Freight Quotes

We've searched our database for all the quotes and captions related to Freight. Here they are! All 100 of them:

The world must be all fucked up," he said then, "when men travel first class and literature goes as freight.
Gabriel García Márquez
The books that help you most are those which make you think the most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
Pablo Neruda
A man who has never gone to school may steal a freight car; but if he has a university education, he may steal the whole railroad.
Theodore Roosevelt
Dying should come easy: like a freight train you don't hear when your back is turned.
Charles Bukowski (The Flash of Lightning Behind the Mountain: New Poems)
George didn't do quiet or subtle. His big paws kicked up rocks as he stretched into his own version of a freight train.
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
There’s nothing as unstoppable as a freight train full of fuck-yeah.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild. --Alexander Supertramp, May 1992
Christopher McCandless
Bastard hits harder than a fucking freight train." I just smiled. "I know.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
The world must be all fucked up,” he said then, “when men travel first class and literature goes as freight.
Gabriel García Márquez (One Hundred Years of Solitude)
Two years he walks the Earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking bring him to the great white north. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.
Christopher McCandless
If I were a poet, that’s what I’d write about. People who worked in the middle of the night. Men who loaded trains, emergency room nurses with their gentle hands. Night clerks in hotels, cabdrivers on graveyard, waitresses in all-night coffee shops. They knew the world, how precious it was when a person remembered your name, the comfort of a rhetorical question, “How’s it going, how’s the kids?” They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers lived without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.
Janet Fitch (White Oleander)
I'd rather hop freights around the country and cook my food out of tin cans over wood fires, than be rich and have a home or work.
Jack Kerouac (The Dharma Bums)
That Love is all there is Is all we know of Love, It is enough, the freight should be Proportioned to the groove.
Emily Dickinson
The young writer should learn to spot them: words that at first glance seem freighted with delicious meaning, but that soon burst in the air, leaving nothing but a memory of bright sound.
E.B. White
Quite possibly there's nothing as fine as a big freight train starting across country in early summer, Hardesty thought. That's when you learn that the tragedy of plants is that they have roots.
Mark Helprin (Winter's Tale)
Like that's the only reason anyone would ever buy a first-aid kit? Don't take this the wrong way, Professor McGonagall, but what sort of crazy children are you used to dealing with?" "Gryffindors," spat Professor McGonagall, the word carrying a freight of bitterness and despair that fell like an eternal curse on all youthful heroism and high spirits.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
That love is all there is; is all we know of love. It is enough; the freight should be proportioned to the groove.” What is the “freight”? he wondered. What is the “groove”?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Life was a freight train barreling toward just one stop, our loved ones streaking past our windows in blurs of color and light. There was no holding on to any of it, and no slowing it down.
Marisha Pessl (Night Film)
Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
H.P. Lovecraft (The Best of H.P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre)
I’m happy to see that we’re stopping to eat some dinner, since we didn’t actually eat lunch today. Instead we just argued, I pouted, slapped him, bojo’d him, and then I came like a freight train. I’ve had a very busy day.
Ella Dominguez (The Art of Submission)
The door slid towards them like a freight train. One huge leap and they were clear with inches to spare. Icy water filled her white, leather sneakers and seeped into her denim jeans like kerosene rising in a wick.
Marilyn Dalla Valle (Westwind Secrets)
I bear my witness that the worst days I have ever had have turned out to be my best days. And when God has seemed most cruel to me he has then been most kind. If there is anything in this world for which I would bless him more than for anything else it is for pain and affliction. I am sure that in these things the richest tenderest love has been manifested to me. Our Father's wagons rumble most heavily when they are bringing us the richest freight of the bullion of his grace. Love letters from heaven are often sent in black-edged envelopes. The cloud that is black with horror is big with mercy. Fear not the storm. It brings healing in its wings and when Jesus is with you in the vessel the tempest only hastens the ship to its desired haven.
Charles Haddon Spurgeon
Good God, woman. Hit the brakes on the freight train that is your mouth.
Shelly Laurenston
Southern Mamas are known for being subtle, like a freight train.
Shellie Rushing Tomlinson (Sue Ellen's Girl Ain't Fat, She Just Weighs Heavy: The Belle of All Things Southern Dishes on Men, Money, and Not Losing Your Midlife Mind)
When I was young I wanted to be just like him. One of the charm, of a bright orange smile and muscular laughter. Bold brown eyes flashing fearless when he sat not alone on cold blue nights in empty boxcars. Riding a freight train's solitary wail away from Nebraska Depression, accompanying dreams withered farms. Nothing left but the leaves of possibilities.
Larsen Bowker
nothing's news. it's the same old thing in disguise. only one thing comes without a disguise and you only see it once, or maybe never. like getting hit by a freight train. makes us realize that all our moaning about long lost girls in gingham dresses is not so important after all.
Charles Bukowski (Bone Palace Ballet: New Poems)
There are no verdicts to childhood, only consequences, and the bright freight of memory.
Pat Conroy (The Prince of Tides)
You can stop a raging forest fire, a herd of stampeding buffalo or even a runaway freight train, but you can’t stop a good man".
