Formal Invitation Quotes

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Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
You told me this wasn't a formal date when you invited me to come. Why should I care if you have a girlfriend?" "Absolutely," he said, giving me a fake-serious look. "Yeah, you and I are just friends . . . out for a friendly walk. Nothing more, nothing less." "Exactly!" I agreed, my heart giving a painful twist. He broke into a large grin and, leaning over, kissed me on the cheek. "Kate," he whispered, "you are way too gullible.
Amy Plum (Die for Me (Revenants, #1))
Men—I would like to take this opportunity to extend your formal invitation. Gender equality is your issue too.
Emma Watson
We all received invitations, made by hand from construction paper, with balloons containing our names in Magic Marker. Our amazement at being formally invited to a house we had only visited in our bathroom fantasies was so great that we had to compare one another's invitations before we believed it. It was thrilling to know that the Lisbon girls knew our names, that their delicate vocal cords had pronounced their syllables, and that they meant something in their lives. They had had to labor over proper spellings and to check our addresses in the phone book or by the metal numbers nailed to the trees.
Jeffrey Eugenides (The Virgin Suicides)
A distinguishing quality of the women I love, meaning, none of us are bothered by how infrequently we see one another. We have an arrangement that was never formally arranged. A consideration for turning down invitations. We are happy for the person who is indulging in her space, and how she might merely be spending the weekend unescorted by anything except her work, which could also mean: she is in no rush to complete much. She is tinkering. She is gathering all the materials necessary for repotting a plant but not doing it. She is turning off the lights and climbing into her head because that’s usually the move.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Fear would come in time, no doubt, but that did not mean she had to issue it a formal invitation.
C.S. Friedman (Wings of Wrath (The Magister Trilogy, #2))
A formal invitation had just been delivered. Someone was summoning Langdon to unlock a mystical portal that would unveil a world of ancient mysteries and hidden knowledge.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
I am very, very sorry to leave you hanging like that, but as I was writing the tale of the Baudelaire orphans, I happened to look at the clock and realized I was running late for a formal dinner party given by a friend of mine, Madame diLustro. Madame diLustro is a good friend, an excellent detective, and a fine cook, but she flies into a rage if you arrive even five minutes later than her invitation states, so you understand that I had to dash off. You must have thought, at the end of the previous chapter, that Sunny was dead and that this was the terrible thing that happened to the Baudelaires at Uncle Monty's house, but I promise you Sunny survives this particular episode. It is Uncle Monty, unfortunately, who will be dead, but not yet.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
It’s so tedious,” Montgomery sighed, “to have to wait for invitations and, I find, they often don’t come when you most want them to. Much easier to simply disregard formal invitations altogether.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
But opposites attract, as they say, and that's certainly true when it comes to Emma Marchetta and me. She's the beauty and I'm the brains. She loves all forms of reality television, would donate a kidney if it meant she could pash Andrew G, is constantly being invited out to parties and other schools' semi formals, and likes any movie featuring Lindsay Lohan. I, on the other hand, have shoulder-length blonde hair, too many freckles and - thanks to years of swimming the fifty-metre butterfly event - swimmer's shoulders and no boobs. In other words, I look like an ironing board with a blonde wig. - Cat
Rebecca Sparrow (Joel and Cat Set the Story Straight)
he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit. I, indeed, talked comparatively
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
What does one wear to an ambush?” he asked. “Is it a formal affair? I ask only because I can’t seem to decline to invitation.
Robyn Bennis (The Guns Above (Signal Airship, #1))
Then we offer our guest “pot luck,” which means that the mistress of the house will take bread out of her children’s mouths to give to the visitor, who is obliged to accept it. If you receive a formal invitation, you can expect a gargantuan feast: the goal is to leave the guests moaning with indigestion for several days. Of course, women always do the hard work.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
Yep, definitely promising.      Chapter Seventeen   The next night started with a formal meeting of all the Houses.  Of course Macallister wasn’t invited, and I couldn’t ask him along as part of my entourage as it was
Lisa Olsen (Follow Me When the Sun Goes Down (Forged Bloodlines, #5))
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
In the first case it emerges that the evidence that might refute a theory can often be unearthed only with the help of an incompatible alternative: the advice (which goes back to Newton and which is still popular today) to use alternatives only when refutations have already discredited the orthodox theory puts the cart before the horse. Also, some of the most important formal properties of a theory are found by contrast, and not by analysis. A scientist who wishes to maximize the empirical content of the views he holds and who wants to understand them as clearly as he possibly can must therefore introduce other views; that is, he must adopt a pluralistic methodology. He must compare ideas with other ideas rather than with 'experience' and he must try to improve rather than discard the views that have failed in the competition. Proceeding in this way he will retain the theories of man and cosmos that are found in Genesis, or in the Pimander, he will elaborate them and use them to measure the success of evolution and other 'modern' views. He may then discover that the theory of evolution is not as good as is generally assumed and that it must be supplemented, or entirely replaced, by an improved version of Genesis. Knowledge so conceived is not a series of self-consistent theories that converges towards an ideal view; it is not a gradual approach to truth. It is rather an ever increasing ocean of mutually incompatible alternatives, each single theory, each fairy-tale, each myth that is part of the collection forcing the others in greater articulation and all of them contributing, via this process of competition, to the development of our consciousness. Nothing is ever settled, no view can ever be omitted from a comprehensive account. Plutarch or Diogenes Laertius, and not Dirac or von Neumann, are the models for presenting a knowledge of this kind in which the history of a science becomes an inseparable part of the science itself - it is essential for its further development as well as for giving content to the theories it contains at any particular moment. Experts and laymen, professionals and dilettani, truth-freaks and liars - they all are invited to participate in the contest and to make their contribution to the enrichment of our culture. The task of the scientist, however, is no longer 'to search for the truth', or 'to praise god', or 'to synthesize observations', or 'to improve predictions'. These are but side effects of an activity to which his attention is now mainly directed and which is 'to make the weaker case the stronger' as the sophists said, and thereby to sustain the motion of the whole.
