Edge Of Darkness Trilogy Quotes

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There is no pain greater than this; not the cut of a jagged-edged dagger nor the fire of a dragon's breath. Nothing burns in your heart like the emptiness of losing something, someone, before you truly have learned of its value.
R.A. Salvatore (Homeland (Forgotten Realms: The Dark Elf Trilogy, #1; Legend of Drizzt, #1))
When one loves all things of the world, when one has that gift of joy, it is not the armour against grief that you might think it to be. Such a person stands balanced on the edge of sadness – there is no other way for it, because to love as he does is to see clearly.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
How do I look in the dark?” Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.” Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Perhaps unrequited love was like a specter in the house, a presence that brushed at the edge of senses, a heat in the dark, a shadow under the sun.
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
Wisdom did not belong to mortals, and those whom others called wise were only those who, through grim experience, had touched the very edges of unwelcome truths. For the wise, even joy was tinged with sorrow.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
That’s why males defend, Lady Surreal. Because you females are deadlier when you’re roused—and you’re merciless when you’re riding the killing edge
Anne Bishop (The Black Jewels Trilogy: Daughter of the Blood, Heir to the Shadows, Queen of the Darkness (The Black Jewels, #1-3))
Millie was never possessive, never effusive, and never demonstrative. Her even-tempered approach to her marriage should have been enough to convince everyone that she admired, but did not love, her husband. Yet for years now, his sisters had suspected something else. Perhaps unrequited love was like a specter in the house, a presence that brushed at the edge of senses, a heat in the dark, a shadow under the sun.
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
Don’t be ashamed of what you want to say. I’m not going anywhere.” And that was the thing, wasn’t it? That was the spark that lit up my dark, dead, broken soul — he’d seen all its sharp edges and hadn’t left. He’d seen me as broken as I was and wanted me, regardless.
Harley Laroux (Her Soul for Revenge (Souls Trilogy, #2))
Have you anything to offer her? Olga asked him. And, with an edge, "Besides whispers in the dark?
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
My own little wolf, with sharp teeth and stormy eyes. All shattered pieces and jagged edges that shone brighter than the sun. A soul as dark and strange as my own. She was mine, and I was hers, for the rest of eternity.
Harley Laroux (Her Soul for Revenge (Souls Trilogy, #2))
The sea was smooth, warm and as dark as black velvet, not a ripple disturbing the surface. The distant coastline of Albania was dimly outlined by a faint reddish glow in the sky. Gradually, minute by minute, this faint glow deepened and grew brighter, spreading across the sky. Then suddenly the moon, enormous, wine-red, edged herself over the fretted battlement of mountains, and threw a straight blood-red path across the dark sea. The owls appeared now, drifting from tree to tree as silently as flakes of soot, hooting in astonishment as the moon rose higher and higher, turning to pink, then gold, and finally riding in a nest of stars, like a silver bubble.
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
He built no fire. He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world and as he lay there the agony in his heart was like a stake.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
The rain had ripened all the country around and the roadside grass was luminous and green from the run-off and flowers were in bloom across the open country. He slept that night in a field far from any town. He built no fire. He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world and as he lay there the agony in his heart was like a stake. He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and and he thought he knew what made one liable to its visitations. What he had not known was that it was mindless and so had no way to know the limits of those souls and what he feared was that there may be no limits.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
That was the spark that lit up my dark, dead, broken soul — he’d seen all its sharp edges and hadn’t left.
Harley Laroux (Her Soul for Revenge (Souls Trilogy, #2))
Victor looked at me with troubled eyes. "Your life is a journey to a destination I can't even imagine. I can give you a lot of things, I can give you money and safety and all my heart... but maybe that isn't what you really need." He stirred, looking out into dusk. "Maybe company on the journey is the only thing that matters." The last thin edge of the sun slipped into the sea and darkness seeped into the valley. "I do know I will love you forever," Victor said. "And forever, for me, is a very long time.
