Entertaining Someone Else Quotes

There is nothing more entertaining then leaving someone speechless. Yet, there is nothing sadder than realizing that person was incapable of retaining half of what you said, and will repeat the story all wrong to someone else.

Most of what passes for legitimate entertainment is inferior or foolish and only caters to or exploits people's weaknesses. Avoid being one of the mob who indulges in such pastimes. Your life is too short and you have important things to do. Be discriminating about what images and ideas you permit into your mind. If you yourself don't choose what thoughts and images you expose yourself to, someone else will, and their motives may not be the highest. It is the easiest thing in the world to slide imperceptibly into vulgarity. But there's no need for that to happen if you determine not to waste your time and attention on mindless pap.

Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara. “Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person. If you ever find yourself in a situation where you’re drawn to someone else, it’s up to you to remove yourself from that situation before it becomes too hard to fight.

His contempt for humanity grew fiercer, and at last he came to realize that the world is made up mostly of fools and scoundrels. It became perfectly clear to him that he could entertain no hope of finding in someone else the same aspirations and antipathies; no hope of linking up with a mind which, like his own, took pleasure in a life of studious decrepitude; no hope of associating an intelligence as sharp and wayward as his own with any author or scholar.

What shall we say about those spectators, then, who can see a plurality of beautiful things, but not beauty itself, and who are incapable of following if someone else tries to lead them to it, and who can see many moral actions, but not morality itself, and so on? That they only ever entertain beliefs, and do not know any of the things they believe?

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.

Hatred isn’t just in the things a person says. It’s in the way they stay silent when someone else spews hate, the way they nod along or entertain the ideas at all.

I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.

Over the years, Americans in particular have been all too willing to squander their hard-earned independence and freedom for the illusion of feeling safe under someone else's authority. The concept of self-sufficiency has been undermined in value over a scant few generations. The vast majority of the population seems to look down their noses upon self-reliance as some quaint dusty relic, entertained only by the hyperparanoid or those hopelessly incapable of fitting into mainstream society.

What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types. You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore. If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining. Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.

Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, Now do you want the hero to be kidnapped, or not? But that would, of course, have ruined the story. Part of the experience of being entertained is sitting back and plugging into someone else's vision.

We see a major trade in women, we see the torture of women as a form of entertainment, and we see women also suffering the injury of objectification—that is to say we are dehumanized. We are treated as if we are subhuman, and that is a precondition for violence against us. I live in a country where if you film any act of humiliation or torture, and if the victim is a woman, the film is both entertainment and it is protected speech. Now that tells me something about what it means to be a woman citizen in this country, and the meaning of being second class. When your rape is entertainment, your worthlessness is absolute. You have reached the nadir of social worthlessness. The civil impact of pornography on women is staggering. It keeps us socially silent, it keeps us socially compliant, it keeps us afraid in neighborhoods; and it creates a vast hopelessness for women, a vast despair. One lives inside a nightmare of sexual abuse that is both actual and potential, and you have the great joy of knowing that your nightmare is someone else’s freedom and someone else’s fun.

No more boys taking you on trips, you hear?” His voice was gravelly. “You can take your own self from now on. Last thing you need is some boy distracting you and making this whole situation even more complicated. Promise me you'll stay away from that son of Pharzuph.” I opened my mouth but the words stuck in my dry throat. How sweat beaded up on my forehead. “I tried that once, John,” Patti warned him. “It didn't work out so well for me.” “Have you seen the way he looks at her?” He focused on Patti, but pointed at me. “Yes, and I've seen the way she looks at him. Truthfully, I think they need each other.” “Those two need each other like a bullet needs a target. Trust me. I've seen Nephilim kids killed for falling in love and letting it get in the way of their work.” “Well, you don't have to worry, because we're not in love,” I chimed in. “He doesn't like me like that.” Dad puffed out a breath of air. “Well, he must feel something, 'cause he sure doesn't want that other kid near you.” “Is there someone else you're interested in?” Patti asked. I rolled my colors back up, tucked them inside, and yanked the barrier back into place. Then I entertained the image of Kopano's sweet dimple for a brief second before pushing it away. “I'm not ready to think about that,” I answered. My father tilted his head up to the ceiling and pressed his giant hands to his face, muffling his speech. “I'm way too old for this.

Sex is often an attempt to entertain oneself through one’s own genitals, through the use of someone else’s genitals.

Find somebody else to entertain you," I said. "There is no one else." I turned a page in my notebook and started writing again. "There's always someone else.You've been Feeding off Forfeits for hundreds of years. Get a new one." "You don't give my job enough credit. It's really hard to convince a girl to follow me. The average pickup lines don't work so well. 'Hey,wanna get coffee? And then spend an eternity getting the life force sucked out of you?' They don't go for it.

I want to change the world in my own way. So I do stuff that’s artificial. I don’t really like being the guest at someone else’s party, because then I have to be entertaining. But I’ll host parties because it puts you at the center of things without actually being a social person.

Our society assigns us a tiny number of roles: We're producers of one thing at work, consumers of a great many things all the rest of the time, and then, once a year or so, we take on the temporary role of citizen and cast a vote. Virtually all our needs and desires we delegate to specialists of one kind or another - our meals to the food industry, our health to the medical profession, entertainment to Hollywood and the media, mental health to the therapist or the drug company, caring for nature to the environmentalist, political action to the politician, and on and on it goes. Before long it becomes hard to imagine doing much of anything for ourselves - anything, that is, except the work we do "to make a living." For everything else, we feel like we've lost the skills, or that there's someone who can do it better... it seems as though we can no longer imagine anyone but a professional or an institution or a product supplying our daily needs or solving our problems.

No one else had opened that door and stepped in here. Maybe no one ever would. All those who meet must part, without exception. It could've been our turn. But, if someone still felt the need for “us” to be together, I wanted to send him a signal that I was here. I wanted to show him that “our” hideout was still here and still lit.

Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara. “Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person. If you ever find yourself in a situation where you’re drawn to someone else, it’s up to you to remove yourself from that situation before it becomes too hard to fight.

Books are interchangeable: People want a story that excites them, relaxes them, entertains them. And if you don’t give them that, someone else will—and you’ll be history.

Books, for me, are lifesaving. They have been my companions, my teachers, my entertainment, my emotional outlets, my escape. They’ve taught me how to cook, how to love, how to mourn, how to cope, and how to feel. They’ve allowed me to sort through my own feelings and escape into someone else’s.

Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.

