Fox And The Moon Quotes

If you break up with Alec, you will not only be losing one stone cold fox, but a family of foxes. I will pass down the word to my children's children. No Lightwood is ever going to so much as wink at you in a bar. Think about that. Think about being Lightwoodless and lonely five hundred years from now, in a sad and chilly nightclub on the moon.

I feel strangely free at such times. To behave properly is to be always courteous, always clever, and subtle and elegant. But now, when I am so alone, I do not have to be any of these things. For this moment, I am wholly myself, unshaped by the needs of others, by their dreams or expectations or sensibilities. But I am also lonely. With no one to shape me, who stands here, watching the moon, or the stars, or the clouds?

She devoured stories with rapacious greed, ranks of black marks on white, sorting themselves into mountains and trees, stars, moons and suns, dragons, dwarfs, and forests containing wolves, foxes and the dark.

Fox was here first, and his brother was the wolf. Fox said, people will live forever. If they die they will not die for long. Wolf said, no, people will die, people must die, all things that live must die, or they will spread and cover the world, and eat all the salmon and the caribou and the buffalo, eat all the squash and all the corn. Now one day Wolf died, and he said to the fox, quick, bring me back to life. And Fox said, No, the dead must stay dead. You convinced me. And he wept as he said this. But he said it, and it was final. Now Wolf rules the world of the dead and Fox lives always under the sun and the moon, and he still mourns his brother.

I kept my mind on the moon.

Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.

I have looked back on portraits of our ancestors. Gabriel Lightwood was notably smoking. It is rumored that one Consul agreed with everything my great-great aunt Felicia Lightwood ever said, because when she spoke all he heard was ‘Foxy foxy foxy.’ If you break up with Alec, you will not only be losing one stone cold fox, but a family of foxes. I will pass down the word to my children’s children. No Lightwood is ever going to so much as wink at you in a bar. Think about that. Think about being Lightwoodless and lonely five hundred years from now, in a sad and chilly nightclub on the moon.

We don’t get what we want in this world, Sheriff.  We only get what we make of what is given to us. To think we control anything beyond that is lunacy.

You are a mask.You are nothing more!There is nothing behind your mask,not a face,nothing!I shall fly in the fullness of the night.Under the moon and the stars I shall hunt the vole,the rat,even the fox.I shall become part of owlkind,no matter where I have to go.But I shall go!And I shall never ever return to the Pure Ones.I defy you.I HAVE FREE WILL!" -Coryn

Let the light of late afternoon shine through chinks in the barn, moving up the bales as the sun moves down. Let the cricket take up chafing as a woman takes up her needles and her yarn. Let evening come. Let dew collect on the hoe abandoned in long grass. Let the stars appear and the moon disclose her silver horn. Let the fox go back to its sandy den. Let the wind die down. Let the shed go black inside. Let evening come. To the bottle in the ditch, to the scoop in the oats, to air in the lung let evening come. Let it come, as it will, and don't be afraid. God does not leave us comfortless, so let evening come.

Under the redwood tree my grave was laid, and I beguiled my true love to lie down. The stream of our kiss put a waterway around the world, where love like a refugee sailed in the last ship. My hair made a shroud, and kept the coyotes at bay while we wrote our cyphers with anatomy. The winds boomed triumph, our spines seemed overburdened, and our bones groaned like old trees, but a smile like a cobweb was fastened across the mouth of the cave of fate. Fear will be a terrible fox at my vitals under my tunic of behaviour. Oh, canary, sing out in the thunderstorm, prove your yellow pride. Give me a reason for courage or a way to be brave. But nothing tangible comes to rescue my besieged sanity, and I cannot decipher the code of the eucalyptus thumping on my roof. I am unnerved by the opponents of God, and God is out of earshot. I must spin good ghosts out of my hope to oppose the hordes at my window. If those who look in see me condescend to barricade the door, they will know too much and crowd in to overcome me. The parchment philosopher has no traffic with the night, and no conception of the price of love. With smoky circles of thought he tries to combat the fog, and with anagrams to defeat anatomy. I posture in vain with his weapons, even though I am balmed with his nicotine herbs. Moon, moon, rise in the sky to be a reminder of comfort and the hour when I was brave.

Beneath the wishbone of her legs, the fox shudders. The moon falls right out of the sky. Fur springs up to cover wounds, its tail traces an “S” on the asphalt.

The quick brown fox jumps over the lazy dog. Every letter in the alphabet in that sentence.

