Foul Mouthed Quotes

We've searched our database for all the quotes and captions related to Foul Mouthed. Here they are! All 100 of them:

Lothaire is very much alive.” “You swear?” “Often. Though not as much as foul-mouthed Regin. I try not to in front of Bertil.” She petted the bat. “I meant—will Lothaire live?” “He will.
Kresley Cole (Lothaire (Immortals After Dark, #11))
You are my whole heart, Scarlet. And this is breaking it.' My heart cracked open and clear dropped out of me. My mouth opened, and I looked round me and stamped my foot. 'Does this look like a good time to tell me that, you damn stupid boy?' I meant to sound mean but my voice wobbled. 'Now?' He gave a little smile. 'My foul-mouthed warrior.
A.C. Gaughen (Scarlet (Scarlet, #1))
My kinky, foul-mouthed romantic gentleman lover.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
What I cannot forgive is dishonesty - and no matter what, or how hard, I would rather know the truth of which I today had such a clear & devastating vision from his mouth than hear foul evasions, blurrings and rattiness.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You're probably also wondering how in the hell I can possibly be twenty-five years old when just yesterday I was four. I know, it's a tough pill to swallow. I'm not a foul-mouthed, cute little kid anymore. I'm now a foul-mouthed, cute adult.
Tara Sivec (Love and Lists (Chocoholics, #1))
Art thou angry with him whose armpits stink? Art thou angry with him whose mouth smells foul?
Marcus Aurelius (Meditations)
I needed a book in case of emergencies." "You mean like being attacked by foul-mouthed highwaymen?" "No, I mean those moments when nothing important is happening, such as during travel. After supper. Before sleeping. Or whilst one's opponent reloads their gun.
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
She had a foul mouth. I didn’t think I could be more smitten.
Trish Cook (Notes from the Blender)
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
Roman Payne
Joy is in the ears that hear, not in the mouth that speaks. The world has few stories glad in themselves, and we must have gay ears to defy Despite" Foamfollower from (Lord Foul's Bane; 1977)
Stephen R. Donaldson (Lord Foul's Bane (The Chronicles of Thomas Covenant the Unbeliever, #1))
As one of my favorite foul-mouthed lit professors used to say, “Man, that’s some fucked-up shit right there.
Paul Tremblay (Growing Things: And Other Stories)
Look at that ugly dead mask here and do not forget it. It is a chalk mask with dead dry poison behind it, like the death angel. It is what I was this fall, and what I never want to be again. The pouting disconsolate mouth, the flat, bored, numb, expressionless eyes: symptoms of the foul decay within.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Beer can lead men to think they're mighty and foul-mouthed women to believe themselves amusing and hip.
Tom Robbins (B Is for Beer)
He was the kind of man George had been fighting for a decade: an ugly, fat, foul-mouthed, stupid white racist.
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!! HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine... Look at these pictures. Look at them! You see the dark rectangle, like a doorway, an aperture, yes but it’s also a gaping mouth letting out a silent howl of something feral and foul and primal and REAL. Not nice. Not fine. Real. A moan of rapture. Something divine or damned. Something immortal, not comic books or soup cans, something beyond me and beyond now. And whatever it is, it’s not pretty and it’s not fine...I AM HERE TO STOP YOUR HEART‬
John Logan (Red (Oberon Modern Plays))
Don’t put people, or anything else, on pedestals, not even your children. Avoid global labels such as genius or weirdo. Realize those closest get the benefit of the doubt and so do the most beautiful and radiant among us. Know the halo effect causes you to see a nice person as temporarily angry and an angry person as temporarily nice. Know that one good quality, or a memory of several, can keep in your life people who may be doing you more harm than good. Pay attention to the fact that when someone seems nice and upbeat, the words coming out of his or her mouth will change in meaning, and if that same person were depressive, arrogant, or foul in some other way, your perceptions of those same exact words would change along with the person’s other features.
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
Vipers never die. Vipers never fall…unless it’s for a tattooed, foul-mouthed bar owner.
K.A. Knight (Den of Vipers)
I am sick of reading on Daily Mail message boards that I am 'one of these foul-mouthed modern comedians' when I am absolutely not. Honestly, who are these cunts?
Stewart Lee (How I Escaped My Certain Fate)
Ye might no know this about me…” “But I prefer my women… a wee bit dirty. I’ve imagined more than once what yer foul mouth could do to me.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Be happy when you find that doctrines you have learned and analysed are being tested by real events. If you’ve succeeded in removing or reducing the tendency to be mean and critical, or thoughtless, or foul-mouthed, or careless, or nonchalant; if old interests no longer engage you, at least not to the same extent; then every day can be a feast day – today because you acquitted yourself well in one set of circumstances, tomorrow because of another.
Epictetus (Of Human Freedom (Penguin Great Ideas))
I'm no prince, Frannie. I'm stubborn, I'm impatient, I have a foul mouth and a lot of fucking baggage. And I come attached to three small humans who run me ragged every day. But I love you more than I've ever loved anyone.
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
Because of that, because my life ended fifty-two Thursdays ago, because...I have nothing left to live for. God damn it, suck me, you asshole. You made me want you, always staring at me like I'm candy or something. Suck me, I want to come in your mouth, you motherfucking..." Deacon lifted him off his body and flipped him onto his back. He landed on the hard floor, out of breath. "Demanding little foul-mouthed whelp, aren't you? I like that, Thursday. Unbutton your jeans. Slowly. While I watch." "Fuck you." "Later, sweetheart. Right now I want to see your cock. Show me your cock, Thursday.
Mercy Celeste (The 51st Thursday)
As Melissa got closer, the taste of school began to foul her mouth.
Scott Westerfeld (The Secret Hour (Midnighters, #1))
On one side you have book burners, Congressional wives and Pat Robertson. On the other side, you have vulgar comedians, foul-mouthed rap groups and Dennis Hopper—all your choices should be so easy.
