLKS I WANNA THANK FROM THE FLOOR OF MY HEART. EVERYONE OF YOU KNOWS WHO YOU ARE.. GREAT HUMANS, PROBABLY ANGELS. I DON'T KNOW WHAT HAPPENS NOW, AND THAT'S ALRITE. I DON'T HAVE ANY SECRETS I NEED KEPT ANYMORE. THERE'S PROBABLY SOME SMALL SHIT STILL, BUT YOU KNOW WHAT I MEAN. I WAS NEVER ALONE, AS MUCH AS I FELT LIKE IT. AS MUCH AS I STILL DO SOMETIMES. I NEVER WAS. I DON'T THINK I EVER COULD BE. THANKS. TO MY FIRST LOVE, I'M GRATEFUL FOR YOU. GRATEFUL THAT EVEN THOUGH IT WASN'T WHAT I HOPED FOR AND EVEN THOUGH IT WAS NEVER ENOUGH, IT WAS. SOME THINGS NEVER ARE.. AND WE WERE. I WON'T FORGET YOU. I WON'T FORGET THE SUMMER. I'LL REMEMBER WHO I WAS WHEN I MET YOU. I'LL REMEMBER WHO YOU WERE AND HOW WE'VE BOTH CHANGED AND STAYED THE SAME. I'VE NEVER HAD MORE RESPECT FOR LIFE AND LIVING THAN I HAVE RIGHT NOW. MAYBE IT TAKES A NEAR DEATH EXPERIENCE TO FEEL ALIVE. THANKS. TO MY MOTHER, YOU RAISED ME STRONG. I KNOW I'M ONLY BRAVE BECAUSE YOU WERE FIRST.. SO THANK YOU. ALL OF YOU. FOR EVERYTHING GOOD. I FEEL LIKE A FREE MAN. IF I LISTEN CLOSELY.. I CAN HEAR THE SKY FALLING TOO. - FRANK
Frank Ocean (Channel Orange)
Identical twins often look so similar that they are confused with one another—an occasional source of amusement. As a result, they may find that their teachers, friends, or even relatives tend to treat them in similar ways, either because they cannot tell the twins apart or because they subconsciously assume that two people who look so much alike are also similar in other respects. A similarity in interpersonal interactions of this type creates what behavioral geneticists call a “shared environment,” and it can confound the analysis of nature versus nurture. Additionally, as described below, identical twins do, in fact, tend to resemble one another on a wide range of personality traits and, perhaps in consequence, often develop an extraordinarily close bond with one another. This development leads to a second conundrum: maybe the close interpersonal relationship between many identical twins tends to reinforce their psychological similarities and suppress their differences.
David J. Linden (Think Tank: Forty Neuroscientists Explore the Biological Roots of Human Experience)
What happened?” She shook her hand and looked at her palm. “I gave myself a splinter.” She looked closer. “I think.” “Let me see.” “No, I’m fine. I can get a needle when I get home.” He waved his hand in front of him impatiently. “Stubborn woman, let me have your hand.” “It’s not like you can see anything.” With a wild swipe, he captured her wrist. “That’s where you’re wrong. My myopia gives me about two inches of clear vision if I hold something in just the right place.” He tugged her up to stand and pulled her hand closer to his nose. “And it just so happens that clear swath is somewhat magnified. I assume you’re the kind of woman to carry a pocketknife?” She pulled out her knife and handed it to him. For some reason he grinned. She held her breath, realizing how very close she was to him. He flipped open her knife, and his face screwed up in concentration. “You’re also not the kind of woman who’d shriek or tug away from me like my mother does, right?” “Of course not.” She’d rather die than embarrass herself that way. But anticipating pain wasn’t what was sending her heart to throbbing—rather it was being close enough to see the individual hairs darkening his jawline. Her heart had never flipped like this for a man before. She’d evidently not outgrown her schoolgirl infatuation with the handsomest boy in class, but now that they were older, the feelings were quite different. Harrison gently squeezed the flesh of her hand. She squirmed—not because he scraped the knife against her skin but rather because his breath tickled her wrist. “Done.” He ran his thumb across the scratch on her palm and smiled. “Splinter removal—a talent in which you can never outdo me.” “I thought you told me gloating wasn’t a good thing.” Why rub such a silly skill in her face anyway? “I was kidding.” Sure he was. “Being talented at splinter removal isn’t worth being blind as a newborn pup and unable to shoot worth a nickel.” His smile disappeared until his jaw clenched. Then he dropped her hand and stalked away. “Sorry.” Harrison ran into a desk and muttered under his breath. “Seems we are a lot alike, as you said.” Though maybe gloating wasn’t really her downfall, rather speaking without thinking. She hadn’t meant to shove his weakness in his face. If she couldn’t stop competing and ridiculing his weaknesses, they’d part as enemies instead of becoming the kind of friends Lydia and Beatrice were. Then again, remaining enemies might be a good thing. One did not pine for one’s enemy.