Jordan K. Weisman (Cathy's Key (Cathy Vickers Trilogy, #2))
The Lady Vader has come. We would hear her words.' 'Then you will hear them in prison.' The dynast gestured, and two more of the official guard left their line, heading purposefully toward the steps. It was, Leia judged, the right moment. Glancing down at her belt, she reached out through the Force with all the power and control she could manage-- And her lightsaber leaped from her belt, breaking free from its quick-release and jumping up in front of her. Her eyes and mind found the switch, and with a snap-hiss the brilliant green-white blade flashed into existence, carving out a vertical line between her and the line of dynasts. There was a sound like a hissing gasp from the crowd. The two Noghri who had been moving toward the maitrakh froze in mid stride...and as the gasp vanished into utter silence, Leia knew that she'd finally gotten their complete attention. 'I am not merely the daughter of the Lord Vader,' she said, putting an edge of controlled anger into her voice. 'I am the Mal'ary'ush: heir to his authority and his power. I have come through many dangers to reveal the treachery that has been done to the Noghri people.' She withdrew as much of her concentration as she could risk from the floating lightsaber to look slowly down the line of dynasts. 'Will you hear me? Or will you instead choose death?
Timothy Zahn (Star Wars: Dark Force Rising (The Thrawn Trilogy, #2))
The expression just set me on edge. He had the look of an injured wild animal. I imagined a hungry lion limping in front of me with a bloody paw. No matter how much the beast stumbled or bled, one would have to always remember that the creature could tear the average human body in half.
Kenya Wright (The Final Play (Bad for You, #3))
Hana starts off down the road. I’m tempted to watch her go. I get the urge to memorize her walk—to imprint her in my brain somehow, just as she is—but as I’m watching her waver in and out of the fierce sunlight, her silhouette gets confused with another one in my head, a shadow weaving in and out of darkness, about to walk off the cliff, and I don’t know who I’m looking at anymore. Suddenly the edges of the world are blurring and there’s a sharp pain in my throat, so I turn around and walk quickly toward the house. “Lena!” she calls out to me, just before I reach the gate. I spin around, heart leaping, thinking maybe she’ll be the one to say it. I miss you. Let’s go back. Even from a distance of fifty feet, I can see Hana hesitating. Then she makes this fluttering gesture with her hand and calls out, “Never mind.” This time when she turns around she doesn’t waver. She walks straight and quickly, turns a corner, and is gone. But what did I expect? That’s the whole point, after all: There’s no going back.
Lauren Oliver (Delirium (Delirium, #1))
yet the very name Ganga-Sagar, joining, as it did, river and sea, clear and dark, known and hidden, served to remind the migrants of the yawning chasm ahead; it was as if they were sitting balanced on the edge of a precipice, and the island were an outstretched limb of sacred Jambudvipa, their homeland, reaching out to keep them from tumbling into the void.
Amitav Ghosh (Sea of Poppies (Ibis Trilogy, #1))
The light dimmed. The sky through the windows turned emerald. It was the first green storm of the season, and as Kestrel heard the wind pummel the house, she knew that Arin was wrong. He had wanted to punish her for months now. Hadn’t she bought him? Didn’t she own him? This was his revenge. That was all. The rain drove nails against the windowpanes. The room grew almost black. Kestrel heard Arin’s voice again in her mind and felt suddenly broken. Even if she didn’t doubt her feelings for Enai, there had been truth in his words. She didn’t notice him return. This storm was loud, the room was dark. She sucked in her breath when she realized he stood next to her. For the first time, it occurred to her to be afraid of him. But he merely struck a match and touched it to the wick of a lamp. He was soaked with rain. His skin glittered with it. When she looked at him, he flinched. “Kestrel.” He sighed. He rubbed a hand through his wet hair. “I shouldn’t have said what I did.” “You meant it.” “Yes, but--” Arin looked weary and confused. “I would have been angry if you did not weep for her.” He held out the hand that rested at his side in the shadows, and for an uncertain moment Kestrel thought he would touch her. But he was only offering something on his uplifted palm. “This was in her cottage,” he said. It was a braid of Kestrel’s hair. She took it carefully; even so, her smallest finger brushed his wet palm. His hand instantly fell. She considered the braid, turning the bright ring in her fingers. She knew that it didn’t choose sides between her truth and Arin’s. It wasn’t proof of Enai’s love. Yet it was a comfort. “I should go,” Arin said, though he didn’t move. Kestrel looked at his face glowing in the lamplight. She became aware that she was close enough to him that her bare foot rested on the damp edge of carpet where Arin stood, seeping rainwater. A shiver traveled up her skin. Kestrel stepped back. “Yes,” she said. “You should.