Fountains Of Silence Quotes

I clung to books and words because, unlike people, they’d never abandon me.

Silence has a voice of its own.

Truth breaks the chains of silence." Puri puts a trembling hand to her chest. Her voice drops to a whisper. "It sets us all free.

Just when the caterpillar thought the world was over, it became a butterfly.

Some were desperate to remember and others were desperate to forget.

Sometimes the truth is dangerous… But we should search for it nonetheless.

We have only died if you forget us. —anonymous epitaph SPANISH CIVIL WAR MASS GRAVE

... I’m not running around blaming anybody. I’m doing the work. Which is what, exactly? Letting it hurt.

He doesn’t carry the disease of fear.” “It’s easy to be fearless when you have nothing to lose,” says Julia.

Without fear we will never meet courage.

In the soft grey silence he could hear the bump of the balls: and from here and from there through the quiet air the sound of the cricket bats: pick, pack, pock, puck: like drops of water in a fountain falling softly in the brimming bowl.

Through my own struggles I’ve learned that knowing is something that evolves. What we think we know can be quite far from the truth.

The perfect word is like the perfect camera angle. It expresses the true nature of the situation. Change the camera position slightly, and the picture tells tales.

You must be brave,” says Rafa. “One Texano against three Vallecanos.” “Bravery and stupidity are sometimes interchangeable.” Rafa lights up. “Yes! But fear brings dimension to our lives. Without fear we will never meet courage

We have only died if you forget us.

There is a tension that exists between history and memory, señor. Some of us are desperate to preserve and remember, while others are desperate to forget.

No money, no cradle. Earnings pay rent on their mother's grave. If payment is not made, her body will be dug up and thrown in a common trench.

Look at you two. That- is the truth.

The sweet girl in Madrid... It probably wouldn't have worked. The divide was too wide. Memories are hungry, tesoro. You musn't feed them. I'd hate to think that a teenage fling might leave you alone for the rest of your life.

Yes, most are very happy. But they have no parents.” Sister exhales her annoyance. “It is better to have no parents than the wrong parents.

Some friendships are born of commonality. Others of proximity. And some friendships, often the unlikely ones, are born of survival. Rafa and his friend are comrades of hardship. They refuse to speak of the boys’ home in Barcelona. It was not a “home.” It was a hellhole, a slaughterhouse of souls. The “brothers” and “matrons” who ran the institution took pleasure in the humiliation of children. The mere memory is poison.

A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.

Doll. Dame. Kitten. Baby. American men have many terms for women. Just when Ana thinks she has learned them all, a new one appears. In her English class at the hotel, these words are called terms of endearment.

The platform is clogged with passengers, but orderly. With such well-ordered society, are so many police and guards on the street really necessary?

And so I confess, dear Padre, that I feel confused. Fuga is gone. Taken by a bullet. I should feel guilty and full of fear. But somehow, I feel more connected to my friend and more proud of him than ever. Fuga never compromised. He never apologized for who or what he was. His difficult past was not a burden to him but an inspiration.

Thousands of babies were stolen from their parents during the Franco dictatorship in Spain, but the story was suppressed for decades. Now, the first stolen-baby case has gone to court. The trial is expected to last months. As Lucía Benavides reports from Spain, it’s a dark part of Spanish history that is finally getting more recognition. Between 1939 and the late 1980s, it is alleged that over 300,000 babies were stolen from their birth mothers and sold into adoption. —LUCÍA BENAVIDES

I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica." Dame Eyola gave him a long look. No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there." After a short silence she added: "But every way that leads there is the right one.

Daniel looks at a photo of Ben, alone on the dance floor. He moves to a beat entirely his own, life pouring in and out of him. He lived hard and played harder. He did the work.

Through my own struggles I’ve learned that knowing is something that evolves. What we think we know can be quite far from the truth. If we continue to seek and ask questions, we may one day find our way into the answers, but sometimes the answers only lead t more questions.

Ana remembers the teachings of the Sección Femenina: “Do not pretend to be equal to men.” They also teach that purity is absolute. Women’s bathing suits must reach the knees. If a girl is discovered in a movie theater with a boy but no chaperone, her family is sent a yellow card of prostitution.