John Paul Warren
I'm a child in that respect: able to live, physically speaking, on a crumb of anticipation for weeks at a time, but always in danger of crushing the waited-for event with the freight of my excessive hope.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
The world must be all fucked up,’ he said then, ‘when men travel first class and literature goes as freight.’ That was the last thing he was heard to say.
Gabriel García Márquez (One Hundred Years of Solitude)
Getting up too early is a vice habitual in horned owls, stars, geese, and freight trains. Some hunters acquire it from geese, and some coffee pots from hunters.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
The poem is born dark; it comes, as the result of a radical individuation, into the world as a language fragment, thus, as far as language manages to be world, freighted with world.
Paul Celan
The books that help you most are those which make you think the most. A great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
Theodore Parker
i am standing upon the seashore. a ship at my side spreads her white sails to the morning breeze and starts for the blue ocean. she is an object of beauty and strength. i stand and watch her until at length she hangs like a speck of white cloud just where the sea and sky come to mingle with each other. then someone at my side says: "there, she is gone!" "gone where?" gone from my sight. that is all. she is just as large in mast and hull and spar as she was when she left my side and she is just as able to bear the load of living freight to her destined port. her diminished size is in me, not in her. and just at the moment when someone at my side says: "there, she is gone!" there are other eyes watching her coming, and other voices ready to take up the glad shout: "here she comes!" and that is dying.
Henry Van Dyke
As Vice President of Acquisitions, Mr. Lang,” she asked. “Just what is it you are supposing to acquire?” At the very most, are you seeking a compliment in return? Of course, you are! Men are always hoping for what they seldom get.” With that, she reached up to kiss him on the cheek—the freight train of doom had passed him by on a parallel track. Doubt is good. It keeps the doors open to proof of promise. Is that why she had changed into that incredibly tantalizing little blue-black dress driving the Whaler bar crowd toward a frenzy?
Tom Baldwin (Macom Farm)
The world must be all fucked up,” he said then,“when men travel first class and literature goes as freight.
Gabriel García Márquez
Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning...proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.
Carl Sandburg
Some politicians have a gift for language. Trump is not one of those politicians. His sentences call to mind an aerial shot of a burning, derailed freight train. The syntax is mangled. The grammar is gone. “Donald Trump isn’t a simpleton, he just talks like one,” reads a Politico article from last August.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
Listen to them again: ‘I love you.’ Subject, verb, object: the unadorned, impregnable sentence. The subject is a short word, implying the self-effacement of the lover. The verb is longer but unambiguous, a demonstrative moment as the tongue flicks anxiously away from the palate to release the vowel. The object, like the subject, has no consonants, and is attained by pushing the lips forward as if for a kiss. ‘I love you.’ How serious, how weighted, how freighted it sounds.
Julian Barnes (A History of the World in 10½ Chapters)
Julia's vocabulary was "chock-full" of strangely archaic words - "spiffing," "crumbs," "jeepers" - that seemed to have originated in some prewar girls' annual rather than in Julia's own life. For Jackson, words were functional, they helped you get to places and explain things. For Julia, they were freighted with inexplicable emotion.
Kate Atkinson (One Good Turn (Jackson Brodie, #2))
A freight train of anger and she doesn’t even have a clue that I’m her fucking fuel.
K. Bromberg (Raced (Driven, #3.5))
Ronnie offered, “I don’t want my life to pass me by.” Filling Ronnie’s glass again, Sissy promised, “It won’t.” “It’s already started. It’s whizzing by like a freight train.
Shelly Laurenston (The Mane Event (Pride, #1))
[in reference to turkey bowling] He [Tommy] squinted and picked his target, then took his steps and sent the bird sliding down the aisle. A collective gasp rose from the crew as the fourteen-pound, self-basting, fresh-frozen projectile of wholesome savory goodness plowed into the soap bottles like a freight train into a chorus line of drunken grandmothers.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
But with avoidance comes anxiety, like a freight train hitting me when I least expect it.
Lauren Asher (Wrecked (Dirty Air, #3))
Life is a stream On which we strew Petal by petal the flower of our heart; The end lost in dream, They float past our view, We only watch their glad, early start. Freighted with hope, Crimsoned with joy, We scatter the leaves of our opening rose; Their widening scope, Their distant employ, We never shall know. And the stream as it flows Sweeps them away, Each one is gone Ever beyond into infinite ways. We alone stay While years hurry on, The flower fared forth, though its fragrance still stays.
Amy Lowell
It can happen to anybody, getting all hung up on some twenty-year-old quiff. Like the little dog in the freight yard, and the train nips off the end of his tail and he yelps and spins around and it cuts off his head. Never lose your head over a piece of tail.
John D. MacDonald
There’s nothing as unstoppable as a freight train full of fuck-yeah. If you’ve ever known what it’s like to be in your groove, and are having trouble finding your way right now, think back to your attitude and what your priorities were when you were totally lit up about life, and use them to help give you the clarity and the kick in the rear end you need now.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Everywhere the air had become a vibrant yellow drum. A heavy sunlight freighted the foliage of the trees. Each leaf was a shutter about to swing back and reveal a miniature sun, one window in the immense advent calendar of nature.