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Hennessy carefully patted the blood away to reveal the tattoo. It was difficult to not be overwhelmed by the realness of it, the permanence of it. Part of him expected her to just wipe the blood and ink away to reveal bare skin, but instead, his entire left arm was patterned darkly from shoulder to wrist with something like chain mail. No, like snakeskin. Each scale was a pure dark green, and the only place his skin showed through was in a narrow line to indicate the edge of each interlocking scale. It felt like a lifetime ago he and Hennessy had held a snake in the abandoned museum. Bryde had ordered them to look at the reptile, to study it, take in its details in case they wanted to dream it later. They had. But Hennessy had been wide awake, not dreaming, when she’d painted these scales up and down his skin. “Fuck you,” he told her. “This is so good.” She gave him the ghost of a smile. “Welcome back, Ronan Lynch.” It was still jarring to be Ronan Lynch. Time behaved so differently here; it was important here. One did not have endless dark moments to fill; human lives were so short, so urgent— “Where’s Adam?” Hennessy asked, “What?” “Adam. My Adam. Adam!
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Dark ancillary thoughts emerged: could either of them live without the sustaining excitement of this work, the knife-edge bustle of the street, the adrenaline high of stealing secrets from an implacable foe? What would their retired life be like? Would they look at the snowy Rockies from the porch of a log cabin? Or eat breakfast on a white balcony overlooking Biscayne Bay? Or throw another log on the fire in a cozy New England farmhouse? A conjugal dream or a constricting nightmare? Could either of them survive retirement? Gable always said that spooks dried up and died when they left the Game. Most Russian defectors went around the bend away from the Rodina; they missed the Motherland, the black earth, and the pine forests. Could he do that to her, to himself? Jesus, maybe he had scared himself straight, maybe she’d see the light too. Maybe they would move to the next chaste and professional level of superasset and sagacious handler, coolly taking care of business against Vladimir Putin and his predatory kleptocracy. Maybe.
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))
In his dreams now, the sky is deep blue with just a twinge of light. He stares from the water up at the cliff far above him. He can see the silhouette of someone peering down at him from the top … can see the way the person leans far over the edge to stare—farther than any human could, yet keeps leaning at a more severe angle, pebbles dislodged and peppering the water around him. While he lies in wait, there, at the bottom of the cliff, swimming vast and unknowable among the other monsters. Waiting in the darkness for the soundless fall, without splash or ripple.
Jeff VanderMeer (The Southern Reach Trilogy: Annihilation / Authority / Acceptance)
Wisdom did not belong to mortals, and those whom others called wise were only those who, through grim experience, had touched the very edges of unwelcome truths.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
Obama wore a dark-gray suit and a burgundy tie. Behind him, rippling in a gentle breeze, were more American flags than Maria could count. Speaking slowly, pausing after each phrase, Obama said: “If there is anyone out there who still doubts that America is a place where all things are possible, who still wonders if the dream of our founders is alive in our time, who still questions the power of our democracy—tonight is your answer.” Little Marga came up to Maria where she sat on the couch. “Granny Maria,” she said. Maria lifted the child onto her lap and said: “Hush, now, baby, everyone wants to listen to the new president.” Obama said: “It’s the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Hispanic, Asian, Native American, gay, straight, disabled and not disabled—Americans who sent a message to the world that we have never been just a collection of individuals, or a collection of red states and blue states: we are, and always will be, the United States of America.” “Granny Maria,” Marga whispered again. “Look at Granddad.” Maria looked at her husband, George. He was watching the television, but his lined brown face was streaming with tears. He was wiping them away with a big white handkerchief, but as soon as he dried his eyes the tears came again. Marga said: “Why is Granddad crying?” Maria knew why. He was crying for Bobby, and Martin, and Jack. For four Sunday school girls. For Medgar Evers. For all the freedom fighters, dead and alive. “Why?” Marga said again. “Honey,” said Maria, “it’s a long story.