Paul Karl Feyerabend (Against Method)
His gray eyes turned flinty. “I do not recognize your right to rule; I do not recognize you as the rightful Queen of Terrasen. Neither do the Lords Sloane, Ironwood, and Gunnar, who make up the remaining surviving majority of what was once your uncle’s court. Even if the Allsbrook family sides with you, that is still one vote against four. General Ashryver has no lands or title here—and no say as a result. As for Lady Lysandra, Caraverre is not a recognized territory, nor do we recognize her lineage or your purchase of those lands.” Formal words, for a formal declaration. “Should you return to Orynth and seize your throne without our invitation, it will be considered an act of war and treason.” Darrow pulled a piece of paper from his jacket—lots of fancy writing and four different signatures on the bottom. “As of this moment, until it is otherwise decided, you shall remain a princess by blood—but not queen.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
A Mother’s Advice Manners matter, regardless of your position in society. There is no excuse in this world to practice bad manners, especially at the table. I found that out in high school. I was invited to my boyfriend’s house for dinner. His parents were somewhat formal, and I knew the dinner would be “fancy,” at least in my mind. My family wasn’t upper class (or even middle class), and my mother never had what would be called “social graces.” Before I left, my mother gave me a piece of advice: hold your head high, be quiet, and take the lead from his mother. Even though I was scared to death, I did what my mother advised and got through the experience with flying colors. To this day, my mother’s advice has gotten me through many difficult situations, especially ones that are totally new to me! With my mother’s simple advice, I know I could dine with the Queen of England, just by following her lead. Thanks, Mother! -Deborah Ford
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Three reasons, my dear sister. One, I know nothing about lady's evening wear. Two, you read the invitation yourself. It specifically said this was to be a casual get together.’ Her brother tried valiantly to suppress a smirk. ‘If you do not know the difference between a formal ball and a casual evening with friends, our father obviously wasted his money on that expensive finishing school, to which he sent you. And three, you would not have listened to me anyway, because you never do. So, there would have been no point in saying anything.
Sydney Salier (You asked for it...: A Pride & Prejudice Variation with a Twist)
More than four years had passed since Jacob last stepped into a government school. His formal education had come to an abrupt end when der Führer had risen to power as Reich Chancellor in 1933. It was then that Jacob’s father, the renowned Dr. Reuben Weisz, had been “relieved” of his duties at the university. Soon the family had lost their house, their savings, and most of the people they once thought were their friends. That’s when Avi had stepped in to help. He’d offered his elder brother the opportunity to manage the metalworking shop he owned in Siegen. And he had invited his brother’s family to live in the town house on Rubensstrasse at a reduced rent.
Joel C. Rosenberg (The Auschwitz Escape)
Finally, in late May or early June our breathlessly anticipated gilt-edged invitation to the July 29 wedding arrived. Soon after, we received a silver-edged card inviting us to a private formal ball at Buckingham Palace two nights before the wedding. We had been expecting the first invitation but were totally surprised by the second one. For both invitations, we had to reply to the Lord Chamberlain, Saint James’s Palace, London, SW1. For the wedding, dress was specified as: Uniform, Morning Dress or Lounge Suit. For the ball, dress was: Uniform or Evening Dress. Tiaras Optional. We had no idea what a “lounge suit” was, nor did I have a tiara handy—fortunately tiaras were optional. Help!
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad
Francesca Zappia (Eliza and Her Monsters)
Mrs. Woodfidley was inviting the guests to assemble for drinks, which were being handed out by Mr. Woodfidley and Garson from a long table in the bay window. The bottles and glasses had been visible from the first and their serried ranks must have drawn longing glances from more persons than herself - it would have been so much easier to sing and talk if even a single drink had been given one at the start of the party. But now she had guessed that the party was organized in set figures, like a formal country dance, and that the delay in serving drinks must be due to this plan. The figure in which drinks were consumed had just begun; it would succeeded by another after a fixed interval of time, and therefore she had better make sure of a drink before the music changed.
Elizabeth Fair (A Winter Away)
In March 1997, Jules and Dennis went to dinner at Ash and Ethan's house along with Duncan and Shyla, the portfolio manager and the literary advocate. The prick and the cunt, Jules had once called them. Jules and Dennis had never understood why Ash and Ethan liked this couple so much, but they'd all been thrown together so many times over the years, for casual evenings and more formal celebrations, that it was too late to ask. Duncan and Shyla must have felt equally puzzled at Ash and Ethan's fidelity to their old friends the social worker and the depressive. No one said a word against anyone; everyone went to the dinners to which they were invited. Both couples knew they satisfied a different part of Ash and Ethan, but when they all came together in one place, the group made no sense.
