Foul Tongue Quotes

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Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic. She growled, more animal than sentient being. And shoved. Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared. Rowan grinned. "There you are.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
I yet beseech your majesty,-- If for I want that glib and oily art, To speak and purpose not; since what I well intend, I'll do't before I speak,--that you make known It is no vicious blot, murder, or foulness, No unchaste action, or dishonour'd step, That hath deprived me of your grace and favour; But even for want of that for which I am richer, A still-soliciting eye, and such a tongue As I am glad I have not, though not to have it Hath lost me in your liking.
William Shakespeare
Another fallacy comes creeping in whose errors you should be meticulous in trying to avoid. Don't think our eyes, our bright and shining eyes, were made for us to look ahead with. Don't suppose our thigh bones fitted our shin bones and our shins our ankles so that we might take steps. Don't think that arms dangled from shoulders and branched out in hands with fingers at their ends, both right and left, for us to do whatever need required for our survival. All such argument, all such interpretation is perverse, fallacious, puts the cart before the horse. No bodily thing was born for us to use. Nature had no such aim, but what was born creates the use. There could be no such thing as sight before the eyes were formed. No speech before the tongue was made, but tongues began long before speech were uttered. and the ears were fashioned long before a sound was heard. And all the organs I feel sure, were there before their use developed. They could not evolve for the sake of use be so designed. But battling hand to hand and slashing limbs, fouling the foe in blood, these antedate the flight of shining javelins. Nature taught men out to dodge a wound before they learned the fit of shield to arm. Rest certainly is older in the history of man than coverlets or mattresses, and thirst was quenched before the days of cups or goblets. Need has created use as man contrives device for his comfort. but all these cunning inventions are far different from all those things much older, which supply their function from their form. The limbs, the sense, came first, their usage afterwards. Never think they could have been created for the sake of being used.
Lucretius (The Way Things Are)
FEBRIZIUM();” said Buggeroff, and the foul smell immediately disappeared as if by, well − Magic.
Sorin Suciu (The Scriptlings)
Follow me, reader! Who told you that there is no true, eternal, and faithful love in the world! May the liar have his foul tongue cut out!
Mikhail Bulgakov (The Master and Margarita)
He paid two dollars and a half a month rent for the small room he got from his Portuguese landlady, Maria Silva, a virago and a widow, hard working and harsher tempered, rearing her large brood of children somehow, and drowning her sorrow and fatigue at irregular intervals in a gallon of the thin, sour wine that she bought from the corner grocery and saloon for fifteen cents. From detesting her and her foul tongue at first, Martin grew to admire her as he observed the brave fight she made.
Jack London (Jack London: The Collected Works)
Farah gaped, unable to fathom his brutality. She shouldn't be shocked, she'd been around the worst sort of criminals for more years than she'd care to admit. But, somehow, it astounded her that one so cultured, so relaxed and wealthy and tailored, could issue such a threat with a civil tongue. The criminals of her acquaintance were dirty and foul with explosive tempers and crude language. Blackwell threatened violence as though discussing the price of Irish potatoes.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
He wondered if they knew fear, and thought that maybe if they didn’t, he could teach them it, like he’d taught manners to the foul-tongued and the red-handed.
Dean F. Wilson (Rustkiller (The Coilhunter Chronicles, #2))
A thief and worse', you say, but slander's cheap, and a woman's tongue worse than any thief. You come up here to make bad blood among the field hands, casting calumny and lies, the dragonseed every witch sows behind her. Did you think I did not know you for a witch? When I saw that foul imp that clings to you, do you think I did not know how it was begotten, and for what purposes? The man did well who tried to destroy that creature, but the job should be completed. You defied me once, across the body of the old wizard, and I forbore to punish you then, for his sake and in the presence of others. But now you've come too far, and I warn you, woman! I will not have you set foot on this domain. And if you cross my will or dare so much as to speak to me again, I will have you driven from Re Albi, and off the Overfell, with the dogs at your heels. Have you understood me?" "No," Tenar said. "I have never understood men like you.
