Frankly English Quotes

We've searched our database for all the quotes and captions related to Frankly English. Here they are! All 84 of them:

Cultivo una rosa blanca, En julio como en enero, Para el amigo sincero Que me da su mano franca. Y para el cruel que me arranca El corazon con que vivo, Cardo ni oruga cultivo Cultivo una rosa blanca. I have a white rose to tend In July as in January; I give it to the true friend Who offers his frank hand to me. And to the cruel one whose blows Break the heart by which I live, Thistle nor thorn do I give: For him, too, I have a white rose.
José Martí (Versos Sencillos: Simple Verses (Recovering the Us Hispanic Literary Heritage) (Pinata Books for Young Adults) (English, Spanish and Spanish Edition))
Who has inflicted this upon us? Who has made us Jews different from all other people? Who has allowed us to suffer so terribly up till now? It is God that has made us as we are, but it will be God, too, who will raise us up again. If we bear all this suffering and if there are still Jews left, when it is over, then Jews, instead of being doomed, will be held up as an example. Who knows, it might even be our religion from which the world and all peoples learn good, and for that reason and that reason alone do we have to suffer now. We can never become just Netherlanders, or just English, or representatives of any country for that matter; we will always remain Jews, but we want to, too.
Anne Frank
I personally have a cunt. Sometimes it's 'flaps' or 'twat', but most of the time, it's my cunt. Cunt is a proper, old, historic, strong word. I like that my fire escape also doubles up as the most potent swearword in the English language. Yeah. That's how powerful it is, guys. If I tell you what I've got down there, old ladies and clerics might faint. I like how shocked people are when you say 'cunt'. It's like I have a nuclear bomb in my pants, or a tiger, or a gun. Compared to this the most powerful swearword men have got out of their privates is 'dick', which is frankly vanilla, and I believe you're allowed to use on, like, Blue Peter if something goes wrong. In a culture where nearly everything female is still seen as squeam-inducing, and/or weak - menstruation, menopause, just the sheer simple act of calling someone 'a girl' - I love that 'cunt' stands, on its own, as the supreme unvanquishable word. It has almost mystic resonance. It is a cunt - we all know it's a cunt - but we can't call it a cunt. We can't say the actual word. It's too powerful. Like Jews can never utter the Tetragrammaton - an must make do with 'Jehovah', instead.
Caitlin Moran (How to Be a Woman)
Forever is the most dizzying word in the English language. The idea of staying in one place forever was like standing at the border of a foreign country, peering over the fence and trying to imagine what life might be like on the other side, and life on the other side was frankly unimaginable.
Emily St. John Mandel (Last Night in Montreal)
People everywhere brag and whimper about the woes of their early years, but nothing can compare with the Irish version: the poverty; the shiftless loquacious father; the pious defeated mother moaning by the fire; pompous priests; bullying school masters; the English and the terrible things they did to us for eight hundred long years. Above all -- we were wet.
Frank McCourt
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood. . . . nothing can compare with the Irish version: the poverty; the shiftless loquacious alcoholic father; the pious defeated mother moaning by the fire; pompous priests; bullying schoolmasters; the English and the terrible things they did to us for eight hundred long years.
Frank McCourt
The English wouldn't give you the steam of their piss.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
The Persian word farang, which was used to refer to Europeans, appeared to be a cognate of the English foreign. But farang actually arose from a reference to the Franks, and morphed to encompass Western Europeans.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Inferiority is not banal or incidental even when it happens to women. It is not a petty affliction like bad skin or circles under the eyes. It is not a superficial flaw in an otherwise perfect picture. It is not a minor irritation, nor is it a trivial inconvenience, an occasional aggravation, or a regrettable but (frankly) harmless lapse in manners. It is not a “point of view” that some people with soft skins find “ offensive. ” It is the deep and destructive devaluing of a person in life, a shredding of dignity and self-respect, an imposed exile from human worth and human recognition, the forced alienation of a person from even the possibility of wholeness or internal integrity. Inferiority puts rightful self-love beyond reach, a dream fragmented by insult into a perpetually recurring nightmare; inferiority creates a person broken and humiliated inside. The fragments— scattered pieces and sharp slivers of someone who can never be made whole—are then taken to be the standard of what is normal in her kind: women are like that. The insult that hurt her—inferiority as an assault, ongoing since birth—is seen as a consequence, not a cause, of her so-called nature, an inferior nature. In English, a graceful language, she is even called a piece. It is likely to be her personal experience that she is insufficiently loved. Her subjectivity itself is second-class, her experiences and perceptions inferior in the world as she is inferior in the world. Her experience is recast into a psychologically pejorative judgment: she is never loved enough because she is needy, neurotic, the insufficiency of love she feels being in and of itself evidence of a deep-seated and natural dependency. Her personal experiences or perceptions are never credited as having a hard core of reality to them. She is, however, never loved enough. In truth; in point of fact; objectively: she is never loved enough. As Konrad Lorenz wrote: “ I doubt if it is possible to feel real affection for anybody who is in every respect one’s inferior. ” 1 There are so many dirty names for her that one rarely learns them all, even in one’s native language.
Andrea Dworkin (Intercourse)
I think that any artistic decision that is based on whether or not you are going to make money it is not really an artistic decision. It is a business decision. And there are a lot of things that I can do to earn a living and a lot of things that I have already done to earn a living which produce the amount of capital needed to do this project. I came here to spend money on an English orchestra and record my music, so I can take it home and I can listen to it. And... if somebody else likes that kind of stuff, I will make it available on a record so that they can hear it. That is my part of the public service of spending the money to make this event happen. No foundation grant, no government assistance, no corporation, no comittee. Just a crazy guy who spent the money to hire English musicians to do a concert at the Barbican and make an album for Barking Pumpkin Records.
Frank Zappa
In the fish-market by the Grand Canal a fisherman sold Frank three mullet, but then almost neglected to take the money because his attention was given to the argument he was conducting with his neighbour as to whether the English magician had gone mad because he was a magician, or because he was English.
Susanna Clarke (Jonathan Strange & Mr. Norrell)
She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded--like nothing he had seen or known in England. Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. English was too frank, too candid, too honeyed a speech for Sasha. For in all she said, however open she seemed and voluptuous, there was something hidden; in all she did, however daring, there was something concealed.
Virginia Woolf
I take pride in playing immigrant characters. I've come across people who had a negative opinion about playing Asian characters that have an accent. I've even met Asian actors who won't audition for a role that has an Asian accent. They believe these accented characters reinforce the stereotype of an Asian being the constant foreigner. Frankly, I can't relate. I was an immigrant. And no matter how Americanized I become, no matter how much Jay-Z I listen to, I'll always be an immigrant. Just because I don't speak English with an accent anymore doesn't mean that I'm better than the people who do. My job as an actor is not to judge anyone and to portray a character with humanity. There are real people with real Asian accents in the real world. I used to be one of them. And I'm damn proud of it.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
the English and the terrible things they did to us for eight hundred long years.
Frank McCourt (Angela's Ashes: A Memoir)
You shall not hate your brother in your heart, but  qyou shall reason frankly with your neighbor,
Anonymous (The Holy Bible: English Standard Version)
She was doing a PhD in English literature,’ I pointed out. ‘I know zip about English literature, Frank. I got an A in my Leaving Cert, but that’s it. I don’t speak the jargon.
Tana French (The Likeness: The inspiration for BBC/RTE drama series DUBLIN MURDERS)
We can never be just Dutch, or just English, or whatever, we will always be Jews as well.
