Frankly Famous Quotes

(While accepting the Jean Hersholt Humanitarian Award) I've been thinking about why you have to get famous to get an award for helping other people...If your name is John Doe, and you work night and day doing things for your helpless neighbors, what you get for your effort is tired. So, Mr. and Mrs. Doe, and all of you who give of yourselves, to those who carry too big a burden to make it on their own, I want you to reach out and take your share of this...Because if I have earned it, so too have you.

I stole every nickel and blew it on fine threads, luxurious lodgings, fantastic foxes, and other sensual goodies. I partied in every capital in Europe and basked on all the world's most famous beaches.

Frank Zhang, you should know!” Frank flinched. “I should?” “A son of Ares stood here!” Hedge cried indignantly. “I’m Roman…so Mars, actually.” “Whatever! Famous spot in the American Civil War!” “I’m Canadian, actually.

Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I've got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish–they often are. But then, it is always easier to return to rubbish words at a later date and make them better.

The line most often quoted from Frank’s diary are her famous words, “I still believe, in spite of everything, that people are truly good at heart.” These words are “inspiring,” by which we mean that they flatter us. They make us feel forgiven for those lapses of our civilization that allow for piles of murdered girls—and if those words came from a murdered girl, well, then, we must be absolved, because they must be true. That gift of grace and absolution from a murdered Jew (exactly the gift that lies at the heart of Christianity) is what millions of people are so eager to find in Frank’s hiding place, in her writings, in her “legacy.” It is far more gratifying to believe that an innocent dead girl has offered us grace than to recognize the obvious: Frank wrote about people being “truly good at heart” before meeting people who weren’t. Three weeks after writing those words, she met people who weren’t.

Draped across an armchair lay his famous long black coat, empty now, and hollow with missing him.

A person who's going to be famous usually drops a few clues by the time they're twenty-one.

The line most often quoted from Frank’s diary are her famous words, “I still believe, in spite of everything, that people are truly good at heart.” These words are “inspiring,” by which we mean that they flatter us.

A PRAYER   The supreme prayer of my heart is not to be learned, rich, famous, powerful, or “good,” but simply to be radiant. I desire to radiate health, cheerfulness, calm courage and good will. I wish to live without hate, whim, jealousy, envy, fear. I wish to be simple, honest, frank, natural, clean in mind and clean in body, unaffected—ready to say “I do not know,” if it be so, and to meet all men on an absolute equality—to face any obstacle and meet every difficulty unabashed and unafraid. I wish others to live their lives, too—up to their highest, fullest and best. To that end I pray that I may never meddle, interfere, dictate, give advice that is not wanted, or assist when my services are not needed. If I can help people, I’ll do it by giving them a chance to help themselves; and if I can uplift or inspire, let it be by example, inference, and suggestion, rather than by injunction and dictation.

first heard the song “Tuxedo Junction” in 1941. I was an MP in Colorado, pulling guard duty at Lowry Field for the Army Air Corps. Most people think it was Glenn Miller who first made that song famous, but it was a black bandleader named Erskine Hawkins.

The Glass Cat is one of the most curious creatures in all Oz. It was made by a famous magician named Dr. Pipt before Ozma had forbidden her subjects to work magic. Dr. Pipt had made the Glass Cat to catch mice, but the Cat refused to catch mice and was considered more curious than useful. This astonishing cat was made all of glass and was so clear and transparent that you could see through it as easily as through a window. In the top of its head, however, was a mass of delicate pink balls which looked like jewels but were intended for brains. It had a heart made of a blood-red ruby. The eyes were two large emeralds. But, aside from these colors, all the rest of the animal was of clear glass, and it had a spun-glass tail that was really beautiful.

L. Frank Baum, a Dakota Territory settler later famous for writing The Wonderful Wizard of Oz, edited the Aberdeen Saturday Pioneer at the time. Five days after the sickening event at Wounded Knee, on January 3, 1891, he wrote, “The Pioneer [sic] has before declared that our only safety depends upon the total extermination of the Indians. Having wronged them for centuries we had better, in order to protect our civilization, follow it up by one more wrong and wipe these untamed and untamable creatures from the face of the earth.

Sophie thought about Frank’s cock sometimes, how famous it was. Not as famous as his voice, sure, but famous in cock terms. Most cocks were seen by only a handful of people: Mom, Dad, creepy uncle, priest, bunkmates, and lovers. Frank’s cock had been seen by thousands of showgirls. It was a well-known cock; more than well known, it was a star. Jesus, Frank’s cock probably had anecdotes.

I bet it was also the triumphant Aha! and not the truth itself that had fueled all those famous literary detectives I knew not much about except their names - Philip Marlowe, Sherlock Holmes, Joe and Frank Hardy. I felt like yelling something celebratory on my way home, something like, Yeah! or Fuck, yeah! just like Marlowe would have yelled, just like the Hardys would have yelled, and maybe Holmes, too, although maybe that's why he kept Watson around; to tell Holmes to simmer down and not get too far ahead of himself.

They may have heard that Rembrandt was famous for his chiaroscuro...so they nod wisely when they see a Rembrandt, mumble 'wonderful chiaroscuro,' and wander onto the next picture. I want to be quite frank about this danger of half-knowledge and snobbery, for we are all apt to succumb to such temptation.

A famous line from Goethe: "On top of the world, or in the depths of despair."]

[I]t was in the pairs that the prisoners kept alive the semblance of humanity concluded Elmer Luchterhand, a sociologist at Yale who interviewed fifty-two concentration camp survivors shortly after liberation. Pairs stole food and clothing for each other, exchanged small gifts and planned for the future. If one member of a pair fainted from hunger in front of an SS officer, the other would prop him up. Survival . . . could only be a social achievement, not an individual accident, wrote Eugene Weinstock, a Belgian resistance fighter and Hungarian-born Jew who was sent to Buchenwald in 1943. Finally the death of one member of a pair often doomed the other. Women who knew Anne Frank in the Bergen-Belsen camp said that neither hunger nor typhus killed the young girl who would become the most famous diarist of the Nazi era. Rather, they said, she lost the will to live after the death of her sister, Margot.

Yet during a twenty-year period there wasn’t an American alive who wouldn’t have recognized Jimmy Hoffa immediately, the way Tony Soprano is recognized today. The vast majority of Americans would have known him by the sound of his voice alone. From 1955 until 1965 Jimmy Hoffa was as famous as Elvis. From 1965 until 1975 Jimmy Hoffa was as famous as the Beatles. Jimmy

Frankly, the overwhelming majority of academics have ignored the data explosion caused by the digital age. The world’s most famous sex researchers stick with the tried and true. They ask a few hundred subjects about their desires; they don’t ask sites like PornHub for their data. The world’s most famous linguists analyze individual texts; they largely ignore the patterns revealed in billions of books. The methodologies taught to graduate students in psychology, political science, and sociology have been, for the most part, untouched by the digital revolution. The broad, mostly unexplored terrain opened by the data explosion has been left to a small number of forward-thinking professors, rebellious grad students, and hobbyists. That will change.

