Freeze Morning Quotes

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My God, ma'am, you're so pretty I'd walk ten miles barefooted on a freezing morning to stand in your shit.
Richard Brautigan (The Abortion)
On the morning of the fourth day, Jamie tipped a switchblade out of his box of cornflakes.   “I think these promotional campaigns have really got out of hand,” he said, freezing with his hand on the milk carton. “One shiny free knife with every packet of cereal bought is not a good message to send out to the kiddies.
Sarah Rees Brennan (The Demon's Lexicon)
The stars are brilliant at this time of night and I wander these streets like a ritual I don’t dare to break for darling, the times are quite glorious. I left him by the water’s edge, still waving long after the ship was gone and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well. There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew. I used to go there to say goodbye. I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them, one way or the other, leaving sin on my body scrubbing tears off with salt and I built my rituals in farewells. Endings I still cling to. So I go to the ocean to say goodbye. He left that morning, the last words still echoing in my head and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay. I turned away from the ocean as not to fall for its plea for it used to seduce and consume me and there was this one night a few years back and I was not yet accustomed to farewells and just like now I stood waving long after the ship was gone. But I was younger then and easily fooled and the ocean was deep and dark and blue and I took my shoes off to let the water freeze my bones. I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival. Then days passed by and I spent them with my work and now I’m writing letters I will never dare to send. But there is this one day every year or so when the burden gets too heavy and I collect my belongings I no longer need and make my way to the ocean to burn and drown and start anew and it is quite wonderful, setting fire to my chains and flames on written words and I stand there, starring deep into the heat until they’re all gone. Nothing left to hold me back. You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains wrapped around my veins, and if you see a fire from the shore tonight it’s my chains going up in flames. The time of moon i quite glorious. We could have been so glorious.
Charlotte Eriksson (You're Doing Just Fine)
The last dying days of summer, fall coming on fast. A cold night, the first of the season, a change from the usual bland Maryland climate. Cold, thought the boy; his mind felt numb. The trees he could see through his bedroom window were tall charcoal sticks, shivering, afraid of the wind or only trying to stand against it. Every tree was alone out there. The animals were alone, each in its hole, in its thin fur, and anything that got hit on the road tonight would die alone. Before morning, he thought, its blood would freeze in the cracks of the asphalt.
Poppy Z. Brite
marathon: (noun) A popular form of overpriced torture wherein participants wake up at ass-o-clock in the morning and stand in the freezing cold until it's time to run, at which point they miserably trot for a god-awful interval of time that could be better spent sleeping in and/or consuming large quantities of beer and cupcakes. See also: masochism, awfulness, "a bunch of bullshit", boob-chafing, cupcake deprivation therapy
Matthew Inman (The Terrible and Wonderful Reasons Why I Run Long Distances (Volume 5) (The Oatmeal))
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more. She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom. No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her… ...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
Fyodor Dostoevsky (The Brothers Karamazov)
It's Valentine's Day, and in the street there's freezing rain, and slush, and sleet, the wind is fierce, the skies are gray, I don't think I'll go out today. But here inside, the weather's warm, there is no trace of wind or storm, and you just made the morning shine— you said you'd be my valentine.
Jack Prelutsky (It's Valentine's Day (Mulberry Read-Alones))
In winter this town is freezing. You step out your door in the morning and the whole place looks like one of those nature specials in which a guy brings a camcorder to the North Pole and then the camera cuts out and you hear on the news that he got eaten by a bear
Flynn Meaney (The Boy Recession)
His kiss was light but lingering, like smoke from shivering lips on a freezing winter morning.
Rebecca Berto (Converge (The Rental, #1))
The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.
James Carlos Blake (Wildwood Boys)
She was the quintessential twenty-first-century woman: She could build a high-rise in a Chanel suit and Jimmy Choos, give lessons in multitasking, and freeze the heart of the coldest competitor with a single unblinking gaze over the rim of her ebony-framed reading glasses. But that persona was like a bodysuit that she pulled on at eight in the morning and peeled out of at five in the afternoon.
Donna Ball (A Year on Ladybug Farm (Ladybug Farm #1))
I hate it here... ...Everyday is actually three days, a freezing morning, a blistering day, and a cool night. You need a lot of clothes. And every day is the same day, which is why it's important to hang a calendar. I see why people move here and wake up one day scratching their heads, wondering when they turned forty or what year it is.
Caroline Kepnes (Hidden Bodies (You, #2))
I'm comming to You. You are blazing. I'm giving You a rose. It embalms sweet. I'm givin a kiss... I melt of You. I melt and flow with You. Like an ice in a spring river. I melt and stay. Sun will vaporise us. It will take us up into clouds. And then we both will fall. Drop by drop. We'll fall out of the sky. We'll raise from dew to fog. Every sunny warm morning. We'll let the wind pull us with him. Cooling our selves in forest shadows. There in silence we'll cool off One from another. But in stormy days and nights. We'll billow and crash. One to another. Like crazy and wild. We'll churn into white foam. Ashore in sands we'll wait For the yellow october leaves Into them we'll fall asleep. We'll fall into and freeze. We'll freeze and melt again And flow and raise and fall again. Over and over again Even if we were in separete glasses of water. We would moove together and whisper. Even if in the oceans mixed. We would moove together and sing. I'm comming to You. You are blazing. I'm giving You a rose It embalms sweet. ... If I'll ever meet You. I' ll take our time... To dance dance dance dance with You...
Martins Paparde
I wish I could bottle this,' I whispered. 'And drink it every morning.' 'And every day at lunch, and then again at dinner, and before bed.' 'You'd get sick of it,' he said. I shook my head. 'Never.' 'Seriously,' he said. 'I want to freeze this moment.' 'Good thing you don't need to.' 'No?' 'Will Doniger, there is nothing in the entire universe that could make me stop wanting to be with you. And so on and so forth ad infinitum.
Donna Freitas (The Survival Kit)
Dive from a high platform, walk a country lane, watch your computer freeze, cross a finish line, hear your morning alarm, look for a parking space, toast on your anniversary, embrace a friend after a funeral. As you live your life, what do you feel? Terror, serenity, frustration, relief, groaning reluctance, patient endurance, pride, satisfaction, or a grief made bearable because somehow life will go on. We experience life as feelings.
Donald Maass (The Emotional Craft of Fiction: How to Write the Story Beneath the Surface)
The next morning was Chicago cool, a slippery slope in late fall that could quickly deteriorate to cold, freezing cold, arctic cold, and why-the-fuck-would-anyone-live-here cold.
Michael Harvey
When he went out it was freezing, and a pale winter sun was rising over Paris. No thought of escape had as yet crossed Monsieur Monde's mind. 'Morning, Joseph.' 'Morning, monsieur.' As a matter of fact, it started like an attack of flu. In the car he felt a shiver. He was very susceptible to head colds. Some winters they would hang on for weeks, and his pockets would be stuffed with wet handkerchiefs, which mortified him. Moreover, that morning he ached all over, perhaps from having slept in an awkward position, or was it a touch of indigestion due to last night's supper? 'I'm getting flu,' he thought. Then, just as they were crossing the Grands Boulevards, instead of automatically checking the time on the electric clock as he usually did, he raised his eyes and noticed the pink chimney pots outlined against a pale blue sky where a tiny white cloud was floating. It reminded him of the sea. The harmony of blue and pink suddenly brought a breath of Mediterranean air to his mind, and he envied people who, at that time of year, lived in the South and wore white flannels.
Georges Simenon (Monsieur Monde Vanishes)
She curled up, clutched her aching stomach with her freezing arms, and sobbed so hard she shook against the concrete, wishing, hoping, and praying that she wouldn’t wake up in the morning. The
Simon Curtis (Boy Robot)
Like an ice in a spring river. I melt and stay. Sun will vaporise us. It will take us up into clouds. And then we both will fall. Drop by drop. We'll fall out of the sky. We'll raise from dew to fog. Every sunny warm morning. We'll let the wind pull us with him. Cooling our selves in forest shadows. There in silence we'll cool off One from another. But in stormy days and nights. We'll billow and crash. One to another. Like crazy and wild. We'll churn into white foam. Ashore in sands we'll wait For the yellow october leaves Into them we'll fall asleep. We'll fall into and freeze. We'll freeze and melt again And flow and raise and fall again. Over and over again Even if we were in separete glasses of water. We would moove together and whisper. Even if in the oceans mixed. We would moove together and sing. I'm comming to You. You are blazing. I'm giving You a rose It embalms sweet. ... If I'll ever meet You. I' ll take our time... To dance dance dance dance with You...
Martins Paparde
Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room. "I heard a noise from the drop box," Jean said. "What kind of noise?" "I think it's an animal." "A what?" "An animal," Jean said. "I think there's an animal in the drop box." That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat. Gurr-gug-gug. Gurr-gug-gug. But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk. What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe. I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole. At that moment, I lost every bone in my body and just melted.
Vicki Myron (Dewey the Library Cat: A True Story)
at that moment, old Joe Vigil was the only coach in America shivering in a freezing forest at four in the morning, waiting for a glimpse of a community-college science teacher and seven men in dresses.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
One caliph in the eighth century went so far as to conduct a series of experiments to freeze a range of different furs to see which offered the best protection in extreme conditions. He filled a series of containers with water and left them overnight in ice-cold weather, according to one Arabic writer. ‘In the morning, he had the [flasks] brought to him. All were frozen except the one with black fox fur. He thus learned which fur was the warmest and the driest.’22
Peter Frankopan (The Silk Roads: A New History of the World)
Each morning the light came through the slats of the shutters in ripples, and as it washed towards the inhabitants of the Casa Luna it smoothed away memories of the past, It was for this that they had endured long hours in the grey English winter or freezing American climes, for this that they had worked and planned and worked extra hours/ The horrible feelings of stress, tension, anger and frustration that coursed through their veins every day almost unnoticed began to fade.