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Leeda looked straight out of Martha’s Vineyard---all perfect cheekbones and alabaster skin with a smattering of sun-induced freckles and clothes that were totally season-appropriate. Even loose and sloppy like she was today, she looked like the kind of loose and sloppy you saw in People magazine when they caught a celebrity all tired and mussed up at the airport. Birdie, on the other hand, was curved and rosy and Renoir soft. She looked like the milk-fed farm girl that she was. The two were second cousins but nothing alike. Leeda was straight up and down, and Birdie was as gentle and easy as the rain. Leeda had grown up wearing mostly white and exceeding everyone as the glossiest, the smilingest, and the most southern of the southern belles in Bridgewater. Birdie had grown up with dirt under her fingernails, homeschooled on the orchard, her feet planted in the earth. Before Judge Miller Abbott sentenced Murphy to time on the orchard picking peaches that summer, Murphy had pegged Leeda for uptight and Birdie for weak. But their time together---picking peaches, sweating in the dorms at night, cooling off in the lake---had been like living the fable of her life. The lesson being that when you think you know more than you do, you end up looking like an idiot.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
When I laid the ground plan of my journey, there were definite questions to which I wanted matching answers. ... I suppose they could all be lumped into the single question: 'What are Americans like today?' In Europe it is a popular sport to describe what Americans are like. Everyone seems to know. And we are equally happy in this game. How many times have I not heard one of my fellow countrymen, after a three-week tour of Europe, describe with certainty the nature of the French, the British, the Italians, the Germans, and above all the Russians? Traveling about, I early learned the difference between an American and the Americans. They are so far apart that they might be opposites. Often when a European has described the Americans with hostility and scorn he has turned to me and said, 'Of course, I don't mean you. I am speaking of those others.' It boils down to this: the Americans, the British are that faceless clot you don't know, but a Frenchman or an Italian is your acquaintance and your friend. He has none of the qualities your ignorance causes you to hate. I had always considered this a kind of semantic deadfall, but moving about in my own country I am not at all sure that is so. Americans as I saw them and talked to them were indeed individuals, each one different from the others, but gradually I began to feel that the Americans exist, that they really do have generalized characteristics regardless of their states, their social and financial status, their education, their religious and political convictions. But if there is indeed an American image built of truth rather than reflecting either hostility or wishful thinking, what is this image? What does it look like? What does it do? If the same song, the same joke, the same style sweeps through all parts of the country at once, it must be that all Americans are alike in something. The fact that the same joke, the same style, has no effect in France or England or Italy makes this contention valid. But the more I inspected this American image, the less sure I became of what it is. It appeared to me increasingly paradoxical, and it has been my experience that when paradox crops up too often for comfort, it means that certain factors are missing in the equation.
