Axe To Grind Quotes

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Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal... To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man - there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as "The women, God help us!" or "The ladies, God bless them!"; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything "funny" about woman's nature.
Dorothy L. Sayers (Are Women Human? Penetrating, Sensible and Witty Essays on the Role of Women in Society)
He had thought more than other men, and in matters of the intellect he had that calm objectivity, that certainty of thought and knowledge, such as only really intellectual men have, who have no axe to grind, who never wish to shine, or to talk others down, or to appear always in the right.
Hermann Hesse
Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man—there never has been another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronized; who never made arch jokes about them, never treated them as “The women, God help us!” or “The ladies, God bless them!”; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unselfconscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could guess from the words and deeds of Jesus that there was anything “funny” about woman’s nature. Dorothy Day, Catholic social activist and journalist
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
When I talk to anyone or read the writings of anyone who has any axe to grind, I feel that intellectual honesty and balanced judgement have simply disappeared from the face of the earth. Everyone’s thought is forensic, everyone is simply putting a “case” with deliberate suppression of his opponent’s point of view, and, what is more, with complete insensitiveness to any sufferings except those of himself and his friends.
George Orwell (Facing Unpleasant Facts: 1937-1939 (The Complete Works of George Orwell, Vol. 11))
But criticism, for the most part, comes from the opposite place that book-enjoying should come from. To enjoy art one needs time, patience, and a generous heart, and criticism is done, by and large, by impatient people who have axes to grind. The worst sort of critics are (analogy coming) butterfly collectors - they chase something, ostensibly out of their search for beauty, then, once they get close, they catch that beautiful something, they kill it, they stick a pin through its abdomen, dissect it and label it. The whole process, I find, is not a happy or healthy one. Someone with his or her own shit figured out, without any emotional problems or bitterness or envy, instead of killing that which he loves, will simply let the goddamn butterfly fly, and instead of capturing and killing it and sticking it in a box, will simply point to it - "Hey everyone, look at that beautiful thing" - hoping everyone else will see the beautiful thing he has seen. Just as no one wants to grow up to be an IRS agent, no one should want to grow up to maliciously dissect books.
Dave Eggers
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
My God . . . that grinding is a greeting. My arrival is honored with the honing of an axe
Simon Armitage (Sir Gawain and the Green Knight)
If you cling to the axe you’re grinding, eventually you’ll only hurt yourself.
Louis Zamperini (Don't Give Up, Don't Give In: Lessons from an Extraordinary Life)
But some of us cannot forget and will never forgive. We keep our axes sharp, ready to grind. We hold pleas for mercy between our teeth like jawbreakers.
Stephanie Wrobel (Darling Rose Gold)
The Judge, whose eyes had gone in the general direction, recalled them, leaned back in his seat, and looked steadily at the man whose life was in his hand, as Mr. Attorney-General rose to spin the rope, grind the axe, and hammer the nails into the scaffold.
Charles Dickens (A Tale of Two Cities)
Frau Freud Ladies, for argument’s sake, let us say that I’ve seen my fair share of ding-a-ling, member and jock, of todger and nudger and percy and cock, of tackle, of three-for-a-bob, of willy and winky; in fact, you could say, I’m as au fait with Hunt-the-Salami as Ms M. Lewinsky – equally sick up to here with the beef bayonet, the pork sword, the saveloy, love-muscle, night-crawler, dong, the dick, prick, dipstick and wick, the rammer, the slammer, the rupert, the shlong. Don’t get me wrong, I’ve no axe to grind with the snake in the trousers, the wife’s best friend, the weapon, the python – I suppose what I mean is, ladies, dear ladies, the average penis – not pretty . . . the squint of its envious solitary eye . . . one’s feeling of pity . . .
