Foul Language Quotes

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And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb—alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
Indulge me, John. Cynicism and foul language are the only vices I'm presently capable of. Everything else takes energy or money.
Mary Doria Russell (Children of God (The Sparrow, #2))
It is important for knitters to know two things about frogging: that cats are capable of this knitting action, and even seem to enjoy it and seek opportunities to do it; and that foul language is a normal, healthy accompaniment to frogging, whether it is you or the cat that accomplished the task.
Stephanie Pearl-McPhee (At Knit's End)
What's strange about the whole thing is that although it's riddled with nonsense, altogether it's true - Julie's told our story, mine and hers, our friendship, so truthfully. It is us. We even had the same dream at the same time. How could we have had the same dream at the same time? How can something so wonderful and mysterious be true? But it is. And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb - alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
The universal pervasion of ugliness, hideous landscapes, vile noises, foul language...everything. Unnatural, broken, blasted; the distortion of the dead, whose unburiable bodies sit outside the dug outs all day, all night, the most execrable sights on earth. In poetry we call them the most glorious.
Wilfred Owen (The Collected Poems of Wilfred Owen)
She knew all sorts of four letter words now; they just weren't the ones that most people considered foul language. Love. Help. Rape. Stop. Then.
Jodi Picoult (The Tenth Circle)
Curses and foul language!
Chris Grabenstein (The Island of Dr. Libris)
Cynicism and foul language are the only vices I'm presently capable of. Everything else takes energy or money. (64)
Mary Doria Russell (Children of God (The Sparrow, #2))
Even a highwayman, in the way of trade, may blow out your brains, but if he uses foul language at the same time, I should say he was no gentleman.
William Hazlitt (On The Pleasure of Hating)
Bollocks, bitches, and Battlestar Galactica,” I mumbled. I have a bad habit of mumbling curse words when I’m aggravated; honestly, I think I might have a mild case of Tourette’s. To soften the string of foul language and make me feel like less of a freak, I try to throw in a pop culture reference at the end. It usually works, but not today.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
If these were death agonies, they were fake ones, Costis thought, and was sure of it when they reached the shallow stair at the far end of the reflecting pool. No one on the verge of death has the strength to pile one foul word on top of another like a man compiling a layered pastry of obscene language, from the the bottom step all the way to the top.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
When God was making the mold for good-looking men, he asked one of his angels what else he should add to make a man more attractive in her eyes. The angel didn’t want to be disrespectful by using foul language, so she simply said, ‘Give him a big stick.’ Unfortunately, the added piece was put on backward, and now all good-looking men are born with a large stick up their tuchus.
Vi Keeland (Hate Notes)
Cynicism and foul language are the only vices I’m presently capable of. Everything else takes energy or money.
Mary Doria Russell (Children of God (The Sparrow, #2))
A person of good character is he who is modest, says little, causes little trouble, speaks the truth, seeks the good, worships much, has few faults, meddles little, desires the good for all, and does good works for all. He is compassionate, dignified, measured, patient, content, grateful, sympathetic, friendly, abstinent, and not greedy. He does not use foul language, nor does he exhibit haste, nor does he harbor hatred in his heart. He is not envious. He is candid, well-spoken, and his friendship and enmity, his anger and his pleasure are for the sake of God Most High and nothing more.
Abu Hamid al-Ghazali (On the Treatment of the Lust of the Stomach and the Sexual Organs (Great Books of the Islamic World))
She studies the endless rows of titles on the bookshelf, then whirls toward me. “Okay. Admit it.” “Admit what?” She points an accusing finger at me. “You’re smart.” I snort loudly. “Of course I’m smart.” “You sure as hell don’t act like it.” Allie crosses her arms over the front of her loose striped sweater. “In fact, I feel like you go out of your way to make everyone believe you’re a dummy. With your ‘baby dolls’ and foul language and the way you throw ‘ain’t’ into a sentence every so often.” I flash her a grin. “Nope, that’s just how I fucking talk, baby doll. Ain’t nothing wrong with that.
Elle Kennedy (The Score (Off-Campus, #3))
Speaking the Lord’s name with reverence must simply be part of our lives as members of the Church... we do not use foul language. We do not curse or defame. We do not use the Lord’s name in vain. It is not difficult to become perfect in avoiding a swearing habit, for if one locks his mouth against all words of cursing,... he is en route to perfection in that matter.
Spencer W. Kimball
With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
Isn't it strange how we say sorry in Chinese? In every other language it's some version of "pardon" or distress. But 'duì bù qǐ...' We're saying we don't match up.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
My father used to say that someone who used foul language was someone who needed to study vocabulary because there were more civilized ways to get one’s point across.
Debbie Macomber (A Girl's Guide to Moving On)
And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb - alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
Even the word itself, human, means flawed. It means everything is technically correct but some unanticipated trouble has fouled it up. If the assignment had been to be human, to fail, then I succeeded. But if it was to create a comprehensive document of life on Earth, I was always doomed. Language is pitiable when weighed against experience.