Rafa blinks, blocking the painful memories, hiding his collapsed heart beneath a smile. “Buenos días, señora. How may I help you?” he asks the customer. “Blood.” “Sí, señora.” Give them their blood. For more than twenty years, Spain has given blood. And sometimes Rafa wonders—what is left to give?

Like the character of Daniel, I wanted to understand. I wanted to reciprocate the affection, comprehension, and compassion that the people in Spain had shown toward me and the history within my books. As my research progressed, I realized that the refrains were accurate. Not only is it difficult for an outsider to understand, I often found myself asking, “What right do we have to history other than our own?

Should he look directly at them and acknowledge their sacrifice or look away and honor their dignity?

Is it good or bad that the defining items of his life can fit into one small box?

To Fuga, the past no longer exists. The future is yet to exist. Fuga pledges loyalty to the “is,” not the “if.

The most dangerous adversary is the one you underestimate.

I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…

Valencia. City by the sea, birthplace of her favorite painter, Sorolla. Hotel guests speak of Valencia’s tranquil beauty, fragrant orange trees, and rolling blue waters. What does a large body of water sound and smell like? Ana wonders. Landlocked, fenced by circumstance, she has never seen the sea. She sees Spain only through images on postcards that guests collect in their rooms. If she transfers to the hotel business office, perhaps one day she too will walk along the beach in Valencia.

This is your time, Dan. Grab it and run. Do the stuff you see in the movies. It’s the stuff no one gets to do. But you can do it, Matheson. I don’t want you calling me in ten years whining that you should have done this and should have done that. As the saying goes, it’s later than you think.

Miguel clears his throat. “You’re very talented. But remember, Spain is not your country. Be careful, amigo.” The Guardia Civil delivered a similar message. Daniel knows the words of caution are meant to dissuade him. They should.

Her pearled voice quiets a fountain. Even the silence, quiets.

You're a photographer, a storyteller. In a dozen pictures, you showed me ten layers of Texas. Choose an angle and show me ten layers of Madrid.

Gold is tried by fire and brave men by adversity,” says Rafa.

His difficult past was not a burden to him but an inspiration.

It’s difficult navigating two cultures,” she once told him. “I feel like a bookmark wedged between chapters. I live in America, but I am not born of it. I’m Spanish.

he is tired of frugal listeners who are generous with opinion.

Memories are hungry, tesoro. You mustn't feed them.

Fuga pledges loyalty to the “is,” not the “if.

And do you know what he is doing? He is taking care of the children. All the poor children, the forgotten children, the stolen children. “El Huérfano is taking care of his own.

Where was Bewcastle? But then he was there, standing on the terrace some distance away, and such was the power of his presence that everyone seemed to sense it an fell back away from Alleyne even as they stopped talking. There was still all sorts of noise, of course - horses, carriage wheels, voices, the water spouting out of the fountain - but it seemed to Alleyne as if complete silence fell. Bewcastle had already seen him. His gaze was steady and silver-eyed and inscrutable. His hand reached for the gold-handled, jewel-studded quizzing glass he always wore with formal attire and raised it halfway to his eyes in a characteristic gesture. Then he came striding along the terrace with uncharacteristic speed and did not stop coming until he had caught Alleyne up in a tight, wordless embrace that lasted perhaps a whole minute while Alleyne dipped his forehead to his brother's shoulder and felt at last that he was safe. It was an extraordinary moment. He had been little more than a child when his father died, but Wulfric himself had been only seventeen. Alleyne had never thought of him as a father figure. Indeed, he had often resented the authority his brother wielded over them with such unwavering strictness, and often with apparant impersonality and lack of humor. He had always thought of his eldest brother as aloof, unfeeling, totally self sufficient. A cold fish. And yet it was in Wulfric's arm that he felt his homecoming most acutely. He felt finally and completely and unconditionally loved. An extraordinary moment indeed.

...he wonders by what process virtually any discussion about the war seems to profane these ultimate matters of life and death. As if to talk of such things properly we need a mode of speech near the equal of prayer, otherwise just shut, shut your yap and sit on it, silence being truer to the experience than the star-spangled spasm, the bittersweet sob, the redeeming hug, or whatever this fucking closure is that everybody's always talking about. They want it to be easy and it's just not going to be.