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
smoke comes first: Once let smoke rise untroubled, we descry Clearlier what tongues of flame may spire and spit To eye and ear, each with appropriate tinge According to its food, or pure or foul.
Robert Browning (The Ring and the Book)
Regan had the physical syndrome of possession. That much he knew. Of that he had no doubt. For in case after case, irrespective of geography or period of history, the symptoms of possession were substantially constant. Some Regan had not evidenced as yet: stigmata; the desire for repugnant foods; the insensitivity to pain; the frequent loud and irrepressible hiccuping. But the others she had manifest clearly: the involuntary motor excitement; foul breath; furred tongue; the wasting away of the frame; the distended stomach; the irritations of the skin and mucous membrane. And most significantly present were the basic symptoms of the hard core of cases which Oesterreich had characterized as genuine possession: the striking change in the voice and the features, plus the manifestation of a new personality.
William Peter Blatty (The Exorcist)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
Straightway [Juno] sought the filthy slimy shack Where Envy dwelt deep in a dreary dale, A gruesome sunless hovel, filled with frost, Heart-numbing frost, its stagnant air unstirred By any breeze, for ever lacking warmth Of cheerful fire, for ever wrapped in gloom. ... The door flew wide and there She saw foul Envy eating viper's flesh, Fit food for spite, and turned her eyes away. ... [Envy's] cheeks are sallow, her whole body shrunk, Her eyes askew and squinting; black decay Befouls her teeth, her bosom's green with bile, And venom coats her tongue. She never smiles Save when she relishes the sight of woe; Sleep never soothes her, night by night awake With worry, as she sees against her will Successes won and sickens at the sight. She wounds, is wounded, she herself her own torture,
Ovid
Chapter One. I love owning a dog. I love being owned by a dog. No matter how tough the day has been or how low my mood might be, being greeted at the door by a joyful, exuberant animal is one of life’s greatest pleasures. It’s hard to stay tired or grumpy or in a thoroughly foul mood in the face of those bright eyes, perky ears, lolling tongue, shivering body, and tail wagging hard enough to knock the knickknacks off side tables.
Vicki Delany (A Scandal in Scarlet (A Sherlock Holmes Bookshop Mystery, #4))
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul." Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life." Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor." Gary found himself laughing with her. "I can believe that." "Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it. "So,what are you going to do about me?" Gary ventured painfully. Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort. I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies. I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back. Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
Christine Feehan (Dark Magic (Dark, #4))
But why are we here?” “Because I hate Halil Pasha, and I hate my cousin.” Lada shook her head in exasperation. “And who is your cousin?” Radu flinched at her tone. He straightened. No point in continuing to bow if Lada was going to get them both killed. “Why, your beloved, of course! The man whose tongue you are going to cut out and devour.” Mehmed collapsed back onto a velvet pillow as large as a horse, overcome with laughter. “I thought he would piss himself, he was so humiliated! By a girl! Oh, he is a loathsome, foul man. I have never been so delighted as I was today.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
In the old age black was not counted fair, Or if it were, it bore not beauty’s name. But now is black beauty’s successive heir, And beauty slandered with a bastard shame. For since each hand hath put on nature’s pow'r, Fairing the foul with art’s false borrowed face, Sweet beauty hath no name, no holy bow'r, But is profaned, if not lives in disgrace. Therefore my mistress' eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland'ring creation with a false esteem.   Yet so they mourn, becoming of their woe,   That every tongue says beauty should look so.