Still, statistically the probability that there are other thinking beings out there is good. Nobody knows how many stars there are in the Milky Way – estimates range from a hundred billion or so to perhaps four hundred billion – and the Milky Way is just one of a hundred and forty billion or so other galaxies, many of them even larger than ours. In the 1960s, a professor at Cornell named Frank Drake, excited by such whopping numbers, worked out a famous equation designed to calculate the chances of advanced life existing in the cosmos, based on a series of diminishing probabilities. Under Drake’s equation you divide the number of stars in a selected portion of the universe by the number of stars that are likely to have planetary systems; divide that by the number of planetary systems that could theoretically support life; divide that by the number on which life, having arisen, advances to a state of intelligence; and so on. At each such division, the number shrinks colossally – yet even with the most conservative inputs the number of advanced civilizations just in the Milky Way always works out to be somewhere in the millions.

Anne Frank is best known as the writer of her world-famous diary, though she tried her hand at other genres as well. Between September 1943 and May 1944, Anne wrote numerous stories, fairy tales, essays and personal reminiscences in a stiff-backed notebook reserved for that purpose. She did her utmost to make it resemble a real book, copying her stories neatly into the notebook and adding a title page, a table of contents, page numbers and so forth. Her collection of tales is now reproduced here in full, in a new translation, in the exact order in which she wrote them in her notebook.

Patrick had left behind some writings, and one of his most famous works was something many of us learned in school called “Saint Patrick’s Breastplate,” a kind of a cross between a hymn and a poem.

We’re so lucky to be in this position, all of us who make our living as actors, and I find complaints about invasion of privacy to be disingenuous, frankly. I mean, let’s be real here, we wanted to be famous, right?

Riesel had been crusading against the criminal element in labor unions. The night of the radio broadcast, Riesel stepped out of the famous Lindy’s restaurant on Broadway near Times Square and was approached on the sidewalk by a goon who threw a cup of acid in his face. Riesel was blinded by the acid’s effect on his eyes. It soon became obvious that the attack had been ordered by Hoffa ally and labor racketeer John Dioguardi, aka Johnny Dio.

I think you’re born with the ability to hit. Rocky Marciano didn’t start boxing until after the war when he was already twenty-six, but he was a natural hitter. You need leverage, but a lot of your power comes from your forearm down into your wrist. There’s a snap to your punch that comes from your wrist to your fist, and that’s what knocks the other guy out. You can actually hear that snap; it sounds like a pistol shot when it’s working to perfection. Joe Louis had that famous six-inch punch. He’d knock a guy out with a punch that only traveled six inches. His power came from the snap. It’s like snapping a towel at somebody’s butt. There’s no power in your arms. Then

The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.

the Devil became desperate to get away. His way was blocked, so he bit a big chunk out of the mountaintop and carried it off in his mouth. Patrick, stunned at the size of the hole in the mountain, hesitated for a moment, and lost his advantage. By the time he looked up, the Devil had gone too far ahead to be caught. Patrick gave up the chase. Up ahead, at Cashel, the Devil stopped for a rest, and he dropped the stone out of his mouth. That stone became the Rock of Cashel, the most famous sight in Ireland.

I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.

Defending affirmative action gave me the chance to reaffirm my deep commitment to the second of the three questions famously articulated by Rabbi Hillel. My work for LGBT equality represented my answer to his first question: “If I am not for myself, who will be for me?” Combating racial prejudice and its lasting effects was my fervent response to his second question: “If I am only for myself, what am I?” But even justly revered sages do not get everything right. Hillel’s third question—“If not now, when?”—can be misleading. The proper reply is “It depends.” That is, it depends on how likely you are to succeed; on whether it will be more helpful to your cause to try and fail, or to hold off for more propitious circumstances; on the impact of settling temporarily for partial success; and on what you can do to improve your chances of ultimate success.

So instead of providing another intellectual answer that would be ignored, David cut right to the heart. He said, “You’re raising all of these objections because you’re sleeping with your girlfriend. Am I right?” All the blood drained from the young man’s face. He was caught. He was rejecting God because he didn’t like God’s morality. And he was disguising it with feigned intellectual objections. This young man wasn’t the first atheist or agnostic to admit that his desire to follow his own agenda was keeping him out of the kingdom. In the first chapter of his letter to the Romans, the apostle Paul revealed this tendency we humans have to “suppress the truth” about God in order to follow our own desires. In other words, unbelief is more motivated by the heart than the head. Some prominent atheists have admitted this. Friedrich Nietzsche, who famously wrote, “God is dead and we have killed him,” also wrote, “If one were to prove this God of the Christians to us, we should be even less able to believe in him.”[24] Obviously Nietzsche’s rejection of God was not intellectual! Professor Thomas Nagel of NYU more recently wrote, “I want atheism to be true and am made uneasy by the fact that some of the most intelligent and well-informed people I know are religious believers. It isn’t just that I don’t believe in God and, naturally, hope that I’m right in my belief. It’s that I hope there is no God! I don’t want there to be a God; I don’t want the universe to be like that. My

Jimmy Hoffa’s first notoriety in union work was as the leader of a successful strike by the “Strawberry Boys.” He became identified with it. In 1932 the nineteen-year-old Jimmy Hoffa was working as a truck loader and unloader of fresh fruits and vegetables on the platform dock of the Kroger Food Company in Detroit for 32¢ an hour. Twenty cents of that pay was in credit redeemable for groceries at Kroger food stores. But the men only got that 32¢ when there was work to do. They had to report at 4:30 P.M. for a twelve-hour shift and weren’t permitted to leave the platform. When there were no trucks to load or unload, the workers sat around without pay. On one immortal hot spring afternoon, a load of fresh strawberries arrived from Florida, and the career of the most famous labor leader in American history was launched. Hoffa gave a signal, and the men who would come to be known as the Strawberry Boys refused to move the Florida strawberries into refrigerator cars until their union was recognized and their demands for better working conditions were met.

Overcooked, flabby pasta or a blob of tomato ketchup was enough to incense Frank; a plate of soggy pasta in Matteo’s Italian restaurant in Los Angeles, owned by his childhood buddy, Matty Jordan, had Frank storming into the kitchens. He looked around wildly, “Where are all the Italians?” he roared at the startled Filipino kitchen staff. Not content, he shot back upstairs and threw his plate of pasta against the wall. As he walked out, he dipped his finger in the tomato sauce and signed the smear: Picasso (Matty very good-naturedly put a frame around this later).

Here was a temporary solution. Parole would get Mofokeng and Mokoena out of jail as quickly as possible. Other details could be sorted out later. I accompanied Nyambi to Kroonstad jail at the end of October and remember that as he told Mofokeng and Mokoena the news—that they would be home for Christmas—smiles slowly but surely transformed the sombre, cautious expressions on their faces. Big problem: it was discovered in December, a full two months after the judgment was made, that the court order does not mention the NCCS at all. Consequently, the NCCS interpreted the court's order as having removed the NCCS's jurisdiction to deal with any "lifers" sentenced pre-1994. The members of the NCCS packed their briefcases and went home. No one knows why the judgment didn't mention the NCCS; maybe the judge who wrote it, Justice Bess Nkabinde, simply didn't know how the parole system operates; but eight of her fellow judges, the best in the land, found with her. The Mofokeng and Mokoena families, who are from 'the poorest of the poor', as the ANC likes to say, are distraught. But the rest—the law men, the politicians and the government ministers—well, quite frankly, they don't seem to give a fig. Zuma has gone on holiday, to host his famous annual Christmas party for children. Mapisa-Nqakula has also gone on holiday. Mofokeng and Mokoena remain where they were put 17 years ago, despite not having committed any crime.