Sandra Bernhard
Beneath a toilet water of punctilio and restraint...a deep smell came off Kelly, a hint of a big foul cat, carnal as the meat on a butcher's block, and something else, some whiff of the icy rot and iodine in a piece of marine nerve left to bleach on the sand. With it all was that congregated odor of the wealthy, a mood within the nose of face powder, of perfumes which leave the turpentine of a witch's curse, the taste of pennies in the mouth, a whiff of the tomb. It was all of Deborah for me.
Norman Mailer (An American Dream)
Speaking the Lord’s name with reverence must simply be part of our lives as members of the Church... we do not use foul language. We do not curse or defame. We do not use the Lord’s name in vain. It is not difficult to become perfect in avoiding a swearing habit, for if one locks his mouth against all words of cursing,... he is en route to perfection in that matter.
Spencer W. Kimball
Crotch biting menace:I have my mouth in close proximity to your genitals.Oh thou man who talks to my mistress over coffee.Do not irk or trifle with me! I possess but one tooth, oh, yes, for the rest were buried long ago in the flesh of sinners.Behold my jaws, upper and lower in righteous, symmetrical poverty.Move not, man of clocks, and heed my mistress, for she cherishes me, even in my foul old age.
Nick Harkaway (Angelmaker)
You have a foul mouth. And to think you kiss your children with it.” “According to my mates, my mouth is perfect. And there’s nothing dirty about telling the truth.
Eve Langlais (Already Freakn' Mated (Freakn' Shifters, #3))
I asked him what he said, for there was such a mish-mash of Conversation around us that I could scarcely understand him - the frequenters of Taverns have Hearts of Curd and Souls of Milk Sop, but they have Mouths like Cannons which stink of Tobacco and their own foul Breath as they cry What News? What's a Clock? Methinks it's Cold to Day! Thus is it a Hospital For Fools
Peter Ackroyd (Hawksmoor)
Joshen tipped her chin up and kissed her. He was always soft and gentle, but today Senna felt an undeniable hunger somewhere deep inside him. He was trying to suppress it. But she didn’t want that. She wanted him to banish the lingering foulness of the curse and the fear that had never released her from its sweaty grasp, replacing all of that with the sweet taste of his mouth.
Amber Argyle (Witch Born (Witch Song, #2))
In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar. He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats. The wassailers stopped and watched them in horror. People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted. The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop. It was just possible to make out consensus song in there somewhere. "Hogswatch is coming, The pig is getting fat, Please put a dollar in the old man's hat If you ain't got a dollar a penny will do-" "And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Most, I loved James Baldwin's essays. There was to a Baldwin essay a metropolitan elegance I envied, a refusal of the livid. In Baldwin I found a readiness to rise to prophetic wrath, something like those ministers, and yet, once more, to bend down in tenderness, to call grown men and women "baby" (a whiff of the theater). Watching Baldwin on television—I will always consider the fifties to have been a sophisticated time—fixed for me what being a writer must mean. Arching eyebrows intercepted ironies, parenthetically declared fouls; mouthfuls of cigarette smoke shot forth ribbons of exactitude.
Richard Rodríguez
We asked ourselves whether, in these days of equality in which we live, there are classes unworthy the notice of the author and the reader, misfortunes too lowly, dramas too foul-mouthed, catastrophes too commonplace in the terror they inspire.
Edmond de Goncourt (Germinie Lacerteux)
Well then that's our date confirmed. I am excited! Most girls want to know if I have long term plans to start a family; you want to know if I like 80s rap. I think I'm in love with you.  Actually, I'm not you have a foul mouth and terrible taste in men by all accounts.
Lucy Robinson (The Greatest Love Story of All Time)
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
I get it. Having had Satoru take me in as his cat, I think I felt as lucky as he did. Strays, by definition, have been abandoned or left behind, but Satoru rescued me when I broke my leg. He made me the happiest cat on earth. I'll always remember those five years we had together. And I'll forever go by the name Nana, the name that - let's face it - is pretty unusual for a male cat. The town where Satoru grew up, too, I would remember that. And the green seedlings swaying in the fields. The sea, with its frighteningly loud roar. Mount Fuji, looming over us. How cosy it felt on top of that boxy TV. That wonderful lady cat, Momo. That nervy but earnest hound, Toramaru. That huge white ferry, which swallowed up cars into its stomach. The dogs in the pet holding area, wagging their tails at Satoru. That foul-mouthed chinchilla telling me Guddo rakku! The land in Hokkaido stretching out forever. Those vibrant purple and yellow flowers by the side of the road. The field of pampas grass like an ocean. The horses chomping on grass. The bright-red berries on the mountain-ash trees. The shades of red on the mountain ash that Satoru taught me. The stands of slender white birch. The graveyard, with its wide-open vista. The bouquet of flowers in rainbow colours. The white heart-shaped bottom of the deer. That huge, huge, huge double rainbow growing out of the ground. I would remember these for the rest of my life. And Kosuke, and Yoshimine, and Sugi and Chikako. And above all, the one who brought up Satoru and made it possible for us to meet - Noriko. Could anyone be happier than this?
Hiro Arikawa (Nana Du Ký)
Name’s Samuel Clearwater. What’s yours?” I stopped and turned to him. He extended his hand to me and I uncrossed my arms and shook it. For a gangly kid who was the same age as I was, he dressed and spoke like a foul-mouthed grandfather, someone too old to give a shit about filtering his words. And what eleven year old shook hands?
T.M. Frazier (King (King, #1))
I have imagined him in my mind for so long, my imagination creating a monster of grotesque features and proportions. But standing before me, his head tilted and eyes sharp, is just a man. Slightly balding, twenty pounds too heavy, whose mouth is turning into a sneer. Whose eyes are narrowing, stance strong, the combined effect sinister. This man, this balding thick man, has whispered in my ear, poured out the disgusting thoughts in his soul, showed me the dark evil in his heart. And now he is stepping closer, the excitement radiating from his body like a foul smell. He thinks I am weak. He thinks he can manipulate me and subdue me. Kill me. He has no idea that my small frame and delicate features contain an evil that rivals his own. I finger the knife in my pocket and fight to keep a grin off my face. This is it. This is my time.
