Forty Five Birthday Quotes

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I invited a few people to help celebrate your birthday," Cameron said sheepishly. She threw up her hands. "Surprise." "We sort of come with the package," Collin explained. "Think of it as a collective gift from all of us to you: five bona fide annoying and overly intrusive new best friends." "It's the gift that keeps on giving," Wilkins said. Jack grinned. "I'm touched. Really. And since it appears I'm going to be moving in, let me be the first to say that all of you are always welcome at my and Cameron's house. Subject to a minimum of forty-eight hours prior notification.
Julie James (Something About You (FBI/US Attorney, #1))
People do whatever the hell they want to do at any age they fancy. Last month you were thirty-five. That means you're five years from forty. Do you think that the day you reach forty you will be any different than you were at thirty-nine or forty-one for that matter? People create little ideas about ages so they can write silly self-help books, stick stupid comments in birthday cards, create names for internet chat rooms and look for excuses for crisis that are happening in their life.
Cecelia Ahern (Love, Rosie)
The second simultaneous thing Reacher was doing was playing around with a little mental arithmetic. He was multiplying big numbers in his head. He was thirty-seven years and eight months old, just about to the day. Thirty-seven multiplied by three hundred and sixty-five was thirteen thousand five hundred and five. Plus twelve days for twelve leap years was thirteen thousand five hundred and seventeen. Eight months counting from his birthday in October forward to this date in June was two hundred and forty-three days. Total of thirteen thousand seven hundred and sixty days since he was born. Thirteen thousand seven hundred and sixty days, thirteen thousand seven hundred and sixty nights. He was trying to place this particular night somewhere on that endless scale. In terms of how bad it was. Truth was, it wasn’t the best night he had ever passed, but it was a long way from being the worst. A very long way.
Lee Child (Die Trying (Jack Reacher, #2))
The years passed unnoticed and unremembered, and one autumn morning I found myself suddenly forty-five years old. It was a time for weighing youthful hopes against mature accomplishment, for it was quite certain that I had by then done all I was ever going to do. Sitting alone at my desk that evening of my forty-fifth birthday I asked that least original of introspective questions: Where had it all gone? And the somewhat less banal question: What, after all, had it been? My
Trevanian (The Summer of Katya)
forty-five and eight fifteen. I know from the quality of the light, from the sounds of the street outside my window, from the sound of Cathy vacuuming the hallway right outside my room. Cathy gets up early to clean the house every Saturday, no matter what. It could be her birthday, it could be the morning of the Rapture—Cathy will get up early on Saturday to clean. She says it’s cathartic, it sets her up for a good weekend, and because she cleans the house aerobically, it means she doesn’t have to go to the gym. It doesn’t really bother me, this
Paula Hawkins (The Girl on the Train)
He'd kept his figure despite being past his first youth. Pretty good for nearly forty. Who was she fooling? She knew quite well that he was thirty-five and a half, exactly five years older than she. Their birthdays were two days apart. It was absurd the way trivial facts lingered in the memory, facts as unimportant as what she had for dinner on Tuesday. Except that she couldn't remember last week's menu and she was annoyingly aware of Max Quinton's preference for lamb over beef, for apple tart over syllabub. He preferred Shakespeare to the modern poets, the country to the town.
Miranda Neville (The Second Seduction of a Lady (The Wild Quartet, #0.5))
And Caravaggio when he had heard it in the last few years of the war never really liked it, never liked to listen to it. In his heart he had Hana’s version from many years before. Now he listened with a pleasure because she was singing again, but this was quickly altered by the way she sang. Not the passion of her at sixteen but echoing the tentative circle of light around her in the darkness. She was singing it as if it was something scarred, as if one couldn’t ever again bring all the hope of the song together. It had been altered by the five years leading to this night of her twenty-first birthday in the forty-fifth year of the twentieth century. Singing in the voice of a tired traveller, alone against everything. A new testament. There was no certainty to the song anymore, the singer could only be one voice against all the mountains of power. That was the only sureness. The one voice was the single unspoiled thing.
Michael Ondaatje (The English Patient)
Only with Clara did she allow herself the luxury of giving in to her overwhelming desire to serve and be loved; with her, however slyly, she was able to express the secret, most delicate yearnings of her soul. The long years of solitude and unhappiness had distilled her emotions and purified her feelings down to a few terrible, magnificent passions, which possessed her totally. She had no gift for small perturbations, mean-spirited resentments, concealed envies, works of charity, faded endearments, ordinary friendly politeness, or day-to-day acts of kindness. She was one of those people who are born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengeance, and for the most sublime forms of heroism, but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother’s sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman—made for maternity, abundance, action, and ardor—was consuming herself She was about forty-five years old then, and her splendid breeding and distant Moorish ancestors kept her looking fit and polished, with black, silky hair and a single white lock on her forehead, a strong and slender body and the resolute step of the healthy. Still, the emptiness of her life made her look far older than she was. I have a photograph of Ferula taken around that time, on one of Blanca’s birthdays. It is an old sepiatoned picture, discolored with age, but you can still see how she looked. She was a regal matron, but with a bitter smile on her face that revealed her inner tragedy. Those years with Clara were probably the only happy period in her life, because only with Clara could she be herself Clara was the one in whom she confided her most subtle feelings, and to her she consecrated her enormous capacity for sacrifice and veneration.
