Forward Momentum Quotes

Forward momentum. That's my new motto. No regrets. And no going back.

I've got forward momentum. There's no virtue in it. It's just a balancing act. I don't dare stop.

Forward momentum only worked as a strategy if one had correctly identified which way was forward.

An overhead light blinked and extinguished. Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall. A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.

Even when you do the right thing, sometimes there are dire consequences. Second-guessing every step prevents any forward momentum. Trust yourself, forgive yourself and move on.

Like a bicycle, like a wheel that, once rolling, is stable only so long as it keeps moving but falls when its momentum stops, so the game between a man and woman, once begun, can exist only so long as it progresses. If the forward movement today is no more than it was yesterday, the game is over.

Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered. It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.

She quoted a dead playwright and called me a bullet with nothing but a future. She understood my lack of self-pity. She knew why I despised everything that might restrict my forward momentum. She knew that bullets have no conscience. They speed past things and miss their marks as often as they hit them.

My advice was to start a policy of making reversible decisions before anyone left the meeting or the office. In a startup, it doesn’t matter if you’re 100 percent right 100 percent of the time. What matters is having forward momentum and a tight fact-based data/metrics feedback loop to help you quickly recognize and reverse any incorrect decisions. That’s why startups are agile. By the time a big company gets the committee to organize the subcommittee to pick a meeting date, your startup could have made 20 decisions, reversed five of them and implemented the fifteen that worked.

An old childhood playmate once told me ‘second guessing every step prevents any forward momentum. Trust yourself. Forgive yourself. And move on.

Seven Ways To Get Ahead in Business: 1. Be forward thinking 2. Be inventive, and daring 3. Do the right thing 4. Be honest and straight forward 5. Be willing to change, to learn, to grow 6. Work hard and be yourself 7. Lead by example

And there is hope on the road. It’s a by-product of forward momentum. A sense of opportunity, as wide as the country itself. A bone-deep conviction that something better will come.

Learn to master your thoughts and watch closely what you deposit into your spirit. Speak over your life. Living in peace has transformative power.

She doesn’t judge me for these words. I think she understands. She knows what it’s like to want to throw yourself forwards, maintain momentum to keep from breaking down. “I

Adding anxiety to depression is a bit like adding cocaine to alcohol. It presses fast-forward on the whole experience. If you have depression on its own your mind sinks into a swamp and loses momentum, but with anxiety in the cocktail, the swamp is still a swamp but the swamp now has whirlpools in it. The monsters that are there, in the muddy water, continually move like modified alligators at their highest speed. You are continually on guard. You are on guard to the point of collapse every single moment, while desperately trying to keep afloat, to breathe the air that the people on the bank all around you are breathing as easily as anything.

That's the spirit! Forward momentum." Mayhew snorted. "Your forward momentum is going to lead all your followers over a cliff someday." He paused, beginning to grin. "On the way down, you'll convince 'em all they can fly." He stuck his fists in his armpits, and waggled his elbows. "Lead on, my lord. I'm flapping as hard as I can.

We can conclude that a project as grand as the scientific-mythical construction of victory over human limitation is not something that can be programmed by science. Even more, it comes from the vital energies of masses of men sweating within the nightmare of creation-and it is not even in man's hands to program. Who knows what form the forward momentum of life will take in the time ahead or what use it will make of our anguished searching. The most that any one of us can seem to do is to fashion something-an object or ourselves-and drop it into the confusion, make an offering of it, so to speak, to the life force.

It is well known that stone can think, because the whole of electronics is based on that fact, but in some universes men spend ages looking for other intelligences in the sky without once looking under their feet. That is because they've got the time-span all wrong. From stone's point of view the universe is hardly created and mountain ranges are bouncing up and down like organ-stops while continents zip backward and forward in general high spirits, crashing into each other from the sheer joy of momentum and getting their rocks off. It is going to be quite some time before stone notices its disfiguring skin disease and starts to scratch, which is just as well.

During his depression he lost that forward momentum. In fact, the loss of it was the very thing that was wrong with him. It was time without nuance or modulation, always the same, minute by minute, day by day. He knew nothing of the defeat or futility that people assumed he was feeling. He was simply not there, an absence, an empty space.

It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.

Progress,' wrote C.S. Lewis, 'means getting nearer to the place you want to be. And if you have taken a wrong turning, then to go forward does not get you any nearer.' This is a phenomenally good way of looking at it, I think. Forward momentum, on an individual or social level, is not automatically good simply because it is forward momentum. Sometimes we push our lives in the wrong direction. If we feel it is making ourselves unhappy, progress might mean doing an about-turn and walking back to the right road. But we must never feel - personally or s a culture, that only one version of the future is inevitable. The future is ours to shape.