Marie-Helene Bertino (Beautyland)
When leaving the ground, our ears were assaulted by language that you wouldn’t normally hear on a building site. In fact, most people in construction wouldn’t normally swear in public or in front of children. It appeared to me that the men in their twenties using these words were doing so on purpose, perhaps to make themselves appear ‘hard’ amongst other Millwall supporters, or to intimidate the opposition. But looking at them, they were pigeon chested and weak armed, and I suspected their use of foul language was intended to boost their stature to compensate for their lack of physical strength
Karl Wiggins (Calico Jack in your Garden)
Those who use foul language on social networks (such as Twitter) are sending an expensive signal that they are free—and, ironically, competent. You don’t signal competence if you don’t take risks for it—there are few such low-risk strategies. So cursing today is a status symbol, just as oligarchs in Moscow wear blue jeans at special events to signal their power.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
What’s strange about the whole thing is that although it’s riddled with nonsense, altogether it’s true – Julie’s told our story, mine and hers, our friendship, so truthfully. It is us. And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie’s written, she is instantly alive again, whole and undamaged. With her words in my mind while I’m reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She’s right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can’t be landed, stuck in the climb – alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
When you are angry, your blood pressure rises, you forget the basic norms of good behavior, you start shouting, you even use foul language and dig out all the past corpses of incidents afresh to ruin your future. So, choose to remain peaceful and stable --- whatever the situation.
Sanchita Pandey (Cancer to Cure)
After hearing an answer, I drew in the chloroform in long breaths, thinking to assist the doctors in their work. In spite of this, I have a faint recollection of struggling with all my might against its effects, previous to losing consciousness; but I was greatly surprised on being afterwards told that I had, when in that condition, used more foul language in ten minutes delirium than had probably been used in twenty four hours by the whole population of Canada.
W.H. Davies (The Autobiography of a Super-Tramp)
These unpleasant habits commonly include throwing of rubbish on the floor of the compartment, smoking at all hours and in all places, betel and tobacco chewing, converting of the whole carriage into a spittoon, shouting and yelling, and using foul language, regardless of the convenience or comfort of fellow-passengers.
Mahatma Gandhi (My Experiments with Truth: An Autobiography of Mahatma Gandhi)
Funny, isn’t it? No matter what language they speak, everyone sounds the same when you pull out their fingernails.” – Dread Emperor Foul III, “the Linguist
ErraticErrata (So You Want to Be a Villain? (A Practical Guide to Evil, #1))
3. Foul language is not a clever method, but it can have a powerful impact on people who are well brought up, refined, delicate.
Aleksandr Solzhenitsyn (The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation)
Then she wrote him a referral for using foul language, and I heard her mutter under her breath (because I was sitting right next to her desk when this all went down), "... and if I could give him one for being a fucking idiot, I'd do that too." I don't know if anyone else heard her, but if they did, no one said anything. I so did not realize that teachers cussed or that they didn't like some of their students. At that moment, Ms. Abernard became my new hero.
Isabel Quintero (Gabi, a Girl in Pieces)
A discreet person . . . • is strong, yet humble; • expresses genuine concern and interest; • exercises caution to avoid unnecessary risks; • knows intuitively when a situation or conversation is heading in the wrong direction; • does not need to tear others down to build himself up; • refrains from using foul language or speaking brashly; • regulates her reactions and responds appropriately; • takes the higher road rather than wrestling in the mud; • remains gracious and poised in the heat of the moment; • refrains from unnecessary confrontations; • does not break confidence or share other people’s secrets with which they have been entrusted; • communicates with deliberation and confidence.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
UN-Impressives • Lying. • Bragging. • Gossiping. • Cursing and using foul language. • Making self-deprecating comments. • Regularly expressing worry and anxiety. • Criticizing and condemning people and situations. • Demonstrating a lack of emotional intelligence or compassion.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Isn’t it strange how we say sorry in Chinese? In every other language it’s some version of “pardon” or distress. But ‘duì bù qǐ…’ We’re saying we don’t match up. Sorry I didn’t do what was expected. Sorry I let you down. Sorry you expected me to save you from harm, and I didn’t—I didn’t.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
Shish kebab. Sugarloaf. Sheboygan. Whenever life called for foul language, Aughenbaugh broke into a reserve of quaint midwestern euphemisms. There seemed to be hundreds, rarely repeated. My grandfather had met few Lutherans. He wondered if they were handed some kind of list to memorize as children.
Michael Chabon (Moonglow)
Farah gaped, unable to fathom his brutality. She shouldn't be shocked, she'd been around the worst sort of criminals for more years than she'd care to admit. But, somehow, it astounded her that one so cultured, so relaxed and wealthy and tailored, could issue such a threat with a civil tongue. The criminals of her acquaintance were dirty and foul with explosive tempers and crude language. Blackwell threatened violence as though discussing the price of Irish potatoes.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
You don't understand. Speaking, talking--language, that is--represents the most orderly, civilized, and rational expression of human nature. All this foul-mouthed cussing is a gap where you can't think of anything to say. It's the opposite of being rational and ordered. The very opposite. It wants to unpick civilized behavior, rationality, and order.
Graham Joyce (The Silent Land)
Evidently there is difficulty, real difficulty, in learning a foreign language at all, as if it sprinkled all the sweet flavor of the Greek mythical stories with a foul taste.
Augustine of Hippo (Confessions)
The earth freezes for the man who normally lets it slide: he frees curses, only once in a blue moon lets them slip.
Criss Jami
If every word or device that achieved currency were immediately authenticated, simply on the grounds of popularity, the language would be as chaotic as a ball game with no foul lines
William Strunk Jr. (The Elements of Style)
she burst into a furious torrent of abuse. She shouted at the top of her voice. She called him every foul name she could think of. She used language so obscene that Philip was astounded;
W. Somerset Maugham (Of Human Bondage (The Unabridged Autobiographical Novel))
No one on the verge of death has the strength to pile one foul word on top of another like a man compiling a layered pastry of obscene language, from the bottom of the step all the way to the top.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
You’d think that after two teenage boys admitted a long-kept secret about their sexuality to each other there would be some sort of tentative period, a span of time in which they’d be cautiously honest and play it cool. Nothing could’ve been farther from the truth. Our coming out to each other was like opening a backed-up fire hydrant, releasing an unwieldy torrent of foul language, sex talk, and fashion experimentation.