Anne Frank (The Diary of Anne Frank: The Definitive Edition)
Frank sniffed. 'You know me well, wife. I thought those were in the basement.' 'They were. You should have been an English teacher, Frank.' 'What are we going to do?' Henry asked. 'We're going to build a wooden horse, stick you inside it, and offer it up as a gift,' Frank answered. 'Burn your bridges when you come to them,' Dotty said. She smiled at Frank, picked up the empty plates, and walked back into the kitchen. 'Can we watch?' Henrietta asked. 'You,' Frank said, 'can go play in the barn, the yard, the fields, or the ditches, so long as you are nowhere near the action. C'mon, Henry.' The girls moaned and complained while Henry followed his uncle up the stairs. At the top, they walked all the way around the landing until they faced the very old, very wooden door to Grandfather's bedroom. Uncle Frank set down his tools. 'Today is the day, Henry. I can feel it. I never told your aunt this, but my favorite book's in there. I was reading it to your Grandfather near the end. It's been due back at the library for awhile now, and it'd be nice to be able to check something else out.
N.D. Wilson (100 Cupboards (100 Cupboards, #1))
Frankly, They get on like a house on fire is the most misleading saying in the English language. Faulty wiring? Misuse of heating equipment? Suspected arson? Not evocative of two people getting along in the least.
Ali Hazelwood (Under One Roof (The STEMinist Novellas, #1))
All those Dutch people who still look down on the British, scoff at England and its government of aging lords, call the English cowards, yet hate the Germans, should be given a good shaking, the way you'd plump up a pillow. Maybe that would straighten out their jumbled brains!
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
If, redesigning our education system from scratch, it was suggested that we should attempt to teach Swahili to children but carry out those lessons in another foreign tongue, such as Swedish, this would rightly be derided as lunacy. Yet this is not so very far from what we are attempting to do. Take Coyne, for example. He is 14 now. His grasp of English is, at best, tenuous. Despite this, we are trying to teach him to speak French. Equally, his mathematical ability is next to nil; we are trying, in economics lessons, to explain concepts like inflation and money supply to a boy who can’t add..
Frank Chalk (It's Your Time You're Wasting)
The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word and thought, are enemies of truth, if you identify that with what may be had by phenomenological reductions. Sartre was always, as he explains in his autobiography, aware of their being at variance with reality. One remembers the comic account of this antipathy in Iris Murdoch Under the Net, one of the few truly philosophical novels in English; truth would be found only in a silent poem or a silent novel. As soon as it speaks, begins to be a novel, it imposes causality and concordance, development, character, a past which matters and a future within certain broad limits determined by the project of the author rather than that of the characters. They have their choices, but the novel has its end. * ____________________ * There is a remarkable passage in Ortega y Gasset London essay ' History as a System' (in Philosophy and History, ed. Klibansky and Paton, 1936) which very clearly states the issues more notoriously formulated by Sartre. Ortega is discussing man's duty to make himself. 'I invent projects of being and doing in the light of circumstance. This alone I come upon, this alone is given me: circumstance. It is too often forgotten that man is impossible without imagination, without the capacity to invent for himself a conception of life, to "ideate" the character he is going to be. Whether he be original or a plagiarist, man is the novelist of himself... Among... possibilities I must choose. Hence, I am free. But, be it well understood, I am free by compulsion, whether I wish to be or not... To be free means to be lacking in constitutive identity, not to have subscribed to a determined being, to be able to be other than what one was...' This 'constitutive instability' is the human property lacking in the novels condemned by Sartre and Murdoch. Ortega differs from Sartre on the use of the past; but when he says that his free man is, willy-nilly, 'a second-hand God,' creating his own entity, he is very close to Sartre, who says that to be is to be like the hero in a novel. In one instance the eidetic image is of God, in the other of the Hero.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
The businessman turns out to have a lot of zanshin. Translating this concept into English is like translating "fuckface" into Nipponese, but it might translate into "emotional intensity" in football lingo. He charges directly at Hiro, hollering at the top of his lungs... "Emotional intensity" doesn't convey the half of it, of course. It is the kind of coarse and disappointing translation that makes the dismembered bodies of samurai warriors spin in their graves. The word "zanshin" is larded down with a lot of other folderol that you have to be Nipponese to understand. And Hiro thinks, frankly, that most of it is pseudomystical crap, on the same level as his old high school football coach exhorting his men to play at 110 percent.
Neal Stephenson (Snow Crash)
The human mind is itself a miraculous machine. I am writing right now, but I have no idea how this is happening. I know that my brain is composed of a cerebrum, a cerebellum, and a medulla oblongata, but these are just words. I know that electrical impulses are involved somehow, but that is about the extent of my understanding of the mechanics. And while I at least have an intuition as to how an airplane works, I really have none with respect to my brain. Frankly, lots of what appears on my computer screen is as much a surprise to me as it is to you. I certainly never expected over my oatmeal and English muffin this morning to be writing about Bernoulli's principle today. For that matter, I have no idea why I like English muffins. But I do.
Evan Mandery (Q)
November 8th, 1943 At night in bed I see myself alone in a dungeon, without Father and Mother. Or I'm roaming the streets, or the Annex is on fire, or they come in the middle of the night to take us away and I crawl under my bed in desperation. I see everything as if it were actually taking place. And to think it might all happen soon! (**good metaphor use later on for English)
Anne Frank (The Diary of a Young Girl)
The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and Joyce, was clerkly enough, sceptical in many ways; and yet we can without difficulty convict most of these authors of dangerous lapses into mythical thinking. All were men of critical temper, haters of the decadence of the times and the myths of mauvaise foi. All, in different ways, venerated tradition and had programmes which were at once modern and anti-schismatic. This critical temper was admittedly made to seem consistent with a strong feeling for renovation; the mood was eschatological, but scepticism and a refined traditionalism held in check what threatened to be a bad case of literary primitivism. It was elsewhere that the myths ran riot.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Now, my all-time favorite accolade from a book reviewer was when Fernanda Pivano, Italy’s best-known critic, wrote in a leading Italian newspaper that “Tom Robbins is the most dangerous writer in the world.” I never read my reviews, even in English, but others sometimes pass choice bits along, so when I had occasion to meet the legendary Signora Pivano at a reception in Milan, I asked her what she meant by that wonderfully flattering remark. She replied, “Because you are saying zat love is zee only thing that matters and everything else eese a beeg joke.” Well, being uncertain, frankly, that is what I’d been saying, I changed the subject and inquired about her recent public denial that she’d ever gone to bed with Ernest Hemingway, whom she’d shown around Italy in the thirties. “Why didn’t you sleep with Hemingway?” I inquired. Signora Pivano sighed, closed her large brown eyes, shook her gray head, and answered in slow, heavily accented English, “I was a fool.” Okay, back to the New York Cinematheque. Why did I choose to go watch a bunch of jerky, esoteric, often self-indulgent 16mm movies rather than sleep with the sexy British actress? Move over, Fernanda, there’s room for two fools on your bus.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
Today, I live in France. We have been made utterly welcome by our French neighbours, who, if the subject arises, can only scratch their heads in utter bemusement at why we would want to leave this union. I try to explain, but in order to really understand, you have to be British. Or rather, not British, but a certain English sort – that peculiar, insular, self-aggrandising mentality that cannot see past the White Cliffs of Kent. I have never understood that,
Frank Cottrell Boyce (A Love Letter to Europe: An outpouring of sadness and hope – Mary Beard, Shami Chakrabati, Sebastian Faulks, Neil Gaiman, Ruth Jones, J.K. Rowling, Sandi Toksvig and others)
The problem with the word "vagina" is that vaginas seem to be just straight-out bad luck. Only a masochist would want one, because only awful things happen to them. Vaginas get torn. Vaginas get "examined.".. No. Let's clear this up right now - I don't actually have a vagina. I never have. I, personally, have a cunt. Cunt is a proper, old, historic, strong word, and it doubles up as the most potent swear word in the English language. Yeah. That's how powerful it is, guys. If I tell you what I've got down there, old ladies and clerics might faint. I like how shocked people are when you say "cunt." Compared to this, the most powerful swear word men have got out of their privates is "dick," which is frankly vanilla. In a culture where nearly everything female is still seen as squeam-inducing and/or weak - menstruation, menopause, just the sheer, simple act of calling someone "a girl" - I love that "cunt" stands on its own, as the supreme, unvanquishable word.
