“
So fair and foul a day I have not seen.
”
”
William Shakespeare (Macbeth)
“
Begin each day by telling yourself: Today I shall be meeting with interference, ingratitude, insolence, disloyalty, ill-will, and selfishness – all of them due to the offenders’ ignorance of what is good or evil. But for my part I have long perceived the nature of good and its nobility, the nature of evil and its meanness, and also the nature of the culprit himself, who is my brother (not in the physical sense, but as a fellow creature similarly endowed with reason and a share of the divine); therefore none of those things can injure me, for nobody can implicate me in what is degrading. Neither can I be angry with my brother or fall foul of him; for he and I were born to work together, like a man’s two hands, feet or eyelids, or the upper and lower rows of his teeth. To obstruct each other is against Nature’s law – and what is irritation or aversion but a form of obstruction.
”
”
Marcus Aurelius (Meditations)
“
Let us do something, while we have the chance! It is not every day that we are needed. Not indeed that we personally are needed. Others would meet the case equally well, if not better. To all mankind they were addressed, those cries for help still ringing in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late! Let us represent worthily for one the foul brood to which a cruel fate consigned us! What do you say? It is true that when with folded arms we weigh the pros and cons we are no less a credit to our species. The tiger bounds to the help of his congeners without the least reflexion, or else he slinks away into the depths of the thickets. But that is not the question. What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come --
”
”
Samuel Beckett (Waiting for Godot)
“
I realized right then and there, in that hallway, that I wanted no other... I became the man she needed me to be because she had sense enough to have requirements-standards that she needed in her relationship in order to make the relationship work for her.
She knew she wanted a monogamous relationship-a partnership with a man who wanted to be a dedicated husband and father. She also knew this man had to be faithful, love God, and be willing to do what it took to keep this family together. On a smaller scale she also made it clear that she expected to be treated like a lady at every turn-I'm talking opening car doors for her, pulling out her seat when she's ready to sit at the table, coming correct on anniversary, Mother's Day, and birthday gifts, keeping the foul talk to a minimum. These requirements are important to her because they lay out a virtual map of what I need to do to make sure she gets what she needs and wants. After all, it's universal knowledge that when mama is happy, everybody is happy. And it is my sole mission in life to make sure Marjorie is happy.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
We mark some days as fair, some as foul, because we do not see that the character of every day as identical
”
”
Charles Frazier (Cold Mountain)
“
It seemed cruel for a day to dawn so fair and end so foul as this one promised to.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
We knew our days were numbered. We had fouled up our lives and we were getting ready for a shake-up.
”
”
Raymond Carver (Where I'm Calling From: New and Selected Stories)
“
Today’s world is too foul a place for fine and noble instincts.
”
”
Kazuo Ishiguro (The Remains of the Day)
“
Bilbo almost stopped breathing, and went stiff himself. He was desperate. He must get away, out of this horrible darkness, while he had any strength left. He must fight. He must stab the foul thing, put its eyes out, kill it. It meant to kill him. No, not a fair fight. He was invisible now. Gollum had no sword. Gollum had not actually threatened to kill him, or tried yet. And he was miserable, alone, lost. A sudden understanding, a pity mixed with horror, welled up in Bilbo’s heart: a glimpse of endless unmarked days without light or hope of betterment, hard stone, cold fish, sneaking and whispering.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
He uttered a curse that startled her with its foulness, and gripped her head between his hands, forcing her to stare at him. His voice was savage. "For twelve years I have been in constant torment, wanting you in my arms and believing it would never be possible. I want you for a thousand reasons other than your legs, and...no, damn it, I want you for no reason at all, other than the fact that you're you. I want to shove myself deep inside you and stay for hours...days...weeks. I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign, one that cares for thee,
And for thy maintenance; commits his body
To painful labor, both by sea and land;
To watch the night in storms, the day in cold,
Whilst thou li’st warm at home, secure and safe;
And craves no other tribute at thy hands
But love, fair looks, and true obedience-
Too little payment for so great a debt.
Such duty as the subject owes the prince,
Even such a woman oweth to her husband;
And when she is froward, peevish, sullen, sour,
And no obedient to his honest will,
What is she but a foul contending rebel,
And graceless traitor to her loving lord?
I asham’d that women are so simple
‘To offer war where they should kneel for peace,
Or seek for rule, supremacy, and sway,
When they are bound to serve, love, and obey.
Why are our bodies soft, and weak, and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions, and our hearts,
Should well agree with our external parts?
”
”
William Shakespeare (The Taming of the Shrew)
“
my god! i'm thinking, what incredible shit we've put up with most of our lives - the domestic routine (same old jobs, insufferable arrogance of elected officials, the crafty cheating and the slimy advertising of the businessman, the tedious wars in which we kill our buddies instead of our real enemies back home in the capital, the foul diseased and hideous cities and towns we live in, the constant petty tyranny of automatic washers and automobiles and tv machines and telephones -! ah christ!, i'm thinking, at the same time that i'm waving goodby to that hollering idiot on shore, what intolerable garbage and what utterly useless crap we bury ourselves in day by day, while patiently enduring at the same time the creeping strangulation of the clean white collar and the rich but modest four-in-hand garrote)
”
”
Edward Abbey (Desert Solitaire)
“
He that has light within his own clear breast May sit in the center, and enjoy bright day: But he that hides a dark soul and foul thoughts Benighted walks under the mid-day sun; Himself his own dungeon.
”
”
John Milton
“
I didn't say what kind of book. You have a foul mind Bingley."
"Don't mock me on my sister's wedding day!"
"I mocked you on yours; I hardly see how this is as bad," was Darcy's reply.
”
”
Marsha Altman (The Darcys & the Bingleys: A Tale of Two Gentlemen's Marriages to Two Most Devoted Sisters)
“
The universal pervasion of ugliness, hideous landscapes, vile noises, foul language...everything. Unnatural, broken, blasted; the distortion of the dead, whose unburiable bodies sit outside the dug outs all day, all night, the most execrable sights on earth. In poetry we call them the most glorious.
”
”
Wilfred Owen (The Collected Poems of Wilfred Owen)
“
Giants isn't eating each other either, the BFG said. Nor is giants killing each other. Giants is not very lovely, but they is not killing each other. Nor is crockadowndillies killing other crockadowndillies. Nor is pussy-cats killing pussy-cats.
'They kill mice,' Sophie said.
'Ah, but they is not killing their own kind,' the BFG said. 'Human beans is the only animals that is killing their own kind.'
'Don't poisonous snakes kill each other?' Sophie asked. She was searching desperately for another creature that behaved as badly as the human.
'Even poisnowse snakes is never killing each other,' the BFG said. 'Nor is the most fearsome creatures like tigers and rhinostossterisses. None of them is ever killing their own kind. Has you ever thought about that?'
Sophie kept silent.
'I is not understanding human beans at all,' the BFG said.' You is a human bean and you is saying it is grizzling and horrigust for giants to be eating human beans. Right or left?'
'Right,' Sophie said.
'But human beans is squishing each other all the time,' the BFG said. 'They is shootling guns and going up in
aerioplanes to drop their bombs on each other's heads every week. Human beans is always killing other human beans.'
He was right. Of course he was right and Sophie knew it. She was beginning to wonder whether humans were actually any better than giants. 'Even so,' she said, defending her own race, I' think it's rotten that those foul giants should go off every night to eat humans. Humans have never done them any harm.'
'That is what the little piggy-wig is saying every day,' the BFG answered. 'He is saying, "I has never done any harm to the human bean so why should he be eating me?'"
'Oh dear,' Sophie said.
'The human beans is making rules to suit themselves,' the BFG went on. 'But the rules they is making do not suit the little piggy-wiggies. Am I right or left?'
'Right,' Sophie said.
'Giants is also making rules. Their rules is not suiting the human beans. Everybody is making his own rules to suit himself.
”
”
Roald Dahl (The BFG)
“
I don't know how often opportunity knocks, but temptations to make foul decisions bang on my door all day long. And smelly decisions make for smelly problems later on. A few little decisions, good or bad, can make a big difference in a life. Better to run from those skunks than with them.
”
”
Steve Goodier
“
The God Wars had not been a pleasant time for Craftsmen and Craftswomen around the world. One day, you’re a simple thaumaturge, idly meddling in matters man was not meant to comprehend. The next, a collection of beings as old as humanity, with legions of followers, declare war on your “kind”, and neighbours who once thought you a harmless eccentric with a fondness for mystic sigils and foul unguents see you as an affront to Creation.
