Free Conservatory Quotes

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You are driving me mad!” she exclaimed. “I want you to stop this, Kev! Do you have any idea how ridiculous you’re being? How badly you’ve behaved tonight?” “I’ve behaved badly?” he thundered. “You were about to let yourself be compromised.” “Perhaps I want to be compromised.” “That’s too bad,” he said, reaching out to grip her upper arm, preparing to haul her from the conservatory. “Because I’m going to make certain you stay safe.” “Don’t touch me!” Win wrenched free of him, incensed. “I’ve been safe for years. Tucked safely in bed, watching everyone around me enjoying their lives. I’ve had enough safety to last a lifetime, Kev. And if that’s what you want, for me to continue to be alone and unloved, then you can go to the devil.” “You were never alone,” he said harshly. “You’ve never been unloved.” “I want to be loved as a woman. Not as a child, or a sister, or an invalid—” “That’s not how I—” “Perhaps you’re not even capable of such love.” In her blazing frustration, Win experienced something she had never felt before. The desire to hurt someone. “You don’t have it in you.” Merripen moved through a shaft of moonlight that had slipped through the conservatory glass, and Win felt a little shock as she saw his murderous expression. In just a few words she had managed to cut him deeply, enough to open a vein of dark and furious feeling. She fell back a step, alarmed as he seized her in a brutal grip. He jerked her upward. “All the fires of hell could burn for a thousand years and it wouldn’t equal what I feel for you in one minute of the day. I love you so much there is no pleasure in it. Nothing but torment. Because if I could dilute what I feel for you to the millionth part, it would still be enough to kill you. And even if it drives me mad, I would rather see you live in the arms of that cold, soulless bastard than die in mine.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
It was exciting and slightly embarrassing to feel the floor with her naked toes as he swept her into one luxurious full turn after another. Of course, the sensation of dancing with bare feet wasn't entirely new: She'd waltzed alone in her bedroom more than once, imagining herself in the arms of some unknown suitor. But it felt very different when her partner was a flesh-and-blood man. She relaxed and abandoned herself, following his guidance without effort or thought. Although they'd started slowly, Mr. Severin had quickened their tempo to match the music. The waltz was flowing and swift, each turn making her skirts whirl in eddies of silk and glitter. It was like flying. Her stomach turned light, as if she were on a garden swing, soaring a little too high and coming down in a giddy arc. She hadn't felt so free since she'd been a young girl, running recklessly across the Hampshire Downs with her twin. The world was nothing but moonlight and music as the two of them swept through the empty conservatory with the ease of mist carried on a sea breeze.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
After finding Corpp’s devoid of Juniors later that evening, it didn’t take Lex and Driggs long to guess that their crew had decided to hole up in the Crypt’s common room for the night. Together they headed down Dead End and made their way through a darkened, narrow tunnel, eventually emerging into a small green courtyard surrounded by a block of rooms. As they approached the largest one, a heated argument between Sofi and Ayjay wafted through the window. “I’ve got ten hotels on the Conservatory. Seriously, you owe me, like, eighty gatrillion dollars.” “Not until I get my triple-letter score for passing Go.” “No way! You couldn’t remove the Charley Horse, remember?” “So? I still found the Lead Pipe in Park Place!” “Which you had to mortgage after Queen Frostine totally sank your battleship!” Lex attempted to follow this conversation as she walked through the door, but she failed somewhere around the time Elysia almost toppled over on the Twister mat. “Jump in,” Elysia said from the floor, wobbling way too close to the jellyfish tank. “There are a couple of tokens left in the box.” Driggs sat down on one of the many battered couches and dug through the box, removing a wrench, a top hat, a rook, a green gingerbread man, and a decapitated Rock’Em Sock’Em Robot. Lex looked at the game board on the table, a mangled conglomeration of Monopoly, Clue, Candy Land, Scrabble, and chess. “What the crap?” she asked the room. “Don’t touch the Candlestick or you’ll automatically lose,” Elysia warned from the mat, flicking the spinner with her free hand
Gina Damico (Croak (Croak, #1))