J.G. Ballard (The Unlimited Dream Company)
If I were a poet, that’s what I’d write about. People who worked in the middle of the night. They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers live without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.
Janet Fitch (White Oleander)
We need to talk about the hierarchy of grief. You hear it all the time—no grief is worse than any other. I don’t think that’s one bit true. There is a hierarchy of grief. Divorce is not the same as the death of a partner. Death of a grandparent is not the same as the death of a child. Losing your job is not the same as losing a limb. Here’s the thing: every loss is valid. And every loss is not the same. You can’t flatten the landscape of grief and say that everything is equal. It isn’t. It’s easier to see when we take it out of the intensely personal: stubbing your toe hurts. It totally hurts. For a moment, the pain can be all-consuming. You might even hobble for a while. Having your foot ripped off by a passing freight train hurts, too. Differently. The pain lasts longer. The injury needs recovery time, which may be uncertain or complicated. It affects and impacts your life moving forward. You can’t go back to the life you had before you became a one-footed person. No one would say these two injuries are exactly the same.
Megan Devine (It's OK That You're Not OK)
Whatever the surface appearances, most human beings come equipped with convoluted emotional machinery. With intimacy, the wreckage starts to show, damage rendered in the course of passions colliding like freight trains on the same track.
Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
I freighted a leaf with a mental message for the friends at home, and dropped it in the stream. But I put no stamp on it and it was held for postage somewhere.
Mark Twain (Roughing It)
The human brain is like a freight car, guaranteed to carry a certain capacity but often running empty.
Lorraine Gokul
Gods, she was as exquisite as her scent— Wham! The demons tackled him with the force of a freight train, flattening him on the field, piling on top of him.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #9))
Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild." “So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man’s living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
Jon Krakauer (Into the Wild)
But more wonderful than the lore of old men and the lore of books is the secret lore of ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days have I watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and in time. Sometimes at twilight the grey vapours of the horizon have parted to grant me glimpses of the ways beyond; and sometimes at night the deep waters of the sea have grown clear and phosphorescent, to grant me glimpses of the ways beneath. And these glimpses have been as often of the ways that were and the ways that might be, as of the ways that are; for ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
H.P. Lovecraft (The Transition of H. P. Lovecraft: The Road to Madness)
When, on a Sunday evening in May 1876, Anna throws herself under the freight train, she has existed more than four years since the beginning of the novel, but in the case of the Lyovins, during the same period, 1872 to 1876, hardly three years have elapsed. It is the best example of relativity in literature that is known to me.
Vladimir Nabokov (Pnin)
...then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander's soul.
Herman Melville (Moby-Dick or, The Whale)
Read not for the facts but for the angles of thinking.
William Upski Wimsatt (Bomb the Suburbs: Graffiti, Race, Freight-Hopping and the Search for Hip Hop's Moral Center)
There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past. I am more fabulist than historian, but I will try to give you the insoluble, unedited terror of youth. I betray the integrity of my family’s history by turning everything, even sadness, into romance. There is no romance in this story; there is only the story.
Pat Conroy (The Prince of Tides)
Okay,” I mumble, completely bemused, bewildered, and shell-shocked. He leans over my desk. What now? I am caught in his hypnotic gaze. “Love doing business with you, Mrs. Grey.” He leans in closer as I sit paralyzed, and he plants a soft tender kiss on my lips. “Laters baby,” he murmurs. He stands abruptly, winks at me, and leaves. I lay my head on my desk, feeling like I’ve been run over by a freight train – the freight train that is my beloved husband. He has to be the most frustrating, annoying, contrary man on the planet. I sit up and frantically rub my eyes. What have I just agreed to?
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
To be honest, I had been restless...The sensation would rise suddenly like freight from the ocean floor--the unexpected discontent of cows in their pasture. The constant chewing of all that cud.
Sue Monk Kidd (The Mermaid Chair)
But this is not a world of free freights. One pays according to an iron schedule--for every strength the balanced weakness; for every high a corresponding low; for every fictitious god-like moment an equivalent time in reptilian slime. For every feat of telescoping long days and weeks of life into mad magnificent instants, one must pay with shortened life, and, oft-times, with savage usury added.
Jack London
Allowed to cast themselves for great tragic roles, they were experiencing the exhilaration felt by great tragic actors. It was not lack of control, lack of taste, lack of knowledge that accounted for permission of what was not permitted in the West. Rather was it the reverse. Our people could not have handled patients full of the dangerous thoughts of death and love; these people had such resources that they did not need to empty their patients of such freight.