Amanda Craig (A Vicious Circle)
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
We know what it is to get out of bed on a freezing morning in a room without a fire, and how the very vital principle within us protests against the ordeal. Probably most persons have lain on certain mornings for an hour at a time unable to brace themselves to the resolve. We think how late we shall be, how the duties of the day will suffer; we say, “I must get up, this is ignominious,” etc.; but still the warm couch feels too delicious, the cold outside too cruel, and resolution faints away and postpones itself again and again just as it seemed on the verge of bursting the resistance and passing over into the decisive act. Now how do we ever get up under such circumstances? If I may generalize from my own experience, we more often than not get up without any struggle or decision at all. We suddenly find that we have got up. A fortunate lapse of consciousness occurs; we forget both the warmth and the cold; we fall into some revery connected with the day’s life, in the course of which the idea flashes across us, “Hollo! I must lie here no longer” – an idea which at that lucky instant awakens no contradictory or paralyzing suggestions, and consequently produces immediately its appropriate motor effects. It was our acute consciousness of both the warmth and the cold during the period of struggle, which paralyzed our activity then and kept our idea of rising in the condition of wish and not of will. The moment these inhibitory ideas ceased, the original idea exerted its effects.
William James (The Principles of Psychology: Volume 2)
It would have been helpful if there was a Mayo Clinic chapter about the topic of "leaving." Man, I would have read that chapter over and over -- leaving your wailing baby in the morning without wanting to slit your wrists; leaving your desk even though you are only a half hour away from completing something that would feel so good to wrap up; leaving the building so no one notices that you are actually leaving. I was much more interested in honing that skill than learning how to puree apples and carrots to freeze in ice-cube trays (not that I ever did that either). As long as I was a full-time working mother with a clock to punch or a train to catch -- as I would be for eight more years -- I never figured out how to leave with grace or with so-called conviction.
Jenny Rosenstrach
O Thou whose face hath felt the Winter’s wind, Whose eye has seen the snow-clouds hung in mist, And the black elm tops ’mong the freezing stars, To thee the spring will be a harvest-time. O thou, whose only book has been the light Of supreme darkness which thou feddest on Night after night when Phœbus was away, To thee the Spring shall be a triple morn. O fret not after knowledge—I have none, And yet my song comes native with the warmth. O fret not after knowledge—I have none, And yet the Evening listens. He who saddens At the thought of idleness cannot be idle, And he’s awake who thinks himself asleep.
John Keats
I’ve always thought you should be able to freeze time. This way you could hit the Pause button at a really good point in your life so that nothing changes. Think about it. Loved ones don’t die. You don’t age. You go to bed and wake up the next morning to find everything just as you left it. No surprises.
Jennifer Niven (Holding Up the Universe)
Winter tightened its grip on Alaska. The vastness of the landscape dwindled down to the confines of their cabin. The sun rose at quarter past ten in the morning and set only fifteen minutes after the end of the school day. Less than six hours of light a day. Snow fell endlessly, blanketed everything. It piled up in drifts and spun its lace across windowpanes, leaving them nothing to see except themselves. In the few daylight hours, the sky stretched gray overhead; some days there was merely the memory of light rather than any real glow. Wind scoured the landscape, cried out as if in pain. The fireweed froze, turned into intricate ice sculptures that stuck up from the snow. In the freezing cold, everything stuck -- car doors froze, windows cracked, engines refused to start. The ham radio filled with warnings of bad weather and listed the deaths that were as common in Alaska in the winter as frozen eyelashes. People died for the smallest mistake -- car keys dropped in a river, a gas tank gone dry, a snow machine breaking down, a turn taken too fast. Leni couldn't go anywhere or do anything without a warning. Already the winter seemed to have gone on forever. Shore ice seized the coastline, glazed the shells and stones until the beach looked like a silver-sequined collar. Wind roared across the homestead, as it had all winter, transforming the white landscape with every breath. Trees cowered in the face of it, animals built dens and burrowed in holes and went into hiding. Not so different from the humans, who hunkered down in this cold, took special care.
Kristin Hannah (The Great Alone)
The time has come for tears to start again, Those faithful tears that always ease the pain. Release the raging rivers of my soul! Let me drown and then rise up again. Let me drown until the river dries, until the numbing coldness settles in. See the world once more with empty eyes, no spark of warmth can penetrate the skin. Crash the thunder! Howl the wind! Freeze my heart and beat the driving rain! Let me know these dreams are empty lies. Let me die and come to life again. In the silent darkness of my mind, let me wonder who you really are. Let me feel that you were just a dream. That fades on waking like the morning star
Bernie Morris (Bobby's Girl)
THE NEXT MORNING, a showered and betoweled Gram is fixing breakfast ashes, Big is sweeping the rafters for dead moths to put under the pyramids, and I am trying not to make out with my spoon, when there’s a knock at the door. We freeze, all of us suddenly panicked that someone might witness the silent sideshow of our grief.
Jandy Nelson (The Sky Is Everywhere)
A familiar melody suddenly drifts through the little living room. It makes me freeze, and I don't know why. And then I hear the silky, sweet sound of Karen Carpenter's voice. "'Rainy Days and Mondays,'" Alex says. I can't find my voice. I just stare ahead, fighting back the tears. Alex sits down beside me. I know he senses that something's wrong. "I'm sorry," he says quickly. "If you don't like it, I'll turn it off." "No," I say. "No. Please don't." I wipe a tear from my eye, just as another spills onto my cheek. "My husband loved this song." I smile. "Which made him the only straight man on earth to love the Carpenters." Alex grins. "The only two straight men on earth." I smile again. For some reason, I feel someone has lifted a great weight from my shoulders, just for a moment. "James died on a Monday," I say. We sit there for a moment listening to the song together, each alone in our own thoughts, until Alex reaches over and takes my hand in his. I don't let go.
Sarah Jio (Morning Glory)
Selfish father of men! Cruel, jealous, selfish fear! Can delight, Chained in night, The virgins of youth and morning bear. 'Does spring hide its joy When buds and blossoms grow? Does the sower Sow by night, Or the plowman in darkness plow? 'Break this heavy chain, That does freeze my bones around! Selfish, vain, Eternal bane, That free Love with bondage bound.
William Blake (Songs of Experience)
Steve Langley, a forecast manager from Beloit, Wisconsin, recalls running 15 miles with friends on a January morning when the temperature was 5°F. Running through a park with a small lake, they passed several people sitting on buckets, ice fishing. “Look at those idiots,” said one of the fishermen. “They’re going to freeze to death!” Langley admits thinking the same about them.
Hal Higdon (Marathon, All-New 4th Edition: The Ultimate Training Guide: Advice, Plans, and Programs for Half and Full Marathons)
Homeless people go to bed freezing and wake up shaking in the morning, even if they have a sleeping bag. If they don’t have a sleeping bag, it’s unlikely they’ll get any sleep during the night. They shake all night and sleep during the day. If it wasn’t for the soup runs many of these people would die. So I say that people who’ve been unable to find a job should be ‘volunteered’ into food bank work
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
Once, some friends and I were driving back from partying up there, in the middle of winter, on one of those perfectly clear and freezing nights. It was four in the morning and I was nodding in and out of hammered sleep, my vision mashed potatoes, we stopped so I could throw up at least twice. But as we drove with my face smushed on the window I noticed the field of snow along that stretch of the highway, all still and unmucked with. It looked brushed, almost. Or whipped. Designed. The patterns were the kind you'd see up close in a big rock. Sometimes you see that for far distances out here on the prairie, like a long white-blue sea. It's so gorgeous. And even with my brain's skeleton-crew state, I just thought, man. Everyone calls our part of the world bleak. But it's not bleak. I don't think it's bleak.
Casey Plett (A Safe Girl to Love: Stories)
She became fascinated by the statue of Edith Cavell and would stand at the base of it in the freezing cold of a December morning, looking up: - Patriotism is not enough. I must have no hatred or bitterness for anyone-. Sometimes those words made her cry. The tears would come uncontrollably and they would not stop. And in those moments Anna found forgiveness and it made her free. But they were only moments. Forgiveness is a hard thing to hang on to.
Miranda Emmerson (Miss Treadway and the Field of Stars)
Greenland, the world’s largest island, is a cold and desolate place, all but a tiny coastal strip of which is covered by an ice cap 5,000 feet thick. In winter, with temperatures down to -9°F (-23°C), the sun does not rise until ten in the morning, and sets again at two in the after-noon. Few crops grow, and only a few sheep graze the scrubland in the extreme south. Storms with winds of up to 150 mph frequently sweep the frozen wastes, and it is often so cold that a man’s breath freezes on his beard.
Bernard Edwards (The Twilight of the U-Boats)
Anna? Anna,are you there? I've been waiting in the lobby for fifteen minutes." A scrambling noise,and St. Clair curses from the floorboards. "And I see your light's off.Brilliant. Could've mentioned you'd decided to go on without me." I explode out of bed. I overslept! I can't believe I overslept! How could this happen? St. Clair's boots clomp away,and his suitcase drags heavily behind him. I throw open my door. Even though they're dimmed this time of night,the crystal sconces in the hall make me blink and shade my eyes. St. Clair twists into focus.He's stunned. "Anna?" "Help," I gasp. "Help me." He drops his suitcase and runs to me. "Are you all right? What happened?" I pull him in and flick on my light. The room is illuminated in its disheveled entirety. My luggage with its zippers open and clothes piled on top like acrobats. Toiletries scattered around my sink. Bedsheets twined into ropes. And me. Belatedly, I remember that not only is my hair crazy and my face smeared with zit cream,but I'm also wearing matching flannel Batman pajamas. "No way." He's gleeful. "You slept in? I woke you up?" I fall to the floor and frantically squish clothes into my suitcase. "You haven't packed yet?" "I was gonna finish this morning! WOULD YOU FREAKING HELP ALREADY?" I tug on a zipper.It catches a yellow Bat symbol, and I scream in frustration. We're going to miss our flight. We're going to iss it,and it's my fault. And who knows when the next plane will leave, and we'll be stuck here all day, and I'll never make it in time for Bridge and Toph's show. And St. Clair's mom will cry when she has to go to the hospital without him for her first round of internal radiation, because he'll be stuck iin an airport on the other side of the world,and its ALL. MY FAULT. "Okay,okay." He takes the zipper and wiggles it from my pajama bottoms. I make a strange sound between a moan and a squeal. The suitcase finally lets go, and St. Clair rests his arms on my shoulders to steady them. "Get dressed. Wipe your face off.I'll takecare of the rest." Yes,one thing at a time.I can do this. I can do this. ARRRGH! He packs my clothes. Don't think about him touching your underwear. Do NOT think about him touching your underwear. I grab my travel outfit-thankfully laid out the night before-and freeze. "Um." St. Clair looks up and sees me holding my jeans. He sputters. "I'll, I'll step out-" "Turn around.Just turn around, there's not time!" He quickly turns,and his shoulders hunch low over my suitcase to prove by posture how hard he is Not Looking.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Said!” Olefsky roared, causing the gron to shy and dance nervously along the path. “Said!” The Bear brought the animal to a halt, turned around. “By my heart and bowels, laddie, who wakes every morning and takes a deep breath and says to the air, ‘Air, I love you.’ And yet, without air in our lungs, we would be dead within moments. And who says to the water, ‘I love you!’ and yet without water, we die. And who says to the fire in the winter, ‘I love you!’ and yet without warmth, we freeze. What is this talk of ‘said’?