Caitlin Moran (How to Be a Woman)
We've been strongly reminded of the fact that we're Jews in chains, chained to one spot, without any rights, but with a thousand obligations. We must put our feelings aside; we must be brave and strong, bear discomfort with- out complaint, do whatever is in our power and trust in God. One day this terrible war will be over. The time will come when we'll be people again and not just Jews! Who has inflicted this on us? Who has set us apart from all the rest? Who has put us through such suffering? It's God who has made us the way we are, but it's also God who will lift us up again. In the eyes of the world, we're doomed, but if after all this suffering, there are still Jews left, the Jewish people will be held up as an example. Who knows, maybe our religion will teach the world and all the people in it about goodness, and that's the reason, the only reason, we have to suffer. We can never be just Dutch, or just English, or whatever; we will always be Jews as well. And we'll have to keep on being Jews, but then, we'll want to be.
Anne Frank (The Diary of a Young Girl)
I never suspected you had a sense of humor,” she mused aloud, studying his face as if he were a fascinating puzzle to be figured out. “See? Hardly ten minutes into the night and I am already learning fabulous things about you.” “Imagine what will happen in an hour,” he said. “That sounded suspiciously liberal to me,” she rejoined slyly, reaching to wind her arms around his neck. “Did I mention that you look like you just stepped off a pirate ship? This outfit is very . . . roguish.” “Roguish?” “‘Roguish’ is a word from the English language,” she lectured. “It means . . . to be like a rogue. In your case, to be in the style of a rogue. Roguish.” “I know what it means, Neliss. I do not believe I have ever heard myself described in such a way before. I shall have to take your word on that.” He reached up to push back some of the heavy fall of her hair. “You always wear dresses like this, and almost never bind your hair. Do not take this as a complaint, but I was wondering why that is.” “I like dresses. I never quite took to the idea of skirts above the ankle. I guess I am an old-fashioned eighteenth-century girl.” “I see. And just when, exactly, should I begin to look for those pigs that will be flying by?” “You know, you sit there and accuse me of having a smart mouth?” “Well, you were wondering what part of you was going to show up in me,” he rejoined. “Oh. Ha ha. Your stellar wit has charmed me straight to my toes,” was her dry reply. “In any event,” he continued, ignoring her sarcasm, “your style suits you quite well. It suits me as well.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
What do scientists mean when they talk of a virus? This is not quite so elementary as some people might believe. In The Shorter Oxford English Dictionary, a virus is defined as "a morbid principle, or a poisonous venom, especially one capable of being introduced into another person or animal." The dictionary takes its cue from the Latin virus, which denotes a slimy liquid, a poison, an offensive odor or taste. It is a colorful definition, redolent of medieval notions of disease origins in evil emanations, but it offers little by way of scientific understanding.
Frank Ryan (Virus X: Tracking the New Killer Plagues)
I have always embraced this concept, and it paid off now, as Meza proved to be wonderfully creative in both Spanish and English. He ran through an impressive list of standards, and then his artistic side took full flower and he called me things that had never before existed, except possibly in a parallel universe designed by Hieronymus Bosch. The performance took on an added air of supernatural improbability because Meza’s voice was so weak and husky, but he never allowed that to slow him. I was frankly awed, and Deborah seemed to be, too, because we both simply stood and listened until Meza finally wore down and tapered off with, “Cocksucker.
Jeff Lindsay (Dexter by Design (Dexter, #4))
THE WAY I see it, there are three reasons never to be unhappy. First, you were born. This in itself is a remarkable achievement. Did you know that each time your father ejaculated (and frankly he did it quite a lot) he produced roughly twenty-five million spermatozoa – enough to repopulate Britain every two days or so? For you to have been born, not only did you have to be among the few batches of sperm that had even a theoretical chance of prospering – in itself quite a long shot – but you then had to win a race against 24,999,999 or so other wriggling contenders, all rushing to swim the English Channel of your mother’s vagina in order to be the first ashore at the fertile egg of Boulogne, as it were. Being born was easily the most remarkable achievement of your whole life. And think: you could just as easily have been a flatworm. Second, you are alive. For the tiniest moment in the span of eternity you have the miraculous privilege to exist. For endless eons you were not. Soon you will cease to be once more. That you are able to sit here right now in this one never-to-be-repeated moment, reading this book, eating bon-bons, dreaming about hot sex with that scrumptious person from accounts, speculatively sniffing your armpits, doing whatever you are doing – just existing – is really wondrous beyond belief. Third, you have plenty to eat, you live in a time of peace and ‘Tie a Yellow Ribbon Round the Old Oak Tree’ will never be number one again.
Bill Bryson (Notes From A Small Island: Journey Through Britain)
Making another effort to be paradoxical, Williams decides to identify Orwell as an instance of ‘the paradox of the exile’. This, which he also identified with D. H. Lawrence, constituted an actual ‘tradition’, which, in England: attracts to itself many of the liberal virtues: empiricism, a certain integrity, frankness. It has also, as the normally contingent virtue of exile, certain qualities of perception: in particular, the ability to distinguish inadequacies in the groups which have been rejected. It gives, also, an appearance of strength, although this is largely illusory. The qualities, though salutary, are largely negative; there is an appearance of hardness (the austere criticism of hypocrisy, complacency, self-deceit), but this is usually brittle, and at times hysterical: the substance of community is lacking, and the tension, in men of high quality, is very great. This is quite a fine passage, even when Williams is engaged in giving with one hand and taking away with the other. Orwell’s working title for Nineteen Eighty-Four was ‘The Last Man in Europe,’ and there are traces of a kind of solipsistic nobility elsewhere in his work, the attitude of the flinty and solitary loner. May he not be valued, however, as the outstanding English example of the dissident intellectual who preferred above all other allegiances the loyalty to truth? Self-evidently, Williams does not believe this and the clue is in the one word, so seemingly innocuous in itself, ‘community.
Christopher Hitchens
The thing is that this month I have been working in the olive groves, because their Christs in the Garden, with nothing really observed, have gotten on my nerves. Of course with me there is no question of doing anything from the Bible - and I have written to Bernard and Gauguin too that I considered that our duty is thinking, not dreaming, so that when looking at their work I was astonished at their letting themselves go like that. For Bernard has sent me photos of his canvases. The trouble with them is that they are a sort of dream or nightmare - that they are erudite enough - you can see that it is someone who is gone on the primitives - but frankly the English Pre-Raphaelites did it much better, and then again Puvis and Delacroix, much more healthily than the Pre-Raphaelite
Vincent van Gogh
Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?” “Not if Gideon says you cannot get out of this bed,” he countered sternly. “Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness. Jacob extricated himself from her hold enough to allow himself to turn and face her. “Okay, explain what you meant,” he said gently. “I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.” “What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?” “No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?” Clearly, by his expression, Jacob did not understand. “Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.” “You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.” Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected. “Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.” “I see,” he chuckled. “Thank you for the translation.” He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself. “I thought I would be kind to you,” she explained with a laugh against his mouth. “You, my love, are all heart.” “And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?” “He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.” “Oh. Well . . . when you put it that way . . .