Isabel Allende
How many troops do we embark?' inquired Philip. 'Two hundred and forty-five rank and file, and six officers. Poor fellows! There are but few of them will ever return; nay, more than one-half will not see another birthday. It is a dreadful climate. I have landed three hundred men at that horrid hole, and in six months, even before I had sailed, there were not one hundred left alive.' 'It is almost murder to send them there,' observed Philip. 'Pshaw! They must die somewhere, and if they die a little sooner, what matter? Life is a commodity to be bought and sold like any other. We send out so much manufactured goods and so much money to barter for Indian commodities. We also send out so much life, and it gives a good return to the Company.' 'But not to the poor soldiers, I am afraid.' 'No; the Company buy it cheap and sell it dear,' replied the captain, who walked forward. True, thought Philip, they do purchase human life cheap, and make a rare profit of it, for without these poor fellows how could they hold their possessions in spite of native and foreign enemies? For what a paltry and cheap annuity do these men sell their lives? For what a miserable pittance do they dare all the horrors of a most deadly climate, without a chance, a hope of return to their native land, where they might happily repair their exhausted energies, and take a new lease of life!
Frederick Marryat (The Phantom Ship)
Life expectancy rose only modestly between the Neolithic era of 8500 to 3500 BC and the Victorian era of 1850 to 1900.13 An American born in the late nineteenth century had an average life expectancy of around forty-five years, with a large share never making it past their first birthdays.14 Then something remarkable happened. In countries on the frontier of economic development, human health began to improve rapidly, education levels shot up, and standards of living began to grow and grow. Within a century, life expectancies had increased by two-thirds, average years of schooling had gone from single to double digits, and the productivity of workers and the pay they took home had doubled and doubled and then doubled again. With the United States leading the way, the rich world crossed a Great Divide—a divide separating centuries of slow growth, poor health, and anemic technical progress from one of hitherto undreamed-of material comfort and seemingly limitless economic potential. For the first time, rich countries experienced economic development that was both broad and deep, reaching all major segments of society and producing not just greater material comfort but also fundamental transformations in the health and life horizons of those it touched. As the French economist Thomas Piketty points out in his magisterial study of inequality, “It was not until the twentieth century that economic growth became a tangible, unmistakable reality for everyone.”15 The mixed economy was at the heart of this success—in the United States no less than in other Western nations. Capitalism played an essential role. But capitalism was not the new entrant on the economic stage. Effective governance was. Public health measures made cities engines of innovation rather than incubators of illness.16 The meteoric expansion of public education increased not only individual opportunity but also the economic potential of entire societies. Investments in science, higher education, and defense spearheaded breakthroughs in medicine, transportation, infrastructure, and technology. Overarching rules and institutions tamed and transformed unstable financial markets and turned boom-bust cycles into more manageable ups and downs. Protections against excessive insecurity and abject destitution encouraged the forward-looking investments and social integration that sustained growth required. At every level of society, the gains in health, education, income, and capacity were breathtaking. The mixed economy was a spectacularly positive-sum bargain: It redistributed power and resources, but as its impacts broadened and diffused, virtually everyone was made massively better off.
Jacob S. Hacker (American Amnesia: How the War on Government Led Us to Forget What Made America Prosper)
Today is my birthday. I have existed for twenty-eight years. That is 336 months, or 10,220 days. That is one year longer than Kurt Cobain and Janis Joplin lived, and five years older than my mom was when she had me. If I lived on Mercury, I’d be 116. I’d have orbited the sun that many times. On Venus, I’d be forty-five. I’d be fourteen on Mars. On Saturn, Uranus, Neptune and Pluto, I wouldn’t even be one yet.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
There was a tragic irony to the date. It was Kathy Loreno’s birthday. Missing for a decade, the woman who’d told the Knotek girls not to help her, out of fear that something would happen to them, would have turned forty-five that day.
Gregg Olsen (If You Tell: A True Story of Murder, Family Secrets, and the Unbreakable Bond of Sisterhood)
Of all his years, 1986 was truly a landmark. His mandolin, truly a part of himself, had been saved. A half century earlier, in 1936, he had made his first recordings with the Monroe Brothers; forty years earlier had seen his historic first recordings with Flatt and Scruggs; thirty-five years ago he had begun recording for Decca; twenty years before he had started his summer bluegrass festival at Bean Blossom (and exactly ten years later he had added the autumn festival). And 1986 would see his seventy-fifth birthday. In
Richard D. Smith (Can't You Hear Me Calling: The Life Of Bill Monroe, Father Of Bluegrass)
Olya “Lynx” Federov sat in the cockpit of her fighter. The Lightning-class attack craft that formed the mainstay of the Confederation’s fighter corps were sleek and powerful. The pilots of the fleet almost universally loved the design, save for one factor. The cockpits were too small, too cramped. But Federov didn’t care. She was slight in build, barely forty-five kilograms, and not much taller than a meter and a half. Her body was lithe, flexible. She’d wanted to be a dancer when she was younger, until she’d seen a squadron of fighters putting on a show on the vid. Flight had captured her imagination that day, and her life became a relentless pursuit of a slot at the Academy, one which saw success three days after her nineteenth birthday, when she received her billet in the following year’s class
Jay Allan (Duel in the Dark (Blood on the Stars, #1))