To hell with you. You just don't want to admit it. Those people, they're animals. They want to see someone's brains on the road, that's why they turn out. They'd just as soon see yours." "That isn't the point," McVries said calmly. "Didn't you say you went to see the Long Walk when you were younger?" "Yes, when I didn't know any better!" "Well, that makes it okay, doesn't it?" McVries uttered a short, ugly-sounding laugh. "Sure they're animals. You think you just found out a new principle? Sometimes I wonder just how naive you really are. The French lords and ladies used to screw after the guillotinings. The old Romans used to stuff each other during the gladiatorial matches. That's entertainment, Garraty. It's nothing new." He laughed againd. Garraty stared at him, fascinated. [...] "Death is great for the appetites," McVries said. [...] "But even that's not the real point of this little expedition, Garraty. The point is, they're the smart ones. They're not getting thrown to the lions. They're not staggering along and hoping they won't have to take a shit with two warnings against them. You're dumb, Garraty. You and me and Pearson and Barkovitch and Stebbins, we're all dumb. Scramm's dumb because he thinks he understands and he doesn't. Olson's dumb because he understood too much too late. They're animals, all right. But why are you so goddam sure that makes us human beings?" He paused, badly out of breath. [...] "Then why are you doing it? Garraty asked him. "If you know that much, and if you're that sure, why are you doing it?" "The same reason we're all doing it," Stebbins said. He smiled gently, almost lovingly. His lips were a little sun-parched; otherwise, his face was still unlined and seemingly invincible. "We want to die, that's why we're doing it. Why else, Garraty? Why else?

I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.

I don’t really like being the guest at someone else’s party, because then I have to be entertaining. But I’ll host parties because it puts you at the center of things without actually being a social person.

So long as you entertain the notion that there is something or someone else out there “doing it” to you, you disempower yourself to do anything about it. Only when you say “I did this” can you find the power to change it.

Almost every job I have ever gotten was due to someone knowing my work or seeing me in something else. I was in UCB and Andy Richter suggested I do stuff for Conan. Being on Conan helped me land a part in Deuce Bigalow. My UCB television show and friends helped me get an audition for SNL; my SNL connections resulted in Parks and Recreation. See, years and years of hard work and little bits of progress isn’t nearly as entertaining as imagining me telling a joke in a Boston food court when suddenly Lorne Michaels walks up and says, “I must have you for a little show I do.

Children teach us that love is, in its purest form, a kind of service. The word has grown freighted with negative connotations. An individualistic, self-gratifying culture cannot easily equate contentment with being at someone else’s call. We are used to loving others in return for what they can do for us, for their capacity to entertain, charm or soothe us. Yet babies can do precisely nothing. There is, as slightly older children sometimes conclude with a sense of serious discomfort, no ‘point’ to them; that is their point. They teach us to give without expecting anything in return, simply because they need help badly – and we are in a position to provide it. We are inducted into a love based not on an admiration for strength, but on a compassion for weakness, a vulnerability common to every member of the species and one which has been and will eventually again be our own. Because it is always tempting to overemphasize autonomy and independence, these helpless creatures are here to remind us that no one is, in the end, ‘self-made’; we are all heavily in someone’s debt. We realize that life depends – quite literally – on the capacity for love.

Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara. “Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person.

Broken hearts show us we’ve grown out of one stage, by ripping us wide open for the next. We’re forced to choose what we do with all that pain: turn it against ourselves, aim it at someone else, or tap all that power and reach higher.

Most of what passes for legitimate entertainment is inferior or foolish and only caters to or exploits people’s weakness. If you yourself don’t choose what thoughts and images you expose yourself to, someone else will, and their motives may not be the highest.

Ellie feels that dissent is being muffled by the identification of sexual liberation with this hypersexual culture. 'Now, women get told they are prudes if they say they don't want their boyfriend to go to a club where he gets to stick his fingers in someone else's vagina, or if they say they don't want to watch porn with their boyfriend. But being sexually liberated ...' Ellie paused for a while as she thought about it. 'Well, I don't think it means that we have to enjoy and accept the forms of sexual entertainment that were invented by men for their own pleasure.

If I'm buying an appliance a review is useful because it refers to functionality, which is a very black and white issue. Either a toaster works well or it burns the bread. As for entertainment, I have never and will never read a review before I experience a book or movie for myself. Whether or not a book is good is a matter of opinion. I was born with a brain of my own and am perfectly capable of forming my own opinion. I have never needed anyone to tell me what to read and how to feel about it. There have been award winning best sellers that I have absolutely hated. There have been stories that were heavily criticized that I truly enjoyed. I'm an individual and no one else's opinion is relevant when it comes to my entertainment. Has our society devolved to the point that people are incapable of forming their own opinions and must therefor read someone else's opinion first?

Sometimes failing is what's needed. I think it can put people in a good mood, to see someone fail. Let people entertain themselves. I think that's one of the reasons people are so lonely in this country. Because they always have to rush out and have someone else in the room entertain them. It's terrible, the loneliness here. People live in coffins...

She should have known better than to entertain such thoughts, she told herself later. She knew how powerful telepathy could be, conjuring or connecting with someone else’s thought waves. It might not be scientific, but she, like most people, knew how real it was, from direct experience. When her landline rang, at ten minutes to nine, some part of her know instantly who it wa.

Think of it like this. Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara. “Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person. If you ever find yourself in a situation where you’re drawn to someone else, it’s up to you to remove yourself from that situation before it becomes too hard to fight.

I would never sabotage you, Mya.” He wiped away one of my stray tears with his fingertips. “Of course, deep down I did want you to stay, but I had nothing but nice things to say about you. I even said they’d be foolish not to hire you, but—” “But?” I glared at him. “But what?” “But if they thought the low-ass salaries they were offering were good enough for you, they needed to increase them exponentially or move along to someone else. I thought you deserved more.” “Is that all?” “No,” he said, looking into my eyes. “I also needed to personally interview each of the CEOs myself. Needed to make sure each one was a good fit for you, and that whoever you worked for next was already married.” I opened my mouth to ask him if he was being serious, but he beat me to it. “Yes,” he said, smirking. “Yes, I ‘seriously’ did need to do that.” “What does the CEO being married have to do with anything, Michael? What if I have no interest in seeing you after I quit?” “You do, so we’re not even going to entertain that line of conversation.” He rolled his eyes. “If the CEO is already married, I won’t have to worry about ‘this’ happening at your next place of employment, and I can be somewhat less jealous.” “How selfish of you.” I couldn’t believe him, but for some reason I couldn’t help the smile that was forming on my face.

You’re looking better than you were last time I saw you,” she said. “I can’t say I didn’t enjoy watching you bleed.” “Yes, I’m sure that was entertaining for quite a few people,” I said tartly. “A little harder for you to claim moral superiority when you’re thirsting for someone else’s blood, though, isn’t it?” “Your crime came first.” “I’ve never argued that I’m on some kind of high ground with you,” I said. “Just that you might be on the low ground with me.

WHAT EES ALL DEES STUFF? IN AFRICA WE DOAN HAVE ALL DEES STUFF!! WE HAVE DEE BABEE!!!" His message was simple. It goes to the heart of what we in HypnoBirthing frequently puzzle over: Why has all the "stuff" that denies the normalcy of birth and portrays it as an inevitably risky and dangerous medical event become a routine part of most childbirth education classes? Why are couples in a low- or no-risk category being prepared for circumstances that only rarely occur? Even more puzzling, why do parents accept the negative premise that birth is a dangerous, painful ordeal at best or a medical calamity at worst? Why do they blindly accept the "one-size-fits-all" approach?" If what couples are hearing in childbirth classes is far removed from what they want their birthing experiences to be, why do they spend so much time entertaining negative outcomes that can color and shape their birth expectations and ultimately affect their birth experience? In other words, if it's not what they're wanting, why would they "go there"? In HypnoBirthing, we doan have all dees stuff, and deliberately so." HypnoBirthing helps you to frame a positive expectation and to prepare for birth by developing a trust and belief in your birthing body and in nature's undeniable orchestration of birthing. By teaching you the basic physiology of birth and explaining the adverse effect that fear has upon the chemical and physiological responses of your body we help you to learn simple, self-conditioning techniques that will easily bring you into the optimal state of relaxation you will use during birthing. This will allow your birthing muscles to fully relax. In other words, we will help you prepare for the birth your plan and want for yourselves and your baby, rather than the birth that someone else directs. We will help you look forward to your pregnancy and birthing with joy and love, rather than fear and anxiety.