Meg Wolitzer (The Interestings)
I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
At the end of the oak-lined avenue, the girls came to a weather-stained loggia of stone. Its four handsomely carved pillars rose to support a balcony over which vines trailed. Steps led to the upper part. After mounting to the balcony, Nancy and her friends obtained a fine view of the nearby gardens. They had been laid out in formal sections, each one bounded by a stone wall or an un-trimmed hedge. Here and there were small circular pools, now heavy with lichens and moss, and fountains with leaf-filled basins. Over the treetops, about half a mile away, the girls could see two stone towers. “That’s the castle,” said George. Amid the wild growth, Nancy spotted a bridge. “Let’s go that way,” she suggested, starting down from the balcony. In a few minutes the trio had crossed the rickety wooden span. Before them lay a slippery moss-grown path. “The Haunted Walk,” Nancy read aloud the name on a rustic sign. “Why not try another approach?” Bess said with a shiver. “This garden looks spooky enough without deliberately inviting a meeting with ghosts!” “Oh, come on!” Nancy laughed, taking her friend firmly by the arm. “It’s only a name. Besides, the walk may lead to something interesting.
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
he was no mountaineer when he decided to climb the Hindu Kush. A few days scrambling on the rocks in Wales, enchantingly chronicled here, were his sole preparation. It was not mountaineering that attracted him; the Alps abound in opportunities for every exertion of that kind. It was the longing, romantic, reasonless, which lies deep in the hearts of most Englishmen, to shun the celebrated spectacles of the tourist and without any concern with science or politics or commerce, simply to set their feet where few civilized feet have trod. An American critic who read the manuscript of this book condemned it as ‘too English’. It is intensely English, despite the fact that most of its action takes place in wildly foreign places and that it is written in an idiomatic, uncalculated manner the very antithesis of ‘Mandarin’ stylishness. It rejoices the heart of fellow Englishmen, and should at least illuminate those who have any curiosity about the odd character of our Kingdom. It exemplifies the essential traditional (some, not I, will say deplorable) amateurism of the English. For more than two hundred years now Englishmen have been wandering about the world for their amusement, suspect everywhere as government agents, to the great embarrassment of our officials. The Scotch endured great hardships in the cause of commerce; the French in the cause of either power or evangelism. The English only have half (and wholly) killed themselves in order to get away from England. Mr Newby is the latest, but, I pray, not the last, of a whimsical tradition. And in his writing he has all the marks of his not entirely absurd antecedents. The understatement, the self-ridicule, the delight in the foreignness of foreigners, the complete denial of any attempt to enlist the sympathies of his readers in the hardships he has capriciously invited; finally in his formal self-effacement in the presence of the specialist (with the essential reserve of unexpressed self-respect) which concludes, almost too abruptly, this beguiling narrative – in all these qualities Mr Newby has delighted the heart of a man whose travelling days are done and who sees, all too often, his countrymen represented abroad by other, new and (dammit) lower types. Dear reader, if you have any softness left for the idiosyncrasies of our rough island race, fall to and enjoy this characteristic artifact. EVELYN
Eric Newby (A Short Walk in the Hindu Kush)
the ten thousand things To study the self is to forget the self. To forget the self is to be enlightened by the ten thousand things. – Eihei Dogen If one is very fortunate indeed, one comes upon – or is found by – the teachings that match one’s disposition and the teachers or mentors whose expression strikes to the heart while teasing the knots from the mind. The Miriam Louisa character came with a tendency towards contrariness and scepticism, which is probably why she gravitated to teachers who displayed like qualities. It was always evident to me that the ‘blink’ required in order to meet life in its naked suchness was not something to be gained in time. Rather, it was clear that it was something to do with understanding what sabotages this direct engagement. So my teachers were those who deconstructed the spiritual search – and with it the seeker – inviting one to “see for oneself.” I realised early on that I wouldn’t find any help within traditional spiritual institutions since their version of awakening is usually a project in time. Anyway, I’m not a joiner by nature. I set out on my via negativa at an early age, trying on all kinds of philosophies and practices with enthusiasm and casting them aside –neti neti – equally enthusiastically. Chögyam Trungpa wised me up to “spiritual materialism” in the 70s; Alan Watts followed on, pointing out that whatever is being experienced is none other than ‘IT’ – the unarguable aliveness that one IS. By then I was perfectly primed for the questions put by Jiddu Krishnamurti – “Is there a thinker separate from thought?” “Is there an observer separate from the observed?” “Can consciousness be separated from its content?” It was while teaching at Brockwood Park that I also had the good fortune to engage with David Bohm in formal dialogues as well as private conversations. (About which I have written elsewhere.) Krishnamurti and Bohm were seminal teachers for me; I also loved the unique style of deconstruction offered by Nisargadatta Maharaj. As it happened though, it took just one tiny paragraph from Wei Wu Wei to land in my brain at exactly the right time for the irreversible ‘blink’ to occur. I mention this rather august lineage because it explains why the writing of Robert Saltzman strikes not just a chord but an entire symphonic movement for me. We are peers; we were probably reading the same books by Watts and Krishnamurti at the same time during the 70s and 80s. Reading his book, The Ten Thousand Things, is, for me, like feeling my way across a tapestry exquisitely woven from the threads of my own life. I’m not sure that I can adequately express my wonderment and appreciation… The candor, lucidity and lack of jargon in Robert’s writing are deeply refreshing. I also relish his way with words. He knows how to write. He also knows how to take astonishingly fine photographs, and these are featured throughout the book. It’s been said that this book will become a classic, which is a pretty good achievement for someone who isn’t claiming to be a teacher and has nothing to gain by its sale. (The book sells for the production price.) He is not peddling enlightenment. He is simply sharing how it feels to be free from all the spiritual fantasies that obscure our seamless engagement with this miraculous thing called life, right now.