When he asks Fuga about his stillness, his friend shrugs and says, “El momento.” The moment. To Fuga, the past no longer exists. The future is yet to exist. Fuga pledges loyalty to the “is,” not the “if.

Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory. Therefore keep me, above all things, from sin. Keep me from the death of deadly sin which puts hell in my soul. Keep me from the murder of lust that blinds and poisons my heart. Keep me from the sins that eat a man’s flesh with irresistible fire until he is devoured. Keep me from loving money in which is hatred, from avarice and ambition that suffocate my life. Keep me from the dead works of vanity and the thankless labor in which artists destroy themselves for pride and money and reputation, and saints are smothered under the avalanche of their own importunate zeal. Stanch in me the rank wound of covetousness and the hungers that exhaust my nature with their bleeding. Stamp out the serpent envy that stings love with poison and kills all joy. Untie my hands and deliver my heart from sloth. Set me free from the laziness that goes about disguised as activity when activity is not required of me, and from the cowardice that does what is not demanded, in order to escape sacrifice. But give me the strength that waits upon You in silence and peace. Give me humility in which alone is rest, and deliver me from pride which is the heaviest of burdens. And possess my whole heart and soul with the simplicity of love. Occupy my whole life with the one thought and the one desire of love, that I may love not for the sake of merit, not for the sake of perfection, not for the sake of virtue, not for the sake of sanctity, but for You alone. For there is only one thing that can satisfy love and reward it, and that is You alone.

She worries about the older children. Newborn babies are the most desirable for adoption. It is more difficult to find homes for the older orphans. If the child’s parents or grandparents were known to be Spanish Republicans, those who opposed Franco during the war, then the child must be rehabilitated and reeducated as a rational human being. Puri heard one couple tell Sister Hortensia that they didn’t want a child who had been “circling the drain.” They said they wanted an infant—“a bright, fresh canvas.

The cemetery is full of bones. At first Rafa was afraid of them. Most are sealed in coffins, but there are mass pits with the poor and the older pits with the Protestants. The cemetery and slaughterhouse require Rafa to face his fear of death. That’s why he endures them. “You see, by facing fear, I am cleansing myself, straining my past of the horror that infects me,” he tells Fuga.

Ah, the harbour bells of Cambridge! Whose fountains in moonlight and closed courts and cloisters, whose enduring beauty in its virtuous remote self-assurance, seemed part, less of the loud mosaic of one's stupid life there, though maintained perhaps by the countless deceitful memories of such lives, than the strange dream of some old monk, eight hundred years dead, whose forbidding house, reared upon piles and stakes driven into the marshy ground, had once shone like a beacon out of the mysterious silence, and solitude of the fens. A dream jealously guarded: Keep off the Grass. And yet whose unearthly beauty compelled one to say: God forgive me.

Of course I am. Life’s a fight. Speaking of, I’m sure you read about Shep and the New York campaign scandal. What a doozy. But somehow the guy always lands on his feet.” Daniel thinks of the letters he wrote to the embassy and the State Department about Shep Van Dorn. Nothing came of them. Nick is right. Guys like Shep always seem to land on their feet. He should have decked him when he had the chance.

There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness. This mysterious Unity and Integrity is Wisdom, the Mother of all, Natura Naturans. There is in all things an inexhaustible sweetness and purity, a silence that is a fountain of action and of joy. It rises up in wordless gentleness and flows out to me from the unseen roots of all created being...

Take comfort that this silence is not yours alone, Teresa. In the fields, across the mountains, under the streets, and beneath the trees lie thousands of souls, condemned to silence. But one day, far into the future when the pain is less sharp, the voices of the dead will find harmony with the living. They will make a melody. Listen for the music, Teresa. I sing for you, my children, and for the better day I know will come.

When they reach the fountain, Rafa pumps the long arm, sending water sloshing into a wooden pail held by a shrunken white-haired woman. “Should we carry the bucket for her?” asks Daniel. “She won’t let you. Besides, that woman is stronger than both of us combined,” says Rafa with a laugh.

At home in Dallas, his mother’s interaction with their household staff is more relaxed. The people on their estate aren’t employees, they’re family. In Texas, his mother is often described as “elegant Spanish.” But here in Spain, her demeanor suddenly feels brash next to Ana’s gentle sincerity.