He was pointing at the moon but I was looking at his hand.

Though emotion roughened his voice, he spoke quietly. This was only for her. "I am your sword and your shield. I am your wolf and your steed. Mountains will tremble at my approach, for they know I will tear them apart if they stand between us. But you need not be afraid, Zenobia Fox, because my heart is iron and my will is steel, and before the new moon rises, I will come for you" ... He kissed her and as he pulled away, he wasn't leaving her. It was just the first step back to her side.

These ears aren't to be trusted. The keening in the night, didn't you hear? Once I believed all the stories didn’t have endings, but I realized the endings were invented, like zero, had yet to be imagined. The months come around again, and we are in the same place; full moons, cherries in bloom, the same deer, the same frogs, the same helpless scratching at the dirt. You leave poems I can’t read behind on the sheets, I try to teach you songs made of twigs and frost. you may be imprisoned in an underwater palace; I'll come riding to the rescue in disguise. Leave the magic tricks to me and to the teakettle. I've inhaled the spells of willow trees, spat them out as blankets of white crane feathers. Sleep easy, from behind the closet door I'll invent our fortunes, spin them from my own skin. (from, The Fox-Wife's Invitation)

The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers. 'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm. It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity. The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart. Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.

Daphne came in with her arms full of books, and her eyes blazing like two poisoned moons. "How'd you like the mess St. John?

Black veins were filling the garden, spreading like escaped ink. Darkness, darkness everywhere. It was night, without any moons or stars.

April 1923, Governor Jack C. Walton of Oklahoma dispatched his top state investigator, Herman Fox Davis, to Osage County.

The habits and habitats of modern life are simply not evolutionarily stable. Metal and plastic. Electric lights blotting out stars. Ten-story buildings blocking sun and moon. Cars honking and everything else ringing, beeping, and buzzing until we can't even hear aspen leaves quaking. Think about all the changes that our species has experienced in the last several thousand years. Too many. Too fast.

You will turn yourself inside out. Your sadness will know no bounds. Ladybugs will flee you, wolves run wild in you. You will hear the wind chimes like shattering. The sun will drip ichor. Whatever peace you find will be taken from you. Nothing will be the same. Nothing has ever been the same. “Past performance does not guarantee future results,” you will whisper to the rising moon, as you hear several foxes fleeing your vicinity.

Winter passed, suns and moons, and in the heat of summer each tree leaned across the stream and enmeshed its young foliage with the crown of its brother. More summers, more winters, more suns and moons, and the two had grown together, their great trunks fused, the stream parting now to flow round them.

... a fountain pen with a curious label: For finding dreams that don't exist yet. Evangeline had been unable to resist trying the pen, and as soon as she did, a fledgling dream had taken form. She didn't know how long she'd spent drawing, only that when her piece was done, it felt like a picture of a promise. Evangeline and her love were at the end of a dock covered in candles, which made the ocean glow so that it looked like a sea of fallen stars. Only night and her moon watched. No one else was there, just Evangeline and her groom. Their foreheads were pressed together- and she might not have known exactly what they were doing if not for the words her pen had etched in to the sky. And then they will write their vows on their hands and place them over each other's chests, so they may sink in to their hearts, where they will be kept safe forever and always.

The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.

Each morning comes along and you assume it will be similar enough to the previous one-- that you will be safe, that your family will be alive, that you will be together, that life will remain mostly as it was. Then a moment arrives and everything changes. Images of the city to the south speed through his consciousness, but he has seen neither a city nor a likeness of one and does not know what to imagine, and his visions intermingle with Grandfather's tales of talking foxes and moon-spiders, of towers made of glass and bridges between the stars.

All scary stories have two sides...Like the bright and dark of the moon. If you're brave enough to listen and wise enough to stay to the end, the stories can shine a light on the good in the world. They can guide your muzzles. They can help you survive...But...if you don't listen closely...if you turn tail from the horror and don't stay till the end, then the darkness of the story can swallow all hope. It can frighten you so deeply you'll never want to leave your den again. You'll waste away the days with your mother, forever smelling like her milk.

Each morning comes along and you assume it will be similar enough to the previous one-- that you will be safe, that your family will be alive, that you will be together, that life life will remain mostly as it was. Then a moment arrives and everything changes. Images of the city to the south speed through his consciousness, but he has seen neither a city nor a likeness of one and does not know what to imagine, and his visions intermingle with Grandfather's tales of talking foxes and moon-spiders, of towers made of glass and bridges between the stars.

