Silent Revenge Quotes

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You stubborn bastard. Take it from someone who knows firsthand, there’s a lot to be said for forgiveness. Grudges seldom hurt anyone except the one bearing them." "And there’s a lot to be said for knocking enemies upside their heads and cracking skulls open." Ash & Urian
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
Beware of those who don't fight back. Sooner or later, they will.
Joyce Rachelle
Obi-Wan, staring, wished that he had the strength to rip his eyes out of his head. But even blind, he would see this forever. He would see his friend, his student, his brother, turn and kneel in front of a black-cloaked Lord of the Sith. His head rang with a silent scream.
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
She remembered what Jem, the ex-Silent Brother who'd helped preside over her parabatai ceremony, had said about what Julian was to her, that there was an expression for it in his native Chinese, zhi yin. "The one who understands your music." Emma couldn't play a note on any instrument , but Julian understood her music.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Consult your resentment. It’s a revelatory emotion, for all its pathology. It’s part of an evil triad: arrogance, deceit, and resentment. Nothing causes more harm than this underworld Trinity. But resentment always means one of two things. Either the resentful person is immature, in which case he or she should shut up, quit whining, and get on with it, or there is tyranny afoot—in which case the person subjugated has a moral obligation to speak up. Why? Because the consequence of remaining silent is worse. Of course, it’s easier in the moment to stay silent and avoid conflict. But in the long term, that’s deadly. When you have something to say, silence is a lie—and tyranny feeds on lies. When should you push back against oppression, despite the danger? When you start nursing secret fantasies of revenge; when your life is being poisoned and your imagination fills with the wish to devour and destroy.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Sometimes it’s hard to grasp why it is that the answers to the present lie in the past. A simple analogy might be helpful: a leading psychiatrist in the field of sexual abuse once told me she had, in thirty years of extensive work with paedophiles, never met one who hadn’t himself been abused as a child. This doesn’t mean that all abused children go on to become abusers; but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it: ‘A baby cannot hate the mother, without the mother first hating the baby.’ As babies, we are innocent sponges, blank slates – with only the most basic needs present: to eat, shit, love and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenceless, but she can – and must – harbour vengeful fantasies in her imagination. Rage, like fear, is reactive in nature.
Alex Michaelides (The Silent Patient)
While the noble man lives in trust and openness with himself (gennaios 'of noble descent' underlines the nuance 'upright' and probably also 'naïve'), the man of ressentiment is neither upright nor naive nor honest and straightforward with himself. His soul squints; his spirit loves hiding places, secret paths and back doors, everything covert entices him as his world, his security, his refreshment; he understands how to keep silent, how not to forget, how to wait, how to be provisionally self-deprecating and humble. A race of such men of ressentiment is bound to become eventually cleverer than any noble race; it will also honor cleverness to a far greater degree: namely, as a condition of existence of the first importance; while with noble men cleverness can easily acquire a subtle flavor of luxury and subtlety—for here it is far less essential than the perfect functioning of the regulating unconscious instincts or even than a certain imprudence, perhaps a bold recklessness whether in the face of danger or of the enemy, or that enthusiastic impulsiveness in anger, love, reverence, gratitude, and revenge by which noble souls have at all times recognized one another. Ressentiment itself, if it should appear in the noble man, consummates and exhausts itself in an immediate reaction, and therefore does not poison: on the other hand, it fails to appear at all on countless occasions on which it inevitably appears in the weak and impotent.
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
Let me tell you a story, Alix. This ship…the Talia? It’s named after my father’s older sister. She killed herself when she was fourteen because she couldn’t stand living the horror of her life for another day. With her death she both condemned and freed my father from his monster of a father. I never knew the pain of her life or his. But I named this ship after her to remind me of all the children out there like her and Omari…the children out there like your sister who are silent in their pain. They have no voice and no hope. But I hear them. Every time I think of my parents. Every time I see Omari, I hear the sobs that are kept inside for fear of it making their lives worse, and I will not stand by and see your sister torn apart by an animal. You help me nail him and I swear to you, I will lay Merjack down at your feet and hold him there while you take your revenge. (Devyn)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
The monster inside him was finally silent. The sword in his hand spoke a thousand stories, while hundreds of voices screamed feebly through the blood dripping from it. The blade of the sword shined like an evening sky and sang a tale of the darkest revenge.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
Your lies are like a silent fart. Can't see 'em, but I can smell 'em.
