Freeze Heart Quotes

We've searched our database for all the quotes and captions related to Freeze Heart. Here they are! All 100 of them:

The heart may freeze, or it can burn. The pain will ease and I can learn. There is no future, there is no past. I live this moment as, my last.
Jonathan Larson (Rent: The Complete Book and Lyrics of the Broadway Musical)
Why does ice cream go with a broken heart?” Kylie asked. “Because if you eat enough of it, it freezes the heart and numbs the pain for a bit,
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
He would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds . . .
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
But they were not living, thought Harry: They were gone. The empty words could not disguise the fact that his parents' moldering remains lay beneath snow and stone, indifferent, unknowing. And tears came before he could stop them, boiling hot then instantly freezing on his face, and what was the point in wiping them off or pretending? He let them fall, his lips pressed hard together, looking down at the thick snow hiding from his eyes the place where the last of Lily and James lay, bones now, surely, or dust, not knowing or caring that their living son stood so near, his heart still beating, alive because of their sacrifice and close to wishing, at this moment, that he was sleeping under the snow with them.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
No matter how much I might want to feel him, I cannot. I must keep my eyes ahead, and away from the fire of a fallen prince. I must freeze my heart to the one person who insists on setting it ablaze.
Victoria Aveyard (Glass Sword (Red Queen, #2))
I must freeze my heart to the one person who insists on setting it ablaze. Winding
Victoria Aveyard (Glass Sword (Red Queen, #2))
Despair is the price one pays for setting oneself an impossible aim. It is, one is told, the unforgivable sin, but it is a sin the corrupt or evil man never practices. He always has hope. He never reaches the freezing-point of knowing absolute failure. Only the man of goodwill carries always in his heart this capacity for damnation.
Graham Greene
Come thaw my frozen heart, my little arctic kitten.” Unable to resist, Aria jumped in and picked up the next line. “No chance, my yeti man, I’d rather be frostbitten.” “Let me be your snowman. Come live in my igloo.” “I’d rather freeze to death than hibernate with you.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
… What about the main thing in life, all its riddles? If you want, I'll spell it out for you right now. Do not pursue what is illusionary -property and position: all that is gained at the expense of your nerves decade after decade, and is confiscated in one fell night. Live with a steady superiority over life -don't be afraid of misfortune, and do not yearn for happiness; it is, after all, all the same: the bitter doesn't last forever, and the sweet never fills the cup to overflowing. It is enough if you don't freeze in the cold and if thirst and hunger don't claw at your insides. If your back isn't broken, if your feet can walk, if both arms can bend, if both eyes can see, if both ears hear, then whom should you envy? And why? Our envy of others devours us most of all. Rub your eyes and purify your heart -and prize above all else in the world those who love you and who wish you well. Do not hurt them or scold them, and never part from any of them in anger; after all, you simply do not know: it may be your last act before your arrest, and that will be how you are imprinted on their memory.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
Jacks’s chest was heaving, his clothes were soaked, his hair was a mess across his face—yet in that moment, Evangeline knew he would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls had died from his lips. If Jacks hadn’t betrayed her, if he hadn’t set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Then may Death send his worst. Cold to freeze the love in my heart. Fire to burn my memories to ash. Wind to force me through the gates. Time to wear my loyalty away. I'll wait for you at Death's gate.
Kristen Ciccarelli (The Last Namsara (Iskari, #1))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Did you miss me, Alina? Did you miss me when you were gone?" "Every day," I said hoarsely. "I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself walking around to find you, not for any reason, just out of habit, because I'd seen something I wanted to tell you about, or because I just wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Have you ever had one of those moments when time just freezes? You know, when the world suddenly goes deathly still, and you could hear a pin drop, and the squishing sound your heart makes is so loud in your ears you feel like youre drowning in blood, and you stand there in that suspended moment and die a thousand deaths, but not really, and the moment passes and dumps you out on the other side of it, with your mouth hanging open, and an erased blackboard where your mind used to be?
Karen Marie Moning (Bloodfever (Fever, #2))
She chose to freeze her heart, and then stored it deep inside her freezer. She will let it there until she is ready.
Kusumastuti (Denting Lara)
I've learned some thing about my heart. It can break. It can ripped apart. It can harden and freeze. It can stop. Completely. It can shatter in to million pieces. It can explode. It can die. The only thing that made it start beating again? The moment you open your eyes
Colleen Hoover
I wanted to freeze in the moment in my mind forever because there's nothing better than flutters of the heart
Lisa Schroeder (Far from You)
The muscles used to make a smile actually send a biochemical message to our nervous system that it is safe to relax the flight of freeze response.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
December is an old friend; it reminds you of the past, together you share some laughs and tears, you feel warm-hearted though it’s freezing outside. But, the goodbye is inevitable. May the memories we share with this friend next year be filled with comfort, peace and Love.
Mohamed Atef
Earth,” he began, ignoring the impulse to open his notes folder and count the words. He knew this lecture by heart. “Our home. She feeds us, she shelters us. Her gravity prevents us from flying off into space and freezing, before thawing out again and being crisped by the sun, none of which really matters, as we would have long since asphyxiated.” Artemis paused for laughter and was surprised when it did not arrive. “That was a little joke. I read in a presentation manual that a joke often serves to break the ice. And I actually worked icebreaking into the joke, so there were layers to my humor.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
I must freeze my heart to the one person who insists on setting it ablaze.
Victoria Aveyard (Glass Sword (Red Queen, #2))
After great pain, a formal feeling comes – The Nerves sit ceremonious, like Tombs – The stiff Heart questions was it He, that bore, And Yesterday, or Centuries before? The Feet, mechanical, go round – Of Ground, or Air, or Ought – A Wooden way Regardless grown, A Quartz contentment, like a stone – This is the Hour of Lead – Remembered, if outlived, As Freezing persons, recollect the Snow – First – Chill – then Stupor – then the letting go –
Emily Dickinson (Selected Poems)
My heart, for unknown reasons, seems to freeze in motion in my chest. I can see he senses it and he holds his pause to enjoy my suffering, prolonging my ignorance. “Viktor, what?