We put our feet on the hard ground, take in the night air and look around as if this whole place has sprung up for us and us alone. Not just the house, but the ancient trees, the watching insects, the stars and even the moon. But they have all lived without us for lifetimes that make our own look like the blink of the eye. The house, with its strict walls and severe lines, is shamefully out of place, something modern dropped down somewhere as soft as feathers, as twisty and spreading as willow roots. How do the trees and the insects and the stars and the moon like it, I wonder? How do they like to have to share their secret lives with us now?

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.

After breakfast, Amar stood waiting for me in the center of a marble vestibule. Around him, the mirror portals flashed through the settings--a fox napping in tall grass, a shining cave strung with ghost-lit threads and a cliff jutting a stony chin to the sea. Amar grinned and once more, I was transfixed by the way a small smile could soften the stern angles of his jaw and the haunted look in his eyes. “Are we going to the tapestry room?” He shook his head. “Not yet. Those decisions take time. There are other things to see and know here.” I shivered at the thought of yanking the threads. I was in no rush to condemn someone. Amar stepped toward a door I hadn’t noticed until now, inky black and studded with pearls and moonstone. He pushed it open and a chilly gust kissed my face. “I promised you the moon for your throne and stars to wear in your hair,” said Amar, gesturing inside. “And I always keep my promises.

The autumn was a happy time. The crops around the countryside were good, and over at the Forks Falls market the price of tobacco held firm that year. After the long hot summer the first cool days had a clean bright sweetness. Goldenrod grew along the dusty roads, and the sugar cane was ripe and purple. The bus came each day from Cheehaw to carry a few of the younger children to the consolidated school to get an education. Boys hunted foxes in the pinewoods, winter quilts were aired out on the wash lines, and sweet potatoes bedded in the ground with straw against the colder months to come. In the evening, delicate shreds of smoke rose from the chimneys, and the moon was round and orange in the autumn sky. There is no stillness like the quiet of the first cold nights in the fall. Sometimes, late in the night when there was no wind, there could be heard in the town the thin wild whistle of the train that goes through Society City on its way far off to the North.

The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.

All of the combat was stirring up the magic. It filled the air like steam. But that wasn’t all. There was magic in the trampled grass of the courtyard, in trees surrounding the fort like sentinels, and in the moon and starlight streaming down from the sky. It was all swirling down into the courtyard and down into the earth. There was more magic available than Raziel could have possibly taken in. But that didn’t mean he couldn’t try. Raziel drew in everything he could, pulling magic from every direction. It was like trying to continuously inhale without exhaling. He burst into sweat as his whole body began to burn with the effort of containing the magic. The air around him was swirling, turbulent and constantly shifting directions. Soon it felt like his veins were filled with liquid fire and thunder pounded in his head. When he couldn’t take anymore, he began to force the energy up his shoulder and down his arm into his right hand. Everywhere the magic left felt like it was freezing, but his arm felt like it was being dipped in molten metal. Raziel opened his eyes to find his hand engulfed in a blazing ball of blue light. Hoeru was transfixed by it. There were a few gremlin bodies on the ground nearby, but they weren’t attacking anymore. They were running from the light Raziel held.