Eric Jerome Dickey (Dying for Revenge)
Why? Because the consequence of remaining silent is worse. Of course, it’s easier in the moment to stay silent and avoid conflict. But in the long term, that’s deadly. When you have something to say, silence is a lie—and tyranny feeds on lies. When should you push back against oppression, despite the danger? When you start nursing secret fantasies of revenge; when your life is being poisoned and your imagination fills with the wish to devour and destroy.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
It would be a strange but not an inconceivable world; heroism and poetry at the bottom, cold scientific intellect above it, and overtopping all some dark superstition which scientific intellect, helpless against the revenge of the emotional depths it had ignored, had neither will nor power to remove.
C.S. Lewis (Out of the Silent Planet)
Bria was silent for a moment. “What—what were you dreaming about?” I shrugged. “The usual. The night that our mother and Annabella died. I always see different parts of it, different bits and pieces.” “What did you see tonight?” I grimaced, even though she couldn’t see it in the darkness. “Oh, tonight was a real doozy. I dreamed about watching them die, about seeing them both disappear into balls of flames as Mab’s elemental Fire washed over them.” “Oh.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
Silent as shadows. Bold as night. Calm as wind. One shall die tonight.
Ella Fleming-Christie (Crimson Exchange)
child can never take revenge in reality, as she is powerless and defenseless, but she can—and must—harbor vengeful fantasies in her imagination.
Alex Michaelides (The Silent Patient)
I'm not here for prestige. I'm here for revenge.
Fiona McPhillips (When We Were Silent)
Too many watch in silence and let evil thrive. That's what bad people count on, the silent majority.
Alessandra Clarke (Rider's Rescue (The Rider's Revenge Trilogy #2))
tormented, abused child can never take revenge in reality, as she is powerless and defenseless, but she can—and must—harbor vengeful fantasies in her imagination. Rage, like fear, is reactive.
Alex Michaelides (The Silent Patient)
At the witching hour, the city was totally silent. Only the wind of portent blew through the gathered council of whispering brick chimneys on the rooftops, delivering the hand that would write upon the wall.
Wyatt Michael (Revenge of the Wolf)
Flames of outrage and reprisal had likewise made a comeback, his nearly forgotten, silent heritage no longer hidden by thirty years of compliance. Instead the fire grew, unmitigated by training, logic or reason.
Marcha A. Fox (Beyond the Hidden Sky (Star Trails Tetralogy, #1))
She was silent, and still, only letting herself breathe, feeling the beat of her heart, and she could have stood there forever, in the shadows, and had her fondest dreams all fulfilled, simply by watching him be alive...
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
heroism and poetry at the bottom, cold scientific intellect above it, and overtopping all, some dark superstition which scientific intellect, helpless against the revenge of the emotional depths it had ignored, had neither will nor power to remove.
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
It would be a strange but not an inconceivable world; heroism and poetry at the bottom, cold scientific intellect above it, and overtopping all, some dark superstition which scientific intellect, helpless against the revenge of the emotional depths it had ignored, had neither will nor power to remove.
C.S. Lewis (Out of the Silent Planet (Space Trilogy, #1))
Jules turned off the faucet and the room became silent except for the ticking clock. “Promise me one thing.” She picked up the dishtowel and wiped her hands. “Promise me you’re not going to get yourself killed.” Katie met her friend’s gaze. “I’m going to fight like a queen bitch to stay alive. I give you my word.