Jacquelyn Frank (Gideon (Nightwalkers, #2))
She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded--like nothing he had seen or known in England. Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. English was too frank, too candid, too honeyed a speech for Sasha. For in all she said, however open she seemed and voluptuous, there was something hidden; in all she did, however daring, there was something concealed. So the green flame seems hidden in the emerald, or the sun prisoned in a hill. The clearness was only outward; within was a wandering flame. It came; it went; she never shone with the steady beam of an Englishwoman--here, however, remembering the Lady Margaret and her petticoats, Orlando ran wild in his transports and swept her over the ice, faster, faster, vowing that he would chase the flame, dive for the gem, and so on and so on, the words coming on the pants of his breath with the passion of a poet whose poetry is half pressed out of him by pain.
Virginia Woolf (Orlando)
I’m willing to bargain with you,” he said gently, “for the same reason anyone tries to bargain-you have something I want.” Desperately trying to prove to her she wasn’t powerless or empty-handed, he added, “I want it badly, Elizabeth.” “What is it?” she asked warily, but much of the resentment in her lovely face was already being replaced by surprise. “This,” he whispered huskily. His hands tightened on her shoulders, pulling her close as he bent his head and took her soft mouth in a slow, compelling kiss, sensually molding and shaping her lips to his. Although she stubbornly refused to respond, he felt the rigidity leaving her; and as soon as it did, Ian showed her just how badly he wanted it. His arms went around her, crushing her to him, his mouth moving against hers with hungry urgency, his hands shifting possessively over her spine and hips, fitting her to his hardened length. Dragging his mouth from hers, he drew an unsteady breath. “Very badly,” he whispered. Lifting his head, he gazed down at her, noting the telltale flush on her cheeks, the soft confusion in her searching green gaze, and the delicate hand she’d forgotten was resting against his chest. Keeping his own hand splayed against her lower back, he held her pressed to his rigid erection, torturing himself as he slid his knuckles against her cheek and quietly said, “For that privilege, and the others that follow it, I’m willing to agree to any reasonable terms you state. And I’ll even forewarn you,” he said with a tender smile at her upturned face, “I’m not a miserly man, nor a poor one.” Elizabeth swallowed, trying to keep her voice from shaking in reaction to his kiss. “What other privileges that follow kissing?” she asked suspiciously. The question left him nonplussed. “Those that involve the creation of children,” he said, studying her face curiously. “I want several of them-with your complete cooperation, of course,” he added, suppressing a smile. “Of course,” she conceded without a second’s hesitation. “I like children, too, very much.” Ian stopped while he was ahead, deciding it was wiser not to question his good fortune. Evidently Elizabeth had a very frank attitude toward marital sex-rather an unusual thing for a sheltered, well-bred English girl.
Judith McNaught (Almost Heaven (Sequels, #3))
Derrida says adieu to Ishmael and to democracy. He hears the salvation in the “Latinity” of ‘salut’. Perhaps we should learn enough Arabic for simple greetings, enough to say Ahlan wa sahlan and Marhaba. Marhaba, which is used as English speakers use ‘Hello,’ carries within it the idea that the one greeted is welcome, that there is plenty of room. Arabic words, like words in Hebrew, are formed from roots. Each root leads to a tree of words. The root of the word r-h-b gives us rahb, which means spacious or roomy but also ‘unconfined’ and ‘open-minded, broad-minded, frank, liberal.’ It is also the root of rahaba, the word for the public square. Marhaba is a good greeting for liberals, who at their open-minded, broad-minded best, can find that there is plenty of room in the public square. The Egyptian poet Farouk Mustafa translated Ahlan wa Sahlan as “you are among your people, and your keep is easy.” Like Marhaba, the greeting marks a welcome, a curious one. Ahlan wa sahlan is not saud simply to one’s own, to family and friends and fellow citizens. It is said to foreigners, to travelers, to people who are not, in the ordinary sense, one’s own. Like the American “Come in, make yourself at home”, it is said to people who are not at home, who might be turned away. The greeting recognizes a difference only to set it aside. Ahlan wa sahlan recognizes that there are different nations, and that they might find themselves in a foreign country, among an alien people. This greeting marks the possibility that the other, the alien, the wanderer, and the refugee might be met with welcome rather than with fear.
Anne Norton (On the Muslim Question)
Dear Kitty, Another birthday has gone by, so now I’m fifteen. I received quite a lot of presents. All five parts of Sprenger’s History of Art, a set of underwear, a handkerchief, two bottles of yoghurt, a pot of jam, a spiced gingerbread cake, and a book on botany from Mummy and Daddy, a double bracelet from Margot, a book from the Van Daans, sweet peas from Dussel, sweets and exercise books from Miep and Elli and, the high spot of all, the book Maria Theresa and three slices of full-cream cheese from Kraler. A lovely bunch of peonies from Peter, the poor boy took a lot of trouble to try and find something, but didn’t have any luck. There’s still excellent news of the invasion, in spite of the wretched weather, countless gales, heavy rains, and high seas. Yesterday Churchill, Smuts, Eisenhower, and Arnold visited French villages which have been conquered and liberated. The torpedo boat that Churchill was in shelled the coast. He appears, like so many men, not to know what fear is—makes me envious! It’s difficult for us to judge from our secret redoubt how people outside have reacted to the news. Undoubtedly people are pleased that the idle (?) English have rolled up their sleeves and are doing something at last. Any Dutch people who still look down on the English, scoff at England and her government of old gentlemen, call the English cowards, and yet hate the Germans deserve a good shaking. Perhaps it would put some sense into their woolly brains. I hadn’t had a period for over two months, but it finally started again on Saturday. Still, in spite of all the unpleasantness and bother, I’m glad it hasn’t failed me any longer. Yours, Anne
Anne Frank (The Diary of a Young Girl)
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
Evan Hunter (The Blackboard Jungle)
It happens that in our phase of civility, the novel is the central form of literary art. It lends itself to explanations borrowed from any intellectual system of the universe which seems at the time satisfactory. Its history is an attempt to evade the laws of what Scott called 'the land of fiction'-the stereotypes which ignore reality, and whose remoteness from it we identify as absurd. From Cervantes forward it has been, when it has satisfied us, the poetry which is 'capable,' in the words of Ortega, 'of coping with present reality.' But it is a 'realistic poetry' and its theme is, bluntly, 'the collapse of the poetic' because it has to do with 'the barbarous, brutal, mute, meaningless reality of things.' It cannot work with the old hero, or with the old laws of the land of romance; moreover, such new laws and customs as it creates have themselves to be repeatedly broken under the demands of a changed and no less brutal reality. 'Reality has such a violent temper that it does not tolerate the ideal even when reality itself is idealized.' Nevertheless, the effort continues to be made. The extremest revolt against the customs or laws of fiction--the antinovels of Fielding or Jane Austen or Flaubert or Natalie Sarraute--creates its new laws, in their turn to be broken. Even when there is a profession of complete narrative anarchy, as in some of the works I discussed last week, or in a poem such as Paterson, which rejects as spurious whatever most of us understand as form, it seems that time will always reveal some congruence with a paradigm--provided always that there is in the work that necessary element of the customary which enables it to communicate at all. I shall not spend much time on matters so familiar to you. Whether, with Lukács, you think of the novel as peculiarly the resolution of the problem of the individual in an open society--or as relating to that problem in respect of an utterly contingent world; or express this in terms of the modern French theorists and call its progress a necessary and 'unceasing movement from the known to the unknown'; or simply see the novel as resembling the other arts in that it cannot avoid creating new possibilities for its own future--however you put it, the history of the novel is the history of forms rejected or modified, by parody, manifesto, neglect, as absurd. Nowhere else, perhaps, are we so conscious of the dissidence between inherited forms and our own reality. There is at present some good discussion of the issue not only in French but in English. Here I have in mind Iris Murdoch, a writer whose persistent and radical thinking about the form has not as yet been fully reflected in her own fiction. She contrasts what she calls 'crystalline form' with narrative of the shapeless, quasi-documentary kind, rejecting the first as uncharacteristic of the novel because it does not contain free characters, and the second because it cannot satisfy that need of form which it is easier to assert than to describe; we are at least sure that it exists, and that it is not always illicit. Her argument is important and subtle, and this is not an attempt to restate it; it is enough to say that Miss Murdoch, as a novelist, finds much difficulty in resisting what she calls 'the consolations of form' and in that degree damages the 'opacity,' as she calls it, of character. A novel has this (and more) in common with love, that it is, so to speak, delighted with its own inventions of character, but must respect their uniqueness and their freedom. It must do so without losing the formal qualities that make it a novel. But the truly imaginative novelist has an unshakable 'respect for the contingent'; without it he sinks into fantasy, which is a way of deforming reality. 