Every project needs to go through this process. Whether it’s with an editor or a producer or a partner or a group of beta users or just through your own relentless perfectionism—whatever form it takes is up to you. But getting outside voices is crucial. The fact is, most people are so terrified of what an outside voice might say that they forgo opportunities to improve what they are making. Remember: Getting feedback requires humility. It demands that you subordinate your thoughts about your project and your love for it and entertain the idea that someone else might have a valuable thing or two to add.

Avoid Most Popular Entertainment Most of what passes for legitimate entertainment is inferior or foolish and only caters to or exploits people’s weaknesses. Avoid being one of the mob who indulges in such pastimes. Your life is too short and you have important things to do. Be discriminating about what images and ideas you permit into your mind. If you yourself don’t choose what thoughts and images you expose yourself to, someone else will, and their motives may not be the highest. It is the easiest thing in the world to slide imperceptibly into vulgarity. But there’s no need for that to happen if you determine not to waste your time and attention on mindless pap.

In books and movies whenever someone dies there is always an underlying subtext, some kind of grand cosmic lesson to be gleaned from the experience. Popular culture perpetuates the fallacy that whenever someone or something is taken away, someone or something else is always out there waiting in the wings to take its place by the last turn of the page or that final post-credits scene. The reader closes the book with a satisfied smile, the audience leaves the theater filled to the brim with warm fuzzy feelings. But that’s entertainment for you, and the world would be a far less wonderful place without their happy endings. However, in the real world what once was, no longer is, and survivors are more often than not left with no other choice but to move on, cosmic lessons learned or not.

• Can I give a smile at almost everyone I see even if I have a bad day! .. Yes I can • Can I tell a new co-worker a shortcut way to come to work instead of the long one he told us to save him/her sometime every day! .. Yes, I can. • Can I buy a flower or a bouquet and visit a sick person that I do not know at the hospital maybe once a week or once a month! .. Yes, I can. • Can I say Happy Birthday to someone you don’t know but you heard like today years ago he/she was born! .. Yes, I can. • Can I congratulate my neighbor for their newborn child by sending a greeting card or even verbally! .. Yes, I can. • Can I buy a hot meal or give away a coat to a homeless person when it is too cold or the same meal and an ice-cream when it is too hot! .. Yes I can • Can ask someone about another one who is important to the first to inquire about his health, condition, how he/she is doing so far! .. Yes I can • Can I give a little bit of time to my child (or children) every day as a personal time where we could talk, play, discuss, solve, think, enjoy, argue, hang out, play sports, watch, listen, eat, and/or entertain together! .. Yes I can. • Can I allow some time to listen to my wife without judgment but encouragement almost every day! … Yes I can. • Can I respectfully talk to my husband at least once a day to show respect and appreciation to the head of our house and family! .. Yes, I can. • Can I buy a flower and give it to someone I care about and say "I love you" and when the person asks you "what this for" you reply "because I love you". Yes, I can. • Can I listen to anyone who I feel needs someone else to listen to him/her! .. Yes, I can. • Can I give away the things that I do not use anyone to others who might need them! .. Yes, I can. • Can I buy myself something that I do adore and then enjoy it! .. Yes, I can. • Can I (fill in the blanks)! .. Yes I can.

The problem, Augustine came to believe, is that if you think you can organize your own salvation you are magnifying the very sin that keeps you from it. To believe that you can be captain of your own life is to suffer the sin of pride. What is pride? These days the word “pride” has positive connotations. It means feeling good about yourself and the things associated with you. When we use it negatively, we think of the arrogant person, someone who is puffed up and egotistical, boasting and strutting about. But that is not really the core of pride. That is just one way the disease of pride presents itself. By another definition, pride is building your happiness around your accomplishments, using your work as the measure of your worth. It is believing that you can arrive at fulfillment on your own, driven by your own individual efforts. Pride can come in bloated form. This is the puffed-up Donald Trump style of pride. This person wants people to see visible proof of his superiority. He wants to be on the VIP list. In conversation, he boasts, he brags. He needs to see his superiority reflected in other people’s eyes. He believes that this feeling of superiority will eventually bring him peace. That version is familiar. But there are other proud people who have low self-esteem. They feel they haven’t lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don’t associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it’s just that they are giving themselves a D– rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way. One key paradox of pride is that it often combines extreme self-confidence with extreme anxiety. The proud person often appears self-sufficient and egotistical but is really touchy and unstable. The proud person tries to establish self-worth by winning a great reputation, but of course this makes him utterly dependent on the gossipy and unstable crowd for his own identity. The proud person is competitive. But there are always other people who might do better. The most ruthlessly competitive person in the contest sets the standard that all else must meet or get left behind. Everybody else has to be just as monomaniacally driven to success. One can never be secure. As Dante put it, the “ardor to outshine / Burned in my bosom with a kind of rage.” Hungry for exaltation, the proud person has a tendency to make himself ridiculous. Proud people have an amazing tendency to turn themselves into buffoons, with a comb-over that fools nobody, with golden bathroom fixtures that impress nobody, with name-dropping stories that inspire nobody. Every proud man, Augustine writes, “heeds himself, and he who pleases himself seems great to himself. But he who pleases himself pleases a fool, for he himself is a fool when he is pleasing himself.”16 Pride, the minister and writer Tim Keller has observed, is unstable because other people are absentmindedly or intentionally treating the proud man’s ego with less reverence than he thinks it deserves. He continually finds that his feelings are hurt. He is perpetually putting up a front. The self-cultivator spends more energy trying to display the fact that he is happy—posting highlight reel Facebook photos and all the rest—than he does actually being happy. Augustine suddenly came to realize that the solution to his problem would come only after a transformation more fundamental than any he had previously entertained, a renunciation of the very idea that he could be the source of his own solution.

Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.

