“
Failure is a bend in the road, not the end of the road. Learn from failure and keep moving forward.
”
”
Roy T. Bennett
“
My hands shot up over my head, grabbing his ears. I yanked, bending forward.
North sailed over me. I gasped, stunned by what I just did.
"Holy shit," Nathan uttered.
"Kota," Gabriel whined. "Mommy and daddy are fighting again.
”
”
C.L. Stone (Forgiveness and Permission (The Ghost Bird, #4))
“
I BET YOU DIDN’T KNOW THIS, but lots of guys have a thing for Ariel. You know, from The Little Mermaid? I’ve never been into her myself, but I can understand the attraction: she fills out her shells nicely, she’s a redhead, and she spends most of the movie unable to speak.
In light of this, I’m not too disturbed about the semi I’m sporting while watching Beauty and the Beast—part of the homework Erin gave me. I like Belle. She’s hot. Well…for a cartoon, anyway. She reminds me of Kate. She’s resourceful. Smart. And she doesn’t take any shit from the Beast or that douchebag with the freakishly large arms.
I stare at the television as Belle bends over to feed a bird. Then I lean forward, hoping for a nice cleavage shot…
I’m going to hell, aren’t I?
”
”
Emma Chase (Tangled (Tangled, #1))
“
Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. Only if you do that can you hope to make the reader feel every particle of what you, the writer, have known and feel compelled to share."---Forward to Kafka's Short stories
”
”
Anne Rice
“
I don’t want to be in pain anymore. I want to be done, to be left unburdened and naked, to tear the hurt off my body like layers of clothes. At the end of the trail I stop and bend forward, hands on my knees, to catch my breath. I’m not healed, but for this moment, I’m better.
”
”
Kerry Cohen (Loose Girl: A Memoir of Promiscuity)
“
I stare at the television as Belle bends over to feed a bird. Then I lean forward, hoping for a nice cleavage shot…
I’m going to hell, aren’t I?
I can’t help it. I’m desperate. Frustrated.
Horny
”
”
Emma Chase (Tangled (Tangled, #1))
“
Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.”
Merripen, attentive as always to his wife, gave her a frowning glance. “Now?”
"Yes, now.”
"Can’t it wait?”
"No,” Win said equably. At his continued hesitation, she said, “I’m expecting.”
Merripen blinked. “Expecting what?”
"A baby.”
They all watched as Merripen’s face turned ashen. “But how ...” he asked dazedly, nearly staggering as he headed to Win.
"How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?”
"It’s not a ploy,” Win said cheerfully.
Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house.
"I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
regrets were a waste of time. If only was the bend in a troubling road. She learned day by day how to navigate through life, keep going, keep moving forward.
”
”
Kristin Hannah (The Women)
“
The real payoff of a yoga practice, I came to see, is not a perfect handstand or a deeper forward bend—it is the newly born self that each day steps off the yoga mat and back into life.
”
”
Rolf Gates (Meditations from the mat)
“
I snort. So fucking confident, this guy. “I bet. I bet women bend right over this desk for you,” I lean forward and place my hands on the desk and drop one shoulder seductively. “I bet they’re all, ‘Oh, Sawyer, it’s so big. I don’t think it’s gonna fit.’ Newsflash for you. They’re lying. It always fits.
”
”
Jana Aston (Right (Cafe, #2))
“
I am evolved as I freed myself from the expectations of others. These memories shape a nonlinear narrative, because queerness is intrinsically nonlinear, journeys that bend and wind. Two steps forward, one step back.
”
”
Elliot Page (Pageboy: A Memoir)
“
A tree grows taller to the degree that its roots go deeper and wider. If we wish to jump high, we must first bend close to the ground to get the impetus for the spring. Like a jet engine, we move forward by thrusting backward. In therapy each backward move provides the energy for the leap forward. Regression and progression go on side by side.
”
”
Alexander Lowen (Fear of Life: The Wisdom of Failure)
“
Did you just do what I think you did?” he exclaimed.
“Depends on what you think I did,” Jake shot back with a signature grin as he thumped down the front steps and strolled forward to retrieve his flip flop.
“That’s what we do. You think and I
throw things,” he explained. “So I’ll make you a deal. You stop thinking,” he drawled, bending to pick up the shoe and wave it around threateningly, “and I’ll stop throwing things.
”
”
Abigail Roux (Caught Running)
“
The only waterfall I’m interested in is the one I’ll be drinking from between your thighs. Now face forward and bend over the railing, mia rosa. I won’t ask you again.
”
”
H.D. Carlton (Phantom (Cat and Mouse, #0))
“
Dare to live the life you have dreamed for yourself. Go forward and make your dreams come true.” ~ Ralph Waldo Emerson
”
”
Sabrina Paige (Elias (West Bend Saints, #1))
“
. . .To go as a river . .had taken me a long while to understand. . . meant. . .flowing forward against obstacle . . .like the river, I had also gathered along the way all the tiny pieces connecting me to everything else, and doing this had delivered me here, with two fists of forest soil in my palms and a heart still learning to be unafraid of itself. I had been shaped by my kindred— my lost family and lost love; my found friendships, though few; my trees that kept on living and every tree that gave me shelter; every creature I met along the way, every raindrop and snowflake choosing my shoulder, and every breeze that shifted the air; every winding path beneath my feet, every place I laid my hands and head, and every creek like the one before me, rolling off the hillside, gaining strength in gravity, spinning through the next eddy, pushing around the next bend, taking and giving in quiet agreement with every living thing.
”
”
Shelley Read (Go as a River)
“
Within him, as he hurled himself forward, was born a love, a despairing fondness for this flag which was near him. It was a creation of beauty and invulnerability. It was a goddess, radiant, that bended its form with an imperious gesture to him. It was a woman, red and white, hating and loving, that called him with the voice of his hopes. Because no harm could come to it he endowed it with power. He kept near, as if it could be a saver of lives, and an imploring cry went from his mind.
”
”
Stephen Crane (The Red Badge of Courage and Selected Short Fiction)
“
The rims of his eyelids were burning. A blow received straightens a man up and makes the body move forward, to return that blow, or a punch-to jump, to get a hard-on, to dance: to be alive. But a blow received may also cause you to bend over, to shake, to fall down, to die. When we see life, we call it beautiful. When we see death, we call it ugly. But it is more beautiful still to see oneself living at great speed, right up to the moment of death. Detectives, poets, domestic servants and priests rely on abjection. From it, they draw their power. It circulates in their veins. It nourishes them.
”
”
Jean Genet (Querelle of Brest)
“
As the shock was too great, the muscles in my left foot suddenly lost their strength. This led to it bending at the wrong angle and kicking into the muscle at the back of my lower right leg, which in turn caused the angle of my right knee to be incorrect and rendered it unable to direct my thigh to move in such a way as for me to take a step forward... Although it all sounds terribly complicated, simply put, this situation can be summarized as—
I tripped.
”
”
Yu Wo (騎士基本理論 (吾命騎士, #1))
“
Why would you do that?” I asked as he gasped. “Why would you hand me a lever to your pain?” I walked forward, bending the finger down, and he backed before me, into the crowd of his supporters, crying out, bowing low to lessen the sharp angle at which I held the digit.
”
”
Mark Lawrence (Emperor of Thorns (Broken Empire, #3))
“
The way she sat now, leaning forward frowning, biting her pink bottom lip, her shirt dipping to reveal a hint of her cleavage... He wondered idly if he could get her to bend over a little farther...
"Just what are you staring at, exactly?"
Kadar snapped back to reality. "You. You've been thinking hard for the last five minutes. It's not good for you to strain your pretty little head like that. I'm waiting for the steam to shoot out of your ears to relieve the pressure on your brain."
"Aha." Audrey glanced at Jack and George. "What you have here is a man who was caught gaping at my breasts, and now he's trying to cover it up with rudeness.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
Have you ever thought,” he said after a moment, “that perhaps … all of this could have happened before? That the people of the Time Before, no matter how weak we think them, that they were only making the mistakes of their ancestors, and that we, in turn, are only making the same mistakes as them? Technology or no? That the time changes but people do not, and so we are never really moving forward, only around a bend? That the world only ever turns in circles. Do you think that could be so?”
She met his gaze, fascinated. “I don’t know,” she said. “But even if that’s true, then don’t you think there is always someone who can change it? Who could break the pattern? Or who could try? If they chose to. Don’t you think that has to be true as well?”
“Yes,” he said, “I do think that.” The tiny fire went out, leaving only the candles. “And I would help you.”
“You are helping me,” she said, voice small. “Isn’t that our agreement?”
“You know that is not what I mean. I would help you.
”
”
Sharon Cameron (Rook)
“
haul, v.: Yes, love will bend you over, make you strain. That is the burden of having something worth carrying forward.
”
”
David Levithan (The Lover's Dictionary)
“
As I bend forward to check the safety catch of my mother's wheelchair, she leans over and kisses my hair. How can I survive that kiss, such love, my mother, my mother.
”
”
Annie Ernaux (I Remain in Darkness)
“
Part of growing older means letting go. You can't move forward if you never take those first few steps onto new ground. Now's the time to be brave, Daughter. Walking into the future means trusting in yourself even when you can't see around the bend. As long as you're certain this is what you want, all will be well.
”
”
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
“
Fearlessness is generated when you can appreciate uncertainty, when you have faith in the impossibility of these interconnected components remaining static and permanent. You will find yourself, in a very true sense, preparing for the worst while allowing for the best....By knowing that something is lying in wait for you just around the bend, by accepting that countless potentialities exist from this moment forward, you acquire the skill of pervasive awareness and foresight like that of a gifted general, not paranoid but prepared.
”
”
Dzongsar Jamyang Khyentse (What Makes You Not a Buddhist)
“
The sun was low; and leaning forward side by side, they seemed to be tugging painfully uphill their two ridiculous shadows of unequal length, that trailed behind them slowly over the tall grass without bending a single blade.
”
”
Joseph Conrad (Heart of Darkness)
“
I might take you to fancy hotels, baby. Might walk you through those elegant lobbies and demand you be treated like a queen.” He drops forward, bending down to lick a path between my breasts, up and down. Again and again, before lifting his head. “But I will always be the man who fucks you nasty on the floor once we’re upstairs, with your thong twisted around your dripping cunt. We clear?
”
”
Tessa Bailey (Follow)
“
Situations bend in your favour when they see you marching ahead inspite of the mountains trying to hold you back.
”
”
Hiral Nagda
“
I go to the window, I spot a fly under the curtain, I corner it in a muslin trap and move a murderous forefinger toward it. This moment is not in the program, it's something apart, timeless, incomparable, motionless, nothing will come of it this evening or later . . . Mankind is asleep. . . . Alone and without a future in a stagnant moment, a child is asking murder for strong sensations. Since I'm refused a man's destiny, I'll be the destiny of a fly. I don't rush matters, I'm letting it have time enough to become aware of the giant bending over it. I move my finger forward, the fly bursts, I'm foiled! Good God, I shouldn't have killed it! It was the only being in all creation that feared me; I no longer mean anything to anyone. I, the insecticide, take the victim's place and become an insect myself. I'm a fly, I've always been one. This time I've touched bottom.
”
”
Jean-Paul Sartre (The Words: The Autobiography of Jean-Paul Sartre)
“
This is my friend Veronica,” I told him. “And this is Kaidan.”
“Oh, I've heard all about you.” Veronica gave him a big smile.
His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose.
Veronica let out a loud cackle, proving she should be the one in my costume.
“I told you it was stupid!” She gloated.
With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me.
“Your hair's grown a lot,” I said to him.
“So has your bottom.”
My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor.
I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress.
“Dude, you can get away with anything,” said the pirate to the straight-faced ape.
“I meant it as a compliment.”
“That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.”
She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something.
“My dad gave me a cell phone.” And a car. And a ton of money.
Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands.
“Here,” I said, taking his phone. Saving my number for him gave me a thrill.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Mai grins at Mycroft. ‘You know that’s slightly ridiculous, don’t you?’
He smiled. ‘Why?’
‘Because. . . because you’re teenagers.’ Mai’s expression says it should be obvious. ‘Mycroft, this isn’t like figuring out who spray-painted some guy’s car. This is murder.’
‘The principles are the same’ he insists.
‘But you’re both minors. And you have no access to police information, no experience, no forensics lab, no authority. . . ’
‘Mai, are you trying to bring me down or something?’
Gus, who usually only gets emotive about things like soccer, suddenly leans forward. ‘I think you should do it.’ He glances at me and Mycroft in turn. ‘This homeless guy, it’s not like his death is going to be a major priority, is it? The police won’t bend over backwards to bring his killer to justice or anything. He was a derelict with no family. So you two are the only ones who even care.
”
”
Ellie Marney (Every Breath (Every, #1))
“
At the moment when the road looks the harshest, and you think you cannot continue on that is when you relearn your first mode of transportation; you crawl. You dig your fingers into the dirt, and propel yourself forward with your toes, but you never give up. You've gotta learn to bend with the sway. You never know what is around the next curve.
”
”
Sai Marie Johnson
“
My sperm came out into the water, unaccustomed to the light, and instantly it became a misty, stringy kind of thing and swirled out like a falling star, and I saw a dead fish come forward and float into my sperm, bending it in the middle.
”
”
Richard Brautigan (Trout Fishing in America)
“
Halfway down, Eric stopped and stared at her, an awestruck look in his eyes. “What is it?” she asked.
“Your hair. Even in moonlight . . . it looks like sunshine. I’d never have to go outside again if I was with you.”
She tugged him forward. “I think you hit your head in your heroic struggles.”
“You were the heroic one,” Eric said, stepping around a rock bend. “Reminds me of the stories from Russia my grandmother used to tell me. You know any of them? Vasilisa the Brave?”
“Nope. My family’s from Romania. Never heard of any Vasilisa.” Looking up, Rhea stare up at the sky thoughtfully. “But I kind of like that name.
”
”
Richelle Mead (Kisses from Hell)
“
If you could go back and relive any perfect moment in your
life, which one would it be?”His smile took her breath away. “You know I’m forbidden to use that‘gift’ except in the direst of circumstances. And itdoesn’t work like that—remember, I can only bend it to gain back the last few minutes.”“I know, but
if
youcould. Humor me.”He thought for a long
moment. “None of them.”Disappointment stabbed her. “Why not?”“Because the perfect moment can never be improved, and should be remembered, cherished, just the way it was. Like every moment I spend in your arms,” he said.“We should just go forward and make more of them.
”
”
J.D. Tyler (Primal Law (Alpha Pack, #1))
“
Some days you move forward.
Some days you fall apart.
And some days,
you simply float
in the strange middle.
You breathe,
but nothing changes.
And that counts, too.
The one who walks the Way
does not chase progress.
They bow to the bend.
They let the detour teach.
”
”
G. Scott Graham (The Tao of Grief (The Quiet Way))
“
I’m all the way in now, and my dick is in heaven. I’m in heaven. I lean forward and cover his torso with mine, my elbows on either side of his head as I bend down to kiss him. Then I start to move. “Oh… God…” He whispers the words into my lips and I swallow them up with another tongue-tangling kiss.
”
”
Sarina Bowen (Him (Him, #1))
“
Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors.
" It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .
”
”
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
“
Auri grew serious. “Now close your eyes and bend down so I can give you your second present.”
Puzzled, I closed my eyes and bent at the waist, wondering if she had made me a hat as well.
I felt her hands on either side of my face, then she gave me a tiny, delicate kiss in the middle of my forehead.
Surprised, I opened my eyes. But she was already standing several steps away, her hands clasped nervously behind her back. I couldn’t think of anything to say.
Auri took a step forward. “You are special to me,” she said seriously, her face grave. “I want you to know I will always take care of you.” She reached out tentatively and wiped at my cheeks. “No. None of that tonight. This is your third present. If things are bad, you can come and stay with me in the Underthing. It is nice there, and you will be safe.”
“Thank you, Auri,” I said as soon as I was able. “You are special to me, too.”
“Of course I am,” she said matter-of-factly. “I am as lovely as the moon.
”
”
Patrick Rothfuss
“
We’re all broken in some way. Maybe a little maybe a lot. Life bends us, shapes us, molds us, makes us, breaks us. Not a damn thing for us to be ashamed of, but it’s something we need to come to grips with. No need to cry about it, mope about it, be pissed about it, holler about it, moan and groan about it. It’s something we face and deal with. Because whether we like it or not, whether we realize it or not, want it or not, we have to take responsibility for who we are from this day forward.
”
”
Lucian Bane (Dom Academy: 1st Semester (Dom Wars, #8))
“
Truth is a straight line, but human life is a flexible experience. You exit the womb curling into a new world, and from that moment forward, you bend and adjust.
”
”
Mitch Albom (The Little Liar)
“
I am nobody’s victim and from this day forward I’m going to love me enough to let God love me.
”
”
Lynn R. Davis (I Might Bend But God Won't Let Me Break! 21 Inspirational Devotions and Positive Attitude Quotes)
“
This country of ours has more wealth than any nation, but that's not what makes us rich. We have the most powerful military on Earth, but that's not what makes us strong. Our universities and our culture are the envy of the world, but that's not what keeps the world coming to our shores.
It is that American spirit - that American promise - that pushes us forward even when the path is uncertain; that binds us together in spite of our differences; that makes us fix our eye not on what is seen, but what is unseen, that better place around the bend
”
”
Barack Obama
“
At the same time I dismissed a strange bodily sensation that had run the lower back half of my body, during which the base of my spine had seemed to move. It had moved. Not a normal moving as in forward bends, backward bends, sideways and twistings. This had been a movement unnatural, an omen of warning, originating in the coccyx, with its vibration then setting off ripples – ugly, rapid, threatening ripples – travelling into my buttocks, gathering speed into my hamstrings
from where, inside a moment, they sped to the dark recesses behind my knees and disappeared. This took one second, just one second, and my first thought – unbidden, unchecked – was that this
was the underside of an orgasm, how one might imagine some creepy, back-of-body, partially convulsive shadow of an orgasm – an anti-orgasm.
”
”
Anna Burns (Milkman)
“
Design leaned forward across the bar, and he met her eyes. Which was difficult for him, considering her current posture. That said, you may have heard of her kind. I suggest, if you have the option, that you avoid trying to meet a Cryptic’s gaze. Their features—when undisguised—bend space and time, and have been known to lead to acute bouts of madness in those who try to make sense of them. Then again, who hasn’t wanted to flip off linear continuity now and then, eh?
”
”
Brandon Sanderson (Yumi and the Nightmare Painter)
“
Have you ever thought, " he said after a moment, "that perhaps...all of this could have happened before? That the people of the Time Before, no matter how weak we think them, that they were only making the mistakes of their ancesters and that we, in turn, are only making the same mistakes as them? Technology or no? That the time changes but people do not, and so we are never really moving forward, only around a bend? That the world only ever turns in circles. do you think that could be so?