Alessandra Torre (The Girl in 6E (Deanna Madden, #1))
Ow! Shit!" She yelped, dropping the wand on the floor and clapping her hand over her eye, the one into which she'd just smooshed a nice glob of viscous black goo. She fumbled for a wash cloth, wet it, and scrubbed at her watering eye. Years of exposure to her foul-mouthed brothers came pouring out all at once. "Piece of shit god damn son of a bitch!
Kendra Leigh Castle (Call of the Highland Moon (The MacInnes Werewolves Trilogy, #1))
You don't understand. Speaking, talking--language, that is--represents the most orderly, civilized, and rational expression of human nature. All this foul-mouthed cussing is a gap where you can't think of anything to say. It's the opposite of being rational and ordered. The very opposite. It wants to unpick civilized behavior, rationality, and order.
Graham Joyce (The Silent Land)
Better the foul-mouthed uncle than the witch mother.
Krista Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
Foul are my contents but sweeter than filth from the mouth.
Emily Croy Barker (The Thinking Woman's Guide to Real Magic (The Thinking Woman's Guide to Real Magic, #1))
I wonder if it's the moonlight. Because the back of this guy, who is so foul-mouthed normally, appears to be gentler than usual tonight.
Mika Yamamori (椿町ロンリープラネット 1 [Tsubaki-chou Lonely Planet 1])
my mother is a good mathematician she was able to divide 3 eggs into 8 mouths equally every day
Ymatruz (The Coffee Cries Foul)
She was a brash, brave, foul-mouthed, murdering drunk, and God help him, he hadn’t found anyone this enticing in centuries.
Jeaniene Frost (The Other Half of the Grave (Night Huntress, #8))
Celia's expression turned incredulous, as if she were being addressed by a rock that had grown a mouth to speak rock thoughts.
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
Art thou angry with him whose armpits stink? Art thou angry with him whose mouth smells foul? What good will this danger do thee? He has such a mouth, he has such arm-pits: it is necessary that such an emanation must come from such things- but the man has reason, it will be said, and he is able, if he takes pain, to discover wherein he offends- I wish thee well of thy discovery. Well then, and thou hast reason: by thy rational faculty stir up his rational faculty; show him his error, admonish him. For if he listens, thou wilt cure him, and there is no need of anger.
Marcus Aurelius (Stoic Six Pack (Illustrated): Meditations of Marcus Aurelius, Golden Sayings, Fragments and Discourses of Epictetus, Letters from a Stoic and The Enchiridion)
The Malazan engineers are a unique breed. Cantankerous, foul-mouthed, derisive of authority, secretive and thick-headed. They are the heartstone of the Malazan Army… THE IMPERIAL MILITARY SENJALLE
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
These fans were excited to see your mother perform, but more than that it was as if she was taking her audience to church like a fiery, foul-mouthed preacher who offered up profane salvation. There was the new mom who was enjoying her first night out after giving birth a month prior. There are fans who dress up like your mother, imitating the outfits she wore when you were both in her belly There are mothers who bring their daughters. There are those who travel from across the country, and sometimes across the world. They talk about your mother being their spirit animal. Their eyes are lit up, their faces relaxed and smiling, their postures open and welcoming. Watching this magical effect on her fans keeps me manning the merch table to this day.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
I’ve been a foul-mouthed knave.” “Well, I don’t know.” “A beetle-headed malfeasor.” “Nothing so—” “A base, proud tottyhead.” He paused, but she said nothing. “Aren’t you going to object?” “No,” she drawled the word. “Humility is so refreshing in a man.
Christina Dodd (Candle in the Window (Medieval, #1))
Just thinking about a job I lost.” “What? Someone didn’t hire you? Why not? Don’t they know you’re the best? Did you quote them too high? Wait, was it another one of those housewife’s wanting work done on their personal plumbing?” She arched a brow suggestively. Chris choked. “You did not just accuse me of being a handyman pimp.” “If the condom fits …” “You have a foul mouth. And to think you kiss your children with it.” “According to my mates, my mouth is perfect. And there’s nothing dirty about telling the truth.” Damn
Eve Langlais (Already Freakn' Mated (Freakn' Shifters, #3))
Oh, base, lowborn, wretched, rude, ignorant, foul-mouthed, ill-spoken, slanderous, insolent varlet! You have dared to speak such words in my presence and in the presence of these distinguished ladies, dared to fill your befuddled imagination with such vileness and effrontery? Leave my presence, unholy monster, repository of lies, stronghold of falsehoods, storehouse of deceits, inventor of iniquities, promulgator of insolence, enemy of the decorum owed to these royal persons. Go, do not appear before me under pain of my wrath!
Miguel de Cervantes Saavedra (Don Quixote)
Somewhere above this foul temple, crows danced with sparks above the mouth of a chimney, virtually unseen in the darkness. Each one carried a word, but the sparks were deaf. Too busy with the ecstasy of their own bright, blinding fire. At least, until they went out.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
Perhaps I should have murdered you too, you wretched disappointment,” he snarled, and for an instant his face was the foul mask of a man possessed, the black-eyed, black-mouthed Wundersmith of legend emerging in a moment of uncontrolled fury. Then it was gone. And the mild, perfectly contained man was back. Just like that.
Jessica Townsend (Wundersmith: The Calling of Morrigan Crow (Nevermoor, #2))
The appearance of the yearbook clears up another high school mystery - why all the popular girls put up with the disgusting habits of Todd Ryder. He is a pig. Greasy, sleazy, foul-mouthed, and unwashed, he'll make a great addition to a state college fraternity. But the popular kissed up to him all year. Why? Todd Ryder is the yearbook photographer.
