Forks Up Quotes

We've searched our database for all the quotes and captions related to Forks Up. Here they are! All 100 of them:

His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
We don't know for certain that she's a warlock, Jessie," said Will. Jessamine ignored him. "Is it dreadful, being so evil? Are you worried you'll go to hell?" She leaned closer to Tessa. "What do you think the Devil's like?" Tessa set her fork down. "Would you like to meet him? I could summon him up in a trice if you like. Being a warlock, and all.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
He glared accusingly at her while he made short work of his clothes. "You didn't wake me up." She rolled her eyes as she speared a piece of sausage with her fork. "I did wake you up. Three times in fact. Each time you threw something at me and went back to sleep." Jason gaped at her. "And you gave up? You know our routine, woman. You have to keep at it until I'm forced to get off the bed to find something to throw at you.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
Once, over dinner, Henry was quite startled to learn from me than men had walked on the moon. “No,” he said, putting down his fork. “It’s true,” chorused the rest, who had somehow managed to pick this up along the way. “I don’t believe it.” “I saw it,” said Bunny. “It was on television.” “How did they get there? When did this happen?"
Donna Tartt (The Secret History)
Rhett: If you've made up your mind to impale someone, do it with conviction.
Rowena Cherry (Knight's Fork (God Princes of Tigron, #3))
Whoa, whoa! Hold up, there, kid. She lives in Forks, remember? So she gets rained on.
Stephenie Meyer
You actually fucked her? What, did her forked tongue feel exceptionally good on your dick or something?" —Keely to Jack after meeting his ex-girlfriend.
Lorelei James (All Jacked Up (Rough Riders #8))
I scowled and stabbed begrudginly at the stack before scooping up a bite with my fork, but it toppled over and plopped into my lap. I groaned and banged my head on the counter. Mom frowned, 'You have to be smarter than the pancakes, Ellie.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
The Cullens aren't gonna show up and invite you to come live with them in Forks!
Robin Benway (The Extraordinary Secrets of April, May, & June)
Now," Clary said. "I don't want to wait. Do you?" He didn't reply, just got up off the floor and picked his shirt. He looked at Clary, and almost smiled. "If we're going to the Silent City, you might want to get dressed. I mean, I appreciate the bra-and-panties look, but I don't know if the Silent Brothers will. There are only a few of them left, and I don't want them to die of excitement." Clary got up off the bed and threw a pillow at him, mostly out of relief. She reached for her clothes and began to pull her shirt on. Just before it went over her head, she caught sight of the knife lying on the bedspread, gleaming like a fork of silvery flame.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
THE SILENT PEOPLE Some people are so rude, Living their lives with no concern for others, Or possibly just intent on pissing other people off- Annoying everyone around them. The silent people- Want to kill them- And drive forks into their skulls- Create weapons of extreme torture- And scream from the top of their lungs- "SHUT UP." But words are not spoken- And attention is not given. Though annoyance is apparent, The annoying keep on living.
Giorge Leedy (Uninhibited From Lust To Love)
Travis tapped my apple with his fork. “You gonna eat that, Pidge?” “No, you can have it, Baby.” Heat consumed my ears when America’s head jerked to look at me. “It just came out,” I said, shaking my head. I peeked up at Travis, whose expression was a mixture of amusement and adoration.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
We were just talking about you," Jessamine said as Tessa found a seat. She pushed a sliver toast rack across the table towards Tessa. "Toast?" Tessa, picking up her fork, looked around the table anxiously. "What about me?" "What to do with you, of course Downworlders can't live in the Institute forever," said Will. "I say we sell her to the Gypsies on Hampstead Heath," He added, turning to Charlotte. "I hear they purchase spare women as well as horses." "Will, stop it." Charlotte glanced up from her breakfast. "That's ridiculous." Will leaned back in his chair. "You're right. They'd never buy her. Too scrawny.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Seed biscuits and milk! I hated Mrs. Mullet's seed biscuits the way Saint Paul hated sin. Perhaps even more so. I wanted to clamber up onto the table, and with a sausage on the end of a fork as my scepter, shout in my best Laurence Olivier voice, 'Will no one rid us of this turbulent pastry cook?