”
”
Max Gladstone (Three Parts Dead (Craft Sequence, #1))
“
People say love gets fouled by a difference big as ours. I didn’t know for sure whether Miss Sarah’s feelings came from love or guilt. I didn’t know whether mine came from love or a need to be safe. She loved me and pitied me. And I loved her and used her. It never was a simple thing. That day, our hearts were pure as they ever would get.
”
”
Sue Monk Kidd (The Invention of Wings)
“
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
”
”
Roman Payne
“
Endure for another day, Mister Tannen, and you'll have all the foul black misuse of water you can drink.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
For we die every day; oblivion thrives
Not on dry thighbones but on blood-ripe lives,
And our best yesterdays are now foul piles
Of crumpled names, phone numbers and foxed files.
”
”
Vladimir Nabokov (Pale Fire)
“
I recognized the tokens of the time, because I had lived through just such another uneasy season, when every day was tainted by the foul breath of a fear that could not be faced forthrightly, yet could not be ignored.
”
”
Geraldine Brooks (March)
“
I would not have believed it, either. No human has ever come back from being made Pri-ya, and, although I am pleased that you have recovered from what was done to you, I am not pleased that I must now compete for you with no glamour, without the glory of my birthright. They were Unseelie, MacKayla, the foulest of the foul, the darkest of my race, the abominations. I am Seelie, and we are vastly different. I had hoped that one day, when you trusted me, you would let me share with you the ecstasy of being one like me. With no pain, MacKayla, and no price. Now that can never be. You have no idea how exquisite the experience might have been and now never will.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
It doesn’t matter what you’ve done or how bad you’ve failed, Jesus Christ is bigger than all your foul-ups, and His mercy and grace loom larger than any sin you’ve ever committed.
”
”
Frank Viola (The Day I Met Jesus: The Revealing Diaries of Five Women from the Gospels)
“
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
”
”
Bernard Levin
“
ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!!
HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine... Look at these pictures. Look at them! You see the dark rectangle, like a doorway, an aperture, yes but it’s also a gaping mouth letting out a silent howl of something feral and foul and primal and REAL. Not nice. Not fine. Real. A moan of rapture. Something divine or damned. Something immortal, not comic books or soup cans, something beyond me and beyond now. And whatever it is, it’s not pretty and it’s not fine...I AM HERE TO STOP YOUR HEART
”
”
John Logan (Red (Oberon Modern Plays))
“
Gradually, the night stumbled as if stunned and wandering aimlessly into an overcast day -- limped through the wilderland of transition as though there were no knowing where the waste of darkness ended and the ashes of light began. The low clouds seemed full of grief -- tense and uneasy with accumulated woe -- and yet affectless, unable to rain, as if the air clenched itself too hard for tears. And through the dawn, Atiaran and Covenant moved heavily, unevenly, like pieces of a broken lament.
”
”
Stephen R. Donaldson (Lord Foul's Bane (The Chronicles of Thomas Covenant the Unbeliever, #1))
“
When I throw back my head and howl
People (women mostly) say
But you've always done what you want,
You always get your way
- A perfectly vile and foul
Inversion of all that's been.
What the old ratbags mean
Is I've never done what I don't.
So the shit in the shuttered chateau
Who does his five hundred words
Then parts out the rest of the day
Between bathing and booze and birds
Is far off as ever, but so
Is that spectacled schoolteaching sod
(Six kids, and the wife in pod,
And her parents coming to stay)...
Life is an immobile, locked,
Three-handed struggle between
Your wants, the world's for you, and (worse)
The unbeatable slow machine
That brings what you'll get. Blocked,
They strain round a hollow stasis
Of havings-to, fear, faces.
Days sift down it constantly. Years.
--The Life with the Hole in It
”
”
Philip Larkin (Philip Larkin Poetry)
“
Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
Be happy when you find that doctrines you have learned and analysed are being tested by real events. If you’ve succeeded in removing or reducing the tendency to be mean and critical, or thoughtless, or foul-mouthed, or careless, or nonchalant; if old interests no longer engage you, at least not to the same extent; then every day can be a feast day – today because you acquitted yourself well in one set of circumstances, tomorrow because of another.
”
”
Epictetus (Of Human Freedom (Penguin Great Ideas))
“
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings.
I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
No matter how lightly he wanted to take the world, the world came barreling toward him at breakneck speed every second day.
”
”
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
“
Rich loved taking care of women. He would swoop in like Tarzan swinging on a vine, rescue them from whatever situation they found themselves in, and be their hero. He would make all the decisions, and he would be strong and dependable. "What a catch!" they would feel.
But they did not see his inability to allow them to disagree or have an opinion. He could not yield to another person. He could not show weakness or vulnerability. He would make up for that inflexibility by being a very attractive "strong man" to women who would want to be swept off their feet more than they wanted a real person.
So, they would be a perfect match—until he would see the other side of a passive, compliant woman. She would be sneaky and not tell him exactly what was going on. Then, lo and behold, one day she would really "mess up" and have a wish contrary to somthing he wanted or valued. Then, from his perspective, she had "changed" and had become "selfish." "She used to be nice, and now look!"
But in reality, this is not what had happened. She had not changed. When they first met, she showed only half of who she was, hiding the other half, which would come out in sneaky, indirect ways. After a while, it came out directly, such as when she disagreed with him. Then he would cry, "Foul."
So they both got what they asked for. In her compliance, she attracted a controller. In his control he attracted an adaptive person who had a secret side and was indirect. They were co-conspirators, and it always blew up.
”
”
Henry Cloud (How to Get a Date Worth Keeping)
“
Nevertheless, it bothered Vimes, even though he'd got really good at the noises and would go up against any man in his rendition of the HRUUUGH! But is this a book for a city kid? When would he ever hear these noises? In the city, the only sound those animals would make was "sizzle." But the nursery was full of the conspiracy with bah-lambs and teddy bears and fluffy ducklings everywhere he looked.
One evening, after a trying day, he'd tried the Vimes street version:
Where's my daddy?
Is that my daddy?
He goes "Bugrit! Millennium hand and shrimp!"
He is Foul Ol' Ron!
No, that's not my daddy!
It had been going really well when Vimes heard a meaningful little cough from the doorway, wherein stood Sybil. Next day, Young Sam, with a child's unerring instinct for this sort of thing, said "Buglit!" to Purity. And that, although Sybil never raised the subject even when they were alone, was that. From then on Sam stuck rigidly to the authorized version.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
Gray stood up and came round the desk. "Think of the words on that memorial, Wraysford. Think of those stinking towns and foul bloody villages whose names will be turned into some bogus glory by fat-arsed historians who have sat in London. We were there. As our punishment for God knows what, we were there, and our men died in each of those disgusting places. I hate their names. I hate the sound of them and the thought of them, which is why I will not bring myself to remind you. But listen." He put his face close to Stephen's. "There are four words they will chisel beneath them at the bottom. Four words that people will look at one day. When they read the other words they will want to vomit. When they read these, they will bow their heads, just a little. 'Final advance and pursuit.' Don't tell me you don't want to put your name to those words.
”
”
Sebastian Faulks (Birdsong)
“
We asked ourselves whether, in these days of equality in which we live, there are classes unworthy the notice of the author and the reader, misfortunes too lowly, dramas too foul-mouthed, catastrophes too commonplace in the terror they inspire.
”
”
Edmond de Goncourt (Germinie Lacerteux)
“
Why would you family think about it?"
"Oh, my mother's the only one that counts, and she likes you very much from what she's seen of you."
"So you had me inspected?"
"No-dash it all, I seem to be saying all the wrong things today. I was absolutely stunned that first day in court, and I rushed off to my mater, who's an absolute dear, and the kind of person who really understands things, and I said, 'Look here! here's the absolutely one and only woman, and she's being put through a simply ghastly awful business and for God's sake come and hold my hand!' You simply don't know how foul it was.
”
”
Dorothy L. Sayers (Strong Poison (Lord Peter Wimsey, #6))
“
Another fallacy comes creeping in whose errors you should be meticulous in trying to avoid. Don't think our eyes, our bright and shining eyes, were made for us to look ahead with. Don't suppose our thigh bones fitted our shin bones and our shins our ankles so that we might take steps. Don't think that arms dangled from shoulders and branched out in hands with fingers at their ends, both right and left, for us to do whatever need required for our survival. All such argument, all such interpretation is perverse, fallacious, puts the cart before the horse. No bodily thing was born for us to use. Nature had no such aim, but what was born creates the use. There could be no such thing as sight before the eyes were formed. No speech before the tongue was made, but tongues began long before speech were uttered. and the ears were fashioned long before a sound was heard. And all the organs I feel sure, were there before their use developed. They could not evolve for the sake of use be so designed. But battling hand to hand and slashing limbs, fouling the foe in blood, these antedate the flight of shining javelins. Nature taught men out to dodge a wound before they learned the fit of shield to arm. Rest certainly is older in the history of man than coverlets or mattresses, and thirst was quenched before the days of cups or goblets. Need has created use as man contrives device for his comfort. but all these cunning inventions are far different from all those things much older, which supply their function from their form. The limbs, the sense, came first, their usage afterwards. Never think they could have been created for the sake of being used.