Speaking before a joint session of Congress, President Johnson said: “This generation has altered the composition of the atmosphere on a global scale through . . . a steady increase in carbon dioxide from the burning of fossil fuels.” It’s remarkable to note that, more than fifty years ago, an American president was already aware of, and acknowledging, human-created climate change. Johnson had been briefed on the dangers of CO 2 increases by the famous climate scientists Charles Keeling and Roger Revelle, among others. So, not only was Johnson aware of the issue, but he was already concerned enough to raise it before Congress. That single sentence in his address gives the lie to the claims of so many climate-change deniers that global warming is some kind of recent hoax.

The Constitution did not give Americans freedom; they had been free long before it was written, and when it was put up for ratification they eyed it suspiciously, lest it infringe their freedom. The Federalists, the advocates of ratification, went to great pains to assure the people that under the Constitution they would be just as free as they ever were. Madison, in particular, stressed the point that there would be no change in their personal status in the new setup, that the contemplated government would simply be the foreign department of the several states. The Constitution itself is a testimonial to the temper of the times, for it fashioned a government so restricted in its powers as to prevent any infraction of freedom; that was the reason for the famous “checks and balances.” Any other kind of constitution could not have got by.

Historians have been quick to pounce on the blind spots in Grant’s report. Less noticed is that he almost immediately recanted what he wrote. As early as January 12, 1866, Carl Schurz informed his wife that “Grant feels very bad about his thoughtless move and has openly expressed regret for what he has done.”102 When Schurz encountered Grant at a soldiers’ reunion in December 1868, Grant was still more regretful, admitting that on his southern tour “I traveled as the general-in-chief and people who came to see me tried to appear to the best advantage. But I have since come to the conclusion that you were right and I was wrong.”103 Here Grant echoed a famous line Abraham Lincoln had written to him, showing he was a big enough man to confess frankly to past error. In the future, he wouldn’t pull his punches about black-white relations in the South

Benjamin Libet, a scientist in the physiology department of the University of California, San Francisco, was a pioneering researcher into the nature of human consciousness. In one famous experiment he asked a study group to move their hands at a moment of their choosing while their brain activity was being monitored. Libet was seeking to identify what came first — the brain’s electrical activity to make the hand move or the person’s conscious intention to make their hand move. It had to be the second one, surely? But no. Brain activity to move the hand was triggered a full half a second before any conscious intention to move it…. John-Dylan Haynes, a neuroscientist at the Max Planck Institute for Human Cognitive and Brain Studies in Leipzig, Germany, led a later study that was able to predict an action ten seconds before people had a conscious intention to do it. What was all the stuff about free will? Frank Tong, a neuroscientist at Vanderbilt University in Nashville, Tennessee, said: “Ten seconds is a lifetime in terms of brain activity.” So where is it coming from if not ‘us,’ the conscious mind?

The next morning, I went over to pick them up. I’d spent the night thinking of more things I should tell them--everything about Chris I thought they needed to know. It was all too much. “I don’t know how to tell you everything,” I confessed to Bradley as he got into the car. I started to cry. “There’s so many things and we have such a short amount of time.” “Just being here is all we need,” he said. “I’m not an impersonator. I’m just here to feel Chris’s life--I feel him here with me right now.” Bradley put me at ease and I calmed down. Back at the house, he and Clint became almost like family. Little bits of their personality came out as well--and I saw a glimmer of Clint’s famous Dirty Harry character later on in the day when I had to leave to go to Bubba’s basketball game. They’d talked about coming with me--which frankly would have created an impossible circus. But I did give them the option. As they stood trying to make up their minds, I snapped into anxious mom mode. “All right,” I told them both. “You’re welcome to come. But if you’re coming, we’re leaving now.” I guess my tone was a little too strident. “So you want to get tough with me, huh, lady?” said Clint in his best Dirty Harry voice as he raised his eyebrow. It’s amazing how threatening a simple facial tic can be. I left them home to study some of Chris’s replica guns and gear. Our own already had its ample share of lawmen.

Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.) Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon. But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better. For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing). And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo. Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too. For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other. Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.

I have been all over the world cooking and eating and training under extraordinary chefs. And the two food guys I would most like to go on a road trip with are Anthony Bourdain and Michael Ruhlmann, both of whom I have met, and who are genuinely awesome guys, hysterically funny and easy to be with. But as much as I want to be the Batgirl in that trio, I fear that I would be woefully unprepared. Because an essential part of the food experience that those two enjoy the most is stuff that, quite frankly, would make me ralph. I don't feel overly bad about the offal thing. After all, variety meats seem to be the one area that people can get a pass on. With the possible exception of foie gras, which I wish like heckfire I liked, but I simply cannot get behind it, and nothing is worse than the look on a fellow foodie's face when you pass on the pate. I do love tongue, and off cuts like oxtails and cheeks, but please, no innards. Blue or overly stinky cheeses, cannot do it. Not a fan of raw tomatoes or tomato juice- again I can eat them, but choose not to if I can help it. Ditto, raw onions of every variety (pickled is fine, and I cannot get enough of them cooked), but I bonded with Scott Conant at the James Beard Awards dinner, when we both went on a rant about the evils of raw onion. I know he is often sort of douchey on television, but he was nice to me, very funny, and the man makes the best freaking spaghetti in tomato sauce on the planet. I have issues with bell peppers. Green, red, yellow, white, purple, orange. Roasted or raw. Idk. If I eat them raw I burp them up for days, and cooked they smell to me like old armpit. I have an appreciation for many of the other pepper varieties, and cook with them, but the bell pepper? Not my friend. Spicy isn't so much a preference as a physical necessity. In addition to my chronic and severe gastric reflux, I also have no gallbladder. When my gallbladder and I divorced several years ago, it got custody of anything spicier than my own fairly mild chili, Emily's sesame noodles, and that plastic Velveeta-Ro-Tel dip that I probably shouldn't admit to liking. I'm allowed very occasional visitation rights, but only at my own risk. I like a gentle back-of-the-throat heat to things, but I'm never going to meet you for all-you-can-eat buffalo wings. Mayonnaise squicks me out, except as an ingredient in other things. Avocado's bland oiliness, okra's slickery slime, and don't even get me started on runny eggs. I know. It's mortifying.