'Since reality is incomplete, art must not be too afraid of incompleteness,' says Miss Murdoch. We must not falsify it with patterns too neat, too inclusive; there must be dissonance.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Anyone can tell that Freddy is no thief.” “She’s right about that,” the dull-witted Freddy put in helpfully. “I’ve got two left feet-can’t go anywhere without running into something. That’s probably why they caught me.” “Ah, but in cases like this, the fools generally prevail. Those fellows out there don’t care about the truth. They just want your cousin’s blood.” Panic showed in her face. “You mustn’t let them have it!” He stifled a smile. “I could put in a good word for him, soothe their tempers and get you two out of this with your necks attached. If…” She instantly stiffened. “If what?” “If you accept my proposition.” A fetching blush spread over her pretty cheeks. “I shan’t give up my virtue, even to save my neck.” “Did I say anything about giving up your virtue?” She blinked. “Well…no. But given the kind of man you are-“ “And what kind is that?” This should be amusing. “You know.” She tipped up her chin. “The kind who spends his time in brothels. I’ve heard all about you English lords and your debauchery.” “I don’t want your virtue, my dear.” He flicked his glance down her delectable body and suppressed a sigh. “Not that I don’t find the idea tempting, but right now I have more urgent concerns.” And no man of rank was fool enough to seduce a virgin-that was the surest way to end up leg-shackled to a schemer. Besides, he preferred experienced women. They knew how to pleasure a man without plaguing him about his feelings. “This may surprise you,” he went on, “but I rarely have trouble finding women to join me willingly in bed. I’ve no need to force a pretty thief there.” “I’m not a thief!” “Frankly, I don’t care if you are. The important thing is that you suit my purpose perfectly.” She had the same brash temperament as his sisters, which Gran had always deplored. She had the sort of upbringing that Americans seemed to prize and Englishmen to despise. A mother who’d been a shopkeeper’s daughter, and a father who’d been an illegitimate American of no consequence? Who’d fought in the very revolution that had cost Gran her only son? He couldn’t ask for better.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
From: Bernadette Fox To: Manjula Kapoor Oh! Could you make dinner reservations for us on Thanksgiving? You can call up the Washington Athletic Club and get us something for 7 PM for three. You are able to place calls, aren’t you? Of course, what am I thinking? That’s all you people do now. I recognize it’s slightly odd to ask you to call from India to make a reservation for a place I can see out my window, but here’s the thing: there’s always this one guy who answers the phone, “Washington Athletic Club, how may I direct your call?” And he always says it in this friendly, flat… Canadian way. One of the main reasons I don’t like leaving the house is because I might find myself face-to-face with a Canadian. Seattle is crawling with them. You probably think, U.S./Canada, they’re interchangeable because they’re both filled with English-speaking, morbidly obese white people. Well, Manjula, you couldn’t be more mistaken. Americans are pushy, obnoxious, neurotic, crass—anything and everything—the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that’s how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone’s ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don’t understand is that some people are extraordinary and should be treated as such. Yes, I’m done. If the WAC can’t take us, which may be the case, because Thanksgiving is only two days away, you can find someplace else on the magical Internet. * I was wondering how we ended up at Daniel’s Broiler for Thanksgiving dinner. That morning, I slept late and came downstairs in my pajamas. I knew it was going to rain because on my way to the kitchen I passed a patchwork of plastic bags and towels. It was a system Mom had invented for when the house leaks.
Maria Semple (Where'd You Go, Bernadette)
Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]
The Notorious B.I.G
robbery by European nations of each other's territories has never been a sin, is not a sin to-day. To the several cabinets the several political establishments of the world are clotheslines; and a large part of the official duty of these cabinets is to keep an eye on each other's wash and grab what they can of it as opportunity offers. All the territorial possessions of all the political establishments in the earth—including America, of course—consist of pilferings from other people's wash. No tribe, howsoever insignificant, and no nation, howsoever mighty, occupies a foot of land that was not stolen. When the English, the French, and the Spaniards reached America, the Indian tribes had been raiding each other's territorial clothes-lines for ages, and every acre of ground in the continent had been stolen and re-stolen 500 times. The English, the French, and the Spaniards went to work and stole it all over again; and when that was satisfactorily accomplished they went diligently to work and stole it from each other. In Europe and Asia and Africa every acre of ground has been stolen several millions of times. A crime persevered in a thousand centuries ceases to be a crime, and becomes a virtue. This is the law of custom, and custom supersedes all other forms of law. Christian governments are as frank to-day, as open and above-board, in discussing projects for raiding each other's clothes-lines as ever they were before the Golden Rule came smiling into this inhospitable world and couldn't get a night's lodging anywhere. In 150 years England has beneficently retired garment after garment from the Indian lines, until there is hardly a rag of the original wash left dangling anywhere. In 800 years an obscure tribe of Muscovite savages has risen to the dazzling position of Land-Robber-in-Chief; she found a quarter of the world hanging out to dry on a hundred parallels of latitude, and she scooped in the whole wash. She keeps a sharp eye on a multitude of little lines that stretch along the northern boundaries of India, and every now and then she snatches a hip-rag or a pair of pyjamas. It is England's prospective property, and Russia knows it; but Russia cares nothing for that. In fact, in our day land-robbery, claim-jumping, is become a European governmental frenzy. Some have been hard at it in the borders of China, in Burma, in Siam, and the islands of the sea; and all have been at it in Africa. Africa has been as coolly divided up and portioned out among the gang as if they had bought it and paid for it. And now straightway they are beginning the old game again—to steal each other's grabbings. Germany found a vast slice of Central Africa with the English flag and the English missionary and the English trader scattered all over it, but with certain formalities neglected—no signs up, "Keep off the grass," "Trespassers-forbidden," etc.—and she stepped in with a cold calm smile and put up the signs herself, and swept those English pioneers promptly out of the country. There is a tremendous point there. It can be put into the form of a maxim: Get your formalities right—never mind about the moralities. It was an impudent thing; but England had to put up with it. Now, in the case of Madagascar, the formalities had originally been observed, but by neglect they had fallen into desuetude ages ago. England should have snatched Madagascar from the French clothes-line. Without an effort she could have saved those harmless natives from the calamity of French civilization, and she did not do it. Now it is too late. The signs of the times show plainly enough what is going to happen. All the savage lands in the world are going to be brought under subjection to the Christian governments of Europe. I am
Mark Twain (Following the Equator)
There are two main traditions of English writing: the one of perfect liberty, that of Chaucer and Shakespeare, completely outspoken, with a certain liking for lascivious details and witty smut, a man’s speech; the other emasculated more and more by Puritanism and since the French Revolution, gelded to tamest propriety; for that upheaval brought the illiterate middle-class to power and insured the domination of girl readers. Under Victoria, English prose literally became half childish, as in stories of «Little Mary,» or at best provincial, as anyone may see who cares to compare the influence of Dickens, Thackeray and Reade in the world with the influence of Balzac, Flaubert and Zola.
