“
I am not a graceful person. I am not a Sunday morning or a Friday sunset. I am a Tuesday 2 a.m., gunshots muffled by a few city blocks, I am a broken window during February. My bones crack on a nightly basis. I fall from elegance with a dull thud, and I apologize for my awkward sadness. I sometimes believe that I don’t belong around people, that I belong to all the leap days that didn’t happen. The way light and darkness mix under my skin has become a storm. You don’t see the lightning, but you hear the echoes.
”
”
Anna Peters
“
I'm gonna party, see how intoxicated I can get and how many rules I can flaunt. That's my motto.
”
”
H.G. Bissinger (Friday Night Lights)
“
Clear eyes, full hearts, can't lose
”
”
Coach Taylor
“
His eyes widended again, then flicked to something behind me. He shook his head, looked back at me. His voice low, intimate, insistent. "Come back from this, Merit. You don't want to fight me."
"I do," I heard, in a voice that was barely mine. "Find steel," she advised him.
We advised him.
He stood there a long moment, silently, still, before nodding. Someone offered him a blade, a katana that glinted in the light. He took it, mirrored my stance - katana in both hands, body bladed.
"If the only way you'll come back from this is to be bloodied by it, then so be it."
He lunged.
”
”
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
“
It was a Friday night. I was tooling home from the Mexican border in a light blue convertible and a dark blue mood.
”
”
Ross Macdonald (The Lew Archer Omnibus)
“
I like having plans. I like keeping them. Even if said plan is to spend an uninterrupted hour watching Friday Night Lights. If I pass the day excited about solo time on the couch with a glass of wine, pad thai, and Tim Riggins, it's hard to shift gears and muster up enthusiasm for an invitation when it comes my way.
”
”
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
“
Instead of understanding that they were the beneficiaries of history, they began to believe that they were the creators of it.
”
”
H.G. Bissinger (Friday Night Lights)
“
If you don't want to know, don't ask.
”
”
Buddy Garrity Friday Night Lights
“
Though I have started emailing with one of my fellow readers whenever there's something important to say about Modern Family or Friday Night Lights, and with another when I notice her updates on Goodreads.com.
”
”
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
“
Athletics lasts for such a short period of time. It ends for people. But while it lasts, it creates this make-believe world where normal rules don’t apply. We build this false atmosphere. When it’s over and the harsh reality sets in, that’s the real joke we play on people. . . . Everybody wants to experience that superlative moment, and being an athlete can give you that. It’s Camelot for them. But there’s even life after it.
”
”
H.G. Bissinger (Friday Night Lights: A Town, A Team, And A Dream)
“
Let each of you discover where your chance for greatness lies. Seize that chance and let no power on earth deter you.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
This must not be planet earth,” Cone told his partner. “This must be hell.” But it wasn’t. It was just Odessa.
”
”
H.G. Bissinger (Friday Night Lights: A Town, A Team, And A Dream)
“
Odessa is the setting for this book, but it could be anyplace in this vast land where, on a Friday night, a set of spindly stadium lights rises to the heavens to so powerfully, and so briefly, ignite the darkness.
”
”
H.G. Bissinger
“
Give all of us gathered here tonight the strength to remember that life is so very fragile. We are all vulnerable. And we will all, at some point in our lives, fall. We will all fall. We must carry this in our hearts... that what we have is special. That it can be taken from us... and that when it is taken from us, we will be tested. We will be tested to our very souls. It is these times, this pain that allows us to look inside ourselves
”
”
Coach Taylor
“
I work not only for the gathering and assimilation of knowledge, but also to teach the fact that one can be brilliant without being arrogant, that great intellectual capacity brings great responsibility, that the quest for knowledge should never supplant the joy of learning, that one with great capacities must learn to be tolerant and appreciate those with lesser or different absolutes,
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Not every town followed the tradition, but according to Texas legend, Last Waters was supposed to be the only town with those big Friday night lights still burning. State champions. Our sons.
”
”
Tal Bauer (You & Me)
“
the solemn ritual that was attached to almost everything, made them seem like boys going off to fight a war for the benefit of someone else, unwitting sacrifices to a strange and powerful god. In
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Every man, at some point in his life is going to lose a battle. He is going to fight and he is going to lose. But what makes him a man, is that in the midst of that battle, he does not lose himself.
”
”
Coach Taylor
“
I ran from them. Nights, yellow lights
scoured sand. What was ever found
but women in skirts folded around the men
they loved that Friday? No one found me.
And how could that have been, here, where
even botanical names were recorded
and small roads mapped in red?
Night, the sky is black paper pecked with pinholes.
”
”
Deborah Ager
“
He saw the irresistible allure of high school sports, but he also saw an inevitable danger in adults’ living vicariously through their young. And he knew of no candle that burned out more quickly than that of the high school athlete.
”
”
H.G. Bissinger (Friday Night Lights: A Town, A Team, And A Dream)
“
She said also that they absolutely hated any assignment in which they had to interpret what they had read. If they had to think about anything, make critical judgments and deliberations, the cause was hopeless. The best they could be expected to do was regurgitate.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
If the season could ever have any salvation, if it could ever make sense again, it would have to come tonight under a flood of stars on the flatiron plains, before thousands of fans who had once anointed him the chosen son but now mostly thought of him as just another nigger.