Carol Ann Duffy (The World's Wife)
[I]t struck me how easy it is to bamboozle an uneducated audience if you have prepared beforehand a set of repartees with which to evade awkward questions." . . . "You can go on and on telling lies, and the most palpable lies at that, and even if they are not actually believed, there is no strong revulsion either. We are all drowning in filth. When I talk to anyone or read the writings of anyone who has an axe to grind, I feel that intellectual honesty and balanced judgment have simply disappeared from the face of the earth. Everyone's thought is forensic, everyone is simply putting a 'case' with deliberate suppression of his opponent's point of view, and, what is more, with complete insensitiveness to any sufferings except those of himself and his friends…. But is there no one who has both firm opinions and a balanced outlook? Actually there are plenty, but they are powerless. All power is in the hands of paranoiacs.
George Orwell (George Orwell Diaries)
At least for a moment we all saw, I think, that the danger of pluralism is that it becomes factionalism, and that if factions grind their separate axes too vociferously, something mutual, precious, and human is in danger of being drowned out and lost.
Frederick Buechner (Telling Secrets)
I would rather have been with one parent who was genuinely happy than with two who had so many axes to grind you could almost hear them being sharpened.
Rachel Abbott (Only the Innocent)
A politician has an axe to grind With which he aims to chop off half your mind.
Chris I. Naylor
I'm purely a popular writer, with no axe to grind apart from writing a good read' for entertainment and relaxation.
Mary Howard
Most people font like holding on to anger. They feel it crushing and consuming them, so they let it go. They try to forget the ways they’ve been wronged. But some of us cannot forget and will never forgive. We keep our axes sharp, ready to grind. We hold pleas for mercy between our teeth like jawbreakers. They say a grudge is a heavy thing to carry. Good thing we’re extra strong.
Stephanie Wrobel (Darling Rose Gold)
Primarily, I am a prose writer with axes to grind, and the theatre is a good place to do the grinding in. I prefer comedy to 'serious' drama because I believe one can get the ax sharper on the comedic stone.
Gore Vidal
For Dawkins, atheism is a necessary consequence of evolution. He has argued that the religious impulse is simply an evolutionary mistake, a ‘misfiring of something useful’, it is a kind if virus, parasitic on cognitive systems naturally selected because they had enabled a species to survive. Dawkins is an extreme exponent of the scientific naturalism, originally formulated by d’Holbach, that has now become a major worldview among intellectuals. More moderate versions of this “scientism” have been articulated by Carl Sagan, Steven Weinberg, and Daniel Dennett, who have all claimed that one has to choose between science and faith. For Dennett, theology has been rendered superfluous, because biology can provide a better explanation of why people are religious. But for Dawkins, like the other “new atheists” – Sam Harris, the young American philosopher and student of neuroscience, and Christopher Hitchens, critic and journalist – religion is the cause of the problems of our world; it is the source of absolute evil and “poisons everything.” They see themselves in the vanguard of a scientific/rational movement that will eventually expunge the idea of God from human consciousness. But other atheists and scientists are wary of this approach. The American zoologist Stephen Jay Gould (1941-2002) followed Monod in his discussion of the implications of evolution. Everything in the natural world could indeed be explained by natural selection, but Gould insisted that science was not competent to decide whether God did or did not exist, because it could only work with natural explanations. Gould had no religious axe to grind; he described himself as an atheistically inclined agnostic, but pointed out that Darwin himself had denied he was an atheist and that other eminent Darwinians - Asa Gray, Charles D. Walcott, G. G. Simpson, and Theodosius Dobzhansky - had been either practicing Christians or agnostics. Atheism did not, therefore, seem to be a necessary consequence of accepting evolutionary theory, and Darwinians who held forth dogmatically on the subject were stepping beyond the limitations that were proper to science.
Karen Armstrong
in matters of the intellect he had that calm objectivity, that certainty of thought and knowledge, such as only really intellectual men have, who have no axe to grind, who never wish to shine, or to talk others down, or to appear always in the right.
Hermann Hesse (Steppenwolf)
If you continue filling a pail after it is full, the water will be wasted. If you continue grinding an axe after it is sharp, the edge will wear away. Who can protect a house full of gold and jewels? Excessive fortune brings about its own misfortune. To win true merit—to earn a good reputation— you must be prudent. This is the way of the Tao.