Television’s greatest appeal is that it is engaging without being at all demanding. One can rest while undergoing stimulation. Receive without giving. It’s the same in all low art that has as goal continued attention and patronage: it’s appealing precisely because it’s at once fun and easy. And the entrenchment of a culture built on Appeal helps explain a dark and curious thing: at a time when there are more decent and good and very good serious fiction writers at work in America than ever before, an American public enjoying unprecedented literacy and disposable income spends the vast bulk of its reading time and book dollar on fiction that is, by any fair standard, trash. Trash fiction is, by design and appeal, most like televised narrative: engaging without being demanding. But trash, in terms of both quality and popularity, is a much more sinister phenomenon. For while television has from its beginnings been openly motivated by — has been about—considerations of mass appeal and L.C.D. and profit, our own history is chock-full of evidence that readers and societies may properly expect important, lasting contributions from a narrative art that understands itself as being about considerations more important than popularity and balance sheets. Entertainers can divert and engage and maybe even console; only artists can transfigure. Today’s trash writers are entertainers working artists’ turf. This in itself is nothing new. But television aesthetics, and television-like economics, have clearly made their unprecedented popularity and reward possible. And there seems to me to be a real danger that not only the forms but the norms of televised art will begin to supplant the standards of all narrative art. This would be a disaster. [...] Even the snottiest young artiste, of course, probably isn’t going to bear personal ill will toward writers of trash; just as, while everybody agrees that prostitution is a bad thing for everyone involved, few are apt to blame prostitutes themselves, or wish them harm. If this seems like a non sequitur, I’m going to claim the analogy is all too apt. A prostitute is someone who, in exchange for money, affords someone else the form and sensation of sexual intimacy without any of the complex emotions or responsibilities that make intimacy between two people a valuable or meaningful human enterprise. The prostitute “gives,” but — demanding nothing of comparable value in return — perverts the giving, helps render what is supposed to be a revelation a transaction. The writer of trash fiction, often with admirable craft, affords his customer a narrative structure and movement, and content that engages the reader — titillates, repulses, excites, transports him — without demanding of him any of the intellectual or spiritual or artistic responses that render verbal intercourse between writer and reader an important or even real activity." - from "Fictional Futures and the Conspicuously Young

a young Goldman Sachs banker named Joseph Park was sitting in his apartment, frustrated at the effort required to get access to entertainment. Why should he trek all the way to Blockbuster to rent a movie? He should just be able to open a website, pick out a movie, and have it delivered to his door. Despite raising around $250 million, Kozmo, the company Park founded, went bankrupt in 2001. His biggest mistake was making a brash promise for one-hour delivery of virtually anything, and investing in building national operations to support growth that never happened. One study of over three thousand startups indicates that roughly three out of every four fail because of premature scaling—making investments that the market isn’t yet ready to support. Had Park proceeded more slowly, he might have noticed that with the current technology available, one-hour delivery was an impractical and low-margin business. There was, however, a tremendous demand for online movie rentals. Netflix was just then getting off the ground, and Kozmo might have been able to compete in the area of mail-order rentals and then online movie streaming. Later, he might have been able to capitalize on technological changes that made it possible for Instacart to build a logistics operation that made one-hour grocery delivery scalable and profitable. Since the market is more defined when settlers enter, they can focus on providing superior quality instead of deliberating about what to offer in the first place. “Wouldn’t you rather be second or third and see how the guy in first did, and then . . . improve it?” Malcolm Gladwell asked in an interview. “When ideas get really complicated, and when the world gets complicated, it’s foolish to think the person who’s first can work it all out,” Gladwell remarked. “Most good things, it takes a long time to figure them out.”* Second, there’s reason to believe that the kinds of people who choose to be late movers may be better suited to succeed. Risk seekers are drawn to being first, and they’re prone to making impulsive decisions. Meanwhile, more risk-averse entrepreneurs watch from the sidelines, waiting for the right opportunity and balancing their risk portfolios before entering. In a study of software startups, strategy researchers Elizabeth Pontikes and William Barnett find that when entrepreneurs rush to follow the crowd into hyped markets, their startups are less likely to survive and grow. When entrepreneurs wait for the market to cool down, they have higher odds of success: “Nonconformists . . . that buck the trend are most likely to stay in the market, receive funding, and ultimately go public.” Third, along with being less recklessly ambitious, settlers can improve upon competitors’ technology to make products better. When you’re the first to market, you have to make all the mistakes yourself. Meanwhile, settlers can watch and learn from your errors. “Moving first is a tactic, not a goal,” Peter Thiel writes in Zero to One; “being the first mover doesn’t do you any good if someone else comes along and unseats you.” Fourth, whereas pioneers tend to get stuck in their early offerings, settlers can observe market changes and shifting consumer tastes and adjust accordingly. In a study of the U.S. automobile industry over nearly a century, pioneers had lower survival rates because they struggled to establish legitimacy, developed routines that didn’t fit the market, and became obsolete as consumer needs clarified. Settlers also have the luxury of waiting for the market to be ready. When Warby Parker launched, e-commerce companies had been thriving for more than a decade, though other companies had tried selling glasses online with little success. “There’s no way it would have worked before,” Neil Blumenthal tells me. “We had to wait for Amazon, Zappos, and Blue Nile to get people comfortable buying products they typically wouldn’t order online.

You have asked a question: "Are we by chance a lie?" you say. The possibility disturbs you, but it is necessary for you to reconcile yourselves to being part of an unfinished set of events. You might, for example, be the characters in a literary work of the fantastic genre who have suddenly gained autonomous life. On the other hand, we might be a conglomeration of dreams dreamt by various people in different parts of the world. We are somebody else's dream. Why not? Or a lie. Or perhaps we are the materialization, in human terms, of a chess game ending in a stalemate. Or perhaps we are a film, a film that lasts barely an instant. Or the image of others, not ourselves, in a mirror. Perhaps we are the thoughts of a madman. Perhaps one of us is real and others, his hallucination, There is still another possibility. Perhaps we are a printing error that has inadvertently slipped by, that makes an otherwise clear text, confusing. Perhaps it is the transposition of the lines of a text that brings us to life in this prodigious manner. Or perhaps we are a text that being revealed in a mirror takes on a totally different meaning from the one it really has. Perhaps we are a premonition - the image formed in someone's mind long before the events in which we participate in real life take place. Perhaps we are a fortuitous event that has not yet occurred, which is barely gestating in the cracks of time, or a future event that has not yer occurred. We are an incomprehensible sign drawn on a moist windowpane on a rainy afternoon. We are the memory, nearly lost, of a remote event. We are beings and objects invoked by a magician's spell. We are something has been forgotten. We are an accumulation of words, an event told by means of illegible writing, a testimony no one hears. We are part of an entertaining magic show. A bill sent to the wrong address. We are the fleeting, involuntary image that crosses the minds of lovers as they meet, at the instant they lust, at the moment they die. We are a secret thought. . .

The tremendous leisure industry that has arisen in the last few generations has been designed to help fill free time with enjoyable experiences. Nevertheless, instead of using our physical and mental resources to experience flow, most of us spend many hours each week watching celebrated athletes playing in enormous stadiums. Instead of making music, we listen to platinum records cut by millionaire musicians. Instead of making art, we go to admire paintings that brought in the highest bids at the latest auction. We do not run risks acting on our beliefs, but occupy hours each day watching actors who pretend to have adventures, engaged in mock-meaningful action. This vicarious participation is able to mask, at least temporarily, the underlying emptiness of wasted time. But it is a very pale substitute for attention invested in real challenges. The flow experience that results from the use of skills leads to growth; passive entertainment leads nowhere. Collectively we are wasting each year the equivalent of millions of years of human consciousness. The energy that could be used to focus on complex goals, to provide for enjoyable growth, is squandered on patterns of stimulation that only mimic reality. Mass leisure, mass culture, and even high culture when only attended to passively and for extrinsic reasons—such as the wish to flaunt one’s status—are parasites of the mind. They absorb psychic energy without providing substantive strength in return. They leave us more exhausted, more disheartened than we were before. Unless a person takes charge of them, both work and free time are likely to be disappointing. Most jobs and many leisure activities—especially those involving the passive consumption of mass media—are not designed to make us happy and strong. Their purpose is to make money for someone else. If we allow them to, they can suck out the marrow of our lives, leaving only feeble husks. But like everything else, work and leisure can be appropriated for our needs. People who learn to enjoy their work, who do not waste their free time, end up feeling that their lives as a whole have become much more worthwhile. “The future,” wrote C. K. Brightbill, “will belong not only to the educated man, but to the man who is educated to use his leisure wisely.