Mary Abshire (Immortal Revenge (Legacy, #1))
I will kill you, and I shall do so in such a way, this world will cease its wars. The world shall be unified in its mourning, not because it misses you, but because of the atrocities which I, alone, will have wrought upon your mangled corpse. And even after the cannons fall silent, I will never be caught. New monsters will be born into folklore to explain what I have done to you.
Barack Obama (After Osama Bin Laden: America's New Counterterrorism Strategy (Expended edition))
Tate and Marty exchanged indignant looks. Tate pointed to the kitchen door behind Marty, then hooked a thumb at the back door and gave Marty a nod. Before Mel could figure out what they were up to, they were both lying on the floor of the kitchen, blocking the exits. “What is this? Occupy Fairy Tale Cupcakes?!” Angie asked. “What do you think you’re doing?” “We’re in protest mode.” Tate said. “We’re going to limp and we’re going to lie here until you agree to let us come along.” “Are you kidding me?” Mel asked. “What if I don’t give in? Are you going to hold your breath until you turn blue?” She watched Tate lift his head and look at Marty. He raised his eyebrows in silent question, and Marty gave him a small nod. “Thanks for the idea,” The kitchen door slammed into his side, and Marty grunted but still held his ground. The kitchen door didn’t budge. “Hey, the door is stuck,” Oz yelled from the other side.
Jenn McKinlay (Red Velvet Revenge (Cupcake Bakery Mystery, #4))
As Winnicott put it, “A baby cannot hate the mother, without the mother first hating the baby.” As babies, we are innocent sponges, blank slates, with only the most basic needs present: to eat, shit, love, and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenseless, but she can—and must—harbor vengeful fantasies in her imagination. Rage, like fear, is reactive.
Alex Michaelides (The Silent Patient)
but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it: ‘A baby cannot hate the mother, without the mother first hating the baby.’ As babies, we are innocent sponges, blank slates – with only the most basic needs present: to eat, shit, love and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenceless, but she can – and must – harbour vengeful fantasies in her imagination.
Alex Michaelides (The Silent Patient)
Neil felt a half-second from losing his mind, but then Andrew said his name and Neil's thoughts ground to a startled halt. He was belatedly aware of his hand at his ear and his fingers clenched tight around his phone. He didn't remember pulling it from his pocket or making the decision to dial out. He lowered it and tapped a button, thinking maybe he'd imagined things, but Andrew's name was on his display and the timer put the call at almost a minute already. Neil put the phone back to his ear, but he couldn't find the words for the wretched feeling that was tearing away at him. In three months championships would be over. In four months he'd be dead. In five months the Foxes would be right back here for summer practices with six new faces. Neil could count his life on one hand now. On the other hand was the future he couldn't have: vice-captain, captain, Court. Neil had no right to mourn these missed chances. He'd gotten more than he deserved this year; it was selfish to ask for more. He should be grateful for what he had, and gladder still that his death would mean something. He was going to drag his father and the Moriyamas down with him when he went, and they'd never recover from the things he said. It was justice when he'd never thought he'd get any and revenge for his mother's death. He thought he'd come to terms with it but that hollow ache was back in his chest where it had no right to be. Neil felt like he was drowning. Neil found his voice at last, but the best he had was, "Come and get me from the stadium." Andrew didn't answer, but the quiet took on a new tone. Neil checked the screen again and saw the timer flashing at seventy-two seconds. Andrew had hung up on him. Neil put his phone away and waited. It was only a couple minutes from Fox Tower to the Foxhole Court, but it took almost fifteen minutes for Andrew to turn into the parking lot. He pulled into the space a couple inches from Neil's left foot and didn't bother to kill the engine. Kevin was in the passenger seat, frowning silent judgment at Neil through the windshield. Andrew got out of the car when Neil didn't move and stood in front of Neil. Neil looked up at him, studying Andrew's bored expression and waiting for questions he knew wouldn't come. That apathy should have grated against his raw nerves but somehow it steadied him. Andrew's disinterest in his psychological well-being was what had drawn Neil to him in the first place: the realization that Andrew would never flinch away from whatever poison was eating Neil alive.