There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A

The Tale of Human Evolution The subject most often brought up by advocates of the theory of evolution is the subject of the origin of man. The Darwinist claim holds that modern man evolved from ape-like creatures. During this alleged evolutionary process, which is supposed to have started 4-5 million years ago, some "transitional forms" between modern man and his ancestors are supposed to have existed. According to this completely imaginary scenario, four basic "categories" are listed: 1. Australopithecus 2. Homo habilis 3. Homo erectus 4. Homo sapiens Evolutionists call man's so-called first ape-like ancestors Australopithecus, which means "South African ape." These living beings are actually nothing but an old ape species that has become extinct. Extensive research done on various Australopithecus specimens by two world famous anatomists from England and the USA, namely, Lord Solly Zuckerman and Prof. Charles Oxnard, shows that these apes belonged to an ordinary ape species that became extinct and bore no resemblance to humans. Evolutionists classify the next stage of human evolution as "homo," that is "man." According to their claim, the living beings in the Homo series are more developed than Australopithecus. Evolutionists devise a fanciful evolution scheme by arranging different fossils of these creatures in a particular order. This scheme is imaginary because it has never been proved that there is an evolutionary relation between these different classes. Ernst Mayr, one of the twentieth century's most important evolutionists, contends in his book One Long Argument that "particularly historical [puzzles] such as the origin of life or of Homo sapiens, are extremely difficult and may even resist a final, satisfying explanation." By outlining the link chain as Australopithecus > Homo habilis > Homo erectus > Homo sapiens, evolutionists imply that each of these species is one another's ancestor. However, recent findings of paleoanthropologists have revealed that Australopithecus, Homo habilis, and Homo erectus lived at different parts of the world at the same time. Moreover, a certain segment of humans classified as Homo erectus have lived up until very modern times. Homo sapiens neandarthalensis and Homo sapiens sapiens (modern man) co-existed in the same region. This situation apparently indicates the invalidity of the claim that they are ancestors of one another. Stephen Jay Gould explained this deadlock of the theory of evolution although he was himself one of the leading advocates of evolution in the twentieth century: What has become of our ladder if there are three coexisting lineages of hominids (A. africanus, the robust australopithecines, and H. habilis), none clearly derived from another? Moreover, none of the three display any evolutionary trends during their tenure on earth. Put briefly, the scenario of human evolution, which is "upheld" with the help of various drawings of some "half ape, half human" creatures appearing in the media and course books, that is, frankly, by means of propaganda, is nothing but a tale with no scientific foundation. Lord Solly Zuckerman, one of the most famous and respected scientists in the U.K., who carried out research on this subject for years and studied Australopithecus fossils for 15 years, finally concluded, despite being an evolutionist himself, that there is, in fact, no such family tree branching out from ape-like creatures to man.

The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.

Anne Frank was only one of the Nazi’s victims. But her fate helps us grasp the immense loss the world suffered because of the Holocaust. Anne has touched the hearts and minds of millions; she has enriched all of our lives. Let us hope she has also enlarged our horizons. It is important for all of us to realize how much Anne and the other victims, each in his or her own way, would have contributed to our society had they been allowed to live. To my great and abiding sorrow, I was not able to save Anne’s life. But I was able to help her live two years longer. In those two years she wrote the diary that gives hope to people all over the world and calls for understanding and tolerance. It confirms my conviction that any attempt at action is better than inaction. An attempt can go wrong, but inaction inevitably results in failure. I was able to save Anne’s diary and thus make her greatest wish come true. “I want to be useful or give pleasure to the people around me yet who don’t really know me,” she wrote in her diary on March 25, 1944, about one year before her death. “I want to go on living, even after my death!” And on May 11, she noted: “You’ve known for a long time that my greatest wish is to become a journalist someday and later on a famous writer.” Through her diary Anne really does live on. She stands for the triumph of the spirit over evil and death. A note by Miep Gies, Amsterdam, January 1998

The Century was a high-speed luxury train, used by the rich and famous traveling between Chicago and New York. Sportscaster Bob Elson set up a microphone in Chicago’s LaSalle Street Station and tried to intercept well-knowns for spontaneous interviews. Among the celebrities who appeared were Rita Hayworth and Eleanor Roosevelt, but architect Frank Lloyd Wright brushed briskly past. When Elson said he loved Wright’s work, Wright replied, “In that case, young man, I’ve done enough for you already.” The show was alive with terminal noise, with trains hissing and chugging and tooting. Train buffs complained that the Century was dieselpowered, but the producers thought the old sounds were more romantic, so the sound effects records remained, at least into the late ’40s.

It is a matter of legal record that, for years, the CEOs of Apple, Intel, Google, Pixar, and other Silicon Valley firms operated something very much like a cartel against their own employees. In a scandal that journalists now call “the Techtopus,” these worthies agreed to avoid recruiting one another’s tech workers and thus keep those workers’ wages down across the industry. In 2007, in one of the most famous chapters of the Techtopus story, the famous innovator Steve Jobs emailed Eric Schmidt, demanding that this CEO and friend of top Democrats do something about a Google recruiter who was trying to lure an employee away from Apple. Two days later, according to the reporter who has studied the case most comprehensively, Schmidt wrote back to Jobs to tell him the recruiter had been fired. Jobs then forwarded Schmidt’s email around with this comment appended: “:)

Most of the theaters in Jersey City and the surrounding area have been closed, demolished, renovated or restored, but nothing remained the same. The Stanley Theatre still stands in Journal Square, completely restored as a Jehovah’s Witnesses Assembly Hall. Originally built as a vaudeville and movie theater, having 4,300 seats, it opened on March 22, 1928 as the second largest theater in the United States. With only Radio City Music Hall in Manhattan across the Hudson River being larger, many celebrities attended the gala occasion. The well liked but notorious Mayor Hague was present to cut the ribbon. Famous and not-so-famous headline acts performed here, including the Three Stooges, Jimmy Durante, Tony Bennett and Janis Joplin. It was here at the Stanley Theatre that Frank Sinatra was inspired to become a professional performer. Being part of the audience, he watched Bing Crosby doing a Christmas performance. By the time the show was over, Sinatra had decided on the path he would follow. In 1933 Frank’s mother got him together with a group called the “Three Flashes.” They changed their name to the “Hoboken Four” and won first prize performing on the Major Bowes Amateur Hour show. Frank worked locally until June of 1939, when Harry James hired him for a one-year contract, paying only $75 a week. That December, Sinatra joined Tommy Dorsey’s band as a replacement vocalist for Jack Leonard, and the rest is history!

If I read a book that impresses me, I have to pull myself together before I mingle with other people. Otherwise they would think my mind is rather weird." -Anne Frank  

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

But do you realize what happened on this hill? Frank Zhang, you should know!” Frank flinched. “I should?” “A son of Ares stood here!” Hedge cried indignantly. “I’m Roman…so Mars, actually.” “Whatever! Famous spot in the American Civil War!” “I’m Canadian, actually.

Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry. Around

Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry.

But do you realize what happened on this hill? Frank Zhang, you should know!” Frank flinched. “I should?” “A son of Ares stood here!” Hedge cried indignantly. “I’m Roman…so Mars, actually.” “Whatever! Famous spot in the American Civil War!” “I’m Canadian, actually.” “Whatever!

