Freight Inspirational Quotes

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Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild. --Alexander Supertramp, May 1992
Christopher McCandless
Listen to them again: ‘I love you.’ Subject, verb, object: the unadorned, impregnable sentence. The subject is a short word, implying the self-effacement of the lover. The verb is longer but unambiguous, a demonstrative moment as the tongue flicks anxiously away from the palate to release the vowel. The object, like the subject, has no consonants, and is attained by pushing the lips forward as if for a kiss. ‘I love you.’ How serious, how weighted, how freighted it sounds.
Julian Barnes (A History of the World in 10½ Chapters)
That love is all there is; is all we know of love. It is enough; the freight should be proportioned to the groove.
Emily Dickinson (The Complete Poems of Emily Dickinson)
What is dying? I am standing on the seashore. A ship sails to the morning breeze and starts for the ocean. She is an object and I stand watching her Till at last she fades from the horizon, And someone at my side says, “She is gone!” Gone where? Gone from my sight, that is all; She is just as large in the masts, hull and spars as she was when I saw her, And just as able to bear her load of living freight to its destination. The diminished size and total loss of sight is in me, not in her; And just at the moment when someone at my side says, “She is gone”, There are others who are watching her coming, And other voices take up a glad shout, “There she comes” – and that is dying.
Charles Henry Brent (What Is Dying?)
JADE: picture that this is all you have ever known of this story. the only way it would ever occur to you that the story could be understood by another. JADE: and then, one day, you meet me. JADE: you look me up and down, and regard me as the discrete, specific individual that i am. JADE: and i decide to tell you this story again, using my own voice. JADE: and it sounds exactly like this: JADE: a martyr died and said fuck. ARADIA: huh... JADE: does this change the way you perceive the story you were originally familiar with? ARADIA: i guess a little bit ARADIA: it’s certainly a different way of hearing it ARADIA: but at least you didnt change any words so i guess its not all that different JADE: exactly. JADE: i didn’t change any words. JADE: but then, it was a very short story i told, wasn’t it? ARADIA: sure was JADE: now imagine it was much longer, and that was only the first line. ARADIA: thats easy to imagine ARADIA: his was a long story JADE: quite true. JADE: a story as short as the one we’ve been using cannot accomplish much when it comes to guiding and manipulating one’s awareness and emotions. JADE: it is compact, ostensibly commanding a simple and meditative moment of reflection, as a short poem might. JADE: the narrative it delivers is freighted with inference. it is a pattern imprinted upon the imagination consisting solely of cognitive dark matter, or a sort of notional negative space. JADE: but longer stories have the power to draw consciousness into them. they possess arresting and hypnotic qualities which can be used by their tellers to alter the awareness of the listener. JADE: again, i’d like you to imagine this is the only way you’ve ever known this story. JADE: but then it continues... JADE: a martyr died and said fuck. JADE: his final howl of profanity reverberated through the ages. JADE: it inspired his devotees during the darkest times of a brutal regime. JADE: his lessons were guarded, kept secret, espoused in the shadows of tyranny. JADE: a vision of peace would inspire those who’d never conceived of it. JADE: and though his death was gruesome, it opened the world to a feeling of hope. JADE: this hope echoed through the ages. JADE: it gave his disciples the strength to persist as they perished in droves. JADE: it was the only light to shine on a dark planet for millions of sweeps. JADE: and if you are one so devoted to his teachings, who sees truth in his words, JADE: it may be said with great authority that you are wrong. JADE: you are foolish to believe his lies. his martyrdom is false, his sacrifice hollow. JADE: repent for your adherence to this illusion now, and perhaps leniency will be your reward. ARADIA: 0_0 ARADIA: what just happened there JADE: i brought to your attention that the story you were listening to had a speaker with a specific identity. JADE: and where there is an identity, there can also be an agenda. JADE: i gained the power to bend your consciousness to become more amenable to my narrative agenda by lulling you into a more receptive state through the established rhythm of the story’s telling. JADE: this was only possible because you were not initially questioning the identity of the teller, or even considering that there was an identity to consider. ARADIA: i guess youre right JADE: hence, we may view any story as speakerless, or spoken, so as to bring designations to the duality i have just presented.