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
It's not just the embarrassment of tears. That's part of it, no doubt, but what embarrasses me much more, and always will, is the paralysis that took my heart. A moral freeze: I couldn't decide, I couldn't act, I couldn't comport myself with even a pretense of modest human dignity.
Tim O'Brien (The Things They Carried)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Fear is a wet blanket that smothers the fiery passion God deposited in your heart when he formed you. Fear freezes us into inaction. Frozen ideas, frozen souls, frozen bodies can't move, can't dream, can't risk, can't love, and can't live. Fear chains us.
Stasi Eldredge (Becoming Myself: Embracing God's Dream of You)
It took me 42 years to write this song, and 5 minutes to sing it." [On The Heart of the Matter, during the Eagles' Hell Freezes Over tour.]
Don Henley
You couldn't pretend you had lost nothing... you had to begin there, not let your blood freeze over. If your heart turned away at this, it would turn away at something greater, then more and more until your heart stayed averted, immobile, your imagination redistributed away from the world and back only toward the bad maps of yourself, the sour pools of your own pulse, your own tiny, mean, and pointless wants.
Lorrie Moore
in that moment, Evangeline knew he would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
My heart is broken, broken in a way that will never be healed, broken in a way that feels like it’s going to kill me, too, right here on this stupid, freezing beach
Patrick Ness
But first my feet will freeze and then my legs and then my insides, they will all turn to ice. And my blood, too, and my heart, and I will forget.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
God, this is … incredible! I need to get my camera—” “No.” His grip of me tightens, keeping me in place. “I’ll bring you up another time and you can sit out here all night, freezing your ass off and taking a million pictures. I promise. But tonight, this is for you and me. It’s our moment.” He rests his chin on my head. “The first night of the rest of our lives.
K.A. Tucker (Wild at Heart (Wild, #2))
There is something joyful about storms that interrupt routine. Snow or freezing rain suddenly releases you from expectations, performance demands, and the tyranny of appointments and schedules. And unlike illness, it is largely a corporate rather than individual experience. One can almost hear a unified sigh rise from the nearby city and surrounding countryside where Nature has intervened to give respite to the weary humans slogging it out within her purview. All those affected this way are united by a mutual excuse, and the heart is suddenly and unexpectedly a little giddy. There will be no apologies needed for not showing up to some commitment or other. Everyone understands and shares in this singular justification, and the sudden alleviation of the pressure to produce makes the heart merry.
William Paul Young (The Shack)
She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled—until then. Until she heard that noise of undiluted, unyielding joy. Until she echoed it, tipping her head back to the clouds around them. They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat. And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
You've got ice in your veins, but you're smart enough to keep it from freezing your heart.
Tijan (Sentiment Lost (A Whole New Crowd, #2))
When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to strone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. "Watch out what faces you make,. Youll freeze that way." (The Lovely Bones)
Alice Sebold
If there’s a physical component to falling in love—the butterflies in your stomach, the roller coaster of your soul—then there’s an equal physical component to falling out of love. It feels like your lungs are sieves, so you can’t get enough air. Your insides freeze solid. Your heart becomes a tiny, bitter pearl, a chemical reaction to one irritating grain of truth.
Jodi Picoult (Sing You Home)
In this moment I resolve to kiss my husband with an open mouth forever. I want to freeze him the way I see him in this instant: dark eyebrows, sexy, sleepy hair and sleepy eyes. But we can't freeze the way that we see the people we love, as much as we would wish. I know that I will kiss my husband with a closed mouth again, at some point. I know that I will even kiss him with a closed heart. I pray for our love. I pray that even if I kiss my husband with a closed heart, my heart opens again to him. When I desire my husband. I am grateful to desire my husband. What can we hope for in a marriage but to keep seeing things anew? With the people we love, it is so easy to stop seeing them at all.
Melissa Broder (So Sad Today: Personal Essays)
Let our King be made from ice. He wished it too, wished for the ice that encased the branches out on the hill to freeze his heart.
Holly Black (Ironside (Modern Faerie Tales, #3))
I never thought I’d hear you complaining about shoes, I hope hell isn’t freezing over because we don’t have Valentino ice skates.
V. Theia (Manhattan Heart (From Manhattan #5))
Mal. I never really fit in the way that you did. I never really belonged anywhere.” “You belonged with me,” he said quietly. “No, Mal. Not really. Not for a long time.” He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Exposure to nature - cold, heat, water - is the most dehumanizing way to die. Violence is passionate and real - the final moments as you struggle for your life, firing a gun or wrestling a mugger or screaming for help, your heart pumps loudly and your body tingles with energy; you are alert and awake and, for that brief moment, more alive and human than you've ever been before. Not so with nature. At the mercy of the elements the opposite happens: your body slows, your thoughts grow sluggish, and you realize just how mechanical you really are. Your body is a machine, full of tubes and valves and motors, of electrical signals and hydraulic pumps, and they function properly only within a certain range of conditions. As temperatures drop, your machine breaks down. Cells begin to freeze and shatter; muscles use more energy to do less; blood flows too slowly, and to the wrong places. Your sense fade, your core temperature plummets, and your brain fires random signals that your body is too weak to interpret or follow. In that stat you are no longer a human being, you are a malfunction - an engine without oil, grinding itself to pieces in its last futile effort to complete its last meaningless task.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
He tunneled into stories where weak men changed into strong half-animals or used eye beams or magic hammers to power through steel or climb up the sides of skyscrapers. He was the Hulk when angry and Spidey the rest of the time. When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to stone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. "Watch out what faces you make. You'll freeze that way.