”
”
Sharon Cameron (Rook)
“
I bet women bend right over this desk for you,” I lean forward and place my hands on the desk and drop one shoulder seductively. “I bet they’re all, ‘Oh, Sawyer, it’s so big. I don’t think it’s gonna fit.’ Newsflash for you. They’re lying. It always fits.
”
”
Jana Aston (Right (Wrong #2))
“
That is, as he says here, he should bend off neither to the right hand nor to the left, but move forward straight and firmly in prosperity and adversity, in strength and weakness, in glory and shame, clinging faithfully and bravely to the Word of God alone.
”
”
Martin Luther (Lectures on Deuteronomy)
“
It has less to do with regaining control, but more on being in harmony with reality. It's not simply gathering pieces of we; rather, it's gathering peace and giving ourselves the opportunity to be whole again. It is an opportunity to make room for the present, so we may shape it into the future we so desire and letting the past be because it takes up so much space in our lives. It is more than just forgiving ourselves, it is returning the trust we have stolen from ourselves in a desperate attempt to bend reality.
”
”
Erwin D. Maramat
“
Thus to him, to this school-boy under the bending dome of day, is suggested, that he and it proceed from one root; one is leaf and one is flower; relation, sympathy, stirring in every vein. And what is that Root? Is not that the soul of his soul?―A thought too bold,―a dream too wild. Yet when this spiritual light shall have revealed the law of more earthly natures,―when he has learned to worship the soul, and to see that the natural philosophy that now is, is only the first gropings of its gigantic hand, he shall look forward to an ever expanding knowledge as to a becoming creator. He shall see, that nature is the opposite of the soul, answering to it part for part. One is seal, and one is print. Its beauty is the beauty of his own mind. Its laws are the laws of his own mind. Nature then becomes to him the measure of his attainments. So much of nature as he is ignorant of, so much of his own mind does he not yet possess. And, in fine, the ancient precept, "Know thyself," and the modern precept, "Study nature," become at last one maxim.
”
”
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
“
Fearlessness outs generated when you can appreciate uncertainty, when you have faith in the impossibility of these interconnected components remaining static and permanent. You will find yourself, in a very true sense, preparing for the worst while allowing for the best....By knowing that something is lying in wait for you just around the bend, by accepting that countless potentialities exist from this moment forward, you acquire the skill of pervasive awareness and foresight like that of a gifted general, not paranoid but prepared.
”
”
Dzongsar Jamyang Khyentse (What Makes You Not a Buddhist)
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
Before, I would’ve melted at this. I would’ve leaned forward like a flower bending in his presence. But I don’t curl into his touch, and my lips don’t lift up in a forgiving smile. My lashes don’t flutter closed, and a sigh doesn’t pass my lips. Because...it’s too late.
”
”
Raven Kennedy (Gleam (The Plated Prisoner, #3))
“
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly.
Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.”
“And they said?”
“Mom said, ‘Have a nice time, dear.’ Dad just looked at me.”
“Embarrassing much?”
“Worth it.”
He walks slowly over, his eyes locked on mine, then puts his hands around my waist.
“Um. So . . . are we going to study?” My tone’s deliberately casual.
Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt.
In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor.
“Sorry!” he says, and we both freeze, even though no one’s home to hear the sound.
In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack.
In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again.
But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Society mediates between the extremes of, on the one hand, intolerably strict morality and, on the other, dangerously anarchic permissiveness through an unspoken agreement whereby we are given leave to bend the rules of the strictest morality, provided we do so quietly and discreetly. Hypocrisy is the grease that keeps society functioning in an agreeable way, by allowing for human fallibility and reconciling the seemingly irreconcilable human needs for order and pleasure. When Buckley and Wambaugh said bluntly that it’s all right to deceive subjects, they breached the contract whereby you never come right out and admit you have stretched the rules for your own benefit. You do it and shut up about it, and hope you don’t get caught, because if you are caught no one — or no one who has any sense — will come forward and say he has done the same thing himself.
”
”
Janet Malcolm (The Journalist and the Murderer)
“
Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.
You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow,
which you cannot visit, not even in your dreams.
You may strive to be like them,
but seek not to make them like you.
For life goes not backward nor tarries with yesterday.
You are the bows from which your children
as living arrows are sent forth.
The archer sees the mark upon the path of the infinite,
and He bends you with His might
that His arrows may go swift and far.
Let your bending in the archer's hand be for gladness;
For even as He loves the arrow that flies,
so He loves also the bow that is stable.
”
”
Kahlil Gibran (The Prophet)
“
Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow.
Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool.
Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski?
The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.
”
”
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
“
On the morning of November 22nd, a Friday, it became clear the gap between living and dying was closing. Realizing that Aldous [Huxley] might not survive the day, Laura [Huxley's wife] sent a telegram to his son, Matthew, urging him to come at once. At ten in the morning, an almost inaudible Aldous asked for paper and scribbled "If I go" and then some directions about his will. It was his first admission that he might die ...
Around noon he asked for a pad of paper and scribbled
LSD-try it
intermuscular
100mm
In a letter circulated to Aldous's friends, Laura Huxley described what followed: 'You know very well the uneasiness in the medical mind about this drug. But no 'authority', not even an army of authorities, could have stopped me then. I went into Aldous's room with the vial of LSD and prepared a syringe. The doctor asked me if I wanted him to give the shot- maybe because he saw that my hands were trembling. His asking me that made me conscious of my hands, and I said, 'No, I must do this.'
An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.'
All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.
”
”
Jay Stevens
“
Academician Amosov’s ‘1000 Moves’ Morning ‘Recharge’ Complex 1. Squat –100 repetitions 2. Side bends –100 repetitions 3. Pushups on the floor –50 repetitions 4. Forward bends –100 repetitions 5. Straight arm lateral raises overhead –100 repetitions 6. Torso turns –50 repetitions 7. Roman chair situps –100 repetitions 8. One legged jumps in place –100 repetitions per leg 9. Bringing the elbows back –100 repetitions 10. ‘The birch tree’ –hold for the count of 100 11. Leg and hip raises. Lie on your back and bring your feet behind your head while keeping your legs reasonably straight. –100 repetitions 12. Sucking in the stomach –50 repetitions
”
”
Pavel Tsatsouline (Super Joints: Russian Longevity Secrets for Pain-Free Movement,: Russian Longevity Secrets for Pain-Free Movement, Maximum Mobility & Flexible Strength)
“
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
”
”
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
“
The arc of my dream, the curve of my desires, the hand on my wound. You move forward, shifting and fragile, in the sinuous possible interlacings. The regular and intangible arrow come from heaven guides me through it. It bends, curves, swells. Bounces, stops, restarts to the rhythm of my sighs. I follow it with my eyes as I follow your heart.
”
”
Anne de Gandt
“
I ask him if he tried to rape Nyla.
“Laws are silent in times of war,” Tactus drawls.
“Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.”
“In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.”
“The measure of a man is what he does when he has power,” I say loudly.
“Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.”
“I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?”
He’s silent, realizing he’s fallen into a trap.
“You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.”
He smirks at that.
“Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.”
I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak.
“But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.”
Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too.
I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment.
Tactus barely manages to stagger to his feet, wrath burning in his eyes.
“A mistake,” he whispers to me. “Such a mistake.”
Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head.
“You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.”
Tactus stands there like a fool. He’s confused.
I shove him hard in the chest. He stumbles back. I follow him, shoving.
“What were you going to do?” I push his hand holding the leather switch back toward his chest.
“I don’t know what you mean …” he murmurs as I shove him.
“Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.”
I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
Bunny crawls on hands and feet into the bathroom. Her limbs bend at acute angles as her writhing jaw juts forward […] Bunny crawls closer. Rose can just make out her form in the near-darkness. Bunny’s jaw snaps as if dislocating. Rose’s eyes trace the prominent bumps on Bunny’s back – vertebrae, which look disturbingly close to slicing her anorexic back.
”
”
S.E. Tolsen, Bunny
“
Allowing the ache to have its way with me, I watch as Clint steps forward. He pulls his latest annual sobriety chip from his pocket before bending down to Dom’s grave, his words drifting back to Zach and me. “I wanted you to have this one.” He pushes the chip into the ground in front of the gravestone. “You saved my life, brother. In more ways than one. Thank you.
”
”
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
“
C... wasn’t actually sure how things went forward from here. Normally, if he had a fight with a girl, then the relationship was over and he moved on to the next girl. Of course, that usually happened after a week or two, not after months with a woman he’d known for years, and was pretty sure he’d be content to spend the next couple of decades getting to know better.
”
”
Amy Jo Cousins (The Girl Next Door (Bend or Break, #3))
“
And are we not guilty of offensive disparagement in calling chess a game? Is it not also a science and an art, hovering between those categories as Muhammad’s coffin hovered between heaven and earth, a unique link between pairs of opposites: ancient yet eternally new; mechanical in structure, yet made effective only by the imagination; limited to a geometrically fixed space, yet with unlimited combinations; constantly developing, yet sterile; thought that leads nowhere; mathematics calculating nothing; art without works of art; architecture without substance – but nonetheless shown to be more durable in its entity and existence than all books and works of art; the only game that belongs to all nations and all eras, although no one knows what god brought it down to earth to vanquish boredom, sharpen the senses and stretch the mind. Where does it begin and where does it end? Every child can learn its basic rules, every bungler can try his luck at it, yet within that immutable little square it is able to bring forth a particular species of masters who cannot be compared to anyone else, people with a gift solely designed for chess, geniuses in their specific field who unite vision, patience and technique in just the same proportions as do mathematicians, poets, musicians, but in different stratifications and combinations. In the old days of the enthusiasm for physiognomy, a physician like Gall might perhaps have dissected a chess champion’s brain to find out whether some particular twist or turn in the grey matter, a kind of chess muscle or chess bump, is more developed in such chess geniuses than in the skulls of other mortals. And how intrigued such a physiognomist would have been by the case of Czentovic, where that specific genius appeared in a setting of absolute intellectual lethargy, like a single vein of gold in a hundredweight of dull stone. In principle, I had always realized that such a unique, brilliant game must create its own matadors, but how difficult and indeed impossible it is to imagine the life of an intellectually active human being whose world is reduced entirely to the narrow one-way traffic between black and white, who seeks the triumphs of his life in the mere movement to and fro, forward and back of thirty-two chessmen, someone to whom a new opening, moving knight rather than pawn, is a great deed, and his little corner of immortality is tucked away in a book about chess – a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!
”
”
Stefan Zweig (Chess)
“
There was something too extraordinary in the appearance of this man, too singular in his conduct, to pass unnoticed by the visitors. He. was of a tall thin figure, bending forward from the shoulders; of a sallow complexion, and harsh features, and had an eye, which, as it looked up from the cloke that muffled the lower part of his countenance, seemed expressive of uncommon ferocity.
”
”
Ann Radcliffe (The Italian)
“
Ever since black people came to this country we have needed a Moses. There has always been so much water that needs parting. It seems like all black children, from the time we are born, come into the world in the midst of a rushing current that threatens to swallow us whole if we don't heed the many, many warnings we are told to heed. We come into the world as alchemists of the water, bending it, willing it to bear us safe passage and cleanse us along the way, to teach us to move with joy and purpose and to never, ever stop flowing forward into something grand waiting at the other end of the delta. We're a people forever in exodus.
Before Moses there was Abraham, and ever since black people came to this country we have needed an Abraham. We have always been sending each other away -- for our own good, don't you know it -- and calling each other back, finding kinship where a well springs from tears. We are masters of the art of sacrifice; no one is more skilled at laying their greatest beloveds on the altar and feeling certainty even as we feel sorrow. And when we see the ram, we know how to act fast, and prosper, even as the stone knife warms in our hands.
”
”
Eve L. Ewing (Electric Arches)
“
When you’re bending reality, your vision is continuously pulling you forward—but it doesn’t feel like work. It feels like a game, a game you love to play. But at the same time, your happiness does not seem to be tied to that future vision. You’re feeling elated and happy right now, in this moment. You’re happy as you pursue your vision, not only when you attain it. You’re thus grounded in the present.
”
”
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
“
I'm not very good at doing things out of the goodness of my heart," he admitted lowly, planting his hands either side of her head on the door. He dipped forward, leaning his forearms on the door, bending until his lips hovered over hers. "Aren't you curious? Don't you want to know if our second kiss will feel like our first?"
He smiled, his breath misting her lips. "What colour if I make you, Carter?
”
”
Jane Washington (Sauter (Ironside Academy, #3))
“
This is why it’s important to (a) put down the phone, and (b) try to develop some proprioceptive awareness around your spine, so that you really understand what extension (bending back) and flexion (bending forward) feel like, at the level of each single vertebra. The easiest way to start this process is to get on your hands and knees and go through an extremely slowed-down, controlled Cat/Cow sequence,
”
”
Peter Attia (Outlive: The Science and Art of Longevity)
“
There are moments when the filament of time bends, loops, blurs. The present becomes permeable; the past leaps forward and insists itself upon us without warning. The orderly progression of our days reveals itself to be a lie, and the sense making brain flounders. What was he supposed to call this impossibility that insisted itself before him as reality? A hallucination? Deja vu, that cheap cinematic trick of the mind?
”
”
Julie Orringer (The Flight Portfolio)
“
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality.
Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better.
Adina is a strange child; she is fanciful without being capricious.
She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round.
She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless.
Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop.
Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall.
I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied."
"That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense...
.So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!"
Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."...
Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
”
”
Henry James (Adina)
“
He looked out the open window. So this was what it was like. He looked through the green foliage, over the ocean, and felt around him the heat massing in the air, the current of coolness running through it, taking form in the thunderheads. He saw the black energy becoming creatured from a hundred kilometers away, roaring toward shore, feeding on itself. On the headland, trees bending to absorb the weight of the forward wind.
”
”
Nam Le
“
But why? You keep telling me it won’t work, but you haven’t explained why. Am I…too shy? Too weird? Not pretty or interesting enough?” His eyes widen. “Of course you’re interesting enough. You’re amazing and so special. And you’re the most beautiful girl I’ve ever met.” Tears prick my eyes. “Then why did you break my heart?” He bends forward, his chest rising and falling rapidly. “It’s just…you deserve so much better than me.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
A good objection helps one forward, a shallow objection, even if it is valid, is wearisome. ... The objection does not seize the matter by its root, where the life is, but so far outside that nothing can be rectified even if it is wrong. A good objection helps directly towards a solution, a shallow one must first be overcome and can, from then on, be left to one side. Just as a tree bends at a knot in the trunk in order to grow on.
”
”
Ludwig Wittgenstein
“
Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over."
"I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair."
"I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter."
"Oh," he said. "Of course. It is often done. And after that?"
"Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——"
"Malted milk tablets!" he said, looking bewildered.
"Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them."
"Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?"
"Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind."
"Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go."
"Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine."
"I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]."
"But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me."
"That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]."
"Of course," I said bitterly, "you would be on HIS side. Every one is."
"But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out."
"I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture."
"Well, that's not unusual, you know."
"It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS."
He got up and paced the floor.
"It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?"
"Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME."
"A NOM DE PLUME? Oh I see! What is it?"
"Grosvenor," I said. "The same as yours.
”
”
Mary Roberts Rinehart (Bab: A Sub-Deb)
“
The world is filled half with evil and half with good. We can tilt it forward so that more good runs into our minds, or back, so that more runs into this.” A movement of her eyes took in all the lake. “But the quantities are the same, we change only their proportion here or there.” “I would tilt it as far back as I can, until at last the evil runs out altogether,” I said. “It might be the good that would run out. But I am like you; I would bend time backward if I could.
”
”
Gene Wolfe (Shadow & Claw)
“
Zenosyne.
It's actually just after you're born that life flashes before your eyes.
Entire aeons are lived in those first few months when you feel inseparable from the world itself, with nothing to do but watch it passing by.
At first, time is only felt vicariously, as something that happens to other people. You get used to living in the moment, because there's nowhere else to go. But soon enough, life begins to move, and you learn to move with it. And you take it for granted that you're a different person every year,
Upgraded with a different body...a different future. You run around so fast, the world around you seems to stand still. Until a summer vacation can stretch on for an eternity.
You feel time moving forward, learning its rhythm, but now and then it skips a beat, as if your birthday arrives one day earlier every year.
We should consider the idea that youth is not actually wasted on the young. That their dramas are no more grand than they should be. That their emotions make perfect sense, once you adjust for inflation. For someone going through adolescence, life feels epic and tragic simply because it is: every kink in your day could easily warp the arc of your story. Because each year is worth a little less than the last. And with each birthday we circle back, and cross the same point around the sun. We wish each other many happy returns.
But soon you feel the circle begin to tighten, and you realize it's a spiral, and you're already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you're running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you'll still feel the seconds slipping away as you drift around the bend.
Life is short. And life is long. But not in that order.
”
”
Sébastien Japrisot
“
The doctor smiles. "Don't cling too tightly to what is natural, Captain. Here, look," he bends forward, makes cooing noises. The shimmer of the cheshire cranes toward his face, mewling. Its tortoiseshell fur glimmers. It licks tentatively at his chin. "A hungry little beast," he says. "A good thing, that. If it's hungry enough, it will succeed us entirely, unless we design a better predator. Something that hungers for it, in turn."
"We've run the analysis of that," Kanya says. "The food web only unravels more completely. Another super-predator won't solve the damage already done."
Gibbons snorts. "The ecosystem unravelled when man first went a-seafaring. When we first lit fires on the broad savannas of Africa. We have only accelerated the phenomenon. The food web you talk about is nostalgia, nothing more. Nature." He makes a disgusted face. "We are nature. Our every tinkering is nature, our every biological striving. We are what we are, and the world is ours. We are its gods. Your only difficulty is your unwillingness to unleash your potential fully upon it.
”
”
Paolo Bacigalupi (The Windup Girl)
“
Then seizing the handles of their swords they met at close quarters, and, as they clashed their shields together, raised a great tumult of battle around them. And Eteocles having a sort of idea of its success, made use of a Thessalian stratagem, which he had learned from his connection with that country. For giving up his present mode of attack, he brings his left foot behind, protecting well the pit of his own stomach; and stepping forward his right leg, he plunged the sword through the navel, and drove it to the vertebræ. But the unhappy Polynices bending together his side and his bowels falls weltering in blood. But the other, as he were now the victor, and had subdued him in the fight, casting his sword on the ground, went to spoil him, not fixing his attention on himself, but on that his purpose. Which thing also deceived him; for Polynices, he that fell first, still breathing a little, preserving his sword e'en in his deathly fall, with difficulty indeed, but he did stretch his sword to the heart of Eteocles. And holding the dust in their gripe they both fall near one another, and determined not the victory.