Miriam Louis
Ghalib had arrived at Delhi College in his palanquin having being invited to apply for the new post. But after reaching the college gate, he refused to enter until Mr Thomason, the secretary, came and welcomed him, as he insisted his aristocratic status dictated. After a long stand-off, Mr Thomason came out personally and explained that a formal welcome was appropriate when he attended the Governor’s durbar, but not in the present case, when he came as a candidate for employment. Ghalib replied, ‘I contemplated taking a government appointment in the expectation that this would bring me greater honour than I now receive, not a reduction in those already accorded to me.’ The secretary replied, ‘I am bound by regulations.’ ‘Then I hope you will excuse me,’ Ghalib said, and came away.
William Dalrymple (The Last Mughal: The Fall of Delhi, 1857)
ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.
Emilie Barnes (365 Things Every Woman Should Know)
We place this huge burden on answers to function as finish lines, when they more naturally perform as milestones. We fool ourselves if we believe that answers are the proper response to questions, when the formal acknowledgment of a question is to embrace its invitation to enter into the journey of learning.
Tristan Sherwin (Love: Expressed)
CIRCUIT BREAKER MEDITATION First, settle into your body and your breath, as described in the Basic Mindfulness Meditation in Chapter 3. Invite yourself to move slowly through the meditation exercise, taking your time with each step. Bring your awareness to your jaw and your mouth. Allow your tongue to relax inside your mouth and let your jaw open slightly. Feel your breath passing easily through your relaxed throat. When you feel ready, gently place your hand on your heart, in the center of your chest. Place your other hand on your lower belly, below your navel. Imagine your hands getting warmer, the tiny capillaries and arteries relaxing just a bit to allow warmth to flow into them. Breathe gently and deeply, imagining the breath going into your heart and your belly. With each breath, invite yourself to also breathe into your heart and your belly any sense of goodness, safety, trust, acceptance, or ease that you’re able to bring to mind. Once that’s steady, call to mind a moment of being with someone who loves you unconditionally, someone you feel completely safe with. This may not always be a partner or a parent or a child. Those relationships can be so complex and the feelings can be mixed. It may be, for example, a good friend or a trusted teacher. It may be your therapist, your grandmother, a third-grade teacher, or a beloved pet. Pets are great. As you remember feeling safe and loved with this person or pet, see if you can feel the feelings and sensations that come up with that memory in your body. Allow yourself to really savor these feelings of warmth, safety, trust, and love in your body. When that feeling is steady, gently release the image for now and simply bathe in the feeling for 30 seconds or so. As always, when you’re done with your formal practice, gently and gradually bring yourself back into the room and into the stream of
Marsha Lucas (Rewire Your Brain For Love: Creating Vibrant Relationships Using the Science of Mindfulness)
I suggest you leave.” Finn walked over to an easy chair and flopped into it. “You weren’t invited either, pal, so unless it’s a formal interview I’m staying. If it is formal then Thom isn’t saying another word until his lawyer arrives.
Toni Anderson (Dangerous Waters (Barkley Sound, #1))
For executives, simulator-style training is occasionally available in crisis leadership courses, where trainees are invited to take their turn at the helm in a crisis response exercise. But absent a crisis, most executive teams operate without any special training to help them interpret the myriad signals available or recognize important conditions quickly and pick the best response to different scenarios. In the absence of such training, many executive teams muddle through, having learned most of what they know through their own experience on the way up through the managerial ranks rather than through formal training. As one chief noted, the closest equivalent to executive-level simulator training is when one department has the opportunity to learn from the misery of another. A collegial network of police executives, ready to share both their successes and failures, is a valuable asset to the profession (see box 2-1).
Malcolm K. Sparrow (Handcuffed: What Holds Policing Back, and the Keys to Reform)
Despite Nee’s good intentions, there was no opportunity for any real converse with Elenet after that concert. Like Nee, Elenet had unexpectedly risen in rank and thus in social worth. If she’d been confined to the wall cushions before, she was in the center of social events now. But the next morning Nee summoned me early, saying she had arranged a special treat. I dressed quickly and went to her rooms to find Elenet there, kneeling gracefully at the table. “We three shall have breakfast,” Nee said triumphantly. “Everyone else can wait.” I sank down at my place, not cross-legged but formal kneeling, just as Elenet did. When the greetings were over, Nee said, “It’s good to have you back, Elenet. Will you be able to stay for a while?” “It’s possible.” Elenet had a low, soft, mild-toned voice. “I shall know for certain very soon.” Nee glanced at me, and I said hastily, “If you are able to stay, I hope you will honor us with your presence at the masquerade ball I am hosting to celebrate Nee’s adoption.” “Thank you.” Elenet gave me a lovely smile. “If I am able, I would be honored to attend.” “Then stay for the wedding,” Nee said, waving a bit of bread in the air. “It’s only scarce days beyond--midsummer eve. In fact, if Vidanric will just make up his mind on a day--and I don’t know why he’s lagging--you’ll have to be here for the coronation, anyway. Easier to stay than to travel back and forth.” Elenet lifted her hands, laughing softly. “Easy, easy, Nee. I have responsibilities at home that constrain me to make no promises. I shall see what I can contrive, though.” “Good.” Nee poured out more chocolate for us all. “So, what think you of Court after your two years’ hiatus? How do we all look?” “Older,” Elenet answered. “Some--many--have aged for the better. Tastes have changed, for which I am grateful. Galdran never would have invited those singers we had last night, for example.” “Not unless someone convinced him that they were all the rage at the Empress’s Court and only provincials would not have them to tour.