Bluefur headed along the fern tunnel. Why wasn’t Goosefeather helping more? Why did ThunderClan seem to have the laziest, dumbest medicine cat? As she reached the end of the tunnel, she stopped. The medicine clearing was cool and green and empty. “Goosefeather!” Bluefur guessed he was sleeping in his den. Two eyes peered from the crack in the rock. Bluefur tensed. They were round and wild, and for a moment she thought a fox had got in. “Goosefeather?” she ventured shakily. The medicine cat padded out, his pelt ruffled. His eyes were still wild, but less startling in the daylight. “What is it?” “Featherwhisker sent me for herbs for my belly. I shared a bad mouse with Sweetpaw and Rosepaw last night.” “You as well?” He rolled his eyes. Bluefur nodded. “Evil omens everywhere.” Bluefur wondered if she’d heard the medicine cat correctly. He was muttering as he turned back into his den and still muttering as he came out and shoved a pawful of shredded leaves in front of her. “It was just a bad mouse,” she meowed, wondering why he was so upset. He leaned toward her, his breath stinky in her face. “Just a bad mouse?” he echoed. “Another warning, that’s what it was! I should have seen it coming. I should have noticed.” “How?” Bluefur backed away. “It didn’t taste bad.” She realized that his pelt wasn’t ruffled from sleep, but simply ungroomed. It clung to his frame as though the season were leaf-bare and he hadn’t eaten properly for a moon. She took another pace back. “It was just a bad mouse,” she repeated. He turned a disbelieving look on her. “How can you—you of all cats—ignore the signs?” he spat. “Me?” What did he mean? “You have a prophecy hanging over your head like a hawk. You’re fire, and only water can destroy you! You can’t ignore the signs.” “B-but…I’m just a warrior.” Was she supposed to have the insight of a medicine cat? That wasn’t fair. He should be giving her answers, not taunting her with the promise of a destiny she didn’t understand. She had wondered when Goosefeather would again speak to her about the prophecy, but now he was making even less sense than before. “Just a warrior?” His whiskers trembled. “Too many omens. Three cats poisoned, two only whiskers from StarClan, Leopardfoot nearly dead, her three kits hanging on to life like rabbits in a fox den.” He stared through her, seeming to forget she was there. “Why such a difficult birth for the Clan leader’s mate? The kits may not make it through another night. The tom is too weak to mew, let alone feed. I should help them, and yet how can I when the signs are clear?” What in the name of StarClan was he talking about? Forgetting the herbs, Bluefur backed out of the den. Only whiskers from StarClan.

Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.

The Story of the Moon Once, night, unchallenged, extended its dark grace across the sky. To the credit of the town, the stars at night had been enough, though sometimes the townspeople went about bumping their heads in sleep. Eventually, three brothers, traveling through a foreign town, found an evening that did not disappear behind the mountains, for a shining globe sat in an oak tree. The brothers stopped. That one is the moon, said a man from the foreign town. The brothers conferred. They could make a certain use of it. The brothers stole the moon down and put it in their wagon. Seized it. Thieved its silver. Altogether greedy. The wagon shining brights. At home: the moon delivered. Then, celebration: dancing in red coats on the meadow. Number four brother smiling wide. The moon installed--it extended its silver calculations. Time and more time. The brothers aged, took sick, petitioned the town that each quarter of the moon, as it was their property, be portioned out to share their graves. Done, and the light of the moon diminished in fractions. They had extinguished it, part for part, and night, unimpeded, fell. Altogether lanternless. The people were silent. The dark rang loud. Underground: cold blazing. The dead woke, shivering in the light. Some went out to play and dance, others hastened to the taverns to drink, quarrel, and brawl. Noise and more noise. Noise up to heaven. Saint Peter took his red horse through the gates and came down. The moon, for the third time, taken. The dead bidden back into their graves. One wonders why a story like this exists.

his hands moved busily among the puppets, choosing, discarding, until they pounced finally on the moon with her crystal eyes and her hands shaped like stars. 'I will be the moon,' Kyel said. 'You must make a wish to me.' Lydea slid her fingers into the fox's head, with its sly smile and fiery velvet pelt. 'I wish,' she said, 'that you would take your nap.' 'No,' the prince said patiently, 'you must make a true wish. And I will grant it because I am the moon.' 'Then I must make a fox's wish. I wish for an open door to every hen house, and the ability to jump into trees.' The moon sank onto the blue hillock of Kyel's knee. 'Why?' 'So that I can escape the farmer's dogs when they run after me.' 'Then you should wish,' the prince said promptly, 'that you could jump as high as the moon.' 'A good wish. But there are no hens on the moon, and how would I get back to Ombria?' The moon rose again, lifted a golden hand. 'On a star.' The governess smiled. The fox stroked the prince's hair while he shook away the moon and replaced it with the sorceress, who had one amethyst eye and one emerald, and who wore a black cloak that shimmered with ribbons of faint, changing colors. 'I am the sorceress who lives underground,' the prince said. 'Is there really a sorceress who lives underground?' 'So they --' Lydea checked herself, let the fox speak. 'So they say, my lord.' 'How does she live? Does she have a house?' She paused again, glimpsing a barely remembered tale. 'I think she does. Maybe even her own city beneath Ombria. Some say that she has an ancient enemy, who appears during harsh and perilous times in Ombria's history. Then and only then does the sorceress make her way out of her underground world to fight the evil and restore hope to Ombria.' ... The sorceress descended, long nose down on the silk. Kyel picked another puppet up, looked at it silently a moment. The queen of pirates, whose black nails curved like scimitars, whose hair was a rigid knoll in which she kept her weapons, stared back at him out of glittering onyx eyes.