”
”
H.G. Bissinger (Friday Night Lights)
“
If the season could ever have any salvation, if it could ever makes sense again, it would have to come tonight under a flood of stars on the flatiron plains, before thousands of fans who had once anointed him the chosen son but now mostly thought of him as just another nigger.
”
”
H.G Bissenger
“
Before entering Joaquin’s house I always reminded myself that this wasn’t exactly where I was meant to be, but pit stops are okay on the road of life, aren’t they? I thought of myself as some kind of spy, undercover as a girl with low self-esteem, bringing back detailed intelligence reports on the dark side for girls with boyfriends who looked like lesbians and watched Friday Night Lights with them while eating takeout. They could have their supportive relationships and typical little love stories. I’d be Sid and Nancy–ing it up, refusing to settle for the status quo. I’d be cool.
”
”
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
I truly believe that success is determined not on Friday nights during games but rather in practice away from the lights and glimmer where coaches and players only have each other, their sweat, their discipline and their loyalty to each other. It is at practice where the boys of America become men through hard work, dedication and perseverance.
”
”
George M. Gilbert (Team Of One: We Believe)
“
you’ll be all right,” said Hanson. “As long as you don’t rock the boat, then they think
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
When it got to be time to design the week—a period of time, unlike the day, month, and year, with no intrinsic astronomical significance—it was assigned seven days, each named after one of the seven anomalous lights in the night sky. We can readily make out the remnants of this convention. In English, Saturday is Saturn’s day. Sunday and Mo[o]nday are clear enough. Tuesday through Friday are named after the gods of the Saxon and kindred Teutonic invaders of Celtic/Roman Britain: Wednesday, for example, is Odin’s (or Wodin’s) day, which would be more apparent if we pronounced it as it’s spelled, “Wedn’s Day”; Thursday is Thor’s day; Friday is the day of Freya, goddess of love. The last day of the week stayed Roman, the rest of it became German.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
He firmly believed that football, like other sports, used blacks, exploited them and then spit them out once their talents as running backs or linebackers or wide receivers had been fully exhausted. For a few lucky ones, that moment might not come until they were established in the pros. For others, it might come at the end of college. For most, it would all end in high school.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Want to know the coolest thing about the coming? Not that the One who played marbles with the stars gave it up to play marbles with marbles. Or that the One who hung the galaxies gave it up to hang doorjambs to the displeasure of a cranky client who wanted everything yesterday but couldn't pay until tomorrow.
Not that he, in an instant, went from needing nothing to needing air, food, a tub of hot water and salts for his tired feet, and, more than anything, needing somebody - anybody - who was more concerned about where he would spend eternity rather than where he would spend Friday's paycheck.
Or that he resisted the urge to fry the two=bit, self-appointed hall monitors of holiness who dared suggest that he was doing the work of the devil.
Not that he kept his cool while the dozen best friends he ever had felt the heat and got out of the kitchen. Or that he gave no command to the angels who begged, "Just give us the nod, Lord. One word and these demons will be deviled eggs."
Not that he refused to defend himself when blamed for every sin of every slut and sailor since Adam. Or that he stood silent as a million guilty verdicts echoed in the tribunal of heaven and the giver of light was left in the chill of a sinner's night.
Not even that after three days in a dark hole he stepped into the Easter sunrise with a smile and a swagger and a question for lowly Lucifer - "Is that your best punch?"
That was cool, incredibly cool.
But want to know the coolest thing about the One who gave up the crown of heaven for a crown of thorns?
He did it for you. Just for you.
”
”
Max Lucado (He Chose the Nails: What God Did to Win Your Heart)
“
He remembered her
During Friday prayer Khutba.
He remembered hearing
The blaring echoed voice
Through the microphone.
“And of everything
We have created pairs”
Heaven and earth
Night and day
Sun and moon
Shore and sea
Light and darkness.
Her,
For him.
”
”
Zienab Hamdan
“
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me.
Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship.
Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell.
“Coming!”
I step back and see Aly stick her head out of her second-story window.
“No problem,” I call back up. “Take your time.”
More time to get my head on straight.
Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not.
I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves.
I grab a second stick and shove it in, too.
With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
It was hard not to think that wherever he wound up, it was not going to be good. He drank. He drugged. He regarded life with devilish disdain. I could never see him turning it around. Which is why I have also learned that the worst predictor of future behavior is high school behavior.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
J. D. Cone, when he came here from Oklahoma in 1948 to become a family practitioner, went on house calls with a thirty-eight pistol stuck into his belt after the sheriff told him it was always a good idea to be armed in case someone got a little ornery or disagreed with the diagnosis.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
God, but he was beautiful.
After a time, Jackson lifted his free hand and slowly ran a finger under the length of her scar—from the space between her right eyebrow and nose, up her forehead, then repeating the path from under her right ear, up to the outside corner of her right eye.
She didn’t speak, her breath unsteady from watching him, from feeling the gentle weight of his finger against her face.
The circuit complete, he gently rested his palm on her cheek and began tracing the scar once more—this time with his thumb on the new skin.
Under the gentle weight of his thumb, her skin felt tingly. Like a foot that had fallen asleep and was 90 percent awake again.
Oh. Oh.
She could feel it.
She could feel it.
Her whole body tensed at the sensation. His gaze moved from her skin to her eyes. His palm still rested on her cheek, and his thumb rubbed lightly back and forth against the actual scar line. “Go out with me,” he said.
“We are out.” Her voice came out as husky as his, like they were in a crowded library, not alone on the beach.