Frank Harris (My Life and Loves (Complete))
The Ordo Templi Orientis and The Golden Dawn were associated with secret Russian, British and German societies, and especially with Elena Blavatsky’s Theosophical Society, established in New York City in 1875, Rudolph Steiner, the Brüder Des Lichts, and Rudolf von Sebottendorff, founder of Thule Gesellschaft which attracted Adolf Hitler, Himmler, Karl Haushofer, Jörg Lanz von Liebenfels, Rosenberg, Halford John Mackinder, Hans Frank. These secret associations and alliances linked together German and English occultists in a formidable bond. The blend of esoterism, occult and so-called British-German mysticism deeply influenced Hitler; an alarming movement which was in sharp contrast with Maria Orsic’s metaphysical and occultic movement. Many argued that this strong link between British and German occultists, led Adolf Hitler to believe that England will not take a stand against him. Hitler thought that those occultists had a considerable influence in England.
Jean-Maximillien De La Croix de Lafayette (Volume I. UFOs: MARIA ORSIC, THE WOMAN WHO ORIGINATED AND CREATED EARTH’S FIRST UFOS (Extraterrestrial and Man-Made UFOs & Flying Saucers Book 1))
Advancing on both sides of the road, the English soldiers attacked the building in which Pfriemberger had holed up. But the Gefreiter did not give up. He fired bursts into the group of attacking soldiers and forced them to take cover. Then he changed position and would show up at another point, opening fire from there. Wherever the English showed up, he forced them to take cover. The enemy, who assumed an entire squad of paratroopers was in the building, pulled back. A single man had accomplished the mission of an entire platoon. With unbridled trust in himself and his comrades, whom he knew would not leave him in the lurch, he had accomplished the seemingly impossible. By doing so, he had also saved his comrades in the gun positions at Chania.
Frank Kurowski (Jump Into Hell: German Paratroopers in World War II)
You know a lot of British people, do you?” Felix kept his eyes on Becky, his gaze boring through her skull. “You’re an expert?” “Oh, I know enough,” she said, enjoying herself much more than she knew she should. “ ’Ello, love!” she said in a really horrible English accent. Then she explained to Annette, “That’s how all British talk. ’Ello, love! Spare me a coppa? Copper—that’s what they call their money.” “Interesting,” Felix said. “So if they call money ‘copper,’ what do they call a policeman?” “Bobby.” “Then what do they call Bobby?” “Frank.
Shannon Hale (The Actor and the Housewife)
Skinwalkers were almost always male and wore the pelt of a sacred animal so that they could subvert that animal’s powers to kill people in the community. They could travel impossibly fast across the desert and their eyes glowed like coals and they could supposedly paralyze you with a single look. They were thought to attack remote homesteads at night and kill people and sometimes eat their bodies. People were still scared of skinwalkers when I lived on the Navajo Reservation in 1983, and frankly, by the time I left, I was too. Virtually every culture in the world has its version of the skinwalker myth. In Europe, for example, they are called werewolves (literally “man-wolf” in Old English). The myth addresses a fundamental fear in human society: that you can defend against external enemies but still remain vulnerable to one lone madman in your midst. Anglo-American culture doesn’t recognize the skinwalker threat but has its own version. Starting in the early 1980s, the frequency of rampage shootings in the United States began to rise more and more rapidly until it doubled around 2006.
Sebastian Junger (Tribe: On Homecoming and Belonging)
The photos hide everything: the twenties that do not roar for the Hoels. The Depression that costs them two hundred acres and sends half the family to Chicago. The radio shows that ruin two of Frank Jr.’s sons for farming. The Hoel death in the South Pacific and the two Hoel guilty survivals. The Deeres and Caterpillars parading through the tractor shed. The barn that burns to the ground one night to the screams of helpless animals. The dozens of joyous weddings, christenings, and graduations. The half dozen adulteries. The two divorces sad enough to silence songbirds. One son’s unsuccessful campaign for the state legislature. The lawsuit between cousins. The three surprise pregnancies. The protracted Hoel guerrilla war against the local pastor and half the Lutheran parish. The handiwork of heroin and Agent Orange that comes home with nephews from ’Nam. The hushed-up incest, the lingering alcoholism, a daughter’s elopement with the high school English teacher. The cancers (breast, colon, lung), the heart disease, the degloving of a worker’s fist in a grain auger, the car death of a cousin’s child on prom night. The countless tons of chemicals with names like Rage, Roundup, and Firestorm, the patented seeds engineered to produce sterile plants. The fiftieth wedding anniversary in Hawaii and its disastrous aftermath. The dispersal of retirees to Arizona and Texas. The generations of grudge, courage, forbearance, and surprise generosity: everything a human being might call the story happens outside his photos’ frame. Inside the frame, through hundreds of revolving seasons, there is only that solo tree, its fissured bark spiraling upward into early middle age, growing at the speed of wood.
Richard Powers (The Overstory)
It would be logical for any group whose only sense of identity is the negative one of wickedness and oppression to dilute its wickedness by mixing with more virtuous groups. This is, upon reflection, exactly what celebrating diversity implies. James Carignan, a city councilor in Lewiston, Maine, encouraged the city to welcome refugees from the West African country of Togo, writing, “We are too homogeneous at present. We desperately need diversity.” He said the Togolese—of whom it was not known whether they were literate, spoke English, or were employable—“will bring us the diversity that is essential to our quest for excellence.” Likewise in Maine, long-serving state’s attorney James Tierney wrote of racial diversity in the state: “This is not a burden. This is essential.” An overly white population is a handicap. Gwynne Dyer, a London-based Canadian journalist, also believes whites must be leavened with non-whites in a process he calls “ethnic diversification.” He noted, however, that when Canada and Australia opened their borders to non-white immigration, they had to “do good by stealth” and not explain openly that the process would reduce whites to a minority: “Let the magic do its work, but don’t talk about it in front of the children. They’ll just get cross and spoil it all.” Mr. Dyer looked forward to the day when politicians could be more open about their intentions of thinning out whites. President Bill Clinton was open about it. In his 2000 State of the Union speech, he welcomed predictions that whites would become a minority by mid-century, saying, “this diversity can be our greatest strength.” In 2009, before a gathering of the American-Arab Anti-Discrimination Committee, he again brought up forecasts that whites will become a minority, adding that “this is a very positive thing.” [...] Harvard University professor Robert Putnam says immigrants should not assimilate. “What we shouldn’t do is to say that they should be more like us,” he says. “We should construct a new us.” When Marty Markowitz became the new Brooklyn borough president in 2002, he took down the portrait of George Washington that had hung in the president’s office for many years. He said he would hang a picture of a black or a woman because Washington was an “old white man.” [...] In 2000, John Sharp, a former Texas comptroller and senator told the state Democratic Hispanic Caucus that whites must step aside and let Hispanics govern, “and if that means that some of us gringos are going to have to give up some life-long dreams, then we’ve got to do that.” When Robert Dornan of California was still in Congress, he welcomed the changing demographics of his Orange County district. “I want to see America stay a nation of immigrants,” he said. “And if we lose our Northern European stock—your coloring and mine, blue eyes and fair hair—tough!” Frank Rich, columnist for the New York Times, appears happy to become a minority. He wrote this about Sonya Sotomayor’s Senate confirmation hearings: “[T]his particular wise Latina, with the richness of her experiences, would far more often than not reach a better [judicial] conclusion than the individual white males she faced in that Senate hearing room. Even those viewers who watched the Sotomayor show for only a few minutes could see that her America is our future and theirs is the rapidly receding past.” It is impossible to imagine people of any other race speaking of themselves this way.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Filth was noxious and ubiquitous in English towns and cities, and it was an easy step to believe that it was also poisonous, especially since the most unsanitary conditions were present wherever those fearsome killers of the era—consumption, typhoid, and cholera—claimed their victims.
Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)
The link between ideas and action was a theme which featured large in the life of Mahatma Gandhi. It is not easy to decide to what extent, if at all, concepts of the West influenced him in his youth. He came from a traditional family in Gujarat, and had no contacts with westerners in his early years. However, the event which he regarded as a tragedy of his childhood, the secret eating of meat, was caused chiefly by his notion that it was meat-eating which had made the English powerful. Later, as a young man not quite twenty, he persuaded his reluctant and none-too-affluent family to send him to England to train as a barrister. Gandhi, who could be so frank about some matters, was reticent about the sentiments which had spurred him on to this venture. He simply wrote in his autobiography that he jumped at the chance to get away from the difficult studies at his college, when a family friend suggested that he should go to study in England. Reaching England, he became an ‘aspirant after being an English gentleman’ for about three months, then turned into a serious student and gradually pared his expenses down to the bare necessities. Gandhi had promised his mother that he would not touch meat in England, an undertaking which caused him some hardship until he discovered a vegetarian restaurant. At the same time he discovered books on vegetarianism. These made him a vegetarian by choice, when previously he had felt bound by his vow and had looked forward to becoming a meat eater ‘freely and openly some day’.37 It was an early personal experience of ideas as an aid to the better working of action. Gandhi was of a practical turn of mind that looked for ideas to suit the needs of situations. In spite of his deeply ingrained Hinduism, Gandhi’s intellectual flexibility made him accept those elements of western thought which fitted into the ethical and social scheme he considered desirable. Synthesis,
Suu Kyi, Aung San (Freedom from Fear: And Other Writings)
And when these failed, there was still boundless store of wonders open to her in old romances which were then to be found in every English house of the better class. The Legend of King Arthur, Florice and Blancheflour, Sir Ysumbras, Sir Guy of Warwick, Palamon and Arcite, and the Romaunt of the Rose, were with her text-books and canonical authorities. And lucky it was, perhaps, for her that Sidney's Arcadia was still in petto, or Mr. Frank (who had already seen the first book or two in manuscript, and extolled it above all books past, present, or to come) would have surely brought a copy down for Rose, and thereby have turned her poor little flighty brains upside down forever. And with her head full of these, it was no wonder if she had likened herself of late more than once to some of those peerless princesses of old, for whose fair hand paladins and kaisers thundered against each other in tilted field; and perhaps she would not have been sorry (provided, of course, no one was killed) if duels, and passages of arms in honor of her, as her father reasonably dreaded, had actually taken place. For
Charles Kingsley (Westward Ho!, or, the voyages and adventures of Sir Amyas Leigh, Knight, of Burrough, in the county of Devon, in the reign of her most glorious majesty Queen Elizabeth)
He arches a brow. “You know what Frank Sinatra says about people who don’t drink . . . that when they wake up in the morning, it’s sad, because that’s as good as they’re going to feel all day.” He chuckles as he sips on his coffee. I smirk. “Your hero is wise, and you’re an old soul with the heart of a hipster.
Ilsa Madden-Mills (Spider (English, #3))
All Yang’s men were in by midday and our party straggled in later completely done in. Chuen came in first. He was wearing a dark green commando’s beret, long green canvas boots with rubber soles – American jungle boots – and green battle-dress with lovely blue parachute wings over his left pocket. He is a little cheerful man and speaks fair English. Then came Humpleman, very young, blue-eyed, with a bland and serious manner; then Jim Hannah, lean, dark, hook-nosed, moustached, and over forty. At one time he was a journalist and in the rubber slump in Malaya he worked in Australia. Then came Harrison, short, with red face and sandy hair – a very silent Scot, also a planter. John and Richard brought up the rear, absolutely exhausted but very contented. After a meal they had got out on to the field and had everything ready an hour before midnight. Then they waited and waited and, as nothing happened, they got more and more worried and despondent. One hour late, then two hours. It was bitterly cold, and at last they were just talking of returning home when a faint drone was heard from the west. They were so excited that their hearts almost choked them! At last the Lib came over. Apparently she followed up the Perak river, then came across on a bearing. The moon was shining brilliantly and the sky was covered with high, white, fleecy clouds. The fires, freshly stoked with dry atap, burned up brightly, and Quayle with his torch flashed the recognition letter faster and faster with growing excitement as the great Lib, after flying round in a wide circle, swooped overhead, vast and glistening in the moonlight. Suddenly four little white balls seemed to appear in the plane’s wake, and four tiny black forms were seen swinging from side to side below them. John, Richard, and Frank all agreed it was the most exciting moment of their lives. While they were still lost in wonder, things started happening. Hannah and Harrison landed beautifully and were immediately fielded, but Humpleman fell in the stream and was retrieved soaking wet. The containers and packages, which had been released immediately after the bodies, now came down and all landed
F. Spencer Chapman (The Jungle is Neutral: The Epic True Story of One Man’s War Behind Enemy Lines)
Her name was Sorcha--the English call it Sarah--and she grew up in a family related to the king of Leinster.
Frank Delaney (Ireland)
It is a pity that kindness isn’t more common,” said Frank with a little difficulty. “There is kindness in German hearts, too, but it is hidden from view because kindness has become a crime.
D.E. Stevenson (The English Air)
And the locals, disappointed by owners in the past, seemed to appreciate him. Finding the new owner’s name tricky to pronounce, the fans nicknamed him “Frank”—to Mancunian ears, Shinawatra sounded like Sinatra.
Joshua Robinson (The Club: How the English Premier League Became the Wildest, Richest, Most Disruptive Force in Sports)
IWW General Headquarters was collecting information regarding past free speech fights in response to a request from the U.S. Committee on Industrial Relations. Believing the “publicity to be worth the work it will entail,” Vincent St. John made an appeal in Solidarity one week before the September convention. Anyone who had first-hand experience was asked to submit personal narratives, pamphlets, bulletins, reports, and detailed histories regarding the various free speech fights. …. The committee determined that non-English-speaking workers had prevented development of better employer-employee relationships, especially with the “unreasonable prejudice of almost every class of Americans toward immigrants.” With rumblings of a European war, the committee recommended immediate legislation for restricting immigration except for those who were “likely to make the most desirable citizens.
Jane Little Botkin (Frank Little and the IWW: The Blood That Stained an American Family)
thought England was ripe for revolution—but then I changed my mind. I saw they were loyal in the big things, I saw that they spoke little of their country and their Empire because their feelings were too deep. They were of one race, they were happy and secure. I couldn’t go on hating you,” continued Frank in a lower tone, “it was impossible to hate people who were so kind at heart. You can’t hate people when you understand them.
D.E. Stevenson (The English Air)
They walked on and, as they walked, they discussed the affair in the same disjointed uncomfortable way. “Oh hell!” exclaimed Roy at last. “This has bust up our whole trip—I wish Hitler was dead.” “You can’t wish it more than I do,” replied Frank.
D.E. Stevenson (The English Air)
I have no notion of what he’s talking about. I have to lie and say, I do. He says, You do know he was perhaps the greatest satirist in English literature. I thought he was Irish.