Lao Tzu (Tao Te Ching)
I had to recommend only two books that every sincere, concerned American, Liberal or Conservative, should read, they would be A Republic, Not and Empire, and The Great Betrayal, both by Patrick J. Buchanan. Instead of heeding what those with a demonstrable axe to grind are telling you to think, get it directly from the source, and make up your own mind.
Joseph Befumo (The Republicrat Junta: How Two Corrupt Parties, in Collusion with Corporate Criminals, have Subverted Democracy, Deceived the People, and Hijacked Our Constitutional Government)
November is, for many reasons, the month for the axe. It is warm enough to grind an axe without freezing, but cold enough to fell a tree in comfort.
Aldo Leopold (A Sand County Almanac: And Sketches Here and There)
The Internet is what you make of it, obviously . . . But the Internet has also been a great aggregator of anxiety and an enabler of our worst tendencies. It has allowed us to trumpet our own opinions, to win attention by broadcasting our laziest and cruelest judgments, to grind axes in public. It has made us feel, in some perverse sense, that we are entitled to do so.
Steve Almond
Why do we love to grind our axes so much? How does schlepping that heavy load of medieval weaponry around affect those we encounter in our daily routines? What if it makes us more likely to provoke others? What is so appealing about grinding our axes anyway? Why is it so difficult to stop? How would we interact with people differently if we didn’t do it? What other tools might we cultivate if most of us were willing to lay down our axes, even just for a little while? How much more energy might we have if we weren’t so encumbered? What would you do with that energy?
David Beem
You know, of course, that as prophesied by Moroni, there are those whose research relating to Joseph Smith is not for the purpose of gaining added light and knowledge but to undermine his character, magnify his flaws, and if possible destroy his influence. Their work product can sometimes be jarring, and so can issues raised at times by honest historians and researchers with no “axe to grind.” But I would offer you this advice in your own study: Be patient, don’t be superficial, and don’t ignore the Spirit. In counseling patience, I simply mean that while some answers come quickly or with little effort, others are simply not available for the moment because information or evidence is lacking. Don’t suppose, however, that a lack of evidence about something today means that evidence doesn’t exist or that it will not be forthcoming in the future. The absence of evidence is not proof. . . . When I say don’t be superficial, I mean don’t form conclusions based on unexamined assertions or incomplete research, and don’t be influenced by insincere seekers. I would offer you the advice of our Assistant Church Historian, Rick Turley, an intellectually gifted researcher and author whose recent works include the definitive history of the Mountain Meadows Massacre. He says simply, “Don’t study Church history too little.” While some honestly pursue truth and real understanding, others are intent on finding or creating doubts. Their interpretations may come from projecting 21st Century concepts and culture backward onto 19th Century people. If there are differing interpretations possible, they will pick the most negative. They sometimes accuse the Church of hiding something because they only recently found or heard about it—an interesting accusation for a Church that’s publishing 24 volumes of all it can find of Joseph Smith’s papers. They may share their assumptions and speculations with some glee, but either can’t or won’t search further to find contradictory information. . . . A complete understanding can never be attained by scholarly research alone, especially since much of what is needed is either lost or never existed. There is no benefit in imposing artificial limits on ourselves that cut off the light of Christ and the revelations of the Holy Spirit. Remember, “By the power of the Holy Ghost, ye may know the truth of all things.” . . . If you determine to sit still, paralyzed until every question is answered and every whisper of doubt resolved, you will never move because in this life there will always be some issue pending or something yet unexplained.
D. Todd Christofferson
Religious conservatives, like many people, cannot stand the idea that what they have believed their whole life just may be wrong, so they go to great lengths to convince themselves of their baseless doctrines. The difference between me and them is that when I realized the evidence was against me, I changed my beliefs. I went where the evidence led whether I liked it or not, yet they stick to their dogma at all cost. They push skeptics like me aside as people who are “just bitter,” or who have an axe to grind, or are living in sin and blinded by the Devil.