”
”
Lucretius (The Way Things Are)
“
Let us do something, while we have the chance! It is not every day that we are needed. Not indeed that we personally are needed. Others would meet the case equally well, if not better. To all mankind they were addressed, those cries for help still ringing in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late! Let us represent worthily for one the foul brood to which a cruel fate consigned us! What do you say? It is true that when with folded arms we weigh the pros and cons we are no less a credit to our species. The tiger bounds to the help of his congeners without the least reflexion, or else he slinks away into the depths of the thickets. But that is not the question. What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come --
”
”
Samuel Beckett (Waiting for Godot)
“
We've been fogged in for five days. The fog makes me both love and hate the weather. I hate it because it brings me down, but I love it because if the foul state continues I won't have to do anything important with my life, and in many ways I am quite happy in that knowledge.
”
”
Samantha Hunt (The Seas)
“
I asked him what he said, for there was such a mish-mash of Conversation around us that I could scarcely understand him - the frequenters of Taverns have Hearts of Curd and Souls of Milk Sop, but they have Mouths like Cannons which stink of Tobacco and their own foul Breath as they cry What News? What's a Clock? Methinks it's Cold to Day! Thus is it a Hospital For Fools
”
”
Peter Ackroyd (Hawksmoor)
“
I was all about resurrecting the lost art of the midrange jumper, but then one day I was shooting free throws—just standing at the foul line at the North Central gym shooting from a rack of balls. All at once, I couldn’t figure out why I was methodically tossing a spherical object through a toroidal object. It seemed like the stupidest thing I could possibly be doing. “I started thinking about little kids putting a cylindrical peg through a circular hole, and how they do it over and over again for months when they figure it out, and how basketball was basically just a slightly more aerobic version of that same exercise.
”
”
John Green (The Fault in Our Stars)
“
I'm no prince, Frannie. I'm stubborn, I'm impatient, I have a foul mouth and a lot of fucking baggage. And I come attached to three small humans who run me ragged every day. But I love you more than I've ever loved anyone.
”
”
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
“
Joan, Thelma, and Mary, like thousands of others, spent day and night after day and night carrying on with their jobs in the most frightening of conditions. Every day they helped save strangers they didn't know and would never meet. But today it was their friend. Stiff upper lips and getting on with things were all very well, but sometimes there was nothing to do but admit that things were quite simply awful. War was foul and appalling and unfair.
”
”
A.J. Pearce (Dear Mrs. Bird (The Emmy Lake Chronicles, #1))
“
You must not die. You must not die by any hand, but least of all your own. Until the other, who has fouled your sweet life, is true dead you must not die. For if he is still with the quick Undead, your death would make you even as he is. No, you must live! You must struggle and strive to live, though death would seem a boon unspeakable. You must fight Death himself, though he come to you in pain or in joy. By the day, or the night, in safety or in peril! On your living soul I charge you that you do not die. Nay, nor think of death, till this great evil be past.
”
”
Bram Stoker (Dracula)
“
All I can tell you for certain is that at this very moment I'm speaking to you I could do with a really foul whore – I'd like her fresh from the seat of a close stool, her arse reeking of shit, and her cunt smelling of fish. Ho there, Thérèse! You whose filthiness dates back to the Flood, you who haven't wiped your arse since you were baptized and you whose vile cunt stinks for ten miles around, bring all that over here, I beg you, and add a turd, too, if you like.
”
”
Marquis de Sade (The 120 Days of Sodom)
“
Your life is mine as mine is yours." it was an echo of her statement from days earlier, but now it was ringing with an entirely different caliber. "If I promise to save myself, can you promise to forgive yourself? Can we make an exchange?
”
”
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
“
That's the thing," Jo says. "You think you know what you're in for. I mean, you tell yourself that, of course, it's not going to be wine and roses and all of that bullshit for the rest of your life, but then, one day, you wake up, and your fucking husband has morphed into someone whom you barely recognize. And you sit there and you stare at him while he scratches his balls through his underwear at the kitchen table, and you think, 'This is totally not what I signed up for. I mean, who knows if I even love this ball-scratching, foul-breathed man?' And then you wonder if you love him more out of habit than out of anything else." She chews the inside of her lip and considers. "And I guess from there, all bets are off.
”
”
Allison Winn Scotch (Time of My Life)
“
Let the passions and cupidities and dreams and kinks and ideals and greed and hopes and foul corruptions of all men and women have their day and the world will still be better off, for there is more good than bad in the sum of us and our workings.
”
”
Norman Mailer (Huckleberry Finn, Alive at 100)
“
In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar.
He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats.
The wassailers stopped and watched them in horror.
People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted.
The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop.
It was just possible to make out consensus song in there somewhere.
"Hogswatch is coming,
The pig is getting fat,
Please put a dollar in the old man's hat
If you ain't got a dollar a penny will do-"
"And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
”
”
Terry Pratchett (Hogfather)
“
I have been against all that is ascetic; even that word was not known to me in those days, but I could smell something foul. You know I am allergic to all kinds of self-torture. I want every human being to live to the fullest; minimum is not my way. Live to the maximum, or if you can go beyond the maximum, then fantastic. Go! Don’t wait! And don’t waste time waiting for Godot …
”
”
Osho (Autobiography of a Spiritually Incorrect Mystic)
“
The sun and the air are God’s free gifts to all, we say; but are they so? In yonder city’s dingy alleys the sun shines not, and the air is foul. Oh, man, how dost thou forget and obstruct thy brother man, and say, “Give us this day our daily bread,” when he has none! Oh, would that men would leave the city, its splendour and its tumult and its gold, and return to wood and field and simple, honest living! Then would their children grow stately as noble trees, and their thoughts sweet and pure as wayside flowers.
”
”
Helen Keller (The Story of My Life)
“
We hear every day of murders committed in the country. Brutal and treacherous murders; slow, protracted agonies from poisons administered by some kindred hand; sudden and violent deaths by cruel blows, inflicted with a stake cut from some spreading oak, whose every shadow promised—peace. In the county of which I write, I have been shown a meadow in which, on a quiet summer Sunday evening, a young farmer murdered the girl who had loved and trusted him; and yet, even now, with the stain of that foul deed upon it, the aspect of the spot is—peace. No species of crime has ever been committed in the worst rookeries about Seven Dials that has not been also done in the face of that rustic calm which still, in spite of all, we look on with a tender, half-mournful yearning, and associate with—peace.
”
”
Mary Elizabeth Braddon (Lady Audley's Secret)
“
There fared a mother driven forth
Out of an inn to roam;
In the place where she was homeless
All men are at home.
The crazy stable close at hand,
With shaking timber and shifting sand,
Grew a stronger thing to abide and stand
Than the square stones of Rome.
For men are homesick in their homes,
And strangers under the sun,
And they lay on their heads in a foreign land
Whenever the day is done.
Here we have battle and blazing eyes,
And chance and honour and high surprise,
But our homes are under miraculous skies
Where the yule tale was begun.
A Child in a foul stable,
Where the beasts feed and foam;
Only where He was homeless
Are you and I at home;
We have hands that fashion and heads that know,
But our hearts we lost - how long ago!
In a place no chart nor ship can show
Under the sky's dome.
This world is wild as an old wives' tale,
And strange the plain things are,
The earth is enough and the air is enough
For our wonder and our war;
But our rest is as far as the fire-drake swings
And our peace is put in impossible things
Where clashed and thundered unthinkable wings
Round an incredible star.
To an open house in the evening
Home shall men come,
To an older place than Eden
And a taller town than Rome.
To the end of the way of the wandering star,
To the things that cannot be and that are,
To the place where God was homeless
And all men are at home.
”
”
G.K. Chesterton
“
London meant a new beginning, a hell-hole, a wonderland; too big, too foul; a safety blanket, point of pride, unfortunate problem, temporary mattress location, salvation, life's work. A place to stack empty tins of lager. Stage, Mecca, my water, my oxygen. London as cell, jail and favour.