Rebecca West (Black Lamb and Grey Falcon)
When the great ship containing the hopes and aspirations of the world, when the great ship freighted with mankind goes down in the night of death, chaos and disaster, I am willing to go down with the ship. I will not be guilty of the ineffable meanness of paddling away in some orthodox canoe. I will go down with the ship, with those who love me, and with those whom I have loved. If there is a God who will damn his children forever, I would rather go to hell than to go to heaven and keep the society of such an infamous tyrant. I make my choice now. I despise that doctrine. It has covered the cheeks of this world with tears. It has polluted the hearts of children, and poisoned the imaginations of men. It has been a constant pain, a perpetual terror to every good man and woman and child. It has filled the good with horror and with fear; but it has had no effect upon the infamous and base. It has wrung the hearts of the tender; it has furrowed the cheeks of the good. This doctrine never should be preached again. What right have you, sir, Mr. clergyman, you, minister of the gospel, to stand at the portals of the tomb, at the vestibule of eternity, and fill the future with horror and with fear? I do not believe this doctrine: neither do you. If you did, you could not sleep one moment. Any man who believes it, and has within his breast a decent, throbbing heart, will go insane. A man who believes that doctrine and does not go insane has the heart of a snake and the conscience of a hyena.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
That glass sliver in the heart. Amid a fluttery-delicious Benzedrine rush, virtually every remark made to you is freighted with destiny, a sweet-painful stab in the heart. And Benzedrine and champagne, what a combination! The Blond Actress was only just discovering what everybody else in Hollywood knew.
Joyce Carol Oates (Blonde)
Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
What is dying? I am standing on the seashore. A ship sails to the morning breeze and starts for the ocean. She is an object and I stand watching her Till at last she fades from the horizon, And someone at my side says, “She is gone!” Gone where? Gone from my sight, that is all; She is just as large in the masts, hull and spars as she was when I saw her, And just as able to bear her load of living freight to its destination. The diminished size and total loss of sight is in me, not in her; And just at the moment when someone at my side says, “She is gone”, There are others who are watching her coming, And other voices take up a glad shout, “There she comes” – and that is dying.
Charles Henry Brent (What Is Dying?)
Flight is many things. Something clean and swift, like a bird skimming across the sky. Or something filthy and crawling; a series of crablike movements through figurative and literal slime, a process of creeping ahead, jumping sideways, running backward. It is sleeping in fields and river bottoms. It is bellying for miles along an irrigation ditch. It is back roads, spur railroad lines, the tailgate of a wildcat truck, a stolen car and a dead couple in lovers' lane. It is food pilfered from freight cars, garments taken from clotheslines; robbery and murder, sweat and blood. The complex made simple by the alchemy of necessity
Jim Thompson (The Getaway)
But Jordan’s violin was especially deadly. It screeched like a frightened owl. Mr. Graisha glared at her, snapping his baton up and down, side to side, fighting to keep all twenty-three students playing in unison. It was a losing battle. He glanced up at the clock and then waved both arms as if he needed to stop a freight train.
Andrew Clements (About Average)
With the energy he had conserved yesterday letting her dress him, he had written a note and pinned it in his pocket. IF FOUND DEAD SHIP EXPRESS COLLECT TO COLEMAN PARRUM, CORINTH, GEORGIA. Under this he had continued: COLEMAN SELL MY BELONGINGS AND PAY THE FREIGHT ON ME & THE UNDERTAKER. ANYTHING LEFT OVER YOU CAN KEEP. YOURS TRULY T. C. TANNER. P.S. STAY WHERE YOU ARE. DON’T LET THEM TALK YOU INTO COMING UP HERE. ITS NO KIND OF PLACE.
Flannery O'Connor (The Complete Stories)
Farrell had seen pure white drunkenness before, but not often enough to recognize it at sight. He knew the thing itself, however--the freight train rattling and lurching comically from hilarity to slobbering sorrow, picking up speed as it passed through wild, aimless anger straight on into wild sickness; and then, running smoothly and almost silently now, into a dark place of shaking and sweating and crying, and out again with no warning to where a dazzling snowy light made everything very still.
Peter S. Beagle (The Folk of the Air)
I used to pray you know, pray to God that He would somehow stop it. All the nights of listening to my mother scream and things breaking. Of holding my brother and sister and listening to them cry and begging me to stop it.' My voice is slow and steady like a freight train at night. 'I was too young, and we were always told that they'd put us in foster homes where people would rape us if we ever said anything. So we explained away the bruises and my mom wore big sunglasses whenever she left the house. And we invented car accidents if the bruising was too bad to cover with make-up.
Emily Andrews (The Finer Points of Becoming Machine (Cutting Edge))
What comes before determines what comes after,” Kellhus continued. “For the Dûnyain, there’s no higher principle.” “And just what comes before?” Cnaiür asked, trying to force a sneer. “For Men? History. Language. Passion. Custom. All these things determine what men say, think, and do. These are the hidden puppet-strings from which all men hang.” Shallow breath. A face freighted by unwanted insights. “And when the strings are seen . . .” “They may be seized.” In
R. Scott Bakker (The Darkness that Comes Before (The Prince of Nothing, #1))
as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastedly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness seemed the material counterpart of her monomaniac commander's soul.
Herman Melville (Moby-Dick or, The Whale)
Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, ‘cause “the West is the best.” And now after two rambling years comes the final and greatest adventure, the climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking bring him to the great white North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.