But won’t political involvement distract us from the main task of preaching the Gospel? At this point someone may object that while political involvement may have some benefits and may do some good, it can so easily distract us, turn unbelievers away from the church, and cause us to neglect the main task of pointing people toward personal trust in Christ. John MacArthur writes, “When the church takes a stance that emphasizes political activism and social moralizing, it always diverts energy and resources away from evangelization.”83 Yet the proper question is not, “Does political influence take resources away from evangelism?” but, “Is political influence something God has called us to do?” If God has called some of us to some political influence, then those resources would not be blessed if we diverted them to evangelism—or to the choir, or to teaching Sunday School to children, or to any other use. In this matter, as in everything else the church does, it would be healthy for Christians to realize that God may call individual Christians to different emphases in their lives. This is because God has placed in the church “varieties of gifts” (1 Cor. 12:4) and the church is an entity that has “many members” but is still “one body” (v. 12). Therefore God might call someone to devote almost all of his or her time to the choir, someone else to youth work, someone else to evangelism, someone else to preparing refreshments to welcome visitors, and someone else to work with lighting and sound systems. “But if Jim places all his attention on the sound system, won’t that distract the church from the main task of preaching the Gospel?” No, not at all. That is not what God has called Jim to emphasize (though he will certainly share the Gospel with others as he has opportunity). Jim’s exclusive focus on the church’s sound system means he is just being a faithful steward in the responsibility God has given him. In the same way, I think it is entirely possible that God called Billy Graham to emphasize evangelism and say nothing about politics and also called James Dobson to emphasize a radio ministry to families and to influencing the political world for good. Aren’t there enough Christians in the world for us to focus on more than one task? And does God not call us to thousands of different emphases, all in obedience to him? But the whole ministry of the church will include both emphases. And the teaching ministry from the pulpit should do nothing less than proclaim “the whole counsel of God” (Acts 20:27). It should teach, over the course of time, on all areas of life and all areas of Bible knowledge. That certainly must include, to some extent, what the Bible says about the purposes of civil government and how that teaching should apply to our situations today. This means that in a healthy church we will find that some people emphasize influencing the government and politics, others emphasize influencing the business world, others emphasize influencing the educational system, others entertainment and the media, others marriage and the family, and so forth. When that happens, it seems to me that we should encourage, not discourage, one another. We should adopt the attitude toward each other that Paul encouraged in the church at Rome: Why do you pass judgment on your brother? Or you, why do you despise your brother? For we will all stand before the judgment seat of God…. So then each of us will give an account of himself to God. Therefore let us not pass judgment on one another any longer, but rather decide never to put a stumbling block or hindrance in the way of a brother (Rom. 14:10–13). For several different reasons, then, I think the view that says the church should just “do evangelism, not politics” is incorrect.

My dad doesn't have an iota of the depressive in him. He just depresses other people. Nothing brings him down. But this can't be true. I think it just comes out when absolutely no one else is around. It always seemed that while I knew he loved us a lot, my father actually needed nothing to be happy except books. There was enough in literature to challenge, entertain, amuse and inspire a man for a lifetime. Books and music were simply enough to sustain anyone was what he radiated. Humor, love, tragedy, it was all contained therein. And if all he needed was books, then he probably wouldn't mind if he lost the house and the wife and the whole life. Because the story was more important than the family. The story being that he was going to write the Great American Novel and finally be important, and in being important, he would be loved. Willing to lose his family to be loved by his family. Oh, the tragic blunder of this. It could almost drive someone mad. Wait, it did drive someone mad.

Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.

Think of it like this. Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re

Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara. “Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person. If you ever find yourself in a situation where you’re drawn to someone else, it’s up to you to remove yourself from that situation

Let’s explore how your Approval Seeker shows up in your life. What things do you do to make sure people like you? What things do you avoid, so others won’t be upset? Take a moment to reflect on this now. The more self-aware you can become, the more power you have to transform yourself and your results. Be sure to think about each of the core areas in your life–your work and career, dating and romantic life, friends and family. 15 Common Signs of Approval Seeking 1. Avoiding No You avoid saying no to others. You fear they will become upset or think you’re a bad person, so you usually say yes, even if it adds more stress to your life. 2. Hesitation You often wait for the “right thing” to say (and thus speak way less than you normally do). 3. Nervous Laughter You’re quick to laugh at whatever another person says, even if it’s not that funny. Your laugh might come too quickly, too often, or at inappropriate times. 4. Difficulty with Endings You have difficulty ending things, from conversations to friendships to romantic relationships. As a result, you may drag things out longer than you really want to. 5. Overly Agreeable You smile, nod, and are very agreeable with others (regardless of your actual opinions on the subject). 6. Avoiding Disagreement You avoid disagreeing with others, challenging others, or stating alternative perspectives. 7. Fear of Judgment You’re afraid of the judgments of others (which can lead to nervousness, hesitation, over-thinking, and social anxiety). 8. Fear of Upset You’re often afraid that others are secretly angry or critical of you, even though they seem to like you when you’re together. This can lead to a constant background unease that you may have “done something wrong” that someone is upset about. 9. Pressure to Entertain You feel pressure to have something great to share, such as a funny or highly engaging story about an adventure you’ve had. 10. Second Guessing & Conversational Replays During an interaction, you experience self-consciousness and doubt about how you are coming across. You imagine you should be someone “better” than you are. Afterwards, you replay the interaction in your mind and find all the things you did wrong, ways you may have upset the other person, and things you should have said. 11. Habitual Apologies You’re quick to apologize out of habit, even for minor transgressions, like starting to speak at the same time as someone else. 12. Submissive Body Language You demonstrate submissive body language, such as looking away frequently or keeping your eyes down. 13. Putting Others First You have a strong habit of putting others’ needs ahead of your own, thinking it is selfish to do otherwise. 14. Not Stating Desires You rarely state what you want directly. Instead, you may suggest or imply something and hope the other person detects it. You often question your desires and think they might be either too much or not worth asking for. 15. Attempting to Fit In & Impress You try to fit in to groups by pretending to be interested in things you are not, or exaggerating about your experiences, wealth, or achievements. All submission to peer pressure is approval seeking.

For the first time in his entire life, he had allowed himself to entertain the thought of a life without the weight of his destiny on his shoulders, where he could live and love as freely as he wished. And it took a girl from the desert to make him dream of a life as someone else. But that was not a dream he could afford. His fate was written in the stars. He was an arrow launched at birth, and he could not miss his mark.