”
”
Euripides (The Tragedies of Euripides, Volume I.)
“
She was the model Manet painted more often than any other, more often than his own wife. But when I look at the paintings I don’t always recognize her as beautiful right away. Her beauty is something I have to search for, requiring some interpretive work, some intellectual or abstract work, and maybe that’s what Manet found so fascinating about it – but then again maybe not. For six years Morisot came to his studio, chaperoned by her mother, and he painted her, always clothed. Several of her own paintings hang in the museum too. Two girls sharing a park bench in the Bois de Boulogne, one in a white dress, wearing a broad straw hat, bending her head forward over her lap, maybe she’s reading, the other girl in a dark dress, her long fair hair tied back with a black ribbon, showing to the viewer her white neck and ear. Behind them, all the lush vague greenery of the public park. But Morisot never painted Manet. Six years after she met him, and apparently at his suggestion, she married his brother. He painted her just once more, wedding ring glittering dark on her delicate hand, and then never again. Don’t you think that’s a love story?
”
”
Sally Rooney (Beautiful World, Where Are You)
“
My father," said the young man, bending his knee, "bless me!" Morrel took the head of his son between his two hands, drew him forward, and kissing his forehead several times said, "Oh, yes, yes, I bless you in my own name, and in the name of three generations of irreproachable men, who say through me, 'The edifice which misfortune has destroyed, providence may build up again. 'On seeing me die such a death, the most inexorable will have pity on you. To you, perhaps, they will accord the time they have refused to me. Then do your best to keep our name free from dishonor. Go to work, labor, young man, struggle ardently and courageously; live, yourself, your mother and sister, with the most rigid economy, so that from day to day the property of those whom I leave in your hands may augment and fructify. Reflect how glorious a day it will be, how grand, how solemn, that day of complete restoration, on which you will say in this very office, 'My father died because he could not do what I have done; but he died calmly and peaceably, because in dying he knew what I should do.'" "My father!" cried the young man, "why should you not live?"
"If I live, all would be changed; if I live, interest would be converted into doubt, pity into hostility; if I live I am only a man who has broken his word, failed in his engagements - in fact, only a bankrupt. If, on the contrary, I die, remember, Maximilian, my corpse is that of an honest but unfortunate man. Living, my best friends would avoid my house; dead, all Marseilles will follow me in tears to my last home. Living, you would feel shame at my name; dead, you may raise your head and say, 'I am the son of him you killed, because, for the first time, he has been compelled to break his word.
”
”
Alexandre Dumas
“
Well, you have my gun so I’m trusting you to be a gentleman.” Big mistake. “Show me how to stand, again? Like so?” he asked, all innocence and absorption. His forward direction purposely atrocious, his boots together. His arm bent at a shameful angle. “You really are bad at this.” There it was. At least the ghost of a smile. She adjusted his position again, this time from the front. Kicking her boot between his. “Part your legs,” she ordered. “And bend your knees a little.” He swallowed around a tongue gone suddenly dry. “Generally speaking, bonny, those are commands given by me.
”
”
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
“
The thing I remember most vividly from that weekend is a small thing. We were walking, you and he and Julia and I, down that little path lined with birches that led to the lookout. (Back then it was a narrow throughway, do you remember that? It was only later that it became dense with trees.) I was with him, and you and Julia were behind us. You were talking about, oh, I don’t know—insects? Wildflowers? You two always found something to discuss, you both loved being outdoors, both loved animals: I loved this about both of you, even though I couldn’t understand it. And then you touched his shoulder and moved in front of him and knelt and retied one of his shoelaces that had come undone, and then fell back in step with Julia. It was so fluid, a little gesture: a step forward, a fold onto bended knee, a retreat back toward her side. It was nothing to you, you didn’t even think about it; you never even paused in your conversation. You were always watching him (but you all were), you took care of him in a dozen small ways, I saw all of this over those few days—but I doubt you would remember this particular incident.
But while you were doing it, he looked at me, and the look on his face—I still cannot describe it, other than in that moment, I felt something crumble inside me, like a tower of damp sand built too high: for him, and for you, and for me as well. And in his face, I knew my own would be echoed. The impossibility of finding someone to do such a thing for another person, so unthinkingly, so gracefully! When I looked at him, I understood, for the first time since Jacob died, what people meant when they said someone was heartbreaking, that something could break your heart. I had always thought it mawkish, but in that moment I realized that it might have been mawkish, but it was also true.
And that, I suppose, was when I knew.
”
”
Hanya Yanagihara (A Little Life)
“
Our garden regularly ruptures my sense of progress and process and time. There is the forward trajectory of days into months, seasons into years. June's tight rosebuds will lead to July's full-crowned blooms. Evident and irreversible change, straight forward as an arrow toward its mark. But there is revolution in the garden as well. And reversals. Months and seasons and days turning so far forward they bend backward. I stand in the past and in the future when I stand in the present of our garden. Just as with grief, neatly outlined stages double back and return well after or long before I expect them to appear or be over.
”
”
Camille T. Dungy (Soil: The Story of a Black Mother's Garden)
“
This land will kill you, if it can. We Icelanders are forged of different metal from the soft foreigners – even the Barbary pirates did not stay long. Have you ever known a Danish trader to winter here from choice?’
I shrugged. How did this concern me, or the people’s morbid curiosity?
‘We seem strong, Jón, all of us, but we are like grass – we bend so the wind will not break us. You are like the sea: you surge forward again and again. See yourself now. Your parents are dead, your croft is falling apart and your boat is riddled with holes, yet you don’t stop.’
I spread my hands. ‘I don’t want to die.’
‘You want to live. You want a better life than the one you were given.
”
”
Caroline Lea (The Glass Woman)
“
we must believe that we can bend reality to our own preferences, crafting the lives we desire through disciplined learning and initiative. We mustn’t wait for permission or perfect timing any longer. Instead we must be courageous and self-reliant, moving forward at a moment’s notice. We must see struggle as positive and necessary for our growth and ability to innovate and serve. And we must know all that we need is accessible in the Now—there is abundance in this world to be had, and everything we need to begin the great quest toward a free and fulfilling life is already within us. Should we live from these beliefs, then we shall reach levels of motivation and happiness undreamed of by the timid masses.
”
”
Brendon Burchard (The Motivation Manifesto: 9 Declarations to Claim Your Personal Power)
“
The long sweep of America has been defined by two forward motions: one force widening the embrace of Black Americans and another force maintaining or widening their exclusion. The duel between these two forces represents the duel at the heart of America’s racial history. The myth of singular racial progress veils this conflict—and it veils the snowballing racism behind Black people today still weathering the highest unemployment and incarceration rates and the lowest life expectancy and median wealth compared to other racial groups. Until Americans replace mythology with history, until Americans unveil and halt the progression of racism, an arc of the American universe will keep bending toward injustice.
”
”
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
“
Lean over," he growled. "Hands on the frame."
The brusque command thrilled her. She did as he asked, bending forward at the waist and bracing her hands on either side of the mirror's gilt frame.
He lifted her by the hips and pushed deep, claiming her in one powerful motion. As he took her in pounding thrusts, his flanks met her backside with sharp, rhythmic smacks. They echoed through the room, obscene and arousing. Soon these sounds were joined by low, primal grunts of satisfaction.
She watched him, captivated by the display of raw, unfettered male desire. Sweat broke out on his brow. His jaw clenched tightly, the tendons on his neck went rigid. He stared at the mirror, watching her breasts jiggle and sway with each thrust.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
Last night, there was a moment before you got into bed. You stood, quite naked, bending forward a little - talking. It was only for an instant. I saw you - I loved you so - loved your body with such tenderness - Ah my dear - And I am not thinking now of ‘passion.’ No, of that other thing that makes me feel that every inch of you is so precious to me. Your soft shoulders - your creamy warm skin, your ears, cold like shells are cold - your long legs and your feet that I love to clasp with my feet - the feeling of your belly - & your thin young back - Just below that bone that sticks out at the back of your neck you have a little mole. It is partly because we are young that I feel this tenderness - I love your youth - I could not bear that it should be touched even by a cold wind if I were the Lord.
”
”
Katherine Mansfield (Letters Between Katherine Mansfield and John Middleton Murray)
“
Within the shade of the portico, a person with folded arms, and eyes directed towards the ground, was pacing behind the pillars the whole extent of the pavement, and was apparently so engaged by his own thoughts, as not to observe that strangers were approaching. He turned, however, suddenly, as if startled by the sound of steps, and then, without further pausing, glided to a door that opened into the church, and disappeared. There was something too extraordinary in the figure of this man, and too singular in his conduct, to pass unnoticed by the visitors. He was of a tall thin figure, bending forward from the shoulders; of a sallow complexion, and harsh features, and had an eye, which, as it looked up from the cloke that muffled the lower part of his countenance, seemed expressive of uncommon ferocity.
”
”
Ann Radcliffe (Complete Works of Ann Radcliffe)
“
I made a discovery. It was cold enough to make my eyes water, and I found out that If I kept them almost closed, the moisture diffused the lights, so that everything - the Moon, the stars, the street lamp - seemed to have halos and points of scattered light around it. The snow-banks seemed to glitter like a sea of spun sugar, and all the stars were woven together by a lace of incandescence, so that I was walking through a Universe so wild, so wonderful that my heart nearly broke with its beauty.
"For years, I carried that time and place in mind. It's still there. But the thing is, the Universe didn't make it. I did. I saw it, but I saw it because I made myself see it. I took the stars, which are distant suns, and the night, which is the Earth's shadow, and the snow, which is water undergoing a state-change, and I took the tears in my eyes, and I made a wonderland. No one else has ever been able to see it. No one else has ever been able to go there. Not even I can ever return to it physically, it lies thirty-eight years in the past, in the eye-level perspective of a child, its stereoscopic accuracy based on the separation between the eyes of a child. In only one place does it actually exist. In my mind Elizabeth - in my life.
"But I will die, and where will it be, then?"
Elizabeth looked up at him. "In mind mind a little? Along with the rest of you?"
Hawks looked at her. He reached out and, bending forward as tenderly as a child receiving a snowflake to hold, gently enclosed her in his arms. "Elizabeth, Elizabeth," he said. "I never realized that. I never realized what you were letting me do."
"I love you.
”
”
Algis Budrys
“
I saw a road,” I blurted as Daniel rounded a bend in the path, Sam right behind him. “There’s a road down there. I think there’s a cabin, too.”
“What?” Corey brushed past Daniel and Sam. “A house? You saw a house?”
Hayley barreled forward. “There’s a house? Where?”
I took a deep breath. “I think I saw a cabin. Whether there’s anyone in it or not--”
“Who cares?” Corey said. “It’s civilization. Let’s go.”
He broke into a jog, and his knee gave way. I managed to catch him before he fell.
“The only place you’re going is flat on your ass,” Daniel said. “Slow down. Even if it is a cabin, it’s not going anywhere.” He turned to me and I could tell he was struggling to play it cool. “You said there’s a road?”
“I did. That part I’m sure of. And where there’s a road, there are people. In theory."
The grin burst through. “In theory.
”
”
Kelley Armstrong (The Calling (Darkness Rising, #2))
“
Kammy jerked upright. It was as though the trees had parted beneath the pressure of the storm and a bolt of lightning had struck her. She had never entered the mouth for it had always been much too small. Yet, she had never seen anything else enter it either. The thought alone made her feel sick with excitement and fear. A small voice told Kammy that such a reaction was ridiculous, it was just a squirrel. But warmth spread to the tips of Kammy’s fingers as they stretched forward. She could see now that it was not a burrow at all, but a tunnel large enough for her to fit through. She was quite sure that she would not even have to bend her head. The same small voice tried to speak again but Kammy could not hear it through the rush of blood in her ears.
Kammy stepped inside the mouth of the forest and felt herself flipped upside down.
”
”
Natalie Crown (The Wolf's Cry (The Semei Trilogy, #1))
“
No direct evidence yet documents Earth’s tidal cycles more than a billion years ago, but we can be confident that 4.5 billion years ago things were a lot wilder. Not only did Earth have five-hour days, but the nearby Moon was much, much faster in its close orbit, as well. The Moon took only eighty-four hours—three and a half modern days—to go around Earth. With Earth spinning so fast and the Moon orbiting so fast, the familiar cycle of new Moon, waxing Moon, full Moon, and waning Moon played out in frenetic fast-forward: every few five-hour days saw a new lunar phase. Lots of consequences follow from this truth, some less benign than others. With such a big lunar obstruction in the sky and such rapid orbital motions, eclipses would have been frequent events. A total solar eclipse would have occurred every eighty-four hours at virtually every new Moon, when the Moon was positioned between Earth and the Sun. For some few minutes, sunlight would have been completely blocked, while the stars and planets suddenly popped out against a black sky, and the Moon’s fiery volcanoes and magma oceans stood out starkly red against the black lunar disk. Total lunar eclipses occurred regularly as well, almost every forty-two hours later, like clockwork. During every full Moon, when Earth lies right between the Sun and the Moon, Earth’s big shadow would have completely obscured the giant face of the bright shining Moon. Once again the stars and planets would have suddenly popped out against a black sky, as the Moon’s volcanoes put on their ruddy show. Monster tides were a far more violent consequence of the Moon’s initial proximity. Had both Earth and the Moon been perfectly rigid solid bodies, they would appear today much as they did 4.5 billion years ago: 15,000 miles apart with rapid rotational and orbital motions and frequent eclipses. But Earth and the Moon are not rigid. Their rocks can flex and bend; especially when molten, they swell and recede with the tides. The young Moon, at a distance of 15,000 miles, exerted tremendous tidal forces on Earth’s rocks, even as Earth exerted an equal and opposite gravitational force on the largely molten lunar landscape. It’s difficult to imagine the immense magma tides that resulted. Every few hours Earth’s largely molten rocky surface may have bulged a mile or more outward toward the Moon, generating tremendous internal friction, adding more heat and thus keeping the surface molten far longer than on an isolated planet. And Earth’s gravity returned the favor, bulging the Earth-facing side of the Moon outward, deforming our satellite out of perfect roundness.
”
”
Robert M. Hazen (The Story of Earth: The First 4.5 Billion Years, from Stardust to Living Planet)
“
With each passing day soccer carves a larger scoop of my life. I love it for what it gives me: praise, affection, and, above all, attention. When I'm on the field I don't have to plead to be noticed, either silently or aloud; it is a natural by-product of my talent. I loathe it for the same reason, terrified that soccer is the only worthwile thing about me, that stripping it from my identity might make me disappear. My future teammate and friend Mia Hamm will one day offer this advice: "Somewhere behind the athlete you've become and the hours of practice and the coaches who have pushed you is a little girl who fell in love with the game and never looked back... play for her."
I am not, and never will be, that little girl. Already I know I'm incapable of falling in love with the game itself--only with the validation that comes from mastering it, from bending it to my will.
”
”
Abby Wambach (Forward: A Memoir)
“
Conceive of a sinner who is a Catholic and devout. What complexity in his feeling for the Church, what pieties of observance live between his sins. He has to make such intricate shows of concealment to his damned habits. Yet how simple is the Church’s relation to him. Extreme Unction will deliver his soul from a journey through hell.
So it is with physics and engineering. Physics is the church, and engineering the most devout sinner. Physics is the domain of beauty, law, order, awe, and mystery of the purest sort; engineering is partial observance of the laws, and puttering with machines which never work quite as they should work: engineering, like acts of sin, is the process of proceeding boldly into complex and often forbidden matters about which one does not know enough – the laws remain to be elucidated–but the experience of the past and hunger for the taste of the new experience attract one forward. So bridges were built long before men could perform the mathematics of the bending moment.
”
”
Norman Mailer (Of a Fire on the Moon)
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
There is a thing that sometimes happens in rowing that is hard to achieve and hard to define. Many crews, even winning crews, never really find it. Others find it but can’t sustain it. It’s called “swing.” It only happens when all eight oarsmen are rowing in such perfect unison that no single action by any one is out of synch with those of all the others. It’s not just that the oars enter and leave the water at precisely the same instant. Sixteen arms must begin to pull, sixteen knees must begin to fold and unfold, eight bodies must begin to slide forward and backward, eight backs must bend and straighten all at once. Each minute action—each subtle turning of wrists—must be mirrored exactly by each oarsman, from one end of the boat to the other. Only then will the boat continue to run, unchecked, fluidly and gracefully between pulls of the oars. Only then will it feel as if the boat is a part of each of them, moving as if on its own. Only then does pain entirely give way to exultation. Rowing then becomes a kind of perfect language. Poetry, that’s what a good swing feels like.
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
He did it for us. He took the form of man, took all our sins upon Himself, and died on a Roman cross two thousand years ago.” Sally examined the passage again. “So tell me: did it work?” Bernice leaned forward and said, “You be the judge. The Bible says that the penalty for sin is death, but after Jesus paid that penalty He rose from the dead on the third day, so something was different. He conquered sin, so He was able to conquer sin’s penalty. Sure, it worked. It always works. Jesus satisfied divine justice on that Cross. He bore the punishment in full, and God never had to bend the rules. That’s why we call Jesus our Savior. He shed His own blood in our place, and died, and then rose from the grave to prove He’d won over sin and could set us free.” Now Bernice started getting excited. “And you know what thrills me about that? It means we’re special to Him; He really does love us, and we . . . we mean something, we’re here for a reason! And you know what else? No matter what our sins are, no matter where we are or what condition we’re in, we can be forgiven, free and clear, a clean slate!
”
”
Frank E. Peretti (Piercing the Darkness)
“
Court was adjourned. As I was led to the police car, I briefly recognized the scent and colour of a summer’s evening. From the darkness of my moving prison, I rediscovered, one by one – as if arising from the depths of my weariness – all the familiar sounds of the city that I loved, and that particular moment of the day when I had sometimes felt happy. The shouts of the newspaper sellers in the calm night air, the last few birds in the town square, the people selling sandwiches, the creaking of the trams along the high bends of the city and the slight breeze from above before night suddenly falls over the port – to me, all these things merged to form the journey of a blind man, a journey I’d known so well before going to prison. Yes, this was the time of day when, a very long time ago, I had felt happy. A time when I could look forward to a night of peaceful sleep, devoid of dreams. But now, all that had changed; as I waited for the new day to dawn, I found myself back in my cell. It was as if the familiar paths etched in the summer skies could just as easily lead to prison as to innocent sleep.
”
”
Albert Camus (The Outsider (L'étranger))
“
NOURISH YOUR HAIR:
1. There are a number of 'kitchen recipes' for feeding hair. It needs the contents of your refrigerator just as much as your skin does. Right back to mayonnaise! Olive oil, eggs, and lemon juice. Massage the mixture into your hair, let it stay on for ten or fifteen minutes, then rinse it off with cool water. Cool - or you'll have scrambled eggs on your head.