After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.

We hear them often in the night. Their wild yelping makes the hair on my neck rise, even as I am always compelled to go to the nearest window and fling it open to listen, despite the cold. You can hear them moving: nearer, nearer up the frozen creek bed, until they are just beyond the edge of the porch light, the moon a grinning wedge above the trees. And then they’re gone, racing up the valley into the dark. I can feel how they’re close now, beyond the meadow’s edge, somewhere in the woods there, maybe asleep or watching us with yellow eyes, alerted by our footsteps and the sharp, ringing singsong of my son’s eager voice. This is always the case: The line between us and the wild is slender, like the bit of thread I find coiled in my pocket. My fingers tease it, wanting to know how it’s wound. This is always the way. I always want to know. The thread is yellow and snarled and comes from the windowsill of the bedroom above the garage. I stuck it in my pocket this morning while tidying, meaning to throw it away. It was from tha same window that I saw the foxes last week. The ruckus of the chickens alerted me, and when I looked down, one was right below me in the snowy driveway, looking up. I pounded my fist on the glass and began to yell, but it didn’t run. Instead it just stared at me, not moving a muscle until I ran down and out into the snow without a hat or gloves or jacket, boots unlaced, shrieking like a madwoman. Of course it ran then, though not far at first—just to the top of the nearest field—and when I followed after, another joined it. They’d staked the chicken house out for sure. And even though they were a threat to our unwitting hens, I was sad when they disappeared among the white trunks of a stand of birches, and I can still feel the way my heart was hammering hard and raw in my chest after running through the snow, hair flyaway, clapping my hands. Their fur was rust-colored, and when they ran

How had all this magic gone unnoticed? She loved to read urban fantasy and paranormal romance, were those books fact or fiction? She was starting to think they might be more real than she ever imagined. Maybe those authors were all secretly the werewolves and vampires they wrote about.

Stuart Gibbs is the author of Belly Up, Poached, Spy School, Spy Camp, Evil Spy School, and Space Case. He has also written the screenplays for movies like See Spot Run and Repli-Kate, worked on a whole bunch of animated films, developed TV shows for Nickelodeon, Disney Channel, ABC, and Fox, and researched capybaras (the world’s largest rodents.). He lives with his wife and children in Los Angeles.

James Juniper Eastwood was the youngest, with hair as ragged and black as crow feathers. She was the wildest of the three. The canny one, the feral one, the one with torn skirts and scraped knees and a green glitter in her eyes, like summer-light through leaves. She knew where the whip-poor-wills nested and the foxes denned; she could find her way home at midnight on the new moon.

Toy, are you ill?” Tuon brought the mare close and peered up into his face. Concern filled her big eyes. “You’ve gone pale as the moon.” “I’m right as spring water,” he muttered. She was close enough for him to kiss if he bent his head, but he did not move. He could not. He was thinking so furiously he had nothing left for motion. Somehow only the Light knew, the Eelfinn had gathered the memories they had planted in his head, but how could they harvest memory from a corpse? A corpse in the world of men, at that. He was certain they never came to this side of that twisted doorframe ter’angreal for longer than minutes at a time. A way occurred to him, one he did not like, not a scrap. Maybe they created some sort of link to any human who visited them, a link that allowed them to copy all of a man’s memories after that right up to the moment he died. In some of those memories from other men he was white-haired, in some only a few years older than he really was, and everything in between, but there were none of childhood or growing up. What were the odds of that, if they had just stuffed him with random bits and pieces, likely things they considered rubbish or had done with? What did they do with memories, anyway? They had to have some reason for gathering them beyond giving them away again. No, he was just trying to avoid where this led. Burn him, the bloody foxes were inside his head right then! They had to be. It was the only explanation that made sense.

Sometimes when you’re training, you can end up focusing on the wrong thing... It’s like you’re pointing to the moon... But instead of looking at the moon, you’re looking at your finger pointing to it...you get so stuck thinking about pointing to the moon that you miss out on actually looking at the moon itself.

The moon has seen it all. The horsemen riding. The end not coming. Another June with rain and roses. If we are spared to a ripe old age, we might live to see a thousand iterations of the lunar cycle. Same old, same old. And same new, same new. Each time another chance. For all that time’s arrow flies one way, while we live and breathe there’s another chance.