”
”
Craig Taylor (Londoners: The Days and Nights of London Now - As Told by Those Who Love It, Hate It, Live It, Left It, and Long for It)
“
When we reflect that her century was the brutalest, the wickedest, the rottenest in history since the darkest ages, we are lost in wonder at the miracle of such a product from such a soil. The contrast between her and her century is the contrast between day and night. She was truthful when lying was the common speech of men; she was honest when honesty was become a lost virtue; she was a keeper of promises when the keeping of a promise was expected of no one; she gave her great mind to great thoughts and great purposes when other great minds wasted themselves upon pretty fancies or upon poor ambitions; she was modest, and fine, and delicate when to be loud and coarse might be said to be universal; she was full of pity when a merciless cruelty was the rule; she was steadfast when stability was unknown, and honorable in an age which had forgotten what honor was; she was a rock of convictions in a time when men believed in nothing and scoffed at all things; she was unfailingly true to an age that was false to the core; she maintained her personal dignity unimpaired in an age of fawnings and servilities; she was of a dauntless courage when hope and courage had perished in the hearts of her nation; she was spotlessly pure in mind and body when society in the highest places was foul in both—she was all these things in an age when crime was the common business of lords and princes, and when the highest personages in Christendom were able to astonish even that infamous era and make it stand aghast at the spectacle of their atrocious lives black with unimaginable treacheries, butcheries, and beastialities.
”
”
Mark Twain (Joan of Arc)
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste. Sundays I have breakfast late and read the papers with Hope. Then we go for a walk in the hills, and I'm haunted by the loss of all that good time. I wake up Sunday mornings and I'm nearly crazy at the prospect of all those unusable hours. I'm restless, I'm bad-tempered, but she's a human being too, you see, so I go. To avoid trouble she makes me leave my watch at home. The result is that I look at my wrist instead. We're walking, she's talking, then I look at my wrist - and that generally does it, if my foul mood hasn't already. She throws in the sponge and we come home. And at home what is there to distinguish Sunday from Thursday? I sit back down at my little Olivetti and start looking at sentences and turning them around. And I ask myself, Why is there no way but this for me to fill my hours?
”
”
Philip Roth
“
Oh ! qu'on m'aille donc, au lieu de cela, chercher quelque jeune vicaire, quelque vieux curé, au hasard, dans la première paroisse venue, qu'on le prenne au coin de son feu, lisant son livre et ne s'attendant à rien, et qu'on lui dise :
– Il y a un homme qui va mourir, et il faut que ce soit vous qui le consoliez. Il faut que vous soyez là quand on lui liera les mains, là quand on lui coupera les cheveux; que vous montiez dans sa charrette avec votre crucifix pour lui cacher le bourreau; que vous soyez cahoté avec lui par le pavé jusqu'à la Grève : que vous traversiez avec lui l'horrible foule buveuse de sang; que vous l'embrassiez au pied de l'échafaud, et que vous restiez jusqu'à ce que la tête soit ici et le corps là.
Alors, qu'on me l'amène, tout palpitant, tout frissonnant de la tête aux pieds; qu'on me jette entre ses bras, à ses genoux; et il pleurera, et nous pleurerons, et il sera éloquent, et je serais consolé, et mon cœur se dégonflera dans le sien, et il prendra mon âme, et je prendrais son Dieu.
”
”
Victor Hugo (The Last Day of a Condemned Man)
“
when every day was tainted by the foul breath of a fear that could not be faced forthrightly, yet could not be ignored.
”
”
Geraldine Brooks (March)
“
Reverend Hartshorn’s face had puckered into a scowl. “This, er, passionate experience of the divine to which you lay claim is not necessarily evidence of salvation,” he said, choosing his words carefully. According to his theology, election was an absolute mystery; however, the notion that this foul-smelling lout could lay claim to revelation seemed monstrous. “The
”
”
Anita Diamant (The Last Days of Dogtown)
“
Some time ago I began to wonder how Orcs dared to pass through my woods so freely,’ he went on. ‘Only lately did I guess that Saruman was to blame, and that long ago he had been spying out all the ways, and discovering my secrets. He and his foul folk are making havoc now. Down on the borders they are felling trees – good trees. Some of the trees they just cut down and leave to rot – orc-mischief that; but most are hewn up and carried off to feed the fires of Orthanc. There is always a smoke rising from Isengard these days. ‘Curse him, root and branch! Many of those trees were my friends, creatures I had known from nut and acorn; many had voices of their own that are lost for ever now. And there are wastes of stump and bramble where once there were singing groves. I have been idle. I have let things slip. It must stop!
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Have you honestly pondered your individual worth? Consider every lower life form in the world—the animals, plants, fouls and fishes. Consider the land forms and numerous earthly wonders. Consider the countless worlds beyond this planet as well as their stars and galaxies. And then consider yourself. Of all God’s creations, you were formed in His image, resembling the likeness of a God. That’s something to think about.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
I am thy father’s spirit, Doomed for a certain term to walk the night And for the day confined to fast in fires Till the foul crimes done in my days of nature Are burnt and purged away. But that I am forbid To tell the secrets of my prison house, 19 I could a tale unfold whose lightest word 20 Would harrow up thy soul, freeze thy young blood, 21 Make thy two eyes, like stars, start from their 22 spheres, 23 Thy knotted and combinèd locks to part, 24 And each particular hair to stand an end, 25 Like quills upon the fearful porpentine. 26 But this eternal blazon must not be 27 To ears of flesh and blood. List, list, O list! 28 If thou didst ever thy dear father love—
”
”
William Shakespeare
“
He said he had only a few days ago believed in blasphemy as the way to salvation, but that you couldn't even believe in that because then you were believing in something to blaspheme. As for the Jesus who was reported to have been born at Bethlehem and crucified on Calvary for man's sins, Haze said, He was too foul a notion for a sane person to carry in his head, and he picked up the boy's water bucket and bammed it on the concrete pavement to emphasize what he was saying.
”
”
Flannery O'Connor (Wise Blood)
“
She laid the book down and came where I was standing by the chimney place and put her arms round me. It was hard to know where things stood. People say love gets fouled by a difference big as ours. I didn’t know for sure whether Miss Sarah’s feelings came from love or guilt. I didn’t know whether mine came from love or a need to be safe. She loved me and pitied me. And I loved her and used her. It never was a simple thing. That day, our hearts were pure as they ever would get.
”
”
Sue Monk Kidd (The Invention of Wings)
“
Crime begins with God. It will end with man, when he finds God again. Crime is everywhere, in all the fibres and roots of our being. Every minute of the day adds fresh crimes to the calendar, both those which are detected and punished, and those which are not. The criminal hunts down the criminal. The judge condemns the judger. The innocent torture the innocent. Everywhere, in every family, every tribe, every great community, crimes, crimes, crimes. War is clean by comparison. The hangman is a gentle dove by comparison. Attila, Tamerlane, Genghis Khan reckless automatons by comparison. Your father, your darling mother, your sweet sister: do you know the foul crimes they harbor in their breasts? Can you hold the mirror to iniquity when it is close at hand? Have you looked into the labyrinth of your own despicable heart? Have you sometimes envied the thug for his forthrightness? The study of crime begins with the knowledge of oneself. All that you despise, all that you loathe, all that you reject, all that you condemn and seek to convert by punishment springs from you. The source of it is God whom you place outside, above and beyond. Crime is identification, first with God, then with your own image.
”
”
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
“
These fans were excited to see your mother perform, but more than that it was as if she was taking her audience to church like a fiery, foul-mouthed preacher who offered up profane salvation. There was the new mom who was enjoying her first night out after giving birth a month prior. There are fans who dress up like your mother, imitating the outfits she wore when you were both in her belly There are mothers who bring their daughters. There are those who travel from across the country, and sometimes across the world. They talk about your mother being their spirit animal. Their eyes are lit up, their faces relaxed and smiling, their postures open and welcoming. Watching this magical effect on her fans keeps me manning the merch table to this day.
”
”
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
“
Let us do something, while we have the chance! It is not every day that we are needed. Not indeed that we personally are needed. Others would meet the case equally well, if not better. To all mankind they were addressed, those cries for help still ringing in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late! Let us represent worthily for once the foul brood to which a cruel fate consigned us! What do you say?
”
”
Samuel Beckett (Waiting for Godot)
“
Will: Do you ever wonder what your life would be like if you never met your wife?
Sean: What? Do I wonder if I'd be better off if I never met my wife? No, that's okay. It's an important question. 'Cause you'll have your bad times, which wake you up to the good stuff you weren't paying attention to. And you can fail, as long as you're trying hard. But there's nothing worse than regret.
Will: You don't regret meetin' your wife?
Sean: Why? Because of the pain I feel now? I have regrets Will, but I don't regret a single day I spent with her.
Will: When did you know she was the one?