Sherwood Smith (Court Duel (Crown & Court, #2))
The New Yorker (The New Yorker) - Clip This Article on Location 1510 | Added on Wednesday, June 10, 2015 5:42:23 PM FICTION THE DUNIAZáT BY SALMAN RUSHDIE   In the year 1195, the great philosopher Ibn Rushd, once the qadi , or judge, of Seville and most recently the personal physician to the Caliph Abu Yusuf Yaqub in his home town of Córdoba, was formally discredited and disgraced on account of his liberal ideas, which were unacceptable to the increasingly powerful Berber fanatics who were spreading like a pestilence across Arab Spain, and was sent to live in internal exile in the small village of Lucena, a village full of Jews who could no longer say they were Jews because they had been forced to convert to Islam. Ibn Rushd, a philosopher who was no longer permitted to expound his philosophy, all of whose writing had been banned and burned, felt instantly at home among the Jews who could not say they were Jews. He had been a favorite of the Caliph of the present ruling dynasty, the Almohads, but favorites go out of fashion, and Abu Yusuf Yaqub had allowed the fanatics to push the great commentator on Aristotle out of town. The philosopher who could not speak his philosophy lived on a narrow unpaved street in a humble house with small windows and was terribly oppressed by the absence of light. He set up a medical practice in Lucena, and his status as the ex-physician of the Caliph himself brought him patients; in addition, he used what assets he had to enter modestly into the horse trade, and also financed the making of tinajas , the large earthenware vessels, in which the Jews who were no longer Jews stored and sold olive oil and wine. One day soon after the beginning of his exile, a girl of perhaps sixteen summers appeared outside his door, smiling gently, not knocking or intruding on his thoughts in any way, and simply stood there waiting patiently until he became aware of her presence and invited her in. She told him that she was newly orphaned, that she had no source of income, but preferred not to work in the whorehouse, and that her name was Dunia, which did not sound like a Jewish name because she was not allowed to speak her Jewish name, and, because she was illiterate, she could not write it down. She told him that a traveller had suggested the name and said it was Greek and meant “the world,” and she had liked that idea. Ibn Rushd, the translator of Aristotle, did not quibble with her, knowing that it meant “the world” in enough tongues to make pedantry unnecessary. “Why have you named yourself after the world?” he asked her, and she replied, looking him in the eye as she spoke, “Because a world will flow from me and those who flow from me will spread across the world.” Being a man of reason, Ibn Rushd did not guess that the girl was a supernatural creature, a jinnia, of the tribe of female jinn: a grand princess of that tribe, on an earthly adventure, pursuing her fascination with human men in general and brilliant ones in particular.
Anonymous
Pompeo said to me alone, “I have no value added on this. This is complete chaos,” which was true for both of us. But the next thing I knew, Trump had signed the “formal” letter of invitation that the North Koreans had asked for. Pompeo had succumbed yet again.
John R. Bolton (The Room Where It Happened: A White House Memoir)
Cesar’s Rules FOR MASTERING THE WALK Leave and enter your house in front of your dog. Position in the pack is important. Don’t let your dog leave the house in an overexcited condition—make sure she is calm-submissive and in waiting mode before you open the door. Make sure you are the one to invite her outside and to trigger the activity. Walk with your dog behind you or next to you, not in front of you (though there is a time and a place for that), and definitely not pulling you or creating any tension on the leash. Make your walk a minimum of thirty minutes for older, lower-energy, or smaller dogs and forty-five minutes for larger or higher-energy dogs. Walk like a pack leader—head up, shoulders back. Your posture is part of the body language that your dog reads when assessing your energy. Keep your arm relaxed and the leash loose, as if you were holding a briefcase or pocketbook. Alternate between the formal, structured walk and short breaks for your dog to pee, sniff, and explore, which may even include short bursts of walking ahead of you. The key is for you to be the one to start and stop the behavior.
Cesar Millan (Cesar's Rules: Your Way to Train a Well-Behaved Dog)
Sir Cliff Richard With more than 150 singles, albums, and EPs to reach the top twenty in the United Kingdom, British pop star Sir Cliff Richard is one of the most successful musicians in the UK’s recent history. Knighted by Queen Elizabeth II in 1995, Sir Cliff Richard was the first rock star ever to receive the national honor. I can’t say I got to know Diana well, but I did meet her on a number of social, as well as formal, occasions, and she was always so charming and so gracious. At a dinner at the home of a mutual friend, she was the first to volunteer to don the rubber gloves and tackle the washing up. I was in New York at the U.S. Open tennis tournament in September in 1997, not thinking for a moment that I’d be invited to her funeral. When I received a call from my secretary to say an invitation had arrived, I booked the next Concorde flight home for another, this time incredibly tragic, royal command.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
I’ve never seen any place so inviting.” “You can’t find anything like this in Boston.” An airy laugh huffed from her lips. “Nay, you cannot.” She moved forward then jerked to a stop. “But is it at all proper for us to be here without a chaperone?” Nathaniel kept the smile away from his expression, though it ached for exposure. She couldn’t be more charming. “Chaperone? I believe such a formality would only be necessary if we were courting.” He leaned forward, finally allowing that grin to expand on his lips. “Are we?” Her cheeks flashed red and she looked away.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Never, actually.” Max paused with one pant leg on. “Never? You mean sex? Never? Like ever?” I shook my head. “What the fuck are you waiting for? A formal invitation to get cock up your ass?” “Classy.” I slowly sat up on my own. “I’ve been busy.” “Too busy to fuck.” “Yes, actually.