On the thought a blessed silence came, an empty clarity. He took it a first for utter desolation, but desolation was a type of free fall, perpetual and without ground below. This was stillness: balanced, solid, weirdly serene. No momentum to it at all, forward or backwards or sideways. He lay drained of tension, not moving, and content to be so. The oddly stretched moment was like a bite of eternity, eaten on the run. Was this quiet place inside something new-grown, or had he just never stumbled upon it before? How could so vast a thing lay undiscovered for so long? His breathing slowed and deepened.

A good fight was about momentum. Don't stop. Don't think. Drive forward and convince your enemies that they're as good as dead already. That way, they'll fight you less as you send them to their pyres.

There are two powerful fuels, two forces; motivation and inspiration. To be motivated you need to know what your motives are. Over time - and to sustain you through it - your motivation must become an inner energy; a 'motor' driving you forward, passionately, purposefully, wisely and compassionately... come what may, every day. Inspiration is an outer - worldly - energy that you breathe and draw in. It may come from many places, faces, spaces and stages - right across the ages. It is where nature, spirit, science, mind and time meet, dance, play and speak. It keeps you outward facing and life embracing. But you must be open-minded and open-hearted to first let it in and then let it out again. Together - blended, combined and re-entwined - motivation and inspiration bring connectivity, productivity, creativity and boundless possibilities that is not just 'self' serving but enriching to all humanity and societies...just as it should be.

It is essential that you learn to take action before you feel like doing it. Taking action builds momentum and creates motivation. These feelings will not come to you spontaneously; you have to generate them. You have to inspire yourself, you have to move. You have to simply begin and allow your life and your energy to reorient itself to prefer the behaviors that are going to move your life forward, not the ones that are keeping you held back.

What is so often said about the solders of the 20th century is that they fought to make us free. Which is a wonderful sentiment and one witch should evoke tremendous gratitude if in fact there was a shred of truth in that statement but, it's not true. It's not even close to true in fact it's the opposite of truth. There's this myth around that people believe that the way to honor deaths of so many of millions of people; that the way to honor is to say that we achieved some tangible, positive, good, out of their death's. That's how we are supposed to honor their deaths. We can try and rescue some positive and forward momentum of human progress, of human virtue from these hundreds of millions of death's but we don't do it by pretending that they'd died to set us free because we are less free; far less free now then we were before these slaughters began. These people did not die to set us free. They did not die fighting any enemy other than the ones that the previous deaths created. The beginning of wisdom is to call things by their proper names. Solders are paid killers, and I say this with a great degree of sympathy to young men and women who are suckered into a life of evil through propaganda and the labeling of heroic to a man in costume who kills for money and the life of honor is accepting ordered killings for money, prestige, and pensions. We create the possibility of moral choice by communicating truth about ethics to people. That to me is where real heroism and real respect for the dead lies. Real respect for the dead lies in exhuming the corpses and hearing what they would say if they could speak out; and they would say: If any ask us why we died tell it's because our fathers lied, tell them it's because we were told that charging up a hill and slaughtering our fellow man was heroic, noble, and honorable. But these hundreds of millions of ghosts encircled the world in agony, remorse will not be released from our collective unconscious until we lay the truth of their murders on the table and look at the horror that is the lie; that murder for money can be moral, that murder for prestige can be moral. These poor young men and woman propagandized into an undead ethical status lied to about what is noble, virtuous, courageous, honorable, decent, and good to the point that they're rolling hand grenades into children's rooms and the illusion that, that is going to make the world a better place. We have to stare this in the face if we want to remember why these people died. They did not die to set us free. They did not die to make the world a better place. They died because we are ruled by sociopaths. The only thing that can create a better world is the truth is the virtue is the honor and courage of standing up to the genocidal lies of mankind and calling them lies and ultimate corruptions. The trauma and horrors of this century of staggering bloodshed of the brief respite of the 19th century. This addiction to blood and the idea that if we pour more bodies into the hole of the mass graves of the 20th century, if we pour more bodies and more blood we can build some sort of cathedral to a better place but it doesn't happen. We can throw as many young men and woman as we want into this pit of slaughter and it will never be full. It will never do anything other than sink and recede further into the depths of hell. We can’t build a better world on bodies. We can’t build peace on blood. If we don't look back and see the army of the dead of the 20th century calling out for us to see that they died to enslave us. That whenever there was a war the government grew and grew. We are so addicted to this lie. What we need to do is remember that these bodies bury us. This ocean of blood that we create through the fantasy that violence brings virtue. It drowns us, drowns our children, our future, and the world. When we pour these endless young bodies into this pit of death; we follow it.