David Crabb (Bad Kid: A Memoir)
Unlike the anything-goes Greeks, the Romans felt a need to set some linguistic limits and invented censorship in the fifth century B.C. Originally censori (censors) had been charged with ascertaining the wealth of the citizenry, a crucial reckoning because different social and economic classes had different rights and obligations. In 443 B.C. these magistrates took on the extra duty of assuring the respect of public morals, although they objected less to foul language than to offensive satires.
Anonymous
Then somewhere along the way, between our last petty argument and the fifth time you decided to sleep on my shoulder, I fell in love with you, and once I’ve tumbled that deep, I’m trying to understand everything you say no matter which language it’s in.
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
Worship alone is not enough. Neither is praying. Right living means making a deliberate, clean break with sin, accompanied by confession if necessary, and a resolute, careful determination to live every day in obedience to the laws of God. It means laying aside dishonesty, immorality, coarse or foul language, gossip, slander, backbiting, backstabbing, envy, jealousy, pride, selfish ambition, and lying. Right living means taking up a humble spirit of submission and service to God in which we first love God with all our heart and then love our neighbor as ourselves.
Myles Munroe (The Myles Munroe's Kingdom Series)
But that wasn't the chief thing that bothered me: I couldn't reconcile myself with that preoccupation with sin that, so far as I could tell, was never entirely absent from the monks' thoughts. I'd known a lot of fellows in the air corps. Of course they got drunk when they got a chance, and had a girl whenever they could and used foul language; we had one or two had hats: one fellow was arrested for passing rubber cheques and was sent to prison for six months; it wasn't altogether his fault; he'd never had any money before, and when he got more than he'd ever dreamt of having, it went to his head. I'd known had men in Paris and when I got back to Chicago I knew more, but for the most part their badness was due to heredity, which they couldn't help, or to their environment, which they didn't choose: I'm not sure that society wasn't more responsible for their crimes than they were. If I'd been God I couldn't have brought myself to condemn one of them, not even the worst, to eternal damnation. Father Esheim was broad-minded; he thought that hell was the deprivation of God's presence, but if that is such an intolerable punishment that it can justly be called hell, can one conceive that a good God can inflict it? After all, he created men, if he so created them that ti was possible for them to sin, it was because he willed it. If I trained a dog to fly at the throat of any stranger who came into by back yard, it wouldn't be fair to beat him when he did so. If an all-good and all-powerful God created the world, why did he create evil? The monks said, so that man by conquering the wickedness in him, by resisting temptation, by accepting pain and sorrow and misfortune as the trials sent by God to purify him, might at long last be made worthy to receive his grace. It seem to me like sending a fellow with a message to some place and just to make it harder for him you constructed a maze that he had to get through, then dug a moat that he had to swim and finally built a wall that he had to scale. I wasn't prepared to believe in an all-wise God who hadn't common sense. I didn't see why you shouldn't believe in a God who hadn't created the world, buyt had to make the best of the bad job he'd found, a being enormously better, wiser and greater than man, who strove with the evil he hadn't made and who might be hoped in the end to overcome it. But on the other hand I didn't see why you should.
W. Somerset Maugham (The Razor’s Edge)
His real gift was as a phrasemaker. “Shakespeare’s language,” says Stanley Wells, “has a quality, difficult to define, of memorability that has caused many phrases to enter the common language.” Among them: one fell swoop, vanish into thin air, bag and baggage, play fast and loose, go down the primrose path, be in a pickle, budge an inch, the milk of human kindness, more sinned against than sinning, remembrance of things past, beggar all description, cold comfort, to thine own self be true, more in sorrow than in anger, the wish is father to the thought, salad days, flesh and blood, foul play, tower of strength, be cruel to be kind, blinking idiot, with bated breath, tower of strength, pomp and circumstance, foregone conclusion—and many others so repetitiously irresistible that we have debased them into clichés. He was so prolific that he could (in Hamlet) put two in a single sentence: “Though I am native here and to the manner born, it is a custom more honoured in the breach than the observance.” If
Bill Bryson (Shakespeare: The World as Stage)
I don’t resort to foul language as a rule, but that first session with the counselor yesterday was bloody ridiculous. I started crying in front of Dr. Temple at the end of her stupid empty-chair exercise, and then she actually said, with faux gentleness, that our session had to draw to a close and that she’d see me next week at the same time. She basically hustled me out onto the street, and I found myself standing on the pavement, shoppers bustling past me, tears streaming down my face. How could she do it? How could one human being see another so obviously in pain, a pain she had deliberately drawn out and worried away at, and then push her out into the street and leave her to cope with it alone?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Oh, God, who does not exist, you hate women, otherwise you'd have made them different. And Jesus, who snubbed your mother, you hate them more. Roaming around all that time with a bunch of men, fishing; and sermons-on-the-mount. Abandoning women. I thought of all the women who had it, and didn't even know when the big moment was, and others saying their rosary with the beads held over the side of the bed, and others saying, "Stop, stop, you dirty old dog," and others yelling desperately to be jacked right up to their middles, and it often leading to nothing, and them getting up out of bed and riding a poor door knob and kissing the wooden face of a door and urging with foul language, then crying, wiping the knob, and it all adding up to nothing either.