Alice Sebold (The Lovely Bones)
I wonder what I'll ever have control of. Rejection breeds obsession, so they say. I left my heart and all my hope, my vindicated tales of woe in Sweden on a freezing winter day.
Halsey (I Would Leave Me If I Could: A Collection of Poetry)
He would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds . . . The thought made something unclench inside her and, for a second, Evangeline felt safe. More than safe, actually.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Have you ever had a moment in time when it felt like it moved in slow motion? As if a split second felt like an hour because your mind cannot seem to process in the instant it’s supposed to, and the moment implodes on itself so you can barely breathe, and everything feels like a dream. A slow, heart-wrenching, time-freezing, dream. Well, this was one of those moments for me.
Angela Richardson (Pieces of Lies (Pieces of Lies, #1))
But it's a curse, a condemnation, like an act of provocation, to have been aroused from not being, to have been conjured up from a clot of dirt and hay and lit on fire and sent stumbling among the rocks and bones of this ruthless earth to weep and worry and wreak havoc and ponder little more than the impending return to oblivion, to invent hopes that are as elaborate as they are fraudulent and poorly constructed, and that burn off the moment they are dedicated, if not before, and are at best only true as we invent them for ourselves or tell them to others, around a fire, in a hovel, while we all freeze or starve or plot or contemplate treachery or betrayal or murder or despair of love, or make daughters and elaborately rejoice in them so that when they are cut down even more despair can be wrung from our hearts, which prove only to have been made for the purpose of being broken. And worse still, because broken hearts continue beating.
Paul Harding (Enon)
Here.' Jacks' voice was right behind her. And then she felt her ruffled cloak. He placed it across her shoulders and quickly secured the straps to her corset. 'If you freeze to death, the trouble I've gone to keeping you alive will be wasted.' His mocking tone was back, clipped and cutting, and yet she felt the soft brush of her fingertips lingering against her neck before he pulled away.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
He's looking at me as if the whole world waits for my next breath, with an intensity that makes my heart pound and my palms sweat and then he smiles, a sweet curve of his mouth, and my breath catches, but then I freeze because there is something about it, something beyond it that I know, that makes my mind go blank with fear and pain.
Elizabeth Scott (As I Wake)
He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?" "Every day," I said honestly. "I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself walking around to find you, not for any reason, just out of habit, because I'd seen something I wanted to tell you about, or because I just wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Iam a sensitive, introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person. For example, I would die for you but not, like…meet you for coffee. I became a writer so I could stay at home alone in my pajamas, reading and writing about the importance of human connection and community. It is an almost perfect existence. Except that every so often, while I’m thinking my thoughts, writing my words, living in my favorite spot—which is deep inside my own head—something stunning happens: A sirenlike noise tears through my home. I freeze. It takes me a solid minute to understand: The siren is the doorbell. A person is ringing my doorbell. I run out of my office to find my children also stunned, frozen, and waiting for direction about how to respond to this imminent home invasion. We stare at each other, count bodies, and collectively cycle through the five stages of doorbell grief: Denial: This cannot be happening. ALL OF THE PEOPLE ALLOWED TO BE IN THIS HOUSE ARE ALREADY IN THIS HOUSE. Maybe it was the TV. IS THE TV ON? Anger: WHO DOES THIS? WHAT KIND OF BOUNDARYLESS AGGRESSOR RINGS SOMEONE’S DOORBELL IN BROAD DAYLIGHT? Bargaining: Don’t move, don’t breathe—maybe they’ll go away. Depression: Why? Why us? Why anyone? Why is life so hard? Acceptance: Damnit to hell. You—the little one—we volunteer you. Put on some pants, act normal, and answer the door. It’s dramatic, but the door always gets answered. If the kids aren’t home, I’ll even answer it myself. Is this because I remember that adulting requires door answering? Of course not. I answer the door because of the sliver of hope in my heart that if I open the door, there might be a package waiting for me. A package!
Glennon Doyle (Untamed)
I want to say that further you are not a great chief of this country. That you have no following, no power, no control." Logan continued, "You are on an Indian reservation merely at the sufferance of the government. You are fed by the government, clothed by the government, your children are educated by the government, and all you have and are today is because of the government. If it were not for the government you would be freezing and starving today in the mountains. I merely say these things to notify you that you cannot insult the people of the United States of America or its committees ...the government feeds and clothes and educates your children now, and desires to teach you to become farmers, and to civilize you, and make you as white men. -Senator John Logan, 1883
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
So I told him that I don't look for boyfriends; I look for a person, then if the person happens to be the one then he's the one. And if not, then not! And I was also thinking to myself, about how I will not commit myself to a man more than he is willing to commit himself to me. I refuse to be braver. I choose to be secure. I am brave in so many areas of life and when it comes to a man I would rather he be braver than I. I would rather he commit himself to me in ways that will make my heart know him so well that I can say he swims in my blood and he walks inside my bones. But for me to throw my commitment in front of him, on the ground, to see if it's good enough? Hell will freeze over before that happens. I compromise myself in many ways, because compromise is selfless and compromise is giving. But one thing I will not compromise is my commitment. I have to feel safe to do that. I have to know that I am reciprocating; not initiating.
C. JoyBell C.
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
The world is a clock winding down. I hear it in the wind’s icy fingers scratching against the window. I smell it in the mildewed carpeting and the rotting wallpaper of the old hotel. And I feel it in Teacup’s chest as she sleeps. The hammering of her heart, the rhythm of her breath, warm in the freezing air, the clock winding down.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
If the world gives you the blues, if you wake up in the middle of the night with waves of fear and senseless panic washing over you, I am your friend. If you’re overcome by a desperation that makes your mouth open for a scream that never comes out but just freezes your face in mute despair, then you and I have something in common. If you can’t understand them for the life of you, even though you’ve tried so hard, when that dislocation makes you feel like you’re the only one of your species on the planet, I know I can confide in you. If this endless ghetto of lies and heart break, this life-long run of fences and flickering neon signs, night sweats and suicidal urges makes you feel like stopping, just stopping, like stopping breathing, wait. Wait. You don’t have to tell me your name. You don’t have to prove yourself to me. I accept you. If you’re finding life to be the one thing that’s trying to kill you, I want you to stay alive to rise with the sun and fight back.