Christopher McCandless
Pleasing is such a fraught and freighted word, it seems, saccharine and over-sweet. Let's do so much more than simply please people. Let's see them and love them and delight them, look deeply into their eyes. Pleasing is shallow and temporary joy, not nearly as valuable or rich as seeing or connection or listening. Pleasing feels like corn syrup, like cheap candy, while pleasure is homemade pie, rich with butter, thick with sugar and ripe fruit.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?
Naomi Wolf (The Beauty Myth)
Dreams, always dreams! and the more ambitious and delicate is the soul, the more its dreams bear it away from possibility. Each man carries in himself his dose of natural opium, incessantly secreted and renewed. From birth to death, how many hours can we count that are filled by positive enjoyment, by successful and decisive action? Shall we ever live, shall we ever pass into this picture which my soul has painted, this picture which resembles you? These treasures, this furniture, this luxury, this order, these perfumes, these miraculous flowers, they are you. Still you, these mighty rivers and these calm canals! These enormous ships that ride upon them, freighted with wealth, whence rise the monotonous songs of their handling: these are my thoughts that sleep or that roll upon your breast. You lead them softly towards that sea which is the Infinite; ever reflecting the depths of heaven in the limpidity of your fair soul; and when, tired by the ocean's swell and gorged with the treasures of the East, they return to their port of departure, these are still my thoughts enriched which return from the Infinite - towards you.
Charles Baudelaire
Sail, sail thy best, ship of democracy, Of value is thy freight, 'tis not the present only, The past is also stored in thee, Thou holdest not the venture of thyself alone, not of the western continent alone, Earth's resume entire floats upon thy keel, O ship, is steadied by thy spars, With thee Time voyages in trust, the antecedent nations sink or swim with thee, With all their ancient struggles , martyrs, heroes, epics, wars, thou bear'st the other continents, Theirs, theirs as much as thine, the destination-port triumphant..
Walt Whitman
But thou shalt leave it all behind thee! It shall not cumber thy steps, as thou treadest along the forest-path; neither shalt thou freight the ship with it, if thou prefer to cross the sea. Leave this wreck and ruin here where it hath happened! Meddle no more with it! Begin all anew! Hast thou exhausted possibility in the failure of this one trial? Not so! The future is yet full of trial and success. There is happiness to be enjoyed! There is good to be done! Exchange this false life of thine for a true one. Be, if thy spirit summons thee to such a mission, the teacher and apostle of the red men. Or,—as is more thy nature,—be a scholar and a sage among the wisest and the most renowned of the cultivated world. Preach! Write! Act! Do any thing, save to lie down and die! Give up this name of Arthur Dimmesdale, and make thyself another, and a high one, such as thou canst wear without fear or shame. Why shouldst thou tarry so much as one other day in the torments that have so gnawed into thy life!—that have made thee feeble to will and to do!—that will leave thee powerless even to repent! Up, and away!
Nathaniel Hawthorne (The Scarlet Letter)
You’re not answering my question. It’s getting irritating.” “Okay, serious answer. Ready? Here we go.” Nora took a deep breath. She didn’t want to talk about this stuff with Marie-Laure, but as long as she stayed interesting, as long as she stayed entertaining, she stayed alive. “I get off on submitting to Søren. I don’t know how or why. I can’t explain any more than you can explain why you like Irish breakfast tea instead of English breakfast or whatever you’re drinking. It’s a personal taste. I liked it. He’s the most beautiful man on earth, he’s got an inner drive and power that I’m drawn to, he can scare the shit out of someone with a glance, he can put someone on their knees with a word, he can see into your soul if you make the mistake of looking into his eyes. And it is a mistake because you will never want to look away again no matter how bare and naked he lays your most private self. I knelt at his feet because I felt like that’s where I belonged. And no, not because I was so unworthy of him, but because he was so utterly worthy of my devotion.” A noble speech and a true one, Nora decided as her words settled into the room. True, yes, but not the whole truth. Might as well spill it all. “Oh,” she added a moment later. “And me submitting to pain gets him rock hard and the man fucks like a freight train when in the right mood. Not that you would know anything about that.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander's soul.
Herman Melville
I now know thee, thou clear spirit, and I now know that thy right worship is defiance. To neither love nor reverence wilt thou be kind; and e'en for hate thou canst but kill; and all are killed. No fearless fool now fronts thee. I own thy speechless, placeless power; but to the last gasp of my earthquake life will dispute its unconditional, unintegral mastery in me. In the midst of the personified impersonal, a personality stands here. Though but a point at best; whencesoe'er I came; wheresoe'er I go; yet while I earthly live, the queenly personality lives in me, and feels her royal rights. But war is pain, and hate is woe. Come in thy lowest form of love, and I will kneel and kiss thee; but at thy highest, come as mere supernal power; and though thou launchest navies of full-freighted worlds, there's that in here that still remains indifferent. Oh, thou clear spirit, of thy fire thou madest me, and like a true child of fire, I breathe it back to thee.