William Shakespeare
The dog was throttled off; his huge, purple tongue hanging half a foot out of his mouth, and his pendent lips streaming with bloody slaver.  The man took Cathy up; she was sick: not from fear, I’m certain, but from pain.  He carried her in; I followed, grumbling execrations and vengeance.  “What prey, Robert?” hallooed Linton from the entrance.  “Skulker has caught a little girl, sir,” he replied; “and there’s a lad here,” he added, making a clutch at me, “who looks an out-and-outer!  Very like the robbers were for putting them through the window to open the doors to the gang after all were asleep, that they might murder us at their ease.  Hold your tongue, you foul-
Emily Brontë (Wuthering Heights)
Upon it rested a slender crystal glass filled with a thick blue liquid: shade of the evening, the wine of warlocks. “Take and drink,” urged Pyat Pree. “Will it turn my lips blue?” “One draught will serve only to unstop your ears and dissolve the caul from off your eyes, so that you may hear and see the truths that will be laid before you.” Dany raised the glass to her lips. The first sip tasted like ink and spoiled meat, foul, but when she swallowed it seemed to come to life within her. She could feel tendrils spreading through her chest, like fingers of fire coiling around her heart, and on her tongue was a taste like honey and anise and cream, like mother’s milk and Drogo’s seed,
George R.R. Martin (A Song of Ice and Fire: Four Books in One)
O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers! Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy,— Which, like dumb mouths, do ope their ruby lips, To beg the voice and utterance of my tongue— A curse shall light upon the limbs of men; Domestic fury and fierce civil strife Shall cumber all the parts of Italy; Blood and destruction shall be so in use And dreadful objects so familiar That mothers shall but smile when they behold Their infants quarter'd with the hands of war; All pity choked with custom of fell deeds: And Caesar's spirit, ranging for revenge, With Ate by his side come hot from hell, Shall in these confines with a monarch's voice Cry 'Havoc,' and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial.
William Shakespeare (Julius Caesar)
O Opportunity, thy guilt is great! 'Tis thou that executest the traitor's treason: Thou set'st the wolf where he the lamb may get; Whoever plots the sin, thou 'point'st the season; 'Tis thou that spurn'st at right, at law, at reason; And in thy shady cell, where none may spy him, Sits Sin, to seize the souls that wander by him. 'Thou makest the vestal violate her oath; Thou blow'st the fire when temperance is thaw'd; Thou smother'st honesty, thou murder'st troth; Thou foul abettor! thou notorious bawd! Thou plantest scandal and displacest laud: Thou ravisher, thou traitor, thou false thief, Thy honey turns to gall, thy joy to grief! 'Thy secret pleasure turns to open shame, Thy private feasting to a public fast, Thy smoothing titles to a ragged name, Thy sugar'd tongue to bitter wormwood taste: Thy violent vanities can never last. How comes it then, vile Opportunity, Being so bad, such numbers seek for thee? 'When wilt thou be the humble suppliant's friend, And bring him where his suit may be obtain'd? When wilt thou sort an hour great strifes to end? Or free that soul which wretchedness hath chain'd? Give physic to the sick, ease to the pain'd? The poor, lame, blind, halt, creep, cry out for thee; But they ne'er meet with Opportunity. 'The patient dies while the physician sleeps; The orphan pines while the oppressor feeds; Justice is feasting while the widow weeps; Advice is sporting while infection breeds: Thou grant'st no time for charitable deeds: Wrath, envy, treason, rape, and murder's rages, Thy heinous hours wait on them as their pages. 'When Truth and Virtue have to do with thee, A thousand crosses keep them from thy aid: They buy thy help; but Sin ne'er gives a fee, He gratis comes; and thou art well appaid As well to hear as grant what he hath said.
William Shakespeare (The Rape of Lucrece)
Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three? Strepsiades: Absolutely-- I'd refuse to talk to any other gods, if I ran into them--and I decline to sacrifice or pour libations to them. I'll not provide them any incense... I want to twist all legal verdicts in my favor, to evade my creditors. Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here. Strepsiades: I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts. Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies. Strepsiades: And what will I get out of this? Chorus: For all time, you'll live with me a life most people truly envy. Strepsiades: You mean one day I'll really see that? Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind. Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers. Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect. Strepsiades: What's that? By god, are you assaulting me? Socrates: No--I want to learn some things from you. What about your memory? Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot. Socrates: Do you have a natural gift for speech? Strepsiades: Not for speaking--only for evading debt. Socrates: ... Now, what do you do if someone hits you? Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court.