John Steinbeck (Travels with Charley: In Search of America)
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
pring is a great time to introduce your children to the wonders of God's creation. Take them to a garden center and let them pick out a tree to be planted in your yard. Let them help dig the hole, add soil amendments, and place the tree. As they fill the hole around the tree, talk about how amazing God was when creating the world. Your children will love watching the tree grow through the years... as they grow with it. And remember when you used to press flowers in a scrapbook? Why not do it again? Use the pages of your phone book or apply heavy weight as you press and dry the flowers. When they're completely dry, use a tiny bit of glue to arrange them on colorful or white poster board. Add lace and ribbon, and you've got a perfect pressed flower arrangement. Or make it more masculine by adding graphics of sports, animals, cars, or trucks. ere's a tip that'll help in the dilemma of what to do with your various collections. Always arrange them in odd-numbered groupings. Three is a magic number. Cluster things that have differing shapes, but keep a theme going. ho is your best friend? Who is your second best friend? Now think about it. Is there really such a thing as a "bad" friend? Not all friendships are alike, to be sure. Some are casual and relaxing. Others are intense and stimulating. And some surprise us by seeming to come out of nowhere. Some friendships will fade ...a truth we have to accept. I have several "friends of the heart." These people aren't necessarily "best friends" because
Emilie Barnes (365 Things Every Woman Should Know)
Whipped or ice cream on your dumplings?" she asked them, once the crust browned and the filling bubbled. She sprinkled additional cinnamon sugar on top. Grace and Cade responded as one, "Ice cream." Cade leaned his elbows on the table, cut her a curious look. "I didn't think we had a thing in common." She gave him a repressive look. "Ice cream doesn't make us friends." Amelia scooped vanilla bean into the bowls with the dumplings. Her smile was small, secret, when she served their dessert, and she commented, "Friendships are born of likes and dislikes. Ice cream is binding." Not as far as Grace was concerned. Cade dug into his dessert. Amelia kept the conversation going. "I bet you're more alike than you realize." Why would that matter? Grace thought. She had no interest in this man. A simultaneous "doubtful" surprised them both. Amelia kept after them, Grace noted, pointing out, "You were both born, grew up, and never left Moonbright." "It's a great town," Cade said. "Family and friends are here." "You're here," Grace emphasized. Amelia patted her arm. "I'm very glad you've stayed. Cade, too. You're equally civic-minded." Grace blinked. We are? "The city council initiated Beautify Moonbright this spring, and you both volunteered." We did? Grace was surprised. Cade scratched his stubbled chin, said, "Mondays, I transport trees and mulch from Wholesale Gardens to grassy medians between roadways. Flower beds were planted along the nature trails to the public park." Grace hadn't realized he was part of the community effort. "I help with the planting. Most Wednesdays." Amelia was thoughtful. "You're both active at the senior center." Cade acknowledged, "I've thrown evening horseshoes against the Benson brothers. Lost. Turned around and beat them at cards." "I've never seen you there," Grace puzzled. "I stop by in the afternoons, drop off large-print library books and set up audio cassettes for those unable to read because of poor eyesight." "There's also Build a Future," Amelia went on to say. "Cade recently hauled scaffolding and worked on the roof at the latest home for single parents. Grace painted the bedrooms in record time." "The Sutter House," they said together. Once again. "Like minds," Amelia mused, as she sipped her sparkling water.
Kate Angell (The Cottage on Pumpkin and Vine)
I don't have any secrets." "Apart from your massive crush on a certain restaurateur." "Keep your voice down," I hissed. "Look, I don't know what you're talking about. It wouldn't work between us anyway. He's... him, and I'm me." "Illuminating," Sue said. "Anyway, I'm just saying you should give him another chance. 0r a first chance. I think you two would make great friends at the very least. You're alot alike in some ways.
Rosie A. Point (Cheesecake Murder (A Milly Pepper Mystery, #3))
How can we be so different and feel so much alike?” Mused Flitter. “And how can we feel so different and be so much alike?” Wondered Pip. “I think this is quite a mystery,” Flap chirped. “I agree,” said Stellaluna. “But we’re friends. And that’s a fact.