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
Don’t tell thin women to eat a cheeseburger. Don’t tell fat women to put down the fork. Don’t tell underweight men to bulk up. Don’t tell women with facial hair to wax, don’t tell uncircumcised men they’re gross, don’t tell muscular women to go easy on the dead-lift, don’t tell dark-skinned women to bleach their vagina, don’t tell black women to relax their hair, don’t tell flat-chested women to get breast implants, don’t tell “apple-shaped” women what’s “flattering,” don’t tell mothers to hide their stretch marks, and don’t tell people whose toes you don’t approve of not to wear flip-flops. And so on, etc, etc, in every iteration until the mountains crumble to the sea. Basically, just go ahead and CEASE telling other human beings what they “should” and “shouldn't” do with their bodies unless a) you are their doctor, or b) SOMEBODY GODDAMN ASKED YOU.
Lindy West
Don't wait for a better world. Start now to create a world of harmony and peace. It is up to you, and it always has been. You may even find the solution at the end of your fork.
Sharon Gannon (Yoga and Vegetarianism: The Diet of Enlightenment)
This had expectations written all over it. Expectations that I was going to fuck up royally because I wasn’t the kind of gal who wore designer nightwear and knew what all the forks were for. I was the kind of gal who thought the nightgown drawer was where old T-shirts went to die and who had only started using forks in the last century.
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
We'll earn it all back today," I say, and we both plow into our plates. Even cold, it's one of the things I've ever tasted. I abandon my fork and scrape up the last dabs of gravy with my fingers. "I can feel Effie trinket shuddering at my manners." "Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate his plate clean with his tongue making loud, satisfied sounds. Then he blows a kiss to her in general, and calls, "We miss you, Effie!" I cover his hand with my mouth. But I am laughing. "Stop! Cato could be right outside our cave." He grabs my hand away."What do I care. I've got you to protect me now," says Peeta, pulling me to him. "Come on," I say in exasperation, extricating myself from his grasp but not before he gets another kiss.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
This isn't television! This isn't a movie! Giles and Buffy aren't gonna appear and show us how to deal with our wonderful new powers! Some fricking owl isn't gonna come sailing in through your window from Hogwarts! There's no Dumbledore! The Cullens aren't gonna show up and invite you to live with them in Forks! There's nothing! This isn't make believe! This is it! It's us and only us.
Robin Benway
There is a huge body of evidence to support the notion that me and the police were put on this earth to do extremely different things and never to mingle professionally with each other, except at official functions, when we all wear ties and drink heavily and whoop it up like the natural, good-humored wild boys that we know in our hearts that we are..These occasions are rare, but they happen — despite the forked tongue of fate that has put us forever on different paths...
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
Finish that sentence and I will stab you in the eye with the spork Bethany’s about to pull out of her bag for her apple sauce.” He smiled gamely. “And she’d be very upset if I got her spork all messed up. She’s rather fond of the thing.” ... "A spork,” Dee said, grabbing her bag. “What is a spork?” Bethany’s mouth dropped open. “You’ve never seen one?” “Dee doesn’t get out much,” Dawson replied, grinning. “Shut up.” Dee pulled out the fork and spoon in one and smiled. “I’ve never seen one of these! Ha. This is so handy.” She looked over at Daemon, eyes dancing. “We could get rid of over half of our silverware and get like ten of these and we’d be set for life.
Jennifer L. Armentrout (Shadows (Lux, #0.5))
Delirium: You use that word so much. Responsibilities. Do you ever think about what that means? I mean, what does it mean to you? In your head? Dream: Well, I use it to refer that area of existence over which I exert a certain amount of control or influence. In my case, the realm and action of dreaming. Delirium: Hump. It's more than that. The things we do make echoes. S'pose, f'rinstance, you stop on a street corner and admire a brilliant fork of lightning--ZAP! Well for ages after people and things will stop on that very same corner, stare up at the sky. They wouldn't even know what they were looking for. Some of them might see a ghost bolt of lightning in the street. Some of them might even be killed by it. Our existence deforms the universe. THAT'S responsibility.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
Tessa set her fork down. "Would you like to meet him? I could summon him up in a trice if you like. Being a warlock and all.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I wasn't afraid of you!' Ryan protested. 'I was half intimidated, half infatuated, and I didn't know how to act because of it.' Sin made a face at Ryan and picked up his chips again. 'How could you be infatuated with me when you didn't even know me?' Ryan scoffed and pointed his cheese-covered fork at Sin. 'You're gorgeous and tragic—gay boys like that kind of thing.