“Out out. Friday night, after you play.” He smiled, leaning in a little closer. “We’ll toast the standing ovation.”
She frowned at this reminder. “More like drink away my sorrows.”
“Or that.” He leaned closer and said again, “Go out with me.
”
”
Moriah McStay (Everything That Makes You)
“
Pathways toward a New Shabbat Do 1. Stay at home. Spend quality time with family and real friends. 2. Celebrate with others: at the table, in the synagogue, with friends or community. 3. Study or read something that will edify, challenge, or make you grow. 4. Be alone. Take some time for yourself. Check in with yourself. Review your week. Ask yourself where you are in your life. 5. Mark the beginning and end of this sacred time by lighting candles and making kiddush on Friday night and saying havdalah on Saturday night. Don’t 6. Don’t do anything you have to do for your work life. This includes obligatory reading, homework for kids (even without writing!), unwanted social obligations, and preparing for work as well as doing your job itself. 7. Don’t spend money. Separate completely from the commercial culture that surrounds us so much. This includes doing business of all sorts. No calls to the broker, no following up on ads, no paying of bills. It can all wait. 8. Don’t use the computer. Turn off the iPhone or smartphone or whatever device has replaced it by the time you read this. Live and breathe for a day without checking messages. Declare your freedom from this new master of our minds and our time. Find the time for face-to-face conversations with people around you, without Facebook. 9. Don’t travel. Avoid especially commercial travel and places like airports, hotel check-ins, and similar depersonalizing encounters. Stay free of situations in which people are likely to tell you to “have a nice day” (Shabbat already is a nice day, thank you). 10. Don’t rely on commercial or canned video entertainment, including the TV as well as the computer screen. Discover what there is to do in life when you are not being entertained.
”
”
Arthur Green (Judaism’s Ten Best Ideas: A Brief Guide for Seekers)
“
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead...
...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.
It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair.
Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus...
...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
”
”
Rupert Thomson (The Five Gates of Hell)
“
There were also those who had grown weary of it and the oft-repeated phrase that what made it special was the quality of its people. “Odessa has an unspeakable ability to bullshit itself,” said Warren Burnett, a loquacious, liberal-minded lawyer who after roughly thirty years had fled the place like a refugee for the coastal waters near Houston. “Nothing could be sillier than we got good people here. We got the same cross-section of assholes as anywhere.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket.
Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters.
I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters")
”
”
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.)
The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning...
I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy.
I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more.
This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less.
These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
”
”
Charles Dickens
“
The solution to the problem of poor performance scores had been a new system of grading that would encourage students to stay in school as well as improve their self-esteem. Beyond these important, admirable goals, it also had a more immediate purpose: it would undoubtedly reduce the school’s notoriously high failure rate, which had become an embarrassment to the school and to the school board. Under the plan, equal weight was given to class participation (which to some teachers meant simply showing up, because how on earth were you supposed to quantify participation?), homework, weekly tests, and a final exam at the end of every six-week period. A student could flunk every weekly test as well as the final exam and still pass a course for that period.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
I just turned thirty and only now am I starting to appreciate all the things I used to think were boring. You know Will? Will Moore, the American, built like a brick wall?”
She nodded.
“I don’t know if you saw yesterday when you stopped by, but he and I live together now. And keep this between you and me, but most of the time we’d both prefer to stay in and play Scrabble than go out clubbing with the rest of the squad,” I said and winked.
Then I tried not to grimace because I’d just winked at her.
Why the hell am I winking?
She gave a light chuckle, “Yeah, I think I guessed that from the episode outside your neighbor’s apartment.”
I didn’t let her comment faze me, instead I plastered on a carefree smile. “I’ll have you know women all over the country would be queuing up to catch a glimpse of me in my PJs. You should count yourself lucky.”
“Oh really?” she challenged. “Who are these women? The same ones who go to Daniel O’Donnell concerts and play bingo on a Friday night?”
I glared at her playfully. “Yeah, yeah, laugh it up. I don’t know why any man would sleep naked when they could be wearing a pair of flannel jimjams.
”
”
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
“
17.2 One evening I was to meet Marilyn up at her mother's apartment for our ritual Friday night dinner. On my way up to the Bronx, when I got off at the 175th Street station, I decided to stop in and see what sort of sexual activity was going on in the subway john there. I'd never gone into that one before, perhaps because I usually came there with Marilyn.
I pushed into the yellow-tiled space, with its dim, caged light-bulbs. There was only one guy at the urinal, a tall workman in greens and scuffed orange construction boots-- which had, only in the last year or so, become standard wear for the nation's laborers. I stood a stall away from him, and we glanced at each other. When I smiled, he turned toward me.
I reached for his penis.
Holding it, I realized something was wrong with it, but, for the moment, couldn't quite figure what. For its thickness and harness it was too short. It ended in a kind of flat stump, like a sawed-off dowel, without the collar or taper of glans, making me think he was uncircumcised. Only there was no cuff of skin.
That's when he said, a little hoarsely, "That's what there is. If you want it, it's yours. But that's it." And I realized that, either from medical procedure or something else, the first inch or so had been amputated.
He came very fast.
I wanted to talk with him afterward, but he zipped up once we were finished and hurried away. I never saw him again, though I looked for him. But the image stayed, unsettlingly, for a while.