Laurie Halse Anderson (Speak)
It hit us all of a sudden, one night after one of these mouth-marathons, that anyone who has a complaint ought to have to qualify and be certified first. I mean, here’s somebody who thinks it’s just awful about the dirty water and the foul air. What is he doing about the solid waste he creates in his own house? What kind of poison-factory is he driving, and does he keep it running in such a way as to minimize the junk it puts into the air? Does he support government people he knows are corrupt, or by apathy just let them go on corrupting? The more we heard this kind of crap from these hobby gripers, the more we felt that a man should qualify to complain, just as he has to qualify to drive a bus or cut an appendix or run a ferryboat. Or vote. And if we were going to be honest about it, we had to look at ourselves. Point a finger at anybody and you’ll find you have three fingers pointing at you.
Theodore Sturgeon (Slow Sculpture (The Complete Stories of Theodore Sturgeon, #12))
I love everything that flows,” said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution. The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.
Henry Miller (Tropic of Cancer (Tropic, #1))
The Fuhrer himself was the target of the fourth leaflet: "Every word that comes from Hitler's mouth is a lie. When he says peace, he means war, and when he blasphemously uses the name of the Almighty, he means the power of evil, the fallen angel, Satan. His mouth is the foul-smelling maw of Hell, and his might is at bottom accursed." This leaflet ended with the words "We will not be silent. We are your bad conscience. The White Rose will not leave you in peace.
Russell Freedman (We Will Not Be Silent: The White Rose Student Resistance Movement That Defied Adolf Hitler)
tattered. Water or something more foul soaked both knees of the pants. But Thomas took all that in quickly. Most of his attention was drawn to the man’s head. Thomas couldn’t help but stare, mesmerized. It looked like hair had been ripped from his scalp, leaving bloody scabs in its place. His face was pallid and wet, with scars and sores everywhere. One eye was gone, a gummy red mass where it should have been. He also had no nose, and Thomas could actually see traces of the nasal passages in his skull underneath the terribly mangled skin. And his mouth. Lips drawn back in a snarl, gleaming white teeth exposed, clenched tightly together. His good eye glared, somehow vicious in the way it darted between Brenda and Thomas. Then the man said something in a wet and gurgly voice that made Thomas shiver. He spoke only a few words, but they were so absurd and out of place that it just made the whole thing that much more horrifying. “Rose
James Dashner (The Scorch Trials (Maze Runner, #2))
Was your friend Maera, then, mean about money? He was not. He was generous, humorous, proud, bitter, foul-mouthed, and a great drinker. He neither sucked after intellectuals nor married money. He loved to kill bulls and lived with much passion and enjoyment although the last six months of his life he was very bitter. He knew he had tuberculosis and took absolutely no care of himself; having no fear of death he preferred to burn out, not as an act of bravado, but from choice.
Ernest Hemingway (Death in the Afternoon)
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before. Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner. Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage. At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it. But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
Maggie Georgiana Young (Just Another Number)
Eyes, opening from the darkness of desire, eyes that dimmed the breaking east. What was their languid grace but the softness of chambering? And what was their shimmer but the shimmer of the scum that mantled the cesspool of the court of a slobbering Stuart. And he tasted in the language of memory ambered wines, dying fallings of sweet airs, the proud pavan: and saw with the eyes of memory kind gentlewomen in Covent Garden wooing from their balconies with sucking mouths and the pox fouled wenches of the taverns and young wives that, gaily yielding to their ravishers, clipped and clipped again.
James Joyce (A Portait of the Artist as a Young Man)
Epilogue to Book I. Alas! the forbidden fruits were eaten, And thereby the warm life of reason was congealed. A grain of wheat eclipsed the sun Of Adam, l Like as the Dragon's tail 2 dulls the brightness of the moon. Behold how delicate is the heart, that a morsel of dust Clouded its moon with foul obscurity! When bread is "substance," to eat it nourishes us; When 'tis empty "form," it profits nothing. Like as the green thorn which is cropped by the camel, And then yields him pleasure and nutriment; When its greenness has gone and it becomes dry, If the camel crops that same thorn in the desert, It wounds his palate and mouth without pity, As if conserve of roses should turn to sharp swords. When bread is "substance," it is as a green thorn; When 'tis "form," 'tis as the dry and coarse thorn. And thou eatest it in the same way as of yore Thou wert wont to eat it, O helpless being, Eatest this dry thing in the same manner, After the real "substance" is mingled with dust; It has become mingled with dust, dry in pith and rind. O camel, now beware of that herb! The Word is become foul with mingled earth; The water is become muddy; close the mouth of the well, Till God makes it again pure and sweet; Yea, till He purifies what He has made foul. Patience will accomplish thy desire, not haste. Be patient, God knows what is best.
Jalal ad-Din Muhammad ar-Rumi (The Masnavi I Manavi of Rumi Complete 6 Books)
The dog was throttled off; his huge, purple tongue hanging half a foot out of his mouth, and his pendent lips streaming with bloody slaver.  The man took Cathy up; she was sick: not from fear, I’m certain, but from pain.  He carried her in; I followed, grumbling execrations and vengeance.  “What prey, Robert?” hallooed Linton from the entrance.  “Skulker has caught a little girl, sir,” he replied; “and there’s a lad here,” he added, making a clutch at me, “who looks an out-and-outer!  Very like the robbers were for putting them through the window to open the doors to the gang after all were asleep, that they might murder us at their ease.  Hold your tongue, you foul-
Emily Brontë (Wuthering Heights)
I took a glass retort, capable of containing eight ounces of water, and distilled fuming spirit of nitre according to the usual method. In the beginning the acid passed over red, then it became colourless, and lastly again all red: no sooner did this happen, then I took away the receiver; and tied to the mouth of the retort a bladder emptied of air, which I had moistened in its inside with milk of lime lac calcis, (i.e. lime-water, containing more quicklime than water can dissolve) to prevent its being corroded by the acid. Then I continued the distillation, and the bladder gradually expanded. Here-upon I left every thing to cool, tied up the bladder, and took it off from the mouth of the retort.— I filled a ten-ounce glass with this air and put a small burning candle into it; when immediately the candle burnt with a large flame, of so vivid a light that it dazzled the eyes. I mixed one part of this air with three parts of air, wherein fire would not burn; and this mixture afforded air, in every respect familiar to the common sort. Since this air is absolutely necessary for the generation of fire, and makes about one-third of our common air, I shall henceforth, for shortness sake call it empyreal air, [literally fire-air] the air which is unserviceable for the fiery phenomenon, and which makes abut two-thirds of common air, I shall for the future call foul air [literally corrupted air].