Focus your lens on the Spanish people,” Ben lifts his cigarette and points it at Daniel, “but don’t be stupid. There is a dark side here. Sure, they’re selling sunshine and castanets to the tourists. But that’s not all Franco’s selling. One wrong move and the police will be on you. You’ll be dead in a dirt pit.

Ana emerges from the shack with Fuga. His face is clean. His hair, the color of black crude oil, is parted on the side and slicked expertly back from his strong, architectural face. The turquoise suit of lights throws sparkles with each small movement. The man who looked like a murderer now looks like a matador.

The baby is not yet strong. Neither is Julia. She clings desperately to the child, and together they cry through the nights.

fear brings dimension to our lives. Without fear we will never meet courage.

The temporary victory is silent, but sings through his soul.

The life of every woman, despite what she may pretend, is nothing but a continuous desire to find somebody to whom she can succumb.

Everyone who isn’t a maid has one.

It’s not her fault, but Sissy’s presence seems to amplify his mother’s absence. It stings.

Everyone has been calm for a year or two. But if it be your will.. Let the silence remain.

Estamos más guapas con la boca cerrada. We are prettier with our mouths shut.

Mileage doesn’t make the man.

La verdad rompe las cadenas del silencio[...] Nos hace libres.

Estamos mas guapas con la boca cerrada. We are prettier with our mouths shut.

Talk not of wasted affection, affection never was wasted; If it enrich not the heart of another, its waters, returning Back to their springs, like the rain, shall fill them full of refreshment; That which the fountain sends forth returns again to the fountain. Patience; accomplish thy labor; accomplish thy work of affection! Sorrow and silence are strong, and patient endurance is godlike. Therefore accomplish thy labor of love, till the heart is made godlike, Purified, strengthened, perfected, and rendered more worthy of heaven!

Questions. Why does she cling so tightly to questions? Why can’t she open her fist and let them fly away? Together with doctors, bishops, and priests, Sister Hortensia devotes her entire existence to the orphans. It is disrespectful to question their authority. Yet something nags at her. Hesitation. Doubt. She is ashamed by it, yet compelled to probe further.

We were at the White House a couple of weeks ago," the man says, "they had a state dinner for Prince Charles and Camilla. Listen, those royals are just the finest people, no pretensions to them whatsoever. You can talk to Prince Charles about anything." Billy nods. There's a silence. Just in time he asks, "What did you talk about?" "Hunting," the man answers.

For two days we explored Rome, a city that is both a living organism and a fossil. Bleached structures from antiquity lay like dried bones, embedded in pulsating cables and thrumming traffic, the arteries of modern life. We visited the Pantheon, the Roman Forum, the Sistine Chapel. My instinct was to worship, to venerate. That was how I felt toward the whole city: that it should be behind glass, adored from a distance, never touched, never altered. My companions moved through the city differently, aware of its significance but not subdued by it. They were not hushed by the Trevi Fountain; they were not silenced by the Colosseum. Instead, as we moved from one relic to the next, they debated philosophy—Hobbes and Descartes, Aquinas and Machiavelli. There was a kind of symbiosis in their relationship to these grand places: they gave life to the ancient architecture by making it the backdrop of their discourse, by refusing to worship at its altar as if it were a dead thing.

From the sacred center of the world streams forth an irrepressible desire to overcome the silence between things. Art, the ever flowing fountain, reveals the secret of life through word and gesture, color and sound. The

Do others in Spain have ghosts in the attic of their mind? Do they try to face them as he does? The door to the attic creaks constantly, beckoning Rafa with a long, crooked finger back to his childhood. Back to the war.

Puri takes a deep breath. “Julia, when should a secret be kept and what should be kept a secret? If I see something that troubles me, that doesn’t feel correct, do I have the right to question it? Should I say something?

To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating. Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface. How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.

My companions moved through [Rome] differently, aware of its significance but not subdued by it. They were not hushed by the Trevi Fountain; they were not silenced by the Colosseum. Instead, as we moved from one relic to the next, they debated philosophy—Hobbes and Descartes, Aquinas and Machiavelli. There was a kind of symbiosis in their relationship to these grand places: they gave life to the ancient architecture by making it the backdrop of their discourse, by refusing to worship at its altar as if it were a dead thing.