Edna O'Brien (Girls in Their Married Bliss (The Country Girls Trilogy, #3))
Imagine yourself having a fight with your romantic partner. The tension of the situation makes your limbic system run at full throttle and you become flooded with stress hormones like cortisol and adrenalin. The high levels of these chemicals suddenly make you so damn angry, that you burst out in front of your partner saying, “I wish you die, so that I can have some peace in my life”. Given the stress of the situation through highly active limbic system, your PFC loses its freedom to take the right decision and you burst out with foul language in front of your partner, that may ruin your relationship. In simple terms due to your mental instability, you lost your free will to make the right decision. But when the conversation is over, and you relax for a while, your stress hormone levels come down to normal, and you regain your usual cheerful state of mind. Immediately, your PFC starts analyzing the explosive conversation you had with your partner. Healthy activity of the entire frontal lobes, especially the PFC suddenly overwhelms you with a feeling of guilt. Your brain makes you realize, that you have done something devilish. As a result, now you find yourself making the willful decision of apologizing to your partner and making up to him or her, no matter how much effort it takes, because your PFC comes up the solution that it is the healthiest thing to do for your personal life. From this you can see, that what you call free will is something that is not consistent. It changes based on your mental health. Mental instability or illness, truly cripples your free will. And the healthier your frontal lobes are, the better you can take good decisions. And the most effective way to keep your frontal lobes healthy is to practice some kind of meditation.
Abhijit Naskar (What is Mind?)
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before. Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner. Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage. At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it. But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
Maggie Georgiana Young (Just Another Number)
The Huns had arrived at the distant edges of the western world. To the Romans, who had never seen them, they were as frightening as earthquake and tsunami, an evil force that could barely be resisted. Historians of the time had no idea exactly where these frightening newcomers came from, but they were sure it was somewhere awful. The Roman historian Procopius insists that they were descended from witches who had sexual congress with demons, producing Huns: a “stunted, foul and puny tribe, scarcely human and having no language save one which bore but slight resemblance of human speech.
Susan Wise Bauer (The History of the Medieval World: From the Conversion of Constantine to the First Crusade)
Eyes, opening from the darkness of desire, eyes that dimmed the breaking east. What was their languid grace but the softness of chambering? And what was their shimmer but the shimmer of the scum that mantled the cesspool of the court of a slobbering Stuart. And he tasted in the language of memory ambered wines, dying fallings of sweet airs, the proud pavan: and saw with the eyes of memory kind gentlewomen in Covent Garden wooing from their balconies with sucking mouths and the pox fouled wenches of the taverns and young wives that, gaily yielding to their ravishers, clipped and clipped again.
James Joyce (A Portait of the Artist as a Young Man)
...the process of transformation starts with decay..." "And then you have something beautiful?" asks Alma. "But first you have something ugly, my love. Foul and fair always live together," replies Ma. "And then you have a butterfly who...for all its beauty, will only live a few days," says Cookie Auntie. "Beauty is ephemeral," agrees Ma... "Ephemeral": short-lived, brief. Alma considers it. "But beauty will exist for the person who sees it. And after they have seen it, the person will not forget having seen it." ..."Beauty can live on. In memory, or a story, in language and words, in music," agrees Ma.
Melody Razak (Moth)
Think of Chicago as a piece of music, perhaps,” he continued. “In it you can hear the thousands of years of people living here and fishing and hunting, and then bullets and axes, and the whine of machinery, and the bellowing of cattle, and the shriek of railroads, and the thud of fists and staves and crowbars, and a hundred languages, a thousand dialects. And the murmur of the lake like a basso undertone. Ships and storms, snow and fire. To the north the vast dark forests, and everywhere else around the city rolling fields of farms, and all roads leading to Chicago, which rises from the plains like Oz, glowing with light and fire at night, drawing people to it from around the world. A roaring city, gunfire and applause and thunder. Gleaming but made of bone and stone. Bitter cold and melting hot and clotheslines hung in the alleys and porches like the webbing of countless spiders. A city without illusions but with vaulting imaginations and expectations. A city of burning energies on the shore of a huge northern sea. An American city, with all the violence and humor and grace and greed of this particular powerful adolescent country. Perhaps the American city—no other city in the nation is as big and central and grown up from the very soil. Chicago was never ruled by Spain or England or France or Russia or Texas, it shares no ocean with other countries, it is no mere regional captain, like Cincinnati or Nashville; it is itself, all brawn and greed and song, brilliant and venal, almost a small nation, sprawling and vulgar and foul and beautiful, cold and cruel and wonderful. Its music is the blues, of course. Sad and uplifting at once, elevating and haunting at the same time. You sing so that you do not weep. You have no choice but to sing. So you raise up your voice and sing of love and woe, and soon another voice joins in, and you sing together, for a while, for a time, perhaps a brief time, but perhaps not.…
Brian Doyle
It’s the Queen’s English now,’ observed Peter mildly. ‘Is there a difference?’ asked Oundle rhetorically. ‘I fervently hope not.’ ‘There will be in time,’ said Peter. ‘That will be deplorable,’ replied Oudle. ‘I shall not myself deviate by a syllable from correct usage.’ ‘My language is foul, and yours is Fowler?’ said Peter, and added one of his sudden quirky smiles, ‘or know your Onions.’ This quip crossed the barrier of the table, because the man sitting nearly opposite Peter laughed. ‘Onions?’ said Oudle. ‘C.T. Onions, I imagine,’ said the man opposite. ‘Editor of the Oxford English Dictionary.’ ‘Oh, I see,’ said Oudle. ‘Very droll.