Herman Melville (Moby-Dick or, The Whale)
That's the way with a cat, you know -- any cat; they don't give a damn for discipline. And they can't help it, they're made so. But it ain't really insubordination, when you come to look at it right and fair -- it's a word that don't apply to a cat. A cat ain't ever anybody's slave or serf or servant, and can't be -- it ain't in him to be. And so, he don't have to obey anybody. He is the only creature in heaven or earth or anywhere that don't have to obey somebody or other, including the angels. It sets him above the whole ruck, it puts him in a class by himself. He is independent. You understand the size of it? He is the only independent person there is. In heaven or anywhere else. There's always somebody a king has to obey -- a trollop, or a priest, or a ring, or a nation, or a deity or what not -- but it ain't so with a cat. A cat ain't servant nor slave to anybody at all. He's got all the independence there is, in Heaven or anywhere else, there ain't any left over for anybody else. He's your friend, if you like, but that's the limit -- equal terms, too, be you king or be you cobbler; you can't play any I'm-better-than-you on a cat -- no, sir! Yes, he's your friend, if you like, but you got to treat him like a gentleman, there ain't any other terms. The minute you don't, he pulls freight.
Mark Twain
Children teach us that love is, in its purest form, a kind of service. The word has grown freighted with negative connotations. An individualistic, self-gratifying culture cannot easily equate contentment with being at someone else’s call. We are used to loving others in return for what they can do for us, for their capacity to entertain, charm or soothe us. Yet babies can do precisely nothing. There is, as slightly older children sometimes conclude with a sense of serious discomfort, no ‘point’ to them; that is their point. They teach us to give without expecting anything in return, simply because they need help badly – and we are in a position to provide it. We are inducted into a love based not on an admiration for strength, but on a compassion for weakness, a vulnerability common to every member of the species and one which has been and will eventually again be our own. Because it is always tempting to overemphasize autonomy and independence, these helpless creatures are here to remind us that no one is, in the end, ‘self-made’; we are all heavily in someone’s debt. We realize that life depends – quite literally – on the capacity for love.
Alain de Botton (The Course of Love)
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it... ...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
Andrea Dworkin (Mercy)
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep. Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky. 'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
Jack Kerouac (Maggie Cassidy)
Defective is an adjective that has long been deemed too freighted for liberal discourse, but the medical terms that have supplanted it—illness, syndrome, condition—can be almost equally pejorative in their discreet way. We often use illness to disparage a way of being, and identity to validate that same way of being. This is a false dichotomy. In physics, the Copenhagen interpretation defines energy/matter as behaving sometimes like a wave and sometimes like a particle, which suggests that it is both, and posits that it is our human limitation to be unable to see both at the same time. The Nobel Prize–winning physicist Paul Dirac identified how light appears to be a particle if we ask a particle-like question, and a wave if we ask a wavelike question. A similar duality obtains in this matter of self. Many conditions are both illness and identity, but we can see one only when we obscure the other. Identity politics refutes the idea of illness, while medicine shortchanges identity. Both are diminished by this narrowness. Physicists gain certain insights from understanding energy as a wave, and other insights from understanding it as a particle, and use quantum mechanics to reconcile the information they have gleaned. Similarly, we have to examine illness and identity, understand that observation will usually happen in one domain or the other, and come up with a syncretic mechanics. We need a vocabulary in which the two concepts are not opposites, but compatible aspects of a condition. The problem is to change how we assess the value of individuals and of lives, to reach for a more ecumenical take on healthy. Ludwig Wittgenstein said, ―All I know is what I have words for.‖ The absence of words is the absence of intimacy; these experiences are starved for language.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
The blues don’t jump right on you. They come creeping. Shortly after my sixtieth I slipped into a depression like I hadn’t experienced since that dusty night in Texas thirty years earlier. It lasted for a year and a half and devastated me. When these moods hit me, usually few will notice—not Mr. Landau, no one I work with in the studio, not the band, never the audience, hopefully not the children—but Patti will observe a freight train bearing down, loaded with nitroglycerin and running quickly out of track. During these periods I can be cruel: I run, I dissemble, I dodge, I weave, I disappear, I return, I rarely apologize, and all the while Patti holds down the fort as I’m trying to burn it down. She stops me. She gets me to the doctors and says, “This man needs a pill.” I do. I’ve been on antidepressants for the last twelve to fifteen years of my life, and to a lesser degree but with the same effect they had for my father, they have given me a life I would not have been able to maintain without them. They work. I return to Earth, home and my family. The worst of my destructive behavior curtails itself and my humanity returns. I was crushed between sixty and sixty-two, good for a year and out again from sixty-three to sixty-four. Not a good record.
Bruce Springsteen (Born to Run)
It just happens. Even when almost everyone who showed you how to do things showed you wrong, and screwed you up, and left; even when you have promised yourself fifteen different sets of sheets and in freight trains and on sidewalks, staring up at the stars, that you will do it different from all the people who have done it wrong and hurt you, still you do it the same. Still you do the same shit to everybody else that they have done to you. I know it must be possible to keep promises. There must be people who say things and mean then and who can make the words turn real. But I've never met one. I keep trying to be something I'm not even sure exists. I've promised myself so many times that I won't be like so many people, and I still do it anyway. I still make people cry, and laugh at them, and I know as soon as everyone really sees me they'll all leave again and I'll be left with the noise not being able to sleep.