And the Hand that guides us towards our soul’s purpose is the fountain of courage that already resides within us, ever whispering it’s messages of encouragement, calling us towards those destinations amongst the trail of stars that will illuminate our way back home

Attendants and domestics have been part of Daniel's life since birth. They fade into his background, like Franco's security guards. They are silent witnesses, seemingly blind and deaf to all conversations and indiscretions. But they are not blind and deaf. Everything is noted.

There are colors of beauty in Madrid, but also colors of hardship. Ghosts of war walk the streets in Spain. Daniel passes blind lottery vendors, citizens missing limbs, young people using canes. Should he look directly at them and acknowledge their sacrifice or look away and honor their dignity?

They gulped, those stupid birds; they ate from the bag and they swallowed with glee. And they choked on giant mouthfuls of my shit. My shit! Oh, the looks on their faces! The stunned silence. The indignation! The shaking of heads, and then they flew off en masse to the neighbour up the street with the dribbling fountain so they could wash their beaks.

Throughout her life, a woman’s mission is to serve others. When God made the first man, he thought: It is not good for man to be alone. And he made the woman, to help him and keep him company, and to be used as a mother. God’s first idea was “man.” He thought about the woman later, as a necessary complement, that is, as something useful. —FORMACIÓN POLÍTICO SOCIAL (textbook), 1962

On Keats A garden in a garden: a green spot Where all is green: most fitting slumber-place For the strong man grown weary of a race Soon over. Unto him a goodly lot Hath fallen in fertile ground; there thorns are not, But his own daisies: silence, full of grace, Surely hath shed a quiet on his face: His earth is but sweet leaves that fall and rot. What was his record of himself, ere he Went from us ? Here lies one whose name was writ In water: while the chilly shadows flit Of sweet Saint Agnes' Eve; while basil springs, His name, in every humble heart that sings, Shall be a fountain of love, verily.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

But when Aragorn arose all that beheld him gazed in silence, for it seemed to them that he was revealed to them now for the first time. Tall as the sea-kings of old, he stood above all that were near; ancient of days he seemed and yet in the flower of manhood; and wisdom sat upon his brow, and strength and healing were in his hands, and a light was about him. And then Faramir cried: 'Behold the King!' And in that moment all the trumpets were blown, and the King Elessar went forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music of harp and of viol and of flute and the singing of clear voices the King passed through the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar began, of which many songs have told. In his time the City was made more fair than it had ever been, even in the days of its first glory; and it was filled with trees and with fountains, and its gates were wrought of mithril and steel, and its streets were paved with white marble; and the Folk of the Mountain laboured in it, and the Folk of the Wood rejoiced to come there; and all was healed and made good, and the houses were filled with men and women and the laughter of children, and no window was blind nor any courtyard empty; and after the ending of the Third Age of the world into the new age it preserved the memory and the glory of the years that were gone.

Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?' Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for. Poetry is the journal of a sea animal living on land, wanting to fly the air. Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams. Poetry is a type-font design for an alphabet of fun, hate, love, death. Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower. Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. Poetry is a packsack of invisible keepsakes. Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters. Poetry is the achievement of the synthesis of hyacinths and biscuits.

For one moment, she stood stock-still, drinking in the simple beauty of the marble fountain, the base of its pedestal wreathed in delicate fronds, that stood, glowing lambently in the soft white light, in the center of a small, secluded, fern-shrouded clearing. Water poured steadily from the pitcher of the partially clad maiden frozen forever in her task of filling the wide, scroll-lipped basin. The area had clearly been designed to provide the lady of the house with a private, refreshing, calming retreat in which to embroider, or simply rest and gather thoughts. In the moonlit night, surrounded by mysterious shadow and steeped in a silence rendered only more intense by the distant sighing of music and the silvery tinkle of the water, it was a hauntingly magical place. For three heartbeats, the magic held Patience immobile. Then, through the fine silk of her gown, she felt the heat of Vane's body. He did not touch her, but that heat, and the flaring awareness that raced through her, had her quickly stepping forward. Hauling in a desperate breath, she gestured to the fountain. "It's lovely." "Hmm," came from close behind. Too close behind. Patience found herself heading for a stone bench, shaded by a canopy of palms. Stifling a gasp, she veered away, toward the fountain.