Santino Hassell (The Interludes (In the Company of Shadows, #3))
Cakes have gotten a bad rap. People equate virtue with turning down dessert. There is always one person at the table who holds up her hand when I serve the cake. No, really, I couldn’t she says, and then gives her flat stomach a conspiratorial little pat. Everyone who is pressing a fork into that first tender layer looks at the person who declined the plate, and they all think, That person is better than I am. That person has discipline. But that isn’t a person with discipline; that is a person who has completely lost touch with joy. A slice of cake never made anybody fat. You don’t eat the whole cake. You don’t eat a cake every day of your life. You take the cake when it is offered because the cake is delicious. You have a slice of cake and what it reminds you of is someplace that’s safe, uncomplicated, without stress. A cake is a party, a birthday, a wedding. A cake is what’s served on the happiest days of your life. This is a story of how my life was saved by cake, so, of course, if sides are to be taken, I will always take the side of cake.
Jeanne Ray
I'd feed you the cake just to watch your lips wrap around the fork. Then I'd watch your beautiful throat muscles work swallowing the sticky sweetness, fantasizin' about smearin' chocolate frosting down your neck so I could lick it off. Slowly. And when I finished feedin' you, I'd press my mouth to yours for a thorough taste of you and the cake.
Lorelei James (Tied Up, Tied Down (Rough Riders, #4))
Poor Persephone." He stared down his nose at the god. "That must be hard on her if that’s what gets you off." I wrinkled my nose. "If her name drips from your forked tongue one more time, I will rip it out," Hades promised, voice deadly low. Was his tongue really forked? His lips curled up on one side. "What? You don’t like me talking about your wife?" He looked over at the three of us. "Is abduction as a means of marriage still all the rage these days?" Seth arched a brow. "Uh… no,” I said, shaking my head. "It’s really frowned upon.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
A thousand years ago the Chinese had an entirely codified kitchen while the French were still gnawing on bones. Chopsticks have been around since the fourth century B.C. Forks didn't show up in England until 1611, and even then they weren't meant for eating but just to hold the meat still while you hacked at it with your knife.
Ruth Reichl (Garlic and Sapphires: The Secret Life of a Critic in Disguise)
Livie, I think you’re completely fucked up.” Chunks of cheesecake fly out of my mouth and splatter against the deck’s glass panel as I choke on my fork. My sister has a twisted sense of humor.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
You better stop with the blah-fucking-zay shit now, or I'll shove this fork so far up your arse, you'll be chewing metal. What question are you considering?
Jodi Ellen Malpas (This Man (This Man, #1))
We wanted more. We knocked the butt ends of our forks against the table, tapped our spoons against our empty bowls; we were hungry. We wanted more volume, more riots. We turned up the knob on the TV until our ears ached with the shouts of angry men. We wanted more music on the radio; we wanted beats; we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more.
Justin Torres (We the Animals)
So what you’re saying is Nate isn’t sex on a stick?” Emma asked. Casey chuckled. “Nate is barely sex on a low fat wheat-thin. But I sowed a few wild oats back in my day, so I’m totally satisfied with what I have.” She bent over to grab up her abandoned container and silverware. Waving her fork at Emma, she said, “You, on the other hand, have a bag of oats needing satisfying.” Emma rolled her eyes. “Let’s leave my oats out of this please.
Katie Ashley (The Proposition (The Proposition, #1))
I started to respond, but Bambi slithered up and placed its horse-sized head on my shoulder. Every muscle in my body locked up and I squeezed my eyes shut. There was a puff of air, stirring the hair along my temple. Bambi’s forked tongue shot out, tickling the side of my neck. “Hey, look, Bambi likes you.” I pried one eye open. “And if she didn’t?” “Oh, you’d know, ’cause she would’ve eaten you by now.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
She forks up a little nibble and wedges it in her mouth. "Yum," she croaks. Mrs. Wong looks pleased. "It's made with tofu." I can't resist. "Free-range tofu?" My mother looks over at me sharply. Mrs. Wong takes the bait. "Now, Cassidy, tofu isn't an animal," she chides. "It's soy bean curd. Soy bean curd doesn't need to roam free." On the floor below me, Emma lets out a little snort. I nudge her again with my foot. We're both grinning at the thought of a corral somewhere with little cubes of tofu wandering around. "Home, home on the range," I sing to her under my breath. "Where the deer and the tofu roam free...