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
Kestrel had forgotten. She had thought that she remembered only too well the lines of his face. The restless quality to how he would stand still. The way he looked fully into her eyes as if each glance was an irrevocable choice. Her blood felt laced with black powder. How could she have forgotten what it was like to burn on a fuse before him? He looked at her, and she knew that she had remembered nothing at all. “I can’t be seen with you,” she said. Arin’s eyes flashed. He raked the curtain shut behind him. The closed-off balcony became deeply dark. “Better?” he said. Kestrel backed away until the heel of her shoe met the balustrade and her bare shoulder blades touched the glass. The air had changed. It was warm now. And scented, strangely, with brine. “The sea,” she managed to say. “You came by sea.” “It seemed wiser than riding my horse to death through the mountains.” “My horse.” “If you want Javelin, come home and claim him.” She shook her head. “I can’t believe you sailed here.” “Technically, the ship’s captain did, cursing me the entire time. Except when I got sick. Then he just laughed.” “I thought you weren’t coming.” “I changed my mind.” Arin came to lean against the balustrade beside her. It was too much. He was too close. “I’ll thank you to keep your distance.” “Ah, the empress speaks. Well, I must obey.” Yet he didn’t move except to turn his head toward her. Light from the curtain’s seam cut a thin line down his cheek in a bright scar. “I saw you. With the prince. He seems bitter medicine to swallow, even for the sweets of the empire.” “You know nothing of him.” “I know you helped him cheat. Yes, I watched you. I saw you play at Borderlands. Others might not have noticed, but I know you.” His voice grew rough. “Gods, how can you respect someone like that? You’ll make a fool of him.” “I wouldn’t.” “You’re a bad liar.” “I won’t.” Arin went quiet. “Maybe you won’t mean to.” He edged away, and that line of light no longer touched him. His form was pure shadow. But her sight had adjusted, and she saw him tip his head back against the window. “Kestrel…” An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that wasn’t how he had said it, and she was wrong, and she’d heard a question simply because the sound of him speaking her name made her wish that she were his answer. Something was tugging inside her. It yanked at her soul. Tell him, that part of her said. He needs to know. Yet those words had a quality of horror to them. Her mind was sluggish to understand why, so caught it was in the temptation to tell Arin that her engagement had been the bargain for Herran’s freedom.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Dragon’s breath billowed across the peaks of Feldall Forest, waves of green flame bursting into tongues of orange and red as it caught the trees in its path. The creature swooped, serrated wings chopping down the blazing tree-tops to spread the flames along the forest floor. Its scream shook the earth and set the horses to panic, but the three riders held their position along the edge of the tree line. Lady Jasmine of Feldall cursed as her black Friesen, Nalen, reared, and she struggled to stay in her seat. Tendrils of dark brown hair fluttered in her face and she puffed out a breath to clear her vision. This dragon had plagued their lands for months, terrorizing the skies as well as their cattle—what little remained of the herds after a three month drought. Whatever fate had brought the beast out to play while she, Jayden, and Corey were cleaning up the damage he’d done, this was the closest they’d come to ridding themselves of at least one plight. If only Corey would take the shot.
Krista Walsh (Evensong (Meratis Trilogy, #1))
I think of each of them. Toby’s caring, loving heart. Nico’s… quirks. Stella’s strength, and the love she has for Seb, for each of her boys. Emmie’s resilience. Alex’s humour and lightness compared to Daemon’s darkness and rough edges. Theo’s subtle but controlling demeanour that ensures everyone knows who’s boss. And Calli’s quiet confidence that I think the guys misinterpret for innocence.