Margaret Weis (King's Sacrifice (Star of the Guardians Book 3))
Recovery The time has come for tears to start again, Those faithful tears that always ease the pain. Release the raging rivers of my soul! Let me drown and then rise up again. Let me drown until the river dries, Until the numbing coldness settles in. See the world once more with empty eyes, No spark of warmth can penetrate the skin. Crash the thunder! Howl the wind! Freeze my heart and beat the driving rain! Let me know these dreams are empty lies. Let me die and come to life again. In the silent darkness of my mind, Let me wonder who you really are. Let me feel that you were just a dream. That fades on waking like the morning star…
Bernie Morris (Bobby's Girl)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In an Instant)
It could snow We don’t take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn’t expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: “It could snow …” We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it’s what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn’t know we knew. Before snow, before love, the same lack, the same dimmed grey which days’ triteness creates pretending to suffocate. We shall cross somebody: - This time it’s almost winter! - Yes we start to be crestfallen! Workers hang pieces of tinsel. We didn’t say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow.
Philippe Delerm (Ma grand-mère avait les mêmes: les dessous affriolants des petites phrases)
At night the wind moaned. The gnarled and stunted tree trunks creaked and groaned and forced Yossarian’s thoughts each morning, even before he was fully awake, back on Kid Sampson’s skinny legs bloating and decaying, as systematically as a ticking clock, in the icy rain and wet sand all through the blind, cold, gusty October nights. After Kid Sampson’s legs, he would think of pitiful, whimpering Snowden freezing to death in the rear section of the plane, holding his eternal, immutable secret concealed inside his quilted, armor-plate flak suit until Yossarian had finished sterilizing and bandaging the wrong wound on his leg, and then spilling it out suddenly all over the floor.
Joseph Heller (Catch-22)
I don’t think George Lucas would want you to do this,” her mom said. “I didn’t know you knew who George Lucas was.” “Please. I was watching Star Wars movies before you were born. Your dad and I saw Empire Strikes Back five times in the theater.” “Lucky,” Elena said. “George Lucas is a father of daughters,” her mother said. “He wouldn’t want young girls freezing to death to prove their loyalty.” “This isn’t about George Lucas,” Elena said. “He isn’t even that involved in the sequels.” “Come home,” her mom said. “We’ll watch Empire Strikes Back and I’ll make hot cocoa.” “I can’t,” Elena said. “I’ll lose my place in line.” “I think it will still be there for you in the morning.” “Goodnight, Mom.
Rainbow Rowell (Kindred Spirits)
He splashed into the water, his whole body, not with the reverent attitude of prayer, but with a desperate thirst; he buried his head under the water and drank deep, with his cheek against the cold stone of the riverbed, the water tumbling over his back, his calves. He drank and drank, lifted his head and shoulders above the water to gasp in the evening air, and then collapsed into the water again, to drink as greedily as before. It was a kind of prayer, though, he realized as he emerged, freezing cold as the water evaporated from his skin in the breeze of the dark morning. I am with you, he said to the Oversoul. I'll do whatever you ask, because I long for you to accomplish your purpose here.
Orson Scott Card (The Memory of Earth (Homecoming))
It is getting harder to talk. My throat is always sore, my lips raw. When I wake up in the morning, my jaws are clenched so tight I have a headache. Sometimes my mouth relaxes around Heather, if we're alone. Every time I try to talk to my parents or a teacher, I sputter or freeze. What is wrong with me? It's like I have some kind of spastic laryngitis. I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closet is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
Laurie Halse Anderson (Speak)
The beauty of San Francisco is in these windows of redemptive splendor, we learned, the days when the fog “burns off,” as they say, and gives way to a piercing, almost perversely joyous sunshine. New Yorkers joke about being in an abusive relationship with the city. In San Francisco, I understood this. We were constantly being pummeled by clouds and rain, then promptly apologized to by sparkling sunshine. This is the thing the city does best: convinces you, through a blustery string of freezing, gunmetal-grey days, that life is shit, and then, when you least expect it and most need it, it seems to practically shatter open, revealing a crystalline brightness that pings light around, reflects it off of everything, and air-dries the pale, soaked buildings. It was a magic trick that got me every time.
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
People say Seattle is one of the toughest cities in which to make friends. They even have a name for it, the “Seattle freeze.” I’ve never experienced it myself, but coworkers claim it’s real and has to do with all the Scandinavian blood up here. Maybe it was difficult at first for Bernadette to fit in. But eighteen years later, to still harbor an irrational hatred of an entire city? I have a very stressful job, Dr. Kurtz. Some mornings, I’d arrive at my desk utterly depleted by having to endure Bernadette and her frothing. I finally started taking the Microsoft Connector to work. It was an excuse to leave the house an hour earlier to avoid the morning broadsides. I really did not intend for this letter to go on so long, but looking out airplane windows makes me sentimental. Let me jump to the incidents of yesterday which have prompted me to write.
Maria Semple (Where'd You Go, Bernadette)
ASITA AWOKE in the forest thinking about demons. He hadn’t for many years. He could remember glimpsing one or two in the past, on the fringes of a famine or a battle, wherever bodies were being harvested. He knew the misery they caused, but misery was no longer Asita’s concern. He had been a forest hermit for fifty years. The affairs of the world had been kept far away, and he passed whole days in a hidden cave when he retreated even from the affairs of animals, much less those of men. Now Asita knelt by a stream and considered. He distinctly saw demons in his mind’s eye. They had first appeared in the dappled sunlight that fell on his eyelids at dawn. Asita slept on boughs strewn over the bare ground, and he liked the play of light and shadow across his eyes in the early morning. His imagination freely saw shapes that reminded him of the market village where he grew up. He could see hawking merchants, women balancing water jugs on their heads, camels and cara-vans—anything, really—on the screen of his closed eyes. But never demons, not before this morning. Asita walked into the nearly freezing mountain stream, his body naked except for a loincloth. As an ascetic, he did not wear clothes, not even the robes of a monastic order. Lately he had felt an impulse to travel very high, nearly in sight of the snowcapped peaks on the north-ern border of the Sakya kingdom. Which put him close to other lokas,worlds apart from Earth. Every mortal is confined to the Earth plane, but like the dense air of the jungle tapering gradually into the thin atmosphere of the mountains, the material world ta-pered off into subtler and subtler worlds. Devas had their own lokas, as did the gods and demons. Ancestors dwelt in a loka set apart for spirits in transition from one lifetime to the next.
Deepak Chopra (Buddha: A Story of Enlightenment)
Nick? That you?” Russ. I instinctively freeze, but Nick lifts his head, a frustrated groan rising from his chest.Another voice nearby. “Who’s that—?” Oh God. Evan too. “Whoa!”At some point, we’d rotated so that my back is toward the way we’d come, and Nick is facing Russ and Evan’s disembodied voices. Thank the Lord, too,because I can duck my face into Nick’s shoulder and catch my breath instead of die of mortication in front of frat boy Evan Cooper. Evan crows. “Oh-kayyy, y’all! Sheeit...! Get it!” He’s wheezing with laughter.“Is this a good morning kiss or a good night kiss?” Russ calls, the sound of agrin all over his voice. “Are we coming or going?” “Kinda busy right now, guys.” I can’t help but feel a little thrill at the steel underneath Nick’s hoarse voice.“Oh, we can see that.” Russ laughs at his own joke while Evan says, “Sorry to interrupt, my liege! Please, proceed with thy gentle tonguing!
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
She has never believed herself fit to be loved by any person. But now she has a new life, of which this is the first moment, and even after many years have passed she will still think: Yes, that was it, the beginning of my life. TWO DAYS LATER (April 2011) He stands at the side of the bed while his mother goes to find one of the nurses. Is that all you have on you? his grandmother says. Hm? says Connell. Is that jumper all you have on you? Oh, he says. Yeah. You’ll freeze. You’ll be in here yourself. His grandmother slipped in the Aldi car park this morning and fell on her hip. She’s not old like some of the other patients, she’s only fifty-eight. The same age as Marianne’s mother, Connell thinks. Anyway, it looks like his grandmother’s hip is kind of messed up now and possibly broken, and Connell had to drive Lorraine into Sligo town to visit the hospital. In the bed across the ward someone is coughing.
Sally Rooney (Normal People)
Consider the following two scenarios involving a policy aimed at encouraging people to recycle soda cans. Scenario 1: Let’s say you live in a place where people aren’t paid to recycle soda cans. On a freezing morning you see a neighbor carrying a large bag, full of cans, on her way to the recycling center. Scenario 2: Your town has changed its policy. Now people can receive a five-cent reward for each recycled soda can. You see your neighbor carrying a large bag of soda cans to the recycling center. What do you think of your neighbor in Scenario 1? In Scenario 2? In the first scenario, you probably think that your neighbor is an environmental steward—a citizen of high character, doing her part for the environment. But once the small, five-cent-per-can reward is in place, you might think that she is either cheap or really down on her luck. “Why,” you might ask yourself, “is she going through so much effort for such a small compensation? Is she a miser?