Jonah David Conner (All That's Wrong with the Bible: Contradictions, Absurdities, and More)
The world shown us in books, whether the books be confessed epics or professed gospels, or in codes, or in political orations, or in philosophic systems, is not the main world at all: it is only the self-consciousness of certain abnormal people who have the specific artistic talent and temperament. A serious matter this for you and me, because the man whose consciousness does not correspond to that of the majority is a madman; and the old habit of worshipping madmen is giving way to the new habit of locking them up. And since what we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the obsolete fictitious for the contemporary real, education, as you no doubt observed at Oxford, destroys, by supplantation, every mind that is not strong enough to see through the imposture and to use the great Masters of Arts as what they really are and no more: that is, patentees of highly questionable methods of thinking, and manufacturers of highly questionable, and for the majority but half valid representations of life. The schoolboy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him; and I observe with reassurance that you occasionally do the same, in your prime, with your Aristotle. Fortunately for us, whose minds have been so overwhelmingly sophisticated by literature, what produces all these treatises and poems and scriptures of one sort or another is the struggle of Life to become divinely conscious of itself instead of blindly stumbling hither and thither in the line of least resistance. Hence there is a driving towards truth in all books on matters where the writer, though exceptionally gifted is normally constituted, and has no private axe to grind.
George Bernard Shaw (Man and Superman)
I'd been so tired of 'strong female characters' for so long by then. I was so tired of the way female strength was made to look cold and humorless; the way it was characterized as deviant and 'unnatural' and always lonely and exceptional. I was tired of the grim undertone of tragedy that lurked under its surface. 'Strong female characters' were never funny, and they never had any fun, either. More often than not, they were celibate, friendless, and clinically depressed. Their monomaniacal devotion to crime fighting made them lean, cranky, and impatient. Naturally, they had axes to grind: they were avenging brides, poker-faced assassins, gloomy ninjas with commitment issues. Who were these characters? What were they trying to tell us? Why didn't they ever say goodbye before hanging up the phone? And why were they always being reborn or remade as killing machines after losing everything they held dear? ...I don't want to see another symbolic woman start all over again. I want to see the symbolic world change to acknowledge her existence. I don't want to see a young girl get a makeover or go shopping with her boyfriend's credit card. I want to watch her blow up the Death Star - metaphorically, of course.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
He watched a two-hour block of Fox News, and then most of the two-hour-long blocks of MSNBC and CNN that he had TiVo’d. He raged at the coverage as top aides came in and out—Priebus, Bannon, Kushner, McGahn, Cohn, Hicks and Porter. Why was Mueller picked? Trump asked. “He was just in here and I didn’t hire him for the FBI,” Trump raged. “Of course he’s got an axe to grind with me.” “Everybody’s trying to get me,” the president said. “It’s unfair. Now everybody’s saying I’m going to be impeached.” What are the powers of a special counsel? he asked. A special counsel had virtually unlimited power to investigate any possible crime, Porter said.
Bob Woodward (Fear: Trump in the White House)
Marriage is a contract unlike any other contract in life. You marry for love. But your signature on the marriage certificate is all about rights, duties, and property. It’s a legally binding contract that knows nothing of love. If the love dies, all you have left is a resentful ex-spouse and the marriage certificate. There’s nothing more terrible than an ex-spouse with a ten-ton axe to grind, and no agreement on how your common property is to be divided. It usually leads to all-out war that is more vicious than any legal battle in business and could easily lead to your financial and emotional ruin. Always get a prenup. It’s just too risky not to.
Donald J. Trump (Think Big: Make It Happen in Business and Life)
9 PRUDENCE If you continue filling a pail after it is full, the water will be wasted. If you continue grinding an axe after it is sharp, the edge will wear away. Who can protect a house full of gold and jewels? Excessive fortune brings about its own misfortune. To win true merit—to earn a good reputation— you must be prudent. This is the way of the Tao.
Lao Tzu (Tao Te Ching)
We must do the impossible and start before we begin. Before making that first phone call or visit, freewrite (see Elbow, 1981): Write fast and furiously without worrying about spelling or grammar or coherence. Ask yourself, What images do I hold of the people and the place I am about to study and how do I feel about those images? How did I come to study this setting at this time? Ask yourself about the needs you expect this setting to fulfill: Do I have an axe to grind? Do I have a mission? Am I looking for a cause or a community? Do I expect this study to help me resolve personal problems? Am I hoping to create a different self? What political assumptions do I have? What kinds of setting activities or subgroups might I avoid or discount because of who I am or what I believe?