Sean: October 21, 1975. Game six of the World Series. Biggest game in Red Sox history. Me and my friends slept out on the sidewalk all night to get tickets. We were sitting in a bar waiting for the game to start and in walks this girl. What a game that was. Tie game in the bottom of the tenth inning, in steps Carlton Fisk, hit a long fly ball down the left field line. Thirty-five thousand fans on their feet, screamin' at the ball to stay fair. Fisk is runnin' up the baseline, wavin' at the ball like a madman. It hits the foul pole, home run. Thirty-five thousand people went crazy. And I wasn't one of them.
Will: Where were you?
Sean: I was havin' a drink with my future wife.
Will: You missed Pudge Fisk's home run to have a drink with a woman you had never met?
Sean: That's right.
Will: So wait a minute. The Red Sox haven't won a World Series since nineteen eighteen, you slept out for tickets, games gonna start in twenty minutes, in walks a girl you never seen before, and you give your ticket away?
Sean: You should have seen this girl. She lit up the room.
Will: I don't care if Helen of Troy walked into that bar! That's game six of the World Series! And what kind of friends are these? They let you get away with that?
Sean: I just slid my ticket across the table and said "sorry fellas, I gotta go see about a girl."
Will: "I gotta go see about a girl"? What did they say?
Sean: They could see that I meant it.
Will: You're kiddin' me.
Sean: No Will, I'm not kiddin' you. If I had gone to see that game I'd be in here talkin' about a girl I saw at a bar twenty years ago. And how I always regretted not goin' over there and talkin' to her. I don't regret the eighteen years we were married. I don't regret givin' up counseling for six years when she got sick. I don't regret being by her side for the last two years when things got real bad. And I sure as Hell don't regret missing that damn game.
Will: Would have been nice to catch that game though.
Sean: Well hell, I didn't know Pudge was gonna hit the home run.
”
”
Matt Damon (Good Will Hunting)
“
There you see two typical members of the class which has down-trodden the poor for centuries. Idlers! Non-producers! Look at the tall thin one with the face like a motor-mascot. Has he ever done an honest day's work in his life? No! A prowler, a trifler, and a blood-sucker! And I bet he still owes his tailor for those trousers!"
He seemed to me to be verging on the personal, and I didn't think a lot of it. Old Bittlesham, on the other hand, was pleased and amused.
"A great gift of expression these fellows have," he chuckled. "Very trenchant."
"And the fat one!" proceeded the chappie. "Don't miss him. Do you know who that is? That's Lord Bittlesham! One of the worst. What has he ever done except eat four square meals a day? His god is his belly, and he sacrifices burnt-offerings to it. If you opened that man now you would find enough lunch to support ten working-class families for a week."
"You know, that's rather well put," I said, but the old boy didn't seem to see it. He had turned a brightish magenta and was bubbling like a kettle on the boil.
"Come away, Mr Wooster," he said. "I am the last man to oppose the right of free speech, but I refuse to listen to this vulgar abuse any longer."
We legged it with quiet dignity, the chappie pursuing us with his foul innuendoes to the last. Dashed embarrassing.
”
”
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
“
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
”
”
Vladimir Nabokov (Lolita)
“
He carried his own low temperature always about with him; he iced his office in the dog-days; and didn’t thaw it one degree at Christmas.
External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn’t know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often “came down” handsomely, and Scrooge never did.
”
”
Charles Dickens (A Christmas Carol)
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
His real gift was as a phrasemaker. “Shakespeare’s language,” says Stanley Wells, “has a quality, difficult to define, of memorability that has caused many phrases to enter the common language.” Among them: one fell swoop, vanish into thin air, bag and baggage, play fast and loose, go down the primrose path, be in a pickle, budge an inch, the milk of human kindness, more sinned against than sinning, remembrance of things past, beggar all description, cold comfort, to thine own self be true, more in sorrow than in anger, the wish is father to the thought, salad days, flesh and blood, foul play, tower of strength, be cruel to be kind, blinking idiot, with bated breath, tower of strength, pomp and circumstance, foregone conclusion—and many others so repetitiously irresistible that we have debased them into clichés. He was so prolific that he could (in Hamlet) put two in a single sentence: “Though I am native here and to the manner born, it is a custom more honoured in the breach than the observance.” If
”
”
Bill Bryson (Shakespeare: The World as Stage)
“
I think, if you had loved me when i wanted;
if I'd looked up one day, and seen your eyes,
And found my wild sick blasphemous prayer granted,
And your brown face, that's full of pity and wise,
Flushed suddenly; the white godhead in new fear
Intolerably so struggling, and so shamed;
Most holy and far, if you'd come all too near,
If earth had seen Earth's lordliest wild limbs tamed,
Shaken, and trapped, and shivering, for MY touch --
Myself should I have slain? or that foul you?
But this the strange gods, who have given so much,
To have seen and known you, this they might not do.
One last shame's spared me, one black word's unspoken;
And I'm alone; and you have not awoken.
”
”
Rupert Brooke
“
In time, the witchers' steel swords earned the name of "swords for men." A foul moniker, though not one conjured out of thin air. A good steel blade is indeed our first line of defense against mankind's hatred, stupidity, or greed. The world is full of those who would happily kill a witcher - out of resentment toward our trade, for fame, or simply to profit by snatching up our hard-earned coin. So the witchers, fully aware of the situation, never hesitated to relieve this world of the burden of dolts who were so thick headed as to threaten their lives. For that reason, in my day we called our steel swords "swords for fools." Unfortunately, seeing as how mendacious the two-faced scoundrels of bitches seem to rule this world, a great many fools have been apparently spared this selection process.
”
”
Marcin Batylda (The World of the Witcher: Video Game Compendium)
“
Even so,' she said, defending her own race, 'I think it's rotten that those foul giants should go off every night to eat humans. Humans have never done them any harm.'
'That is what the little piggy-wig is saying every day,' the BFG answered. 'He is saying, "I has never done any harm to the human bean so why should he be eating me?"'
'Oh dear,' Sophie said.
'The human beans is making rules to suit themselves,' the BFG went on. 'But the rules they is making do not suit the little piggy-wiggies. Am I right or left?'
'Right,' Sophie said.
'Giants is also making rules. Their rules is not suiting the human beans. Everybody is making his own rules to suit himself.'
'But you don't like it that those beastly giants are eating humans every night, do you?' Sophie asked.
'I do not,' the BFG answered firmly.
”
”
Roald Dahl (The BFG)
“
As the last passengers boarded the aircraft, the constant slamming of the overhead bins started to hurt Hero's ears. The infant began to cry, and everyone in the cabin glared in Jack and Goldilocks's direction.
"Everyone is looking at us like we've personally offended them," Jack remarked.
"It's because you brought a baby on a plane," Bree said. "They're worried he's going to cry the whole way to New York."
Goldilocks was not going to put up with this. She passed Hero to Jack and stood in the aisle where all the passengers could see her.
"Now, wait just one Hickory Dickory second," she called out. "I don't care if you have to listen to my baby cry! Eight days ago I experienced the worst pain humanly possible by pushing him out of my body! It's something all mothers must endure for the survival of our species! It's natural, it's brave, it's beautiful, and I will NOT be disrespected for it! Now, I suggest you all wipe those foul looks off your faces or YOU"LL be the ones crying all the way to New York!"
"I'd listen to my wife if I were you," Jack added. "She's on caffeine."
All the passengers quickly diverted their gazes elsewhere. Bree tried to start a round of applause for Goldilocks, but no one joined her.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
Must we believe those who tell us that a hand foul with the filth of a shameful life is the only one a young girl cares to be caressed by?
That is the teaching that is bawled out day by day from between those yellow covers. Do they ever pause to think, I wonder, those devil's lady-helps, what mischief they are doing crawling about God's garden, and telling childish Eves and silly Adams that sin is sweet, and that decency is ridiculous and vulgar? How many an innocent girl do they not degrade into an evil-minded woman? To how many a weak lad do they not point out the dirty by-path as the shortest cut to a maiden's heart? It is not as if they wrote of life as it really is. Speak truth, and right will take care of itself. But their pictures are coarse daubs painted from the sickly fancies of their own diseased imaginations.
We want to think of women not--as their own sex would show them--as Loreleis luring us to destruction, but as good angels beckoning us upward. They have more power for good or evil than they dream of. It is just at the very age when a man's character is forming that he tumbles into love, and then the lass he loves has the making or marring of him. Unconsciously he molds himself to what she would have him, good or bad. I am sorry to have to be ungallant enough to say that I do not think they always use their influence for the best. . . .