Aristophanes (The Clouds)
This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.
Walt Whitman
Life’s got an interesting sense of humor.” He was relaxing now that she’d decided to drop the subject. A long, put-upon sigh. “Isn’t that the truth? Clearly, I’m being tested.” Curious, he asked, “And are you passing?” Another adorable pout. “I don’t think so.” That mouth looked like she’d just eaten a bowl of strawberries and the juices had stained her lips. He wanted to bite her. Lick her to see if she tasted as sweet as she looked. She got all squinty, another pretzel firmly in hand. “I’m drunk.” Unfortunately. “I don’t doubt that.” Her gaze caught his. Darted away. Her pink tongue flitted out to wet her full lower lip. It glistened like an invitation. “I’d leave, but I can’t walk. My feet hurt.” “I wouldn’t let you go, anyway.” He was a little taken aback to find the words true. It had been a long time since he’d wanted anything, but he still recognized the spark of desire. He wanted her, and wasn’t ready for her to walk off into the sunset yet. The right or wrong of the situation didn’t much matter. She swirled a finger over the edge of her ice water. “Do you think you could stop me? He cocked a brow and gave her a once-over. “Considering the way you hobbled in here, I think I can take you.” Dark lashes almost obscured the green of her irises as she squinted. “I’m supposed to be getting independent now.” “I see,” he said, considering the guy she’d ditched at the altar for the first time. It took a lot to drive a woman out a church window with nothing but the clothes on her back. “Everyone needs a little rescue sometime.” “You’re not one of those knight-in-shining-armor guys, are you?” She said the words as if they were foul. “Not normally, but I’m making an exception for you.” He was surprised to find he wanted the role, despite her distain. “I don’t want an exception.” Her tone had taken on a decided wail. “Too bad.” Yep, he wasn’t budging on this one. She wanted to stand on her own two feet. He understood, but it only made him more determined. “Why me?” “Because I want to.” It was that simple. Besides, she’d probably take off in the morning and he’d never see her again. One night to break the monotony wouldn’t hurt. Before she could respond, he turned and walked the length of the bar. Flipping open the counter, he rounded the corner, striding to stand in front of her. “It’s been a long time since I’ve done anything chivalrous. Won’t you let me?” Even white teeth nibbled on her bottom lip and he curled his hand into a fist to keep from stroking his thumb over the abused, moist flesh. Glassy, pensive eyes blinked up at him. He stepped close enough to feel the warmth of her skin. “What kind of a man would I be if I left you stranded?” “I’m
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Scarlet! It is the first color I have seen in months. Or so it seems. Scarlet. A little wild poppy, of a red so sudden it made my blood stop. I kept saying the word over and over to myself, scarlet, as if the word, like the color, had escaped me till now, and just saying it would keep the little windblown flower in sight. Poppy. The magic of saying the word made my skin prickle, the saying almost a greater miracle than the seeing. I was drunk with joy. I danced. I shouted. Imagine the astonishment of my friends at Rome to see our cynical metropolitan poet, who barely knows a flower or a tree, dancing about in broken sandals on the earth, which is baked hard and cracked in some places, and in others puddled with foul-smelling mud- to see him dancing and singing to himself in celebration of this bloom. Poppy, scarlet poppy, flower of my far-off childhood and the cornfields round our farm at Sulmo, I have brought you into being again, I have raised you out of my earliest memories, out of my blood, to set you blowing in the wind. Scarlet. Magic word on the tongue to flash again on the eye. Scarlet.
David Malouf (An Imaginary Life)
The skin of the boy’s neck tasted foul, bitter with ingrained filth. The hot pulse of blood laced the foulness, drawing the vampire on until the skin broke and fluid burst onto his tongue. Crystal sweetness. A ruby light that out-dazzled the battle flares, the two-edged ecstasy of feeding: a compulsion so strong that it almost sickened. Wrong to take pleasure in this death, impossible not to... The vampire closed his eyes in bliss as he drank, but the bitter taste remained.