Nora Sakavic (The King's Men (All for the Game, #3))
I have added bonemeal to my bread,' Aslog says. 'Ground just as fine as any grain. My loaves will be more famed than ever before, though not for the same reason. And if I served Queen Gliten the bones of her own consort, at her own table, what of it? It is no more than she deserves, and unlike her, I do pay my debts.' He snorts, and she looks at him in surprise. 'Well,' he says, 'that's awful, but a little bit funny, too. I mean, did she have him with butter or jam?' 'You always did laugh when you would have been better served staying silent,' she says with a glower. 'I recall that now.' Cardan doesn't add that he laughs when he is nervous.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
This doesn’t mean that all abused children go on to become abusers, but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it, “A baby cannot hate the mother, without the mother first hating the baby.” As babies, we are innocent sponges, blank slates, with only the most basic needs present: to eat, shit, love, and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenseless, but she can—and must—harbor vengeful fantasies in her imagination. Rage, like fear, is reactive.
Alex Michaelides (The Silent Patient)
I told her about my revenge on Topper the attempted rapist and the guy at the transient's hotel in  Brooklyn, and, finally, I told her about stealing the money. "You did what?" She sat straight up in her chair, her eyes wide, her mouth open. "Shhh." Other diners were staring at us, frozen in silent tableau, some with forks or spoons halfway  to mouth. Millie was blinking her eyes rapidly. Much quieter, she said, "You robbed a bank?" "Shhh." My ears were burning. "Don't make a scene." "Don't shush me! I didn't rob a bank." Fortunately she whispered it. The waiter walked up then and took our drink order. Millie ordered a vodka martini. I asked  for a glass of white wine. I didn't know if it would help, but I figured it couldn't hurt. "A million dollars?" she said, after the waiter left. "Well, almost." "How much of it is left?" "Why?" She blushed. "Curiosity. I must look like a proper little gold digger." "About eight hundred thousand." "Dollars!" The man at the next table spilled his water. "Christ, Millie. You want me to leave you here? You're fifteen hundred miles away from  home you know.
Steven Gould
Therefore the winds, piping to us in vain, as in revenge, have sucked up from the sea contagious fogs.…” Pestilential, a note in the text explains, next to the word contagious, in Kirsten’s favorite of the three versions of the text that the Symphony carries. Shakespeare was the third born to his parents, but the first to survive infancy. Four of his siblings died young. His son, Hamnet, died at eleven and left behind a twin. Plague closed the theaters again and again, death flickering over the landscape. And now in a twilight once more lit by candles, the age of electricity having come and gone, Titania turns to face her fairy king. “Therefore the moon, the governess of floods, pale in her anger, washes all the air, that rheumatic diseases do abound.” Oberon watches her with his entourage of fairies. Titania speaks as if to herself now, Oberon forgotten. Her voice carries high and clear over the silent audience, over the string section waiting for their cue on stage left. “And through this distemperature, we see the seasons alter.” All three caravans of the Traveling Symphony are labeled as such, THE TRAVELING SYMPHONY lettered in white on both sides, but the lead caravan carries an additional line of text: Because survival is insufficient.
Emily St. John Mandel (Station Eleven)
The division of Europe into a number of independent states, connected, however, with each other by the general resemblance of religion, language, and manners, is productive of the most beneficial consequences to the liberty of mankind. A modern tyrant, who should find no resistance either in his own breast, or in his people, would soon experience a gentle restraint from the example of his equals, the dread of present censure, the advice of his allies, and the apprehension of his enemies. The object of his displeasure, escaping from the narrow limits of his dominions, would easily obtain, in a happier climate, a secure refuge, a new fortune adequate to his merit, the freedom of complaint, and perhaps the means of revenge. But the empire of the Romans filled the world, and when the empire fell into the hands of a single person, the world became a safe and dreary prison for his enemies. The slave of Imperial despotism, whether he was condemned to drag his gilded chain in rome and the senate, or to were out a life of exile on the barren rock of Seriphus, or the frozen bank of the Danube, expected his fate in silent despair. To resist was fatal, and it was impossible to fly. On every side he was encompassed with a vast extent of sea and land, which he could never hope to traverse without being discovered, seized, and restored to his irritated master. Beyond the frontiers, his anxious view could discover nothing, except the ocean, inhospitable deserts, hostile tribes of barbarians, of fierce manners and unknown language, or dependent kings, who would gladly purchase the emperor's protection by the sacrifice of an obnoxious fugitive. "Wherever you are," said Cicero to the exiled Marcellus, "remember that you are equally within the power of the conqueror.