Carl Wilhelm Scheele (Chemische Abhandlung von der Luft und dem Feuer (German Edition))
By first light, immigrants haul crates of melons and buckets of ice over the narrow cobblestone streets. Old men sell salted capers and branches of wild oregano while the young ones build their fish stands, one silvery torqued body at a time, like an edible art installation. It's a startling scene: gruff young palermitani, foul-mouthed and wreathed in cigarette smoke, lovingly laying out each fish at just the right angle, burrowing its belly into the ice as if to mimic its swimming position in the ocean. Sicilian sun and soil and ingenuity have long produced some of Italy's most prized raw ingredients, and the colors of the market serve as a map of the island's agricultural prowess: the forest green pistachios of Bronte; the Crayola-bright lemons and oranges of Paternò; the famous pomodorini of Pachino, fiery orbs of magical tomato intensity.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Tails from My Puppyhood or, What They Don’t Teach You at Obedience School The tail that wags the dog to bliss Must put his mouth before his heart. The simple rule of paw is this: Show your master he’s smart. The dog intent on happiness Knows it pays to learn the tricks Of when to sit and when to piss And how to accept his master’s kiss. I know the human breath is foul, But you must let him pet your head. The dog that turns away its jowls Will keep his pride but won’t be fed. When he throws you food upon the floor, Swallow it with a smile. Smack your lips and beg for more: Show the bum your style. When you fetch your master’s stick Drop it gently to his feet. If you whine, pretend you’re sick; He’ll then fetch you more to eat. I know it’s tough to be a hound And forsake all that you hold dear. But remember, when he’s not around You can always piss right on his chair.
Beryl Dov
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers! Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy,— Which, like dumb mouths, do ope their ruby lips, To beg the voice and utterance of my tongue— A curse shall light upon the limbs of men; Domestic fury and fierce civil strife Shall cumber all the parts of Italy; Blood and destruction shall be so in use And dreadful objects so familiar That mothers shall but smile when they behold Their infants quarter'd with the hands of war; All pity choked with custom of fell deeds: And Caesar's spirit, ranging for revenge, With Ate by his side come hot from hell, Shall in these confines with a monarch's voice Cry 'Havoc,' and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial.
William Shakespeare (Julius Caesar)
in this dream where he was eleven years old, and then he had smelled something like the death of time, and someone lit a match and he had looked down and seen the decomposing face of a boy named Patrick Hockstetter, a boy who had disappeared in July of 1958, and there were worms crawling in and out of Patrick Hockstetter’s cheeks, and that gassy, awful smell was coming from inside of Patrick Hockstetter, and in that dream that was more memory than dream he had looked to one side and had seen two schoolbooks that were fat with moisture and overgrown with green mold: Roads to Everywhere, and Understanding Our America. They were in their current condition because it was a foul wetness down here (“How I Spent My Summer Vacation,” a theme by Patrick Hockstetter—“I spent it dead in a tunnel! Moss grew on my books and they swelled up to the size of Sears catalogues!”). Eddie opened his mouth to scream and that was when the scabrous fingers of the leper clittered around his cheek and plunged themselves into his mouth
Stephen King (It)
You are betrayed, Jupiter,’ Morbin said in his triumphant, spiteful rasp. “‘Yes,’ the king said, ‘but it will not hold. All will be well.’ “‘Well? Well?’ he sneered. ‘You are captive, O great and mighty king. You will die,’ Morbin said. “‘Yes, I will. But already an answer to this treachery and murder forms in the mouth of the Great Wood.’ “‘Then I will burn the wood,’ Morbin sneered. “‘Even if you burn the Great Wood down, Morbin Bird, among the smoldering embers they will find that one is green. This is the seed of a new world. It will yield in time a Mended Wood, greater even than what I have seen.’ “‘A happy fantasy,’ Morbin said, cackling. “‘Yes,’ the king said. ‘I am my father’s true son, and my son is true. Let your talons strike; let the sky blacken with your cursed foul army. You cannot kill an idea. You cannot murder a dream. You will fail, Morbin, because—’ But he was allowed to say no more. Morbin did his foulest deed,” Uncle Wilfred spoke through tears. “And so ended the reign of King Jupiter the Great.