Freda Warrington (A Taste Of Blood Wine)
Oh, I can use whatever tone I want. And you can taunt and snarl at me and make me chop wood all day, but short of ripping out my tongue, you can’t—” Faster than lightning, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers. She bit down, hard, but he didn’t let go. “Say that again,” he purred. She choked as he kept pinching her tongue, and she went for his daggers, simultaneously slamming her knee up between his legs, but he shoved his body against hers, a wall of hard muscle and several hundred years of lethal training trapping her against a tree. She was a joke by comparison—a joke—and her tongue— He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that’s when he bit her.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
couldn’t stop thinking about it. I’d wake up at night with that taste on my tongue—wake up thinking about your foul, beautiful mouth.” He traced his thumb over her lips. “You don’t want to know the depraved things I’ve thought about this mouth.” “Hmmm, likewise, but you didn’t answer my question,” Aelin said, even as her toes curled in the wet sand and warm water. “Yes,” Rowan said thickly. “Some males enjoy doing it. To mark territory, for pleasure…” “Do females bite males?” He began to harden again inside her as the question lingered. Oh, gods—Fae lovers. Everyone should be so damn lucky to have one. Rowan rasped, “Do you want to bite me?” Aelin eyed his throat, his glorious body, and the face she had once so fiercely hated. And she wondered if it were possible to love someone
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
What added to the ease with which swear words rolled off her tongue was that society’s obsession with such words didn’t seem logical to her. If they added the appropriate emphasis to what was being said, she saw nothing foul about them. What was foul was using words to lie, to deceive, or to render harm.
Lawrence H. Levy (Second Street Station: A Mary Handley Mystery)
Learning to love God is all about learning to trust God… Even if we have faith that ultimately the love of God will win over all that is loveless, inhumane, life-destroying, and fouled up, any honest talk about God will need to contend with betrayal, failure, disappointment, and defeat. Faith, and the language we use to describe faith, will be worth learning only if it is forged in a fire that burns out all that is false and dehumanizing; a fire that requires honest reckoning with suffering, sin, and evil.
Sara Wenger Shenk (Tongue-tied: Learning the Lost Art of Talking About Faith)
Why are you here?' ... 'My husband,' the word poisonous and foul on my tongue, 'experimented on and then cobbled together dead body parts to create a monster. Once that was accomplished, he went on to murder his own brother and frame my best friend for the murder so that she would be hanged. Then he tried to use her body to practice his dark science on, in preparation for eventually changing me from living to dead, and back again to a new form of being that would never corrupt or die or be parted from him. I told him I was not interested in being his wife under those particular circumstances.' The women's eyes were wide, and she scooted several inches away from me, pushing herself along the floor
Kiersten White (The Dark Descent of Elizabeth Frankenstein)
The head has the same eyes as the fish, beady and unblinking, only they’re cloudy and flat, sunken deep into its skull. Its hair grows wild, tangled with beetles, twigs, and burs, and it trails the head like a tail. The flesh itself is rotten and foul, dead as the Heaven and Hell tree, once the tallest old oak on the reservation—its branches stretching for the stars, its roots reaching for the abyss below—and as ragged around its missing neck as the hem of my jeans.” The chain he wore on his wallet rattled as he lifted a foot over the fire, showing off the frayed cuff of his pant leg, streaked with mud. “The mouth”—he paused, clenching his jaw to steel himself—“that’s the worst part of it. It can stretch as wide as it wants . . . wide enough to suck you between its wormy lips.” She thought of the catfish again, their mouths gaping and wide, flanked by whiskers that had curled and turned black after her father had hacked off the fish heads and tossed them into the fire he’d stoked to cook the fish fillets. “It’s got a tongue of old leather and teeth like shattered glass, jagged and sharp.