You may be horribly wrong and need to bail on it. As Scott McNealy famously said, “fail fast”—the sooner the better. We sometimes use the expression “that dog won't hunt”—not in reference to a person but to a strategic approach that just isn't working, no matter what we do. It's hard to say that if you're irrationally attached to a strategy.

The complex Japanese aircraft designation systems proved confusing during and after the war. Several forms of nomenclature applied to Imperial Navy aircraft, but just two are important. The first system (“short form”) comprised a letter, number, letter (e.g., A5M). The first letter identified mission (A = carrier fighter, B = carrier bomber, G = land-based bomber, etc.). This was followed by a numeral indicating the numerical sequence of that model for the mission (5 = fifth carrier fighter). The second letter designated the manufacturer (the most important were A = Aichi, K = Kawanishi, M = Mitsubishi, N = Nakajima). The second major system was the type number from the year of service introduction under the Japanese calendar. By the Japanese calendar, 1936 was Year 2596, from which “96” was taken as the year of introduction. The year 1940 was Year 2600, hence the famous designation of the Mitsubishi A6M Carrier Fighter as the Type “0” or “Zero.” Imperial Army aircraft bore a Kitai (airframe) number (e.g., Ki-27), a type number/mission designator based on the Japanese calendar (Army Type 97 fighter had a 1937 year of introduction), and sometimes a name. The Imperial Navy resisted the use of names before capitulating to this system in 1943. To unify and simplify the identification of Japanese aircraft, the United States adopted a system by 1943 of providing male (fighters) and female (bombers) names for Japanese aircraft. Hence, the A6M “Zero” became officially the “Zeke” (although the Zero alone of Japanese aircraft continued to be widely known by that designation), while the “Nell” stood for the G3M and “Betty” for the G4M. This system has become so entrenched in decades of literature about the Pacific War that it will be used here for purposes of clarity.

Frankly, I see it as a “social force.” Before coming to this country (in naive pursuit of scientific freedom . . .) Dr. Reich had successively gotten expelled from the International Psychoanalytical Association for sounding too Marxist, expelled from the Communist Party for sounding too Freudian, expelled from the Socialist Party for sounding too anarchistic, fled Hitler for having known Jewish genes, and then got driven out of Sweden by a campaign of slander in the sensational press (for doing the kind of sex research that later made Masters and Johnson famous.) I would say Dr. Reich touched on a lot of hot issues and annoyed a lot of dogmatic people of Left and Right, and this created a truly international “social force” for the suppression of his ideas.

He offered to parade for me a series of examples—famous military figures who were frozen in adolescence. I declined the offer. I have read my history with care and have recognized this characteristic for myself.” Moneo turned and looked directly into Idaho’s eyes.

famous Phillip Willis pictures taken directly following the President’s assassination. In one of the shots, a man who,

It was the perfect illustration of the strategy famously described in Thomas Frank’s book What’s the Matter with Kansas? in which Republicans would mobilize voters with social issues, but invariably turn postelection to serving the interests of corporations and the 1 percent.

apparent. To counter apathy, most change agents focus on presenting an inspiring vision of the future. This is an important message to convey, but it’s not the type of communication that should come first. If you want people to take risks, you need first to show what’s wrong with the present. To drive people out of their comfort zones, you have to cultivate dissatisfaction, frustration, or anger at the current state of affairs, making it a guaranteed loss. “The greatest communicators of all time,” says communication expert Nancy Duarte—who has spent her career studying the shape of superb presentations—start by establishing “what is: here’s the status quo.” Then, they “compare that to what could be,” making “that gap as big as possible.” We can see this sequence in two of the most revered speeches in American history. In his famous inaugural address, President Franklin D. Roosevelt opened by acknowledging the current state of affairs. Promising to “speak the whole truth, frankly and boldly,” he described the dire straits of the Great Depression, only then turning to what could be, unveiling his hope of creating new jobs and forecasting, “This great nation . . . will revive and will prosper. . . . The only thing we have to fear is fear itself.” When we recall Martin Luther King, Jr.’s, epic speech, what stands out is a shining image

In 1926 Werner Heisenberg developed his now famous uncertainty principle. [The original name used by Heisenberg was the “unsharpness” principle (Unsharfeprinzip). Later the name was mistranslated and popularized as the “uncertainty” principle (Unsicherheisrelation), from Elementary Quantum Chemistry, Second Edition by Frank L. Pilar, page 19.] It's a purely mathematical concept. It applies anywhere that there are waveforms. The Unsharpness Principle originates not from Quantum Mechanics, but rather from Classical Wave mechanics.

The legendary newspaper editor William Allen White, who had found President Harding “almost unbelievably ill-informed,”6 found it more difficult to criticize his replacement, Vice President Calvin Coolidge, who was easily reelected in 1924. Coolidge was so hands-off there simply wasn’t much to say. Even friends called him “silent Cal.” The best White could manage as criticism was an observation that the aloof Coolidge always seemed to be “looking down his nose to locate that evil smell which seemed forever to affront him.”7 Even Dorothy Parker, the witty founder of the Algonquin Round Table, couldn’t skewer the president. As the story went, at a dinner party she asked him, “Mr Coolidge, I’ve made a bet against a fellow who said it was impossible to get more than two words out of you.” His famous reply was, “You lose.”8(Parker got the last word, as she typically did. When told in 1933 that Coolidge had died, she quipped, “How can you tell?”9)

The seven official founders were as follows: •  Michael Cusack from Carron, County Clare, a teacher •  Maurice Davin from Carrick-on-Suir, County Tipperary, a farmer •  John Wyse Power, a journalist, editor of the Leinster Leader and an ‘associate of the extreme section of Irish Nationalism’ •  James K. Bracken, a building contractor and a monumental mason from Templemore, County Tipperary, who was a prominent member of the Irish Republican Brotherhood •  Joseph P. O’Ryan, who was born in Carrick-on-Suir and practised as a solicitor in Callan and Thurles •  John McKay, a Belfast man then working as a journalist with the Cork Examiner •  District Inspector St George McCarthy, who was born in Bansha, County Tipperary and who was a member of the Royal Irish Constabulary stationed at Templemore THE UNOFFICIAL LIST As well as the official founders a number of other people are reputed to have been present at the meeting. They include Frank Moloney from Nenagh, William Foley from Carrick-on-Suir and Thurles residents T.K. Dwyer, Charles Culhane, William Delahunty, John Butler and Michael Cantwell. There is a strong Kilkenny tradition that Henry Joseph Meagher, father of the famous Lory, Jack Hoyne, who played on Kilkenny’s first All-Ireland winning side in 1904, and a third Tullaroan man, Ned Teehan, also attended the foundation meeting