Frank McCourt ('Tis)
Jouissance” is the word that comes to mind. A French word that means enjoyment, in terms both of rights and property, and of sexual orgasm. (The latter has a meaning partially lacking in the English word “enjoyment.”) Jouissance compels the subject to constantly attempt to transgress the prohibitions imposed on his or her enjoyment, to go beyond the pleasure principle. Jouissance is an anchor tenant of psychoanalysis.
Frank Wilderson (Afropessimism)
See, why I hate modi is not be because I dont like his character, it is because he doesn't speak in English at all even when goes to abroad. English is common language I always believe. Frankly speaking I understand each and every word in hindi, but i ignore it because of my own context specific reason. If I follow hindi then I am against where I Born. How I can i go against the land where I was born? Sita - Legends
Ganapathy K
Schoolmasters, as a recent English writer points out, treat a boy's mind "as if it were a badger's pit. You put in the badger and you put in the dog and you wait and see which comes out first. They throw in the Catechism and they throw in the Chemical Theory, and then they wait to see whether he will turn out a Christian or an Atheist".
Frank Moore Colby
Royal influence was further seen in the sworn inquest, an institution which could be employed only by the king, or by his missi and counts with his express permission. This method was inherited from the late Roman Empire and was employed for administrative as well as judicial purposes. It consisted in summoning a number of persons from the locality in question, who were bound by oath to tell what they knew concerning crimes committed there or a corrupt official or any similar matter. Sometimes these sworn witnesses gave their testimony collectively, sometimes they were questioned singly. This was a good method for the government in gathering information, but it proved very unpopular among the Franks, because the sworn witnesses were regarded as tale-bearers upon their neighbors and were liable to be the victims of private vengeance after the royal officials had passed on. But the institution survived the fall of the Frankish state and continued in existence in Normandy, whence it was carried to England after the Norman conquest, and there became the germ of the modern jury system in English and United States law.
Lynn Thorndike (The History of Medieval Europe)
For those who worked at the reactor or in close proximity to it, what was most seriously affected – and this is very similar to the problems of those who work with missiles – was the genito-urinary system. Their masculinity. But Slavs just do not talk about these things. It’s unacceptable. I once accompanied an English journalist who had prepared some interesting questions on this very topic. He wanted to investigate the human dimension of the problem. When it’s all over, what happens to the human being when he goes back home, to his everyday life, to his sex life? He could find no one prepared to talk openly about it. For instance, he asked to meet the helicopter crews, to talk man-to-man. They duly came, some already retired at thirty-five or forty. One was brought along who had a broken leg caused by senile osteoporosis, because exposure to radiation causes bones to become brittle. The Englishman asked them how they were getting on in their families, with their young wives? The helicopter crews fell silent. They had come to talk about how they had flown five sorties a day, and here someone was asking them about their wives? About … He decided to try talking to them individually, in private. They all replied that their health was fine, the state valued them, and they had loving families. Not one of them would speak frankly. They left, and I could see he was distraught. ‘Now you see,’ he said to me, ‘why nobody trusts you. You deceive even yourselves.
Svetlana Alexievich (Chernobyl Prayer: Voices from Chernobyl (Penguin Modern Classics))
Muffins, teacakes, tea rolls, morning rolls, batch rolls, stottie cakes, wigs, birdies, huffkins, oven-bottom muffins, baps and cobs... It says something about us as a race, doesn't it? (But, frankly, I'm not sure what.) HORACE DAVIDSON, Ripon
Caroline Scott (Good Taste)
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
If you had the luck of the Irish You’d be sorry and wish you was dead If you had the luck of the Irish Then you’d wish you was English instead
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
Better an English accent than an empty belly.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
Mr. O'Halloran tells the class it's a disgrace that boys like McCourt, Clarke, Kennedy, have to hew wood and draw water. He is disgusted by this free and independent Ireland that keeps a class system foisted on us by the English, that we are throwing our talented children on the dungheap.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
When historians look back at that era, they sometimes describe those views as Orthodox, but that term is slanted. Literally, it means “right teaching,” and, of course, everyone believes that his or her particular views are correct. The main reason we call these opinions orthodox is that they were held by the Roman Church and the papacy, and over time, that church survived the political disasters that overwhelmed other once-great centers like Antioch and Alexandria. In the great debates over Christ’s nature, anti-Chalcedonians also called themselves Orthodox, and if matters had worked out differently, perhaps that faction would have won out. At least in their own minds, everyone is always “orthodox.” English bishop William Warburton explained the difference frankly: orthodoxy is my doxy; heterodoxy is another man’s doxy.
Philip Jenkins (Jesus Wars: How Four Patriarchs, Three Queens, and Two Emperors Decided What Christians Would Believe for the Next 1,500 years)
The less instructed atheist will ask whether God can make a weight so heavy that He cannot lift it, in the happy belief that, whichever answer we give, we shall admit that there is something God cannot do. But the question is literally meaningless: a weight than an omnipotent Being cannot lift is as complete a contradiction in terms as a four-sided triangle. In either case the words are English, but do not mean anything because they cancel each other out. There is no point in piling together a lot of words, regardless of their meaning, and then asking triumphantly: 'Can God make that?' God can do anything, but a contradiction in terms is not a thing at all. It is nothing. God Himself could not make a four-sided triangle or a weight that Almighty power could not lift. They are inconceivable, they are nothing; and nothing--to give a slightly different emphasis to Scripture--is impossible to God.
Frank Sheed (Theology and Sanity)
Colonial masters, Stave thought to himself. The English live here the way they do in India or Africa, and we’re their new coolies.
Cay Rademacher (The Murderer in Ruins (Inspector Frank Stave, #1))
Once Burns had admitted frankly that the most difficult thing he had to learn at Oxford was the English. What was it that David had said last summer? 'We are becoming a nation of professional eccentrics. Foreigners provide us with a stage, and we enjoy our little appearances all the more because we convince everyone, including ourselves, that we don't even notice the audience.
Helen MacInnes (Friends and Lovers)
When Elizabeth came to the English throne, a number of men and women, who were awaiting martyrdom under Mary, were liberated. Animated by the spirit of Ridley and Latimer, they would have kissed the faggots and embraced the stake. Yet, in the years that followed, some of them lapsed into indifference, went the way of the world, and named the name of Christ no more. The ordeal of life proved more potent and more
F.W. Boreham (A Handful of Stars Texts That Have Moved Great Minds)
I who write have I not been purchased by their money and made captive to their power? And is there any crucial test to tell you a man of breeding like the manner in which he will treat a thing that lies in his power? Well— I, who thus have opportunity of examination and judgment passiug the common rule, do affirm that in all which makes a man loyal, brave, patient, and of high honor, frank of speech, honest of thought, faithful in word to friend or foe, without self-consciousness in distinction, and without complaint or self-pity in adversity, I have never known the equal of your English gentlemen.
Ouida (Puck)
don’t think of all the misery, but of all the beauty that remains.” —Anne Frank The common belief is that grief is all about pain. Anyone who has been in grief would certainly agree with that. But I believe there is more. There is love. Why do we believe that the pain we feel is about the absence of love? The love didn’t die when the person we love died. It didn’t disappear. It remains. The question is: How do we learn to remember that person with more love than pain? This is a question, not a mandate. I am the first to say that there is no getting around the pain. We have to go through it because it is an inevitable result of the separation we are experiencing. It’s a brutal, forced separation. The word “bereaved” has its origins in the Old English words deprived of, seized, and robbed. That is how it feels when your loved one has been taken from you—as excruciating as if your arm had been ripped from your body. You’ve been robbed of what is dearest to you. The pain you feel is proportionate to the love you had. The deeper you loved, the deeper the pain. But you will find that love exists on the other side of the pain. It’s actually the other face of pain.
David Kessler (Finding Meaning: The Sixth Stage of Grief)
The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)