Jill Paton Walsh (The Late Scholar (Lord Peter Wimsey/Harriet Vane, #4))
Mason recalls well enough that autumn of ’56, when the celebrated future Martyr of Quebec, with six companies of Infantry, occupied that unhappy Town after wages were all cut in half, and the master weavers began to fiddle the Chain on the Bar, and a weaver was lucky to earn tuppence for eight hours’ work. Mason in those same Weeks was preparing to leave the Golden Valley, to begin his job as Bradley’s assistant, even as Soldiers were beating citizens and slaughtering sheep for their pleasure, fouling and making sick Streams once holy,— his father mean-times cursing his Son for a Coward, as Loaves by the Dozens were taken, with no payment but a Sergeant’s Smirk. Mason, seeing the Choices, had chosen Bradley, and Bradley’s world, when he should instead have stood by his father, and their small doom’d Paradise. “Who are they,” inquires the Revd in his Day-Book, “that will send violent young troops against their own people? Their mouths ever keeping up the same weary Rattle about Freedom, Toleration, and the rest, whilst their own Land is as Occupied as ever it was by Rome. These forces look like Englishmen, they were born in England, they speak the language of the People flawlessly, they cheerfully eat jellied Eels, joints of Mutton, Treacle-Tarts, all that vile unwholesome Diet which maketh the involuntary American more than once bless his Exile,— yet their intercourse with the Mass of the People is as cold with suspicion and contempt, as that of any foreign invader.” “We shall all of us learn, who they are,” Capt. V. with a melancholy Phiz, “and all too soon.
Thomas Pynchon (Mason & Dixon)
Lieutenant Smith was asked by Mister Zumwald to get him a drink,” Wilkes said. “She responded with physical violence. I counseled her on conduct unbecoming of an officer and, when she reacted with foul language, on disrespect to a superior officer, sir, and I’ll stand by that position. Sir.” “I agree that her actions were unbecoming, Captain,” Steve said, mildly. “She really should have resolved it with less force. Which I told her as well as a strong lecture on respect to a superior officer. On the other hand, Captain, Mister Zumwald physically accosted her, grabbing her arm and, when she protested, called her a bitch. Were you aware of that, Captain?” “She did say something about it, sir,” Wilkes said. “However… ” “I also understand that you spent some time with Mister Zumwald afterwards,” Steve said. “Rather late. Did you at any time express to Mister Zumwald that accosting any woman, much less an officer of… what was it? ‘The United States Naval services’ was unacceptable behavior, Captain?” “Sir,” Wilkes said. “Mister Zumwald is a major Hollywood executive… ” “Was,” Steve said. “Excuse me, sir?” Wilkes said. “Was a major Hollywood executive,” Steve said. “Right now, Ernest Zumwald, Captain, is a fucking refugee off a fucking lifeboat. Period fucking dot. He’s given a few days grace, like most refugees, to get his headspace and timing back, then he can decide if he wants to help out or go in with the sick, lame and lazy. And in this case he’s a fucking refugee who thinks it’s acceptable to accost some unknown chick and tell him to get him a fucking drink. Grab her by the arm and, when she tells him to let go, become verbally abusive. “What makes the situation worse, Captain, is that the person he accosted was not just any passing young hotty but a Marine officer. He did not know that at the time; the Marine officer was dressed much like other women in the compartment. However, he does not have the right to grab any woman in my care by the fucking arm and order them to get him a fucking drink, Captain! Then, to make matters worse, following the incident, Captain, you spent the entire fucking evening getting drunk with a fucktard who had physically and verbally assaulted a female Marine officer! You dumbshit.” “Sir, I… ” Wilkes said, paling. “And not just any Marine officer, oh, no,” Steve said. “Forget that it was the daughter of the Acting LANTFLEET. Forget that it was the daughter of your fucking rating officer, you retard. I’m professional enough to overlook that. I really am. There’s personal and professional, and I do actually know the line. Except that it was, professionally, a disgraceful action on your part, Captain. But not just any Marine officer, Captain. No, this was a Marine officer that, unlike you, is fucking worshipped by your Marines, Captain. This is a Marine officer that the acting Commandant thinks only uses boats so her boots don’t get wet walking from ship to ship. This is a Marine officer who is the only fucking light in the darkness to the entire Squadron, you dumbfuck! “I’d already gotten the scuttlebutt that you were a palace prince pogue who was a cowardly disgrace to the Marine uniform, Captain. I was willing to let that slide because maybe you could run the fucking clearance from the fucking door. But you just pissed off every fucking Marine we’ve got, you idiot. You incredible dumbfuck, moron! “In case you hadn’t noticed, you are getting cold-shouldered by everyone you work with while you were brown-nosing some fucking useless POS who used to ‘be somebody.’ ‘Your’ Marines are spitting on your shadow and that includes your fucking Gunnery Sergeant! Captain, am I getting through to you? Are you even vaguely recognizing how badly you fucked up? Professionally, politically, personally?
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
They passed by the docks that ran along the back of the Palazzo Ducale, home to the Doge of Venice. A pair of flat-bottomed peàtas were tied up here, and coarse-looking men walked up and down gangplanks, unloading crates and barrels. Cass blushed at the language they were using. She rarely heard such foul words, but then she had never paid much attention to commoners before. Maybe everyone in the working class spoke crudely. Falco had practically invited her to spend the night with him. She remembered the way his eyes had worked their way over her whole body, like he could see straight through her clothing. She felt her face growing hotter and turned quickly away from Siena. Cass was going to throw herself into the Grand Canal if the girl inquired about her health one more time.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
He requested an opportunity to address the Officer Corps in Berlin, and General von Fritsch, who was in command at the time, agreed but only on condition that Rosenberg would refrain from attacking the Church in his talk. The newspapers the next day announced that he had made an impressive address, but all Berlin was buzzing with the true story. Rosenberg had broken his promise and had flung his customary accusations against the Church. Fritsch, followed by his entire Officer Corps, had risen and walked out, leaving Dr. Rosenberg an empty auditorium in which to fulminate. Rosenberg’s book, The Myth of the 20th Century, had become the Nazi bible. It was the book of the Hero-cult, of state worship, of the theory that the Nordic blood is divine; its pages were full of foul invective against the Lutherans, the Catholics, and the Jews. In 1935, the Bruederrat published a series of papers assailing The Myth of the 20th Century, refuting its absurdities in clear language and opening fire on the very heart of the Nazi beliefs. These papers were widely disseminated although the government made frantic efforts to confiscate them. It is probable that no copies of any of these papers exist in the United States, since it was too dangerous––rather, it was impossible––to bring them out of Germany.