No rules?” he asked gruffly. “No rules.” Harry threw the first punch, and Cam dodged easily. Adjusting, calculating, Harry retreated as Cam threw a right. A pivot, and then Harry connected with a left cross. Cam had reacted a fraction too late, deflecting some of the blow’s force, but not all. A quiet curse, a rueful grin, and Cam renewed his guard. “Hard and fast,” he said approvingly. “Where did you learn to fight?” “New York.” Cam lunged forward and flipped him to the ground. “West London,” he returned. Tucking into a roll, Harry gained his footing instantly. As he came up, he used his elbow in a backward jab into Cam’s midriff. Cam grunted. Grabbing Harry’s arm, he hooked a foot around his ankle and took him down again. They rolled once, twice, until Harry sprang away and retreated a few steps. Breathing hard, he watched as Cam leapt to his feet. “You could have put a forearm to my throat,” Cam pointed out, shaking a swath of hair from his forehead. “I didn’t want to crush your windpipe,” Harry said acidly, “before I made you tell me where my wife is.” Cam grinned. Before he could reply, however, there was a commotion as all the Hathaways poured from the conservatory. Leo, Amelia, Win, Beatrix, Merripen, and Catherine Marks. Everyone except Poppy, Harry noted bleakly. Where the hell was she? “Is this the after-dinner entertainment?” Leo asked sardonically, emerging from the group. “Someone might have asked me—I would have preferred cards.” “You’re next, Ramsay,” Harry said with a scowl. “After I finish with Rohan, I’m going to flatten you for taking my wife away from London.” “No,” Merripen said with deadly calm, stepping forward, “I’m next. And I’m going to flatten you for taking advantage of my kinswoman.” Leo glanced from Merripen’s grim face to Harry’s, and rolled his eyes. “Forget it, then,” he said, going back into the conservatory. “After Merripen’s done, there won’t be anything left of him.” Pausing beside his sisters, he spoke quietly to Win out of the side of his mouth. “You’d better do something.” “Why?” “Because Cam only wants to knock a bit of sense into him. But Merripen actually intends to kill him, which I don’t think Poppy would appreciate.” “Why don’t you do something to stop him, Leo?” Amelia suggested acidly. “Because I’m a peer. We aristocrats always try to get someone else to do something before we have to do it ourselves.” He gave her a superior look. “It’s called noblesse oblige.” Miss Marks’s brows lowered. “That’s not the definition of noblesse oblige.” “It’s my definition,” Leo said, seeming to enjoy her annoyance. “Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.” Merripen, attentive as always to his wife, gave her a frowning glance. “Now?” “Yes, now.” “Can’t it wait?” “No,” Win said equably. At his continued hesitation, she said, “I’m expecting.” Merripen blinked. “Expecting what?” “A baby.” They all watched as Merripen’s face turned ashen. “But how . . .” he asked dazedly, nearly staggering as he headed to Win. “How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?” “It’s not a ploy,” Win said cheerfully. Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house. “I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside. Cam and Harry were left alone. “I should probably explain,

it often occurred to me that there was a time before family radios and television when people had nothing but themselves for entertainment. The point I thought we missed about all that was that in those days – the ‘olden days’, as Ronnie puts it – there was little to take you out of your home. Television did more because there was little left to the imagination. You were captured totally in someone else’s imagination, whether it was the set designs, the settings chosen or the lighting and sound to accompany the actors. Computers wired you to the outside world in a much more complete way. It was something you did alone. Ronnie tried to get me to go into his office to witness what he was seeing, but for the most part he was oblivious to everything and everyone else around him. He was truly gone for those hours he spent reading emails, sending them, copying and pasting in quotes and jokes, and reading the blogs he favored.

Bars are entertainment only when there’s nothing else to do,” he’s saying. “I haven’t really been in a while. Well, other than the fact that I’ve been haunting the cantina here in Port waiting to run into you.” “I don’t like cantinas,” I say quickly. “Or bars. Too many people.” He nods. “I can see that.” It’s my turn to pick up the conversation again, but my tongue sticks to the roof of my mouth. I can’t think of anything to say to him. I want to keep this easy, casual conversation flowing and yet I don’t know how. Please, please be my friend. Please be someone that’s there for me.

Every time you spot a new perspective, you change how you see the world. The world itself hasn’t changed. But your perception of it has. If I’m stuck over here only able to touch the elephant’s ear, the only way for me to understand the tusk is through another human being. This doesn’t require you to change your own mind. It simply requires you to see someone else’s point of view. “It is the mark of an educated mind,” Aristotle once said, “to be able to entertain a thought without accepting it.

person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.

Yet all too often the gruesome details of someone else’s pain are offered up simply for the purposes of entertainment

In my past life, there were a number of LGBTQ activists who had criticized the entertainers using their flamboyant sexuality as a selling point on TV. I think their criticism was likely on point. But here’s what else I think: Without going so far as to say it’s the right or wrong thing to do, some people out there can’t live their lives without making light of their problems. Of course these entertainers were contributing to homophobic stereotypes. And of course I’d prefer it if we could eliminate homophobia altogether. But some queer people living in the real world will also, inevitably, act in ways that highlight the prejudices they experience. Maybe they’ll have other reasons for acting the way they do, but I think that need to lampshade their problems is one of them. Some people can’t live with their burdens without cracking wise about them. When you’re queer and you fall in love with someone who can never respond to your feelings in kind, they often still behave more intimately with you than they would with someone of the opposite sex. But after the moment you realize you’re in love with them, that just makes them feel even further away. If you run into this problem again and again, before you realize it, you might become the kind of person who can only helplessly laugh the whole thing off. Not everyone ends up like that, of course. It just so happened that I had.

Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara.

He’s probably one of those true crime junkies. I’ve never understood those kinds of people. Who wants to be entertained by someone else’s horrific tragedy? Cynthia says it’s because some people’s baseline is “anxious” and watching or listening to content that makes them anxious feels normal to them. Alternately she said that some people enjoy true crime because morbid curiosity is a natural human trait. That and it’s a way to protect and educate ourselves about our deepest fears.

Doesn’t matter what you want to call it. Love is a worthless word anyway. Especially given your love is already promised to someone else. I’m just trying to make you understand this isn’t fun. And it isn’t entertainment. Whatever you do is violent and rips me to pieces. But now that I’ve felt it, I can’t live without it. So I hope you’re happy.

Pierre was an excellent liar, although the word was much too sweeping to describe his occasional reticence to divulge. Rather than lie outright, he’d fabulate. He’d tell a story or change the subject or say something funny. Like a magician, he’d distract. For years, Bill had watched him nimbly extricate himself from someone else’s demands. It was very entertaining except when the other person was him.