Sherryl Kleinman (Emotions and Fieldwork (Qualitative Research Methods))
Most writers cannot afford focus groups or A/B testing, but they can ask a roommate or colleague or family member to read what they wrote and comment on it. Your reviewers needn’t even be a representative sample of your intended audience. Often it’s enough that they are not you. This does not mean you should implement every last suggestion they offer. Each commentator has a curse of knowledge of his own, together with hobbyhorses, blind spots, and axes to grind, and the writer cannot pander to all of them. Many academic articles contain bewildering non sequiturs and digressions that the authors stuck in at the insistence of an anonymous reviewer who had the power to reject it from the journal if they didn’t comply. Good prose is never written by a committee. A writer should revise in response to a comment when it comes from more than one reader or when it makes sense to the writer herself.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Niels Bohr, the great Dane of quantum physics, was fond of saying, "It is wrong to think that the task of physics is to find out how nature is. Physics concerns what we can say about nature. The double- crossed, might-have-been history of my country is not the study of what actually took place here: it's the study of historians' studies. Historians have their axes to grind, just as physicists do. Memories are their own descendants masquerading as the ancestors of the present.
David Mitchell (Ghostwritten)
Monks ought to behave like a grinding stone: Changsan comes to sharpen his knife, Li-szŭ comes to grind his axe, everybody and anybody who wants to have his metal improved in anyway comes and makes use of the stone. Each time the stone is rubbed, it wears out, but it makes no complaint, nor does it boast of its usefulness. And those who come to it go home fully benefitted; some of them may not be quite appreciative of the stone; but the stone itself remains ever contented......
D.T. Suzuki (Training of the Zen Buddhist Monk)
Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man—there never has been another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronized; who never made arch jokes about them, never treated them as “The women, God help us!” or “The ladies, God bless them!”; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unselfconscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could guess from the words and deeds of Jesus that there was anything “funny” about woman’s nature. Dorothy Sayers, Are Women Human
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
The power of format creates opportunities for manipulation, which people with an axe to grind know how to exploit. Slovic and his colleagues cite an article that states that “approximately 1,000 homicides a year are committed nationwide by seriously mentally ill individuals who are not taking their medication.” Another way of expressing the same fact is that “1,000 out of 273,000,000 Americans will die in this manner each year.” Another is that “the annual likelihood of being killed by such an individual is approximately 0.00036%.” Still another: “1,000 Americans will die in this manner each year, or less than one-thirtieth the number who will die of suicide and about one-fourth the number who will die of laryngeal cancer.” Slovic points out that “these advocates are quite open about their motivation: they want to frighten the general public about violence by people with mental disorder, in the hope that this fear will translate into increased funding for mental health services.
Daniel Kahneman (Thinking, Fast and Slow)
MANO: There's no question in my mind that we've always felt, in the heart of our Western, Christian culture, that Jesus was very much female. That is why the representations of Jesus with long hair have always been predominant in art. The Virgin Mary was later presented as a harmless sort of woman to whom we can address our need for a maternal outlet in prayer, as a safer way of dealing with the fact that Jesus was as much a woman as a man, particularly when he died. DOOR: You said that if men don't overcome their wanting of women, society will crack. MANO: We are coming to a point where the genders are clumsily engaging in civil war with each other. There's a lot of unpleasantness in the land. Men feel terribly threatened. Women have been crucified for many years, so they understand it and have their axes to grind as well. The truth of the matter is, Jesus on the cross is the female being exploited in every which way. I mentioned intercourse being, at its best, an act of penetration, but there are many other ways in which women have been sacrificed, whether from childbirth or being sold as wives or whatever, through history. So when the male S&M devotee binds a woman to a cross, he has to realize, if he's a Christian-- DOOR: Uh, just how many Christian S&M devotees are there? MANO: Even if he's not a Christian, he ought to realize that he is essentially binding Jesus again, because Jesus contains in him the female--very, very strongly--but almost mystically hidden, I think, because the truth is too painful to deal with. I don't know. I've never heard anyone else say what I'm saying now.