”
”
Samuel R. Delany (The Motion of Light in Water: Sex and Science Fiction Writing in the East Village)
“
Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
Just last week I was telling a dear friend how I'd rather not exist in a world where toxic thrives. There are so much enmity plaguing this creed, how we hurt others because we think our idea of faith is supreme, how our interpretation of knowledge is above theirs, how every little whisper we turn into a howl. We forget that only He knows. Our existence are but mysteries; who are we to scar, to burn, to leave marks, to solve this enigma for others, to play God.
The Friday prayer sermon just this afternoon, spoke to me in such illuminating affirmations. Knowledge, especially in faith, is akin to Light. Light binds, not divides. We seek light not out of fear of the darkness but at a promise to gain clarity. This is our intimate journey, how we move towards that Light is ours to make. Like a blind man, like moths at night, a child yearning, just do not stand in their paths, my friend. Your forehead kisses the same Earth like they do, your knees bend the same curve, and each night, your spine collapses just the same. Do not be the lips that question an arm sleeved with tattoos or hair uncovered by cloth or sins not yours, instead be lips that observes silence, kindness and always, prayers for all. I hope your heart does not make space for words like "Kafir", "infidel", "shirk" and instead be a room with gardens and an ocean of calmness. Even our Beloved won't be a judge for another being; Let God
You seek knowledge not to draw boundaries between yourself and others, you seek for this overwhelming gravity of unknowing needs you to always be finding ways to be closer to Him. You seek knowledge to know Him not to make known to others. You have every right to continue seeking, to have your palms heavenwards every night begging to be illuminated. This is your deeper conversation, go on, just you and God.
”
”
Noor Iskandar
“
On the eve of Fort Sumter, the governor of South Carolina, Francis Pickens, reportedly acknowledged the clash of realities in a private conversation with a U.S. Army officer in Charleston. Pickens told the army man about “the whole plan and secret of the Southern conspiracy,” admitting that “the South had never been wronged, and that all their pretenses of grievance in the matter of tariffs, or anything else, were invalid. ‘But,’ said [Pickens], ‘we must carry the people with us; and we allege these things, as all statesmen do many things that they do not believe, because they are the only instruments by which the people can be managed.’ He then and there declared that the two sections of the country were so antagonistic in ideas and policies that they could not live together, that it was foreordained that Northern and Southern men must keep apart…and that all the pretenses of the South about wrongs suffered were but pretenses, as they very well knew.” As news of the attack reached Washington—it had rained all night in the national capital as Friday became Saturday—the president of the United States pithily but unmistakably made himself clear. “And, in every event,” Lincoln wrote on Saturday, April 13, “I shall, to the extent of my ability, repel force by force.” His initial policy to hold the nation together had failed. “The last ray of hope for preserving the Union peaceably expired at the assault upon Fort Sumter,” Lincoln remarked. To his friend Orville Browning, the president confided, “Browning, of all the trials I have had since I came here, none begin to compare with those I had between the inauguration and the fall of Fort Sumter. They were so great that could I have anticipated them, I would not have believed it possible to survive them.” The rebel South would not be convinced. The Union would not hold. War had come.
”
”
Jon Meacham (And There Was Light: Abraham Lincoln and the American Struggle)
“
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night.
By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain.
When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened.
Pop.
One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us.
Hmm, I thought.
But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out.
Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would.
Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable.
The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted.
The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well.
It is part of what I learned from a young age to love about the mountains: They are great levelers.
For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life.
(Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.)
If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire.
That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
DANCING ANGELS During October 2001, the Lord began to speak to me about traveling to Newfoundland, Canada. I had no desire to go there, especially in the middle of the winter! At this time I was still concerned about my inability to “feel the Lord” and began to press into God all the more. At times I locked myself into the little house and fasted and prayed for up to seven days, or until the presence of God fell. After many confirmations in the spirit, I pooled all of my earthly wealth and made the trip to the great white North. The night before I was to depart, the Lord instructed me to “pray in tongues all the way to Newfoundland.” Somehow through the grace of God I succeeded in praying in the Spirit for about 18 hours until I touched down in Canada. In Springdale, Newfoundland, Canada, the Lord began instructing me to complete a series of prophetic actions. I attended an intercessory prayer meeting on Wednesday, November 21. We were interceding for an upcoming series of healing meetings. During this meeting, I began to “see” into the spirit. As the Lord opened my spiritual eyes, I incrementally saw the heavens open over Living Waters Ministries Church. In addition to this, I also began to hear angelic voices singing along with the worship team. At one point during the meeting, I saw a stream of golden oil pour out from Heaven and land on a certain spot in the sanctuary. At the leading of the Lord, I knelt upon that spot. The glory and anointing began to flow into and over my body. The sensation and anointing was very similar to what I experienced when the angel put his hands upon me the night of August 22, 2001. As I knelt under the spot where the golden oil was beginning to pour onto the altar, I was praying earnestly. I could feel the liquid oil raining down on my body. I could sense and smell this heavenly oil as it rolled off my head. The Holy Spirit began to talk to me in a very clear and direct way that I had never experienced before. I collapsed onto the carpet in a pool of golden oil and laid there in the anointing of the Holy Spirit. Then I sensed angels dancing all around the pool and me. I felt an angel as it brushed its wings across my face. I had a “knowing” that the angel was asking me to raise my hands into the air. When I raised my hands up to about two feet, the angel would push my hands back down with its strong, warm hands. I tried again, and when my hands were almost totally up, the angel tickled my nose with the feathers of its wings. I laughed, and my hands fell. The angel and I continued to interact in this fashion for nearly an hour. I did not actually see this angel, but the force and reality of its touch was very tangible. There was no doubt that I was interacting with a heavenly being. This experience was both refreshing and real. SEEING IS BELIEVING On Thursday, November 22, the healing meetings started; they would last through Sunday, the 25th. In these meetings God began to open my spiritual eyes beyond anything I could have ever imagined. On the first night of these meetings, I began to see an “open heaven” forming in the sanctuary. I could also hear and sense the activity of angels as the heavens continued to open up to a greater degree. On Friday, I began to see “bolts of light” shoot through the church, and again the stream of golden oil was flowing from the open heaven in a greater volume. On Saturday night during the worship service, I began to see feathers falling around the church and
”
”
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)—
SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon.