Uri Gneezy (The Why Axis: Hidden Motives and The Undiscovered Economics of Everyday Life)
the morning, I drove to Pennsylvania, thirty miles or so to the north. The Appalachian Trail runs for 230 miles in a northeasterly arc across the state, like the broad end of a slice of pie. I never met a hiker with a good word to say about the trail in Pennsylvania. It is, as someone told a National Geographic reporter in 1987, the place “where boots go to die.” During the last ice age it experienced what geologists call a periglacial climate—a zone at the edge of an ice sheet characterized by frequent freeze—thaw cycles that fractured the rock. The result is mile upon mile of jagged, oddly angled slabs of stone strewn about in wobbly piles known to science as felsenmeer (literally, “sea of rocks”). These require constant attentiveness if you are not to twist an ankle or sprawl on your face—not a pleasant experience with fifty pounds of momentum on your back. Lots of people leave Pennsylvania limping and bruised. The state also has what are reputed to be the meanest
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
The group is a concept of uncommunicable shared suffering, a concept that ultimately rejects the agency of words. For shared suffering, more than anything else, is the ultimate opponent of verbal expression. Not even the mightiest Weltschmerz in the heart of the solitary writer, billowing upwards to the starry heavens like some great circus tent, can create a community of shared suffering. For though verbal expression may convey pleasure or grief, it cannot convey shared pain; though pleasure may be readily fired by ideas, only bodies, placed under the same circumstances, can experience a common suffering. Only through the group, I realised—through sharing the suffering of the group—could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of the individuality was necessary. The tragic quality of the group was also necessary—the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it on to ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death, which meant, of course, that it must be a community of warriors… . In the dim light of early morning I was running, one of a group. A cotton towel with the symbol of a red sun on it was tied about my forehead, and I was stripped to the waist in the freezing air. Through the common suffering, the shared cries of encouragement, the shared pace, and the chorus of voices, I felt the slow emergence, like the sweat that gradually beaded my skin, of that “tragic” quality that is the affirmation of identity. It was a flame of the flesh, flickering up faintly beneath the biting breeze—a flame, one might almost say, of nobility. The sense of surrendering one’s body to a cause gave new life to the muscles. We were united in seeking death and glory; it was not merely my personal quest. The pounding of the heart communicated itself to the group; we shared the same swift pulse. Self-awareness by now was as remote as the distant rumour of the town. I belonged to them, they belonged to me; the two formed an unmistakable “us.” To belong—what more intense form of existence could there be? Our small circle of oneness was a means to a vision of that vast, dimly gleaming circle of oneness. And—all the while foreseeing that this imitation of tragedy was, in the same way as my own narrow happiness, condemned to vanish with the wind, to resolve itself into nothing more than muscles that simply existed—I had a vision where something that, if I were alone, would have resolved back into muscles and words, was held fast by the power of the group and led me away to a far land, whence there would be no return. It was, perhaps, the beginning of my placing reliance on others, a reliance that was mutual; and each of us, by committing himself to this immeasurable power, belonged to the whole.
Yukio Mishima (Sun & Steel)
It embalms sweet. I'm givin a kiss... I melt of You. I melt and flow with You. Like an ice in a spring river. I melt and stay. Sun will vaporise us. It will take us up into clouds. And then we both will fall. Drop by drop. We'll fall out of the sky. We'll raise from dew to fog. Every sunny warm morning. We'll let the wind pull us with him. Cooling our selves in forest shadows. There in silence we'll cool off One from another. But in stormy days and nights. We'll billow and crash. One to another. Like crazy and wild. We'll churn into white foam. Ashore in sands we'll wait For the yellow october leaves Into them we'll fall asleep. We'll fall into and freeze. We'll freeze and melt again And flow and raise and fall again. Over and over again Even if we were in separete glasses of water. We would moove together and whisper. Even if in the oceans mixed. We would moove together and sing. I'm comming to You. You are blazing. I'm giving You a rose It embalms sweet. ... If I'll ever meet You. I' ll take our time... To dance dance dance dance with You...
Martins Paparde
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
When she first arrived, Mi-ran was impressed. The dormitories were modern and each of the four girls who would share one room had her own bed rather than use the Korean bed mats laid out on a heated floor, the traditional way of keeping warm at night while expending little fuel. But as winter temperatures plunged Chongjin into a deep freeze, she realized why it was that the school had been able to give her a place in its freshman class. The dormitories had no heating. Mi-ran went to sleep each night in her coat, heavy socks, and mitten with a towel draped over her head. When she woke up, the towel would be crusted with frost from the moisture of her breath. In the bathroom, where the girls washed their menstrual rags (nobody had sanitary napkins, so the more affluent girls used gauze bandages while the poor girls used cheap synthetic cloths), it was so cold that the rags would freeze solid within minutes of being hung up to dry. Mi-ran hated the mornings. Just as in Jun-sang's school, they were roused by a military-style roll call at 6:00 A.M., but instead of marching off like proud soldiers, they shivered into the bathroom and splashed icy water on their faces, under a grotesque canopy of frozen menstrual rags.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
I wish you would, because I’m not sure how long I can put up with this.” “I’ll bet you can put up with it a little longer,” I said brightly, desperate to get out from under the heavy subject. “How much do you love college in New York?” He grinned. “I love college in New York. I love just being in the city. I love my classes. I love the hospital. I wish I weren’t there at two in the morning because I also love sleep, but I do love the hospital. I love Manohar and Brian. In a manly love kind of way, of course.” “Of course,” I said, the corners of my mouth stretched tight, trying not to laugh. “You get along great with everybody. Because that’s what you do.” “Because that’s what I do,” he agreed. “Do you love college in New York?” I sighed, a big puff of white air. “I do love college in New York. Lately I’ve been so busy with work and homework that I might as well be in Iowa, but I remember loving college in New York a month ago. I’m afraid it may be coming to a close, though.” He leaned nearer. “Seriously.” “If I got that internship,” I said, “I could hold on. Otherwise I’m in trouble. I wanted so badly to start my publishing career in the publishing mecca. But maybe that’s not possible for me now. I can write anywhere, I guess.” I laughed. He didn’t laugh. “What will you do, then?” “I might try California,” I said. “It’s almost as expensive as New York, though. And it’s tainted in my mind because my mother tried it with the worst of luck.” Hunter’s movement toward me was so sudden that I instinctively shrank back. Then I realized he was reaching for my hand. He took it in his warm hand again, rubbing my palm with his calloused thumb. His voice was smooth like a song as he said, “I would not love college in New York if you weren’t there.” Suddenly I was flushing hot in the freezing night. “You wouldn’t?” I whispered. “No. When I said I love it, I listed all these things I love about it. I left you out.” He let my hand go and touched his finger to my lips. “I love you.” I started stupidly at him. Was he joking again, reciting another line from my story? I didn’t remember writing this. He leaned in and kissed me. I didn’t respond for a few seconds. My mind lagged behind what my body was feeling. “Say it,” he whispered against my lips. “I know this is hard for you. Tell me.” “I love you.” Hearing my own words, I gasped at the rush of emotion. He put his hands on either side of my jaw and took my mouth with his. My mind still chattered that something was wrong with this picture. My body stopped caring. I grabbed fistfuls of his sweater and pulled him closer.
Jennifer Echols (Love Story)
They were all joking about the party at my place when they walked away. As I uncapped my drink, I noticed Michael was hanging back a bit. “Got something on your mind?” I called out, gesturing at him with my chin. He was a good player, he worked hard on the field, and I respected him. I got the feeling, though, that I wasn’t going to like what he wanted to say. I could tell by the hesitation in his face and body language. He probably disagreed with some of the plays I wanted to try tonight and didn’t want to piss me off in fear I would freeze him out on the field. But I wasn’t like that. I left personal shit in the locker room. There was no room for drama in the game. He walked back over in front of me as he adjusted the strap on his shoulder. “I’m not sure I should say anything.” “Just say it, man. It’s cool.” “I saw your girl this morning.” He started, and everything in me went cold. This wasn’t about football. This was personal. “You looking at Rimmel?” I asked, my voice calm and low. His eyes widened a little, but he shook his head. “No, man. I probably wouldn’t have known it was her, but she was wearing your hoodie.” I nodded for him to continue. “She was in the hall, outside her class,” he said, glancing at me. He needed to get to the fucking point already. I was losing patience. “That guy Zach was with her. It looked pretty intense.” I jerked upright. “What?” I growled. What the fuck was Rimmel doing with Zach? Why was he talking to her? “He was grabbing her arm. Jerking her around pretty good.” Red tinged my vision and adrenaline started pumping in my veins. “What did you just say?” Michael nodded grimly. “It’s why I noticed them. He grabbed her and she cried out. She told him to let go, but he just jerked her more. She almost fell.” A noise rumbled out of my chest and anger so swift and hot that it hurt filled me. “Tell me you pulled him off her,” I intoned. “I was going to. I called out to them and started forward, but that’s when he let her go and walked away.” I was going to kill him. Dead. “I asked her if she was okay. I don’t think she knew I’m on the team with you.” “Probably not,” I muttered, still trying to control the anger spiraling out of control inside me. “She said she was.” He continued, but I heard the doubt in his voice. “But?” The word came out harsher than I intended, but he didn’t seem to notice. “But her wrist was pretty red. Looked like it was going to bruise.” Thought ceased in my head. Rationality evaporated. “Thanks for telling me,” I said and rushed away in the opposite direction of my next class.
Cambria Hebert (#Hater (Hashtag, #2))
Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life.