Edward Gibbon (Decline and Fall of the Roman Empire)
I am curious about your change of heart.' ... For a long moment, Nicasia didn't speak. She picked at a fishcake. Cardan raised his eyebrows. 'Ah, you didn't make the choice to leave him, did you?' 'It's more complicated than that,' she told him. 'And it affects you as well.' 'Does it?' he inquired. 'You must listen! Locke's taken one of the mortal girls as his lover,' Nicasia said, obviously attempting to keep her voice from shaking. Cardan was silent, his thoughts thrown in to confusion. One of the mortal girls. 'You can't expect me to pity you,' he said finally, voice tight. 'No,' she said slowly. 'I expect you to laugh in my face and tell me that it's no more than I deserve.' She looked out toward Hollow Hall, miserable. 'But I think Locke means to humiliate you as much as he does me in doing this.. How does it look, after all, to steal your lover and then tire of her so quickly?' He didn't care how it made him look. He didn't care in the least. 'Which one?' Cardan asked. 'Which mortal girl?' 'Does it matter?' Nicasia was clearly exasperated. 'Either. Both.' It shouldn't matter. The human girls were insignificant, nothing. In fact, he ought to feel delighted that Nicasia had such swift cause to regret what she'd done. And if he felt even angrier than he had before, well then, he had no cause. 'At least you will have the pleasure of seeing what the Grand General does when Locke inevitably mishandles the situation.' 'That's not enough,' she said. 'What then?' 'Punish them.' She took his hands, her expression fierce. 'Punish all three of them. Convince Valerian he'd like tormenting the mortals. Force Locke to play along. Make them all suffer.' 'You should have led with that,' Cardan told her, getting to his feet. 'That I would have agreed to just for fun.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
THE flesh flatters; the Spirit reproves. The flesh blindly gratifies; the Spirit wisely disciplines. The flesh loves secrecy; the Spirit is open and clear. The flesh remembers the injury of a friend; the Spirit forgives the bitterest enemy. The flesh is noisy and rude; the Spirit is silent and gracious. The flesh is subject to moods; the Spirit is always calm. The flesh incites to impatience and anger; the Spirit controls with patience and serenity. The flesh is thoughtless; the Spirit is thoughtful. Hatred, pride, harshness, accusing others, revenge, anger, cruelty, and flattery--these are the works of the flesh.
James Allen (JAMES ALLEN'S BOOK OF MEDITATIONS FOR EVERY DAY IN THE YEAR)
This congregation of displaced persons had been brought together at a moment in time, in this room, by a few irrevocable mistakes of the past—those acts of rage, greed, lust, and revenge that ran like silent films in their heads, the actors driven by emotions that had gone cold and were now inexplicable.