S.D. Smith (The Green Ember (The Green Ember #1))
Is the missing object a lover’s token you shouldn’t have?” “Gracious!” She sat back, looking dismayed but not insulted. “Investigating must call for a vivid imagination, Mr. Hazlit.” “Hardly. Human nature seems to draw most people into the same predictable peccadilloes over and over. So which misstep have you taken? Do you need to locate the child’s father? Pay off his wife to keep her mouth shut? Those aren’t strictly investigatory matters, but I can see where the need for discretion… What?” “I should slap you.” The words weren’t offered with any particular animosity, more a tired acceptance. “You are a man, though, and allowances must be made.” “I beg your pardon.” “And well you should.” She sipped her tea then tipped her head back to regard him. “Despite the foul implications of your questions, Mr. Hazlit—questions I doubt you would have put to any of my sisters—I still need your help, and I still intend to retain you. I have committed no indiscretion; I have no ill-conceived child on the way; I need not go for a tour of the Continent to eschew my dependence on laudanum.” “So
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
In the end, Buchanan was one of the paleocons to back Trump and many of those who formerly loathed most of what Yiannopoulos and what he represented decided to change their minds and back the winning horse, not only of Trump, but also of the new libertines of the online irreverent ‘punk’ right. Having lost Buchannan’s conservative culture war, they were perhaps strategically right to calculate that the only way they can ever have at least some of their ideas heard again would be to back a groping, lecherous, godless presidential candidate and a libertine figure such as Yiannopoulos and his army of online racist, foul-mouthed, porn-loving nihilists, who in many ways represent everything people like Buchannan are supposed to stand against. The rise of Milo, Trump and the alt-right are not evidence of the return of the conservatism, but instead of the absolute hegemony of the culture of non-conformism, self-expression, transgression and irreverence for its own sake – an aesthetic that suits those who believe in nothing but the liberation of the individual and the id, whether they’re on the left or the right. The principle-free idea of counterculture did not go away; it has just become the style of the new right.
Angela Nagle
The mundus: a sacred or accursed place in the middle of the italiot township. A pit, originally-a dust hole, a public rubbish dump. Into it were cast trash and filth of every kind, along with those condemned to death, and any newborn baby whose father declined to "raise" it (that is, an infant which he did not lift from the ground and hold up above his head so that he might be born a second time, born as a social as well as biological sense). A pit, then, 'deep' above all in meaning. It connected the city, the space above ground, land-as-soil and land-as-territory, to the hidden, clandestine, subterranean spaces which were those of fertility and death, of the beginning and the end, of birth and burial. (Later, in Christian times, the cemetery would have a comparable function). The pit was also a passageway through which dead souls would return to the bosom of the earth and then reemerge reborn. As locus of time, of births and tombs, vagina of the nurturing earth-as-mother, dark corridor emerging from the depths, cavern opening to the light, estuary of hidden forces and mouth of the realm of shadows, the mundus terrified as it glorified. In its ambiguity it encompassed the greatest foulness and the greatest purity, life and death, fertility and destruction, horror and fascination. 'Mundus es immundus'. -
Henri Lefebvre
THERE WERE BANKS of candles flickering in the distance and clouds of incense thickening the air with holiness and stinging his eyes, and high above him, as if it had always been there but was only now seen for what it was (like a face in the leaves of a tree or a bear among the stars), there was the Mystery Itself whose gown was the incense and the candles a dusting of gold at the hem. There were winged creatures shouting back and forth the way excited children shout to each other when dusk calls them home, and the whole vast, reeking place started to shake beneath his feet like a wagon going over cobbles, and he cried out, “O God, I am done for! I am foul of mouth and the member of a foul-mouthed race. With my own two eyes I have seen him. I’m a goner and sunk.” Then one of the winged things touched his mouth with fire and said, “There, it will be all right now,” and the Mystery Itself said, “Who will it be?” and with charred lips he said, “Me,” and Mystery said “GO.” Mystery said, “Go give the deaf Hell till you’re blue in the face and go show the blind Heaven till you drop in your tracks because they’d sooner eat ground glass than swallow the bitter pill that puts roses in the cheeks and a gleam in the eye. Go do it.” Isaiah said, “Do it till when?” Mystery said, “Till Hell freezes over.” Mystery said, “Do it till the cows come home.” And that is what a prophet does for a living, and, starting from the year that King Uzziah died when he saw and heard all these things, Isaiah went and did it.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
Mason recalls well enough that autumn of ’56, when the celebrated future Martyr of Quebec, with six companies of Infantry, occupied that unhappy Town after wages were all cut in half, and the master weavers began to fiddle the Chain on the Bar, and a weaver was lucky to earn tuppence for eight hours’ work. Mason in those same Weeks was preparing to leave the Golden Valley, to begin his job as Bradley’s assistant, even as Soldiers were beating citizens and slaughtering sheep for their pleasure, fouling and making sick Streams once holy,— his father mean-times cursing his Son for a Coward, as Loaves by the Dozens were taken, with no payment but a Sergeant’s Smirk. Mason, seeing the Choices, had chosen Bradley, and Bradley’s world, when he should instead have stood by his father, and their small doom’d Paradise. “Who are they,” inquires the Revd in his Day-Book, “that will send violent young troops against their own people? Their mouths ever keeping up the same weary Rattle about Freedom, Toleration, and the rest, whilst their own Land is as Occupied as ever it was by Rome. These forces look like Englishmen, they were born in England, they speak the language of the People flawlessly, they cheerfully eat jellied Eels, joints of Mutton, Treacle-Tarts, all that vile unwholesome Diet which maketh the involuntary American more than once bless his Exile,— yet their intercourse with the Mass of the People is as cold with suspicion and contempt, as that of any foreign invader.” “We shall all of us learn, who they are,” Capt. V. with a melancholy Phiz, “and all too soon.
Thomas Pynchon (Mason & Dixon)
May you ever cherish and treasure this thought. Christ is made a servant of sin, yea, a bearer of sin, and the lowliest and most despised person. He destroys all sin by Himself and says: “I came not to be served but to serve” (Matt. 20:28). There is no greater bondage than that of sin; and there is no greater service than that displayed by the Son of God, who becomes the servant of all, no matter how poor, wretched, or despised they may be, and bears their sins. It would be spectacular and amazing, prompting all the world to open ears and eyes, mouth and nose in uncomprehending wonderment, if some king’s son were to appear in a beggar’s home to nurse him in his illness, wash off his filth, and do everything else the beggar would have to do. Would this not be profound humility? Any spectator or any beneficiary of this honor would feel impelled to admit that he had seen or experienced something unusual and extraordinary, something magnificent. But what is a king or an emperor compared with the Son of God? Furthermore, what is a beggar’s filth or stench compared with the filth of sin which is ours by nature, stinking a hundred thousand times worse and looking infinitely more repulsive to God than any foul matter found in a hospital? And yet the love of the Son of God for us is of such magnitude that the greater the filth and stench of our sins, the more He befriends us, the more He cleanses us, relieving us of all our misery and of the burden of all our sins and placing them upon His own back. All the holiness of the monks stinks in comparison with this service of Christ, the fact that the beloved Lamb, the great Man, yes, the Son of the Exalted Majesty, descends from heaven to serve me. —Martin Luther
Scot A. Kinnaman (Treasury of Daily Prayer)
Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.