James Cox (All That Shatters (Sons of Outlaws, #5))
The stump speech is the pre-planned, baked spiel that people have given a thousand times. We all stump speeches and many of the more formal and important gatherings that we attend, it is the stump speeches that come out to play. If the term stump speech evokes out the strongest, most durable purpose of the tree, the part that is firmly in the ground, the sprout is by contrast the newest and weakest part of the tree. It is the part still forming. What I learned... is people's sprouts ... are most interesting, and perhaps most prone to making a group feel closely connected enough to attempt big things together. So much in our culture tells us to present our stump speeches anytime we're in the vicinity of opportunity, especially at something like a conference. But I keep stumbling on interesting experiments doing just the opposite - inviting people with impressive stump speeches to leave them at home and bring their sprout speeches instead.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
Having said thus much in preparation, I will now confess my own utopia. I devoutly believe in the reign of peace and in the gradual advent of some sort of socialistic equilibrium. The fatalistic view of the war function is to me nonsense, for I know that war-making is due to definite motives and subject to prudential checks and reasonable criticisms, just like any other form of enterprise. And when whole nations are the armies, and the science of destruction vies in intellectual refinement with the science of production, I see that war becomes absurd and impossible from its own monstrosity. Extravagant ambitions will have to be replaced by reasonable claims, and nations must make common cause against them. I see no reason why all this should not apply to yellow as well as to white countries, and I look forward to a future when acts of war shall be formally outlawed as between civilized peoples. All these beliefs of mine put me firmly into the anti-military party. But I do not believe that peace either ought to be or will be permanent on this globe, unless the states, pacifically organized, preserve some of the old elements of army-discipline. A permanently successful peace-economy cannot be a simple pleasure-economy. In the more or less socialistic future toward which mankind seems drifting we must still subject ourselves collectively to those severities which answer to our real position upon this only partly hospitable globe. We must make new energies and hardihoods continue the manliness to which the military mind so faithfully clings. Martial virtues must be the enduring cement; intrepidity, contempt of softness, surrender of private interest, obedience to command, must still remain the rock upon which states are built -- unless, indeed, we which for dangerous reactions against commonwealths, fit only for contempt, and liable to invite attack whenever a centre of crystallization for military-minded enterprise gets formed anywhere in their neighborhood. The war-party is assuredly right in affirming and reaffirming that the martial virtues, although originally gain by the race through war, are absolute and permanent human goods. Patriotic pride and ambition in their military form are, after all, only specifications of a more general competitive passion. They are its first form, but that is no reason for supposing them to be its last form.
William James (The Moral Equivalent of War)
The courteous poet meets his ideal reader on conditions of equality. He approaches language as a medium of communication, which must be brought to a height of precision and eloquence in order to move and delight that reader. Concretely, this means that the courteous poet will try to make clear the subject or argument of the poem, its basic grammar and concepts. Reference and allusion will be used to deepen understanding, on the assumption that reader and writer share a common literary tradition. Formally, such a poet will naturally gravitate toward meter and rhyme, which knit the poem to the traditions of English verse and provide a pattern to guide the reader’s expectations. All this emphatically does not mean that the experience the courteous poet offers will be inoffensively pleasant. It means simply that the poet’s knowledge—even of extremity, perplexity, and tragedy—will be made available to the reader, so that it can be genuinely shared. For the discourteous poet, by contrast, novelty and complexity are the fundamental values, both because they provide aesthetic pleasure and because they differentiate the poet from his predecessors. The reader does not need to be invited or seduced into the poem; his presence is either assumed or ignored. As a result, no effort is made to avoid confusion about the subject or argument of the poem; on the contrary, it is welcomed. The finished poem will not disclose the event or emotion that brought it into being, finding it more valuable to demonstrate the incommunicability of experience. Reference and allusion tend to be idiosyncratic and alienating, and form is conceived intellectually and theoretically rather than discursively or musically.
Adam Kirsch (The Modern Element: Essays on Contemporary Poetry)
Her suede jacket was unbuttoned to reveal a pair of grimy breasts, but her hair was elaborately wound into a mass of rollers, as if she were preparing parts of her body for some formal gala to which the rest of herself had not been invited.
J.G. Ballard (High-Rise)
The Messenger will be clearing the horizon, and Bianca sends a signal to Her, inviting dialogue. She includes a certain amount of the formalities that Temple once used, not because she believes there is any need for them, but because God is better disposed towards those who feign the right humility.
Adrian Tchaikovsky (Children of Time (Children of Time #1))
You might be tempted to conclude: “Well, how about we live together, instead of getting married? We will try each other out. It is the sensible thing to do.” But what exactly does it mean, when you invite someone to live with you, instead of committing yourself to each other? And let us be appropriately harsh and realistic about our appraisal, instead of pretending we are taking a used car for a test jaunt. Here is what it means: “You will do, for now, and I presume you feel the same way about me. Otherwise we would just get married. But in the name of a common sense that neither of us possesses, we are going to reserve the right to swap each other out for a better option at any point.” And if you do not think that is what living together means—as a fully articulated ethical statement—see if you can formulate something more plausible. You might think, “Look, Doc, that is pretty cynical.” So why not we consider the stats, instead of the opinion of arguably but not truly old-fashioned me? The breakup rate among people who are not married but are living together—so, married in everything but the formal sense—is substantially higher than the divorce rate among married couples. And even if you do get married and make an honest person, so to speak, of the individual with whom you cohabited, you are still much more rather than less likely to get divorced than you would be had you never lived together initially. So the idea of trying each other out? Sounds enticing, but does not work.