2. For years I washed my daughter' hair with raw eggs, never soap or shampoo. I wet their hair fist and then rubbed in six whole eggs, one by one - a trick I learned from Katherine. Hepburn. (Four eggs will do for short hair, but theirs was long.) Some people use eggs beaten up with a jigger of rum; others mix an egg with red wine.
3. Hot oils is good for dry hair. Apply it with the fingertips and then wrap your head in a warm towel. Keep changing the oil for an hour, to keep it hot and penetrating. Then shampoo.
4. I believe in brushing. I made my girls give their hair the old-fashioned hundred strokes every night, using two brushes, and bending forward from the waist. It stimulates hair grows, and the rush of blood to the face is an added benefit. I pull my hair gently to encourage growth too.
”
”
Joan Crawford (My Way of Life)
“
I turn from the window and see Ringer across the aisle, staring at me. She holds up two fingers. I nod. Two minutes to the drop. I pull the headband down to position the lens of the eyepiece over my left eye and adjust the strap. Ringer is pointing at Teacup, who’s in the chair next to me. Her eyepiece keeps slipping. I tighten the strap; she gives me a thumbs-up, and something sour rises in my throat. Seven years old. Dear Jesus. I lean over and shout in her ear, “You stay right next to me, understand?” Teacup smiles, shakes her head, points at Ringer. I’m staying with her! I laugh. Teacup’s no dummy. Over the river now, the Black Hawk skimming only a few feet above the water. Ringer is checking her weapon for the thousandth time. Beside her, Flintstone is tapping his foot nervously, staring forward, looking at nothing. There’s Dumbo inventorying his med kit, and Oompa bending his head in an attempt to keep us from seeing him stuff one last candy bar into his mouth. Finally, Poundcake with his head down, hands folded in his lap. Reznik named him Poundcake because he said he was soft and sweet. He doesn’t strike me as either, especially on the firing range. Ringer’s a better marksman overall, but I’ve seen Poundcake take out six targets in six seconds.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
It was the same as I remembered it,” she whispered, sounding defeated and puzzled and shattered.
It was better than he remembered. Stronger, wilder…And the only reason she didn’t know it was because he hadn’t succumbed to temptation yet and kissed her once more. He had just rejected that idea as complete insanity when a male voice suddenly erupted behind them:
“Good God! What’s going on here!”
Elizabeth jerked free in mindless panic, her gaze flying to a middle-aged elderly man wearing a clerical collar who was dashing across the yard. Ian put a steadying hand on her waist, and she stood there rigid with shock.
“I heart shooting-“ The gray-haired man gasped, sagging against a nearby tree, his hand over his heart, his chest heaving. “I heard it all the way up the valley, and I thought0”
He broke off, his alert gaze moving from Elizabeth’s flushed face and tousled hair to Ian’s hand at her waist.
“You thought what?” Ian asked in a voice that struck Elizabeth as being amazingly calm, considering they’d just been caught in a lustful embrace by nothing less daunting than a Scottish vicar.
The thought had scarcely crossed her battered mind when the man’s expression hardened with understanding. “I thought,” he said ironically, straightening from the tree and coming forward, brushing pieces of bark from his black sleeve, “that you were trying to kill each other. Which,” he continued more mildly as he stopped in front of Elizabeth, “Miss Throckmorton-Jones seemed to think was a distinct possibility when she dispatched me here.”
“Lucinda?” Elizabeth gasped, feeling as if the world was turning upside down. “Lucinda sent you here?”
“Indeed,” said the vicar, bending a reproachful glance on Ian’s hand, which was resting on Elizabeth’s waist. Mortified to the very depths of her being by the realization she’d remained standing in this near-embrace, Elizabeth hastily shoved Ian’s hand away and stepped sideways. She braced herself for a richly deserved, thundering tirade on the sinfulness of their behavior, but the vicar continued to regard Ian with his bushy gray eyebrows lifted, waiting. Feeling as if she were going to break from the strain of the silence, Elizabeth cast a pleading look at Ian and found him regarding the vicar not with shame or apology, but with irritated amusement.
“Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?”
“Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.”
“Obviously,” retorted the vicar with unconcealed irony.
“Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him.
As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Come on. Let’s go get coffee, get your mind off it,” Silas says soothingly as I begin to take my frustration out on the bag of bread, violently twisting the end of the plastic into a knot.
“I don’t like coffee,” I grumble without looking at him. Silas reaches forward and puts his hands over mine. Goose bumps erupt on my arms.
He raises his eyebrows, voice gentle. “You can get chocolate milk, then. But let’s get out of here before you bend the entire loaf in half.”
I sigh and look at him. Funny how he can go from being “just Silas” to Silas in a matter of seconds. I release the bread and follow him out the door, my frustration and the flutter feeling fighting for control of me.
The diner Silas takes me to is just a few blocks away, a dingy but classic-looking place with black and white tile and red neon signs blinking things such as “Apple Pie!” and “Specialty Hash Browns!” We slide into a booth, and a waitress who is missing several teeth grins at us and asks us for our order.
“Just a cup of coffee for me. You, Rosie?”
“Chocolate milk,” I reply with a snide look at Silas. He laughs and the waitress hurries away. Then, silence. Silas rearranges the salt and pepper shakers, and I pretend to read a piece of paper outlining the history of the diner. Right.
“So,” I blurt out, a little louder than I meant to, “I guess you didn’t get much time at home, did you? Back from California and now stuck here with us?” Is my voice shaking? I think my voice is shaking.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
”
”
John Irving (A Prayer for Owen Meany)
“
At the time of the Fourth Fire, the history of another people came to be braided into ours. Two prophets arose among the people, foretelling the coming of the light-skinned people in ships from the east, but their visions differed in what was to follow. The path was
not clear, as it cannot be with the future. The first prophet said that if the offshore people, the zaaganaash, came in brotherhood, they
would bring great knowledge. Combined with Anishinaabe ways of knowing, this would form a great new nation. But the second prophet sounded a warning: He said that what looks like the face of brotherhood might be the face of death. These new people might come with brotherhood, or they might come with greed for the riches of our land. How would we know which face is the true one?
If the fish became poisoned and the water unfit to drink, we would know which face they wore.
And for their actions the zaaganaash
came to be known instead as chimokman—Vne long-knife people.
The prophecies described what eventually became history. They warned the people of those who would come among them with
black robes and black books, with promises of joy and salvation. The prophets said that if the people turned against their own sacred ways and followed this black-robe path, then the people would suffer for many generations. Indeed, the burial of our spiritual teachings in the time of the Fifth Fire nearly broke the hoop of the nation. People became separated from their homelands and from each other as they were forced onto reservations. Their children
were taken from them to learn the zaaganaash ways. Forbidden by law to practice their own religion, they nearly lost an ancient worldview. Forbidden to speak their languages, a universe of knowing vanished in a generation. The land was fragmented, the people separated, the old ways blowing away in the wind; even the
plants and animals began to turn their faces away from us. The time was foretold when the children would turn away from the elders; people would lose their way and their purpose in life. They prophesied that, in the time of the Sixth Fire, “the cup of life would almost become the cup of grief.” And yet, even after all of this, there is something that remains, a coal that has not been extinguished. At the First Fire, so long ago, the people were told
that it is their spiritual lives that will keep them strong.
They say that a prophet appeared with a strange and distant light in his eyes. The young man came to the people with the message that in the time of the seventh fire, a new people would emerge with a sacred purpose. It would not be easy for them. They would have to be strong and determined in their work, for they stood at a crossroads.
The ancestors look to them from the flickering light of distant fires. In this time, the young would turn back to the elders for teachings and find that many had nothing to give. The people of the Seventh Fire do not yet walk forward; rather, they are told to turn around and retrace the steps of the ones who brought us here. Their sacred purpose is to walk back along the red road of our ancestors’ path and to gather up all the fragments that lay
scattered along the trail. Fragments of land, tatters of language, bits of songs, stories, sacred teachings—all that was dropped along
the way. Our elders say that we live in the time of the seventh fire. We are the ones the ancestors spoke of, the ones who will bend to
the task of putting things back together to rekindle the flames of the sacred fire, to begin the rebirth of a nation.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
The thing I remember most vividly from that weekend is a small
thing. We were walking, you and he and Julia and I, down that little
path lined with birches that led to the lookout. (Back then it was a
narrow throughway, do you remember that? It was only later that it
became dense with trees.) I was with him, and you and Julia were
behind us. You were talking about, oh, I don’t know—insects?
Wildflowers? You two always found something to discuss, you both
loved being outdoors, both loved animals: I loved this about both of
you, even though I couldn’t understand it. And then you touched his
shoulder and moved in front of him and knelt and retied one of his
shoelaces that had come undone, and then fell back in step with
Julia. It was so fluid, a little gesture: a step forward, a fold onto
bended knee, a retreat back toward her side. It was nothing to you,
you didn’t even think about it; you never even paused in your
conversation. You were always watching him (but you all were), you
took care of him in a dozen small ways, I saw all of this over those
few days—but I doubt you would remember this particular incident.
But while you were doing it, he looked at me, and the look on his
face—I still cannot describe it, other than in that moment, I felt
something crumble inside me, like a tower of damp sand built too
high: for him, and for you, and for me as well. And in his face, I knew
my own would be echoed. The impossibility of finding someone to do
such a thing for another person, so unthinkingly, so gracefully! When
I looked at him, I understood, for the first time since Jacob died, what
people meant when they said someone was heartbreaking, that
something could break your heart. I had always thought it mawkish,
but in that moment I realized that it might have been mawkish, but it
was also true.
And that, I suppose, was when I knew.
”
”
Hanya Yanagihara (A Little Life)
“
I’ve only an hour,” Colin said as he attached the safety tip to his foil. “I have an appointment this afternoon.”
“No matter,” Benedict replied, lunging forward a few times to loosen up the muscles in his leg. He hadn’t fenced in some time; the sword felt good in his hand. He drew back and touched the tip to the floor, letting the blade bend slightly. “It won’t take more than an hour to best you.”
Colin rolled his eyes before he drew down his mask.
Benedict walked to the center of the room. “Are you ready?”
“Not quite,” Colin replied, following him.
Benedict lunged again.
“I said I wasn’t ready!” Colin hollered as he jumped out of the way.
“You’re too slow,” Benedict snapped.
Colin cursed under his breath, then added a louder, “Bloody hell,” for good measure. “What’s gotten into you?”
“Nothing,” Benedict nearly snarled. “Why would you say so?”
Colin took a step backward until they were a suitable distance apart to start the match. “Oh, I don’t know,” he intoned, sarcasm evident. “I suppose it could be because you nearly took my head off.”
“I’ve a tip on my blade.”
“And you were slashing like you were using a sabre,” Colin shot back.
Benedict gave a hard smile. “It’s more fun that way.”
“Not for my neck.” Colin passed his sword from hand to hand as he flexed and stretched his fingers. He paused and frowned. “You sure you have a foil there?”
Benedict scowled. “For the love of God, Colin, I would never use a real weapon.”
“Just making sure,” Colin muttered, touching his neck lightly. “Are you ready?”
Benedict nodded and bent his knees.
“Regular rules,” Colin said, assuming a fencer’s crouch. “No slashing.”
Benedict gave him a curt nod.
“En garde!”
Both men raised their right arms, twisting their wrists until their palms were up, foils gripped in their fingers.
“Is that new?” Colin suddenly asked, eyeing the handle of Benedict’s foil with interest.
Benedict cursed at the loss of his concentration. “Yes, it’s new,” he bit off. “I prefer an Italian grip.”
Colin stepped back, completely losing his fencing posture as he looked at his own foil, with a less elaborate French grip. “Might I borrow it some time? I wouldn’t mind seeing if—”
“Yes!” Benedict snapped, barely resisting the urge to advance and lunge that very second. “Will you get back en garde?”
Colin gave him a lopsided smile, and Benedict just knew that he had asked about his grip simply to annoy him. “As you wish,” Colin murmured, assuming position again.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Excerpt from Storm’s Eye by Dean Gray
With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed.
“Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed.
Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could.
He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross.
Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.
”
”
Dean Gray
“
I stepped back suddenly, snapping the band of energy that had seemed to be drawing me closer to her as I unbuckled my belt and unbuttoned my fly.
“What are you doing?” she gasped, staring at me as I dropped my jeans, knocking my boxers off with them and letting her get a good eyeful of the full length of my cock.
Her gaze stayed glued on it and blood began to rush that way at the feeling of her attention, like that part of me still hadn't agreed to my decision to have nothing more to do with her beyond making sure she left this place. I gritted my teeth as my dick continued to get all kinds of ideas about the things it could do with her if I just made her bow for me now and I tried not to let my gaze linger on her mouth while I considered how much I'd like to fuck it.
“When you stop eye-fucking me I’ll show you what you’re so desperate to know,” I mocked, forcing her attention back up to my face and earning myself a scowl.
“People don’t tend to whip their junk out in the middle of a conversation,” she snapped like she was pissed at me for it. “So if you didn’t want me catching an eyeful of little Darius then you shouldn’t have brought him into our discussion.”
I released a breath of laughter before I could help myself, my mind and dick wandering down all kinds of out of bounds roads as I gave myself two seconds to consider whether or not I could convince her to bow for me after all.
I leaned closer to her as she scowled back, but her breaths were speeding up and her pupils were wide with what I could have sworn was desire of her own.
I wanted that. I wanted it more than I could say and it was so fucking tempting to just step forward, catch her by the back of the neck and kiss her roughly until she gave in and bowed to me the way I ached for her to. I could see it in her eyes. The temptation despite the hatred and I wanted to hate fuck her so much that I almost took that final step.
But as my own pulse thundered like a war drum in my ears, I knew it wouldn't be so simple. One taste of her and I'd be addicted. And I couldn't afford that no matter how tempting a sin she might have been.
“If you come to my room uninvited again then it had better be because you’re ready to bow to us or to beg me to bend you over that headboard and make you scream my name,” I said with all the confidence I felt in knowing that she was getting as wet for me as I was getting hard for her.
She pressed herself back against my door, her thighs clenching together like she was trying to fight her reaction, but I felt it humming in the air between us no matter how deeply she scowled.
(Darius POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
Franklin also combined science and mechanical practicality by devising the first urinary catheter used in America, which was a modification of a European invention. His brother John in Boston was gravely ill and wrote Franklin of his desire for a flexible tube to help him urinate. Franklin came up with a design, and instead of simply describing it he went to a Philadelphia silversmith and oversaw its construction. The tube was thin enough to be flexible, and Franklin included a wire that could be stuck inside to stiffen it while it was inserted and then be gradually withdrawn as the tube reached the point where it needed to bend. His catheter also had a screw component that allowed it to be inserted by turning, and he made it collapsible so that it would be easier to withdraw. “Experience is necessary for the right using of all new tools or instruments, and that will perhaps suggest some improvements,” Franklin told his brother. The study of nature also continued to interest Franklin. Among his most noteworthy discoveries was that the big East Coast storms known as northeasters, whose winds come from the northeast, actually move in the opposite direction from their winds, traveling up the coast from the south. On the evening of October 21, 1743, Franklin looked forward to observing a lunar eclipse he knew was to occur at 8:30. A violent storm, however, hit Philadelphia and blackened the sky. Over the next few weeks, he read accounts of how the storm caused damage from Virginia to Boston. “But what surprised me,” he later told his friend Jared Eliot, “was to find in the Boston newspapers an account of the observation of that eclipse.” So Franklin wrote his brother in Boston, who confirmed that the storm did not hit until an hour after the eclipse was finished. Further inquiries into the timing of this and other storms up and down the coast led him to “the very singular opinion,” he told Eliot, “that, though the course of the wind is from the northeast to the southwest, yet the course of the storm is from the southwest to the northeast.” He further surmised, correctly, that rising air heated in the south created low-pressure systems that drew winds from the north. More than 150 years later, the great scholar William Morris Davis proclaimed, “With this began the science of weather prediction.”4 Dozens of other scientific phenomena also engaged Franklin’s interest during this period. For example, he exchanged letters with his friend Cadwallader Colden on comets, the circulation of blood, perspiration, inertia, and the earth’s rotation. But it was a parlor-trick show in 1743 that launched him on what would be by far his most celebrated scientific endeavor. ELECTRICITY On a visit to Boston in the summer of 1743, Franklin happened to be entertained one evening by
”
”
Walter Isaacson (Benjamin Franklin: An American Life)
“
This transmutation of the reproductive energy gives great vitality to those practicing it. They will be filled with great vital force, which will radiate from them and will manifest in what has been called "personal magnetism." The energy thus transmuted may be turned into new channels and used to great advantage. Nature has condensed one of its most powerful manifestations of prana into reproductive energy, as its purpose is to create. The greatest amount of vital force is concentrated in the smallest area. The reproductive organism is the most powerful storage battery in animal life, and its force can be drawn upward and used, as well as expended in the ordinary functions of reproduction, or wasted in riotous lust. The majority of our students know something of the theories of regeneration; and we can do little more than to state the above facts, without attempting to prove them. The Yogi exercise for transmuting reproductive energy is simple. It is coupled with rhythmic breathing, and can be easily performed. It may be practiced at any time, but is specially recommended when one feels the instinct most strongly, at which time the reproductive energy is manifesting and may be most easily transmuted for regenerative purposes. The exercise is as follows: Keep the mind fixed on the idea of Energy, and away from ordinary sexual thoughts or imaginings. If these thoughts come into the mind do not be discouraged, but regard them as manifestations of a force which you intend using for the purposes of strengthening the body and mind. Lie passively or sit erect, and fix your mind on the idea of drawing the reproductive energy upward to the Solar Plexus, where it will be transmuted and stored away as a reserve force of vital energy. Then breathe rhythmically, forming the mental image of drawing up the reproductive energy with each inhalation. With each inhalation make a command of the Will that the energy be drawn upward from the reproductive organization to the Solar Plexus. If the rhythm is fairly established and the mental image is clear, you will be conscious of the upward passage of the energy, and will feel its stimulating effect. If you desire an increase in mental force, you may draw it up to the brain instead of to the Solar Plexus, by giving the mental command and holding the mental image of the transmission to the brain. The man or woman doing metal creative work, or bodily creative work, will be able to use this creative energy in their work by following the above exercise, drawing up the energy with the inhalation and sending it forth with the exhalation. In this last form of exercise, only such portions as are needed in the work will pass into the work being done, the balance remaining stored up in the Solar Plexus. You will understand, of course, that it is not the reproductive fluids which are drawn up and used, but the etheripranic energy which animates the latter, the soul of the reproductive organism, as it were. It is usual to allow the head to bend forward easily and naturally during the transmuting exercise.