God bless the children of this picture, this bookmovie.
I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
After that, things happened very quickly. She gave me a key to her house, and I gave her a key to my apartment. If we were in town, we spent every weekend together. She cooked for me—she was good in the kitchen, but then she was good everywhere. We watched the Friday night fights on TV, and on Saturday or Sunday afternoons we'd go for long walks in the mountains above Malibu. Occasionally we would go to a movie, slipping in after the lights went down. Whenever we went out, Barbara [Stanwyck] would wear a scarf over her head, or a kind of hat, so it would be hard to tell who she was. For the next four years, we became part of each other's lives. In a very real way, I think we still are. Barbara proved to be one of the most marvelous relationships of my life. I was twenty-two, she was forty-five, but our ages were beside the point. She was everything to me—a beautiful woman with a great sense of humor and enormous accomplishments to her name.
”
”
Robert J. Wagner (Pieces of My Heart: A Life)
“
You want to go to a show tonight? There's this band called Crucifictorious from Texas, and they're supposed to be decent.
”
”
Cindi Madsen (Cipher (Cipher, #1))
“
But “love” is the most empty and overused word in the English language after “brilliant.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
The open road, at night, looks like life.
There's only what's in front of you, insufficiently lit.
”
”
William S. Friday (A Death on Skunk Street)
“
When the light faded, Vince strolled down to the falls. Heavy mist made the spotlights appear especially cool. He got himself a sausage on a bun, with lots of mustard and fried onions, and settled on a patch of damp grass to watch the standard Friday night fireworks. He never tires of the fascinating colours and patterns. They’re impossible to reproduce on canvas. He couldn’t resist making his usual wishes on them.
He wished he had someone special with him.
Maybe there’s some girl on the planet who would like to hear that gold fireworks contain actual gold, he thought while watching a nearby couple laugh. Wouldn’t it be great to be able to share that?
”
”
Jess Molly Brown (Moms on Missions (Mommageddon #1))
“
He and his teammates were the Princes of the City, only they were high school kids instead of New York City narcotics detectives,
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
And because she was intelligent (she graduated from Permian in 1986 and went on to become an honors English major at Swarthmore College), she also felt ostracized.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
saw no great social motive in the desegregation effort. It had nothing to do with true assimilation of the races and everything to do with percentages—how many whites, how many blacks, how many browns—little numbers that could be written down and submitted to a judge as proof that there was no longer any racism. “There’s no integration,” said Moore. “There is desegregation.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
H, you’re a workaholic. Are you going to be at it all night?”
He grinned though his eyes never left the screen. “Oh, precious, work is not what I’ll be at all night. But I need a few minutes to send this new proposal to the board before I can devote my attention to you. Do you mind?”
“Take your time. I’ll get ready for bed.” I lowered the lights as he had the night before, then took advantage of his distraction and retrieved the sexy nightie I’d brought with me before slipping into the bathroom.
I didn’t hurry as I undressed, taking the opportunity to shave and apply lotion before slipping on the red lace halter baby-doll I’d purchased on Friday afternoon. The halter-top accentuated my breasts, an area of my body that Hudson appreciated. I removed the ponytail holder from my hair and let it spill around my shoulders in a seductive mess. I brushed my teeth and applied a thin layer of strawberry lip gloss.
When I was satisfied with my appearance, I opened the door to the bedroom and posed in the doorway, waiting for Hudson’s reaction.
I was met with quiet snoring.
With his hands still propped on his open laptop, Hudson had fallen asleep, fully dressed. I sighed, debating how to address the situation. Of course I wanted him awake, but he wouldn’t have fallen asleep like that if he wasn’t truly worn out. Plus, I had to remind myself, night was my time of day—not his.
Gently, I slipped the computer from his grasp and placed it on the nightstand. The movement didn’t disturb him in the least—he was out. I decided to let him sleep, but as for myself, I wasn’t in the least bit tired. I wondered if Jack was still awake—maybe we could play another round of poker, though being alone with the man wasn’t entirely a great idea. I peered out the window and saw the guesthouse was dark. Probably for the best.
”
”
Laurelin Paige (Fixed on You (Fixed, #1))
“
eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open
”
”
S. Massery (Brutal Obsession)
“
He lost the testicle but he did make All-State.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Ten Pathways toward a New Shabbat Do 1. Stay at home. Spend quality time with family and real friends. 2. Celebrate with others: at the table, in the synagogue, with friends or community. 3. Study or read something that will edify, challenge, or make you grow. 4. Be alone. Take some time for yourself. Check in with yourself. Review your week. Ask yourself where you are in your life. 5. Mark the beginning and end of this sacred time by lighting candles and making kiddush on Friday night and saying havdalah on Saturday night.