Jordan B. Peterson (Beyond Order: 12 More Rules For Life)
Ciao, papa,” she said in as deadpan a voice as she could manage. “You look very well this evening. Quite dashing.” He couldn’t help himself; he glanced down and preened for just a moment before he remembered that this was his daughter speaking. She hadn’t said anything that wasn’t sarcastic since she turned thirteen. He felt a touch of nostalgia for the twelve-year-old Silvia, who had prepared her bedroom walls with photos of clean-cut pop stars and cute puppies, who had begged to go to work with him just so they could be together, who had blushed if a neighbor chided her for being too loud . . . But that Silvia was gone. In her place was this, this alien who said everything with a sneer and eyed him disdainfully and made him feel like the oldest, most ridiculous man on earth. “More to the point, I am dressed appropriately,” he said. He realized that he was gritting his teeth. He remembered what his dentist had said about cracked molars, and made a conscious effort to relax his jaw. “You, on the other hand—” He glanced at the tattoo and closed his eyes in pain. “The invitation said formal,” she said, innocently. Her face darkened as she remembered that she had a grievance of her own. “I wanted to buy a new dress for this party, but you said it would cost too much! You said that the babies needed new high chairs! You said that our family now had different financial priorities! And this is the only formal dress I have, remember?” “Yes, and I also remember that there used to be a bit more of it!” her father hissed. Silvia glanced down complacently. “I know,” she said. “I altered it myself. It’s an original design.” “Original.” Her father glared at her. “You’ll be lucky not to be charged with indecent exposure. And if you are”—he gave her a warning look—“don’t expect any favors just because you’re the mayor’s daughter!” Silvia ignored this comment with the disdain it deserved. First, she never told anyone she was the mayor’s daughter. Second, her father was not, by any stretch of the imagination, an authority on fashion. She curled her lip at his tuxedo (which was vintage, but not in a good way), his high-heeled shoes (which kept making him lose his balance), and that scarlet sash (which made him look like an extra in a second-rate opera company). “Fine,” she said loftily. “If the police arrest me, I will plead guilty to having a unique and inventive fashion sense.” He remembered what his wife had said about keeping his temper and forced himself to smile.
Suzanne Harper (The Juliet Club)
Two weeks later, Sharon formally announced his plan to vacate a total of twenty-five communities—twenty-one Israeli communities in the Gaza Strip and four in Northern Samaria.1 Two weeks after that, he invited me to a meeting to try to mollify me. “When Israel withdraws unilaterally,” I said, “we know what Israel gives, but what does Israel get?” Specifically I raised the troubling likelihood that Hamas would take over the areas we vacated and use them to attack Israel.
Benjamin Netanyahu (Bibi: My Story)
The sooner the event is defused or debriefed, the faster the reactions will ease or disappear. Denial prolongs the pain and can keep the event freshly in mind far longer than necessary. Once a situation has been identified as a critical incident, there are several options for managing the group’s response. During a critical incident, watch for acute stress symptoms. Someone allowed to continue functioning when suffering acute stress can cause additional, if inadvertent, rescue burdens to arise. Soon after the event, within a few hours, a defusing is likely to help the group. Everyone is brought together and the event is discussed informally. This is not a critique of how the event was handled. A defusing is a time for examining how people are responding to the situation emotionally, physically, and cognitively. It is an acknowledgment that something unusual happened and that unusual responses may be occurring because of it. Defusing these intense reactions allows healing to begin. As a WFR, you may be called upon to manage a defusing. It is generally best to form the group into a circle with no one hanging back “in the shadows.” Establish guidelines for the defusing. Encourage everyone to speak, but do not allow anyone to cast blame or dwell on things he or she thinks were done wrong. Let no one interrupt while another is speaking. Ask each person to relate (1) his or her role during the incident, (2) how he or she felt and now feels, and (3) what he or she thought and now thinks. A formal critical-incident stress debriefing requires the assistance of a trained group. Many critical incident stress management (CISM) or critical incident stress debriefing (CISD) teams exist. You may wish to check for local availability even before leaving the trailhead. A formal debriefing is conducted by a group composed of both peer counselors (in this case, the ideal would be wilderness oriented peers) and mental health workers who have been specially trained in CISM. Only those who were involved are invited. The process usually takes 2 to 4 hours. The relief of a properly debriefed group is palpable. The ability for an untrained, or well intentioned but naïve, group to cause permanent damage to participants is also very real. Call in only an established, trained CISD group.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Miss Marks.” She turned to the familiar masculine voice. Leo was there, breathtaking in the formal evening scheme of black and white, his blue eyes sparkling wickedly. “Would you do me the honor?” he asked, gesturing to the whirl of waltzing couples. He was asking her to dance. As he had once promised. Catherine blanched as she became aware of the multitude of gazes on them. It was one thing for the host of the evening to confer briefly with his sister’s companion. It was something else entirely for him to dance with her. He knew it, and he didn’t give a damn. “Go away,” she said in a sharp whisper, her heart beating wildly. A faint smile touched his lips. “I can’t. Everyone’s watching. Are you going to give me a public setdown?” She could not embarrass him that way. It was a violation of etiquette to refuse a man’s invitation to dance if it could have been construed that she didn’t wish to dance with him personally. And yet to be the focus of attention … to set tongues wagging … it was contrary to every instinct for self-preservation. “Oh, why are you doing this?” she whispered again, desperate and furious … and yet somewhere in the midst of her inner tumult, there was a tingle of delight. “Because I want to,” he said, his smile widening. “And so do you.” He was unforgivably arrogant. He also happened to be right.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