To counter apathy, most change agents focus on presenting an inspiring vision of the future. This is an important message to convey, but it’s not the type of communication that should come first. If you want people to take risks, you need first to show what’s wrong with the present. To drive people out of their comfort zones, you have to cultivate dissatisfaction, frustration, or anger at the current state of affairs, making it a guaranteed loss. “The greatest communicators of all time,” says communication expert Nancy Duarte—who has spent her career studying the shape of superb presentations—start by establishing “what is: here’s the status quo.” Then, they “compare that to what could be,” making “that gap as big as possible.” We can see this sequence in two of the most revered speeches in American history. In his famous inaugural address, President Franklin D. Roosevelt opened by acknowledging the current state of affairs. Promising to “speak the whole truth, frankly and boldly,” he described the dire straits of the Great Depression, only then turning to what could be, unveiling his hope of creating new jobs and forecasting, “This great nation . . . will revive and will prosper. . . . The only thing we have to fear is fear itself.” When we recall Martin Luther King, Jr.’s, epic speech, what stands out is a shining image of a brighter future. Yet in his 16-minute oration, it wasn’t until the eleventh minute that he first mentioned his dream. Before delivering hope for change, King stressed the unacceptable conditions of the status quo. In his introduction, he pronounced that, despite the promise of the Emancipation Proclamation, “one hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination.” Having established urgency through depicting the suffering that was, King turned to what could be: “But we refuse to believe that the bank of justice is bankrupt.” He devoted more than two thirds of the speech to these one-two punches, alternating between what was and what could be by expressing indignation at the present and hope about the future. According to sociologist Patricia Wasielewski, “King articulates the crowd’s feelings of anger at existing inequities,” strengthening their “resolve that the situation must be changed.” The audience was only prepared to be moved by his dream of tomorrow after he had exposed the nightmare of today.

Corruption in American politics is hardly new, of course, but previously, for the most part, it was conducted mainly on the local level. It was also conducted by Democrats. There were exceptions, of course, especially during Reconstruction, and in the administration of President Grant, and in the Teapot Dome scandal of the Harding administration. But generally, when we think of political corruption, we think of the Democratic Party machines in America’s big cities, of the city “bosses” using the political system to rig votes, install cronies in office, extort favors from businesses, collect bribes for the assignment of city contracts, and generally rip off the local taxpayer and loot the treasury. Just as slavery and white supremacy were the tools of Democratic exploitation in the South, the boss system was the party’s tool of corruption and theft in cities throughout the country. The most famous Democratic bosses were Edward Crump, mayor of Memphis from 1910 to 1916; Tom Pendergast, who ran the Jackson County Democratic Club and controlled local politics in Kansas City, Missouri, from 1911 until his conviction for tax fraud in 1939; Frank Hague, mayor of Jersey City from 1917 to 1947; and Richard Daley, who was mayor of Chicago from 1955 to 1976.

e=mc^2. I know. I promised there would be no equations and, except for a few footnotes, I've kept my promise. But I think you will forgive me for making an exception for the world's most famous equation-the only equation to have its biography written. And the thing is this: e = mc^2 pops right out of QFT. Einstein had to work hard to find it (it was published in a separate paper that followed his breakthrough paper on relativity theory in 1905), but in QFT it appears as an almost trivial consequence of the two previous results. Since both mass and energy are associated with oscillations in the field, it doesn't take an Einstein to see that there must be a relationship between the two. Any schoolboy can combine the two equations and find (big drum roll, please) e = mc^2. Not only does the equation tumble right out of QFT, its meaning is seen in the oscillations or "shimmer" of the fields. Frank Wilczek calls these oscillations "a marvelous bit of poetry" that create a "Music of the Grid" (Wilczek's term for space seen as a lattice of points): Rather than plucking a string, blowing through a reed, banging on a drumhead, or clanging a gong, we play the instrument that is empty space by plunking down different combinations of quarks, gluons, electrons, photons,...and let them settle until they reach equilibrium with the spontaneous activity of Grid...These vibrations represent particles of different mass m...The masses of particles sound the Music of the Grid. ----- Frank Wilczek

It brought to mind the Jet stone which was carved into jewellery, famous in the seaside town of Whitby, not far from York.

Do a cartwheel, Tania,” said Dimitri with his hand on her back. “Show us what you can do.” “Yes, Tania!” Dasha said. “Come on. This is the perfect place for it, don’t you think? Here in front of a majestic palace, fountains, lawn, gardenias blooming—” “Germans in Minsk,” said Tatiana, trying not to look at Alexander, lying on the blanket on his side, propped up by his elbow. He looked so casual, so familiar, so… And yet, at the same time, utterly untouchable and unattainable. “Forget the Germans,” Dimitri said. “This is the place for love.” That’s what Tatiana was afraid of. “Come on, Tania,” Alexander said softly, sitting up and crossing his legs. “Let’s see these famous cartwheels.” He lit a cigarette. Dasha prodded her. “You never say no to a cartwheel.” Tatiana wanted to say no today. Sighing, she got up from their old blanket. “Fine. Though, frankly, I don’t know what kind of a queen I’d make, doing cartwheels for my subjects.” Tatiana was wearing a dress, not the dress but a casual pink sundress. Walking a few meters away from them, she said, “Are you ready?” And from a distance she saw Alexander’s eyes swallowing her. “Watch,” she said, putting her right foot forward. She flung herself upside down on her right arm, swinging her body in a perfect arc around onto her left arm and then her left foot, and then, without taking a breath and with her hair flying, Tatiana whirled around again, and again and again in an empyrean circle, down a straight trajectory on the grass toward the Great Palace, toward childhood and innocence, away from Dimitri and Dasha and Alexander. As she walked back, her face flushed and her hair everywhere, she allowed herself a glance at Alexander’s face. Everything she had wanted to see was there.

Wright is an interesting study of a superstar architect having both right and wrong influence. “All Architecture, worthy the name,” he decreed in 1910, “will, henceforward, more and more be organic.”12 So inspired by Viollet-le-Duc and Louis Sullivan, he inspired countless others (including young me) toward an organic approach to architecture. At the same time, the very pomposity of his decrees helped inflame a fatal egotism in generations of architects, and his most famous buildings belie his organic ideal. They were so totally designed—down to the screwheads all being aligned horizontally to match his prairie line—that they cannot be changed. To live in one of his houses is to be the curator of a Frank Lloyd Wright museum;

Klain had suffered a heartbreaking defeat. But it had led to his being played by Kevin Spacey in the HBO movie Recount, which made him semi-hemi-demi-famous. Klain delivered a frank

nobody was ever convicted for the “Saint Valentine’s Day Massacre,” the most famous gangland hit in American history. That said, Capone’s involvement is unquestioned, and it is widely believed that the 4 gunmen were McGurn, John Scalise, Albert Anselmi, and Frank Rio, the bodyguard who had saved Capone from Moran’s assassination attempt in 1926.

Is there anything else you want to tell me? You’ve accomplished what you came for, I guess. You’ve seen me and gotten my measure.” I regarded her steadily. “I’m not sure what you want from me tonight.” “Pam is fond of you,” she said, not answering me directly. “This one, too.” She jerked her head at Bubba. “I don’t know why, and I want to know.” “She’s kind,” Bubba said immediately. “She smells good. She has good manners. And she’s a good fighter, too.” I smiled at the addled vampire. “Thank you, Bubba. You’re a good friend to me.” Freyda eyed the famous face as if she were mining secrets from it. She turned her gaze back to me. “Bill Compton still likes you despite the fact that you’ve rejected him,” Freyda said quietly. “Even Thalia says you’re tolerable. Bill and Eric have both been your lovers. There must be something to you besides the fairy blood. Frankly, I can barely detect your fairy heritage.” “Most vamps don’t get that until someone points it out to them,” I agreed.