Andrew Hussie
Sir Winston Churchill was born into the respected family of the Dukes of Marlborough. His mother Jeanette, was an attractive American-born British socialite and a member of the well known Spencer family. Winston had a military background, having graduated from Sandhurst, the British Royal Military Academy. Upon graduating he served in the Army between 1805 and 1900 and again between 1915 and 1916. As a British military officer, he saw action in India, the Anglo–Sudan War, and the Second South African Boer War. Leaving the army as a major in 1899, he became a war correspondent covering the Boer War in the Natal Colony, during which time he wrote books about his experiences. Churchill was captured and treated as a prisoner of war. Churchill had only been a prisoner for four weeks before he escaped, prying open some of the flooring he crawled out under the building and ran through some of the neighborhoods back alleys and streets. On the evening of December 12, 1899, he jumped over a wall to a neighboring property, made his way to railroad tracks and caught a freight train heading north to Lourenco Marques, the capital of Portuguese Mozambique, which is located on the Indian Ocean and freedom. For the following years, he held many political and cabinet positions including the First Lord of the Admiralty. During the First World War Churchill resumed his active army service, for a short period of time, as the commander of the 6th Battalion of the Royal Scots Fusiliers. After the war he returned to his political career as a Conservative Member of Parliament, serving as the Chancellor of the Exchequer where in 1925, he returned the pound sterling to the gold standard. This move was considered a factor to the deflationary pressure on the British Pound Sterling, during the depression. During the 1930’s Churchill was one of the first to warn about the increasing, ruthless strength of Nazi Germany and campaigned for a speedy military rearmament. At the outbreak of the Second World War, he was appointed First Lord of the Admiralty for a second time, and in May of 1940, Churchill became the Prime Minister after Neville Chamberlain’s resignation. An inspirational leader during the difficult days of 1940–1941, he led Britain until victory had been secured. In 1955 Churchill suffered a serious of strokes. Stepping down as Prime Minister he however remained a Member of Parliament until 1964. In 1965, upon his death at ninety years of age, Queen Elizabeth II granted him a state funeral, which was one of the largest gatherings of representatives and statesmen in history.
Hank Bracker
Away deep in the aim to study himself in the school of the land his ancestors' gravestones flowered, Rip planned to burn his oil on the journey for growth by the hike, the thumb, the hitch, the rod, the freight, the rail, and he x'd New York on a map and pencilled his way to and into and through and under and up and between and over and across states and capitals and counties and cities and towns and villages and valleys and plains and plateaus and prairies and mountains and hills and rivers and roadways and railways and waterways and deserts and islands and reservations and titanic parks and shores and, ocean across to ocean and great lakes down to gulfs, Rip beheld the west and the east and the north and the south of the Brobdingnagian and, God and Christ and Man, it was a pretty damn good grand big fat rash crass cold hot pure mighty lovely ugly hushed dark lonely loud lusty bitchy tender crazy cruel gentle raw sore dear deep history-proud precious place to see, and he sure would, he thought, make the try to see it and smell it and walk and ride and stop and talk and listen in it and go on in it and try to find and feel and hold and know the beliefs in it and the temper and the talents in it and the omens and joys and hopes and frights and lies and laughs and truths and griefs and glows and gifts and glories and glooms and wastes and profits and the pulse and pitch and the music and the magic and the dreams and facts and the action and the score and the scope and span of the mind and the heart and spine and logic and ego and spirit in the soul and the goal of it.
Alan Kapelner (All the Naked Heroes: A Novel of the Thirties)
Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation's Freight Handler; Stormy, husky, brawling, City of the Big Shoulders: They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again. And they tell me you are brutal and my reply is: On the faces of women and children I have seen the marks of wanton hunger. And having answered so I turn once more to those who sneer at this my city, and I give them back the sneer and say to them: Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, Bareheaded, Shoveling, Wrecking, Planning, Building, breaking, rebuilding, Under the smoke, dust all over his mouth, laughing with white teeth, Under the terrible burden of destiny laughing as a young man laughs, Laughing even as an ignorant fighter laughs who has never lost a battle, Bragging and laughing that under his wrist is the pulse, and under his ribs the heart of the people, Laughing! Laughing the stormy, husky, brawling laughter of Youth, half-naked, sweating, proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.
Carl Sandburg (101 Great American Poems (Dover Thrift Editions))
Always remember that the light at the end of the tunnel is not an oncoming freight train. You are the freight train. Choose to gently lay down your own tracks and keep going.
Sasha Kanthan