Paulo Coelho (Adultery)
And these two very old people are the father and mother of Mrs Bucket. Their names are Grandpa George and Grandma Georgina. This is Mr Bucket. This is Mrs Bucket. Mr and Mrs Bucket have a small boy whose name is Charlie Bucket. This is Charlie. How d’you do? And how d’you do? And how d’you do again? He is pleased to meet you. The whole of this family – the six grown-ups (count them) and little Charlie Bucket – live together in a small wooden house on the edge of a great town. The house wasn’t nearly large enough for so many people, and life was extremely uncomfortable for them all. There were only two rooms in the place altogether, and there was only one bed. The bed was given to the four old grandparents because they were so old and tired. They were so tired, they never got out of it. Grandpa Joe and Grandma Josephine on this side, Grandpa George and Grandma Georgina on this side. Mr and Mrs Bucket and little Charlie Bucket slept in the other room, upon mattresses on the floor. In the summertime, this wasn’t too bad, but in the winter, freezing cold draughts blew across the floor all night long, and it was awful. There wasn’t any question of them being able to buy a better house – or even one more bed to sleep in. They were far too poor for that. Mr Bucket was the only person in the family with a job. He worked in a toothpaste factory, where he sat all day long at a bench and screwed the little caps on to the tops of the tubes of toothpaste after the tubes had been filled. But a toothpaste cap-screwer is never paid very much money, and poor Mr Bucket, however hard he worked, and however fast he screwed on the caps, was never able to make enough to buy one half of the things that so large a family needed. There wasn’t even enough money to buy proper food for them all. The only meals they could afford were bread and margarine for breakfast, boiled potatoes and cabbage for lunch, and cabbage soup for supper. Sundays were a bit better. They all looked forward to Sundays because then, although they had exactly the same, everyone was allowed a second helping. The Buckets, of course, didn’t starve, but every one of them – the two old grandfathers, the two old grandmothers, Charlie’s father, Charlie’s mother, and especially little Charlie himself – went about from morning till night with a horrible empty feeling in their tummies. Charlie felt it worst of all. And although his father and mother often went without their own share of lunch or supper so that they could give it to him, it still wasn’t nearly enough for a growing boy. He desperately wanted something more filling and satisfying than cabbage and cabbage soup. The one thing he longed for
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
Meditation + Mental Strength An emotion is our evolved biology predicting the future impact of a current event. In modern settings, it’s usually exaggerated or wrong. Why is meditation so powerful? Your breath is one of the few places where your autonomic nervous system meets your voluntary nervous system. It’s involuntary, but you can also control it. I think a lot of meditation practices put an emphasis on the breath because it is a gateway into your autonomic nervous system. There are many, many cases in the medical and spiritual literature of people controlling their bodies at levels that should be autonomous. Your mind is such a powerful thing. What’s so unusual about your forebrain sending signals to your hindbrain and your hindbrain routing resources to your entire body? You can do it just by breathing. Relaxed breathing tells your body you’re safe. Then, your forebrain doesn’t need as many resources as it normally does. Now, the extra energy can be sent to your hindbrain, and it can reroute those resources to the rest of your body. I’m not saying you can beat whatever illness you have just because you activated your hindbrain. But you’re devoting most of the energy normally required to care about the external environment to the immune system. I highly recommend listening to the Tim Ferriss’s podcast with Wim Hof. He is a walking miracle. Wim’s nickname is the Ice Man. He holds the world record for the longest time spent in an ice bath and swimming in freezing cold water. I was very inspired by him, not only because he’s capable of super-human physical feats, but because he does it while being incredibly kind and happy—which is not easy to accomplish. He advocates cold exposure, because he believes people are too separate from their natural environment. We’re constantly clothed, fed, and warm. Our bodies have lost touch with the cold. The cold is important because it can activate the immune system. So, he advocates taking long ice baths. Being from the Indian subcontinent, I’m strongly against the idea of ice baths. But Wim inspired me to give cold showers a try. And I did so by using the Wim Hof breathing method. It involves hyperventilating to get more oxygen into your blood, which raises your core temperature. Then, you can go into the shower. The first few cold showers were hilarious because I’d slowly ease myself in, wincing the entire way. I started about four or five months ago. Now, I turn the shower on full-blast, and then I walk right in. I don’t give myself any time to hesitate. As soon as I hear the voice in my head telling me how cold it’s going to be, I know I have to walk in. I learned a very important lesson from this: most of our suffering comes from avoidance. Most of the suffering from a cold shower is the tip-toeing your way in. Once you’re in, you’re in. It’s not suffering. It’s just cold. Your body saying it’s cold is different than your mind saying it’s cold. Acknowledge your body saying it’s cold. Look at it. Deal with it. Accept it, but don’t mentally suffer over it. Taking a cold shower for two minutes isn’t going to kill you. Having a cold shower helps you re-learn that lesson every morning. Now hot showers are just one less thing I need out of life. [2] Meditation is intermittent fasting for the mind. Too much sugar leads to a heavy body, and too many distractions lead to a heavy mind. Time spent undistracted and alone, in self-examination, journaling, meditation, resolves the unresolved and takes us from mentally fat to fit.
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
That morning, Fred, his two grandsons, and I found a pew near the front of the sanctuary. I remember consciously trying to freeze each surreal moment as I stood next to Fred and sang hymns, and watched him wrestle with his fidgety grandchildren in the pew. I can attest that even Mister Rogers became exasperated with little kids in church.
Tim Madigan (I'm Proud of You)
We've been knocking out the basics all morning.... Asian chicken salad, fruit medley with mint, wheat berry pilaf with dried cherries and almonds. Kai roasted six chickens and a turkey breast, and grilled a whole flank steak, which he sliced thin across the grain. We have green beans in a spicy garlic marinade, braised black kale with smoked turkey, and roasted brussels sprouts. Our signature Morning Energy muffins, bursting with golden raisins and walnuts, sunflower seeds, millet, flax, and sweet with honey are cooling on a rack. We have thawed today's soup specials, which we cook over the weekends and freeze for the week, a golden butternut squash, smooth as velvet, and a chunky pasta fagioli, with whole wheat pasta, white beans, and loads of veggies.
Stacey Ballis (Good Enough to Eat)
I smile a shark’s smile and pull over to the curb in front of a row of 1980s ranch homes. It’s 8:45 in the morning and freezing cold.
Victoria Helen Stone (Jane Doe (Jane Doe, #1))
wired and had an ill-at-ease feeling and he wanted it gone. Dan knew one more way to get rid of it. He opened the chest of drawers and pulled out a few pieces from his old training kit. A pair of black shorts, and one of his running tops with the logo peeling way. He pulled them on and considered the cold outside but looking for gloves was too much aggravation. He went out, shivering in the pre-morning cold, his hands freezing in the breeze from the Thames Estuary. He ran down to the seafront, his badly aching legs easing into a running stride by the time he reached the concrete sea wall. The first hint of the fiery sun showed in the distance over the estuary mouth., a monster slowly rising from the sea. One mile down, his lungs heaving, heart thumping, Dan was finally warming up. But the angst wouldn’t let go. How far did he need to go to get rid of these demons? Running was good like that. It was like bleach for the mind. When he was three miles into the run his body stopped complaining. By now a third of the
Solomon Carter (Harder They Fall (Roberts and Bradley: Harder They Fall #1))
They passed the morning comfortably, chatting, doing the girlie things that would signal to the world that Taylor was getting married. French manicures, pedicures, facials. A lovely massage, a quick eyebrow and bikini wax, then they were ready to go. Five hours of pure, unadulterated primping. As they walked out into the freezing air, Taylor was amazed at how relaxed she felt. Taylor
J.T. Ellison (14 (Taylor Jackson, #2))
In the deep-freezing winter, let us sing heart touching songs of love to invite the blooming spring and amazing summer. Wishing you a warm-loving winter morning!
Debasish Mridha
Who knew winter meant vegetables? Chef. No asparagus shipped in from Peru, no avocados from Mexico, no eggplants from Asia. What I assumed would be a season of root vegetables and onions was actually the season of chicories. Chef had his sources, which he guarded. Scott walked through the restaurant in the morning with unmarked brown paper bags, sometimes crates. He told me that the chicories would really brighten when the first freezes came. It sweetened their natural bitterness. I could barely keep track of them. The curly tangle of frisée didn't seem the same species as the heliotrope balls of radicchio, or the whitened lobes of endive. Their familial trait was a bite---I thought of them as lettuces that bit back. Scott agreed. He said we should be hard on them. Eggs, anchovies, cream, a streak of citrus. "Don't trust the French with your vegetables," Scott said. "The Italians know how to let something breathe.
Stephanie Danler (Sweetbitter)
O.K., Maggie. You will note, we have no clocks, hourglasses, or even calendars. Time is measured in years, seasons, or even phases of the moon. But, we have no way of keeping track of what month or day it is, except our own memories. Now, as to when we'll get somewhere, there's just no telling. Because, we don't even know where we're going, so we don't know when we'll get there. I can tell you this. If we're careful, and fortunate, and the Good Lord is willing, we will make it to someplace to camp for the night, and hopefully have something to eat before we try to get some sleep. And if we're careful, and fortunate, and the Good Lord is willing, we'll wake up in the morning and start again. Everything in this country will either stick you, sting you, bite you, kick you, claw you, pluck your eyes out or try to kill you. And if that doesn't get you the weather will try to drown you, bake you, freeze you, or bury you. So, if we're careful, and fortunate, and the Good Lord is willing, we'll make it somewhere, but for right now, I just don't know where.
B.N. Rundell (Rocky Mountain Saint: The Complete Series)
Automatically, as it had begun to do in these situations, her brain separated itself, like taking a box out of a box, leaving the original in its place and moving the latter over parallel to the original, though slightly askew. Photographer versus wife, picture taker versus the woman who wanted to scream in the street, who wanted to take the rifles these olive boys wore slung so casually over shoulders and narrow hips and turn them on their owners. And so the entire scene, (five minutes in real time, eternity on celluloid) laid itself out for her in freeze frame. Click, Casey cuffed now to the side of the lorry, morning light washing him over rose and silver and gold, half-naked and barefoot in the street; an Irish man in an Irish street in the twentieth century, hard to countenance and yet there for the clicking, there for the taking. Take the shot, take the picture, leave the pain, it interferes with the work, work now, bleed on the weekends, in the nights, in the quiet, that’s what Lucas had taught her.
Cindy Brandner (Mermaid in a Bowl of Tears)
On her way to work the next morning, she is certain this will be one of her last days in Sarajevo. Looking around, she sees how the normal rhythm of the city has been broken and is amazed she didn’t make up her mind to leave before now. Bosnian Serb snipers lie behind sandbags on the tops of buildings and take aim at people in the streets below as if they are sparrows. Sarajevans - old, young, men, women, Muslim, Croat, Serb - dart across the roads in zigzags in an attempt to dodge the bullets. On the tram, passengers duck their heads in a wave when they pass in front of the Jewish Cemetery, where a snipers’ nest is known to be located. Disembarking, a series of blasts sound nearby and she freezes on the tram steps. The man behind pushes her off. They run to take cover in the stone-arched entrance of a locked-up carpet shop. Perhaps a dozen people press up against each other, coffee breath, perfume and the smell of their sweat intermingling. Each explosion sends a collective tremor through them. When they pull apart some twenty minutes later, they don’t look at each other. They brush down their clothes, straighten their shoulders and move off quickly. Zora stares after them, in shock. It’s a quarter to ten on a Tuesday morning. She can’t live like this.