D. Keith Mano
Beneath a necessity thus almighty, what is artificial in man's life seems insignificant. He seems to take his task so minutely from intimations of Nature, that his works become as it were hers, and he is no longer free. But if we work within this limit, she yields us all her strength. All powerful action is performed by bringing the forces of nature to bear upon our objects. We do not grind corn or lift the loom by our own strength, but we build a mill in such position as to set the north wind to play upon our instrument, or the elastic force of steam, or the ebb and flow of the sea. So in our handiwork, we do few things by muscular force, but we place ourselves in such attitudes as to bring the force of gravity, that is, the weight of the planet, to bear upon the spade or the axe we wield. In short, in all our operations we seek not to use our own, but to bring a quite infinite force to bear.
Ralph Waldo Emerson (Society and Solitude)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
think children need that joy in their lives. If they exist in a world where they are forever watching their parents tiptoeing around each other—even if they’re not arguing—it gives them a false set of values. In retrospect, I would rather have been with one parent who was genuinely happy than with two who had so many axes to grind you could almost hear them being sharpened.
Rachel Abbott (Only the Innocent (DCI Tom Douglas #1))
There are years that pass in which nothing at all seems to happen but the changes in seasons, and even those can't be called events considering the way they dissolve into each other. And there are days in which entire lives turn on their axes, grinding against each other like mechanisms, crushing the things that fall between. Afterwards there are only pieces remaining and people must make of them what they will and what they can.
Lucy Treloar (Salt Creek)
Despite her hesitation about addressing issues related to women, Dorothy L. Sayers eventually felt compelled to speak out. That’s because she noticed some characteristics of Christ’s interactions with women that drive us, too: Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man—there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as “The women, God help us!” or “The ladies, God bless them!”; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything “funny” about woman’s nature.3 It is this Jesus whom we hope to help readers see more clearly, love more dearly, and follow more nearly until his kingdom comes and his will is done on earth as it is in heaven.
Sandra L. Glahn (Vindicating the Vixens: Revisiting Sexualized, Vilified, and Marginalized Women of the Bible)
The only thing she had going for her, she conceded, was Paxe. In her battlefield analogy, he was an independent sniper sitting on the sidelines, with an axe to grind against one side, and a willingness to cause havoc.
Michelle Diener (Dark Class (Class 5, #5))
I WANDER THE film criticism district, formulating theories, grinding axes; it keeps me sane in these insane times to return to my roots, to praise those films and filmmakers worthy of an audience’s attention, to destroy those filmmakers who loose self-satisfied garbage onto the world. Consider Stranger Than Fiction, I say to my imagined lecture hall full of cinephiles: a wonderfully quirky film starring William Ferrell and the always adorkable Zooey Deschanel. The work done here by director Marc Forster (who directed the unfortunately misguided, misogynistic, and racistic Monster’s Ball) and screenwriter Zachary H. Elms is stellar in that all the metacinematic techniques work, its construction analogous to that of a fine Swiss watch (no accident that a wristwatch figures so prominently into the story!). Compare this to any mess written by Charlie Kaufman. Stranger Than Fiction is the film Kaufman would’ve written if he were able to plan and structure his work, rather than making it up as he goes along, throwing in half-baked concepts willy-nilly, using no criterion other than a hippy-dippy “that’d be cool, man.” Such a criterion might work if the person making that assessment had even a shred of humanism within his soul. Kaufman does not, and so he puts his characters through hellscapes with no hope of them achieving understanding or redemption. Will Ferrell learns to live fully in the course of Stranger Than Fiction. Dame Emily Thomson, who plays his “author,” learns her own lessons about compassion and the value and function of art. Had Kaufman written this film, it would have been a laundry list of “clever” ideas culminating in some unearned emotional brutality and a chain reaction of recursional activity wherein it is revealed that the author has an author who has an author who has an author who has an author, et chetera, thus leaving the audience depleted, depressed, and, most egregiously, cheated. What Kaufman does not understand is that such “high concepts” are not an end in themselves but an opportunity to explore actual mundane human issues. Kaufman is a monster, plain and simple, but a monster unaware of his staggering ineptitude (Dunning and Kruger could write a book about him!). Kaufman is Godzilla with dentures, Halloween’s Mike Myers with a rubber knife, Pennywise the Clown with contact dermatitis from living in a sewer. He is a pathetic—