Jessica Blank (Almost Home)
On occasion monasteries tried to secure their possession by freighting their precious manuscripts with curses. “For him that stealeth, or borroweth and returneth not, this book from its owner,” one of these curses runs, let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted. Let him languish in pain crying aloud for mercy, and let there be no surcease to his agony till he sing in dissolution. Let bookworms gnaw his entrails in token of the Worm that dieth not, and when at last he goeth to his final punishment, let the flames of Hell consume him forever. Even a worldly skeptic, with a strong craving for what he had in his hands, might have hesitated before slipping such a book into his cloak.
Stephen Greenblatt (The Swerve: How the World Became Modern)
Her gaze went with her, into a room with walls of frozen earth, and a floor the same, the latter split from corner to corner, and a fissure opened in it from which a flame column rose four or five times the size of a man. There was bitter cold off it rather than heat, and no reassuring flicker in its heart. Instead its innards churned upon themselves, turning over and over some freight of stuff which she failed to recognize at first, but her appalled stare rapidly interpreted. There was a body in the fire, hacked limb from limb, human enough that she recognized it as flesh, but no more than that. Baphomet's doing presumably, some torment visited on a transgressor. Boone said the Baptizer's name even now, and she readied herself for sight of its face. She had it too, but from inside the flame, as the creature there--not dead, but alive, not Midian's subject, but its creator--rolled its head over in the turmoil of flame and looked her way. This was Baphomet. This diced and divided thing. Seeing its face, she screamed. No story or movie screen, no desolation, no bliss, had prepared her for the maker of Midian. Sacred it must be, as anything so extreme must be sacred. A thing beyond things. Beyond love or hatred or their sum, beyond the beautiful or the monstrous or their sum. Beyond, finally, her mind's power to comprehend or catalog.
Clive Barker (Cabal)
We are focus-points of consciousness, [...] enormously creative. When we enter the self-constructed hologrammetric arena we call spacetime, we begin at once to generate creativity particles, imajons, in violent continuous pyrotechnic deluge. Imajons have no charge of their own but are strongly polarized through our attitudes and by the force of our choice and desire into clouds of conceptons, a family of very-high-energy particles which may be positive, negative or neutral. [...] Some common positive conceptions are exhilarons, excytons, rhapsodons, jovions. Common negative conceptions include gloomons, tormentons, tribulons, agonons, miserons. "Indefinite numbers of conceptions are created in nonstop eruption, a thundering cascade of creativity pouring from every center of personal consciousness. They mushroom into conception clouds, which can be neutral or strongly charged - buoyant, weightless or leaden, depending on the nature of their dominant particles. "Every nanosecond an indefinite number of conception clouds build to critical mass, then transform in quantum bursts to high-energy probability waves radiating at tachyon speeds through an eternal reservoir of supersaturated alternate events. Depending on their charge and nature, the probability waves crystallize certain of these potential events to match the mental polarity of their creating consciousness into holographic appearance. [...] "The materialized events become that mind's experience, freighted with all the aspects of physical structure necessary to make them real and learningful to the creating consciousness. This autonomic process is the fountain from which springs every object and event in the theater of spacetime. "The persuasion of the imajon hypothesis lies in its capacity for personal verification. The hypothesis predicts that as we focus our conscious intention on the positive and life-affirming, as we fasten our thought on these values, we polarize masses of positive conceptions, realize beneficial probability-waves, bring useful alternate events to us that otherwise would not have appeared to exist. "The reverse is true in the production of negative events, as is the mediocre in-between. Through default or intention, unaware or by design, we not only choose but create the visible outer conditions that are most resonant to our inner state of being [...]
Richard Bach (Running from Safety: An Adventure of the Spirit)
There is humility in confession. A recognition of flaws. To hear myself say out loud these shameful secrets meant I acknowledged my flaws. I also for the first time was given the opportunity to contextualize anew the catalogue of beliefs and prejudices, simply by exposing them to another, for the first time hearing the words ‘Yes, but have you looked at it this way?’ This was a helpful step in gaining a new perspective on my past, and my past was a significant proportion of who I believed myself to be. It felt like I had hacked into my own past. Unravelled all the erroneous and poisonous information I had unconsciously lived with and lived by and with necessary witness, the accompaniment of another man, reset the beliefs I had formed as a child and left unamended through unnecessary fear. Suddenly my fraught and freighted childhood became reasonable and soothed. ‘My mum was doing her best, so was my dad.’ Yes, people made mistakes but that’s what humans do, and I am under no obligation to hoard these errors and allow them to clutter my perception of the present. Yes, it is wrong that I was abused as a child but there is no reason for me to relive it, consciously or unconsciously, in the way I conduct my adult relationships. My perceptions of reality, even my own memories, are not objective or absolute, they are a biased account and they can be altered. It is possible to reprogram your mind. Not alone, because a tendency, a habit, an addiction will always reassert by its own invisible momentum, like a tide. With this program, with the support of others, and with this mysterious power, this new ability to change, we achieve a new perspective, and a new life.