”
”
William Walker Atkinson (The Hindu-Yogi Science Of Breath)
“
No rules?” he asked gruffly.
“No rules.”
Harry threw the first punch, and Cam dodged easily. Adjusting, calculating, Harry retreated as Cam threw a right. A pivot, and then Harry connected with a left cross. Cam had reacted a fraction too late, deflecting some of the blow’s force, but not all.
A quiet curse, a rueful grin, and Cam renewed his guard. “Hard and fast,” he said approvingly. “Where did you learn to fight?”
“New York.”
Cam lunged forward and flipped him to the ground. “West London,” he returned.
Tucking into a roll, Harry gained his footing instantly. As he came up, he used his elbow in a backward jab into Cam’s midriff.
Cam grunted. Grabbing Harry’s arm, he hooked a foot around his ankle and took him down again. They rolled once, twice, until Harry sprang away and retreated a few steps.
Breathing hard, he watched as Cam leapt to his feet.
“You could have put a forearm to my throat,” Cam pointed out, shaking a swath of hair from his forehead.
“I didn’t want to crush your windpipe,” Harry said acidly, “before I made you tell me where my wife is.”
Cam grinned. Before he could reply, however, there was a commotion as all the Hathaways poured from the conservatory. Leo, Amelia, Win, Beatrix, Merripen, and Catherine Marks. Everyone except Poppy, Harry noted bleakly. Where the hell was she?
“Is this the after-dinner entertainment?” Leo asked sardonically, emerging from the group. “Someone might have asked me—I would have preferred cards.”
“You’re next, Ramsay,” Harry said with a scowl. “After I finish with Rohan, I’m going to flatten you for taking my wife away from London.”
“No,” Merripen said with deadly calm, stepping forward, “I’m next. And I’m going to flatten you for taking advantage of my kinswoman.”
Leo glanced from Merripen’s grim face to Harry’s, and rolled his eyes. “Forget it, then,” he said, going back into the conservatory. “After Merripen’s done, there won’t be anything left of him.” Pausing beside his sisters, he spoke quietly to Win out of the side of his mouth. “You’d better do something.”
“Why?”
“Because Cam only wants to knock a bit of sense into him. But Merripen actually intends to kill him, which I don’t think Poppy would appreciate.”
“Why don’t you do something to stop him, Leo?” Amelia suggested acidly.
“Because I’m a peer. We aristocrats always try to get someone else to do something before we have to do it ourselves.” He gave her a superior look. “It’s called noblesse oblige.”
Miss Marks’s brows lowered. “That’s not the definition of noblesse oblige.”
“It’s my definition,” Leo said, seeming to enjoy her annoyance.
“Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.”
Merripen, attentive as always to his wife, gave her a frowning glance. “Now?”
“Yes, now.”
“Can’t it wait?”
“No,” Win said equably. At his continued hesitation, she said, “I’m expecting.”
Merripen blinked. “Expecting what?”
“A baby.”
They all watched as Merripen’s face turned ashen. “But how . . .” he asked dazedly, nearly staggering as he headed to Win.
“How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?”
“It’s not a ploy,” Win said cheerfully.
Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house.
“I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
Cam and Harry were left alone.
“I should probably explain,
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
A leading speaker will vary and modulate his voice, raising and lowering it and deploying the full scale of tones. He will avoid extravagant gestures and stand impressively erect. He will not pace about and when he does so not for any distance. He should not dart forward except in moderation with strict control. There should be no effeminate bending of the neck or twiddling of his fingers or beating out the rhythm of his cadences on his knuckles. He should control himself by the way he holds and moves his entire body. He should extend his arm at moments of high dispute and lower it during calmer passages.… Once he has made sure he does not have a stupid expression on his face and or a grimace, he should control his eyes with great care, for as the face is the image of the soul the eyes are its translators. Depending on the subject at hand they can express grief or hilarity.
”
”
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
She kept hollering until Ronan had caught up with her. Sure enough, she had found something out of place. He kicked through the leaves. It was a metal artifact that looked centuries old. It was the wheel of a 1973 Camaro. It matched the ancient, impossible wheel they'd found on the ley line months earlier. Back then, Ronan had taken that to mean that at some point in the future, they would wreck the Camaro in the pursuit of Glendower, and the ley line's bending of time would have sent them back in time and then forward again. All times being the same-ish on the ley line.
But it looked as if they hadn't gotten to that place yet: They had future adventures waiting for them on the ley line.
It was a thrilling and terrifying prospect.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I could hear the roaring fill the air but I could not find a source. A waterfall around the bend, I thought, across these rocks. Ahead, I could see a small crack in the rock. I went forward prepared to leap it. As I took the step nearest it, I glanced down.
“And nearly fell, two hundred feet I’m sure, into a boiling cauldron of water trapped in a deep, narrow chasm of stone so curled and convoluted by erosion that it seemed like some fantastic cloth. I can record all this now but at the time I had to fling myself back, and the navigator grabbed me and prevented me from sliding in. We both fell backward, and I lay there panting and sweating.
“‘What?’ she said. ‘What?’ I gestured, and she crawled ahead. When she returned, her face was white, but she was laughing.
“‘I can die now,’ she said, that Avanue phrase Annalise has read in books but I had never heard spoken before. The navigator lay beside me laughing until she calmed, while the others, including the merchanter, took their turn. He alone seemed unmoved.
“When we jumped across the chasm (so narrow there was no effort to it)—and there is no easy way to say it—she jumped not across but in. I did not see it. No-one saw it but the merchanter. I only heard her falling laughter.…
“Annalise tells me that if a northerner says that phrase ‘I can die now,’ it means great joy, but they mean it truly. Not many of them choose to actually die, but they do not grieve for those who do.
”
”
Candas Jane Dorsey (Black Wine)
“
As though to prove her point, she pushes to her feet, standing in the deserted walkway. But just as she's reaching for the grab rail, the car jolts again. Her hand flails through the air, missing the bar, and she topples forward, body hurtling toward me. I reach out, but before I can catch her, she slams into me. Her shoulder bangs against my sternum as she tumbles onto my lap. I let out a grunt, wincing as her hand lands right on my crotch. "Oh, my God." Ada snatches her hand away, scrambling backward off me as I bend forward, breathing through the pain that radiates through my gut. “Oh, my God. Oh, my God. Oh, my God. Ewww!" she squeals. "Ew?" I turn to her, incredulous, balls aching like they've got a goddamn migraine. "You just smashed my junk, and all you can say is ew? You know, a normal person would apologize after almost dismembering someone." Ada doesn't bother looking at me, let alone apologizing as she unzips her camera bag and starts frantically digging through it. "What are you doing?" I ask. "Looking for hand sanitizer obviously." She pulls out a miniature bottle of Purell and squeezes an absurd amount into the palm of her hand. "You're ridiculous. You do realize that, right?" I can't count the number of times girls have attempted to cop a feel since Cipher aired. And here she is, acting like she contracted the bubonic plague by accidentally touching me.
”
”
Krysti Meyer (Not If I Date You First)
“
About Mindset (心持やうの事) The mindset required [of the warrior] is to relentlessly deliberate on strategy, whether you are active or sitting down, with others or on your own. You must constantly reflect on this Way. Anticipate how to never lose to others, and with an expansive and straight heart act according to the circumstances within the model of the Way of combat strategy. Work out the mind of others and make sure that they cannot read yours. Do not rely on one thing but be aware of strengths and weaknesses, depths and shallows, leaving nothing to the unexpected. In normal times, and when you meet with the enemy, this mindset is to be maintained, with care taken not to jump to conclusions. Be aware of all things, knowing what is good and bad. This is the mindset for combat strategy. (2) About Gaze (目付の事) With regards to where one focuses the eyes, there is only the dual gaze of “looking in” (kan) and “looking at” (ken). Look carefully at the enemy’s face to figure out his heart and intent. When scrutinizing the enemy’s face, whether he be near or far, do not think of it as close. Absorb it all as if observing from a distance. Keep your eyes narrower than usual and do not move your eyeballs as you scrutinize him intently and calmly. That way you can see all the movements of his hands and feet and even [what is happening at] his left and right sides. The gaze for “looking at” is gentle whereas that for “looking in” is strong enough to peer into the interior of his heart. You will come to know him well as his heart is reflected in his countenance, which is why you should fix your gaze on the face of each enemy. (3) About Posture (身なりの事) You should hold your body in a way that makes you appear big. Your expression should be genial and free of wrinkles. The back of your neck should be slightly toughened, with your shoulders neither strained nor slouching forward. Do not jut out your chest. Project your stomach but do not bend your hips. Your legs should not buckle at the knees, and there should be no distortion in your body. Always strive to preserve this combat posture so that you do not need to change your stance when you encounter the enemy.
”
”
Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
“
It’s called “swing.” It only happens when all eight oarsmen are rowing in such perfect unison that no single action by any one is out of synch with those of all the others. It’s not just that the oars enter and leave the water at precisely the same instant. Sixteen arms must begin to pull, sixteen knees must begin to fold and unfold, eight bodies must begin to slide forward and backward, eight backs must bend and straighten all at once. Each minute action—each subtle turning of wrists—must be mirrored exactly by each oarsman, from one end of the boat to the other. Only then will the boat continue to run, unchecked, fluidly and gracefully between pulls of the oars. Only then will it feel as if the boat is a part of each of them, moving as if on its own. Only then does pain entirely give way to exultation. Rowing then becomes a kind of perfect language. Poetry, that’s what a good swing feels like.
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
The door opened. I stopped. Beyond it, orks lined both sides of the corridor. They had been watching for me. The moment I appeared, they roared their approval. They did not attack. They simply stood, clashed guns against blades, and hooted brute enthusiasm. I had been subjected to too many celebratory parades on Armageddon not to recognise one when it confronted me. I went numb from the unreality before me. I stepped forward, though. I had no choice.
I walked. It was the most obscene victory march of my life. I moved through corridor, hold and bay, and the massed ranks of the greenskins hailed my passage. I saw the evidence of the destruction I had caused around every bend. Scorch marks, patched ruptures, buckled flooring, collapsed ceilings. But it hadn’t been enough. Not nearly enough. Only enough for this… this…
At length, I arrived at a launch bay. There was a ship on the pad before the door. It was human, a small in-system shuttle. It was not built for long voyages. No matter, as long as its vox-system was still operative.
I knew that it would be.
Ghazghkull Mag Uruk Thraka awaited me beside the ship’s access ramp. I did not let my confusion or the sense that I had slipped into an endless waking nightmare slow my stride. I did not hesitate as I strode towards the monster. I stopped before him. I met his gaze with all the cold hatred of my soul. He radiated delight. Then he leaned forward, a colossus of armour and bestial strength. Our faces were mere centimetres apart.
My soul bears many scars from the days and months of my defeat and captivity. But there is one memory that, above all others, haunts me. By day, it is a goad to action. By night, it murders sleep. It lives with me always, the proof that there could hardly be a more terrible threat to the Imperium than this ork.
Thraka spoke to me.
Not in orkish. Not even in Low Gothic.
In High Gothic.
‘A great fight,’ he said. He extended a huge, clawed finger and tapped me once on the chest. ‘My best enemy.’ He stepped aside and gestured to the ramp. ‘Go to Armageddon,’ he said. ‘Make ready for the greatest fight.’
I entered the ship, my being marked by words whose full measure of horror lay not in their content, but in the fact of their existence. I stumbled to the cockpit, and discovered that I had a pilot.
It was Commander Rogge. His mouth was parted in a scream, but there was no sound. He had no vocal cords any longer. There was very little of his body recognisable. He had been opened up, reorganised, fused with the ship’s control and guidance systems. He had been transformed into a fully aware servitor.
‘Take us out of here,’ I ordered.
The rumble of the ship’s engines powering up was drowned by the even greater roar of the orks. I knew that roar for what it was: the promise of war beyond description.
”
”
David Annandale (Yarrick: The Omnibus)
“
God’s desperation
There it was in the mirror,
Her reflection that did not appear newer,
Because it was from the past,
On the mirror of present so well and eloquently cast,
I walked forward to take a closer look,
As I allowed myself to get caught in this hook,
And when I looked at the mirror’s surface,
There appeared her beautiful face,
The mirror had turned into a visual spectacle like none other,
Bearing all her past reflections intact and beautifully together,
I gazed at it and then at her too,
And the mirror reflected just her form, there was neither I nor any of you,
Because it reflected what I had felt or known already,
And it reflected these experiences in forms wonderfully steady,
And in my past I always thought about her and only imagined about her,
In the present too when I still perpetually think of her,
The mirror creates many images, but eventually all of them converge into one,
Just her, and always her, nobody else, and not someone,
Whom my past had not known,
That reflection in this mirror has never grown,
So, the mirror that belongs to the present may just portray the past,
But how does that matter, because even in the present you are my first thought and my wish last,
Let the past end wherever it may please to end,
Because my present will always find a way to bend,
And create your reflection in every mirror,
Because my past is mine alone, so wherever the mirror maybe, for me you will always be there,
In the mirror, growing as a reflection of my every feeling,
And now it seems that the present as well as the mirror are willing,
To let my past be transposed over present and reflect you everywhere,
Of this even the Heaven is aware,
But what can it do, because for me the sky is the mirror now,
And in it I just see you and I only feel our love,
And for someone as insignificant as me,
The Gods cannot destroy everything and recreate a new sky, so they let it be,
Your reflections in all my mirrors, that travel from the past to recreate my present,
And now my love Irma, we have the protection of God’s consent,
A reluctant approval from the Gods to let us have it our way,
To feel the beauty of night when it is a bright sunny day,
For they have their own mirrors and reflections to deal with,
So, they let me romance your image, that I love to be with,
And I see the Gods desperately seeking reflections in mirrors of their own creation,
Where they appear to seek some unknown vision of beauty, a feeling, a deep sensation,
That I have discovered in my mirrors through your reflection,
This is my joy and for the desperate Gods it is their only predilection!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Epilogue: "I don't need these. Not any of this." "I want this camel. This is all I'm taking just to remember him by." "Sometimes you hold on to a big thing, an overwhelming thing because you believe if you let it go you'll use the memories tucked into its walls, its boxes, its cushions and seams. You can't see the way out from under it and so you ignore the idea of parting with it and let it bend and break even further. What if you let the thing go and you lose a piece of the person who left it to you? Then circumstances tip or you get a push and you gather the courage to do it and it's easier than you anticipate. You hang on to something small. You tuck a camel in a rolling cart, some fabric scraps in a garbage bag, and you promise to find a place for it. You keep what you can carry and you make it enough.
”
”
Elizabeth Passarella (It Was an Ugly Couch Anyway: And Other Thoughts on Moving Forward)
“
The big collie saw the basket standing there, unprotected and, so far as he knew, ownerless. Gravely he stepped forward, lifted the heavy receptacle by the handle and turned about with it; still moving with dignified slowness. The table-setters were busy; and the car was between him and them. By the time the other member of the party succeeded in finding the things he was seeking under the rear seat, Lad had rounded the bend and was out of sight. To this day, none of the motorists has the remotest solution to the mystery of the vanished lunch.
”
”
Albert Payson Terhune (Further Adventures of Lad)
“
Don’t let your knees go forward. Ideally, your shins should be close to vertical. If you do not feel your hamstrings tighten up when you descend, you are squatting wrong. Imagine that you are wearing ski boots and your ankles cannot bend. If you own a pair, why imagine? Wear them. You cannot help but learn to fold in your hip joints.
”
”
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
“
I tossed Slayer on the bed, never taking my eyes off of him, and put the maps on the sheets. “Back away, three steps.” We stepped back in unison, he to the middle of the room, and I to the wall by the chair. “On three. One,” he said, bending forward like a runner. “Two.” He lunged for the maps. I grabbed the chair and hit him with it. He went down. I hit him again to make sure he stayed that way, stepped over him, and picked up the maps. “I win.” Now if only the room would stop spinning, I’d be all set. He groaned and a torrent of obscenities burst from him. “Your problem is, you underestimate me because I’m a woman.” I nudged him with my foot.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
The sun was low; and leaning forward side by side, they seemed to be tugging painfully uphill their two ridiculous shadows of unequal length, that trailed behind them slowly over the tall grass without bending a single blade.
”
”
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
“
The problem I see is one needs to accept and own the responsibility for one’s actions, whether you have power or not. The reason I have succeeded, and the reason you will succeed, in being a great leader, and in your results, is because we FOCUS on what is important. When you state your focus (at least to yourself, if no one else) and communicate your focus by your actions, you will draw those who believe the same as you. Then, together, you CAN change worlds. When you walk forward, and they follow, you became the leader, broken or not. Take this support and focus it like a laser and your team will burn through and accomplish the impossible. You have to find your totem - that one truth that you are not willing to bend on, to turn, to change your focus no matter what choice you have left.
”
”
Ell Leigh Clark (The Ascension Myth Complete Omnibus (Kurtherian Gambit: Age of Expansion: The Ascension Myth, #1-12))
“
Baddha Konasana: Butterfly Pose Come to a seated position on your mat and bring the soles of your feet together to touch, your knees bent. Grab your ankles and inhale, lengthening the spine. Exhale; forward bend over your legs for Baddha Konasana, Butterfly Pose. While doing the physical pose, have the intention of practicing Bhakti Yoga. Connect to the devotion within you by seeing the divinity in yourself and around you. As you bow your head, imagine yourself offering up your practice to something higher and to that divinity. Find some humility in your heart while holding the pose for 10 breaths.
”
”
Rina Jakubowicz (The Yoga Mind: 52 Essential Principles of Yoga Philosophy to Deepen Your Practice)
“
I will hold freedom in my hands by taking it from this world. But from you, I will take nothing. You are all free. You are all free to oppose me, and defend the world's freedom. Just as I am free to move forwards. Our convictions can never be reconciled, and our wills will not bend. There is only one way for this to be resolved. Fight.
”
”
Hajime Isayama
“
I don’t look back, I look forward.
”
”
Ivy Layne (Stolen Heart (The Hearts of Sawyers Bend, #1))
“
Truth is a straight line, but human life is a flexible experience. You exit the womb curling into a new world, and from that moment forward, you bend and adjust.
”
”
Mitch Albom, The Little Liar
“
The way she sat now, leaning forward frowning, biting her pink bottom lip, her shirt dipping to reveal a hint of her cleavage . . . He wondered idly if he could get her to bend over a little farther . . . “Just what are you staring at, exactly?” Kaldar snapped back to reality. “You. You’ve been thinking hard for the last five minutes. It’s not good for you to strain your pretty little head like that. I’m waiting for the steam to shoot out of your ears to relieve the pressure on your brain.” “Aha.” Audrey glanced at Jack and George. “What you have here is a man who was caught gaping at my breasts, and now he’s trying to cover it up with rudeness.” Kaldar lost it and laughed.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
Nadir walks forward and bends on his knee, his head bowing. “What are you doing?” He looks up with a smirk. “Kneeling for the queen.