One famous (and perhaps apocryphal) story tells of how he, while testifying in court, was asked by an official to identify himself. Wright responded by declaring that he was the greatest architect in the world. His response, when asked how he could make such a statement, was that he had no choice – he was under oath.

The truth of the New Democrats’ purpose was presented by the journalist Joe Klein in his famous 1996 roman à clef about Clinton’s run for the presidency, Primary Colors. Although the novel contains more than a nod to Clinton’s extramarital affairs, Klein seems broadly sympathetic to the man from Arkansas as well as to the DLC project more generally. Toward the equality-oriented politics of the Democratic past he is forthrightly contemptuous. Old people who recall fondly the battles of the Thirties, for example, are objects of a form of ridicule that Klein thinks he doesn’t even need to explain; it is self-evident that people who care about workers are fools. And when an old-school “prairie populist” challenges the Clinton character for the nomination, Klein describes him as possessing “a voice made for crystal radio sets” and “offering Franklin Roosevelt’s jobs program (forestry, road-building) to out-of-work computer jockeys.” Get it? His views are obsolete! “It was like running against a museum.” That was the essential New Democrat idea: The world had changed, but certain Democratic voters expected their politicians to help them cling to a status that globalization had long since revoked. However,

Hillary Clinton was famous for her intimate friendship with Wall Street bankers. At one point she actually scolded Bernie Sanders for wanting to get tough with the financial industry because such a policy, by itself, would not also end racism and sexism—a new low in self-serving sophistry.

As a Capitol Hill staffer for Texas representative Michael McCaul, Miles Taylor saw Trump from the perspective of a committed Republican. Later, after serving in senior positions in the administration, Taylor became so disaffected with Trump that he wrote the famous “Anonymous” critique of the president that ran on the op-ed page of the New York Times. But long before Trump was even a candidate, he had an inkling there would be trouble: “In the middle of the 2016 race, I was working on Capitol Hill at the time, on the House side, as the policy director on the House Homeland Security Committee. Michael McCaul was chairman, Paul Ryan was Speaker. And we were in the midst of developing something for Paul Ryan called the Better Way agenda. Ryan wanted to put out an optimistic center-right vision for America’s future. Very policy oriented, but also a brand that Republicans could run on for years. He wanted this to be enduring. And I think, frankly, and had it been successful, he would have seen it as the centerpiece of his time as Speaker.

Indeed, the issues the Cons emphasize seem all to have been chosen precisely because they are not capable of being resolved by the judicious application of state power. Senator Brownback, for example, is best known for stands that are purely symbolic: against cloning, against the persecution of Christians in distant lands, against sex slavery in the third world. Similarly, Phill Kline, the current attorney general of Kansas, has become famous in conservative Republican circles nationwide for intervening in cases having to do with the age of consent and homosexual rape. These are issues that touch the lives of almost nobody in Kansas; that function solely as rallying points for the Con followers. They stoke the anger, keep the pot simmering, but have little to do with the practical, day-to-day uses of government power. Thus they allow the politician in question to grandstand magnificently while avoiding any identification with the hated state.

While the Wichita Cons worked hard to build their movement, they would not have succeeded so extravagantly had it not been for the simultaneous suicide of the rival movement, the one that traditionally spoke for working-class people. I am referring, of course, to the Clinton administration’s famous policy of “triangulation,” its grand effort to minimize the differences between Democrats and Republicans on economic issues. Among the nation’s pundit corps “triangulation” has always been considered a stroke of genius, signaling the end of liberalism’s old-fashioned “class warfare” and also of the Democrats’ faith in “big government.” Clinton’s New Democrats, it was thought, had brought the dawn of an era in which all parties agreed on the sanctity of the free market. As political strategy, though, Clinton’s move to accommodate the right was the purest folly. It simply pulled the rug out from under any possible organizing effort on the left. While the Cons were busily polarizing the electorate, the Dems were meekly seeking the center.

still a blue-collar suburb, but after three decades of deunionization and stagnant wage growth, blue-collar suburbs like this one look and act very differently than before. Shawnee today burns hotter than nearly any place in the state to defund public education, to stamp out stem-cell research, to roll back taxes, and to abase itself before the throne of big business. The suburb is famous for having sent the most determined of the anti-evolutionists to the State Board of Education and for having chosen the most conservative of all Kansas state legislators,

Mr. Dalrymple smiled faintly, then gave the boys a swift, penetrating look. “Like to follow in your world-famous dad’s footsteps, eh—be detectives yourselves, would you?” His keen eyes took in the hiking boots and khaki outfits they wore. “Fine summer morning for a hike.” He added abruptly, “Which direction are you taking?” Before either boy could answer he went on: “Try Shore Road, past the harbor. Turn off and follow Willow River Road out into the country.” “Why?” Frank queried, intrigued. “You’ll pass the old Purdy place. Know the one I mean?

Good afternoon, boys!” called an old man seated in a rocking chair on the front porch. “Hot weather.” “Sure is,” Frank agreed. “Are you Mr. Nichols?” “Yes sirree.” The old man was very thin and weak looking, but his light-blue eyes were lively. “I’ve been Henry Nichols seventy-nine years, now; eighty next April. Never minded it either, ‘cept when I was young. Then I used to wish I was somebody famous—” “Henry!” called a voice just inside the screen door. “That’s enough!” A small, white-haired woman stood there. “What is it you boys want?

Kingsley tells me you’re famous,” she said, dropping her toy bag on the floor and tossing her coat aside. “I am. Very famous.” He leaned back resting on his hands. “Want to see my Oscar?” “Never met a man who named his cock Oscar before.” “I meant my Academy Award.” “Oh, then no.” Her client blanched and Nora smiled. God, she did love putting the rich and famous in their place. And their place was, of course, at her feet. “It’s a big deal to get an Oscar,” he protested. “Yeah, well, I have no idea who the fuck you are and I don’t give a damn about your Grammy.” “Oscar.” “And quite frankly, I don’t care who you are. But I hear you’re an asshole who treats his assistants like shit, and I think you’re probably going to have to be punished for that. Say ‘Yes, Mistress’ if you agree.” He swallowed hard. “Yes, Mistress.” “Good boy. Now get naked and bend over the table. Let’s find out how an Oscar-winner screams.

In August of 1993, Frank Salerno, the famous bulldog of Sheriffs Homicide, retired from police work for good.

Well Dear, that's over and done. Now we move on.

Bathed in a late autumn glow, Springfield doesn’t seem like a community ravaged by meth despite its reputation as a paradise for tweakers (chronic users). The Battlefield Mall—named in memory of Wilson’s Creek, a famous Civil War battle

Among the first to call and congratulate me on my election victory was President Clinton. “Bibi, I’ve got to hand it to you.” He chuckled. “We did everything we could to bring you down, but you beat us fair and square.” Quintessential Bill, I thought. He wasn’t telling me something I didn’t know, but here was the president of the United States admitting without batting an eyelash to a brazen intervention in another country’s elections. Clinton’s frankness was refreshingly politically incorrect. You could see how the famous Clinton charm carried him through a myriad of minefields. I let it go and said I looked forward to working with him.