Nick Medina (Sisters of the Lost Nation)
Lips and teeth collided with her mouth, and she screamed as the kelpie kissed her. His black tongue shoved into her mouth, tasting of foul meat.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
after the fall of Fingolfin, Sauron, greatest and most terrible of the servants of Morgoth, who in the Sindarin tongue was named Gorthaur, came against Orodreth, the warden of the tower upon Tol Sirion. Sauron was become now a sorcerer of dreadful power, master of shadows and of phantoms, foul in wisdom, cruel in strength, misshaping what he touched, twisting what he ruled, lord of werewolves; his dominion was torment. He took Minas Tirith by assault, for a dark cloud of fear fell upon those that defended it; and Orodreth was driven out, and fled to Nargothrond. Then Sauron made it into a watch-tower for Morgoth, a stronghold of evil, and a menace; and the fair isle of Tol Sirion became accursed, and it was called Tol-in-Gaurhoth, the Isle of Werewolves.
J.R.R. Tolkien (The Silmarillion)
There was a time in the beginning when I too questioned the plan—staring out over the deadlands, the wastelands, at the dry, desert landscape, the hellfires that burned over the horizon, the masses growing in number, filling in one valley after another. The way the earth cracked open, strange appendages and tentacles spooling out of the steaming cracks. The forests at the edge of the mountains spilling creatures on four legs, humping and galloping over the foliage, and into the high grasses as the growth turned into spoil. And up over the range lurked flying beasts with cracked, leathery wings—thick purple veins running through the expanding, unfurling flesh—elongated skulls holding back rows of sharp teeth, chittering in the settling gloam. Below the hills, pools of water, sometimes blue, but more likely a mossy green, a dark scum, filled with gelatinous blobs, covered with spiky hairs, a collection of yellowing eyes atop what might have been considered some kind of head. And snapping at my own heels, the furry creatures with mottled, diseased skin revealed in chunks, snouts exposed to show the fractured, bony skulls beneath it all, long, slavering tongues distending, lapping at the foul air around us. (In His House)
Richard Thomas (Spontaneous Human Combustion)
A suspicion, a doubt, a jealousy grew in my mind, which turned the hairs on my head to filthy snakes, as though my thoughts hissed and spat on my scalp. My bride’s breath soured, stank in the grey bags of my lungs. I’m foul mouthed now, foul tongued, yellow fanged. There are bullet tears in my eyes. Are you terrified? Be terrified. It’s you I love, perfect man, Greek God, my own; but I know you’ll go, betray me, stray from home. So better by far for me if you were stone. I glanced at a buzzing bee, a dull grey pebble fell to the ground. I glanced at a singing bird, a handful of dusty gravel spattered down. I looked at a ginger cat, a housebrick shattered a bowl of milk. I looked at a snuffling pig, a boulder rolled in a heap of shit. I stared in the mirror. Love gone bad showed me a Gorgon. I stared at a dragon. Fire spewed from the mouth of a mountain. And here you come with a shield for a heart and a sword for a tongue and your girls, your girls. Wasn’t I beautiful? Wasn’t I fragrant and young? Look at me now. - Medusa by Carol Ann Duffy -
Carol Ann Duffy (The World's Wife)
I have heard say that diseases of the heart are seen in spots of the tongue, but the hypocrite can show a clear tongue and yet have a foul heart.