Charlie Kaufman (Antkind)
HARVARD DIVINITY School was proud, and justly so, of what it called its pluralism—feminists, humanists, theists, liberation theologians all pursuing truth together—but the price that pluralism can cost was dramatized one day in a way that I have never forgotten. I had been speaking as candidly and personally as I knew how about my own faith and how I had tried over the years to express it in language. At the same time I had been trying to get the class to respond in kind. For the most part none of them were responding at all but just sitting there taking it in without saying a word. Finally I had to tell them what I thought. I said they reminded me of a lot of dead fish lying on cracked ice in a fish store window with their round blank eyes. There I was, making a fool of myself spilling out to them the secrets of my heart, and there they were, not telling me what they believed about anything beneath the level of their various causes. It was at that point that a black African student got up and spoke. “The reason I do not say anything about what I believe,” he said in his stately African English, “is that I’m afraid it will be shot down.” At least for a moment we all saw, I think, that the danger of pluralism is that it becomes factionalism, and that if factions grind their separate axes too vociferously, something mutual, precious, and human is in danger of being drowned out and lost. I had good times as well as bad ones that winter term. I was able to say a few things that some of my students seemed to find valuable, and some of them said things that I value still, but if there was anything like a community to draw strength and comfort from there at Harvard as years before there had been at Union, I for one was not lucky enough to discover it.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
In retrospect, I would rather have been with one parent who was genuinely happy than with two who had so many axes to grind you could almost hear them being sharpened.
Rachel Abbott (Only the Innocent (DCI Tom Douglas #1))
us?” Hal’s analytical brain was working hard. “It can’t be a personal grudge. You get along with everybody. You haven’t any personal enemies. It can’t be political—you don’t mix in politics. There are lots of revolutionaries in these Latin American countries with axes to grind, but you’ve never had anything to do with that sort of thing. So it must be economic.” “What
Willard Price (Amazon Adventure / South Sea Adventure)
I had to come here to realise the full stature of men: here outside a grass hut, on a rough wooden bench, with no noise, no crowds, no appointments, no axe to grind, no secret to conceal, all the space and time in the world, and my heart as translucent as the glass of tea in my hand. The sense of affinity with these men is so strong that I would tear down every building in the West if I thought it would bring us together like this.
Ted Simon
You are carrying Luis Philippe's child," he stated without preamble. The name did not sound strange on this man's tongue, but it took Lily a moment to respond to it. She merely nodded her head in reply. She had a feeling she would need to save her voice for what would follow. "I had hoped my grandson would find a wife among his own people." Antonio took a bedroom chair but continued to hold himself stiffly upright. Lily lifted an inquiring brow. His own people? Had the man forgotten that Cade was equally Indian? Antonio scowled at her response. "Among my people. It would be easier to show that he is a de Suela if he had married appropriately." This man had come here with an axe to grind, and nothing she could say would stop him. Why waste her voice in trying? She reached for the shawl on her bedside stand and wrapped it around her. Her silence forced de Suela to realize he left her no room for comment. "He tells me you are a wealthy lady in your own right. I should not complain. I apologize. I am an old man and have come to realize that many of my dreams will never come true. For many years I have wished for a child to carry on my name, but I thought it was not to be. Now that I have found my grandson, I wish him to be everything that I would have made of him. I forget that he is already a man of his own." "Very much so," Lily whispered, finally hearing something with which she could agree. Antonio nodded. "I think you are a good woman. We will make the family see that you are one of us, as they must come to see that Luis is mine. It is good that he takes my name. The child you carry will be a de Suela. Luis has done the right thing by bringing you here. I am not so old that there is not time to see my destiny passed on to my grandson and his child." Lily felt a flicker of alarm, but the old man was already rising, and the shakiness of his hand on the stick prevented her from protesting aloud.