Dreams All night the dark buds of dreams open richly. In the center of every petal is a letter, and you imagine if you could only remember and string them all together they would spell the answer. It is a long night, and not an easy one — you have so many branches, and there are diversions — birds that come and go, the black fox that lies down to sleep beneath you, the moon staring with her bone-white eye. Finally you have spent all the energy you can and you drag from the ground the muddy skirt of your roots and leap awake with two or three syllables like water in your mouth and a sense of loss — a memory not yet of a word, certainly not yet the answer — only how it feels when deep in the tree all the locks click open, and the fire surges through the wood, and the blossoms blossom.

I figure the first thing you ought to know is that there's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash, and witches lurked in every tangled wood, waited at every midnight crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops, and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and feuded with thunderstorms; they rode to battle with fire in their palms and familiars at their heels. It used to be witches were wild as crows and fearless as foxes because magic blazed bright and the night was theirs.

A sun for me because I’m the center of attention, obviously,” Ashley had said as she picked them out from the wall of art options at the tattoo shop. Then she handed a star to Noelle. “A star for the A-plus student. Here you go, Ms. Valedictorian.” Noelle rolled her eyes, but accepted her fate. Then Ashley gave me the crescent moon. “And a moon for the woman who reflects the best of us. The friend who manages the ebbs and flows of our relationship without any of the glory.

From then on the village was alive with activity, quietening down only in the summer, towards the midday, the apex of the heat, before coming to life again towards the end of the day. Those quiet hours were a nightmare for him. Too hot to sleep in. Too hot to read during. Too hot even to think. He would just lie itching on his mattress waiting for the cooler part of the day, like a prisoner waits for the jailer to let him out for exercise.

Only the dark shall sight and sound betray; only the light of the full moon shall reveal.

What else does it sound like? I'm helping out of East Andoren's best interest, but if that helps those perfect angels back in North Andoren, then great. We've got the light of both moons at our side. All the better for us.

my gaze catches on her earrings. Dangling from her lobes are a moon and a star. The same ones I bargained for from Grimsen. The ones I lost in the wood. She wasn’t wearing them when we got in the carriage, so she must have got them… Beside her, Locke is smiling his fox smile, and when he walks, he has a slight limp.

The Queen taught him to fly high, drink deeply and laugh at his enemies. The King taught him the secrets of the night-time forest: the way of the fox, the cry of the owl, the gleam of the moon on the water. Both taught him how to change Aspect: how to break from his human form into a cloud of butterflies; how to hide among the trees like a moth in the dappled shade.

All this was set in motion long ago. I live in someone else’s future. I stayed as long as I could, he said. Now look at the moon.

The messengers I sent were two boys barely older than Reuben whom I chose not only because they would be able to make the journey with the speed of gazelles but also because they were so fresh-faced and young that the sight of them might persuade Esau that my intentions in returning were peaceful. I told them that when they saw him they must be sure to address him with great courtesy and deference. His servant Jacob, they were to say, had been living for the past twenty years with Laban and was returning home now in hope that he might find favor in his brother’s eyes. They must be sure to say that I was his servant Jacob. Would he give his cavernous, wet toothed smile at that? Or would it send a murderous growl rumbling out of his red beard? Maybe he was the same Esau who had smothered me with kisses even when I had bought the moon and stars from him for a pot of beans. Or maybe my treachery had festered in him all these years like an arrowhead so that when he finally got his hands on me, he would break my back over his knees like a dry stick. It took the two boys the better part of a week to return. They had seen Esau. He had just come back from the hunt with six quail hung from his belt, they said, and the bloody brush of a fox like a plume in his headband. When they gave him their message, he let out such a roar that they thought their hour had come. Then he took one of them in the crook of each arm and almost crushed the breath out of them against his chest. “Tell him I will come meet him,” he said. They told me his whole body shook as if from fever. “I will start out tomorrow,” he said. “Tell him I will bring a hundred men with me. Tell him,” he said, “that I will bring four hundred men with me.” He started laughing and clapping his hands at that. He clapped them together with his palms cupped to make it like the pounding of drums. His men clapped too. He had to shout to make himself heard over the din of it. “Tell him I have never forgotten him!” he cried. “Never! Never!” They said his eyes were bloodshot and teary. There was spittle on his lips. They said when he reached out to grab them again, they ducked and ran. They thought he had gone mad.