Henry Rollins (Solipsist (Henry Rollins))
I remember first learning about death quite vividly. I'm not sure how old I was, but I remember the conversation like it was yesterday. My grandfather had died, and my mother was trying to explain it to me. 'Sometimes, when someone gets ill, and they're very very old, they don't get better again. They just get iller and iller and then... then their body stops working.' 'I don't understand.' 'What's in them just goes away, and doesn't come back.' 'Grandpa isn't coming back?' 'No,' she said. 'Not ever again.' 'Grandpa said he was going away and not ever coming back after he held Grandma's head in that cotton-dump outside of town and kicked Skeeter seventy-three times.' 'Grandpa was very drunk. That's not the same as being dead. Grandpa's dead, son. He's not there anymore.' And I remember saying, 'Hold everything right fucking THERE. 'You went to all the trouble of conceiving me, and giving birth to me, and raising me and feeding me and clothing me and all-- and, YEAH, whipping me from time to time, and making me live in a house that's freezing fucking cold all the goddamn time-- and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to do and sometimes I just want to scream-- and what I've got to look forward to is my body breaking and something flipping off the switch in my head-- I go through all this-- and then there's death? 'What is the motherfucking deal here?
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven - the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it - it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition - make haste - oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still - ubi saeoa indignatio ulterius cor lacerate nequit; the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
My definition of gawking would be when you look at her, your heart starts slamming uncontrollably in your chest. So much that it scares you. And every other noise that surrounds you slowly fades away into absolute silence. You only hear the sounds she makes. And when she looks back at you, when her eyes meet yours, it's as if she is looking deep inside your soul. And she can see all of the hatred you're consumed in. Her eyes quench the thirst of your soul, gently soothing your damaged heart in the most alluring way... a way you could only dream of. Then those magical eyes start to look away. The time-freeze you were caught in starts to wear off. And fear takes over. You want to pull those eyes to yours again so that you could once again feel the fascinating sensations of happiness. Then, when she's out of your sight, you feel empty inside. Your heart is back to normal. Only this time, it's left with an aching worse than before. But you can never tell her. You can never be with her. You are alone in your pitiful existence.
E.M. Jade (Captivated (Affliction, #1))
The mirror had broken into millions of pieces and the wind blew them all over the world. If a person got a speck in their eye, the person would only see the ugly side of things from then on, but if a piece got in their blood and it reached their heart, it would freeze into a solid block of ice and they couldn't feel anything anymore
Isobelle Carmody (Greylands)
As usual, Junko thought about Jack London's 'To Build a Fire.' It was the story of a man traveling alone through the snowy Alaskan interior and his attempts to light a fire. He would freeze to death unless he could make it catch. The sun was going down. Junko hadn't read much fiction, but that one short story she had read again and again, ever since her teacher had assigned it as an essay topic during summer vacation of her first year in high school. The scene of the story would always come vividly to mind as she read. She could feel the man's fear and hope and despair as if they were her own; she could sense the very pounding of his heart as he hovered on the brink of death. Most important of all, though, was the fact that the man was fundamentally longing for death. She knew that for sure. She couldn't explain how she knew, but she knew it from the start. Death was really what he wanted. He knew that it was the right ending for him. And yet he had to go on fighting with all his might. He had to fight against an overwhelming adversary in order to survive. What most shook Junko was this deep-rooted contradiction. The teacher ridiculed her view. 'Death is really what he wanted? That's a new one for me! And strange! Quite 'original,' I'd have to say.' He read her conclusion aloud before the class, and everybody laughed. But Junko knew. All of them were wrong. Otherwise how could the ending of the story be so quiet and beautiful?
Haruki Murakami (After the Quake)
Then, when we had done so, we put our hands upon the freezing cold monster, our monster. And this is what we felt: vertigo, an icicle through our strong hearts, our long-lost childhoods. Sunshine in a field and crickets and the sweet tealeaf stink of a new ball mitt and a rock glinting with mica and a chaw of bubblegum wrapping in sweet sweet tendrils down our throats and the warm breeze up our shorts and the low vibrato of lake loons and the sun and the sun and the warm sun and this is what we felt; the sun.
Lauren Groff (The Monsters of Templeton)
Thich Nhat Hanh calls his practice of yes “smile yoga.” He suggests bringing a slight but real smile to our lips many times throughout the day, whether we are meditating or simply stopping for a red light. “A tiny bud of a smile on your lips,” writes Thich Nhat Hanh, “nourishes awareness and calms you miraculously … your smile will bring happiness to you and to those around you.” The power of a smile to open and relax us is confirmed by modern science. The muscles used to make a smile actually send a biochemical message to our nervous system that it is safe to relax the flight, fight or freeze response. A smile is the yes of unconditional friendliness that welcomes experience without fear.
Tara Brach (Radical Acceptance: Embracing Your Life with the Heart of a Buddha)
Live for the gifts the fragrant-breasted Muses send, for the clear, the singing, lyre, my children. Old age freezes my body, once so lithe, rinses the darkness from my hair, now white. My heart’s heavy, my knees no longer keep me up through the dance they used to prance like fawns in. Oh, I grumble about it, but for what? Nothing can stop a person’s growing old. They say that Tithonus was swept away in Dawn’s passionate, rose-flushed arms to live forever, but he lost his looks, his youth, failing husband of an immortal bride.