Gran and I were on a blanket eating one of her famous baguette sandwiches, something with ham and butter and little cornichon pickles. Gran was telling me how to pronounce "jambon aux beurre," the French name for a ham and butter sandwich.

In his famous novel 1984, O’Brien states frankly, “The Party seeks power entirely for its own sake. . . . The object of power is power.

Where is the Ark today? I believe it is in a warehouse in Washington, or so says the ending of a famous Indiana Jones documentary!

I have clients that feel like family, I make far more money than I've got a right to, considering the workload, and I have amazing benefits. What could be bad?" "I suppose I meant if you are satisfied creatively." I'd never really thought about that. The Farbers give me free rein, but they have a repertoire of my dishes that they love and want to have regularly in the rotation, and everything has to be kid friendly; even if we are talking about kids with precocious tastes, they are still kids. Lawrence is easy: breakfasts, lunches, and healthy snacks for his days; he eats most dinners out with friends, or stays home with red wine and popcorn, swearing that Olivia Pope stole the idea from him. And I'm also in charge of home-cooked meals for Philippe and Liagre, his corgis, who like ground chicken and rice with carrots, and home-baked peanut butter dog biscuits. Simca was a gift from him, four years ago. She was a post-Christmas rescue puppy, one of those gifts that a family was unprepared for, who got left at a local shelter where Lawrence volunteers. He couldn't resist her, but knew that Philippe and Liagre barely tolerate each other, and he couldn't imagine bringing a female of any species into their manly abode. Luckiest thing that ever happened to me, frankly. She's the best pup ever. I named her Simca because it was Julia Child's nickname for her coauthor Simone Beck. She is, as the other Eloise, my own namesake, would say, my mostly companion. Lawrence's dinner parties are fun to do- he always has a cool group of interesting people, occasionally famous ones- but he is pretty old-school, so there isn't a ton of creativity in those menus, lots of chateaubriand and poached salmon with the usual canapés and accompaniments.

Frank, the most pious of the brothers, was known for lacking a sense of humour. He was a ponderous and serious-minded sailor. In the Austen family his letters were famous for their length and their mundane detail. A family anecdote recalled his character perfectly. A naval colleague went swimming in the tropics. Frank observed calmly and slowly, ‘Mr Pakenham you are in danger of a shark – a shark of the blue species.’ The captain thought it was a joke, but was told by Frank, ‘I am not given to joking. If you do not return immediately, soon the shark will eat you.

Clinton administration’s famous policy of “triangulation,” its grand effort to minimize the differences between Democrats and Republicans on economic issues. Among the nation’s pundit corps “triangulation” has always been considered a stroke of genius, signaling the end of liberalism’s old-fashioned “class warfare” and also of the Democrats’ faith in “big government.” Clinton’s New Democrats, it was thought, had brought the dawn of an era in which all parties agreed on the sanctity of the free market. As political strategy, though, Clinton’s move to accommodate the right was the purest folly. It simply pulled the rug out from under any possible organizing effort on the left.

Suddenly that body appears: in my smoke while someone's heavily describing Greece, that famous monotonous line feels white against the tensile gloom of life and I seem intimate with what I merely touch.

How am I to become a legend, my dear? I’ve tried love, but that hides you in the bosom of another and I am always springing forth from it like the lotus—the ecstasy of always bursting forth! (but one must not be distracted by it!) or like a hyacinth, “to keep the filth of life away,” yes, there, even in the heart, where the filth is pumped in and courses and slanders and pollutes and determines. I will my will, though I may become famous for a mysterious vacancy in that department, that greenhouse.

In 1934, with the country nowhere near able to climb out of the Great Depression, Upton Sinclair, famous for his muckraking novel The Jungle and his socialistic solutions for the ailing economy, had swept the Democratic primary for governor of California. (He was hardly alone in turning to socialism at such a dire time.) Mayer, fearful Sinclair would tax the movie studios to pay for his socialist programs, warned that MGM and other studios would move back east if Sinclair won—not anything he was prepared to let happen. Calling in Irving Thalberg, head of production, Mayer told him to create a fake newsreel showing the disasters that would follow such an election outcome. Movie theaters were forced to show the film when they booked an MGM movie, and William Randolph Hearst would see to its distribution to all other theaters in the state. And indeed, as soon as the fake exposé hit the screens, Sinclair’s huge lead vanished, and Frank Merriam became governor. The dirty politics and stealth tactics of Richard Nixon? As you can see, just a rerun.

The individual most responsible for the triumph of the documentary style was probably Roy Stryker of the government’s Farm Security Administration (FSA), who sent a platoon of famous photographers out to record the lives of impoverished farmers and thus “introduce America to Americans.” Stryker was the son of a Kansas Populist, and, according to a recent study of his work, “agrarian populism” was the “first basic assumption” of the distinctive FSA style. Other agencies pursued the same aesthetic goal from different directions. Federal workers transcribed folklore, interviewed surviving ex-slaves, and recorded the music of the common man. Federally employed artists painted murals illustrating local legends and the daily work of ordinary people on the walls of public buildings. Unknowns contributed to this work, and great artists did too—Thomas Hart Benton, for example, painted a mural that was actually titled A Social History of the State of Missouri in the capitol building in Jefferson City.16 There was a mania for documentary books, photos of ordinary people in their homes and workplaces that were collected and narrated by some renowned prose stylist. James Agee wrote the most enduring of these, Let Us Now Praise Famous Men, in cooperation with photographer Walker Evans, but there were many others. The novelist Erskine Caldwell and the photographer Margaret Bourke-White published You Have Seen Their Faces in 1937, while Richard Wright, fresh from the success of his novel Native Son, published Twelve Million Black Voices in 1941, with depictions of African American life chosen from the populist photographic output of the FSA.

Just as they jettisoned provisions, so too the French commanders opted not to transport medical, sanitary, or surgical supplies into Russia. This decision was ironic given that the French surgeon-in-chief, Baron Dominique Jean Larrey, was famous for having devised measures to save lives by evacuating the wounded from the battlefield speedily and placing forward hospitals near combat zones.

A major reason is that the campaign began with no knowledge of the fact that there are multiple strains of M. tuberculosis and that the efficacy of BCG is strain-specific, varying from Aronson’s famous 80 percent to nil.

Robert Koch, a pioneering figure of the modern germ theory of disease (Chapter 12). In 1882 he identified Mycobacterium tuberculosis, and he established rigorous proof—in compliance with his own famous postulates—of its causative role in the disease.

The father of the modern conservative movement, Barry Goldwater, recognized and feared the inflexibility of religion in politics in 1994 when he famously insisted, “If and when these preachers get control of the [Republican] party, and they’re sure trying to do so, it’s going to be a terrible damn problem. Frankly, these people frighten me. Politics and governing demand compromise. But these Christians believe they are acting in the name of God, so they can’t and won’t compromise.