Kathrine Kressmann Taylor (Day of No Return)
29Don't use foul or abusive language. Let everything you say be good and helpful, so that your words will be an encouragement to those who hear them.
Anonymous (Holy Bible Text Edition NLT: New Living Translation)
If it comes to that, we are getting to a pretty good age ourselves,” said the Dean. “I wonder that the people who try to write the Bible in modern language don’t alter the threescore years and ten.” Mr. Birkett said that judging from the bits of Basic English he had seen, there would certainly be no word for threescore and probably not for ten. “One and one and one would be the best they could do.”“Come, Birkett, be fair,” said the Dean. “Even the Romans knew no better than to say ten-fifty when they meant forty. Or if they didn’t say it, they wrote it and carved it, which looks as if they meant it.”“And those dreadful French say four-twenty-thirteen for ninety-three,” said Mr. Birkett. “And look at the Germans, saying half-eight when they mean half-past seven,” responded the Dean. “Or those foul Italians thinking that quattrocento means the fifteenth century,” said Mr. Birkett in antistrophe
Angela Thirkell (Miss Bunting: A Novel (Angela Mackail Thirkell Works))
Willa forgot this scrappiness when Tig was far away, then wore out on it fast when she was around. But their new household arrangement was working out in some ways. Tig, who generally took no prisoners, had an inexplicable tolerance for her grandfather. She took his barked commands with a smile, let him cheat at backgammon, and helped with his insulin shots while ignoring his effluent of foul language. Willa was relieved of her hardest familial duties and had finally begun sleeping better, with no idea she was gathering strength for the next collapse: a new unhappiest child.
Barbara Kingsolver (Unsheltered)
Language, Cormac. I did not raise you to be foul-mouthed and disrespectful, regardless of the company you’re keeping.
Sulari Gentill (The Mystery Writer)
While for some, womanhood, may have been bestowed upon them by birth, it was shoved upon me by society in the most brutish way possible as I was an effeminate boy. I have been conscious of my femininity just as life within my being but social construct did not allow for it. So as I navigated life in my natural and fabulous femininity as a naive boy in the way I spoke, walked, and lived, I was made aware of the woman in me through degrading foul language that parents pass on to their children. This language is used as an assertion of contempt towards effeminate men in Goa, words like: bile, bizuaon huicho, baizon, hijra, chakka, ladies, and fifty-fifty.
Elizabeth Dennings (By the River Mandovi)
Watch the way you talk. Let nothing foul or dirty come out of your mouth. Say only what helps, each word a gift. 30 Don’t grieve God. Don’t break his heart. His Holy Spirit, moving and breathing in you, is the most intimate part of your life, making you fit for himself. Don’t take such a gift for granted. 31-32 Make a clean break with all cutting, backbiting, profane talk. Be gentle with one another, sensitive. Forgive one another as quickly and thoroughly as God in Christ forgave you. WAKE UP FROM Y
Eugene H. Peterson (The Message: The Bible in Contemporary Language--Numbered Edition)
One thing this shows, I think, at its simplest, is that language is no respecter of persons in that it will find birth wherever and whenever it can. There is very often something wonderfully anonymous about the whole process: a pimp can coin a word as lasting as that of a poet, a street hawker as a statesman, a farmer as a scholar, a foul mouth as a Latinist, vulgar as refined, illiterate as schooled. Language leaps out of mouths regardless of class, sex, age, or education: it sees something that needs to be said or saved in a word and it pounces. In the American west it pounced for more than fifty years.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
Lillian grimaced. “Bloody hell,” she muttered. “Damn and blast. Son of a—” “When the baby is born,” Daisy said with a faint smile, “you’ll really have to stop using such foul language.” “Then I will indulge myself to the fullest until he gets here.” “Are you certain it’s a he?” “It had better be, since Westcliff needs an heir and I’m never going through this again.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Foul language will earn you a recitation that will grow your vocabulary.
Rachel A. Marks (Darkness Brutal (The Dark Cycle #1))
I reach into the hat and pull out a little white slip of paper. I open it slowly while I bite my lower lip in anticipation. In bold letters I read HAND WARMERS. “Hand warmers?” I question. Alex leans over and reads the paper with a confused look on his face. “What the fuck are hand warmers?” Mrs. Peterson shoots Alex a warning glare. “If you’d like to stay after school, I have another blue detention slip on my desk with your name already on it. Now, either ask the question again without using foul language or join me after school.” “That’d be cool to hang with you, Mrs. P., but I’d rather spend the time studyin’ with my chem partner,” Alex responds, then has the nerve to wink at Colin, “so I’ll rephrase the question. What exactly are hand warmers?” “Thermal chemistry, Mr. Fuentes. We use them to warm our hands.” Alex has this big, cocky grin as he turns to me. “I’m sure we can find other things to warm.” “I hate you,” I say loud enough for Colin and the rest of the class to hear. If I sit here and let him get the best of me, I’ll probably hear my mom tsk’ing in my head about reputation meaning everything. I know the class is watching out interaction, even Isabel, who thinks Alex isn’t as bad as everyone thinks he is. Can’t she see him for what he is, or is she blinded by his chiseled face and popular status among their friends? Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
One lewd student elicited laughter from his fellow students as he stood to mimic the professor as if she were a feeble woman with a hankering for foul language coupled with a dose of an unidentified spirit that left her words marred by slurring and drunken outbursts.