Priscilla Morris (Black Butterflies)
The Timid Gods! When the sun shines high, And it leaves its morning shyness, As it dominates the light spreading across the vastness of the sky, Then let me reflect back to it your loveliness, When the sun beams dazzle over flowers many, And they sway with the afternoon breeze, Let me show them your beautiful avatars many, And ah their unease, When the river flows at its enjoyable pace to meet the sea, Then let me submerge your essences into the infinite reservoir of feelings, Then as the river meets the sea, let it see, That in the sea of beauty every drop, every wave and every ripple is a creation of your beauty’s dealings, When the God of beauty wakes up from the blissful sleep, Let me cast your shadows around the universe, And as its reflections to and fro leap, Then let the God’s realise their acts perverse, Because Gods sometimes resort to fiendish timidity, Where they believe the universe is for them alone, And when I show them your beauty, Then let them realise that they too, to many weaknesses are prone, When the winter approaches and the rose in the winter garden lies abandoned, By the summer kisses and beauty’s secret visitations, Let me make you touch its heart that in winter freeze lies stoned, Then let the God’s feel their privations, And when my love Irma, you allow me to, I shall create a new order in the Universe, Where love given is the love received too, Then, that shall be the universe to which no one shall be averse.
Javid Ahmad Tak (They Loved in 2075!)
I don’t like winter.” “I’ve never seen snow,” Nehemia said, looking at the sky. “I wonder how long the novelty will last.” “Hopefully long enough for you to not mind the drafty corridors, freezing mornings, and days without sunshine.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Whether the sun beat hot on their brows or freezing rain turned their bones to ice, Nesta, Emerie, and Gwyneth arrived at practice each morning, ready to … The back of her throat ached; her eyes stung. “We’re in a book.” Gwyn’s fingers slid into hers, squeezing tight. Nesta looked up to find her holding Emerie’s free hand as well. Gwyn smiled again, her eyes bright. “Our stories are worth telling.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Crawling through the snow, Panse and his crew-mates black Panzer crew uniforms stood out starkly, and they were perfect targets, not only for Soviet riflemen, but for Red anti-tank gunners as well. Alternately running, diving and crawling, the four of the five men in the crew made it back to their regimental HQ. The fifth man, separated from the others, spent the night in a shell hole, covered in snow and earth and surrounded by Russians. What saved him was the parking of a T-34 right on top of his hole, which hid him from the Russians until the morning when they moved out. After a freezing night in the snow, the man struggled into the regimental HQ.
Ryan Jenkins (World War 2 Soldier Stories Part III: The Untold Stories of German Soldiers)
The first morning, emerging from your bivouac-thing, there is a great sense of joy and freedom. You feel quite alone in the world and no one knows who you are or why you are there. You could be in a campsite surrounded by happy families or out in the wild woods with silent, dumb creatures that creep and crawl. It makes no difference, the point is that you are alone because you wanted it this way. You don’t talk to a soul the whole time. You just get up, brew a coffee on a camping stove and then zip up the tent and go. If doesn’t really matter where you go either. You know that you have about twelve hours ahead of you just to yourself. So you start walking, along the coast, up a hill, by a river, down a valley, anywhere on and on, stopping every now and then for a banana and a drink (massive water bottle) and a sit. It feels good. You find yourself skipping no, gambolling, like a newborn lamb. In your head, details about daily life swiftly give way to songs, hymns you used to know, praise, yes praise, for God’s mind-blowing creation. Your thoughts then turn to God because there aren’t any people about and you find yourself chatting amicably with Him. Sometimes there are tears, sobbing even, but this comes with emptying. It’s really all about emptying and then, renewal. This is what we miss if we don’t empty stuff. By nightfall, the little tent and sleeping bag beckon; you greet them both joyfully and shut down. Usually it’s freezing and sleep comes in patches, but the night time wakefulness is all part of it. You use it to set things straight, mentally. Another day ahead, more wanderings, then hunger sets in and you head for home, refreshed.
Sara Maitland (How to Be Alone (The School of Life))
I’ll never forget when my brothers took me out frogging for the very first time. (Frog meat is like a mix between chicken and fish but super tender.) When we would go frogging, we’d leave the house at ten or eleven at night and didn’t come in until daylight. It was late for a little kid. We never caught them by giggin’, which is spearing frogs with a long-handled metal fork. Giggin’ wasn’t dangerous enough, I guess. Instead, a real man grabs the frog with his bare hands, or at least that’s what Jase always says. You go out in a boat and use a powerful spotlight to shine in the frog’s eyes. When the frog is blinded by the light, he freezes, paralyzed. If the spotlight man is good and steady, then you just run up quick in the boat, lean over, and grab the frog on the way by. I was in charge of the ice chest, where we stashed the frogs. When one of my brothers caught a frog, he’d hand him over to me still alive, and I’d stick it in the ice chest. After serving as ice-chest man until about two in the morning, I was worn out and fell asleep right on top of the ice chest.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Porter watched his breath steam into the freezing dark. Stars winked overhead and morning couldn’t come soon enough. Somewhere a lonely wolf howled as frost formed like creeping death. *** Porter
David J. West (Scavengers: A Porter Rockwell Adventure (Dark Trails Saga Book 1))
You got me so fucking turned on I couldn’t stand up if the place were on fucking fire, princess.” He points toward my chocolate-milk container. “And all you did was touch your pretty little lips to a fucking milk carton.” He rubs his forehead as if he wants to rub the thoughts away. He looks into my eyes. “All I know is if you ever touched me with that mouth of yours, I would go off like a cannon, princess. I’d be the happiest man in the world, but ashamed of myself, because I have no control when it comes to you, apparently.” He grimaces and looks down toward his lap, adjusting his pants as he wiggles his hips. “Our situation is messed up for so many reasons that I can’t even think about going there with you. But all I can think about is going there with you.” He groans and shoves a piece of bacon in his mouth. His eyes don’t leave mine, though. “I got up this morning thoroughly prepared to ignore you today. But then there you were, and you were smiling at me.” He looks down at my mouth. “I couldn’t ignore you if I tried.” I take a deep breath, trying to rationalize my thoughts. But I can’t. I have never, ever felt like this before. My girlfriends have talked about it, but I have never felt it. Even when I go on dates, it’s like some part of me shuts down. But with Pete, nothing shuts down. Everything wakes up. He goes on to say, “I don’t want to want you.” My heart stutters. I get it. I don’t like it. But I get it. I nod. Nobody likes damaged goods. I get up from the table and pick up my plate. “Wait,” he calls. I can’t wait. If I wait, he might see the tears that are brimming in my eyes. “Princess,” he calls again. Suddenly, my shirt jerks and I can’t walk any farther. I look back and see his hand twisted in the tail end of my shirt. He leans over the table and presses his lips together. “Don’t walk away,” he says. But all I see is the hand fisted in my shirt. My heart stutters, and my breaths freeze in my chest. I can’t get away. I turn back and punch him directly in the face with the heel of my hand. He jerks, his eyes closing as he winces and snaps his head back. I chop his wrist with my fist. One, two… Next, I’ll go for his eyes. “Reagan!” Dad yells as he drops what he’s holding and rushes in my direction. He tackles Pete, who is still stunned from my punch to the face. They drop to the ground, with Pete rolling to the bottom. Dad flips him over and pulls his hands behind his back. “Reagan,” Dad grunts. “What happened?” Pete lays there on the ground. He’s not even putting up a fight. He just winces, his eyes shut tightly as a slow trickle of blood streams from his nose. “Stay down,” Dad warns. Pete nods, and he doesn’t move. But his eyes finally open, and they meet mine. I don’t know how to interpret that look at all or what to say. So, I turn and run back to the house. I run like the terrified little girl I am.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Your Grace, need I remind you that dueling is illegal?” Joseph kept his voice down, though Grattingly had yet to arrive, and the corner of Hyde Park the Duke of Moreland had found his way to was very secluded. “Illegal, is it? What a pity. The pleasures of leaving one’s duchess and one’s cozy bed in the dark of night and freezing one’s parts off aren’t to be missed. You look passably rested, Carrington.” “I am.” Joseph climbed off his horse, gratified to feel not a twinge of stiffness in his leg, even in the chill of a wintry dawn. If he survived the morning, he’d make it a point to linger half naked with his lady on hearth rugs before roaring fires often and at length. “Listen,
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
WOMAN!” I SHOUTED, and shook Rachel’s bed roughly. “Wake up.” She shot straight up, her eyes wide in panic as she looked around her room before settling them on me. “God, I thought earthquakes had followed me to Texas.” Taking a calming breath, she brushed her wild hair back from her face and scowled at me. “What is wrong with you? And what time is it—seven? Really, Kash?” “Get up and get ready.” “No.” Pulling the covers up past her shoulders, she sank back into the mattress and shut her eyes. Hell. No. “This is your last warning, Rach. Get up.” A single snort was her only reply. “Such a pain in my ass,” I mumbled, and walked to the foot of the bed. Grabbing the bottom of the comforter, I ripped it off the bed and dropped it on the ground. “Oh my God, what if I had been naked?!” I raised an eyebrow and let my gaze run over her body. I wouldn’t have minded. Ah shit, now I was getting hard and the jersey material of these shorts wouldn’t hide that fact. Think about Mrs. Adams and her fake cats. Think about Mrs. Adams and her fake cats! “Moot point; you’re not. Now, get your ass out of bed.” “Give me at least another couple hours. I just went to sleep.” “Not my fault, and you’ve had more than enough chances to get up yourself.” “Kash, please,” she whined. “Don’t whine. It’s not attractive.” Without giving her any more time, I scooped her into my arms and threw her over my shoulder before heading toward her bathroom. A low oompf left her before she began bitching at me. “I am going to gut you, you freakin’ asshole! Seven in the damn morning, what the hell is wrong with you?! Put me down—ugh! Easy, this shit hurts. You have really bony shoulders, has anyone ever told you that?” She gasped when I turned the shower water on. “Put me down right now, Logan Hendricks, or I swear to all that is holy you will regret the day you moved in across from me and almost took my Jeep door off!” “No can do, my little Sour Patch.” Thank God I was still only in my workout shorts. Kicking off my running shoes, I stepped into the large tub and winced when she shrieked. “You evil bastard, let me go!” “You sure have a mouth on you when you wake up.” “I will murder you!” I couldn’t help but smile. She was just so damn cute. “And you’re a little dramatic.” “This water is freezing,” she whined, and I’d bet she was pouting just as bad as Candice usually did. At least her anger was dying down and her fists had stopped pounding on my back. “What did I ever do to you?” “I gave you every opportunity to get yourself ready. You were the one who wouldn’t get out of bed.” “I had barely gone to sleep!” “Rach,” I snorted, “it’s seven in the morning and you left my place at nine last night. Why had you just gone to sleep?” She didn’t answer and stopped wiggling against me. She just hung there, limp. “What—no more threats? No more whining?” Silence. “Woman, I swear to God, if you fell asleep on my damn shoulder . . .” I trailed off when I heard her mumble something. “What’d you say?” “I was afraid to fall back asleep,” she whispered, and my eyes clenched shut. “Ah, Rach.” I slid her awkwardly down my body until she was standing in front of me. I tried to block the water that was directed at her, but little droplets were bouncing off my bare shoulders and hitting her face. She blinked rapidly against them before dropping her head. “Why didn’t you call me or something?” She huffed and shook her head. “What for, Kash? To make you sit there with me in sweats longer? So you could act like what happened yesterday morning didn’t? I don’t need you to babysit me when I’m being ridiculous.” “That’s not ridiculous.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Where moments before the bright morning sun flickered through the branches of the huge oak trees surrounding the property, every-thing in a ten yard radius immediately went pitch dark. The air, already a chilly fifty degrees, dropped past freezing in an instant, and the pressure changed to the point where he thought his eardrums might burst.
