Freeway 2 Quotes

We've searched our database for all the quotes and captions related to Freeway 2. Here they are! All 18 of them:

Life was radical right after I met the monster. Later, life became harder, complicated. Ultimately, a living hell, like swimming against a riptide, Walking the wrong direction in the fast lane of the freeway, Waking from sweetest dreams to find yourself in the middle of a nightmare.
Ellen Hopkins (Glass (Crank, #2))
Let me close with a word of caution: when you’re on the turnpikes and freeways of America, watch out for those Winnebagos and Bounders. You never know who might be inside. Or what.
Stephen King (Doctor Sleep (The Shining, #2))
Her first instinct was to get in her car, get on the freeway going east, and just keep driving. Yes, that was a good idea. She should drive until she hit the desert and then stay there. That way, she would never have to deal with this and maybe eventually it would go away.
Jasmine Guillory (The Proposal (The Wedding Date, #2))
You think you have it all under control. Your path so perfectly mapped out. And then one day you’re driving along and bam! You get rammed from behind on the freeway. And you never saw it coming. People are like that too. Unpredictable. No matter how well you think you know somebody? How confident you are of their feelings, their reactions? They can still surprise you. And in the most devastating of ways.
Emma Chase (Twisted (Tangled, #2))
The guided tour "I am a guide to the labyrinth" city is inside of body made manifest meat organs & electrical power plants The place where, walking down death-row ("You look like you're"), maps - AMERICUS - a river-vein we ride along. give form to the passing world Freeways are a drama, a new art form. Signs. Houses. Faces. Loud gabble of Blacks at a bus-stop.
Jim Morrison (The American Night: The Lost Writings, Vol. 2)
Oh, everything is fun when I’m around.” Hercules’s knees knocked into the back of my seat as he leaned back. “This one time, when I was ordered by the gods to . . .” I could only think of three words. Fuck. My. Life. “You should drive, because I’m going to end it all. Once we’re on the freeway, I’m going to jump out of this vehicle and throw myself in front of a Mack truck.” Josie’s laugh cut off her yawn. “That’s a little excessive.” Adjusting the sunglasses I’d stolen from Aiden yesterday morning, I smirked. “I do not think anything is excessive when it comes to him.” “But that won’t even kill you.” I sighed. “Yeah, but I’m pretty sure it’ll knock me unconscious for the time being.
Jennifer L. Armentrout (The Power (Titan, #2))
If you’re going to give me the third degree,” she tells him, “let’s get it over with. Best to withhold food or water; water is probably best. I’ll get thirsty before I get hungry.” He shakes his head in disbelief. “Do you really think I’m like that? Why would you think that?” “I was taken by force, and you’re keeping me here against my will,” she says, leaning across the table toward him. She considers spitting in his face, but decides to save that gesture as punctuation for a more appropriate moment. “Imprisonment is still imprisonment, no matter how many layers of cotton you wrap it in.” That makes him lean farther away, and she knows she’s pushed a button. She remembers seeing those pictures of him back when he was all over the news, wrapped in cotton and kept in a bombproof cell. “I really don’t get you,” he says, a bit of anger in his voice this time. “We saved your life. You could at least be a little grateful.” “You have robbed me, and everyone here, of their purpose. That’s not salvation, that’s damnation.” “I’m sorry you feel that way.” Now it’s her turn to get angry. “Yes, you’re sorry I feel that way, everyone’s sorry I feel that way. Are you going to keep this up until I don’t feel that way anymore?” He stands up suddenly, pushing his chair back, and paces, fern leaves brushing his clothes. She knows she’s gotten to him. He seems like he’s about to storm out, but instead takes a deep breath and turns back to her. “I know what you’re going through,” he says. “I was brainwashed by my family to actually want to be unwound—and not just by my family, but by my friends, my church, everyone I looked up to. The only voice who spoke sense was my brother Marcus, but I was too blind to hear him until the day I got kidnapped.” “You mean see,” she says, putting a nice speed bump in his way. “Huh?” “Too blind to see him, too deaf to hear him. Get your senses straight. Or maybe you can’t, because you’re senseless.” He smiles. “You’re good.” “And anyway, I don’t need to hear your life story. I already know it. You got caught in a freeway pileup, and the Akron AWOL used you as a human shield—very noble. Then he turned you, like cheese gone bad.” “He didn’t turn me. It was getting away from my tithing, and seeing unwinding for what it is. That’s what turned me.” “Because being a murderer is better than being a tithe, isn’t that right, clapper?” He sits back down again, calmer, and it frustrates her that he is becoming immune to her snipes. “When you live a life without questions, you’re unprepared for the questions when they come,” he says. “You get angry and you totally lack the skills to deal with the anger. So yes, I became a clapper, but only because I was too innocent to know how guilty I was becoming.” ... “You think I’m like you, but I’m not,” Miracolina says. “I’m not part of a religious order that tithes. My parents did it in spite of our beliefs, not because of ii.” “But you were still raised to believe it was your purpose, weren’t you?” “My purpose was to save my brother’s life by being a marrow donor, so my purpose was served before I was six months old.” “And doesn’t that make you angry that the only reason you’re here was to help someone else?” “Not at all,” she says a little too quickly. She purses her lips and leans back in her chair, squirming a bit. The chair feels a little too hard beneath her. “All right, so maybe I do feel angry once in a while, but I understand why they did it. If I were them, I would have done the same thing.” “Agreed,” he says. “But once your purpose was served, shouldn’t your life be your own?” “Miracles are the property of God,” she answers. “No,” he says, “miracles are gifts from God. To calthem his property insults the spirit in which they are given.” She opens her mouth to reply but finds she has no response, because he’s right. Damn him for being right—nothing about him should be right! “We’ll talk again when you’re over yourself,” he says.