Grae Lily (Fool's Errand (Marked As Prey Book 1))
It’s fine. I use foul language and you bust up small mountains.” I examined the rubble around us. “We each have our coping mechanisms.
Ashlan Thomas (To Hold (The To Fall Trilogy, #2))
To knock today's prestige dialects off their pedestals, it helps to realize that they are really foul perversions of yesterday's prestige dialects.
Gregory C. Carlson (Sold on Language: How Advertisers Talk to You and What This Says about You)
about your writing: Am I okay with…? Swearing or using foul language? Portraying casual sex? Writing intimate love scenes? Featuring nontraditional sexual fetishes or activities? Writing about infidelity? Writing about murder or suicide? Portraying violence? Describing gory scenes? Portraying abuse or other trauma-inducing situations? Discussing politics or controversial issues? Including or excluding religion or spirituality? Featuring a multicultural cast of characters? Bleak or hopeless endings? Always having to write happily-ever-afters? Restricting your vocabulary for your audience’s age level? Now go through these questions again, this time bearing your target reader in mind. Do your answers match? If not, how do they differ? Are you willing to make exceptions to
Emlyn Chand (Discover Your Brand: A Do-It-Yourself Branding Workbook for Authors (Novel Publicity Guides to Writing & Marketing Fiction 1))
Those immediately behind number 50 were anguish personified. They let loose an endless stream of foul language and it was hard to tell whether they were cursing themselves or cursing something else. My neighbours and I in the last third of the queue only felt a pang of disappointment whereas those who just missed out on the coupon were like people who see the duck that they had cooked flap its wings and fly away.
Yu Hua (十個詞彙裡的中國)
Town, as they called it, pleased me the less, the longer I saw it. But until our language stretches itself and takes in a new word of closer fit, town will have to do for the name of such a place as was Medicine Bow. I have seen and slept in many like it since. Scattered wide, they littered the frontier from the Columbia to the Rio Grande, from the Missouri to the Sierras. They lay stark, dotted over a planet of treeless dust, like soiled packs of cards. Each was similar to the next, as one old five-spot of clubs resembles another. Houses, empty bottles, and garbage, they were forever of the same shapeless pattern. More forlorn they were than stale bones. They seemed to have been strewn there by the wind and to be waiting till the wind should come again and blow them away. Yet serene above their foulness swam a pure and quiet light, such as the East never sees; they might be bathing in the air of creation's first morning. Beneath sun and stars their days and nights were immaculate and wonderful.
Owen Wister (The Virginian: A Horseman Of The Plains)
They are the ugly, pallid Other People whose language is harsh and jagged. The Other People are disgusting, foul, but sometimes they are Empty and it has to eat. It listens to them, six young men who think they are invincible. Nobody thinks that word, but there is a feeling in their thoughts, a taste, that is arrogance. The surety that they are above everyone else. That their actions will have no consequences, whatever they do. People with that flavor to their thoughts are easier to convince.
Shane Hawk (Never Whistle at Night: An Indigenous Dark Fiction Anthology)
In this city, if you knew a language, you had associated with its culture in some way or another.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
The Yearwood men are sort of like large trees,” she continued. “You can’t chop them down very easily, but when they fall, they’re sort of immovable.” Her voice softened. “They’re good men. I can vouch for that. As loyal as they come and honest to a fault. They say if you want to know how a man will treat his wife, you should watch the way he treats his mother. Those boys won’t even curse around Rose because she doesn’t like foul language.
Vi Keeland (The Summer Proposal)
Maintain consistency, achieve success...even with expletives.
Erika M. Weinert
In Boat 6, Margaret Brown had doffed her sables to free her up for rowing. She had encouraged the other women to row as well, defying the quartermaster who railed at her from the stern. But Robert Hichens had chosen the wrong group of women to bully. In addition to the forceful Mrs. Brown, the plucky Mrs. Candee, and the voluble Berthe Mayné, there were two English suffragettes on board, Elsie Bowerman and her mother, Edith Chibnall. Both were active members of Sylvia Pankhurst’s Women’s Social and Political Union, the most militant of Britain’s votes-for-women organizations. Edith was one of ten women who had accompanied Mrs. Pankhurst on a 1910 deputation to Parliament that had resulted in arrests after a scuffle with police. She had also donated a banner for a Hyde Park demonstration that read “Rebellion to tyrants is obedience to God.” A full-scale rebellion against one male tyrant was soon under way in Boat 6. The women tried to taunt the quartermaster into joining them at the oars, but Hichens refused, preferring to stand at the tiller shouting out rowing instructions and doom-filled warnings that they could be lost for days with no food or water. Eventually Boat 16 came near and the two lifeboats tied up together. Margaret Brown spotted a chilled, thinly clad stoker in the adjoining boat and after he jumped over into Boat 6 to help with the rowing, she wrapped him in her sables, tying the tails around his ankles. She then handed him an oar and instructed Boat 16 to cut them loose so they could row to keep warm. Howling curses in protest, Hichens moved to block this but an enraged Mrs. Brown rose up and threatened to throw him overboard. The fur-enveloped stoker reproached Hichens for his foul language in the broadest of Cockney accents: “Soy, don’t you know you are talking to a loidy!