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Most folks don’t stop to think that the writer of a book or the publisher of a newspaper may have his own axe to grind, or he may be influenced by others, or may not be in possession of all the information on the subject of which he writes.
Louis L'Amour (The Sacketts Volume Two 12-Book Bundle)
Someone who thinks up a new theory is the last person who should be trusted with the job of testing it. A new theory should be tested by independent researchers who aren’t cronies of the theorist and who don’t have an axe to grind. It’s division of labor again: proposing theories and doing research to test them are jobs that should be carried out by different entities. “A good theory should go in advance of the evidence,” the evolutionary psychologist Geoffrey Miller said in a recent interview. “It should stick its neck out and say, this is how I think the world is, and leave it to other people to test it.” Making a virtue of necessity, I will leave it to other people to test my theory.
Judith Rich Harris (No Two Alike: Human Nature and Human Individuality)
God help us - let's love the world, love humanity - not just our own country! That's why I'm so keen about the part we're going to play at the Peace Conference. Our motto over there will be America Last! Hurrah for us, I say, for we shall be the only nation over there with absolutely no axe to grind.
Christopher Morley (The Haunted Bookshop)
But some of us cannot forget and will never forgive. We keep our axes sharp, ready to grind. We hold pleas for mercy between our teeth like jawbreakers. They say a grudge is a heavy thing to carry. Good thing we’re extra strong.
Stephanie Wrobel (The Recovery of Rose Gold)
inevitably I think sometimes about my death, but those thoughts go away as quickly as they come. I tend not to dwell on them. Somebody asked me if I wanted to join a suicide society. It’s some organisation in Edinburgh that helps people to commit suicide and I believe that a lot of Parkinson’s sufferers choose that course of action. But I don’t want to. I’m too interested in what is going on around me. In any case, the fuckers didn’t even offer me a lifetime membership. I think life and death is a very simple question that is made far too complex by people who have an axe to grind. I think that when you die, you go to where you were before you were born: nowhere.
Billy Connolly (Coming Home: My Grand Adventures in a Wee Country)
The media has published evidence-free accusations, a new and alarming low. It has sourced its stories from people with clear political axes to grind, even as it has worked to hide those motivations from its readers. It’s run with flamingly incorrect pieces and never bothered to acknowledge the errors.
Kimberley Strassel (Resistance (At All Costs): How Trump Haters Are Breaking America)
the inconsistencies in various translations of the Bible over the centuries. Exactly how much of it is factual? Thomas’s team had no axe to grind in this regard. By their own admission, they were neither atheists nor “practicing Christians in the recognized manner,” as Thomas puts it. However, G and L did indicate that we were a world of too
Timothy Good (Earth: An Alien Enterprise)
I was an insecure person with low self esteem trying to grind an axe,” he said, “and my own ego, arrogance, and insecurity made my own life more difficult.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The Indian farmer suicide story is a myth built on tragic individual anecdotes and extrapolated to a whole country by those like Vandana Shiva with an ideological axe to grind and little concern about the true facts.
Mark Lynas (Seeds of Science: Why We Got It So Wrong On GMOs)
An Introduction to Poetry Readings" Preaching to the converted, the tormented and perverted Introspective melancholics, axe-grinding alcoholics Welcome to a night of wine and words! Who's that in the corner? What a beret! What panache! He's erudite and horny and he's high on cheap grenache Fruity and mellifluous, he thinks he is mischievous He's just a prick and devious, you'd better watch your back For the arts are very crafty, then the room turns blank and drafty And there's agonizing boredom still to come Direct from minds like hovels, poems twice the length of novels You may never see your family alive again God is dead and who can blame him? When there's nights like this to shame him If I was him I'd rise and just strike back But the evening's just begun, and there's two hours yet to come So please, "Put your hands together for the first poet for this evening!
Nasty Nigel Lawrence
When it comes to overcoming writing hurdles, getting sick is like suffering a review from a critic with an axe to grind; you can't let it get you down!
Max Hawthorne