Neal Shusterman (UnWholly (Unwind, #2))
Conceptual Games. Dr Nathan pondered the list on his desk-pad. (1) The catalogue of an exhibition of tropical diseases at the Wellcome Museum; (2) chemical and topographical analyses of a young woman’s excrement; (3) diagrams of female orifices: buccal, orbital, anal, urethral, some showing wound areas; (4) the results of a questionnaire in which a volunteer panel of parents were asked to devise ways of killing their own children; (5) an item entitled ‘self-disgust’ - someone’s morbid and hate-filled list of his faults. Dr Nathan inhaled carefully on his gold-tipped cigarette. Were these items in some conceptual game? To Catherine Austin, waiting as ever by the window, he said, ‘Should we warn Miss Novotny?’ Biomorphic Horror. With an effort, Dr Nathan looked away from Catherine Austin as she picked at her finger quicks. Unsure whether she was listening to him, he continued: ‘Travers’s problem is how to come to terms with the violence that has pursued his life - not merely the violence of accident and bereavement, or the horrors of war, but the biomorphic horror of our own bodies. Travers has at last realized that the real significance of these acts of violence lies elsewhere, in what we might term “the death of affect”. Consider our most real and tender pleasures - in the excitements of pain and mutilation; in sex as the perfect arena, like a culture-bed of sterile pus, for all the veronicas of our own perversions, in voyeurism and self-disgust, in our moral freedom to pursue our own psychopathologies as a game, and in our ever greater powers of abstraction. What our children have to fear are not the cars on the freeways of tomorrow, but our own pleasure in calculating the most elegant parameters of their deaths. The only way we can make contact with each other is in terms of conceptualizations. Violence is the conceptualization of pain. By the same token psychopathology is the conceptual system of sex.’ Sink Speeds. During this period, after his return to Karen Novotny’s apartment, Travers was busy with the following projects: a cogent defence of the documentary films of Jacopetti; a contribution to a magazine symposium on the optimum auto-disaster; the preparation, at a former colleague’s invitation, of the forensic notes to the catalogue of an exhibition of imaginary genital organs. Immersed in these topics, Travers moved from art gallery to conference hall. Beside him, Karen Novotny seemed more and more isolated by these excursions. Advertisements of the film of her death had appeared in the movie magazines and on the walls of the underground stations. ‘Games, Karen,’ Travers reassured her. ‘Next they’ll have you filmed masturbating by a cripple in a wheel chair.
J.G. Ballard (The Atrocity Exhibition)
we hit the tunnel that marks the end of the freeway and dumps out onto the Pacific Coast Highway. I cracked the window open. I always loved the feeling I got when I’d swing out of the tunnel and see and smell the ocean. We followed the PCH as it took us north to Malibu. It was hard for me to go back to the computer when I had the blue Pacific right outside my office window. I finally gave up, lowered the window all the way, and just rode.
Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
Can you see the entry?” “Yes.” “Watch.” “It’s only two o’clock. Will be hours before he come.” “Watch.” He expected her to fidget or try to make conversation, but she didn’t. She sat behind him, a second presence in the car, quiet and still, watching. They watched for an hour and ten minutes, silent, as people came and went around them, parking, backing out, pushing buggies filled high with groceries. Rina did not move or speak for the entire time, but then she suddenly pulled herself forward, and pointed past his chin. “That window on the top floor, on the side there away from the freeway. That was mine.” Then she settled back and said nothing more. Pike studied her in the rearview, but only for a moment. He didn’t want her to catch him staring. An hour and twenty minutes later, she abruptly pulled herself forward again. “That girl. She is one of the girls there. In the green.” A young woman in black spandex shorts and a lime green top came around the corner and went to the glass door. Her dark hair was pulled back into a sleek ponytail, and a large gym bag was slung over her shoulder. On her way back from the gym. She was lean and fit, but her breasts were too large to be natural. She looked very young. Rina said, “You see? I know this girl when they bring her here. They make her waitress, and then she dance.” “Stripper.” “Yes. And this.” The girl let herself into the lobby, then pushed a button for the elevator. Fifteen minutes later, Rina pulled forward again. “There. In the black car.” A black BMW convertible turned off Sepulveda and crept past the building as if looking for a parking place. The driver was a white male in his twenties with a thick neck and long, limp hair. He wore a white shirt with the sleeves rolled, a day-old beard, and mirrored sunglasses. Pike
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
aire /ɛʀ/ nf 1. (domaine) sphere • ~ économique/culturelle | economic/cultural sphere • étendre son ~ d'activité | to extend one's sphere of activity 2. (surface) area 3. (nid) eyrie aire d'atterrissage (pour avions) landing strip; (pour hélicoptère) landing pad aire de battage threshing floor aire de chargement loading bay aire continentale continental shield aire de jeu playground aire de lancement launching pad, launch pad (GB) aire linguistique linguistic region aire de loisirs recreation area aire de pique-nique picnic area aire de repos rest area aire de services services (pl) (GB), motorway (GB) ou freeway (US) service station aire de stationnement parking area
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Publishing a tweet is like shouting random nonsense at a bus driving past on the freeway.
Peter Cawdron (Generation of Vipers (Seeds, #2))
Windows of homes and office complexes left streaks of yellow in her peripheral vision as she sped past. Headlights glared and flickered from the opposite lane of the road, drivers warning her to stay on her side, to stop veering the pick-up, to stay awake, to stop at red lights. She ignored them. They did not understand that there were no signs on the freeway to help her as they helped them, no Ramp Exit sign navigating her with the words EXIT 3A: ANSWERS, 1/2 MILE. They did not understand that she talked to herself while she drove in order to set things straight just as much as to stay awake. They did not understand that the traffic lights were red with rage and not with warning. Brakes don't work along the road to Hell.
Angela Panayotopulos
To measure market needs, I would watch carefully what customers do, not simply listen to what they say. Watching how customers actually use a product provides much more reliable information than can be gleaned from a verbal interview or a focus group. Thus, observations indicate that auto users today require a minimum cruising range (that is, the distance that can be driven without refueling) of about 125 to 150 miles; most electric vehicles only offer a minimum cruising range of 50 to 80 miles. Similarly, drivers seem to require cars that accelerate from 0 to 60 miles per hour in less than 10 seconds (necessary primarily to merge safely into highspeed traffic from freeway entrance ramps); most electric vehicles take nearly 20 seconds to get there. And, finally, buyers in the mainstream market demand a wide array of options, but it would be impossible for electric vehicle manufacturers to offer a similar variety within the small initial unit volumes that will characterize that business. According to almost any definition of functionality used for the vertical axis of our proposed chart, the electric vehicle will be deficient compared to a gasolinepowered car. This information is not sufficient to characterize electric vehicles as disruptive, however. They will only be disruptive if we find that they are also on a trajectory of improvement that might someday make them competitive in parts of the mainstream market. The trajectories of performance improvement demanded in the market—whether measured in terms of required acceleration, cruising range, or top cruising speed—are relatively flat. This is because traffic laws impose a limit on the usefulness of ever-more-powerful cars, and demographic, economic, and geographic considerations limit the increase in commuting miles for the average driver to less than 1 percent per year. At the same time, the performance of electric vehicles is improving at a faster rate—between 2 and 4 percent per year—suggesting that sustaining technological advances might indeed carry electric vehicles from their position today, where they cannot compete in mainstream markets, to a position in the future where they might.
Clayton M. Christensen
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Detroit Herbal Center
You’ve been fed a bill of goods for a degree that doesn’t match with the current economics of your time. Promised something that can and will never occur given what’s happening with the world at large. A belief that’s fifty years out of date, and fits in about as well as a horse and buggy on a freeway.
Randi Darren (Incubus Inc. II (Incubus Inc., #2))
I wondered if those tourists saw the truth of an abandoned place. That it was fuller than a mall, more bustling than an old freeway. Because the Earth didn’t stutter. It moved ahead, smooth and elegant, and uncoiled its fingers into every last place, hooking nails under crook and groove. Now so much of the country was abandoned, and we had never lived in a more crowded space.
Cherie Dimaline (Hunting by Stars (Marrow Thieves #2))
BOSCH DID NOT BEGIN TO FEEL WHOLE again until he reached the smogged outskirts of L.A. He was back in the nastiness again but he knew that it was here that he would heal. He skirted downtown on the freeway and headed up through Cahuenga Pass. Midday traffic was light. Looking up at the hills he saw the charred path of the Christmas-night fire. But he even took some comfort in that. He knew that the heat of the fire would have cracked open the seeds of the wildflowers and by spring the hillside would be a riot of colors. The chaparral would follow and soon there would be no scar on the land at all.
Michael Connelly (The Black Ice (Harry Bosch, #2; Harry Bosch Universe, #2))