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Learning to love God is all about learning to trust God… Even if we have faith that ultimately the love of God will win over all that is loveless, inhumane, life-destroying, and fouled up, any honest talk about God will need to contend with betrayal, failure, disappointment, and defeat. Faith, and the language we use to describe faith, will be worth learning only if it is forged in a fire that burns out all that is false and dehumanizing; a fire that requires honest reckoning with suffering, sin, and evil.
Sara Wenger Shenk (Tongue-tied: Learning the Lost Art of Talking About Faith)
29 Don’t use foul or abusive language. Let everything you say be good and helpful, so that your words will be an encouragement to those who hear them.
Anonymous (Holy Bible Text Edition NLT: New Living Translation)
Don't wind me up or I will preach you a sermon that will put a mafia boss to shame and I will use a language that will make a foul mouth sinner, look like an angel, don't make me angry and when I am speaking to you shut up, and you listen,
Kenan Hudaverdi (Nazar: “Self-Fulling Prophecy Realized”)
The trial became, predictably, complex; the computer-run court had nothing in its circuits to allow for the trial of five newborn infants for assault and battery, interference with officials in the performance of their duties, foul and opprobrious language, or several other things, singly or all in a lump.
Laurence M. Janifer , S.J. Treibich
Her writing is beautiful yet shocking, has depths, layers, and twists for advanced thinkers, but is also easy to read and understand for average readers. ... powerful, dark, expect occasional foul language.
Yateen Maria
In 1927, Robert Graves published a little book called *Lars Porsena or the Future of Swearing and Improper Language*. He noted a recent decline in the use of foul language by the English, and predicted that this decline would continue indefinitely, until foul language had all but disappeared from the average man’s vocabulary. History has not borne him out, to say the least: indeed, I have known economists make more accurate predictions.
Theodore Dalrymple
Watch what you say because words are powerful and irreversible, they can build you up or crush you down to the ground. Your words can cost you your integrity Your words can cost you your dignity Your words can cost you your trustworthiness Your words can cost you your character Your words can cost you your competence Your words can cost you your accountability Your words can cost you your entire life. Think before you speak and always remember that words can be forgiven but they will never be forgotten. Words! Words! Words! ‘Don’t use foul or abusive language, Let everything you say be good and helpful, so that your words will be an encouragement to those who hear them’(Ephesians 4:29, NLT).
Euginia Herlihy
For many years, however, I did use the language of the job in contexts of school and church. I did so in part, I think, because I did not want to lose my bearings —my sense of where I had come from. That said, I suspect my use of profanity was more complex than simply an attempt to stay connected with my working-class roots. I also used the language of the job in school and church because I discovered that speaking this way upset the pious, and I took delight in that result. I hated the hypocrisy that niceness cloaks. As I grew older, however, I found my reputation for having a foul mouth to be more of a burden than a blessing, so I did my best to let such language return to being that of “the job.
Stanley Hauerwas (Hannah's Child: A Theologian's Memoir)
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Being fired is the pits, ranking right up there with infidelity in its brutalizing effect. The ego recoils and one’s self-image is punctured like a tire by a nail. In the weeks since I’d been terminated, I’d gone through all the stages one suffers at the diagnosis of a soon-to-be-fatal disease: anger, denial, bargaining, drunkenness, foul language, head colds, rude hand gestures, anxiety, and eating disorders of sudden onset.
Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
plunged abruptly into a world of coarse, ill-bred men and women, where language was foul and bluer than the bluest sky, was an experience … harsh and unreal.
Max Hastings (Inferno: The World at War, 1939-1945)
A revolution does not deserve its name if it does not help with all its might and all the means at its disposal-if it does not help woman, twofold and threefold enslaved in the past, to get on to the road of individual and social progress. A revolution does not deserve its name if it does not take the greatest possible care of the children ... for whose benefit it has been made. But how can one create ... a new life based on mutual consideration, on self-respect, on the real equality of women . . . on the efficient care for children-in an atmosphere poisoned with the roaring, rolling, ringing, and resounding swearing of masters and slaves, that swearing which spares no one and stops at nothing? The struggle against 'foul language' is an essential condition of mental hygiene just as the fight against filth and vermin is a condition of physical hygiene.
Leon Trotsky (Problems of Everyday Life & Other Writings on Culture & Science)
Suppose a top politician, entertainment figure, or sports star said it didn't really matter who shot Lincoln or why, who attacked Pearl Harbor, the Alamo or the USS Liberty. Imagine the derision. Imagine the ridicule. Imagine the loss in credibility and marketing revenue. Now imagine if a well-respected academic 'who should know better' said exactly the same thing. It doesn't really matter who committed a great crime; history had nothing to teach us; we should never waste precious time trying to apprehend the perpetrators, nor understand their motives but focus only on the outcome of their foul deeds. Well, that is exactly what Noam Chomsky appears to believe. Do not focus on the plot or the plotters or the clever planning of any crime but only the aftermath. Strangely, I had always thought linguistics was the scientific study of language rather than a lame attempt at disinformation.
Douglas Herman
Well!' she said. 'What's all this? I thought you told me she loved young Herring with a passion like boiling oil.' 'That was her story.' 'The oil seems to have gone off the boil. Yes, sir, if that was the language of love, I'll eat my hat,' said the blood relation, alluding, I took it, to the beastly straw contraption in which she does her gardening, concerning which I can only say that it is almost as foul as Uncle Tom's Sherlock Holmes deerstalker, which has frightened more crows than any other lid in Worcestershire.
P.G. Wodehouse (How Right You Are, Jeeves (Jeeves, #12))