And yet, women, you could make us so much better, if you only would. It rests with you more than with all the preachers, to roll this world a little nearer heaven. Chivalry is not dead; it only sleeps for want of work to do. It is you who must wake it to noble deeds. You must be worthy of knightly worship. You must be higher than ourselves.
[1886]
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
(My God! I’m thinking, what incredible shit we put up with most of our lives—the domestic routine (same old wife every night), the stupid and useless and degrading jobs, the insufferable arrogance of elected officials, the crafty cheating and the slimy advertising of the businessmen, the tedious wars in which we kill our buddies instead of our real enemies back home in the capital, the foul, diseased and hideous cities and towns we live in, the constant petty tyranny of automatic washers and automobiles and TV machines and telephones—! ah Christ!, I’m thinking, at the same time that I’m waving goodby to that hollering idiot on the shore, what intolerable garbage and what utterly useless crap we bury ourselves in day by day, while patiently enduring at the same time the creeping strangulation of the clean white collar and the rich but modest four-in-hand garrote!)
”
”
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
“
The said Ivan Dovgochkun, son of Nikifor, when I went to him with a friendly proposition, called me publicly by an epithet insulting and injurious to my honor, namely, a goose, whereas it is known to the whole district of Mirgorod, that I never was named after that disgusting animal, and have no intention of ever being named after it. And the proof of my noble extraction is, that, in the baptismal register to be found in the Church of the Three Bishops, the day of my birth, and likewise the fact of my baptism, are inscribed. But a goose, as is well known to every one who has any knowledge of science, cannot be inscribed in the baptismal register; for a goose is not a man, but a fowl: which, likewise, is sufficiently well known, even to persons who have not been to a seminary. But the evil-minded nobleman, being privy to all these facts, for no other purpose than to offer a deadly insult to my rank and calling, affronted me with the aforesaid foul word.
”
”
Nikolai Gogol (The Overcoat and Other Works by Nicolai Gogol)
“
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life.
This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges.
The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.'
The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it.
The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window.
The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it.
And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street.
That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer.
Filled with restlessness and longing, he began to read.
”
”
Nicole Krauss
“
The Bengali poet Ganga Ram in his Maharashta Purana gave a fuller picture of the terror they inspired. ‘The people on earth were filled with sin,’ he wrote, ‘and there was no worship of Rama and Krishna. Day and night people took their pleasure with the wives of others.’ Finally, he wrote, Shiva ordered Nandi to enter the body of the Maratha king Shahu. ‘Let him send his agents, that sinners and evil doers be punished.’29 Soon after: The Bargis [Marathas] began to plunder the villages and all the people fled in terror. Brahmin pandits fled, taking with them loads of manuscripts; goldsmiths fled with the scales and weights; and fishermen with their nets and lines – all fled. The people fled in all directions; who could count their numbers? All who lived in villages fled when they heard the name of the Bargis. Ladies of good family, who had never before set a foot on a road fled from the Bargis with baskets on their heads. And land owning Rajputs, who had gained their wealth with the sword, threw down their swords and fled. And sadhus and monks fled, riding on litters, their bearers carrying their baggage on their shoulders; and many farmers fled, their seed for next year’s crops on the backs of their bullocks, and ploughs on their shoulders. And pregnant women, all but unable to walk, began their labour on the road and were delivered there. There were some people who stood in the road and asked of all who passed where the Bargis were. Everyone replied – I have not seen them with my own eyes. But seeing everyone flees, I flee also. Then suddenly the Bargis swept down with a great shout and surrounded the people in their fields. They snatched away gold and silver, rejecting everything else. Of some people they cut off the hand, of some the nose and ears; some they killed outright. They dragged away the most beautiful women, who tried to flee, and tied ropes to their fingers and necks. When one had finished with a woman, another took her, while the raped women screamed for help. The Bargis after committing all foul, sinful and bestial acts, let these women go.
”
”
William Dalrymple (The Anarchy: The Relentless Rise of the East India Company)
“
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before.
Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner.
Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage.
At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it.
But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
”
”
Maggie Georgiana Young (Just Another Number)
“
—I cannot, at this place, avoid a sigh. There are days when I am visited by a feeling blacker than the blackest melancholy—contempt of man. Let me leave no doubt as to what I despise, whom I despise: it is the man of today, the man with whom I am unhappily contemporaneous. The man of today—I am suffocated by his foul breath!… Toward the past, like all who understand, I am full of tolerance, which is to say, generous self-control: with gloomy caution I pass through whole millenniums of this madhouse of a world, call it “Christianity,” “Christian faith” or the “Christian church,” as you will—I take care not to hold mankind responsible for its lunacies. But my feeling changes and breaks out irresistibly the moment I enter modern times, our times. Our age knows better… . What was formerly merely sickly now becomes indecent—it is indecent to be a Christian today. And here my disgust begins.—I look about me: not a word survives of what was once called “truth”; we can no longer bear to hear a priest pronounce the word. Even a man who makes the most modest pretensions to integrity must know that a theologian, a priest, a pope of today not only errs when he speaks, but actually lies—and that he no longer escapes blame for his lie through “innocence” or “ignorance.” The priest knows, as every one knows, that there is no longer any “God,” or any “sinner,” or any “Saviour”—that “free will” and the “moral order of the world” are lies—: serious reflection, the profound self-conquest of the spirit, allow no man to pretend that he does not know it… . All the ideas of the church are now recognized for what they are—as the worst counterfeits in existence, invented to debase nature and all natural values; the priest himself is seen as he actually is—as the most dangerous form of parasite, as the venomous spider of creation… . We know, our conscience now knows—just what the real value of all those sinister inventions of priest and church has been and what ends they have served, with their debasement of humanity to a state of self-pollution, the very sight of which excites loathing,—the concepts “the other world,” “the last judgment,” “the immortality of the soul,” the “soul” itself: they are all merely so many instruments of torture, systems of cruelty, whereby the priest becomes master and remains master… . Every one knows this, but nevertheless things remain as before. What has become of the last trace of decent feeling, of self-respect, when our statesmen, otherwise an unconventional class of men and thoroughly anti-Christian in their acts, now call themselves Christians and go to the communion-table?… A prince at the head of his armies, magnificent as the expression of the egoism and arrogance of his people—and yet acknowledging, without any shame, that he is a Christian!… Whom, then, does Christianity deny? what does it call “the world”? To be a soldier, to be a judge, to be a patriot; to defend one’s self; to be careful of one’s honour; to desire one’s own advantage; to be proud … every act of everyday, every instinct, every valuation that shows itself in a deed, is now anti-Christian: what a monster of falsehood the modern man must be to call himself nevertheless, and without shame, a Christian!—
”
”
Friedrich Nietzsche (The Antichrist)
“
The book of Job, based on an ancient folktale, may have been written during the exile. One day, Yahweh made an interesting wager in the divine assembly with Satan, who was not yet a figure of towering evil but simply one of the “sons of God,” the legal “adversary” of the council.19 Satan pointed out that Job, Yahweh’s favorite human being, had never been truly tested but was good only because Yahweh had protected him and allowed him to prosper. If he lost all his possessions, he would soon curse Yahweh to his face. “Very well,” Yahweh replied, “all that he has is in your power.”20 Satan promptly destroyed Job’s oxen, sheep, camels, servants, and children, and Job was struck down by a series of foul diseases. He did indeed turn against God, and Satan won his bet. At this point, however, in a series of long poems and discourses, the author tried to square the suffering of humanity with the notion of a just, benevolent, and omnipotent god. Four of Job’s friends attempted to console him, using all the traditional arguments: Yahweh only ever punished the wicked; we could not fathom his plans; he was utterly righteous, and Job must therefore be guilty of some misdemeanor. These glib, facile platitudes simply enraged Job, who accused his comforters of behaving like God and persecuting him cruelly. As for Yahweh, it was impossible to have a sensible dialogue with a deity who was invisible, omnipotent, arbitrary, and unjust—at one and the same time prosecutor, judge, and executioner. When Yahweh finally deigned to respond to Job, he showed no compassion for the man he had treated so cruelly, but simply uttered a long speech about his own splendid accomplishments. Where had Job been while he laid the earth’s foundations, and pent up the sea behind closed doors? Could Job catch Leviathan with a fishhook, make a horse leap like a grasshopper, or guide the constellations on their course? The poetry was magnificent, but irrelevant. This long, boastful tirade did not even touch upon the real issue: Why did innocent people suffer at the hands of a supposedly loving God? And unlike Job, the reader knows that Job’s pain had nothing to do with the transcendent wisdom of Yahweh, but was simply the result of a frivolous bet. At the end of the poem, when Job—utterly defeated by Yahweh’s bombastic display of power—retracted all his complaints and repented in dust and ashes, God restored Job’s health and fortune. But he did not bring to life the children and servants who had been killed in the first chapter. There was no justice or recompense for them.