A BRIEF FOR THE DEFENSE Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafes and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.

I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  

Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot. “My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.” He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!” “I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam. There was a loud splash and a splatter of water drops. Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away. “My lord?” she asked gingerly. “Did you… did you just fall into the fountain?” “No,” came his sour reply. “You pushed me into the fountain.” “It was entirely unintentional, I assure you.” Daisy forced herself to look at him. Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably. He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk. Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes. The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.” Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips. His eyes widened at the gesture. “You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.

In Memory of W. B. Yeats I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold day. Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. But for him it was his last afternoon as himself, An afternoon of nurses and rumours; The provinces of his body revolted, The squares of his mind were empty, Silence invaded the suburbs, The current of his feeling failed; he became his admirers. Now he is scattered among a hundred cities And wholly given over to unfamiliar affections, To find his happiness in another kind of wood And be punished under a foreign code of conscience. The words of a dead man Are modified in the guts of the living. But in the importance and noise of to-morrow When the brokers are roaring like beasts on the floor of the bourse, And the poor have the sufferings to which they are fairly accustomed And each in the cell of himself is almost convinced of his freedom A few thousand will think of this day As one thinks of a day when one did something slightly unusual. What instruments we have agree The day of his death was a dark cold day. II You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. III Earth, receive an honoured guest: William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry. In the nightmare of the dark All the dogs of Europe bark, And the living nations wait, Each sequestered in its hate; Intellectual disgrace Stares from every human face, And the seas of pity lie Locked and frozen in each eye. Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.

In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.

Theme It's a sunny weekday in early May and after a ham sandwich and a cold bottle of beer on the brick terrace, I am consumed by the wish to add something to one of the ancient themes– youth dancing with his eyes closed, for example, in the shadows of corruption and death, or the rise and fall of illustrious men strapped to the turning wheel of mischance and disaster. There is a slight breeze, just enough to bend the yellow tulips on their stems, but that hardly helps me echo the longing for immortality despite the roaring juggernaut of time, or the painful motif of Nature's cyclial return versus man's blind rush to the grave. I could loosen my shirt and lie down in the soft grass, sweet now after its first cutting, but that would not produce a record of the pursuit of the moth of eternal beauty or the despondency that attends the eventual dribble of the once gurgling fountain of creativity. So, as far as great topics go, that seems to leave only the fall from exuberant maturity into sudden, headlong decline– a subject that fills me with silence and leaves me with no choice but to spend the rest of the day sniffing the jasmine vine and surrendering to the ivory goverance of the piano by picking out with my index finger the melody notes of "Easy to Love," a song in which Cole Porter expresses, with put-on nonchalance, the hopelessness of a love brimming with desire and a hunger for affection, but met only and always with frosty disregard.

Taylor followed her out into a small garden, fully enclosed by the surrounding buildings. A pebble path wound through small patches of grass. A few carved statues sat unobtrusively in the four corners, a stone bench sat next to a burbling fountain. They took a seat, Thalia with her back straight and the same beatific smile she’d had on for the past five minutes. “This is my favorite place. It’s easy to think here.” A calm had stolen over Taylor, similar to the feeling she’d had inside the church. “I can understand why. Can you teach art if you’re a nun?” “Of course. Especially in our fast-paced world, where people don’t take time to read. Art can play a huge role in communication, especially to the young. There are certainly centuries of religious works to study.” They sat in silence for a few moments, then Thalia spoke again, her voiced tinged with sadness. “Jasmine called me. She told me to answer your questions. I don’t know everything about the secret society, but I know some. I’ll help in any way that I can.” “I appreciate that. Jasmine told me that there is a club of girls who are making sex tapes to be posted on the Internet. What can you tell me about them?” Thalia contemplated her hands, which were nestled in her lap. “It’s not what they make it out to be, for starters. It’s supposed to be this glamorous, exciting club that everyone wants to be a part of, and only the most beautiful and popular are tapped. You know what being tapped is, right?” “Yes. You’re chosen by the group, have to go through some awful ritual, then you’re a pledge of sorts.