”
”
Nisha J. Tuli (Rule of the Aurora King (Artefacts of Ouranos, #2))
“
Again,” Pan orders, and Kas lets the vines go wild, never letting up on my clit. I’m so overstimulated that my nerves are fire, that the pleasure mixes with pain. Pan bends me forward so he can sink deeper into my ass, his hands on my hips, driving me down on him.
”
”
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
“
He sinks forward and bends me in half, bracing the backside of my legs against his chest. His cock slides up my wet slit, the head hitting my clit. He pumps forward and back a few times, the heat of him, the touch of him, sending me careening. “Don’t stop,” I say on a moan. “As if you can tell me what to do.” He hooks an arm around my thighs, caging me against him, squeezing my thighs together, creating the perfect amount of friction and tightness between us. He rocks again and blood pounds through me as the flame flickers at my core. “Please, Pan. Please don’t stop.” He picks up the pace, fucking my clit. The tension builds.
”
”
Nikki St. Crowe (The Dark One (Vicious Lost Boys, #2))
“
Her diabolical mask falters when I lean forward and brace a hand to either side of her knees. “You’re lucky you’re injured.” Sloane gives me a smug little grin. Fuck, I want that smart mouth and those plump lips wrapped around my cock so badly it aches. “Oh yeah?” she snarks. “Why’s that?” I drift closer still. Push into her space. She resists the urge to sink deeper into the cushions as her breath hitches. My hand folds around her throat, one finger at a time pressing into her skin, her pulse like music beneath my palm. She shivers when my lips graze her earlobe. “Because I’d bend you over my knee and spank that perfect ass of yours until it glows.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
A gift from her most private region, Pauline does not see it coming. That moment when the cruel knot in each of her hips uncoils. Twang, there it goes. Zzzz rip, that’s another. Like a belt across each side of her groin, such a wonder the pyriformis muscles. They can be a deep source of trapped pain, especially for women. But her spine, it stretches good and long, and the clenching releases. She slithers forward. Heck yeah. Her feet
bend backwards in joy. - "Secret Workings" in Your Body Was Made for This by Debbie Bateman
”
”
Debbie Bateman
“
When I feel the tears press forward, I give myself the luxury of screaming—but only in my imagination. I envision myself bending over in the snow, ripping at my skin, the glorious pain of stinging scratches grounding this body to the world. I imagine beating the trees and howling, howling like a teras on a hunt. I revel in the imagined ecstasy and it’s still not enough.
”
”
Lucien Burr (The Teras Trials (The Teras Threat, #1))
“
standing forward bend is an inversion. So is lying on your back on the floor (or the bed) with your legs up, resting on the wall—or a variation, lying on your back with your lower legs resting on the seat of a chair. This is a great pose to welcome yourself home with, after work and before dinner. It can really lift your mood. You can do it with your partner, catching up on your day while the pressure flows out of your feet. It’s a nice way to decompress. This is all part of a general policy to counterstretch whenever you can—to wash away a static pose with the opposite shape. If you’re on your feet all day, go upside down for a few minutes. If you’re rounded over a keyboard most of the time, lie down on the floor and,
”
”
Frank Lipman (The New Rules of Aging Well: A Simple Program for Immune Resilience, Strength, and Vitality)
“
I really fucking hate Sin Wilder. I pushed the plum between my cheeks, bending forward a little and working it up my ass because apparently I would put anything in there for Rosalie. Or maybe it was because I wanted to escape more than anything now. Either way, this had better be the last fucking thing that went up there. Or I was going to fucking lose it.
”
”
Caroline Peckham (Alpha Wolf (Darkmore Penitentiary, #2))
“
Nox licks his lips as Aero’s curl in approval. “Kneel on the couch,” his indifferent tone slices through me. I stand still, hesitating, before finally walking a step over to the couch. I kneel on the cold leather beneath me, holding onto the back of it for support. “Now bend forward, spread those thighs, and show him my pretty pink cunt.” I swallow, closing my eyes tightly as I let out a quick, nervous breath. Bending forward, I arch my back, angling my ass up. Using my thumb, I pull the lace strip over, exposing myself to both men behind me. “Fuck,” Nox mumbles softly.
”
”
Jescie Hall (That Sik Luv)
“
Sometimes I feel like I have the spines of a hedgehog. They are a spiky barrier I just can’t retract. I thought I’d managed to lower them a little over the last few months, or at least to thin them out. But then, this week, there they were again: abrupt, prickly, impenetrable. I’ve had a weird, frustrated, angry week. Nothing in particular has happened, but it’s hot, I’m insanely busy at work and not everyone’s being co-operative. But more than that, I feel as though my body’s drawn in on itself. Everything feels and smells wrong. Quite often, just the sound of the radio has been too much for me. If Herbert has tried to talk to me at the same time that it’s on, I’ve barked at him. I can’t bear to be touched. I feel like my skin is too thin. Twice this week I’ve rushed out of bed in the middle of the night, convinced I’ve felt a glut of blood surge out over my legs. Twice I’ve realised I was only dreaming. The mind is slow to catch up with the body. Mine, it seems, is fearfully protective of it. I’m a meditator, and I know that these phases are necessary. Meditation is like the slow action of water on rock. Gradually, it wears through layers and layers of sediment, and every now and then something unknown is exposed to the light, a deposit of ancient bones. These too are eased away in time, but they must be revealed to be soothed away. Over the years, I’ve learned how my body holds an imprint of my fears, a physical defence against them that over the years becomes an immovable ache. This morning, for example, I went to yoga class, only the second one since my gynaecological problems made me give up. Once, I could fold myself in half like a deck-chair, not because of my yogi prowess, but because I had double-jointed hips. Today, I was shocked to discover that I couldn’t bend at all, that my pelvic girdle had tightened itself into a rigid knot. Once I’d got over the flush of humiliation (a seventy-year-old woman was performing a perfect forward bend next to me), I saw just how much I’ve been imagining my body as a fragile thing in need of protection. I have been curled inwards like that hedgehog, and even the parts of my body that I can’t command have joined in. But even realising this, what do I do with the information? It is one thing to understand that my body has rolled up to protect itself, but how can I make it unfurl?
”
”
Betty Herbert (The 52 Seductions)
“
She wet her lips, clenching her fists against my shoulders. “Im afraid of giving you control again. And, I’m afraid of how I’ll react, but I want it. It is what it is.”
I can be reasonable, but you need to stop considering the impossible. You can’t go home, you can’t escape, and I can’t let you go. It is what it is.
How dare she use those words against me?
My anger swelled, vibrating through my muscles, but Rose didn’t move-she didn’t even look worried. Her head shook slightly, then she pressed her lips against mine. Coaxing me past the anger, and back to sanity.
I felt like a hundred pound weight sat on my chest by the time she finished. “Where’d all that come from?”
She dragged her hand through her hair. “I figured it was about time I give you a little reminder that I’m not so easily broken. Whatever it is you need, I’m game-I do like… watching you. The look you get when you’re up to no good and can’t hold back. I could get off on that.”
With a nervous giggle, she dropped her hear forward, her hair creating a curtain around her face. I brushed it back, then pushed her to the floor again, pinning her under me.
"God, I love you.
”
”
Skye Callahan (Bend, Don't Break (Irrevocable, #2))
“
Oh, it’s on now,” he growls and spins around, bending at the waist so he can toss Emily over his shoulder. Emily protests, smacking his back, but she’s suddenly serious, if the look on her face is any indication. “Put me down, Matt,” she cries. Logan jumps to his feet, and he yells for Matt to put her down, too. Matt’s still laughing, though, and he has no idea how serious they are. “Matt!” Paul yells. The room goes quiet, and Matt spins around with Emily still over his shoulder to face Paul. “Put her down before you hurt her,” he says calmly but forcefully. Logan takes Emily from Matt and lowers her to her feet. “Sorry,” Emily says sheepishly. “What’s wrong?” Matt asks. He’s suddenly serious, despite the icing that’s all over his face. Reagan is wearing some, too, and they all look ridiculous. “Did I hurt you?” he asks Emily. Emily hangs her head a little and then looks up at Logan like she’s asking for permission. She signs and talks to him at the same time. “Should we tell them?” she asks. But she’s grinning. Logan smiles, too, and nods. Emily takes a deep breath. “You’re not sick, are you?” Matt asks, and I can see the love he has for both his brothers’ girls in his eyes. And, honestly, it makes me love him even more. Emily shakes her head. She jerks a thumb toward Logan. “Your brother knocked me up,” she says. The room goes silent. Completely silent. You could have heard a pin drop. “What?” Matt asks, looking from Logan to Emily and back. He has icing all over himself, yet he’s suddenly so serious. He points to Emily’s belly. “You’re pregnant?” he whispers. Emily laughs and nods. “We’re pregnant!” she cries. “So no more tossing her over any shoulders,” Logan warns, glaring at all his brothers. They’re getting to their feet, one by one. Suddenly, Matt jerks Emily toward him and wraps his arms around her. “I’m so happy for you,” I hear him say softly as he swings her around. She giggles and holds him close to her, patting his back. Matt sets her back from him and looks down at her belly. “You’re going to be the best mom ever, Em,” he says. “I hope so,” she says quietly, laying a hand on her belly. The rest of the brothers come forward to congratulate them, and they rub Logan’s head and jab him in the side, while Emily gets lots of soft hugs. “Maybe she’ll be born perfect like her dad,” she says. She worries her lower lip. “Or fucking gifted like you,” Matt says vehemently. Emily sniffs and smiles at him, a watery grin. “There’s just one thing I want to know,” Matt says. He wraps an arm around Emily’s shoulders and looks down at her. I flinch when I see what he’s about to do, but she does kind of deserve it. His hand inches toward the countertop and he snags a cupcake. “Is the baby going to like chocolate or vanilla?” He brings it up and crams it into Emily’s startled face. She sucks in a jerky breath. “Booyah!” Matt cries, and he runs away from Emily.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
“
I’d offer you a ride, but ---“ …
“Maybe next time,” she said.
He nodded and gave her a sly grin. “Then I have something to look forward to.”
Ellie’s eyes glinted as she turned, and headed toward the spruce forest. After covering several yards, she glanced over her shoulder, and caught him staring.
“I’d say we both do.
”
”
Tracy March (Could've Said Yes (Thistle Bend, #3))
“
Michaels pushed against the center of Judge’s back, urging him to bend forward as he dropped to his knees pulling the towel off that round ass. “W-what are you doing?” Judge stuttered. “Getting my kiss.” “Wait a minute. Not… not there,” Judge argued, still not pulling away. “Are you going back on your word, Judge?” Michaels tsked again. “That’s not like you.” “I never go back on my word. I will kiss you.” “Unh unh unh. I said I wanted to kiss you. I said you didn’t even have to kiss me back remember?” Michaels ran his tongue over the silky black hairs on Judge’s ass. “I’m gonna kiss you right here until I’m as satisfied as you were with your dinner.” Judge snarled, “You sneaky bastard.” Michaels smiled and feasted his eyes on his dessert.
”
”
A.E. Via (Don't Judge (Nothing Special, #4))
“
Just after midnight, I text my parents who live in Florida: Please tell me you didn’t help elect him.
No reply.
The next morning, New York City wakes up with a wet, gray yawn. The air is thick with mist. The city moves at a slower, muffled pace. New Yorkers rarely make eye contact; today isn’t much different, except when eyes meet, they lock for a moment in shared grief. Everyone’s shoulders bend forward, the world weighing heavier on them than it did yesterday.
The sidewalks and the coffee shops are quiet. Even the subway paces through its underground veins in somber silence. My husband tells me: “The city hasn’t been this quiet since 9/11.”
—Melissa Lirtsman
”
”
Erin Passons (The Nasty Women Project: Voices from the Resistance)
“
Sometimes I would hold it in for days so that I could have a really big one and also because it felt good in itself. When I really did have to shit, so much that I could barely stand upright but had to bend forward, I had such a fantastic feeling in my body if I didn't let nature take its course, if I squeezed the muscles in my butt together as hard as I could and, as it were, forced the shit back to where it came from. But this was a dangerous game, because if you did it too many times the turd ultimately grew so big it was impossible to shit it out. Oh Christ, how it hurt when such an enormous turd had to come out! It was truly unbearable, I was convulsed with pain, it was as if my body were exploding with pain, AAAAAAGGGHHH!! I screamed, OOOOOHHH, and then, just as it was at its very worst, suddenly it was out.
Oh, how good that was!
”
”
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
“
Sometimes I would hold it in for days so that I could have a really big one and also because it felt good in itself. When I really did have to shit, so much that I could barely stand upright but had to bend forward, I had such a fantastic feeling in my body if I didn't let nature take its course, if I squeezed the muscles in my butt together as hard as I could and, as it were, forced the shit back to where it came from. But this was a dangerous game, because if you did it too many times the turd ultimately grew so big it was impossible to shit it out. Oh Christ, how it hurt when such an enormous turd had to come out! It was truly unbearable, I was convulsed with pain, it was as if my body were exploding with pain, AAAAAAGGGHHH!! I screamed, OOOOOHHH, and then, just as it was at its very worst, suddenly it was out.
Oh, how good that was!
”
”
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
“
Young lady, you will attend your mother in her sitting room at once.” And Deene was supposed to just toddle back down the stairs to await an uncertain fate? “If Your Grace would allow Lady Eve and me a chance to discuss the events of the—” “You, sir!” His Grace was not inclined to keep his voice down when discretion might be most appreciated. This was known by all familiar with him, and beside Deene, Eve graduated from wincing to cringing. “Your Grace, Lady Eve’s nerves are not aided by a display of temper, though you have every reason to rail at me.” The ducal eyebrows went up. “I have every reason to kill you, young man. The harm you have done cannot be explained or excused, and no adequate reparation ever made to my daughter.” This was the moment for Eve to step forward and explain that they were betrothed, that the indiscretion was just that, more a slip than a sin. Certainly not a matter of a lady’s slighted honor. His Grace’s gaze went to his daughter while a silence stretched, a silence during which Deene wanted to go down on bended knee and beg the blasted woman to marry him. “Unhand my daughter, Deene.” Eve slipped away from Deene’s side and disappeared into the house. His Grace waited a long moment while Eve’s footsteps faded rapidly, and then the older man glanced about. “You, come with me. And get that mulish expression off your face. The last thing Her Grace will do is castigate Eve for a situation that must lie exclusively at your handsome, booted feet.” Was there a softening in His Grace’s eyes? Deene was not about to bet his life on it. When the duke led him to a chamber on the first floor, Deene noted an absence of footmen, maids, or other curious ears. “Your Grace, I think you well might have to call me out.” Moreland opened the door to the ducal study and preceded Deene through it. He closed the door, then turned, and without any warning whatsoever, delivered a walloping backhand across Deene’s cheek. “Perhaps I shall have to call you out, Deene. Let’s make it a convincing show, then, shall we?” ***
”
”
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
“
Eliza.” She gasped and shot her eyes in the direction of the voice of the man she cherished. It couldn’t be . . . Her lungs heaved. “Thomas?” She blinked, not believing the sight before. The dark coat he wore accentuated his broad shoulders and matched the mid-night color of his hair. Pure love poured out of his dark-blue eyes and circled around her quivering heart. He rushed forward and knelt in front of her, cupping her cheeks in his strong hands. “Did you not believe I would come for you?” “Are you real?” she said, almost unbelieving. But the feel of his cold hands against her skin, and the way his eyes mapped her face made reality crash into her chest. “Oh, Thomas! I wanted you to come. I wanted to tell you—” Suddenly the blood drained and her heart flogged her ribs. Struggling, she rushed to get up. “You must leave. You can’t be here it’s too dangerous!” Bending
”
”
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
“
Excuse me,” I call to his retreating back. I sound like I swallowed Kermit, so I clear my throat. “Excuse me,” I call again. I run to catch up with him and tug on his backpack. He looks back over his shoulder, but then he keeps right on walking. “Wait!” I say, trying to keep up. “Damn it, would you stop?” He stops very quickly and I slam into his back. He rocks forward and I grab onto his pack to stay upright, feeling like I have two left feet. I am usually more graceful than this. My mother would kill me if she saw me right now, making a public spectacle of myself in the quad. He turns, grabs me by the shoulders and steadies me, then he bends down to look into my eyes. His are bright blue and full of questions. “Are you all right?” he asks, his voice gruff. I’ve never heard him do more than grunt in class, so hearing him make a full sentence, albeit a short one, is startling. “I’m fine,” I gasp, a little winded from chasing him. “You’re really fast.” He grins. “Sweetheart, you haven’t seen fast.” My heart skips a beat. I am in such big trouble. I don’t know why I thought I could approach a man like this, but I did, and now I don’t know how to ask for what I want. “Cat got your tongue?” he asks. A grin tips one corner of his lips. He’s pretty enough to take my breath away. His blond hair flops across his forehead and he shakes his head to swing it back from his eyes. I open my mouth to speak, but only a squeak comes out. He looks around the quad, looking behind me like he’s trying to figure out where the hell I came from. When he sees that no one is chasing me, he takes my shoulders in his hands and gives me a gentle squeeze, bending so he can stare into my eyes. “Hey,” he says softly, like I’m a stray dog he’s trying to trap. “Are you okay?” I thrust out my hand. “Madison Wentworth,” I say. “I just wanted to introduce myself.” His eyes narrow and he stares at me, but he doesn’t stick his hand out to shake mine. I let mine hang there in the air between us until it becomes so heavy with disappointment that I have to tuck it into the pocket of my jeans. “Guess not.” I sigh. “I’m very sorry for taking up your time.” “Which one of those fuckers put you up to this?” he asks. He grinds his teeth as he waits for my response. “What?” “Those frat boys you hang out with, the ones with more money than sense. Which one put you up to this?” He glares at me. “No one put me up to this,” I say. “Listen, sweetheart,” he says, his face very close to mine. I can smell the cigarette he just smoked and the coffee he must have had before it. “You don’t want to mess with a man like me.” “Okay,” I whisper. I clear my throat. “Fine. Have a nice day.
”
”
Tammy Falkner (Yes You (The Reed Brothers #9.5))
“
Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.” Merripen, attentive as always to his wife, gave her a frowning glance. “Now?” “Yes, now.” “Can’t it wait?” “No,” Win said equably. At his continued hesitation, she said, “I’m expecting.” Merripen blinked. “Expecting what?” “A baby.” They all watched as Merripen’s face turned ashen. “But how . . .” he asked dazedly, nearly staggering as he headed to Win. “How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?” “It’s not a ploy,” Win said cheerfully. Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house. “I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Do you not feel me near?
I'm bending forward on the wind of thought,
Sailing toward you on the lake of mind.