Charlotte McPherren (Song of the Willow)
She flailed in spinning darkness. Up and down blurred and warped, and she was drowning- Spindly hands slammed into her chest, one wrapping around her throat as her back hit something soft and silty. The bottom. No, she wouldn't end like this, helpless as she'd been that day against the Cauldron- Lips and teeth collided with her mouth, and she screamed as the kelpie kissed her. His black tongue shoved into her mouth, tasting of foul meat. For a heartbeat, she wasn't beneath the water, but against a woodpile in the human lands, Tomas's hard mouth crashing into hers, his hands pawing at her- Nesta struggled to pull her head away, to free her mouth, but air filled her lungs. As if the kelpie had breathed into her. As if he wanted her alive a little longer, to prolong her pain. The kelpie withdrew, and Nesta had enough sense to shut her aching, brutalised mouth, to trap in that breath he had given her. To not question how such a thing was even possible. The kelpie's hands ripped at her body, tearing away every weapon with unerring aim, as if he did not need to see in this darkness, as if those large black eyes could pick up any trickle of light like some deep-sea creature. Her entire body went stiff and unmoving, each brutal touch entitled and furious and delighting in her fear. When he had disarmed her, her lungs were burning again, and she felt that thin male body pushing her into the bottom once more as he shoved his mouth to hers. She gagged, but opened for him, letting him fill her mouth with another life-giving breath that had nothing to do with kindness. His tongue wriggled like a worm against hers, and his spindly, too-large hands ran down her breasts, her waist, and when she gagged again, fighting against her sob, his laugh puffed through her lips. He pulled away, rows of teeth ripping at her mouth as he did, and she shook when he lingered, stroking at her hair. His little prize- that was what the touch said. How he would make her suffer and beg before the end. She had escaped the monsters of the human realm only to find the same ones above the wall. Had escaped from Tomas only to wind up here, raging as she had then.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
The Isti ` adhah cleanses the mouth from the foul speech that it has indulged in. It also purifies the mouth and prepares it to recite the speech of Allah.
Islamic Duas (120 Du'as (Prayers) from the Holy Quran (with Arabic,English transliteration,translation, word-by-word meanings and explanation))
President Andrew Jackson had rather a foul mouth and owned a parrot. You can probably see where this is going... one shouldn’t laugh, but his parrot of course picked up a number of his rather vulgar words, and once had to be ejected after repeating a number of them at a funeral.
Jack Goldstein (101 Amazing Facts)
You took advantage." She sounded as if she loathed him. Even on the first night, she'd never spoken to him with such rancor. "Sidonie, please..." All gifts of eloquence had abandoned him. Rolling out of the bed, hoping some physical distance would soothe her, he reached for her. She flinched away as though avoiding a blow. "I'm so stupid," she said in a broken voice, then set a great crack in his heart when she wiped her eyes with shaking hands. Sod it to hell and back. She was crying. He felt like the lowest worm ever to crawl upon this foul earth. "You're not," he said, even as his belly cramped with sick shame and misery. In an attempt to ease her grief, he dared to touch her arm. That was a mistake, too. She recoiled and scrambled from the bed. Panting as if she'd run a mile, she stood in the center of the room. She looked young and afraid and heartbreakingly vulnerable. Not at all like the siren who had measured the heights of pleasure only seconds before. The mirrors reflected a woman with eyes huge and dark as bruises. A woman who stood proudly even as her mouth twisted in humiliation.
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
I am Sebastiano, and your name?” he asks. “Violet,” I say as we step over the threshold. “Violetta!” he says, throwing his arms wide. “English girl, Italian name!” And across the room, I see a dark head turn in our direction. That much taller than the rest of the boys, he stands out, his straight black silky hair falling over his face, his blue eyes as bright and cold as the water of the fjord next to my grandmother’s summer rental cottage. I was looking for him before and couldn’t see him anywhere; now that I’ve been distracted by dancing and a Chianti-drinking donkey, he’s spotted me. His gaze flicks like a knife between me and the boy, who’s at the gigantic wine bottle now, filling cups and handing me one. “Salute!” Sebastiano says, touching his cup to mine, and I glance up at Luca, seeing that he’s taking this in, too. A rush of confusion fills me as I toast. I’m glad that Luca’s seen me with someone else, that I haven’t been a wallflower at this party, that I’ve proved him wrong, even a little bit, because there’s a boy here who seems to like me, who’s talking to me, anyway, getting me a drink. In films, in books, flirting with a boy is a surefire way to get the one you actually like interested in you, draw him over to your side. They’re supposed to like competition, the challenge of going after a girl who’s popular. But maybe real life doesn’t quite work that way. Because Luca arches one black eyebrow, his mouth quirks up on one side in a sneer, and he turns pointedly away sliding a cigarette into his mouth, and lighting it with a flip of his Zippo. Disgusting habit, I think as firmly as I can. I’m glad he’s not coming over, smoking a nasty stinking cancer stick. It’s awful when you lie to yourself. I do think smoking is foul, but I’m also more than aware that if Luca strolled over to talk to me, with that cigarette dangling from the corner of his mouth, I wouldn’t walk away, complaining about the smoke; I’d stand there staring up at him, trying not to grin as widely as a five-year-old meeting Cinderella at Disneyland.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Who’s that?” Barney asked. Pedro answered, having returned his attention to his daughter’s suitor. “Father Alonso,” he said. “He’s the new inquisitor.” Carlos, Ebrima, and Betsy appeared alongside Barney, moving forward to get a closer look at the preacher. Alonso began by speaking of the shivering fever that had killed hundreds of citizens during the winter. It was a punishment from God, he said. The people of Seville had to learn a lesson from it, and examine their consciences. What terrible sins had they committed, to make God so angry? The answer was that they had tolerated heathens among them. The young priest became heated as he enumerated the blasphemies of heretics. He spat out Jew, Muslim, Protestant as if the very words tasted foul in his mouth. But who was he talking about? Barney knew the history of Spain. In 1492 Ferdinand and Isabella—“the Catholic monarchs”—had given the Jews of Spain an ultimatum: convert to Christianity or leave the country. Later the Muslims had been offered the same brutal choice. All synagogues and mosques had since been turned into churches. And Barney had never met a Spanish Protestant, to his knowledge.