”
”
Karen Armstrong (The Great Transformation: The Beginning of Our Religious Traditions)
“
also by the same author ROSENCRANTZ AND GUILDENSTERN ARE DEAD THE REAL INSPECTOR HOUND ENTER A FREE MAN AFTER MAGRITTE JUMPERS TRAVESTIES DIRTY LINEN AND NEW-FOUND-LAND NIGHT AND DAY DOGG’S HAMLET, CAHOOT’S MACBETH ROUGH CROSSING and ON THE RAZZLE (adapted from Ferenc Molnár’s Play at the Castle and Johann Nestroy’s Einen Jux will er sich machen) THE REAL THING THE DOG IT WAS THAT DIED AND OTHER PLAYS SQUARING THE CIRCLE with EVERY GOOD BOY DESERVES FAVOUR and PROFESSIONAL FOUL HAPGOOD DALLIANCE AND UNDISCOVERED COUNTRY (a version of Arthur Schintzler’s Das weite Land) ARCADIA INDIAN INK (an adaptation of In the Native State) THE INVENTION OF LOVE
”
”
Tom Stoppard (The Real Inspector Hound and Other Plays (Tom Stoppard))
“
Only a fool says in his heart
There is no Creator, no King of kings,
Only mules would dare to bray
These lethal mutterings.
Over darkened minds as these
The Darkness bears full sway,
Fruitless, yet, bearing fruit,
In their fell, destructive way.
Sterile, though proliferate,
A filthy progeny sees the day,
When Evil, Thought and Action mate:
Breeding sin, rebels and decay.
The blackest deeds and foul ideals,
Multiply throughout the earth,
Through deadened, lifeless, braying souls,
The Darkness labours and gives birth.
Taking the Lord’s abundant gifts
And rotting them to the core,
They dress their dish and serve it out
Foul seeds to infect thousands more.
‘The Tree of Life is dead!’ they cry,
‘And that of Knowledge not enough,
Let us glut on the ashen apples
Of Sodom and Gomorrah.’
Have pity on Thy children, Lord,
Left sorrowing on this earth,
While fools and all their kindred
Cast shadows with their murk,
And to the dwindling wise,
They toss their heads and wryly smirk.
The world daily grinds to dust
Virtue’s fair unicorns,
Rather, it would now beget
Vice’s mutant manticores.
Wisdom crushed, our joy is gone,
Buried under anxious fears
For lost rights and freedoms,
We shed many bitter tears.
Death is life, Life is no more,
Humanity buried in a tomb,
In a fatal prenatal world
Where tiny flowers
Are ripped from the womb,
Discarded, thrown away,
Inconvenient lives
That barely bloomed.
Our elders fare no better,
Their wisdom unwanted by and by,
Boarded out to end their days,
And forsaken are left to die.
Only the youthful and the useful,
In this capital age prosper and fly.
Yet, they too are quickly strangled,
Before their future plans are met,
Professions legally pre-enslaved
Held bound by mounting student debt.
Our leaders all harangue for peace
Yet perpetrate the horror,
Of economic greed shored up
Through manufactured war.
Our armies now welter
In foreign civilian gore.
How many of our kin are slain
For hollow martial honour?
As if we could forget, ignore,
The scourge of nuclear power,
Alas, victors are rarely tried
For their woeful crimes of war.
Hope and pray we never see
A repeat of Hiroshima.
No more!
Crimes are legion,
The deeds of devil-spawn!
What has happened to the souls
Your Divine Image was minted on?
They are now recast:
Crooked coins of Caesar and
The Whore of Babylon.
How often mankind shuts its ears
To Your music celestial,
Mankind would rather march
To the anthems of Hell.
If humanity cannot be reclaimed
By Your Mercy and great Love
Deservedly we should be struck
By Vengeance from above.
Many dread the Final Day,
And the Crack of Doom
For others the Apocalypse
Will never come too soon.
‘Lift up your heads, be glad’,
Fools shall bray no more
For at last the Master comes
To thresh His threshing floor.
”
”
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
“
But you keep fighting!”
“Of course!” said Child. “I am of God, whatever or whoever else is not. I must testify to Him by placing my body against the enemy while that body lasts; and by protecting those that my small strength may protect, until my personal end. What is it to me that all the peoples of all the worlds choose to march toward the nether pit? What they do in their sins is no concern of mine. Mine only is concern for God, and the way of God’s people of whom I am one. In the end, all those who march pitward will be forgotten; but I and those like me who have lived their faith will be remembered by the Lord—other than that I want nothing and I need nothing.”
Godlun dropped his face into his hands and sat for a moment. When he took his hands away again and raised his head, Hal saw that the skin of his face was drawn and he looked very old.
“It’s all right for you,” he whispered.
“It is fleshly loves that concern thee,” said Child, nearly as softly. “I know, for I remember how it was in the little time I had with my wife; and I remember the children unborn that she and I dreamed of together. It is thy children thou wouldst protect in these dark days to come; and it was thy hope that I could give you reason to think thou couldst do so. But I have no such hope to give. All that thou lovest will perish. The Others will make a foul garden of the worlds of humankind and there will be none to stop them. Turn thee to God, my brother, for nowhere else shalt thou find comfort.
”
”
Gordon R. Dickson (The Final Encyclopedia (Childe Cycle, #7))
“
Some people will tell you that Toronto, in the summer, is the nothing more than a cesspool of pollution, garbage, and the smells of a hundred ethnicities competing for top spot in a race won historically by curry, garlic, and the occasional cauldron of boiled cabbage. Take a walk down College Street West, Gerrard Street East, or the Danforth, and you'll see; then, they add—these people, complaining—that the stench is so pervasive, so incorrigible, nor merely for lack of wind, but for the ninety-nine percent humidity, which, after a rainstorm, adds an eradicable bottom-note of sweaty Birkenstocks and the organic tang of decaying plant life. This much is true; there is, however, more to the story. Take a walk down the same streets and you'll find racks of the most stunning saris—red with navy brocade, silver, canary, vermillion and chocolate; marts with lahsun and adrak, pyaz and pudina; windows of gelato, zeppole, tiramisu; dusty smoke shops with patio-bistros; you'll find dove-white statuary of Olympian goddesses, mobs in blue jerseys, primed for the World Cup—and more, still, the compulsory banter of couples who even after forty years can turn foul words into the bawdiest, more unforgettable laughter (and those are just the details). Beyond them is the container, the big canvas brushed with parks and valleys and the interminable shore; a backdrop of ferries and islands, gulls and clouds—sparkles of a million wave-tips as the sun decides which colours to leave on its journey to new days. No, Toronto, in the summer, is the most paradisiacal place in the world.
”
”
Kit Ingram (Paradise)
“
You’ve already said that,” Alex says. “Why should I go?”
“You’re the only person I have,” I say. “And I want us all to be together. It will be good for us.”
“Oh, so now I’m back in the picture again.”
“Alex. Something bigger than you is occurring right now. I’m sorry about your unhappy childhood.”
She glares at me in that special way of hers and Joanie’s that makes me feel worthless and foul-smelling.
“So we’ll tell Scottie we’re going on a vacation while Mom is in the hospital?”
“It’s for a day or two,” I say. “Scottie’s been in the hospital every day for almost a month now. She needs a break. It’s not good for her. I’d like you to be in charge of answering any questions she may have. She looks up to you. She’ll hang on whatever you say.”
I’m hoping a leadership role, a specific chore, will make Alex act like an adult and treat Scottie well.
“Can you do that?”
She shrugs.
“If you can’t handle things, let me know. I’ll help. I’m here for you.”
Alex laughs. I wonder if there are parents who can say things to their kids like “I love you” or “I’m here for you” without being laughed at. I have to admit it’s a bit uncomfortable. Affection, in general, is unpleasant to me.
“What if Mom doesn’t make it for two days?”
“She will,” I say. “I’ll tell her what we’re doing.”
Alex looks uncomfortable with this idea, that what I’ll say will make her mother want to live. “I’m bringing Sid,” she says. “If he doesn’t come, then I’m not going.”
I’m about to protest, but I see the look in her eyes and know this is yet another battle that I’m bound to lose. Something about this guy is helping her. And Scottie seems to like him. He can keep her distracted. He can work for me.
“Okay,” I say. “Deal.
”
”
Kaui Hart Hemmings (The Descendants)
“
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier.
Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night.
Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
”
”
Thomas Pynchon
“
I like rainbows.