Tracy Lorraine (Reckless Dynasty (Knight's Ridge Empire: Reckless Trilogy #3))
Psalms 97:10. “Let those who love the Lord hate evil, for He guards the lives of His faithful ones and delivers them from the hand of the wicked.
D.L. Koontz (Edging Through the Darkness (The Crossings Trilogy Book 2))
All I have I would have given, gladly, not to be standing here today.” The chamber became hushed. He had struck exactly the right note of sorrowful humility. It was a good start, George thought. Johnson continued in the same vein, speaking with slow dignity. If he felt the impulse to rush, he was controlling it firmly. He wore a dark-blue suit and tie, and a shirt with a tab-fastened collar, a style considered formal in the South. He looked occasionally from one side to the other, speaking to the whole of the chamber and at the same time seeming to command it. Echoing Martin Luther King, he talked of dreams: Kennedy’s dreams of conquering space, of education for all children, of the Peace Corps. “This is our challenge,” he said. “Not to hesitate, not to pause, not to turn about and linger over this evil moment, but to continue on our course so that we may fulfill the destiny that history has set for us.” He had to stop, then, because of the applause. Then he said: “Our most immediate tasks are here on this hill.” This was the crunch. Capitol Hill, where Congress sat, had been at war with the president for most of 1963. Congress had the power to delay legislation, and used it often, even when the president had campaigned and won public support for his plans. But since John Kennedy announced his civil rights bill they had gone on strike, like a factory full of militant workers, delaying everything, mulishly refusing to pass even routine bills, scorning public opinion and the democratic process. “First,” said Johnson, and George held his breath while he waited to hear what the new president would put first. “No memorial oration or eulogy could more eloquently honor President Kennedy’s memory than the earliest possible passage of the civil rights bill for which he fought so long.” George leaped to his feet, clapping for joy. He was not the only one: the applause burst out again, and this time went on longer than previously. Johnson waited for it to die down, then said: “We have talked long enough in this country about civil rights. We have talked for one hundred years or more. It is time, now, to write the next chapter—and to write it in the books of law.” They applauded again. Euphoric, George looked at the few black faces in the chamber: five Negro congressmen, including Gus Hawkins of California, who actually looked white; Mr. and Mrs. Wright in the presidential box, clapping; a scatter of dark faces among the spectators in the gallery. Their expressions showed relief, hope, and gladness. Then his eye fell on the rows of seats behind the cabinet, where the senior senators sat, most of them Southerners, sullen and resentful. Not a single one was joining in the applause. •
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
He looked at his face in the glass. In this half-light, against white tiles, it looked scarcely less ghostly than Orme’s. A memory tweaked the edges of his mind. Another glass, on the top landing at home, a dark, oval mirror framing the face of a small, pale child. Himself. Five years old, perhaps. Now why did he remember that? Birds had been singing, then, too. Sparrows, twittering in the ivy. A day of shouts and banged doors and tears in rooms he was not allowed to enter. The day his father left home. Or the day he died? No, the day he left. Sassoon smiled, amused at the link he’d discovered, and then stopped smiling. He’d joked once or twice to Rivers about his being his father confessor, but only now, faced with this second abandonment, did he realize how completely Rivers had come to take his father’s place.
Pat Barker (The Regeneration Trilogy)
She went to the window and walked out into the glittering night. The city was already sleeping and the heavens took up the sound of the creatures below, the stars making a notation of their trills and bells, which rang in the darkness like glass. Whispers of Satie joined them from the room, and there seemed, in this inimitable moment, to be an agreement between time and the proximity of all things, as if clumsy humans might have a place in all this infinite, perfect darkness, if only they played at the edge. Out of sight, blindfolded, and in agreement.
Brian Catling (The Vorrh (The Vorrh Trilogy, #1))
Overlooking the world, he felt a strange sense of fellowship—like they belonged here, at the edge of it all, facing the Darkness with the Light within.
Angela R. Watts (Golgotha (Remnant Trilogy #1))
He slept that night in a field far from any town. He built no fire. He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world and as he lay there the agony in his heart was like a stake.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))