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They watched a repeat of Frasier on Channel 11. The show was starting to grow on them both.
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Harlan Coben (The Final Detail (Myron Bolitar, #6))
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WHEN PEOPLE SHOW YOU THEIR TRUE COLORS,
DON'T GO COLOR BLIND
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Qwana Reynolds-Frasier (Friend In Your Pocket Conversations Session One)
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The concept is never what attracts me; it’s the execution. There are lots of shows about bars, news and radio stations, cabdrivers, and shrinks. I want to see what the characters that are put into these situations do. I’m concerned about believability and the economy of the comedy, the shortest distance between the character and the laughter, and the best way to get there. When I direct an episode, I have a lot of notes. I am apt to tell writers, “Fifty percent of what I say is gold and fifty percent is garbage. It’s your job to figure out which is which.
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James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
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My philosophy was “Get it done.” Get the basics in there and, after that, tweak it and make it better; think about how to generate nuances that would enhance the show. I knew that doing nuances right away was like building a house and putting the couches and the curtains in before laying the foundation. This was literally how my directing career began. I was doing well, but I still felt I was getting other people’s laughs, not my own.
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James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
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Your center can also be subtly benevolent or sympathetic: Two and a Half Men’s Charlie Harper is a perpetually drunk womanizer, but, with little hesitation, he opens his beach home to his newly divorced brother and nephew. On The Big Bang Theory, Leonard Hofstadter is a socially awkward scientist who has trouble communicating feelings, but he protects his roommate and best friend, the even more socially awkward and brilliant Sheldon Cooper. Some shows have no center at all. In 3rd Rock from the Sun, all the characters are eccentric and play off one another. In the beginning, the characters must be appealing and compelling. Networks want characters to be appealing all the time. But that’s ultimately terrible for storytelling, because there’s no journey. There’s no redemption if there’s no sin. There has to be some dimension. The challenge is in figuring out how to grow and nurture characters carefully so that the audience will continue to accept them.
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James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)