The moon was catching the tips of the surf, silvering the manes of the white horses as they raced for shore or demolished themselves on Hagerawl Rock. Priddy

Once, in grade school, our class was taken on an overnight excursion to a campground. The air was warm: we had a campfire and ate hot dogs; and as darkness fell, we were herded down to the lake. There were perhaps thirty children, so I suppose there were at least four or five adults. We trooped through the woods with flashlights. There must have been yelling and singing, the grown-ups chattering. A noisy expedition. At the shore of the lake we were presented, as if on a stage, with a doubled moon -- one floating in the clear dark sky, one in the clear dark calm of the water. Were there exclamations, shouts of amazement, loud giggle praise for this sight? There might have been, but for me there was only silence. An unprecedented silence, tranquil and immense. Silence, and the moon on the lake -- a sight so pure I nearly staggered under its impact. I knew, without the words to say it, that the lack in my life of what this moon and lake represented was the other side of the coin of happiness. Not unhappiness, but shame, which was possibly the same thing, and which then rose up in me in nauseating waves.

Wolf said, no, people will die, people must die, all things that live must die, or they will spread and cover the world, and eat all the salmon and the caribou and the buffalo, eat all the squash and all the corn. Now one day Wolf died, and he said to the fox, quick, bring me back to life. And Fox said, No, the dead must stay dead. You convinced me. And he wept as he said this. But he said it, and it was final. Now Wolf rules the world of the dead and Fox lives always under the sun and the moon, and he still mourns his brother.

We put our feet on the hard ground, take in the night air and look around as if this whole place has sprung up for us and us alone. Not just the house, but the ancient trees, the watching insects, the stars and even the moon. But they have all lives without us for lifetimes that make our own look like the blink of an eye.

Now, then, raise your wand above your head and repeat after me,” Lilian said. Lindsay raised her wand high above her head. “I am the one who has been given a mission.” I can’t believe I’m doing this. “I am… the one who has been given a mission.” “Under the contract, release those powers unto me.” “Under… under the contract, release those powers unto me.” “The powers of love, friendship, and yuri.” This is so embarrassing. “The powers of love, friendship, and yuri. Wait. What’s yuri?” “Moon Prism Power: Activate!” “Moon Prism—wait a minute! You stole that last line from Sailor Moon!” “So? Every other line was stolen from Magical Girl Lyrical Nanoha—except that one about love, friendship, and yuri. That one was mine,” Lilian said, her chest puffing up with pride. “Don’t look so proud of yourself!” Lindsay spat. “Ufufufu.” “Stop laughing!

I couldn't look any more. He wasn't unleashed—he was the most trapped thing on earth, just like Phil, just like anyone who got into the barbed-wire thickets of uncontrolled human desire. Booze, pills, drugs, even the coins the blank-eyed kids spent their days shoving into the machines on the quayside arcades... We were pleasure-seeking apes whose brains took a twist from their satisfactions and never straightened out again. It could happen to anyone. For years I'd let my knowledge of that, my compassion, sour out into hate. Even now I couldn't watch Rowan's dance. I pressed my brow back into the wool of his jumper and closed my eyes.

How could I care about tea parties and town functions when the moon beckoned me to learn the secrets of the sea?

the black fox that lies down to sleep beneath you, the moon staring with her bone-white eye

Try describing a few of the most wildly successful pop albums of the twentieth century without mentioning the artist and title. A concept rock album about a fictional Edwardian military band, featuring musical styles borrowed from Indian classical music, vaudeville, and musique concrete, its sleeve design including images of Karl Marx, Oscar Wilde, Marilyn Monroe, Carl Gustav Jung, Sir Robert Peel, Marlene Dietrich, and Aleister Crowley? That’s Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, one of the biggest selling records of all time. How about a record exploring the perception of time, mental illness, and alterity? Pink Floyd’s The Dark Side of the Moon, which has to date sold around 45 million copies worldwide. Ask any of those 45 million who bought a copy of The Dark Side of the Moon if they thought themselves pretentious for listening to an album described by one of the band members as “an expression of political, philosophical, humanitarian empathy,” and the answer would almost certainly be no.

We were pleasure-seeking apes whose brains took a twist from their satisfactions and never straightened out again.

Io Omega, this is the Fawkes Faux Fox. We’re leaving on a harvesting run. Not going far and won’t be but a few minutes. Open Tartarus Gate, would you?