Janell Cannon (Stellaluna)
Be good to everyone who becomes attached to us; cherish every friend who is by our side; 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... 비닉스구입,비닉스구매,비닉스판매,비닉스가격,비닉스파는곳,비닉스팝니다,비닉스구입방법,비닉스구매방법,비닉스복용법 I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, 아무런 말없이 한번만 찾아주신다면 뒤로는 계속 단골될 그런 자신 있습니다.저희쪽 서비스가 아니라 제품에대해서 자신있다는겁니다 팔팔정,구구정,네노마정,프릴리지,비맥스,비그알엑스,엠빅스,비닉스,센트립 등 많은 제품 취급합니다 확실한 제품만 취급하는곳이라 언제든 연락주세요 Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. 비아그라파는곳,시알리스파는곳,레비트라파는곳,엠빅스파는곳,센트립파는곳,센돔파는곳,카마그라젤파는곳,남성정력제파는곳,네노마정파는곳 There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
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As an only child, I considered the core members of the BSC—Kristy, Mary Anne, Claudia, Stacey, and Dawn my friends in my head. Eventually, they took on two junior members, eleven-year-olds Mallory and Jessi. Interestingly, Jessie was African American, but I was never too pressed to read about her. I already knew what it felt like to be the only one in a friend group of white girls, and Ann Martin never quite captured that experience. But what I loved about these girls was the authenticity of their friendship. They were young, smart, and enterprising. They didn’t all think alike but they did things together. They weren’t the mean girls or the cool kids, but they had their sacred friendship unit and they honored it. In the safety of that friendship unit, every girl was her full, best, awesome self. They fought sometimes, but always made up. And in the end, no matter what, they rode for each other.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
I joke sometimes that I am a timeless creature. I am not. I will die someday. I feel sad when I think of this fact. I have hope, however, that the life I have lived on Earth has been fulfilling and worthwhile to the Higher Being that I trust is guiding my footsteps, or in the least, my family, friends and rivals alike.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
There comes a time in your life, for you to grow some people have to go. So many friends means so many distractions especially if you don't think alike.
Adanne Chukwudi Udejiofor
Understanding her very well, he embraced her and said, “You are right; love doesn’t exist. We look for love, we open our heart and we become vulnerable, just to find selfishness. That hurts us even if we don’t think we will be hurt. It doesn’t matter how many relationships we have; the same thing happens again and again. Why even search for love any longer?” They were so much alike, and they became the best friends ever. It was a wonderful relationship. They respected each other, and they never put each other down. With every step they took together, they were happy. There was no envy or jealousy, there was no control, there was no possessiveness. The relationship kept growing and growing. They loved to be together, because when they were together they had a lot of fun. When they were not together, they missed each other. One day when the man was out of town, he had the weirdest idea. He was thinking, “Hmm, maybe what I feel for her is love. But this is so different from what I have ever felt before. It’s not what the poets say it is, it’s not what religion says, because I am not responsible for her. I don’t take anything from her; I don’t have the need for her to take care of me; I don’t need to blame her for my difficulties or to take my dramas to her. We have the best time together; we enjoy each other. I respect the way she thinks, the way she feels. She doesn’t embarrass me; she doesn’t bother me at all. I don’t feel jealous when she’s with other people; I don’t feel envy when she is successful. Perhaps love does exist, but it’s not what everyone thinks love is.” He could hardly wait to go back home and talk to her, to let her know about his weird idea. As soon as he started talking, she said, “I know exactly what you are talking about. I had the same idea long ago, but I didn’t want to share it with you because I know you don’t believe in love. Perhaps love does exist, but it isn’t what we thought it was.” They decided to become lovers and to live together, and it was amazing that things didn’t change. They still respected each other, they were still supportive of each other, and the love grew more and more. Even the simplest things made their hearts sing with love because they were so happy.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
I think so. You and your friends are very alike, you know. You are all incomplete men—terribly sad and very alone. No wonder you are drawn together! The rest of us can share our lives, swap jests and tall tales, laugh together, cry together. We live and love and grow. We offer each other small comforts daily, and they help us survive. But you have nothing like that to offer. Instead you offer your life—your death.
David Gemmell (The King Beyond the Gate (The Drenai Saga #2))