Ken Follett (A Column of Fire)
The time of the lone wolf, Capitalism, for instance, is indeed over. It cannot possibly sustain itself without gobbling up the world. That is what we see all around us. Women and children in Bangladesh, India, the Philippines, Haiti, Mexico, China and elsewhere in the world forced into starvation and slavery as they turn out the tennis balls and cheap sneakers for the affluent. Ancient trees leveled to make more housing while housing that could be saved and reused is torn down and communities heartlessly displaced. Mining of the earth for every saleable substance she has. Fouling of the waters that is her blood. Murdering innocents, whether people, animals or plants, in pursuit of oil. The lone wolf is the hungry ghost (in Buddhist thought) that can never get enough; whose mouth may be small but whose stomach is boundless. We cannot afford him.
Alice Walker (We Are The Ones We Have Been Waiting For: Inner Light in a Time of Darkness)
The petite, five-foot-two engineer was a foul-mouthed hellion masquerading as a blonde bombshell.
J.R. Robertson (The Terran Menace (Terran Menace, #1))
Lips and teeth collided with her mouth, and she screamed as the kelpie kissed her. His black tongue shoved into her mouth, tasting of foul meat.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Given all this, we can see why the foul-mouthed politician has supplanted the polite and reserved one, because in a world where the inner voice is key to the real person, the former is authentic while the latter presents a public image likely at odds with his private behavior.
Carl R. Trueman (Strange New World: How Thinkers and Activists Redefined Identity and Sparked the Sexual Revolution)
In the end, the brown dragon was brought to heel by the cunning and persistence of a “small brown girl” of six-and-ten, who delivered him a freshly slaughtered sheep every morning, until Sheepstealer learned to accept and expect her. Munkun sets down the name of this unlikely dragonrider as Nettles. Mushroom tells us the girl was a bastard of uncertain birth called Netty, born to a dockside whore. By any name, she was black-haired, brown-eyed, brown-skinned, skinny, foul-mouthed, fearless…and the first and last rider of the dragon Sheepstealer.
George R.R. Martin (Fire & Blood)
A foul-mouthed tirade destroying each other will not help.
Udayakumar D.S. (Fearless and Free: How One Man Changed my Life ǀ Self-help story on life, love and making a fresh start)
(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.
Edmund Spenser (The Faerie Queene)
What a foul mouth she had,” he told me after finishing a bottle of wine, “but she sure knew how to love a man.” To say I was uncomfortable to hear my father speak like that about a woman was an understatement. The fact that it wasn’t my mother made it even worse.
Lorena Hughes (The Spanish Daughter)
The Dark Cloud Is a father who loves to abuse and thinks that is perfectly okay Is a stamp of approval from a mobster that thinks he’s here to stay Is a foul mouth and quick temper that acts like it is new Is a moody actor that believes that he is above the entire crew
Aida Mandic (The Dark Cloud)
A suspicion, a doubt, a jealousy grew in my mind, which turned the hairs on my head to filthy snakes, as though my thoughts hissed and spat on my scalp. My bride’s breath soured, stank in the grey bags of my lungs. I’m foul mouthed now, foul tongued, yellow fanged. There are bullet tears in my eyes. Are you terrified? Be terrified. It’s you I love, perfect man, Greek God, my own; but I know you’ll go, betray me, stray from home. So better by far for me if you were stone. I glanced at a buzzing bee, a dull grey pebble fell to the ground. I glanced at a singing bird, a handful of dusty gravel spattered down. I looked at a ginger cat, a housebrick shattered a bowl of milk. I looked at a snuffling pig, a boulder rolled in a heap of shit. I stared in the mirror. Love gone bad showed me a Gorgon. I stared at a dragon. Fire spewed from the mouth of a mountain. And here you come with a shield for a heart and a sword for a tongue and your girls, your girls. Wasn’t I beautiful? Wasn’t I fragrant and young? Look at me now. - Medusa by Carol Ann Duffy -
Carol Ann Duffy (The World's Wife)
Language, Cormac. I did not raise you to be foul-mouthed and disrespectful, regardless of the company you’re keeping.
Sulari Gentill (The Mystery Writer)
You’ve got a short temper, a bad habit of kicking people, and a foul mouth, but…you’re actually really nice, and quick to cry. Sometimes you’re a total idiot…and you’re a pig like no one would believe! You’re not “Alice” because you’re you’re human. And you’re not Alice because you’re a chain! Your gestures, the way you think, you’re expressions…so that you…can show us what it means to be “Alice” through each of those— we’ll always be watching! So—! Alice…you’re fine just the way you are!
Jun Mochizuki (Pandora Hearts, Vol. 5)
The fuck you all look so morbid for,” Garrett rasps, then coughs. We all share a look before bursting into laughter. Vipers never die. Vipers never fall… unless it’s for a tattooed, foul-mouthed bar owner.
K.A. Knight (Den of Vipers)