Sappho
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
His lips move towards mine, and I freeze. He’s going to kiss me, and I’m just standing like a statue, unsure if I want this or at least trying to pretend I don’t want this. Instead of touching, though, he holds still as our breaths linger. His voice is barely a whisper, but I hear the words as if he’s yelling. “I’m going to win your heart, Kristin. Be ready.
Corinne Michaels (One Last Time (Second Time Around, #2))
Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “ I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
She was the quintessential twenty-first-century woman: She could build a high-rise in a Chanel suit and Jimmy Choos, give lessons in multitasking, and freeze the heart of the coldest competitor with a single unblinking gaze over the rim of her ebony-framed reading glasses. But that persona was like a bodysuit that she pulled on at eight in the morning and peeled out of at five in the afternoon.
Donna Ball (A Year on Ladybug Farm (Ladybug Farm #1))
He realized that all men were like this; that each person was to himself one alone. One oneness, a unit in a society, but always afraid. Like here, standing. If he should scream, if he should holler for help, would it matter? Blackness could come swiftly, swallowing; in one titanically freezing moment all would be concluded. Long before dawn, long before police with flashlights might probe the dark, disturbed pathway, long before men with trembling brains could rustle down the pebbles to his help. Even if they were within five hundred yards of him now, and help certainly was, in three seconds a dark tide could rise to take all ten years from him and— The essential impact of life’s loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family’s love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
Ray Bradbury (Dandelion Wine)
Too many religious people make faith their aim. They think 'the greatest of these' is faith, and faith defined as all but infallible doctrine. These are the dogmatic, divisive Christians, more concerned with freezing the doctrine than warming the heart. If faith can be exclusive, love can only be inclusive.
William Sloane Coffin
Someone in a mosque once told me about the water behind people’s faces. This water, he said, changed depending on what you did and what you believed, and as you got older it began to freeze. The kind of life you led, whether your heart was full of love or joy or shrewdness or bile, all of this changed the nature of the water and, therefore, the look of your face. In this way, your face told the story of your life.
Syed M. Masood (More Than Just a Pretty Face)
Thomas closes the gap between us and kisses me. Hard. This is not wet and sloppy like his playful kisses. Or dry and desperate like Percy's. Or teasing like the king's. No. This kiss is eloquent and alive and speaks direcetly to my soul. My heart ruptures, and the spliters freeze and tumble all around us with the musical sound of broken glass.
Katherine Longshore (Tarnish (Royal Circle, #2))
The deadliest manifestation of white fragility is its reflexive confusion of fear with danger and comfort with safety. When a white body feels frightened by the presence of a Black one—whether or not an actual threat exists—it may lash out at the Black body in what it senses as necessary self-protection. Often this is a fight, flee, or freeze response triggered by the activation of the ancient trauma that began as white-on-white violence in Europe centuries ago.
Resmaa Menakem (My Grandmother's Hands: Racialized Trauma and the Mending of Our Bodies and Hearts)
Then Hermione’s voice came out of the blackness for the third time, sharp and clear from a few yards away. “Harry, they’re here…right here.” And he knew by her tone that it was his mother and father this time: He moved toward her, feeling as if something heavy were pressing on his chest, the same sensation he had had right after Dumbledore had died, a grief that had actually weighed on his heart and lungs. The headstone was only two rows behind Kendra and Ariana’s. It was made of white marble, just like Dumbledore’s tomb, and this made it easy to read, as it seemed to shine in the dark. Harry did not need to kneel or even approach very close to it to make out the words engraved upon it. JAMES POTTER BORN 27 MARCH 1960 DIED 31 OCTOBER 1981 LILY POTTER BORN 30 JANUARY 1960 DIED 31 OCTOBER 1981 The last enemy that shall be destroyed is death. Harry read the words slowly, as though he would have only one chance to take in their meaning, and he read the last of them aloud. “‘The last enemy that shall be destroyed is death’…” A horrible thought came to him, and with it a kind of panic. “Isn’t that a Death Eater idea? Why is that there?” “It doesn’t mean defeating death in the way the Death Eaters mean it, Harry,” said Hermione, her voice gentle. “It means…you know…living beyond death. Living after death.” But they were not living, though Harry: They were gone. The empty words could not disguise the fact that his parents’ moldering remains lay beneath snow and stone, indifferent, unknowing. And tears came before he could stop them, boiling hot then instantly freezing on his face, and what was the point in wiping them off or pretending? He let them fall, his lips pressed hard together, looking down at the thick snow hiding from his eyes the place where the last of Lily and James lay, bones now, surely, or dust, not knowing or caring that their living son stood so near, his heart still beating, alive because of their sacrifice and close to wishing, at this moment, that he was sleeping under the snow with them.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.
Alison Nappi
Travellers scowl at us, and countrymen give us scornful names. 'Strider' I am to one fat man who lives within a day's march of foes that would freeze his heart, or lay his little town in ruin, if he were not guarded ceaselessly. Yet we would not have it otherwise. If simple folk are free from care and fear, simple they will be, and we must be secret to keep them so.
J.R.R. Tolkien (The Lord of the Rings)
They heard rumors of other robot ponies [...] who were left to themselves after their mistresses and masters had grown weary of them, falling into a stupor before their hydraulic limbs squealed and locked, freezing up forever while their circuit boards fizzled and died. It sounded to Jenn that they had died of broken hearts— but to everyone else, they were just defective.
Madeline Claire Franklin (Robot Pony)
I think I know now why Jesus had such a tender spot in his heart for the poor. It takes great faith and simplicity of spirit to be poor and not despair. It takes enormous courage to decide to keep on living. The homeless are remarkable people. Their very life is a prayer -- desperate, silent, unspoken pleading with God to keep them alive. And by some miracle, no, not one miracle, but by a continuous chain of miracles all day long and all night, they do stay alive, especially on freezing cold days and nights.