Joe DeRouen (Threads (Small Things, #2))
KILL YOUR VICTIM Place an Obituary in the paper you know the victim reads. Place the ad on a Saturday morning. Anonymously spread a rumor that the victim died in an email to the victim’s co-workers, and send a link to the article in the paper. Obtain a blank death certificate and fill it out in your victim’s name. Send it to as many government agencies as possible. You definitely want to make sure you send it to the social security office and the victim’s financial institutions. If the government and banks think the victim is dead they will freeze the accounts for the probation process. Make sure to kill your victim on paper every year. This will cause a huge headache and the jerk will be buried by paperwork just trying to prove he’s alive. Because of the Social Security Department’s incompetence, they will continue to let you kill the victim over and over. This is a very nasty revenge idea that could possibly screw with the victim for the rest of their life. Call a local funeral home and the victim’s pastor and ask them to send someone over to the victim’s house to discuss burial arrangements with their spouse.
Tarrin P. Lupo (Serious Revenge - Reference Handbooks and Manuals Humor and Satire)
Chapter II: Morning   The morning came and it was time for Steve to leave for Snowland. He got ready by putting all his his potions, weapons, and food in his inventory. When he opened the door, there were two guards waiting for him out there. "Are you ready?" They were holding a back pack on their hand. "Here, take this, you are going to have to carry a ton of stuff." Steve took the backpack and put it on his back. "Follow us," The soldiers started walking toward the wooden door at the end of the hallway.   They opened the door and there was a horse waiting outside. One of the guards patted the horse and said, "This is yours, take care of him." Steve nodded and said, "He'll be safe with me." The guard reached into his pocket and took out a compass and map. "Here, let me show you how to get to Snowland. I have the location marked on the map here. Don't get too attached to the compass, there's something weird going on down there that makes compasses mark North the wrong way, so pay attention to the map. The trip will take you about three days if you travel most of the day, and you don't lose your horse. If you lose your horse, the trip will take about a week so make sure you tie him well when you dismount. About one and a half of traveling days should be easy. The rest of the way is going to be challenging because of the fact that it begins to get freezing cold. Now get on the horse and be on your way. I wish you luck."   Steve jumped on the horse and said, "Thank you, but I don't need luck." He gave the horse a slight kick with his heel and said, "Walk." The horse obeyed his command and began walking through the trail until he stopped at the end of Springfield where the gate to the exit was. The guard at the door pointed his diamond sword at Steve and said, "Hold it right there! Where do you think you are going?" Steve took out a scroll with the king’s seal on it, showed it to the guard, and said, "I am traveling to Snowland by the king’s orders." The guard at the gate stepped back and put down his sword. "I'm sorry, sir, let me get the gate for you.
Andrew J. (Pixel Stories: Journey Through Snowland (Book #3))
Look, people, I’m announcing a new rule. It’s going to seem harsh. But it’s necessary.” The word “harsh” got almost everyone’s attention. “We can’t have people sitting around all day playing Wii and watching DVDs. We need people to start working in the fields. So, here’s the thing: everyone age seven or older has to put in three days per week picking fruit or veggies. Then Albert’s going to work with the whole question of freezing stuff that can be frozen, or otherwise preserving stuff.” There was dead silence. And blank stares. “What I’m saying is, tomorrow we’ll have two school buses ready to go. They hold about fifty kids each and we need to have them mostly full because we’re going to pick some melons and it’s a lot of work.” More blank stares. “Okay, let me make this simple: get your brothers and sisters and friends and anyone over age seven and be in the square tomorrow morning at eight o’clock.” “But how about—?” “Just be there,” Sam said with less firmness than he’d intended. His frustration was draining away now, replaced by weariness and depression. “Just be there,” someone mimicked in a singsong voice. Sam closed his eyes, and for a moment he almost seemed to be asleep. Then he opened them again and managed a bleak smile. “Please. Be there,” he said quietly. He walked down the three steps and out of the church, knowing in his heart that few would answer his call.
Michael Grant (Hunger (Gone, #2))
Harper became a little distracted watching her. This morning she wore a soft t-shirt he didn’t recognize and a pair of blue jeans he seemed to remember ripping off her a time or two. His anger faded away as he watched her lean body move. There was no wasted motion with her. It was one of the things that had drawn his eye when he first met her. She hadn’t been through the training he had, but she had a natural grace to her that was spellbinding. Cat was competent and controlled in all things, body, mind and spirit. Even at twenty-two when he’d first met her, he knew he’d been none of those things. His body had been maturing faster than his mind. His spirit had never caught up. The most complete his spirit had ever been had been when he was living with her. All of the fucked up shit he’d grown up with had faded away. There were a couple of brief, shining moments he remembered being completely content with everything in his life. Stupid things like watching her cook him a monster dinner after being deployed for months. Real food made with loving hands after living on government supplied freeze-dried crap made by machines. Playing in the snow on a trip up north, Cat pregnant with Dillon at the time. Watching her tinker under the hood of the truck with him, grease streaked on her cheek. Cat had been at the center of all of those. The past year and a half had been hard. Remembering those brilliant moments had kept him moving through his monotonous life. “I miss watching you,” he admitted. She paused long enough to smile at him, hand propped on her hip. “And I miss feeling the weight of your gaze on me.” Arousal
J.M. Madden (Embattled SEAL (Lost and Found #4))
She turns to set up the coffeepot for tomorrow morning, and I see her ass in those pajama bottoms and I want to just grab it and plump it and sink my teeth into it. But I have to go home. I groan to myself. “What’s wrong?” she asks, turning to face me. “Nice jammies,” I say. She looks down at herself, grins, and strikes a dramatic pose. “You like them?” I swipe a hand down my face. “I’d like them more if they were on the floor.” She freezes. The skin I can see through the open vee of her pajama top colors, turning all rosy. “Oh,” she breathes.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
No sooner was she twenty-three years old than she was twenty-eight; no sooner twenty-eight than thirty-one; time is speeding past her while she examines her existence with a cold, deadly gaze that takes aim at the different areas of her life, one by one-the damp studio crawling with roaches, mold growing in the grout between tiles; the bank loan swallowing all her spare cash; close, intense friendships marginalized by newborn babies, polarized by screaming sweetness that leaves her cold; stress-soaked days and canceled girls’ nights out, but, legs perfectly waxed, ending up jabbering in dreary wine bars with a bevy or available women, shrieking with forced laughter, and always joining in, out of cowardice, opportunism; occasional sexual adventures on crappy mattresses, or against greasy, sooty garage doors, with guys who are clumsy, rushed, stingy, unloving; an excess of alcohol to make all this shine; and the only encounter that makes her heart beat faster is with a guy who pushes back a strand of her hair to light her cigarette, his fingers brushing her temple and the lobe of her ear, who has mastered the art of the sudden appearance, whenever, wherever, his movements impossible to predict, as if he spent his life hiding behind a post, coming out to surprise her in the golden light of a late afternoon, calling her at night in a nearby cafe, walking toward her one morning from a street corner, and always stealing away just as suddenly when it’s over, like a magician, before returning … That deadly gaze strips away everything, even her face, even her body, no matter how well she takes care of it-fitness magazines, tubes of slimming cream, and one hour of floor barre in a freezing hall in Docks Vauban. She is alone and disappointed, in a sate of disgrace, stamping her feet as her teeth chatter and disillusionment invades her territories and her hinterland, darkening faces, ruining gestures, diverting intentions; it swells, this disillusionment, it multiplies, polluting the rivers and forests inside her, contaminating the deserts, infecting the groundwater, tearing the petals from flowers and dulling the luster in animals’ fur; it stains the ice floe beyond the polar circle and soils the Greek dawn, it smears the most beautiful poems with mournful misfortune, it destroys the planet and all its inhabitants from the Big Bang to the rockets of the future, and fucks up the whole world- this hollow, disenchanted world.
Maylis de Kerangal (The Heart)
When they’d filled the peppers and they were laid out in nice, neat, bacon-wrapped lines, she slid them into the oven. Then they went into the sitting room. David sat down next to Leah on the settee. “Now, we can’t fall asleep, waiting for them to finish cooking,” he said. Famous. Last. Words. They chatted for a moment about how melted cheese was probably the best invention on the planet, but it descended into quiet as their lids dropped and she wondered why she couldn’t think of anything more insightful to say. It had felt like only seconds that she rested her eyes, but Leah and David jumped to a start, the fire alarm beeping in the kitchen. The both looked at each other, their eyes big with surprise. “Oh no!” he laughed. They ran into the kitchen, David throwing on one of Nan’s oven mitts and yanking the smoking, sizzling peppers out of the oven. Leah opened the windows and the back door, but it seemed to let more cold air in than smoke out. She fanned the air, while David took the peppers outside and set them on the brick walkway. As they both stood in the freezing kitchen, the smoke billowing around the ceiling, they broke into laughter. “Maybe we should’ve just had the marshmallows,” he said. Leah rolled under the duvet to view the time, the gray morning barely giving her enough light to focus. It was still early—six o’clock. She closed her eyes and lay back on the pillow, the feel of the linens so familiar and comfortable that, at first, she’d almost forgotten about her troubles. This was the bed she’d slept in when she needed the security of family, and a retreat to ease her mind.