V.S. Kemanis (Forsaken Oath)
Monitoring Sean’s progress with the towel, Hal gave a grunt of disgust. “Come on. I have an extra towel you can use in the office. No way you can drive home like that—you’ll ruin the car’s interior. ’Sides, we need to talk,” Hal added heavily. Turning on his heel, he headed back toward his office. Sean swallowed with a decided lack of enthusiasm. They entered Hal’s cramped cubicle of an office and Hal shut the door behind him. It closed with an ominous bang. He took a towel hanging from the hook on the door and tossed it at Sean, who grabbed it one-handed. “Thanks,” he said, as he bent to pat his khakis dry. “I hope you know what the hell you’re doing.” The warning tone in Hal’s voice had Sean pausing to glance up at his friend. He straightened, towel forgotten. “Hey, I didn’t plan what you saw back there, Hal. It just happened.” “What’d she do? Pull you into the pool?” Whatever he saw in Sean’s expression had Hal’s face shifting into a lopsided grin. “Thought so. Serves you right, McDermott. You were being a total SOB. You knew it, so did she. Christ, you would never pull that kind of stunt with Dave.” He gave a snort of disgust. “I was watching the two of you the entire workout. Don’t think I didn’t see when you finally took pity on her. Any slower, and you’d have been doing a dog paddle. Real shitty of you, McDermott.” I know, Sean admitted silently. “Right. If she ever agrees to swim with me again, I’ll let her swim her arms off. She got her revenge anyway.” “Good for her.” Sean’s gaze narrowed. Sometimes Hal was a pain in the ass. “Gee, thanks, Coach.” Unfazed by Sean’s sarcasm, Hal continued, “You know, I always suspected something would happen between you and Lily. Intense rivalry can’t come without intense passion. I figured the attraction was there, just waiting for the right moment.” He paused to glare at Sean, then said, “But I would have hoped you’d have a hell of a lot more smarts than to try to seduce a beautiful woman in my pool! Anybody could have walked in on you!” His voice was at a near shout.
Laura Moore (Night Swimming: A Novel)
The life which [Jesus] now lives in the Gospels is simply the old life lived over and over again. And in that life we have no place; in that life we are spectators, not actors. The life in which Jesus lives in the Gospels is after all, for us, but the spurious life of the stage. We sit silent in the playhouse and watch the absorbing Gospel drama of forgiveness and healing and love and courage and high endeavor; in rapt attention, we follow the fortunes of those who came to Jesus laboring and heavy laden and found rest. For a time, our own troubles are forgotten. But suddenly the curtain falls, with the closing of the book, and out we go again into the cold humdrum of our own lives… with our own problems and our own misery, and our own sin, And still seeking our own Savior. Let us not deceive ourselves, A Jewish teacher of the first century can never satisfy the longing of our souls. Clothe Him with all the art of modern research, throw upon Him… modern sentimentality; and despite it all, common sense will come to its rights again, and for our brief hour of self-deception - as through we had been with Jesus - will wreak upon us the revenge of hopeless disillusionment.
J. Gresham Machen (Christianity and Liberalism)
A guilty heart is silent. Its pulse muffled by the secrets it keeps. While some believe confession can release a tortured soul, others view it as a sign of weakness. Because ultimately whatever you say, however you feel about what you've done, it's irrelevant, for the hand of death is equally unforgiving.
revenge
You are under arrest for the murder of Morah Djo, you have the right to remain silent…’’ one officer proclaimed. I YELLED, CALLING THEM BOERS, CALLING THEM OPPRESSORS IN AFRIKAANS as they dragged me out of the bathroom. My body was tossed into the police van. It seemed surreal, he needed to die.
Ayanda Ngema (They Raped Me: So, Now What?)
Revenge is an Evil Mistress
Sean Andrews (Even - Adelphi: Silent Killer Revenge (Love Gone Murder Book 1))
Although my aunts and uncles will think otherwise, I’m not writing this book to cash in or out of a desire for revenge. If either of those had been my intention, I would have written a book about our family years ago, when there was no way to anticipate that Donald would trade on his reputation as a serially bankrupt businessman and irrelevant reality show host to ascend to the White House; when it would have been safer because my uncle wasn’t in a position to threaten and endanger whistleblowers and critics. The events of the last three years, however, have forced my hand, and I can no longer remain silent. By the time this book is published, hundreds of thousands of American lives will have been sacrificed on the altar of Donald’s hubris and willful ignorance. If he is afforded a second term, it would be the end of American democracy.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World’s Most Dangerous Man)
Although my aunts and uncles will think otherwise, I’m not writing this book to cash in or out of a desire for revenge. If either of those had been my intention, I would have written a book about our family years ago, when there was no way to anticipate that Donald would trade on his reputation as a serially bankrupt businessman and irrelevant reality show host to ascend to the White House; when it would have been safer because my uncle wasn’t in a position to threaten and endanger whistleblowers and critics. The events of the last three years, however, have forced my hand, and I can no longer remain silent. By the time
Mary L. Trump (Too Much and Never Enough: How My Family Created the World’s Most Dangerous Man)
As part of Rockefeller’s silent craft and habit of extended premeditation, he never tipped off his adversaries to his plans for revenge, preferring to spring his reprisals on them.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
Revenge was sometimes best served hot.