Joseph F. Girzone (The Homeless Bishop)
We’re almost there, Gabriel,” he whispered, feeling quite certain without knowing why. “I remember this place, Gabe.” And it was true. But it was not a grasping of a thin and burdensome recollection; this was different. This was something that he could keep. It was a memory of his own. He hugged Gabriel and rubbed him briskly, warming him, to keep him alive. The wind was bitterly cold. The snow swirled, blurring his vision. But somewhere ahead, through the blinding storm, he knew there was warmth and light. Using his final strength, and a special knowledge that was deep inside him, Jonas found the sled that was waiting for them at the top of the hill. Numbly his hands fumbled for the rope. He settled himself on the sled and hugged Gabe close. The hill was steep but the snow was powdery and soft, and he knew that this time there would be no ice, no fall, no pain. Inside his freezing body, his heart surged with hope. They started down. Jonas felt himself losing consciousness and with his whole being willed himself to stay upright atop the sled, clutching Gabriel, keeping him safe. The runners sliced through the snow and the wind whipped at his face as they sped in a straight line through an incision that seemed to lead to the final destination, the place that he had always felt was waiting, the Elsewhere that held their future and their past. He forced his eyes open as they went downward, downward, sliding, and all at once he could see lights, and he recognized them now. He knew they were shining through the windows of rooms, that they were the red, blue, and yellow lights that twinkled from trees in places where families created and kept memories, where they celebrated love. Downward, downward, faster and faster. Suddenly he was aware with certainty and joy that below, ahead, they were waiting for him; and that they were waiting, too, for the baby. For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps it was only an echo.
Lois Lowry (The Giver (The Giver, #1))
A child's (or an adult's) nervous system may detect danger or a threat to life when the child enters a new environment or meets a strange person. Cognitively, there is no reason for them to be frightened. But often, even if they understand this, their bodies betray them. Sometimes this betrayal is private; only they are aware that their hearts are beating fast and contracting with such force that they start to sway. For others, the responses are more overt. They may tremble. Their faces may flush, or perspiration may pour from their hands and forehead. Still others may become pale and dizzy and feel precipitously faint.
Stephen W. Porges (The Polyvagal Theory: Neurophysiological Foundations of Emotions, Attachment, Communication, and Self-Regulation)
I fall asleep Call it deep while all is well be- Cause my life seems like a freestyle mean- While asleep on the couch I dream it's a written piece and now The symphony's sounding Shouting out to these feet whose leaps feel foul but quite loud But how I'm allowed to live my dreams My Chimeran team brings the Siberian breed Riding reality free 'til these tires they freeze In mires in dire need of wires, fire and heat but I love a dark, hard cold heart in the wintery breeze
Criss Jami (Killosophy)
I'm freezing," moaned Isabella. "I shall freeze to death." "Cheer up, my southern flower." Jake hauled on the oars. "This was your brilliant idea. Anyway, you can die spectacularly of pneumonia, and someone will write a great tragic opera about you." Isabella gave him a teeth-chattering grimace, but her expression turned dreamy and distant as if she was already imagining her last heart-rending aria. Cassie cleared her throat in exasperation. "Can we not talk about spectacular deaths?
Gabriella Poole (Secret Lives (Darke Academy, #1))
It is not the way of the Wild to like movement.  Life is an offence to it, for life is movement; and the Wild aims always to destroy movement.  It freezes the water to prevent it running to the sea; it drives the sap out of the trees till they are frozen to their mighty hearts; and most ferociously and terribly of all does the Wild harry and crush into submission man—man who is the most restless of life, ever in revolt against the dictum that all movement must in the end come to the cessation of movement.
Jack London (White Fang)
That which we dare invoke to bless; Our dearest faith; our ghastliest doubt; He, They, One, All; within, without; The Power in darkness whom we guess; I found Him not in world or sun, Or eagle's wing, or insect's eye; Nor thro' the questions men may try, The petty cobwebs we have spun: If e'er when faith had fall'n asleep, I heard a voice `believe no more' And heard an ever-breaking shore That tumbled in the Godless deep; A warmth within the breast would melt The freezing reason's colder part, And like a man in wrath the heart Stood up and answer'd `I have felt.' No, like a child in doubt and fear: But that blind clamour made me wise; Then was I as a child that cries, But, crying, knows his father near; And what I am beheld again What is, and no man understands; And out of darkness came the hands That reach thro' nature, moulding men.
Alfred Tennyson (In Memoriam)
The all-night convenience store's empty and no one is behind the counter. You open and shut the glass door a few times causing a bell to go off, but no one appears. You only came to buy a pack of cigarettes, maybe a copy of yesterday's newspaper -- finally you take one and leave thirty-five cents in its place. It is freezing, but it is a good thing to step outside again: you can feel less alone in the night, with lights on here and there between the dark buildings and trees. Your own among them, somewhere. There must be thousands of people in this city who are dying to welcome you into their small bolted rooms, to sit you down and tell you what has happened to their lives. And the night smells like snow. Walking home for a moment you almost believe you could start again. And an intense love rushes to your heart, and hope. It's unendurable, unendurable.
Franz Wright
He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly – yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think. From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!” – “Who are you to think? It’s so, because I say so!” – “Don’t argue, obey!” – “Don’t try to understand, believe!” – “Don’t struggle, compromise!” – “Your heart is more important than your mind!” – “Who are you to know? Your parents know best!” – “Who are you to know? The bureaucrats know best!” – “Who are you to object? All values are relative!” – “Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!” Men would shudder, he thought, if they saw a mother bird plucking the feathers from the wings of her young, then pushing him out of the nest to struggle for survival – yet that was what they did to their children.