William Gurnall (The Christian in Complete Armour - The Ultimate Book on Spiritual Warfare)
She flailed in spinning darkness. Up and down blurred and warped, and she was drowning- Spindly hands slammed into her chest, one wrapping around her throat as her back hit something soft and silty. The bottom. No, she wouldn't end like this, helpless as she'd been that day against the Cauldron- Lips and teeth collided with her mouth, and she screamed as the kelpie kissed her. His black tongue shoved into her mouth, tasting of foul meat. For a heartbeat, she wasn't beneath the water, but against a woodpile in the human lands, Tomas's hard mouth crashing into hers, his hands pawing at her- Nesta struggled to pull her head away, to free her mouth, but air filled her lungs. As if the kelpie had breathed into her. As if he wanted her alive a little longer, to prolong her pain. The kelpie withdrew, and Nesta had enough sense to shut her aching, brutalised mouth, to trap in that breath he had given her. To not question how such a thing was even possible. The kelpie's hands ripped at her body, tearing away every weapon with unerring aim, as if he did not need to see in this darkness, as if those large black eyes could pick up any trickle of light like some deep-sea creature. Her entire body went stiff and unmoving, each brutal touch entitled and furious and delighting in her fear. When he had disarmed her, her lungs were burning again, and she felt that thin male body pushing her into the bottom once more as he shoved his mouth to hers. She gagged, but opened for him, letting him fill her mouth with another life-giving breath that had nothing to do with kindness. His tongue wriggled like a worm against hers, and his spindly, too-large hands ran down her breasts, her waist, and when she gagged again, fighting against her sob, his laugh puffed through her lips. He pulled away, rows of teeth ripping at her mouth as he did, and she shook when he lingered, stroking at her hair. His little prize- that was what the touch said. How he would make her suffer and beg before the end. She had escaped the monsters of the human realm only to find the same ones above the wall. Had escaped from Tomas only to wind up here, raging as she had then.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
What’s the matter?” said the foul old man. “Birdie got your tongue?
William Lashner (The Barkeep)
I await my time. I sit, I cook, I spin, with downcast eyes I am silent and let him speak. This is fine. I await my time. Everything is a strategy. This is the wisdom of the spider. Silently, silently spin. Let the fly buzz. Before I ate her and put on her skin I lay across the stove in my hut, the hut standing on a chicken leg, and I waited, and they came to me, and became my food, and in the end she came too, the one I wanted, and instead of swallowing her I dived inside and let her swallow me. It doesn’t matter what it looks like! I ate her even as I allowed her to eat me. It’s a special digestive trick: a reverse takeover of the feeder by the fed. And so farewell, chicken-legged hut in the forest! Goodbye forever, foul Russian smell! Now am I perfumed and clothed in beauty, my eyes behind her eyes, my teeth behind her teeth. Everything she does is false, every word a lie, because here I am inside her, pulling her strings, casting the web of her words and deeds around the little fly, the old fool. He believes she loves him! Ha ha ha ha ha! Cackle, cackle! That’s a good one, that is. (...) I conceal this voice deep inside myself, so deep that she, myself, can convince herself she cannot hear it, that it is not her truest voice. At the level of the skin, of the tongue, a different voice speaks, and she tells herself a different story, in which she is virtuous and her deeds are justified, both absolutely, by moral standards, and empirically, by the events around her. By him, the old one, the king in the golden house, who he is, how he treats her, what his faults are. But there it is, the deep voice speaking, commanding her at the deepest level, the level of the molecules of instruction, twined into the four helical amino acids of her being, which is also mine. It is who I is. It is who she am.
Salman Rushdie (The Golden House)
it. But when a man’s words are taken from him and poisoned, it’s the same as poisoning the man. He could not speak, for how his own tongue would be fouled. Words were his all. I felt I’d witnessed a murder, just as he’d seen his friend murdered in Mexico. Only this time they left the body living.
Barbara Kingsolver (The Lacuna)
What is the use of reading sastra and chanting Hare Kṛṣṇa if one keeps an evil eye and a foul tongue? Why do you maintain a vision of enemies and speak badly of others?