Russell Brand (Recovery: Freedom from Our Addiction)
And there was somewhere inside me the thought: By Jove! this is the deuce of an adventure - something you read about; and it is my first voyage as second mate - and I am only twenty - and here I am lasting it out as well as any of these men, and keeping my chaps up to the mark. I was pleased. I would not have given up the experience for worlds. I had moments of exultation. Whenever the old dismantled craft pitched heavily with her counter high in the air, she seemed to me to throw up, like an appeal, like a defiance, like a cry to the clouds without mercy, the words written on her stern: Judea, London. Do or Die. O youth! The strength of it, the faith of it, the imagination of it! To me she was not an old rattle-trap carting around the world a lot of coal for a freight - to me she was the endeavor, the test, the trial of life. I think of her with pleasure, with affection, with regret - as you would think of someone dead you have loved. I shall never forget her.
Joseph Conrad
With the fate of Roe v. Wade now hanging in the balance, I'm calling for a special 'pro-life tax.' If the fervent prayers of the religious right are answered and abortion is banned, let's take it a step further. All good Christians should legally be required to pony up; share the financial burden of raising an unwanted child. That's right: put your money where your Bible is. I'm not just talking about paying for food and shelter or even a college education. All those who advocate for driving a stake through the heart of a woman's right to choose must help bear the financial burden of that child's upbringing. They must be legally as well as morally bound to provide the child brought into this world at their insistence with decent clothes to wear; a toy to play with; a bicycle to ride -- even if they don't consider these things 'necessities.' Pro-lifers must be required to provide each child with all those things they would consider 'necessary' for their own children. Once the kid is out of the womb, don't wash your hands and declare 'Mission Accomplished!' It doesn't end there. If you insist that every pregnancy be carried to term, then you'd better be willing to pay the freight for the biological parents who can't afford to. And -- like the good Christians that you are -- should do so without complaint.
Quentin R. Bufogle (SILO GIRL)
Like here it was that I entered that stage when a child overcomes naivite enough to realize an adult's emotional reaction as somethimes freakish for its inconsistencies, so can, on his own reasoning canvas, paint those early pale colors of judgement, resulting from initial moments of ability to critically examine life's perplexities, in tentative little brain-engine stirrings, before they faded to quickly join that train of remembered experience carrying signals indicating existence which itself far outweighs traction effort by thinking's soon slipping drivers to effectively resist any slack-action advantage, for starting so necessitates continual cuts on the hauler - performed as if governed lifelong by the tagwork of a student-green foreman who, crushed under on rushing time always building against his excessive load of emotional contents, is forever a lost ball in the high weeds of personal developments - until, with ever changing emphasis through a whole series of grades of consciousness (leading up from root-beginnings of obscure childish inconscious soul within a world), early lack - for what child sustains logic? - reaches a point of late fossilization, resultant of repeated wrong moves in endless switching of dark significances crammed inside the cranium, where, through such hindering habits, there no longer is the flexibility for thought transfer and unloading of dead freight that a standard gauge would afford and thus, as Faustian Destiny dictates, is an inept mink, limited, being in existence firmly tracked just above the constant "T" biased ballast supporting wherever space yearnings lead the worn rails of civilized comprehension, so henceforth is restricted to mere pickups and setouts of drab distortion, while traveling wearily along its familiar Western Thinking right-of-way. But choo-choo nonsense aside, ...
Neal Cassady (The First Third)
That was some shady shit out there, Rome,” Braeden said once the total chaos of winning the game had gone down to a considerable roar. We were finally in the locker room, and I was stripping off my sweat and grass-stained gear. “Total douche move.” I agreed. It wasn’t the first time a team had tried to take me out of a game. It was pretty much common practice, especially when something like a title and championship was at stake. Still, I’d never quite had anyone come at me like that before. The play was already in progress. Sacking me wouldn’t have changed the touchdown I’d just thrown. Except of course to keep me from throwing another one. That guy deliberately came in like a freight train and plowed me down. I lay there stunned for long moments, waiting for the air to come back in my lungs and for my body to process the shock of the hit. Thankfully, he wasn’t that good at tackling and it did nothing more than stun me. And it got him thrown out of the game. It really hadn’t been a big deal. Like I said, it happened a lot. But it was the first time it happened in front of Rimmel. I couldn’t help but notice how the large screen on the field had zeroed in on the girl in number twenty-four’s hoodie, who was climbing over the railing and preparing to leap down onto the field. The security guard was yelling at her, but she barely noticed him. Her eyes were trained out on the field, where I was. It was almost laughable that her tiny ass was going to rush out onto a field full of men more than double her size to make sure I was okay. G**damn. I loved her even more just then. When the guard put his hand on her ankle, trying to stop her from going back to her seat, something happened. Something that never had in my entire life of playing football. The game faded away. For once, I was out on the field and unable to focus on only the game. It took a backseat to the girl teetering on the edge of the railing.
Cambria Hebert (#Hater (Hashtag, #2))
The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.
Christine Feehan (Dark Magic (Dark, #4))