Jenny Hale (All I Want for Christmas)
On an early morning scouting trip in the foothills north of Los Angeles, two van-loads of crew people fan out over an area that the production designer wants to make into a guerrilla army encampment. I stay close to the vans, keeping an overview of the area and waiting for the director to emerge. It’s a warm sunny day. Most of the crew is wearing shorts and running shoes. The director is another story. He climbs out of his van wearing a location-specific hunter-outdoorsman khaki outfit complete with an impressive pair of lug-sole hiking boots and walks off in the general direction the crew has taken, thumbing through some script notes. A few seconds later he steps squarely into a pile of dog-doo that everyone else has successfully navigated. I watch, transfixed, as he leaps back in horror and freezes. He does not spot me as he quickly looks around to see if anyone has noticed his predicament. No one else has. He hurriedly examines the bottom of his now-disgusting hiking boot. I take a deep breath and step from beside the van, pretending I am deeply involved in a conversation on my walkie-talkie. As I walk toward him, I pull a little folding penknife from my pocket and flip the blade open. I hand it to him without a word as I pass and continue on toward the location, still pretending to be talking into the radio. I round the corner of a building and find a vantage point. The director is hopping up and down on one foot, hurriedly scraping the bottom of his boot with the tiny knife. He finishes the messy job, pulls himself together, and strides purposefully around the building and toward a clearing where the crew has gathered, waiting for his comments. I quickly take my place as the director approaches. He walks briskly past me and without looking, hands the little knife back to me with the dog-doo-covered blade still open. He continues on to the front of the group and with complete authority runs through his ideas for the scene. Over the next few months of filming, neither of us ever mentions the incident.
David McGiffert (Best Seat in the House - An Assistant Director Behind the Scenes of Feature Films)
At times I felt as if I were the last survivor of an Ice Age, striving to hold on with the flimsy tools bequeathed by an easy-going, temperate world. Cold does queer things. At 500 below zero a flashlight dies out in your hand. At - 550 kerosene will freeze, and the flame will dry up on the wick. At - 60° rubber turns brittle. One day, I remember, the antenna wire snapped in my hands when I tried to bend it to make a new connection. Below - 60° cold will find the last microscopic touch of oil in an instrument and stop it dead. If there is the slightest breeze, you can hear your breath freeze as it floats away, making a sound like that of Chinese firecrackers. As does the morning dew, rime coats every exposed object. And if you work too hard and breathe too deeply, your lungs will sometimes feel as if they were on fire.
Richard Evelyn Byrd (Alone: The Classic Polar Adventure)
have to. That’s who I… that’s who I’ve always believed myself to be.” “It is who you⁠—” I can’t finish a sentence because he keeps interrupting me. “No, it’s not. I keep… I keep freezing. When it matters. I keep freezing. Instead of acting. A few weeks ago when Maria’s crew was under attack, I froze. When we saw Elizabeth yesterday on the motorcycle, I froze. Even this morning, when we found that asshole with his pants down, I froze yet again. I knew he was a kidnapper and that he was a danger to Elizabeth and to you. But instead of acting when I should have, I froze. You had to kill him instead. That never—never—would have happened last year.” I want to burst out with another denial, but I make myself think about his words, what he’s expressing. I have to process it so I can give his naked confession the response he deserves. Still massaging his lower back, I finally say slowly, “I understand what you’re saying, and I understand why you think it means something is wrong with you. But I honestly don’t believe the reaction time of your trigger finger defines whether you’re a good or bad man. There’s so much more to you than being a protector, Mack.” He’s shaking again, more urgently this time. His eyes are still squeezed shut. “What else is there?” “What else? Are you serious? You’ve got the biggest heart of anyone I’ve ever known. You encourage people. Make them laugh. Make them happy. Make them want to be brave, want to do the right thing. You’ve been like… like a beacon fire, lighting the way for us. And keeping all of us warm. You’ve always taken care of people in so many ways that have nothing to do with handling weapons. Even if you never get back to the reaction time you used to have, you can do so much good in the world. And you can have a really good life. You don’t have to be the same man you were to be good or be happy. You don’t. And maybe you should offer the same grace to yourself that you’ve always offered everyone else.
Claire Kent (Beacon (Kindled #8))
Each night my father counts backward from 100 like a shepherd climbing down meadow by meadow the Alps. Since his stroke he does this, he says, so his mind holds still, so it freezes, a suspect, hands on the wallpaper. That way it is there with his cane the next morning. When your mind runs away, well, it stashes parts of your real life forever, the names of lakes, the pretty faces of girls. When that happens, you count on nothing, a patch of sun on a green carpet, new snow on a roof framed by curtains. You call the woman “Nurse” and wonder why she cries. It is still a life, that chair between the cashews and windows. Then one day Bang! Doesn’t your mind come waltzing home, made up clown-style, sloshing memories like confetti in a pail? And don’t you take your life in your hands, counting out good times, counting out bad, marking time backward so it’s understood? Whatever you’re missing, he says, it’s what you don’t miss. Listen, he says, that sound in the old high ceilings of the house, not ice in the eaves, no man’s voice, no echo either... Only the wind, counting toward zero.
Richard Blessing
Her stern manner and her humorless regime mask bitterness far deeper than any of her children or her husband imagine. She has never recovered from the shock of becoming a wife and then a mother. She is still dismayed every morning when she first sees her children, peaceful, sleeping, in their beds when she goes to wake them, that as often as not the feeling she has is one of resentment, of loss. These feelings frighten her so much that she has buried them under layer upon layer of domestic strictness. She has managed, in the dozen years since becoming a wife and mother, to half-convince herself that this nearly martial ordering of her household is, in fact, the love that she is so terrified that she does not have. When one of her children wakes with a fever and a painful cough early one freezing January morning, instead of kissing the child’s forehead and tucking him or her in more snugly and boiling water for a mug of honey and lemon water, she says that it is not man’s lot to be at ease in this world and that if she took a day off every time she had a sniffle or a stiff neck, the house would unravel around them all and they would be like birds with no nest, so get up and get dressed and help your brother with the wood, your sister with the water, and yanks the covers off the shivering child and throws its cold clothes at it and says, Go get dressed, unless you want a good dousing. She has convinced herself, at least in the light of day, that this is love, that this is the best way she can raise her children to be strong. She could not live with herself if she allowed herself to believe that she treated her own this way because she felt no more connected to them than she would to a collection of stones.
Paul Harding (Tinkers)
Whether the sun beat hot on their brows or freezing rain turned their bones to ice, Nesta, Emerie, and Gwyneth arrived at practice each morning, ready
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Pale lights illuminate The Seven’s inner chamber. Once bright, the lamps are overgrown, dimmed by a sheet of stone. The room is octagonal, one side for the supplicant, unadorned. Six others each house a figure, statue-like, covered from head to toe in a thick layer of rock. All appear human shaped, with discernible wings, their postures neutral, dead. The seventh alcove lies empty. The Vagrant holds the sword up, letting it hum, calling, calling. As if returning from a dream, The Seven respond, slowly, sonorously. Splitting the shells that cover them, yawning into life. One by one, they catch the call and return it, till the harmony swells, reverberating from the walls and leaping up, vanishing into the fathomless, ceilingless dark above. Beautiful sounds mature, becoming words, musical, passed from one to the other, filling the chamber and the Vagrant’s ears. ‘Mourning has become morning, and we rejoice …’ ‘We rejoice in the proximity of your flame once more …’ ‘Once more we are Seven …’ ‘Are Seven together, come …’ ‘Come and join with us …’ ‘Join with us your light, diminished but still bright.’ Six arms drift out, gesturing to the last alcove, inviting. Neither Vagrant nor sword move. An eye studies the chamber, pausing at each alcove, noting the blades housed there, buried beneath layers of stone, useless. Rage simmers between sword and Vagrant. He takes a lock of hair from an inner pocket, throws it down on the floor between them. The sword lowers to point at it, then sweeps across the figures, then makes a hard stab towards the doors. Six faces freeze as the joyous echoes of song die out. The Vagrant swallows in a throat suddenly dry. Vesper dares a quick peek from behind the Vagrant’s coat. Alpha, of The Seven, sings out. The note begins wondrous but imperfect, the others soon match him. ‘We see now your pain, most furious …’ ‘Most furious you are and desperate to fight …’ ‘To fight once more, your desire …’ ‘Your desire we grant, go forth, take a second flame to our enemies …’ Voices come together, their force rocking the Vagrant backwards until he is pinned to the wall. Vesper holds his hand tightly, little feet rising from the floor. ‘Do not stop …’ ‘Stop when the cancer …’ ‘Cancer is cut …’ ‘Cut from the bones …’ ‘Bones and flesh …’ ‘Flesh of the land …’ ‘Land is clean!’ The Vagrant closes his eyes, squeezes them tight. He braces himself against the sound, pulling Vesper behind him raising the sword in front. Silvered wings unfurl protectively, shielding his face. An eye widens, blazing with indignation. ‘Then …’ ‘Then, then and only then …’ ‘Only then will you be free …’ ‘Be free to return to us …’ ‘Return to us and rejoice …’ ‘Rejoice for true, complete again. Immaculate.’ Six go quiet, demands echoing after. Vesper’s feet touch floor again and she wraps herself around a comforting leg. In the Vagrant’s hand, the sword trembles, humming dangerously. He takes a deep breath. From the depths of his stomach something is forged, travelling inevitably, gaining force as it goes, following tubes behind ribs, up through the chest, into the throat, teeth parting, allowing it outside. The Vagrant opens his eyes, they are full of weariness, disgust, conviction. ‘No.
Peter Newman