Laughing, I corrected the line and climbed down from the ladder, picking up the roller and finishing the wall. I headed to the kitchen to grab a drink, pausing when I overheard Hannah and her mom in her room talking quietly. “Are you sure, Hannah?” “Yes, Mom. He is just a friend. Nothing else.” “He wants more. I saw it.” “Well, he isn’t getting more. I am not ruining a good partnership for that. I like him, but I’m not interested. He’s–he’s like a brother to me. We’re friends. Nothing more.” “Is there someone else?” Hannah paused. “Yes.” I felt a wall of disappointment swamp me. I hurried to the kitchen, not wanting to hear any more. I had misread the signals. Hannah thought of me as a friend. She was affectionate and sweet. When I thought about it, she hugged and gave out cheek-kisses like they were nothing. I was the one who saw more than there was. Felt more. Unable to stay, I grabbed a bottle of water and headed outside to the deck. I looked around, thinking of how I had jumped ahead. Seen us as a couple. Entertaining. I blinked away the moisture in my eyes. What an idiot. The door opened, and Hannah stepped out onto the deck. “Hey—you okay?” “Absolutely. Just getting some fresh air. Rid my lungs of the paint.

Think of it like this. Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction

Another can do the activity for you; even enjoyment itself can be outsourced. The common example given by Žižek is the laugh track that occurs in most comedic sit-coms (now, sadly a dying form of entertainment with streaming services superseding network television), but the idea is that the television show is fully equipped with a canned laughter which then laughs at the point in the show when the actors make a funny remark. The point is not that the audience laughs along with the canned laughter, but that after a long day at work when you are tired, the canned laughter does the laughing for you. You are relieved of the need to act, and you imagine that there is a real person somewhere laughing at the joke in your place. Ideology functions in this gap, because the reality is that canned laughter is just a machine recording of laughter and there are no real people who are actually laughing. Žižek’s thesis is that this creates a “subject supposed to believe'' that there is someone out there doing the work that we are not doing. In instances when we give to charities we want to believe that the money is going to a good cause and that the problem of say, hunger in Africa, is being resolved by our donation. Not by the person donating the money, but by someone else who will allegedly act on our behalf and put in the work necessary for consumerism to continue unabated. Consumers can remain docile, or even active in their own hedonistic desires. Interpassivity implies that a decentered subject has emerged, where even the innermost desires of the subject can be externalized.

I haven't room in my life for anything else." "Or any'one' else?" She tilted her head, studying him. "That sounds... rather lonely." One corner of his mouth kicked up, his green eyes suddenly amused. "Not as lonely as all that, I assure you. I have needs like any other man and I make sure to fulfill them." She pursed her lips to hide the fact that her heart had sped up at the thought of his 'needs.' "I understand from Violetta that you are no longer... er... entertaining her." "Ye-es," he drawled, his head laid back against the squabs. He was watching her from beneath lowered lids. The flickering lamplight reflected in his eyes. He'd sampled three or four pints of his brother's beer at the dinner, she'd noticed, and she wondered now if they were perhaps affecting him. "I suppose I'll have to find someone else to satisfy my desires." She licked her lips nervously. His gaze fixed on her mouth and his voice was deeper when he said, "Or I might have to satisfy myself.

Nel explained that he’d been finding—and cleaning—semen-and lipstick-stained towels for weeks. I was shocked. If the stains didn’t rinse out, he’d carefully remove them by hand. He was terrified that if he passed them on to other Navy laundry personnel downstairs he’d not only reveal Bill Clinton’s affairs, he’d embarrass the presidency itself. Sure, they might have missed the semen stains—but not the lipstick. A Navy senior chief petty officer was washing those towels by hand: that’s how much Nel cared for protecting the office of the president. Upon seeing the fluid, I instantly thought, “F—ing Monica!” But that lipstick… no. Among White House women, fashion and especially lipstick were like trademarks. This wasn’t Monica’s lipstick. Someone else was entertaining the president late at night. As I testified in the Ken Starr investigation, I believed that this particular lipstick belonged to the current West Wing receptionist. I just knew it. I sighed. But I kept it to myself and didn’t tell Nel or anyone else. I mentally filed that piece of knowledge under “Please forget.

I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.” There was a collective groan from the audience, and someone shouted, “Come on, don’t break the guy’s heart.” Someone else added, “That’s cold, Kerry. Even for you.” She might have blanched a little at that. Cold. She wasn’t cold. She just wasn’t…overly friendly. At least not in the way some of the men in the place--and not only the single ones--hoped she’d be. “Come on now,” she said. “I’m not breaking anything here. You get what you see with me. No subterfuge, no leading anyone to believe anything that isn’t true. You all know that.” She didn’t bother looking at Hardy, though it couldn’t hurt to get him the message again, too. She did look at Cooper again, though, as she added, “Anyone who knows me, knows that.” His laser-beam gaze didn’t falter for even a blink. She drew in a steadying breath and pasted a big smile on her face. “So then,” she said, clapping her hands together and keeping her fingers woven tightly in front of her, her damp palms belying her I’m-so-in-control-here attitude. “The entertainment portion of the evening is over. Nothing to see here. Let’s shoot some pool, throw some darts, and a round for everyone, on the house.” That got the rousing cheer she knew it would and she quickly hopped down behind the bar and immediately began setting up glasses. She knew her grand--and not inexpensive--gesture would quiet them for a bit, but she also knew life in the Cove was going to be rife with all sorts of gossip for the next day or two, until something else came along to replace it on their juicy little grapevine. She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance.

Leave them alone,” Catherine said. “You play with people as a cat does with mice. Entertain yourself with someone else, Harry. God knows you have no shortage of women who would do anything to please you.” “That’s what makes them boring,” he said gravely. “No, don’t leave yet—there’s something I want to ask. Has Poppy said anything to you about me?” Mystified, Catherine shook her head. “Only that it was interesting to finally be able to put a face to the mysterious hotelier.” She stared at him intently. “What else should she have told me?” Harry adopted an innocent expression. “Nothing. I merely wondered if I had made an impression.” “I’m sure Poppy overlooked you entirely. Her affections are with Mr. Bayning, who, unlike you, is a good, honorable man.” “You wound me. Fortunately in matters of love, most women can be persuaded to choose a bad man over a good one.” “If you understood anything about love,” Catherine said acidly, “you would know that Poppy would never choose anyone over the man she has already given her heart to.” “He can have her heart,” came Harry’s casual reply. “As long as I have the rest of her.” As Catherine spluttered in offended fury, Harry stood and went to the door. “Let me show you out. No doubt you’ll want to go back and sound the alarms. For all the good it will do.

If everyone has talent, you can try for media chance or else you can do YouTube because YouTube is like media and i heard the news .if someone having YouTube channel they can’t get media opportunities but they can use other social medias

Sweetheart, if I didn’t enjoy you, I’d leave you in the room and find someone else to keep me entertained.” That was a backhanded compliment if I’d ever been slapped with one.

Think of it like this. Attraction isn’t something that only happens once, with one person. It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people... Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person. If you ever find yourself in a situation where you’re drawn to someone else, it’s up to you to remove yourself from that situation before it becomes too hard to fight.

I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.