Ilona Andrews (Silent Blade (Kinsmen, #1))
I had no doubt that I could do something, but what, and how? I had no contacts and I believed in nothing. And the obsession with my identity which I had developed in the factory hospital returned with a vengeance. Who was I, how had I come to be? Certainly I couldn’t help being different from when I left the campus; but now a new, painful, contradictory voice had grown up within me, and between its demands for revengeful action and Mary’s silent pressure I throbbed with guilt and puzzlement. I wanted peace and quiet, tranquillity, but was too much aboil inside. Somewhere beneath the load of the emotion-freezing ice which my life had conditioned my brain to produce, a spot of black anger glowed and threw off a hot red light of such intensity that had Lord Kelvin known of its existence, he would have had to revise his measurements.
Ralph Ellison (Invisible Man)
Boys were taught to hunt, fish, and fight by the men in their clan, notably their mother's brothers, although sometimes all the young men in a town were instructed together. Boys were both praised and chided, but never struck, which was a sign of disrespect. They were allowed only two meals a day to instill a good appetite and willpower. A young hunter first had to learn the ways of the animals--to become one with them by entering their habitat. He was left by a stream to study the animals that came to drink at the edge, or he was sent high up a mountain, where he learned to hide in the green leaves and shadows. During his training as a hunter, he went all day without food to learn discipline. He was taught to be as silent as his own breath, from daybreak to dusk, neither speaking nor making a sound, so that he could better listen to the voices of the woods. Hunting was a way of life, and a boy learned not to change nature, but to find a place for himself within it. Later, if a young man wished to become a shaman, he could be apprenticed, but only after he had learned to be a good hunter and warrior. The young hunter learned that because people had wastefully killed too much game in the past, the animals had cursed them with disease. Certain plants, known only to the shamans, provided cures. A young man believed that if he sprinkled tobacco on a heap of ashes at home and it caught fire, he would have a good hunt. If the tobacco did not ignite, he would find no game. A hunter knew not to kill the wolf, which was considered a messenger from the spirit world. One could sit by the fire at night, listen to the wolves' distant, mournful howls, and learn much. If a hunter killed a wolf, game would vanish, and his bow would become useless until purified by the shaman. The hunter could also place the weapon in a swift river overnight or give it to a child to play with as a toy for a while. Yet he had to remember that the wolf always sought revenge--death for death. The young hunter could protect himself by reciting a prayer and bathing morning and evening in a stream.
Raymond Bial (The Cherokee (Lifeways))
You see, the world is not enough satisfying for a writer. The world doesn’t fit the writer; the world’s design is for him like a straitjacket. The writer is a human, at least physically he looks like all other humans, but he is unsatisfied, gaunt and silent. He creates a world of his own, one to reflect all of him. He is getting rid of this world as a serpent gets rid of his skin. Between the covers of the book he plays God and molds humans of paper. And he is punishing them or creating them wings, as he considers. Some he kills with bare hands, not because they were bad people, but because they did bad things, and he leaves others to die by themselves. And then the writer realizes that revenge doesn’t exist, and that death is not a penalty, or if it is, is the same for everybody. Did God feel that way in the beginning of everything? Did the creation, the world, the water, the muse, the island, the sunrise, the stones came out of discontent? Out of an unbearable loneliness?
Natașa Alina Culea
War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!