Ayn Rand (Atlas Shrugged)
I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I have a heart!” “No, you don’t.” “Yes, I do,” he says. “Look, I’ll prove it to you.” He reaches into the tub and wraps his arms around Hector, suds and all. “Oooh,” he says in a baby voice. “Ooooh, Hector, you’re such a good boy, oooh, I love you, Hector.” Hector’s tail immediately starts wagging, and he pushes his snout into Jace’s face and starts licking it. “Oh, Hector, you’re so sweet,” Jace says. “You’re just the best dog.” Hector moves and Jace’s elbows slip, causing Jace’s whole upper body to slide over the side and into the tub. For a second, everyone freezes. I’m afraid Jace is going to be mad, since now he’s soaking wet, but instead he just says, “Oooh, Hector, that’s okay,” and then slides his whole body into the tub, clothes and all. Hector gives a happy bark, glad to have a friend with him, and then plants his front paws on Jace’s chest.
Lauren Barnholdt (Right of Way)
I was happy,” I admitted. “In that moment, I was happy. I’m not like you, Mal. I never really fit in the way that you did. I never really belonged anywhere.” “You belonged with me,” he said quietly. “No, Mal. Not really. Not for a long time.” He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.” He lowered his head, and I felt his lips on mine.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Save me from hatred, that destructive impulse, the poison that ravages the heart and liver. I must stop wanting to take revenge on other lives, on other minds; I must forget hatred, reject it, refuse to answer it with more hatred. I must rise above it. Help me to renounce this crippling bond, to leave without hindrance this body that no longer looks like one, but like a jumble of deformed bones; direct my eyes to other stones. This darkness suits me: when I look inside myself, I see more clearly the world, even if my feet are still freezing on this damp cement floor. The back of my neck hurts because I cannot stand up straight. No--I feel no pain. I am certain that I feel no pain. I do not feel anything any more. My prayer has been answered. I am not ill. I will never be, here, no matter how I suffer. O my God, I have learned from You that a healthy body teaches us about the beauty of the world. It is the echo of enchantment, produced by life and light. It is light. Light in life. When it is withdrawn from life, isolated and imprisoned in a black hole, it no longer echoes anything, it reflects nothing. Thanks to Your will, I shall never be extinguished.
Tahar Ben Jelloun (تلك العتمة الباهرة)
We are doing it, me and you. We are doing it with heart. And with art. And with soul and blind faith and ancient knowing. Because we have to. Because there are people who need us to. Because WE need us to most of all. No matter how discouraged you’ve been. No matter how the destructive old patterns have been returning, knocking loudly at your door. No matter the moments of utter freeze or massive resistance or sheer exhaustion. Go out today and make something. Something brave and defiant and determined and true. And then muster up your last bit of moxie and hold out your arms and offer it to the world. Say “I made this. For me and for you”. Say “ This is what keeps me from the rabbit hole”. Say “This is how I go on”. Say “I see you, too and I know how hard it is and I want you to have this to make it a little bit better” I promise. It changes things. For all of us.
Jeanette LeBlanc
The desert frightens me, I think. It looks too much like the seventh circle of hell. I'm afraid of damnation." "Why?" "Why?" Evelyn repeated, peering at Ann from behind her hand. She lay back again and closed her eyes. "I don't know. I've always supposed everyone is." "Well, they're not. I, for instance, am a hell of a lot more frightened of being saved." Evelyn chuckled. "I'm serious," Ann protested. "Virtue smells to me of rotting vegetation. Here you burn or freeze. Either way it's clean." "Sterile," Evelyn said and felt the word a laceration of her own flesh. "I wonder. It's fertility that's a dirty word for me." "Is it?" "Yes, I'm terrified of giving in, of justifying my own existence by means of simple reproduction. So many people do or try to. And there are the children, so unfulfilling after all. And they grow up to do nothing but reproduce children who will reproduce, everyone so busy reproducing that there's no time to produce anything. But it's such a temptation. It seems so natural — another dirty word for me. What's the point?" "You'd have the human race die out?" "No. We'll multiply in spite of ourselves always. We'll populate the desert. One day there will be little houses and docks all along this shore, signs of our salvation." "What would you have us do instead?" Evelyn asked. "Accept damnation," Ann said. "It has its power and its charm. And it's real." "So we should all get jobs in gambling casinos." "We all do," Ann said, her voice amused. "What do you think the University of California is? It's just a minor branch of the Establishment. The only difference is that it has to be subsidized." "Are you talking nonsense on purpose?" "No, I'm serious." "You think nothing has any value?" "No, I think everything has value, absolute value, a child, a house, a day's work, the sky. But nothing will save us. We were never meant to be saved." "What were we meant for then?" "To love the whole damned world," Ann said… "I live in the desert of the heart," Evelyn said quietly, "I can't love the whole damned world." 'Love me, Evelyn.' 'I do.
Jane Rule (Desert of the Heart)
For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or of a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul,' that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream, that which most marvelous and most precious to our knowledge and most extremely advanced upon futurity of all flowerings within the scope of creation is of all these the least destructible, the least corruptible, the most defenseless, the most easily and multitudinously wounded, frustrated, prisoned, and nailed into a cheating of itself: so situated in the universe that those three hours upon the cross are but a noble and too trivial an emblem how in each individual among most of the two billion now alive and in each successive instant of the existence of each existence not only human being but in him the tallest and most sanguine hope of godhead is in a billionate choiring and drone of pain of generations upon generations unceasingly crucified and is bringing forth crucifixions into their necessities and is each in the most casual of his life so measurelessly discredited, harmed, insulted, poisoned, cheated, as not all the wrath, compassion, intelligence, power of rectification in all the reach of the future shall in the least expiate or make one ounce more light: how, looking thus into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not quite like any other and which has the grand stature and natural warmth of every other and whose existence is all measured upon a still mad and incurable time; how am I to speak of you as 'tenant' 'farmers,' as 'representatives' of your 'class,' as social integers in a criminal economy, or as individuals, fathers, wives, sons, daughters, and as my friends and as I 'know' you?