O share this moment which may not be brought
Ever to life again, once left behind.
”
”
Harold Monro (The Earth for Sale)
“
Jamie lingered awkwardly a moment, and then, as though suddenly making up his mind to it, stepped forward and bending down, cupped Grey’s face between his hands.
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
But Jamie lingered awkwardly a moment, and then, as though suddenly making up his mind to it, stepped forward and bending down, cupped Grey’s face between his hands. Grey felt the big hands warm on the skin of his face, light and strong as the brush of an eagle’s feather, and then Jamie Fraser’s soft wide mouth touched his own. There was a fleeting impression of tenderness and strength held in check, the faint taste of ale and fresh-baked bread. Then it was gone, and John Grey stood blinking in the brilliant sun. “Oh,” he said. Jamie gave him a shy, crooked smile. “Aye, well,” he said. “I suppose I’m maybe not poisoned.
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
You will drink more?”
“No, thank you.”
She felt suddenly tired and wished he would leave so she could sleep. Instead he stoppered the canteen and sat back down on the bed. She drew up her knees and stared at him. He stared back. The silence grew heavy, and so did her eyelids.
“You grow weary,” he said softly, bending forward to drop the canteen and cup onto the dirt floor. “You will lie on your back, eh?”
The thought struck her that he might lie down beside her, as he had during their journey. “No, no, I’m fine--really.”
He clasped her ankle. The heat of his grip shot up her leg. Her breath caught at the familiarity. As accustomed to his touch as she had become, she didn’t like it or easily accept it. At home a woman didn’t even show her ankles, let alone allow a man to touch them. And this man touched her anywhere he chose, with no hesitation. He tugged lightly.
“You will lie on your back? No harm, eh? I will watch.”
“Must you?”
“Hein?”
Hein? Loretta had no inkling what that meant. “Must you watch? It makes me nervous. I can’t run away.”
“Nuhr-vus?”
“Nervous.” She shrugged one shoulder and then tried to pry his leathery fingers from around her ankle. “Nervous…uneasy.” She gave her leg a shake. His hand moved with her foot, his grip unbreakable. “Would you let go? It’s indecent, you touching me like this.”
“In-dee-sent?”
“Indecent. Shameful. Would you please let go? It is my foot, you know.”
“And you are my woman.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The slave chain hissed along the ground as the men closed in around us. I kicked at it to keep it out from underneath my slippers, and one of the men—the taller of the first pair—swung a short-hafted pike at Elka’s head in an artless, horizontal slash. She ducked without blocking and shifted to the side, bending around my left flank so that I could move with her. I saw what she was doing and dropped into a crouch as she twisted. The man reared back again, and while his attention was focused on Elka, I sprang forward with a low, darting thrust that tagged him solidly on the upper thigh. He howled in pain, flinching as the point of my sword pierced his worn breeches and sank into the muscle there. I pulled my sword out and blood spilled down the front of his leg. It was the first time I’d ever wounded a man, and I felt a savage rush of excitement. “Not such easy meat as he thought.” Elka’s voice was in my ear, panting with fear or exertion—I couldn’t tell which. “That was nice, little fox.
”
”
Lesley Livingston (The Valiant (The Valiant, #1))
“
You want to borrow my girlfriend?” Carson shouted later that afternoon, promptly dropping the box in his hands. The cardboard smashed onto the floor of Carson and Holly’s new glorious kitchen with a resounding thunk and the distinct sound of glass shattering.
“My new plates!” Holly wailed, immediately sinking to her knees. She ripped open the tape closing the two flaps together and peered into the box then looked up at Carson in horror. “You’re a monster!”
Carson scowled at her. “I’ll buy you new plates.” The scowl deepened. “That is, if I decide not to break up with you. I can’t believe this was your idea. I told Garrett you and Shelby shouldn’t hang out. The two of you are trouble together.”
“They’re just trying to help me out,” Will pointed out, experiencing a jolt of sympathy at the despair on Holly’s face. He swiftly knelt down and tried to pry her hands out of the box. “Quit sticking your fingers in there, Hol. It’s filled with broken glass.”
Carson let out an enraged roar. “Don’t you dare console my girlfriend. My girlfriend!”
Holly got to her feet, planting her hands on her hips. “Now I’m definitely going,” she shot out. “You broke my plates.”
“So you’re going to play house with my lieutenant as punishment?”
“He’s in love with another woman!”
“Well, I’m in love with you!”
Holly’s eyes softened. “Doesn’t it make you love me more, knowing I’m willing to help out one of your friends?”
A sigh slid out of Carson’s mouth. “What is it with you and helping people? Didn’t we just decide you’re not going to drop everything for your family anymore?”
“This isn’t my family. It’s yours.”
“Will and I aren’t related.”
“You’re SEALs. Of course you’re related.”
Another sigh. “Yeah, you’re right.” Carson took a step forward and pulled Holly into his arms. “Fine, you can go.”
“Really?”
“I just said it, didn’t I?”
Holly threw her arms around her boyfriend. The two proceeded to make out as if Will wasn’t in the kitchen.
He shook his head to himself. He wasn’t quite certain how they’d gone from furious to calm to horny in a matter of seconds, but he wasn’t complaining. Ever since Holly and Shelby had burst into his house this morning, he’d been warming up to the plan, starting to believe it might actually work. He was glad Carson hadn’t put up more of a fight.
Slipping his hands in the pockets of his khakis, he let the couple smooch a while longer, then cleared his throat. “Uh, guys?”
The two pulled apart sheepishly. “Sorry,” Holly said. “Forgot you were here.”
Story of his life, women forgetting he was standing right in front of them. Hopefully not for much longer, though.
“So how is this going to work?” Carson asked, bending down to retrieve the fallen box. He glanced at his girlfriend. “I’m sorry about the plates, sweetheart. We’ll go out and buy some tomorrow, ’kay?”
“I’m holding you to that.” With a stern look, she headed for the fridge and grabbed a can of soda. Flicking the tab, she raised the can to her lips, sipped, and then said, “Will and I are going to Hunter Ridge tomorrow. Apparently there’s some fair going on this weekend.
”
”
Elle Kennedy (Heat of the Storm (Out of Uniform, #3))
“
Prophet couldn’t say anything. It wasn’t for lack of trying, but anything that came out was pretty fucking incomprehensible. He was a ball of sensation, his entire being focused on being impaled by Tommy, owned by him for these moments. He was on his side, with Tom between his legs, bending one of Prophet’s legs forward against his belly, which let him drive his cock deeper . . . without Prophet being able to do a damned thing about it. One of his arms was half-trapped under his own body, the other trying to gain some purchase, but he gave up and let his face push against the rug as Tom just completely claimed him. “Tommy!” he cried out as his orgasm rushed through him with an intensity he hadn’t expected so soon on the heels of his first climax. It nearly paralyzed him for several seconds, his muscles stiffening as he jerked helplessly on Tom’s cock. “Lije . . . yeah, that’s it, baby . . . God, fuck . . .” And then Tom came, spurred on by Prophet’s climax, dragged along for the ride. Prophet could feel him pulsing through the condom. They had to get rid of those, and soon. Soon. He
”
”
S.E. Jakes (Daylight Again (Hell or High Water, #3))
“
Prophet stared at him for a beat longer, unmoving, before Tom’s hand snaked around his wrist, a firm grip but not a painful one. He looked at Tom and swallowed hard at the unabashed, naked heat in his eyes. And then he let Tom guide him to face the back of the couch. Tom’s palm pressed down between his shoulder blades. He conceded slightly by leaning forward to hold fast to the couch’s back, but he didn’t bend over the couch, the way he knew Tom wanted him to. Because Tom was not the boss of him. Not all the time. And not now. This was his game, dammit. Behind him, Tom snorted softly. “Still fighting compliance?” “I am complying.” He somehow managed to sound halfway agreeable, albeit through clenched teeth. He felt Tom’s hands slide down his sides and land on his hips before his legs were kicked apart. And then Tom must’ve gotten on his knees behind him because he was holding Prophet’s ass cheeks apart, sliding his tongue inside . . . “Fuck.” Tom
”
”
S.E. Jakes (Not Fade Away (Hell or High Water, #3.5))
“
Avery just grinned down at his husband and lifted his cock, bending forward to place a simple kiss on the glistening broad head. He began to stroke Kane in long sure pulls, adding the little twist at the end that he knew drove his lover wild. And like he hoped, the effects were immediate. Kane arched his long body, throwing his head back toward the pillow, and dug his feet into the mattress. "That's it… Yes!" Avery tightened his grip on the base of Kane's cock when he saw his sac draw up.
”
”
Kindle Alexander (Always (Always & Forever #1))
“
And I wonder how we could possibly have ended up in this place. Why I didn’t see the warning signs far enough in advance to prevent this from happening. I try to hold back the sob swooping up from deep inside me like a tsunami from the ocean floor. But I can’t, and I bend forward, crying for my failures as a mother
”
”
Inglath Cooper (Dragonfly Summer (Smith Mountain Lake #2))
“
Exercise: The Eight Statements The simple set of eight statements below will help you gauge where you are on the path to bending reality. Indicate how true each statement is for you by selecting one of the choices offered. There are no right or wrong answers. If you’re still in the starting gate, no worries. We’ll be talking more about how to get there. 1.I love my current job to the point where it does not feel like work. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 2.My work is meaningful to me. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 3.There are often moments at work that make me so happy the time just flies by. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 4.When things go wrong, I don’t worry at all. I just know something good is on the horizon. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 5.I feel excited about my future, knowing even better things are always on their way. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 6.Stress and anxiety don’t seem to faze me much. I trust in my ability to attain my goals. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 7.I look forward to the future because I have unique and bold goals on the horizon. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE 8.I spend a good amount of time thinking excitedly about my visions for the future. NOT AT ALL TRUESOMETIMES TRUEVERY TRUE If you answered “Very true” to statements 1 through 4, you are likely happy in the now. If you answered “Very true” to statements 5 through 8, you likely have a good vision for your future. If you can answer “Very true” for all eight statements, you’re likely in the state of bending reality. Most people, however, find that they tend to be able to answer “Very true” to either the happiness-related statements or to the vision-related questions, but not to both.
”
”
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
“
Stop, or I’ll shoot!” cried the soldier. The fugitive, without stopping, turned his head and called out something evidently abusive or blasphemous. “Damn you!” shouted the soldier, who put one foot a little forward and stopped, after which, bending his head over his rifle, and raising his right hand, he rapidly adjusted something, took aim, and, pointing the gun in the direction of the fugitive, probably fired, although no sound was heard. “Smokeless powder, no doubt,” thought the young Tsar, and looking after the fleeing man saw him take a few hurried steps, and bending lower and lower, fall to the ground and crawl on his hands and knees. At last he remained lying and did not move. The other fugitive, who was ahead of him, turned around and ran back to the man who was lying on the ground. He did something for him and then resumed his flight. “What does all this mean?” asked the Tsar. “These are the guards on the frontier, enforcing the revenue laws. That man was killed to protect the revenues of the State.” “Has he actually been killed?
”
”
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
“
Define steps small enough that teams can see and show their progress. Don’t get bogged down trying to create the perfect system with a perfect set of measurements. Nothing will ever be perfect for everyone. Agreeing on something reasonable and moving forward is important when the alternative is being paralyzed. Be flexible where it makes sense to be, but hold the line where you shouldn’t bend.
”
”
James A. Whittaker (How Google Tests Software)
“
>> Is what I’m doing in line with my beliefs and my values? >> Do I have the expertise or knowledge to move forward in an effective way? >> Will I be more or less happy by bending to the opinion of this person? >> Does it really matter what this person thinks of what I’m doing, or want to do?
”
”
Alvin Huang (21 Things You Should Give Up To Be Happy)
“
She shivered under his touch, desire dampening her panties and making her clench her thighs together in an attempt to find some relief. His devilish hands relaxed their grip on her hips and slid around to cup her ass, pulling her close. Thick, hard evidence of his desire pressed against her belly. God, she wanted this man, and not just to silent the stressful thoughts always swirling in her head. She wanted him, not just the divine moment of oblivion that blocked out everything else.
The realization scared her and brought some unwanted reality into the room. "We shouldn't be doing this."
"Why?" He made quick work of the buttons on her petal-pink cashmere sweater and parted her cardigan. Sean gave a soft growl as he stared at her silver satin pushup bra that presented her boobs like an all-you-can-lick buffet. "Because I'm your employee?"
He licked his lips and slid his thumb across the satin covering her hard nipple.
"Yes," she said, sighing. An answer to his question or a response to even the lightest of touches? Both.
"Easy fix." He snapped the front closure of her bra and her tits tumbled out. "I quit."
Bending forward, he lifted one heavy globe and took the hard nub into his hot mouth. Fire sizzled through her veins and it felt so good she couldn't wait to burn.
"You can't quit." She reached down for the top button of his jeans and flicked it open. "We need you. I need you."
He released her nipple and she groaned in frustration. Then he found the hem of her skirt and inched it higher and the soft groan that floated out of her mouth was for a whole other reason.
"Hire me back in about an hour or, better yet, a few days."
The cool air caressed her upper thighs as he raised her skirt, but it wasn't enough to relieve the molten heat engulfing her. "I like how you think.
”
”
Avery Flynn (Hollywood on Tap (Sweet Salvation Brewery, #2))
“
When Nadal told trainees that for men on a journey, the whole world would become their house, he was encouraging far more than mobility alone. He was pronouncing a fundamentally hopeful, optimistic, adventurous, and even playful outlook. Leaders with a "whole world is our house" attitude eagerly look forward to what lies around life's next bend. Ingenuity rests on the conviction that most problems have solutions, and that imagination, perseverance, and openness to new ideas will uncover them.
”
”
Chris Lowney (Heroic Leadership: Best Practices from a 450-Year-Old Company That Changed the World)
“
From the true self, I asked the shameful part what it wanted. I jumped up, pacing as I explained myself. “I relate the shameful part to being like a child who had done something wrong—sent to his room— waiting for his father to come home and punish him.” I stopped in front of Keith’s desk, bending toward him. “It’s frustrating.” I rested both hands on the desktop, shaking my head. “I can’t latch onto one good deed or intention to convince myself that there is decency within.” At this point, I became physically exhausted. I plopped into the love seat and spread my arms across the back of the chair. Keith made a minor adjustment to his spectacles with a forefinger pushing its bridge, then let the finger make its way down his nose as he thought, looking down. He looked up, fixed his eyes directly on me. "The anxiety part jumped in to prevent you from having to relive and experience the pain that the shameful part was carrying." "And,” I said, leaning forward, “if I connect with the anxiety and ask it from the true self what it wants, the answer is rest, peace of mind for body and soul.” Keith slowly nodded his head as I continued. “It wants to live without stressing over everything and anything in an attempt to achieve perfection. The anxiety put me in a survival mode, pumping me up with adrenalin, putting me on guard, alerting me that there was danger ahead. I understand how the anxiety feels. It doesn’t have to worry anymore. There is no more danger ahead. The true self is now running things. We are now going to be able to take a deep breath, relax, and be at peace with ourselves. I’m so thankful that I now won’t be burdened with the nonstop torturous uproar of emotions.
”
”
Marco L. Bernardino Sr. (Sins of the Abused)
“
Forward bends work especially well for opening up the back of the body and the shoulder blades.
”
”
Michael Hetherington (The Art of Self-Adjusting: The Best and Safest Way to Adjust Your Own Body to Reduce Pain and Enhance Your Body's Healing Ability)
“
They sat in a sphere of quiet, save the sound of their
breathing and the carriage’s creaks and sways. Outside,
the coachman yelled his encouragement to the steeds
moving them forward. The whole carriage cocooned
them in a peculiar world with the heaven’s wool-thick
mists pressing against the windows.
Her hand didn’t stop rubbing his neck, but she
shifted her leg, bending her knee to rest her leg on
his thigh. Her patten slipped off, dropping to the floor
with a thud.
Cyrus’s head moved off the squab. “Are you
undressing for my benefit?”
His smile’s wicked curve played on her. From her
stays to her drawers, everything was too tight, too
much against her skin. Cyrus reached for her hand
working his neck muscles. He brought it to his lips and
kissed her knuckles thrice with slow adoration.
“We don’t have to stop,” she said, her voice breathy
and quick. “I’m sure you have more aches and pains.”
Mid-kiss, he smiled against the back of her hand, his
warm breath brushing her skin.
“There are so many ways a man could go with
that.” Humor lightened his voice. “But I’m sure you
mean to provide tender care to my neck only.”
She grinned at her unintended innuendo. This was
the experience she craved—to flirt and tease, to kiss
and touch. Cyrus put his lips to her wrist, marking her
with hot kisses. A spangle of pleasure shot up her arm.
“You would break down the meanest soul with
your soft heart.” He set her hand on the blanket’s
scratchy folds, his thumb caressing her wrist.
“High praise, indeed, sir.”
Tinseled sparks danced across her skin, not letting
her recover from those gentle touches, his lips to her
arm. He stroked a lone finger on her hand that rested
between them.
“And you don’t care one bit that I’m the son of a
Midland swine farmer, do you?”
Cyrus asked the unexpected question, but his voice
conveyed confidence in her answer. Was her chivalrous
brawler showing a hidden spot? She peered at
him, wanting a better view of his shadowed features.
How was she to decipher this latest turn?
The carriage bumped and rocked, and the outside
candle lantern swung another shaft of light inside. His
quicksilver stare pinned her.
“Miss Mayhew, have you ever wondered how a
freehold farmer got to be in such a fine place?
”
”
Gina Conkle (The Lady Meets Her Match (Midnight Meetings, #2))
“
Distant stars gleamed brilliantly, but no lights shone behind the small view panes scattered about the vessel’s exterior shielding …except a single light shining bright white towards the craft’s forward end. Fiery red braking rockets erupted to life around craft, pulsing first before becoming a steady red glow, shining like miniature stars. In the remote distance, something took form, blocking out the light of the stars. High intensity lights from the Alcatraz trained at the black object that had suddenly materialized out of the darkness.
”
”
Karl Bjorn Erickson (Alcatraz Burning: Four Mind-Bending Short Stories)
“
Irena heard a faint cry – a strange mournful sound, like a mewling cat, muffled and hitching. A shadow moved along the wall – a woman wrapped in brown and gray rags like condensed smoke – holding a swaddled infant in the crook of her elbow. The woman stooped to pick up a small rock and heaved it over the wall, then retreated to crouch in the shadows. A moment later the same rock arched back over the wall from the Aryan side, and the woman stood up with intent, holding her bundle close to her chest and face. Even at this distance, Irena heard the woman suck two deep breaths, bend forward, swing her baby in both her arms, three times, and then with blazing purpose hurl it up in an arc that barely cleared the jagged glass atop the wall. No sound came back from the other side. The woman collapsed against the wall, her hands stroking the bricks, the two inches that separated her from her baby. She slunk away in the shadow of the wall.