Javid Ahmad Tak (They Loved in 2075!)
War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!
Javid Ahmad Tak (They Loved in 2075!)
Then new questions bubble up, and once they’re there, I can’t unthink them: Was someone trying to keep my mother silent? Or was it revenge?
Kit Frick (Very Bad People)
It is quite beautiful, that level of death, although to some it could be considered nightmarish. Whatda see old pal? Do you see death? Is he waiting at your doorstep for you and ya kin? Does he carrya scythe? Is he hooded like the healers? Or are you fortunate enough to gaze upon his face? Do you see an old, wrinkled man there? Eyes the only thing darker than his skin, with his hair in stark contrast? You kow what they say, black isn’t a colour, but a shade. Void of all colour, just like my pal there is void of all life. Or do you see a young man hell bent on revenge, trying to bring a loved one back from the grave? Trying so hard he will put every living soul in the ground to lift his love out of it? Is he pissed off that he can grant death, but the one thing he wants, life, is out of his grasp? Does he speak to you at night? When you sleep, with all the lights out, does he glide silently to your bedside and touch you? Does it hurt? Or do you not feel anything, just close your eyes and never open them again? Do you fear death, Steven?
Finn Eccleston (The Community (Project M Book 1))
I just can’t right now,” she said, staring down at her design book. “Price, I can’t. I’m sorry.” She bit her lip and went silent. I looked back at my blueprints. Someday I’d punish her for this. Someday I’d exact revenge for all my suffering and make her beg for my touch and my cock. She thought I had too much power to hurt her? She hadn’t seen anything yet.
Annabel Joseph (Taunt Me (Rough Love, #2))
what are we to say about the Catholic military chaplain who administered mass to the Catholic bomber pilot who dropped the atomic bomb on Nagasaki in 1945? Father George Zabelka, chaplain for the Hiroshima and Nagasaki bomb squadrons, later came to repent of his complicity in the bombing of civilians, but his account of that time is a stunning judgment on the church’s acquiescence in violence. To fail to speak to the utter moral corruption of the mass destruction of civilians was to fail as a Christian and as a priest as 1 see it…. I was there, and I’ll tell you that the operational moral atmosphere in the church in relation to mass bombing of enemy civilians was totally indifferent, silent, and corrupt at best—at worst it was religiously supportive of these activities by blessing those who did them…. Catholics dropped the A-bomb on top of the largest and first Catholic city in Japan. One would have thought that I, as a Catholic priest, would have spoken out against the atomic bombing of nuns. (Three orders of Catholic sisters were destroyed in Nagasaki that day.) One would have thought that I would have suggested that as a minimal standard of Catholic morality, Catholics shouldn’t bomb Catholic children. I didn’t. I, like the Catholic pilot of the Nagasaki plane, “The Great Artiste,” was heir to a Christianity that had for seventeen hundred years engaged in revenge, murder, torture, the pursuit of power, and prerogative violence, all in the name of our Lord. I walked through the ruins of Nagasaki right after the war and visited the place where once stood the Urakami Cathedral. I picked up a piece of censer from the rubble. When I look at it today I pray God forgives us for how we have distorted Christ’s teaching and destroyed his world by the distortion of that teaching. I was the Catholic chaplain who was there when this grotesque process that began with Constantine reached its lowest point—so far.4 It is difficult to read such accounts without recalling the story of Jesus’ weeping over Jerusalem, because “the things that make for peace” were hidden from their eyes (Luke 19:41
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
She looked ahead at Joe and silently plotted her revenge, which involved his nose, four peanuts and a chopstick.
Carl Ashmore (The Time Hunters (Time Hunters, #1))
We descended from the chariot and walked across the volcanic Island in the Cyclades group of Greek islands.A fear did wake me like the active Santorini.I felt,anytime my mind outbreaks with the real passion of words. But I maintained my mind with a silent revenge,which was active,secretly in my inward cavity.
Nithin Purple (The Bell Ringing Woman: A Blue Bell of Inspiration)