James Agee (Let Us Now Praise Famous Men)
When the attachment figure is also a threat to the child, two systems with conflicting goals are activated simultaneously or sequentially: the attachment system, whose goal is to seek proximity, and the defense systems, whose goal is to protect. In these contexts, the social engagement system is profoundly compromised and its development interrupted by threatening conditions. This intolerable conflict between the need for attachment and the need for defense with the same caregiver results in the disorganized–disoriented attachment pattern (Main & Solomon, 1986). A contradictory set of behaviors ensues to support the different goals of the animal defense systems and of the attachment system (Lyons-Ruth & Jacobvitz, 1999; Main & Morgan, 1996; Steele, van der Hart, & Nijenhuis, 2001; van der Hart, Nijenhuis, & Steele, 2006). When the attachment system is stimulated by hunger, discomfort, or threat, the child instinctively seeks proximity to attachment figures. But during proximity with a person who is threatening, the defensive subsystems of flight, fight, freeze, or feigned death/shut down behaviors are mobilized. The cry for help is truncated because the person whom the child would turn to is the threat. Children who suffer attachment trauma fall into the dissociative–disorganized category and are generally unable to effectively auto- or interactively regulate, having experienced extremes of low arousal (as in neglect) and high arousal (as in abuse) that tend to endure over time (Schore, 2009b). In the context of chronic danger, patterns of high sympathetic dominance are apt to become established, along with elevated heart rate, higher cortisol levels, and easily activated alarm responses. Children must be hypervigilantly prepared and on guard to avoid danger yet primed to quickly activate a dorsal vagal feigned death state in the face of inescapable threat. In the context of neglect, instead of increased sympathetic nervous system tone, increased dorsal vagal tone, decreased heart rate, and shutdown (Schore, 2001a) may become chronic, reflecting both the lack of stimulation in the environment and the need to be unobtrusive.
Pat Ogden (Sensorimotor Psychotherapy: Interventions for Trauma and Attachment (Norton Series on Interpersonal Neurobiology))
But Talin was scared of him. She had told him that to his face, and the sharp knife of it was still buried in his heart. The man wasn’t sure he wanted to chance another rejection. Keeping the animal’s instincts in check, he finally stepped out of the shadows. “Do you want to be held, Talin?” Her damp eyes widened at the blunt question, then she nodded in a little jerking motion. Something in him quieted, waiting. “Then come here.” A pause during which the entire forest seemed to freeze, the night creatures aware of the leopard’s tense watchfulness. “Oh, God, Clay.” Suddenly her arms were wrapped around his back, her cheek pressed against the white cotton of his T-shirt. Hardly daring to breathe, he closed his own arms around her feminine warmth, blindingly aware of every inch of her pressed into him, every spot of wetness soaking through his T-shirt. She was so small, so damn soft, her humanity apparent in the delicacy of her skin, the lightness of her bones. The Psy might be fragile in comparison to changelings, but they had powers of the mind to compensate. Humans had the same fragility but none of the psychic abilities. A wave of protectiveness washed over him. “Shh, Tally.” He used the nickname because, at this moment, he knew her. She had always had a heart too big for her body, a heart that felt such pain for others while ignoring its own. “I’ll find your lost one.” She shook her head against him. “It’s too late. Three bodies already. Jonquil is probably dead, too.” “Then I’ll find who did this to them and stop him.” She stilled against him. “I didn’t come here to turn you into a killer again.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
It was so cold. In the monastery. Sometimes the wind came from the sea with ice in it... It could freeze the skin off your face. Once the snow was so deep we couldn't get out of the doors to the woodshed. A monk jumped from a window. He sank into a drift and took a long time to get up. That night, they made me sleep next to the stove. I was small, thin, like a piece of birch bark. But then the Stove went out. Father Bernard took me into his cell... It was he who first gave me chalk and paper. He was so old his eyes his eyes looked as if he was crying. But he was never sad. In winter he had fewer blankets than the others. He said he didn't need them because God warmed him. (...) But even Father Bernard was cold that night. He laid me down on the bed next to him, wrapped me in an animal skin, then in his own arms. He told me stories about Jesus. How His love could wake the dead and how with Him in one's heart one could heat the world... When I woke it was light. The snow had stopped. I was warm. But he was cold. I gave him the skin but his body was stiff. I didn't know what to do. I got out a piece of paper from his chest under the bed and drew him, lying there. His face had a smile on it. I knew that God had been there when he died. That now He was in me, and because of Father Bernard I would be warm forever.
Sarah Dunant (The Birth of Venus)
They dream of the happiness of stretching out one's legs and of the relief one feels after going to the toilet. In Orotukan the earth thaws only in the summer and only to the depth of three feet—and only then can they bury the bones of those who died during the winter. And you have the right to arrange your own life under the blue sky and the hot sun, to get a drink of water, to stretch, to travel wherever you like without a convoy [escort]. So what's this about unwiped feet? And what's this about a mother-in-law? What about the main thing in life, all its riddles? If you want, I'll spell it out for you right now. Do not pursue what is illusory—property and position: all that is gained at the expense of your nerves decade after decade, and is confiscated in one fell night. Live with a steady superiority over life—don't be afraid of misfortune, and do not yearn after happiness; it is, after all, all the same: the bitter doesn't last forever, and the sweet never fills the cup to overflowing. It is enough if you don't freeze in the cold and if thirst and hunger don't claw at your insides. If your back isn't broken, if your feet can walk, if both arms can bend, if both eyes see, if both ears hear, then whom should you envy? And why? Our envy of others devours us most of all. Rub your eyes and purify your heart—and prize above all else in the world those who love you and who wish you well. Do not hurt them or scold them, and never part from any of them in anger; after all, you simply do not know: it may be your last act before your arrest, and that will be how you are imprinted in their memory!
Aleksandr Solzhenitsyn (The Gulag Archipelago)
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))