Mahanidhi (Nama Aparadha)
Around a curved corner came the glimmer of an eerie green light. Talis stopped, his legs refusing to take another step. His blood thumped hard through his temples. Two ghostly-green, glowing orbs hovered in the darkness. In between stood a statue of the terrifying Zagros—in a battle-stance—wielding an executioner’s blade in one hand and in the other he held hundreds of tiny, severed heads tied together by a string. The onyx statue of the Lord of the Underworld. His mouth was open wide, tongue stretched out. Talis felt the hairs stand up along the back of his neck. The statue was revolting. A cloaked figure in black knelt before the statue, mumbling prayers. Golden orbs floated in the air all around the chamber. Candles were lit around the kneeling figure, giving off a freakish, flickering light. Mara grabbed Talis' arm and they hid behind a boulder and bent down, straining to listen. “I vow,” the figure said, “that my father… his soul find shall find respite. The endless war of Nyx—spare him, oh great Zagros, I beg you will spare him such a fate.” She leaned close to Talis, and whispered, “It’s Rikar.” What was he doing here? He was a foul-tempered student of the Order of the Dawn and Nikulo’s sparring partner. After she spoke, Rikar whirled around and glared at them. His eyes glowed green for a moment and then dimmed to black. “You dare violate the sanctity of this temple?” Mara and Talis stepped out from the shadows, bathed in the violent green light glowing around the statue. Rikar raised a hand and Talis felt a sickening energy creep up his legs and into his stomach, squeezing hard until massive bursts of pain shot through his body. Talis winced. What kind of strange magic was Rikar using on him? “Stop it!” Mara hissed, glowering at Rikar. “Leave it for the Blood Dagger competition.” Talis gasped and coughed as the pain diminished. He balled up a fist and started to charge at Rikar but Mara held him back. “I won’t even need to use a drop of magic against you pathetic runts.” Rikar stood and strode past them, shoving Talis aside. “Nice to see you’re all better, Your Royal Highness. I look forward to using my sword to make you wounded again.” He chuckled, pulling his cloak over his head as he stormed out. “What was that all about?” Mara shook her head. “Why was he in here, anyway?” “I really don’t want to know… Rikar has acted incredibly strange since his father died.” Mara shuddered, as if a cold chill had fallen over her. “Didn’t you used to be friends? What happened to him?” Talis wished he knew, but Rikar had always refused to talk about what had happened. Turning aside, she took a deep breath and faced the onyx statue, as if filled with a new resolve. “We have to complete the rites of initiation and do it quickly.” She motioned toward the shrine and they knelt together on the outer ley line. After their knees touched the ley line, a faint green light rose and strengthened into a blistering blaze that Talis could feel in his legs.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Around a curved corner came the glimmer of an eerie green light. Talis stopped, his legs refusing to take another step. His blood thumped hard through his temples. Two ghostly-green, glowing orbs hovered in the darkness. In between stood a statue of the terrifying Zagros—in a battle-stance—wielding an executioner’s blade in one hand and in the other he held hundreds of tiny, severed heads tied together by a string. The onyx statue of the Lord of the Underworld. His mouth was open wide, tongue stretched out. Talis felt the hairs stand up along the back of his neck. The statue was revolting. A cloaked figure in black knelt before the statue, mumbling prayers. Golden orbs floated in the air all around the chamber. Candles were lit around the kneeling figure, giving off a freakish, flickering light. Mara grabbed Talis' arm and they hid behind a boulder and bent down, straining to listen. “I vow,” the figure said, “that my father… his soul find shall find respite. The endless war of Nyx—spare him, oh great Zagros, I beg you will spare him such a fate.” She leaned close to Talis, and whispered, “It’s Rikar.” What was he doing here? He was a foul-tempered student of the Order of the Dawn and Nikulo’s sparring partner. After she spoke, Rikar whirled around and glared at them. His eyes glowed green for a moment and then dimmed to black. “You dare violate the sanctity of this temple?” Mara and Talis stepped out from the shadows, bathed in the violent green light glowing around the statue. Rikar raised a hand and Talis felt a sickening energy creep up his legs and into his stomach, squeezing hard until massive bursts of pain shot through his body. Talis winced. What kind of strange magic was Rikar using on him? “Stop it!” Mara hissed, glowering at Rikar. “Leave it for the Blood Dagger competition.” Talis gasped and coughed as the pain diminished. He balled up a fist and started to charge at Rikar but Mara held him back. “I won’t even need to use a drop of magic against you pathetic runts.” Rikar stood and strode past them, shoving Talis aside. “Nice to see you’re all better, Your Royal Highness. I look forward to using my sword to make you wounded again.” He chuckled, pulling his cloak over his head as he stormed out.
John Forrester (Fire Mage (Blacklight Chronicles, #1))