”
”
Arthur Green (Judaism’s Ten Best Ideas: A Brief Guide for Seekers)
“
I just felt something pulling at me, nagging at me, a soft voice telling me to do it, to see for myself what was out there and make the journey before self-satisfaction crept in for good.
”
”
H.G. Bissinger (Friday Night Lights)
“
I don’t want him to turn out like I turned out. That’s my worst fear. I don’t want my son to go through what I went through. It was horrible. I don’t want that for him.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
The first murder in Odessa occurred late in the nineteenth century when a cowboy rode into a water-drilling camp one afternoon and demanded something to eat from the cook. The cook, described as a “chinaman,” refused, so the cowboy promptly shot him. He was taken to San Angelo and put on trial, but the judge freed him on the grounds that there were no laws on the books making it illegal to kill a Chinaman.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Odessa eked out a living from the livestock trade, all dreams of Utopia gone forever when the town’s first sheriff, Elias Dawson, decided that the ban on alcohol constituted cruel and unusual punishment and became the proprietor, along with his brother, of the town’s first saloon.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Nothing about living in Odessa was easy. Finding a scrubby tree that could barely serve as a Christmas tree took two days. Even dealings with cattle rustlers and horse thieves had to be compromised; they were shot instead of hanged because there weren’t any trees tall enough from which to let them swing.
”
”
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
In 1982, the thirty-seven murders that took place inside Ector County gave Odessa the distinction of having the highest murder rate in the country. Most agreed that was a pretty high number, but mention of gun control was as popular as a suggestion to change the Ten Commandments. A year later, Odessa made national news again when someone made the fateful mistake of accusing an escaped convict from Alabama named Leamon Ray Price of cheating in a high-stakes poker game. Price, apparently insulted by such a charge, went to the bathroom and then came out shooting with his thirty-eight. He barricaded himself behind a bookcase while the players he was trying to kill hid under the poker table. By the time Odessa police detective Jerry Smith got there the place looked like something out of the Wild West, an old-fashioned shoot-out at the La Casita apartment complex with poker chips and cards and bullet holes all over the dining room. Two men were dead and two wounded when Price made his escape. His fatal error came when he tried to break into a house across the street. The startled owner, hearing the commotion, did what he thought was only appropriate: he took out his gun and shot Price dead. It was incidents such as these that gave Odessa its legacy.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Molly Ivins, a columnist for the Dallas Times Herald, described Odessa as an “armpit,” which, as the Odessa American pointed out, was actually quite a few rungs up from its usual anatomical comparison with a rectum.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
We don’t have a large university that has thirty or forty thousand students in it. We don’t have the art museum that some communities have and are world-renowned. When somebody talks about West Texas, they talk about football.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Permian had established itself as perhaps the most successful football dynasty in the country—pro, college, or high school. Few brands of sport were more competitive than Class AAAAA Texas high school football, the division for the biggest schools in the state.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
how could they be expected to accept the harsh reality of studies showing that of the thirty million children taking part in youth sports in the United States, only about two hundred would go on to become professionals in any given year?
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Many teachers felt that no matter how creative they were in the classroom, it wouldn’t make a difference anyway. They talked about a devastating erosion in standards, how the students of today bore no resemblance to the students of even ten or fifteen years ago, how their preoccupations were with anything but school. It was hard for teachers not to feel depressed by the lack of rudimentary knowledge, like in the history class in which students were asked to name the president after John F. Kennedy. Several students meekly raised their hands and proffered the name of Harry Truman. None gave the correct answer of Lyndon Johnson, who also happened to have been a native Texan. In 1975, the average SAT score on the combined math and verbal sections at Permian was 963. For the senior class of 1988–89, the average combined SAT score was 85 points lower, 878. During the seventies, it had been normal for Permian to have seven seniors qualify as National Merit semi-finalists. In the 1988–89 school year the number dropped to one, which the superintendent of schools, Hugh Hayes, acknowledged was inexcusable for a school the size of Permian with a student body that was rooted in the middle class. (A year later, with the help of $15,000 in consultant’s fees to identify those who might pass the required test, the number went up to five.)