Look, sorry to almost take you out. I thought you were his soon-to-be ex, too.” Syn walked over to the couch to get his jacket. “Sure. Whatever, Captain America,” Doug quipped angrily. Syn barked a laugh, putting his coat on. Furi walked over to him, keeping his back to his friend. Wanting to say something, anything to Syn before he left. “You talked to him about me?” Syn didn’t know if he was upset or not about that. He guessed it depended what Furi said. “A couple days back. When I left upset after those college bastards took a cheap shot at me.” Furi huffed. “I was pissed, okay. I didn’t know what you wanted from me. I thought it was just–” Syn moved in close, looking directly at him. “Just what? That you thought I only wanted to play around and experiment with you? Is that what you think?" “Not after what just happened tonight, no. But at that time, I thought so, yes. I only called Doug for a little comfort.” Furi’s voice was deep and raspy, his tight body pressed up close against Syn's. “I’m sure he comforts you damn good, too,” Syn hissed before he could think better of blurting that out. Wow. Really? "It’s not like that. Doug is my friend.” “A friend who just happened to come by after one in the morning and bust through the door to get to you.” “Stop cutting me off. Doug is straight and not my type even if he weren't. I don’t do jealousy, Syn. So knock it off.” Furi leaned in and brushed Syn’s neck with his lips. “Well, he pops up and it’s late as fuck, so what am I to think?” Syn whispered. “Hey, I’m not gonna fuck around with you if I’m already fucking around with someone else. I’m not that type of guy.” Furi moaned in Syn’s ear when he buried his thick palm in Furi's hair, soothingly massaging his scalp. Syn’s deep whisky-rough voice penetrated his brain. “I’m sorry. I’m just all screwed up right now; with you and me, what happened tonight. I just really wish we hadn’t been interrupted.” “Me too.” Syn wrapped his arms around Furi’s narrow waist. “I want to spend more time with you. I need to spend more time with you.” “We will.” “Why do you look upset?" Syn asked. “I’m nervous about the call you just got.” Furi released a shaky breath. “It’s okay. We’ll catch this person soon.” Syn held Furi’s hand, making his way to the door. “Yeah. Sounds like someone is after Illustra’s entertainers,” Doug piped up from his position on the arm of the couch. “My team is good. We’ll catch 'em.” Syn turned to Doug, “I’ll need you to come back to the precinct first thing tomorrow.” “Why?” the man asked with an exaggerated huff. “Because I said so. You were at Illustra not long ago, right?” Syn pulled out his keys while talking, not letting Doug answer. “That means the murder may’ve happened while you were there. So, like I said, I’ll need you to come back in the morning. For now. Stay here with Furi.” Syn took Furi by the shoulders, turning him to face him. “Any shit comes up, you call me on my cell.” Syn handed Furi a card from his inside jacket pocket. “If you have any problems; and I mean any at all, you call me immediately. I’m going to have the beat officer for this area do regular drive-bys to check for activity. Especially since your door is broken now.” Syn glared in Doug’s direction. Furi nodded his head. “Okay.” “I mean it.” Syn smiled and kissed Furi’s cheek like a perfect gentlemen. He leaned in and inhaled his hair one more time, whispering into it, causing Furi to quiver. “Call me later.” Furi nodded again. “Sure thing, Sergeant.

For it is only when they can accept responsibility for all of it that they can achieve the power to change part of it. So long as you entertain the notion that there is something or someone else out there “doing it” to you, you disempower yourself to do anything about it. Only when you say “I did this” can you find the power to change it. It

It must be an old photograph of you, out in the yard, looking almost afraid in the crisp, raking light that afternoons in the city held in those days, unappeased, not accepting anything from anybody. So what else is new? I’ll tell you what is: you are accepting this now from the invisible, unknown sender, and the light that was intended, you thought, only to rake or glance is now directed full in your face, as it in fact always was, but you were squinting so hard, fearful of accepting it, that you didn’t know this. Whether it warms or burns is another matter, which we will not go into here. The point is that you are accepting it and holding on to it, like love from someone you always thought you couldn’t stand, and whom you now recognize as a brother, an equal. Someone whose face is the same as yours in the photograph but who is someone else, all of whose thoughts and feelings are directed at you, falling like a gentle slab of light that will ultimately loosen and dissolve the crusted suspicion, the timely self-hatred, the efficient cold directness, the horrible good manners, the sensible resolves and the senseless nights spent waiting in utter abandon, that have grown up to be you in the tree with no view; and place you firmly in the good-natured circle of your ancestors’ games and entertainments.

And instead of being where he was, I was on a date with someone amazing who couldn’t even hold my attention because I was too damaged and in love with somebody else to even entertain it.

Almost every job I have ever gotten was due to someone knowing my work or seeing me in something else. I was in UCB and Andy Richter suggested I do stuff for 'Conan'. Being on 'Conan' helped me land a part in 'Deuce Bigalow'. My UCB television show and friends helped me get an audition for SNL; my SNL connections resulted in Parks and Recreation. See, years and years of hard work and little bits of progress isn't nearly as entertaining as imagining me telling a joke in a Boston food court when suddenly Lorne Michaels walks up and says, "I must have you for a little show I do.

what twenty-four hours, and you’re already entertaining someone else?

Mick had become uncertain, had started second-guessing his own talent—that seemed, ironically, to be at the root of the self-inflation. For many years through the ’60s, Mick was incredibly charming and humorous. He was natural. It was electrifying the way he could work those small spaces, as a singer and as a dancer; fascinating to watch and work with—the spins, the moves. He never thought about it. That performance was exciting without him appearing to do anything. And he’s still good, even though to my mind it’s dissipated on the big stages. That’s what people have wanted to see: spectacle. But it’s not necessarily what he’s best at. Somewhere, though, he got unnatural. He forgot how good he was in that small spot. He forgot his natural rhythm. I know he disagrees with me. What somebody else was doing was far more interesting to him than what he was doing. He even began to act as if he wanted to be someone else. Mick is quite competitive, and he started to get competitive about other bands. He watched what David Bowie was doing and wanted to do it. Bowie was a major, major attraction. Somebody had taken Mick on in the costume and bizarreness department. But the fact is, Mick could deliver ten times more than Bowie in just a T-shirt and a pair of jeans, singing “I’m a Man.” Why would you want to be anything else if you’re Mick Jagger? Is being the greatest entertainer in show business not enough? He forgot that it was he who was new, who created and set the trends in the first place, for years. It’s fascinating. I can’t figure it out. It’s almost as if Mick was aspiring to be Mick Jagger, chasing his own phantom. And getting design consultants to help him do it. No one taught him to dance, until he took dance lessons. Charlie and Ronnie and I quite often chuckle when we see Mick out there doing a move that we know some dance instructor just laid on him, instead of being himself. We know the minute he’s going plastic. Shit, Charlie and I have been watching that ass for forty-odd years; we know when the moneymaker’s shaking and when it’s being told what to do. Mick’s taken up singing lessons, but that may be to preserve his voice.

It’s part of what drives humans. Our attraction to each other, to art, to food, to entertainment. Attraction is fun. So when you decide to commit to someone, you aren’t saying, ‘I promise I’ll never be attracted to anyone else.’ You’re saying, ‘I promise to commit to you, despite my potential future attraction to other people.’” I look at Clara. “Relationships are hard for that very reason. Your body and your heart don’t stop finding the beauty and the attraction in other people simply because you’ve made a commitment to one person. If you ever find yourself in a situation where you’re drawn to someone else, it’s up to you to remove yourself from that situation before it becomes too hard to fight.