General Kelly, the homeland security secretary and retired four-star Marine general, was furious when he learned that the White House was working on a compromise on immigration for “Dreamers”—a central issue in the immigration debate. Dreamers are immigrant children brought to the United States by their parents who as adults had entered illegally. Under the 2012 legislation called DACA—Deferred Action for Childhood Arrivals—President Obama had given 800,000 Dreamers protection from deportation and made work permits available to them, hoping to bring them out of the shadow economy and give them an American identity. Kelly, a hard-liner on immigration, was supposed to be in charge of these matters now. But Jared Kushner had been working a backchannel compromise. He had been inviting Senator Dick Durbin, the Illinois Democrat who was number two in his party’s leadership, and Lindsey Graham to his office to discuss a compromise. Graham later asked Kelly, “Didn’t Jared tell you we’ve been working on this for months? We’ve got a fix.” Kelly called Bannon. “If the son-in-law is going to run it, then have the son-in-law run it. I don’t need to run it. I need to come see the president. I’m not doing this anymore. I’m not going to be up there and be blindsided and humiliated on something that I’ve got to be in the loop on.” Bannon believed the administration owned the hard-line immigration posture—except for Trump himself. “He’s always been soft on DACA. He believes the left-wing thing. They’re all valedictorians. They’re all Rhodes Scholars. Because Ivanka over the years has told him that.” Kelly voiced his distress to Priebus, who along with Bannon feared Kelly might quit. “Get Kelly some time on the calendar,” Bannon proposed. “Let him come see the boss and light Jared up. Because this is Jared’s shit, doing stuff behind people’s back.” Priebus didn’t do it. “Get it on the fucking calendar,” Bannon insisted. Priebus continued to stall. It would expose disorganization in the White House. “What are you talking about?” Bannon asked. This was laughable! Of course Priebus didn’t have control of Jared. And people were always going behind someone’s back. So Bannon and Priebus both told Kelly, We’ll take care of it. To go to the president would cause unnecessary consternation. We’ll make sure it won’t happen again and you’re going to be in the loop. Kelly, team player for the moment, didn’t push it further. When he later mentioned it obliquely in the president’s presence, Trump didn’t respond. Lindsey Graham wandered into Bannon’s West Wing office. “Hey, here’s the deal. You want your wall?” Trump would get wall funding in exchange for the Dreamers. “Stop,” Bannon said. A deal on the Dreamers was amnesty. “We will never give amnesty for one person. I don’t care if you build 10 fucking walls. The wall ain’t good enough. It’s got to be chain migration.” Chain migration, formally called the family reunification policy, allowed a single legal immigrant to bring close family members into the United States—parents, children, a spouse and, in some cases, siblings. These family members would have a path to legal permanent residency or citizenship. They might be followed by a “chain” of their own spouses, children, parents or siblings. Two thirds (68 percent) of legal permanent residents entered under family reunification or chain migration in 2016. This was at the heart of Trump’s and Bannon’s anti-immigration stance: They wanted to stop illegal immigration and limit legal immigration. Bannon wanted a new, stricter policy. Graham and he were not able to come close to agreement.
Bob Woodward (Fear: Trump in the White House)
She doesn’t want to be touched right now. She’s always been formal, always held herself in a way that politely invites men not to fuck with her, but the gate is extra high right now.
Skye Warren (Audition (North Security, #4))
all this hardly means that barter does not exist—or even that it’s never practiced by the sort of people that Smith would refer to as “savages.” It just means that it’s almost never employed, as Smith imagined, between fellow villagers. Ordinarily, it takes place between strangers, even enemies. Let us begin with the Nambikwara of Brazil. They would seem to fit all the criteria: they are a simple society without much in the way of division of labor, organized into small bands that traditionally numbered at best a hundred people each. Occasionally if one band spots the cooking fires of another in their vicinity, they will send emissaries to negotiate a meeting for purposes of trade. If the offer is accepted, they will first hide their women and children in the forest, then invite the men of the other band to visit camp. Each band has a chief; once everyone has been assembled, each chief gives a formal speech praising the other party and belittling his own; everyone puts aside their weapons to sing and dance together—though the dance is one that mimics military confrontation. Then, individuals from each side approach each other to trade: If an individual wants an object he extols it by saying how fine it is. If a man values an object and wants much in exchange for it, instead of saying that it is very valuable he says that it is no good, thus showing his desire to keep it. “This axe is no good, it is very old, it is very dull,” he will say, referring to his axe which the other wants. This argument is carried on in an angry tone of voice until a settlement is reached. When agreement has been reached each snatches the object out of the other’s hand. If a man has bartered a necklace, instead of taking it off and handing it over, the other person must take it off with a show of force.
David Graeber (Debt: The First 5,000 Years)