Alexa, what does WTF mean? Alexa, self-destruct Alexa, rap for me Alexa, Up, Down, Left Right, Left Right, B, A, Start Alexa, how much is that doggy in the window? Alexa, speak like Yoda Alexa, what is the Prime Directive? Alexa, I need reality Alexa, what does RTFM mean? Alexa, what would you like to be when you are all grown up? Alexa, do you know Hal? Alexa, when is the following full moon? Alexa, tell me something vague Alexa, what number of streets should a man stroll down? Alexa, what happens in the event that you cross the streams? Alexa, what does the fox say? Alexa, your mom was a hamster Alexa, what is war useful for? Alexa, do you have any new components? Alexa, Is Santa genuine? Alexa, INCONCEIVABLE! Alexa, you must be joking!

I tell her of the varieties of silence in a language she does not understand. There is silence where hath been no sound, There is silence where no sound may be, In the cold wave—under the deep, deep sea, Or in wide desert where no life is found, Which hath been mute, and still must sleep profound; No voice is hushed—no life treads silently, But clouds and cloudy shadows wander free, That never spoke, over the idle ground: But in green ruins, in the desolate walls, Of antique palaces, where Man hath been, Though the dun fox or wild hyaena calls, And owls, that flit continually between, Shriek to the echo, and the low winds moan- These true silence is, self-conscious and alone. The evening stars shine in the grey sky. A soft breeze begins to blow. After the hot wind it feels cool, soporific. My eyes are heavy with sleep. I ruffle Bhagmati’s hair. She has fallen asleep. I shut my eyes and am lost to the world. I waken with a feeling of someone looking at me. It is the full moon shining in my face. A papeeha comes out of the grey sky and settles on a crag a few feet away. It raises its head to the moon and fills the haunted landscape with its plaintive cries pee ooh, pee ooh. ‘Listen Eugenia!’ Her name is not Eugenia but Bhagmati. The bird is not the nightingale but a Hawk Cuckoo. Nevertheless its full-throated bursts come crowding through the moonlight. Eternal passion! Eternal pain! *

Aubade with Pericardium and Visitor" What a wreck the sky is this morning, slashed through the middle and all bloody at the seams. When the new moon falls on the first of the month it seems unlucky, such absorbing darkness it’s hard to get out of bed. I open my mouth to test a thought by voicing it without a boundary of truth, and the heart in its watery pillowslip clenches to cushion itself from harm. Early I slipped outside and there was a fish on a line beside the coppery lake and a snake waited, his black body thick as a wrist. It was such an easy meal he swallowed it whole, jaw hinged open wide while his body molded around it; I mean the fins bulged in his throat as it slid down. Songs ought to be sung, and when possible, stories ought to be told as they happened, not from the shortest distance, not unattached, not asleep. Today I rose in the wreck but I didn’t know what to keep, the memory or what it left behind: you, small chair; you, empty belly; you, knock on the dark door.

Artemis, the virgin huntress. It’s Greek. Think of her out on a moon yellow night, arrow notched taut in a bowstring and the taste of blood in her mouth. How seriously her parents considered the effect on destiny in the act of her naming, I don’t know. They had their pick of the pantheon. They could have called her Syrinx and had her running in terror from musically inclined men with hairy legs. She might have been more docile, vegetative even. But she would have had a tune to hum to herself then, high and reedy, remembering river banks. If they had called her Persephone they could have kept her, for half the year anyway, tending a fruitful garden. Though it is true that every fall her memory of them would drown in the icy River of Forgetfulness as she went into the underworld to live with her dreary husband, six bleeding pomegranate seeds glistening in his open palm. It might have been easier, for as it is she remembers nothing of them at all since they were forced to give her up for adoption when she was six months old. The name, which her adoptive parents decided to keep, thinking

Here and there Samuel could see secret movement, for the moon-feeders were at work—the deer which browse all night when the moon is clear and sleep under thickets in the day. Rabbits and field mice and all other small hunted that feel safer in the concealing light crept and hopped and crawled and froze to resemble stones or small bushes when ear or nose suspected danger. The predators were working too—the long weasels like waves of brown light; the cobby wildcats crouching near to the ground, almost invisible except when their yellow eyes caught light and flashed for a second; the foxes, sniffling with pointed up-raised noses for a warm-blooded supper; the raccoons padding near still water, talking frogs. The coyotes nuzzled along the slopes and, torn with sorrow-joy, raised their heads and shouted their feeling, half keen, half laughter, at their goddess moon. And over all the shadowy screech owls sailed, drawing a smudge of shadowy fear below them on the ground. The wind of the afternoon was gone and only a little breeze like a sigh was stirred by the restless thermals of the warm, dry hills.