We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards. You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you. It's hard not to wonder what life would be like facing the other way. Avenoir. You'd see your memories approaching for years, and watch as they slowly become real. You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget. One by one you'd patch things up with old friends, enjoying one last conversation before you meet and go your separate ways. And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger. You'd become nothing other than yourself, reveling in your own weirdness. You'd fall out of old habits until you could picture yourself becoming almost anything. Your family would drift slowly together, finding each other again. You wouldn't have to wonder how much time you had left with people, or how their lives would turn out. You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again. You'd remember what home feels like, and decide to move there for good. You'd grow smaller as the years pass, as if trying to give away everything you had before leaving. You'd try everything one last time, until it all felt new again. And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people. You'd start to notice that each summer feels longer than the last. Until you reach the long coasting retirement of childhood. You'd become generous, and give everything back. Pretty soon you’d run out of things to give, things to say, things to see. By then you'll have found someone perfect; and she'll become your world. And you will have left this world just as you found it. Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.

Before too long, the bottle of whisky lies empty on the grass in front of us and Mike appears to have talked himself out. In the silence that follows, Mike begins hiccupping with the most intense seriousness and mental concentration, and I realise that he’s thoroughly, disgracefully drunk. ‘Come on,’ I say, helping him to his feet. ‘I think we’ve had enough excitement for one evening.’ I manage to get him up, but then he sways up against the castle wall, and does not seem keen to move. ‘D’you think, perchance, we could call a taxi?’ ‘We’re half a mile from any road, Mike. Come on. Get moving.’ ‘A horse!’ Mike shouts. ‘My kingdom for a horse.’ ‘Yes, yes,’ I say. ‘Come along now. Here’s my arm. Got my arm? Got it?’ ‘Or a donkey,’ Mike says. ‘My kingdom for a donkey.’ ‘Oh, come on,’ I say. ‘Grab my arm.’ ‘Arm of the law!’ Mike shouts. ‘Quite right, Colonel. Hup. two three four. And March!’ But Mike, in spite of saying this, does not himself march. ‘D’you think February can March?’ he asks, turning to me. ‘I don’t know, but I think April May.’ He follows this with a snort of laughter so violent that it propels him away from the wall. I catch him and, taking advantage of the forward momentum, begin the journey homewards. ‘My kingdom,’ Mike says, returning to his earlier point. ‘Wouldn’t get much for it now, state the country’s in.’ ‘Yes,’ I say. ‘Good point.’ ‘Tories,’ Mike says. ‘String ‘em up.’ ‘Yes, yes,’ I say, soothingly. ‘Tories.’ ‘Bunch of crim’nals,’ Mike says, misanthropically. ‘String ‘em all up.’ And with that, he drops his head and is silent for the remainder of the journey.

I am so tired of your crap. Do you honestly think you suffer more than everyone else? Do you think you suffer more than I do? Do you think you're the first person to ever have a baby? Or lose someone? Do you think you're some goddamned pioneer when it comes to grief?" Sadie shifted forward, and he could feel the momentum in their argument. He could feel the cruel thing she was about to say in response to the cruel thing he had said. But the cruel thing did not arrive. Disturbingly, she slumped forward, and started to weep. He watched her, but he did not go over to her. "Snap out of it, Sadie. Come to the office. We work through our pain. That's what we do. We put the pain into the work, and the work becomes better. But you have to participate. You have to talk to me. You can't ignore me and our company and everything that came before.

We were offered visas, you know, to Australia, and we turned them down, my husband said no, plain and simple, he said it was impossible to go at the time and I suppose he was right, and how could he have known anyhow, how could any of us have known what was going to happen, I suppose other people seemed to know, but I never understood how they were so certain, what I mean is, you could never have imagined it, not in a million years, all that was to happen, and I could never understand those that left, how they could just leave like that, leave everything behind, all that life, all that living, it was absolutely impossible for us to do so at the time and the more I look at it the more it seems there was nothing we could do anyhow, what I mean is, there was never any real room for action, that time with the visas, how were we supposed to go when we had so many commitments, so many responsibilities, and when things got worse there was just no room for manoeuvre, I think what I’m trying to say is that I used to believe in free will, if you had asked me before all this I would have told you I was free as a bird, but now I’m not so sure, now, I don’t see how free will is possible when you are caught up within such a monstrosity, one thing leads to another thing until the damn thing has its own momentum and there is nothing you can do, I can see now that what I thought of as freedom was really just struggle and that there was no freedom all along, but look, she says, taking Ben by the hand and dancing him, we are here now aren’t we and so many other people are gone, we’re the lucky ones seeking a better life, there is only looking forward now, isn’t that