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
On the SAT exam, boys who took the test during 1988–89 at Permian had a combined average score of 915 (433 verbal, 482 mathematical), 19 points below the national average for boys. Girls had a combined score of 840 (404 verbal, 436 mathematical), 75 points below their male counterparts at Permian and 35 points below the national average for girls. Of the 132 girls who took the test during the 1988–89 school year, there wasn’t one who got above a 650 in either the math or verbal portions of the exam.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Will Bates was drummed out of Carter and reassigned to teach industrial arts in a middle school. He was given an unsatisfactory evaluation rating, placed on probation for a year, and had his salary frozen. And, of course, he was forbidden to teach math to prevent further threats to the sanctity of football.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
What do Dukakis and panty hose have in common? They both irritate Bush. What’s twelve inches long and hangs in front of an asshole? Dukakis’s necktie.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
They clearly saw their town as the one exception in an area of the country once described as having enough ignorance to support not simply a four-year university but an eight-year one.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
In Texas, no man was more of a coward than the one who was chicken shit with his money.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
They knew their economic livelihoods were completely at the mercy of OPEC and that it was all but impossible to have much say in the matter when the average American well produced 13 barrels of oil a day while the average one in Saudi Arabia produced 6,881 barrels a day and the average one in Iran 27,233 barrels.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
But you get tired fast,” I tease, “like old men.” Liam laughs lightly. “I know we seem childish and carefree,” he says, “but we actually do have crazy hours. It’s Friday night, so you can bet that we both haven’t had a full night’s sleep all week.” He yawns loudly. “Okay, I can’t even make it to a motel. I saw a sign for a rest stop a few miles back, and I’ll pull over as soon as I see it. I think Owen has blankets in the trunk.” “A rest stop?” I ask nervously. “Is that safe?” “It’s safer than crashing and dying.” I ponder this for a moment, but as I’m worrying, I feel myself beginning to yawn. I must be getting old, too, for I could also use a nap. When Liam pulls over and parks the car, I am already dozing off. I hear the car door open and close as he moves to the trunk to gather blankets. He opens the door nearest to me and drapes a blanket over my legs. “Feel free to lie down and get comfortable,” he tells me. “Would it be better for you to come and rest in the backseat?” I offer quietly. “I don’t want to make you uncomfortable,” he says. “I’ll be fine in the front.” He shuts the door and moves back around the car to the driver’s side. Once he gets into the car, he locks the doors and turns the heat up. “Wow, Owen is completely out,” he observes as he tugs a blanket over his friend. “He doesn’t seem to mind sleeping like this. I think I’m tired enough not to care.” I unbuckle my seatbelt and stretch my legs out on the seat. My feet collide with my backpack, and I reach out to lift it and place it on the ground to give myself more room. I begin
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Loretta Lost (Clarity (Clarity, #1))
“
relationship with Shayla, he saw them only sporadically, but at least they spent Thanksgiving that year with him. They were around eleven at the time. But they have since moved to Houston, and Boobie hasn’t seen them in four months. He’s tried to call them, but they’re never available. I know many things about Boobie,
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H.G. Bissinger (After Friday Night Lights: When the Games Ended, Real Life Began. An Unlikely Love Story.)
“
The first murder in Odessa occurred late in the nineteenth century when a cowboy rode into a water-drilling camp one afternoon and demanded something to eat from the cook. The cook, described as a “chinaman,” refused, so the cowboy promptly shot him. He was taken to San Angelo and put on trial, but the judge freed him on the grounds that there were no laws on the books making it illegal to kill a Chinaman. For
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
under the right circumstances, the demon wins the heart of the most steadfast soul, and the nemesis always becomes a lover. Permian
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
So Friday night we turn off every screen in a very ritualistic way. When we start, we light candles, all the cell phones go off, the TV goes off, and the computers go off. And then we’re offline for all of Saturday until after sunset.
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Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
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There are so few other things we can look at with pride,' said Allen. 'We don't have a large university that has thirty or forty thousand students in it. We don't have the art museum that some communities have and are world-renowned. When somebody talks about West Texas, they talk about football. There is nothing to replace it. It's an integral part of what made the community strong. You take it away and it's almost like you strip the identity of the people.
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H.G. Bissinger
“
Success is not a goal, it's a byproduct.
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”
Coach Taylor
“
Marriage requires maturity. Marriage requires two people who, for the rest of their lives, are willing to listen, to really listen to each other. And that marriage requires the greatest of all things, compromise.
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Coach Taylor
“
He takes my hand and grips it tightly. He holds it so long that our palms get sweaty and stick together. I extricate mine and pull back. “Sometimes I feel like I can’t get close enough to you,” he says. He’s not looking at me. He’s looking toward where Hayley is climbing on the monkey bars. I scratch my head. “I don’t think we can get much closer than we were last night.” He shakes his head. “Sex is easy. It’s the rest of it that’s difficult.” I look at his profile because he’s still not looking at me. I pretend to make light of his comment and scoff. “I wouldn’t say that I made sex easy.” His gaze suddenly jerks to mine. “We didn’t have sex.” I hold up one finger and grin. “I distinctly remember—” But he cuts me off. “I remember it, too. I remember telling you that I loved you and you telling me you felt the same way. And we made mad, passionate love. Crazy good love like I have never had before. And then we did it again. And then we pulled my daughter into bed with us and that was the best fucking part about the whole thing.” He turns to face me. “I want a family, Friday. Not just a fuck. Tail is easy to come by. You, on the other hand…” He lets his voice trail off. “You’re one of a fucking kind, and I want you to be mine so badly I can taste it. And I’ll still be tasting it next week, next year, and every day following that.” “I’m with you,” I say hesitantly. I don’t know how much more of a commitment I can offer him. I’ve already offered more than I ever thought I would be able to offer anyone. He leans over and hovers over my lips. “I love you so fucking much,” he says. “Just remember that.” He stares into my eyes for a minute, and then he goes to Hayley and races her to the sliding board.
”
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Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
“
What constituted Judaizing? Lighting candles on a Friday night, failure to attend church regularly, and even a dislike of pork were all considered signs of Judaizing.
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Phyllis Goldstein (A Convenient Hatred: The History of Antisemitism)
“
I’m not real certain we were ready for the kind of desegregation that currently exists. I think it would have caused some bad feelings and potentially would have hurt the school system,” said Bunton, who was ultimately appointed a federal judge by President Carter and went on to issue a landmark decision finding the FBI guilty of racial bias in the treatment of its Hispanic agents. At that time there were three high schools in the town: Ector, which was located on the Southside and 90 percent minority; Odessa High, the town’s first high school, which was 93 percent white; and Permian, which served the newer parts of town and was 99 percent white. One obvious way of accomplishing desegregation would have been to shift students among these three
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
schools and change the compositions of their respective enrollments. But in Odessa, the drawback of doing that was obvious. “That would have destroyed the football program, and that’s why we didn’t do it,” said Bunton. The issue of race in the schools did not come up again for almost another ten years. The federal government’s suit sat untouched in the federal court. Then it came to the forefront again, spearheaded by a total stranger. III
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Won't Let You Be My Downfall"
(Verse 1)
In the glow of neon lights, I find my stride,
Chasing dreams bigger than the Friday night sky.