We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction…
Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge.
...
…We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall.
Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall.
Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall.
“It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots.
Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical.
Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light.
In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
”
”
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
“
The buzzards over Pondy Woods
Achieve the blue tense altitudes
Black figments that the woods release,
Obscenity in form and grace,
Drifting high through the pure sunshine
Till the sun in gold decline.
(...)
By the buzzard roost Big Jim Todd
Listened for hoofs on the corduroy road
Or for the foul and sucking sound
A man's foot makes on the marshy ground.
Past midnight, when the moccasin
Slipped from the log and, trailing in
Its obscured waters, broke
The dark algae, one lean bird spoke,
(...)
"[Big Jim] your breed ain't metaphysical."
The buzzard coughed, His words fell
In the darkness, mystic and ambrosial.
"But we maintain our ancient rite,
Eat the gods by day and prophesy by night.
We swing against the sky and wait;
You seize the hour, more passionate
Than strong, and strive with time to die --
With time, the beaked tribe's astute ally.
"The Jew-boy died. The Syrian vulture swung
Remotely above the cross whereon he hung
From dinner-time to supper-time, and all
The people gathered there watched him until
The lean brown chest no longer stirred,
Then idly watched the slow majestic bird
That in the last sun above the twilit hill
Gleamed for a moment at the height and slid
Down the hot wind and in the darkness hid.
[Big Jim], regard the circumstance of breath:
Non omnis moriar, the poet sayeth."
Pedantic, the bird clacked its gray beak,
With a Tennessee accent to the classic phrase;
Jim understood, and was about to speak,
But the buzzard drooped one wing and filmed the eyes.
At dawn unto the Sabbath wheat he came,
That gave to the dew its faithless yellow flame
From kindly loam in recollection of
The fires that in the brutal rock one strove.
To the ripe wheat he came at dawn.
Northward the printed smoke stood quiet above
The distant cabins of Squiggtown.
A train's far whistle blew and drifted away
Coldly; lucid and thin the morning lay
Along the farms, and here no sound
Touched the sweet earth miraculously stilled.
Then down the damp and sudden wood there belled
The musical white-throated hound.
In pondy Woods in the summer's drouth
Lurk fever and the cottonmouth.
And buzzards over Pondy Woods
Achieve the blue tense altitudes,
Drifting high in the pure sunshine
Till the sun in gold decline;
Then golden and hieratic through
The night their eyes burn two by two.
”
”
Robert Penn Warren
“
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)
“
This Compost"
Something startles me where I thought I was safest,
I withdraw from the still woods I loved,
I will not go now on the pastures to walk,
I will not strip the clothes from my body to meet my lover the sea,
I will not touch my flesh to the earth as to other flesh to renew me.
O how can it be that the ground itself does not sicken?
How can you be alive you growths of spring?
How can you furnish health you blood of herbs, roots, orchards, grain?
Are they not continually putting distemper'd corpses within you?
Is not every continent work'd over and over with sour dead?
Where have you disposed of their carcasses?
Those drunkards and gluttons of so many generations?
Where have you drawn off all the foul liquid and meat?
I do not see any of it upon you to-day, or perhaps I am deceiv'd,
I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath,
I am sure I shall expose some of the foul meat.
2
Behold this compost! behold it well!
Perhaps every mite has once form'd part of a sick person—yet behold!
The grass of spring covers the prairies,
The bean bursts noiselessly through the mould in the garden,
The delicate spear of the onion pierces upward,
The apple-buds cluster together on the apple-branches,
The resurrection of the wheat appears with pale visage out of its graves,
The tinge awakes over the willow-tree and the mulberry-tree,
The he-birds carol mornings and evenings while the she-birds sit on their nests,
The young of poultry break through the hatch'd eggs,
The new-born of animals appear, the calf is dropt from the cow, the colt from the mare,
Out of its little hill faithfully rise the potato's dark green leaves,
Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards,
The summer growth is innocent and disdainful above all those strata of sour dead.
What chemistry!
That the winds are really not infectious,
That this is no cheat, this transparent green-wash of the sea which is so amorous after me,
That it is safe to allow it to lick my naked body all over with its tongues,
That it will not endanger me with the fevers that have deposited themselves in it,
That all is clean forever and forever,
That the cool drink from the well tastes so good,
That blackberries are so flavorous and juicy,
That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will
none of them poison me,
That when I recline on the grass I do not catch any disease,
Though probably every spear of grass rises out of what was once a catching disease.
Now I am terrified at the Earth, it is that calm and patient,
It grows such sweet things out of such corruptions,
It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses,
It distills such exquisite winds out of such infused fetor,
It renews with such unwitting looks its prodigal, annual, sumptuous crops,
It gives such divine materials to men, and accepts such leavings from them at last.
”
”
Walt Whitman
“
Every special human being strives instinctively for his own castle and secrecy, where he is saved from the crowd, the many, the majority—where he can forget the rule-bound "people," for he is an exception to them;—but for the single case where he is pushed by an even stronger instinct straight against these rules, as a person who seeks knowledge in a great and exceptional sense. Anyone who, in his intercourse with human beings, does not, at one time or another, shimmer with all the colours of distress—green and gray with disgust, surfeit, sympathy, gloom, and loneliness—is certainly not a man of higher taste. But provided he does not take all this weight and lack of enthusiasm freely upon himself, always keeps away from it, and stays, as mentioned, hidden, quiet, and proud in his castle, well, one thing is certain: he is not made for, not destined for, knowledge. For if he were, he would one day have to say to himself, "The devil take my good taste! The rule-bound man is more interesting than the exception—than I am, the exception!"— and he would make his way down , above all, "inside." The study of the average man—long, serious, and requiring much disguise, self-control, familiarity, bad company - (all company is bad company except with one’s peers):—that constitutes a necessary part of the life story of every philosopher, perhaps the most unpleasant, foul-smelling part, the richest in disappointments. But if he’s lucky, as is appropriate for a fortunate child of knowledge, he encounters real shortcuts and ways of making his task easier; I’m referring to the so-called cynics, those who, as cynics, simply recognize the animal, the meanness, the "rule-bound man" in themselves and, in the process, still possess that degree of intellectual quality and urge to have to talk about themselves and people like them before witnesses;—now and then they even wallow in books, as if in their very own dung. Cynicism is the single form in which common souls touch upon what honesty is, and the higher man should open his ears to every cruder and more refined cynicism and think himself lucky every time a shameless clown or a scientific satyr announces himself directly in front of him. There are even cases where enchantment gets mixed into the disgust—for example, in those places where, by some vagary of nature, genius is bound up with such an indiscreet billy-goat and ape; as in the Abbé Galiani, the most profound, sharp-sighted, and perhaps also the foulest man of his century—he was much deeper than Voltaire and consequently a good deal quieter. More frequently it happens that, as I’ve intimated, the scientific head is set on an ape’s body, a refined and exceptional understanding in a common soul; among doctors and moral physiologists, for example, that’s not an uncommon occurrence. And where anyone speaks without bitterness and quite harmlessly of men as a belly with two different needs and a head with one, everywhere someone constantly sees, looks for, and wants to see only hunger, sexual desires, and vanity, as if these were the real and only motivating forces in human actions, in short, wherever people speak "badly" of human beings—not even in a nasty way—there the lover of knowledge should pay fine and diligent attention; he should, in general, direct his ears to wherever people talk without indignation. For the indignant man and whoever is always using his own teeth to tear himself apart or lacerate himself (or, as a substitute for that, the world, or God, or society) may indeed, speaking morally, stand higher than the laughing and self-satisfied satyr, but in every other sense he is the more ordinary, the more trivial, the more uninstructive case. And no one lies as much as the indignant man.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano.
Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place…
At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void.
Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning…
Everybody and everything is a part of life...
As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth.
Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three?
Strepsiades: Absolutely--
I'd refuse to talk to any other gods,
if I ran into them--and I decline
to sacrifice or pour libations to them.
I'll not provide them any incense...
I want to twist all legal verdicts in my favor,
to evade my creditors.
Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here.
Strepsiades:
I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts.
Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies.
Strepsiades: And what will I get out of this?
Chorus: For all time, you'll live with me a life most people truly envy.
Strepsiades: You mean one day I'll really see that?
Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind.
Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers.
Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect.
Strepsiades: What's that? By god, are you assaulting me?
Socrates: No--I want to learn some things from you. What about your memory?
Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot.
Socrates: Do you have a natural gift for speech?
Strepsiades: Not for speaking--only for evading debt.
Socrates: ... Now, what do you do if someone hits you?
Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court.
”
”
Aristophanes (The Clouds)