Heather Vogel Frederick
We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—” A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively. “Congratulations,” he said. “I kind of feel like I missed an opportunity.” “W-what?” Alec stammered. Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.” “What?” Alec said again. Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.” “No,” Magnus said. “I am a very jealous warlock.” “We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.” “Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Nick jabbed him in the arm with his fork. "What's up with you? Usually you don't shut up about my crap cooking." "Maybe I don't want to hurt your feelings." Chris snorted, finally looking up from the plate. "That'll be the day.
Brigid Kemmerer (Spark (Elemental, #2))
I kept thinking about that drawing in the war council, and our part in all of this. We cheat the bowl. We keep filling it back up, and the monsters keep stabbing their giant forks in, and because of us, there's always more for them to eat. We never lose but we never win, either. We just keep on dying. Is that what we do?
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
I see now that there is a great deal in what Aunt Almeria says. She considers that there are terrible pitfalls in Society." Sir Richard shook his head sadly. "Alas, too true!" "And vice," said Pen awfully. "Profligacy, and extravagance, you know." "I know." She picked up her knife and fork again. "It must be very exciting," she said enviously.
Georgette Heyer (The Corinthian)
Meghan pushed her chocolate cheesecake across the table to me. I hadn’t gotten paid yet for November, so I had only ordered coffee. “Here,” she said. “Don’t you want it?” “Sure I want it. I ordered it. But I’m giving it to you.” “Why?” Meghan stood up and got me a fork. “Remember what Nora said about love? In your movie?” “Love is when you have a really amazing piece of cake, and it’s the very last piece, but you let him have it,” I said. “So it’s really amazing cake,” said Meghan. “And I want you to have it.
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
I'm becoming more a vessel of memories than a person it's a myth / that love lives in the heart it lives in the throat we push it out / when we speak when we gasp we take a little for ourselves / in books love can be war-ending a soldier drops his sword / to lie forking oysters into his enemy's mouth in life we hold love up to the light / to marvel at its impotence
Kaveh Akbar (Calling a Wolf a Wolf)
Like the children in fairy stories who have seen their parents make pacts with terrifying strangers, who have discovered that our fears are based on nothing but the truth, but who come back fresh from marvellous escapes and take up their knives and forks, with humility and good manners, prepared to live happily ever after -- like them, dazed and powerful with secrets, I never said a word
Alice Munro (Selected Stories)
And the sad truth is, I want to be all those people. I’d sooner die forked a thousand times in that house than wake up to a world without monsters or goddesses. I’d rather play the monster myself.
Edgar Cantero (The Supernatural Enhancements)
Well I don't care how other people live" I said. "If they want to let their men sleep around, that's their business. But I'll be damned if I'll put up with it. Not good enough for me, and no way I want Noah growing up thinking that's how you treat a woman. Ruger can take his offer, stick it on a fork, and shove it up his ass. Now I need to find a job and somewhere to live, because I'm sure as hell not living with him any longer.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
I sit at the little table, eating creamed corn with a fork. I have a fork and a spoon, but never a knife. When there's meat they cut it up for me ahead of time, as if I'm lacking manual skills or teeth. I have both, however. That's why I'm not allowed a knife.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Forgive me, Old One." Vaughn stifled a yawn. "Is there a point to this bedtime story?" Rhys picked up the fork from Vaughn's plate and drove it into his brother's thigh. "There. I've made four points for him.
Hailey Edwards (A Hint of Frost (Araneae Nation, #1))
A kind of joyous hysteria moved into the room, everything flying before the wind, vehicles outside getting dented to hell, the crowd sweaty and the smells of aftershave, manure, clothes dried on the line, your money’s worth of perfume, smoke, booze; the music subdued by the shout and babble through the bass hammer could be felt through the soles of the feet, shooting up the channels of legs to the body fork, center of everything. It is the kind of Saturday night that torches your life for a few hours, makes it seem like something is happening.