You thought you'd see me crumble, thought I'd crawl,
But I won't let you be my downfall.
(Chorus)
I'm riding high, on this urban rodeo,
Got my heart guarded, in the city's afterglow.
You can't hold me back, can't make me stall,
'Cause I won't let you be my downfall.
(Verse 2)
Got my boots laced up, with a modern twist,
Walking streets paved with chances I won't miss.
Your shadows linger, but I'll walk tall,
I won't let you be my downfall.
(Bridge)
This heart beats to a rhythm, bold and new,
I'm rewriting my story, without a trace of you.
I'm not just a number, I'm a name they'll call,
And I won't let you be my downfall.
(Chorus)
I'm riding high, on this urban rodeo,
Got my heart guarded, in the city's afterglow.
You can't hold me back, can't make me stall,
'Cause I won't let you be my downfall.
(Outro)
So here's to the nights, that turn into dawn,
To the fights we fight, to the strength we've drawn.
I'm standing proud, through it all,
'Cause I won't let you be my downfall.
”
”
James Hilton-Cowboy
“
saw the irresistible allure of high school sports, but he also saw an inevitable danger in adults’ living vicariously through their young. And he knew of no candle that burned out more quickly than that of the high school athlete. “Athletics lasts for such a short period of time. It ends for people. But while it lasts, it creates this make-believe world where normal rules don’t apply. We build this false atmosphere. When it’s over and the harsh reality sets in, that’s the real joke we play on people. . . . Everybody wants to experience that superlative moment, and being an athlete can give you that. It’s Camelot for them. But there’s even life after it.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
What pride they had in Odessa came from their very survival in a place they openly admitted was physically wretched.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
When he spoke to the players that very first time, he told them to ignore the outside pressure that would inevitably swirl around them during the thick of the season. “I’m gonna get criticism and you’re gonna get criticism,” he said. “It don’t mean a hill of beans, because the only people that matter are in this room. It doesn’t make a difference, except for the people here.” In the solitude
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
All this wasn’t accomplished with kids who weighed 250 pounds and were automatic major-college prospects, but with kids who often weighed 160 or 170 or even less. They had no special athletic prowess. They weren’t especially fast or especially strong. But they were fearless and relentlessly coached and from the time they were able to walk they had only one certain goal in their lives in Odessa, Texas. Whatever it took, they would play for Permian.
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Integration has torn down some barriers,” he said. “There is not as much taboo in whites’ attitudes towards blacks. But I think that is all it has done.
”
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
Jim Moore, the last principal of Ector High School before it was closed down as a means of achieving desegregation, felt the same way. Moore, who was white, saw no great social motive in the desegregation effort. It had nothing to do with true assimilation of the races and everything to do with percentages—how many whites, how many blacks, how many browns—little numbers that could be written down and submitted to a judge as proof that there was no longer any racism. “There’s no integration,” said Moore. “There is desegregation. There is no integration in this community, the same as any community in America.” II
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H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
“
He wrote an apology letter. After the last time. The worst time. The time I remember most clearly because I wasn’t asleep. I’d just turned off the light. I was full of frozen pizza and a romantic comedy I’d stayed up late to watch. Jacinta was staying with a friend. Mum and Pete were at the pub. I heard the front door open and close and knew it must be him though he wasn’t due a visit until the following Friday. I could have jumped out of bed, put on a pair of jeans and pretended to be on the phone or reading or anything other than sleeping. When I return to that night, I know I stayed still out of a warped curiosity. He tapped on the door and came in. ‘Hey, Dolly,’ he whispered. He wrote a letter to apologise.
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Sarah Crossan (Hey, Zoey)
“
Curse you then. However beat and done with it all I am, I must haul myself up, and find the particular coat that belongs to me; must push my arms into the sleeves; must muffle myself up against the night air and be off. I, I, I, tired as I am, spent as I am, and almost worn out with all this rubbing of my nose along the surfaces of things, even I, an elderly man who is getting rather heavy and dislikes exertion, must take myself off and catch some last train.
Again I see before me the usual street. The canopy of civilization is burnt out. The sky is dark as polished whalebone. But there is a kindling in the sky whether of lamplight or of dawn. There is a stir of some sort—sparrows on plane tree somewhere chirping. There is a sense of the break of day. I will not call it dawn. What is dawn in the city to an elderly man standing in the street looking up rather dizzily at the sky? Dawn is some sort of whitening of the sky; some sort of renewal. Another day; another Friday; another twentieth of March, January, or September. Another general awakening. The stars draw back and are extinguished. The bars deepen themselves between the waves. The film of mist thickens on the fields. A redness gathers on the roses, even on the pale rose that hangs by the bedroom window. A bird chirps. Cottagers light their early candles. Yes, this is the eternal renewal, the incessant rise and fall and fall and rise again.
And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man’s, like Percival’s, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!
The waves broke on the shore.
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”
Virginia Woolf