”
”
Jack Mayer (Life in a Jar: The Irena Sendler Project)
“
...it was not Laetral who saved us today! It was he who inspired us to fight I grant you, yes. But, only because Princess Zephany allowed him to! She was the first into battle, and the last to return if I am not mistaken? It was she who returned to the fight when she did not have to, to rescue our soldiers and lead our archers so brilliantly. And it is thanks to the Princess’ leadership that we stand before you now, for we all would surely have fallen without her actions. We who stand in this square are already dead. We breathe now only because we were saved. We should have died out there on those fields today and we know it. Our lives belong to the one who saved us!’
Caro turned to Zephany and took out his sword. He fell down on bended knee and held it out in front of him. ‘Princess... I, Caro, son of Truith of the house of Sirrannus, Champion of Perosya, do hereby pledge to you my sword and allegiance. I am yours, and I hereby swear to serve you faithfully, unto death… Lead us in this fight? Command us, and it shall be done without question. From this day forward, I proclaim you to be the chosen leader of our army. The knights of the Estian Alliance are yours!
”
”
M.J. Webb (Warriors of the Heynai (Jake West, #2))
“
Martin Luther King said that the arc of the moral universe bends toward justice. The same could be said for the arc of American history. It also bends toward reason, and sanity. But it’s a slow, slow bend. And with every movement forward, dumb America has shrieked and howled like a wounded animal. Since
”
”
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
“
Unable to stop himself, he leaned forward and rapped on the window. Because she jumped a good foot into the air after the rap, he knew perfectly well she’d heard it, but Millie did not turn. “Open the window.” Bending over, she straightened with another book in her hand, which she immediately tossed into the flames. “What are you doing?” he yelled. Turning, she narrowed her eyes, marched over to the window, unlocked it, and then pushed it up. “Go away.” “I need to talk to you.” “We have nothing left to say.” “We have plenty left to say. At least I do.” “You should be saying things to Caroline, not to me.” “Caroline and I have nothing else to say to each other.” “You’re both from the same world. You should have plenty to say. Whereas you and I, well . . . we’re just too different.” Millie began pushing down the window. “I didn’t propose to Caroline, and from what I’ve been able to learn, she lied to you about everything.” Millie stopped pushing. “Why would she do that? I’m just the nanny.” “You were a threat, and one she wanted to get rid of, so she lied. Told you all sorts of horrible things.” “She also allowed me to see the truth. You’ll be ostracized from all of your good friends if you continue associating with me.” “That doesn’t bother me in the least.” Millie let out a snort. “It does, or at least it will when you’re friendless.” “I’m not friendless. I have you, Lucetta, Oliver and Harriet when they get home, and I could go on and on.” “You’ve run out of names, haven’t you?” “May I come in?” Frowning, Millie leaned closer to him. “Why didn’t you just use the door in the first place?” “Mr. Kenton slammed it in my face.” Millie grinned. “How delightful! But . . . oh, very well.” She pushed the window open again. “Couldn’t you simply go and open the door for me?” “And incur the wrath of Mr. Kenton? Not likely.” Grumbling
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
Mindfulness & Alertness "And how is a monk possessed of mindfulness and alertness? When going forward and returning, he acts with alertness. When looking toward and looking away... when bending and extending his limbs... when carrying his outer cloak, his upper robe, and his bowl... when eating, drinking, chewing, and tasting... when urinating and defecating... when walking, standing, sitting, falling asleep, waking up, talking, and remaining silent, he acts with alertness. This is how a monk is possessed of mindfulness and alertness.
”
”
Tushar Gundev (Common Questions, Great Answers: In Buddha's Words)
“
the boys threw their long bodies into each stroke, rowing furiously, flawlessly, and with uncanny elegance. Their oars were bending like bows, the blades entering and leaving the water cleanly, smoothly, efficiently, the shell’s whale-oil-slick hull ghosting forward between pulls, its sharp cedar prow slicing through dark water, boat and men forged together, bounding fiercely forward like a living thing. Then
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
I would venture to say none of us understand the road we walk,” he said, philosophically. “You may be a bit better prepared, but we are all traveling blindly into a future that is murky to us. Death or delight may be around the next bend, we never know. Nor can we. We can merely prepare ourselves and walk bravely forward.” I
”
”
Terry Mancour (Journeymage (The Spellmonger #6))
“
Try to understand.” Stepping forward, Lock took her hand in his. “We were charged with your safety and well being. We were acting as any males would toward the female they cared for.” Bending his head, he pressed his lips to the back of her hand and gave her a soft, lingering kiss. Kat felt her heart skip a beat at the old fashioned gesture and the feel of his warm lips on her skin. He looked so handsome standing there, so earnest and hopeful as he kissed her hand. When he looked up, his whole heart was in his chocolate brown eyes. “Lock…” she said, not knowing how to continue. “My lady,” he murmured. “Forgive me for offending your modesty. Please know that I acted only out of affection and the most earnest desire to see to your needs.” He
”
”
Evangeline Anderson (Sought (Brides of the Kindred, #3))
“
Carry Grip Big Stick Combat is principally composed of three grips: 1) stick grip, in which the right hand grasps the end of the stick; 2) rifle grip, in which the right hand is at the base of the stick, palm down, while the left hand is near the middle of the stick, palm up; and 3) bat grip, in which both hands grip the weapon like a baseball bat, with the left hand over the right. Yet there is another grip, carry grip, that must be considered. Unless you need a cane in order to walk, you will typically carry the baseball bat, cane, or long stick in the middle, grasped by your right hand if you're right-handed. It is important to train to strike automatically and non-telegraphically from carry grip, especially if you are attacked by surprise. Cover and Hit You are holding the stick in carry grip, with the right hand at the balance point near the middle of the stick. An attacker swings with his right hand at your head. Bear in mind that his “punch” might be a beer bottle, a set of brass knuckles, or a knife, so it is best to crouch down to try to evade it completely. Raise up your left elbow, placing your left palm over your left ear. This is a multipurpose shield of your head. Swing the end of the weapon into the opponent's groin. Strike repeatedly into his groin and midsection as necessary. To follow up, grab the base of the stick with the left hand. You are now in rifle grip, only in reverse, with the right hand forward and the left at the pommel. If you slide the right hand down into bat grip you will be in the traditional right-over-left grip. Although these grips are the opposite of what I have taught in the book so far, I believe it is best not to shuffle the hands. I believe your first priority is not to lose your weapon! I refer to the right hand grip at the base of the weapon as “anchor grip,” because it is firm and permanently fixed. No matter how the left hand moves, the right always maintains a solid grip. I have rejected the grip shifting of other styles because I want to avoid at all costs losing the weapon, particularly under the stress of combat. Crotch Lift This technique is a natural follow-up to the preceding Cover and Hit. This can also be used as a follow-up to the low thrust, the very first technique in the book. The crotch lift can also be used in close-quarters grappling. Pass the stick between the opponent's legs, high up near his crotch. You may naturally find yourself in this position after a thrust to the groin. Reach around the opponent's back with your left hand and seize the end of the stick, palm up. Bend your knees and lift the opponent by straightening your legs and lifting with both arms. Arch your head and body to the right in order to dump him. If he falls with a leg still entangled, you can squeeze in on the weapon in a crushing technique.
”
”
Darrin Cook (Big Stick Combat: Baseball Bat, Cane, & Long Stick for Fitness and Self-Defense)
“
Yes, every step forward changes the view, it never remains the same.
”
”
Heidi Gray McGill (Matters of the Heart (Shumard Oak Bend #3))
“
Why Can’t I Have You"
oh
i can’t see your face now
if i let you go,
will you come back another time?
so i can look forward
oh
we’re never done,
are we babe?
so
you say that i’m never fooled by
the depth of your eyes
i don’t agree but i see
i’m not what you want babe
well we
waste our time
on things we want
why can’t I have you baby?
why can’t I get you baby?
waste our love on things that will never give it back
why can’t I have you baby?
why can’t I get you baby?
so
you need help?
well i’ve got you covered
i’m here when you need a sunny day
something good
cause i never had that
don’t bend your rules
if you don’t want to
but I think you do
so i sit back and let things go how you play them
well we
waste our time
on things we want
why can’t I have you baby?
why can’t I get you baby?
waste our love on things that won’t ever give it back
why can’t I have you baby?
oh
why can’t I get you baby?
oh
(June 5, 2019)
”
”
Gloria Laing
“
Despite Noetic Science’s use of cutting-edge technologies, the discoveries themselves were far more mystical than the cold, high-tech machines that were producing them. The stuff of magic and myth was fast becoming reality as the shocking new data poured in, all of it supporting the basic ideology of Noetic Science—the untapped potential of the human mind. The overall thesis was simple: We have barely scratched the surface of our mental and spiritual capabilities. Experiments at facilities like the Institute of Noetic Sciences (IONS) in California and the Princeton Engineering Anomalies Research Lab (PEAR) had categorically proven that human thought, if properly focused, had the ability to affect and change physical mass. Their experiments were no “spoon-bending” parlor tricks, but rather highly controlled inquiries that all produced the same extraordinary result: our thoughts actually interacted with the physical world, whether or not we knew it, effecting change all the way down to the subatomic realm. Mind over matter. In 2001, in the hours following the horrifying events of September 11, the field of Noetic Science made a quantum leap forward. Four scientists discovered that as the frightened world came together and focused in shared grief on this single tragedy, the outputs of thirty-seven different Random Event Generators around the world suddenly became significantly less random. Somehow, the oneness of this shared experience, the coalescing of millions of minds, had affected the randomizing function of these machines, organizing their outputs and bringing order from chaos. The shocking discovery, it seemed, paralleled the ancient spiritual belief in a “cosmic consciousness”—a vast coalescing of human intention that was actually capable of interacting with physical matter. Recently, studies in mass meditation and prayer had produced similar results in Random Event Generators, fueling the claim that human consciousness, as Noetic author Lynne McTaggart described it, was a substance outside the confines of the body . . . a highly ordered energy capable of changing the physical world. Katherine had been fascinated by McTaggart’s book The Intention Experiment, and her global, Web-based study—theintentionexperiment.com—aimed at discovering how human intention could affect the world. A handful of other progressive texts had also piqued Katherine’s interest. From this foundation, Katherine Solomon’s research had vaulted forward, proving that “focused thought” could affect literally anything—the growth rate of plants, the direction that fish swam in a bowl, the manner in which cells divided in a petri dish, the synchronization of separately automated systems, and the chemical reactions in one’s own body. Even the crystalline structure of a newly forming solid was rendered mutable by one’s mind; Katherine had created beautifully symmetrical ice crystals by sending loving thoughts to a glass of water as it froze. Incredibly, the converse was also true: when she sent negative, polluting thoughts to the water, the ice crystals froze in chaotic, fractured forms. Human thought can literally transform the physical world.
”
”
Dan Brown (The Lost Symbol (Robert Langdon, #3))
“
His most glorious gaffes were mind-bending adventures that challenged the linear nature of time: “I have made good judgments in the past. I have made good judgments in the future”; “The future will be better tomorrow”; “The real question for 1988 is whether we’re going to go forward to tomorrow or past to the… to the back”; and “The Holocaust was an obscene period in our nation’s history. I mean in this century’s history. But we all lived in this century. I didn’t live in this century.” Quayle’s verbal contortions would have killed a lesser man, but he remained unbowed. “I stand by all the misstatements that I’ve made,” he declared.
”
”
Andy Borowitz (Profiles in Ignorance: How America's Politicians Got Dumb and Dumber)
“
He leans over Cathoair, his felted woolen cloak falling forward to enfold them both. Bending down, he breathes across the other’s face, hand still heavy on the place where Cathoair’s neck runs into his shoulder. Cathoair trembles, but raises his face to the wolf’s, eyes coldly defiant and full of savage light.
The wolf sees also the way Cathoair’s lips half-part at the taste of Mingan’s breath, and the fury that follows weakness.
”
”
Elizabeth Bear (By the Mountain Bound (The Edda of Burdens, #2))
“
An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.'
All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.
”
”
Jay Stevens
“
In half-distance, a boxer can use long and short blows without having to step forward. Long and short blows are dealt with, the boxer adjusts the distance from the opponent by bending more or less hands, moving the torso, moving resistance from foot to foot, as well as performing deviations and using small steps to follow or move away from the opponent
”
”
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
“
what?” “She wants to start teaching me how to take care of you,” he says. He shrugs. “I guess they feel you need to leave here sooner rather than later.” “Okay,” I say. A week ago, that would’ve really scared me. But now that I know I’m going home with my husband, it doesn’t bother me nearly as much. Clark seizes the handle of my chair and pushes me out of the gym, and down the hallway to my room. I am getting slightly better at pushing the chair myself, but it’s a slow process, and half the time I bump into a wall. I don’t want Clark to see me hitting the wall. So I just let him push me. Valerie is waiting in my room. When I come in, the first thing she does is look down at her watch and roll her eyes. “Well,” she says, “the only thing we have time for is to do a transfer, considering you’re forty-five minutes late to our session.” I feel my cheeks get hot. “I am?” “Not you,” Valerie says. She’s looking at Clark. “I’m really sorry about that,” he says. “Something really important came up.” Valerie just shakes her head. The first thing Valerie demonstrates is how to transfer me out of the wheelchair into my bed. I can’t really help with that, so it’s lucky she’s very strong. The first thing she does is remove the right armrest of my chair and both leg rests. Then she stands in front of me, with my knees between her knees, bracing me. She bends forward, and I grab onto her shoulder with my right hand, and she puts my left hand on her shoulder.
”
”
Freida McFadden (Brain Damage)
“
**Important** This exercise is done on only one side. You must first decide which side of the body has the tightest iliacus and is rotated forward. Use the “QUIZ” to determine your tightest side. You only do this exercise on the tightest side. Do not switch to the other side to balance yourself. We are actually creating balance by only doing this exercise on the side that is out of balance. If you don’t know what side is tightest, then skip this exercise. On the Back Realign the pelvis on your back Lie down on your back and bring both knees up towards your chest so both feet are off the ground. Place your hand behind the knee of the side that is tightest (determined with the “QUIZ”). Squeeze your hand with your calf by bending your knee. At the same time, push against your hand, without moving, as if you’re pushing your foot down towards the ground. Your hand will be resisting the pressure of your leg pressing against you. You don’t need to press your hardest; a mild to moderate amount of pressure is just fine. The other leg is just up off the ground and not doing anything. It’s important to keep it up off the ground so that it doesn’t accidentally push into the ground or cheat in some way. There is no motion with this exercise, just pushing. Push against your hand so that your foot is trying to touch the ground but not moving. Hold the push for two seconds, or one deep breath, and then relax. Repeat this push ten times. After those ten repetitions, your pelvis should be in better alignment. In Standing
”
”
Christine Koth (Tight Hip, Twisted Core: The Key To Unresolved Pain)
“
Nadir walks forward and bends on his knee, his head bowing.
“What are you doing?”
He looks up with a smirk. “Kneeling for the queen.”
“Stop that,” I say.
He grins and tips his head. “You look glorious up there.
”
”
Nisha J. Tuli (Rule of the Aurora King (Artefacts of Ouranos, #2))
“
There was a book idea. Paranormal romance writer moves to a new town only to discover the world she’s been writing about has become reality. She snorted. Maybe that should be her next series. She stepped forward into a half bend.
”
”
Kristen Painter (The Shifter Romances The Writer (Nocturne Falls, #6))
“
In an area free of debris, stand with one foot crossed in front of the other. Without holding on to anything (unless you feel very unsteady), bend your knees and lower yourself to the floor until you’re sitting in a cross-legged position. Now, from the same cross-legged position, lean forward with your hands outstretched in front of you for balance, and rise off the floor—if possible, without placing your hands or knees on the floor or using anything else for support.
”
”
Kelly Starrett (Built to Move: The Ten Essential Habits to Help You Move Freely and Live Fully)
“
Inge glanced one last time at her family before a bend in the road obscured them from view. The twins had resumed play-fighting in the yard. Sassa and Lisbet stood alongside Nea, who wore a wickedly triumphant grin on her face. Inge missed them already. She turned her gaze forward
”
”
Kate Stradling (The Legendary Inge)
“
When you examine the effect of causing you to bend forward, think of the martial implications of striking an opponent and getting that effect. Their stance will be disrupted and their ability to attack will be greatly hindered. They will fold at the waist and their hips will move backward. This will present their head to you for follow-up strikes. This minor adjustment in understanding how to attack the centerline of the body, and the “Human Battery,” will increase your effectiveness as a martial artist. Another curious observation concerning the Governing and Conception Vessels is that according to the point numbering system used in Traditional Chinese Medicine, both vessels appear to flow towards the head. The point numbers start with the low numbers in the pelvic region and become larger as the vessels ascends to the head. After intense study of the Extraordinary Vessel subsystem, it appears that the numbering system for these two vessels are for reference purposes only and are not indicative of the direction of flow of energy.
”
”
Rand Cardwell (36 Deadly Bubishi Points: The Science and Technique of Pressure Point Fighting - Defend Yourself Against Pressure Point Attacks!)
“
THE STRAIGHT RIGHT JOLT IS THROWN FROM THE SAME POSITION AS THE STRAIGHT LEFT. Stand in your normal punching position. Your relaxed right hand is half-opened, and the upper knuckle of the thumb is about four inches in front of your lips.
Without any preliminary movement of the right hand, shoot it at the chin-high spot on the bag as you do the falling step. Neither pull back nor cock the right before throwing it.
As you step in to explode the second knuckle of your upright fist against the bag, your chin should be partially protected by your left shoulder, left arm and left hand. Remember that your left hand opens to make a "knife blade," with the palm turned slightly toward your opponent. While the right fist is being thrown, the left hand and arm should stiffen for an instant in order to present a rigid barrier before the face in case an opponent attempts to strike with a countering right. The index knuckle of your opened left hand should remain about ten inches in front of your left eye as you step in. But the instant your right fist lands, your left hand should relax into its normal half-opened condition so that it will be ready to punch immediately, if necessary (Figure 13B). Straight punches for the body, with either hand, are begun and executed in the same manner as head punches. (Any change in position before the start would be a telltale.) When in motion, however, your fist turns so that the palm is down when the second knuckle explodes against the bag. Also, as you begin the body punch, you bend forward to slide under guarding arms and to make your own chin a less open target. As you practice those punches, keep your eyes wide open. Don't close your eyes as you step in. Focus your eyes on your target, YOU MUST KEEP YOUR EYES WIDE OPEN AT ALL TIMES WHEN YOU ARE FIGHTING OR BOXING.
”
”
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))