Annie Proulx (Close Range: Wyoming Stories)
MOTHER – By Ted Kooser Mid April already, and the wild plums bloom at the roadside, a lacy white against the exuberant, jubilant green of new grass and the dusty, fading black of burned-out ditches. No leaves, not yet, only the delicate, star-petaled blossoms, sweet with their timeless perfume. You have been gone a month today and have missed three rains and one nightlong watch for tornadoes. I sat in the cellar from six to eight while fat spring clouds went somersaulting, rumbling east. Then it poured, a storm that walked on legs of lightning, dragging its shaggy belly over the fields. The meadowlarks are back, and the finches are turning from green to gold. Those same two geese have come to the pond again this year, honking in over the trees and splashing down. They never nest, but stay a week or two then leave. The peonies are up, the red sprouts, burning in circles like birthday candles, for this is the month of my birth, as you know, the best month to be born in, thanks to you, everything ready to burst with living. There will be no more new flannel nightshirts sewn on your old black Singer, no birthday card addressed in a shaky but businesslike hand. You asked me if I would be sad when it happened and I am sad. But the iris I moved from your house now hold in the dusty dry fists of their roots green knives and forks as if waiting for dinner, as if spring were a feast. I thank you for that. Were it not for the way you taught me to look at the world, to see the life at play in everything, I would have to be lonely forever.
Ted Kooser (Delights and Shadows)
I may remember you, Scarlet,” he bellowed, backing up when she grabbed her fork and held it out like a dagger. She’d murdered men with less. Even immortals. “But you haven’t haunted me.” Motions stiff, he raised his shirt. Amid the cuts, above his heart, was a tattoo of eyes. Dark eyes. Like hers. “Don’t you see? You…haven’t…haunted…me.
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
. . . New York doesn't leave a lot of time for pondering forks in the road. People who have paused to gather their wits often find themselves suddenly waking up in a cookie-cutter beige apartment in Hoboken. I will not ever leave New York. I don't know how long it takes to become a true New Yorker, but I assume that if I die here ... that would qualify me.
Josh Kilmer-Purcell (I Am Not Myself These Days)
If I didn't wake up, I'd still be sleeping.
Yogi Berra (When You Come to a Fork in the Road, Take It!: Inspiration and Wisdom from One of Baseball's Greatest Heroes)
The fork was invented sometime in the fifteenth century, I believe.” “Really?” she asked. “Were you there?” His features blank, he looked up and asked, “What, for the invention of the fork or the fifteenth century?
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
Kyle is my best friend. Why would I risk screwing that up?" "Mackenzie Catherine Dobson, have you learned nothing from romantic comedies? Do I need to make a trip to the video store?" Tess set her fork down and sighed. "'We're just friends' is the oldest plot device in the book. All it really means is that you're just friends until one of you get the balls to do something about all the unresolved tension.
Kathleen Peacock (Hemlock (Hemlock, #1))
Because [my grandparents] grew up in the Depression, they would steal EVERYTHING. Every time we went to McDonald's, they would empty the napkin dispenser and put them in a giant box that my grandfather kept in his van. If we were out at dinner and you heard my Bubby say, "Oh, this is a nice plate," you knew the next time you ate at their place, you'd be eating off that plate, because she straight jacked that shit. Knives, forks, you name it, they swiped it.
Seth Rogen (Yearbook)
Hey, my spaghetti’s moving!” cried Mr. Twit, poking around in it with his fork. “It’s a new kind,” Mrs. Twit said, taking a mouthful from her own plate which of course had no worms. “It’s called Squiggly Spaghetti. It’s delicious. Eat it up while it’s nice and hot.
Roald Dahl (The Twits)
Chip the glasses and crack the plates!     Blunt the knives and bend the forks! That’s what Bilbo Baggins hates–     Smash the bottles and burn the corks! Cut the cloth and tread on the fat!     Pour the milk on the pantry floor! Leave the bones on the bedroom mat!     Splash the wine on every door! Dump the crocks in a boiling bowl;     Pound them up with a thumping pole; And when you’ve finished, if any are whole,     Send them down the hall to roll! That’s what Bilbo Baggins hates! So, carefully! carefully with the plates!
J.R.R. Tolkien (The Hobbit)
It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complex picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross)
Use your fork.” “No.” “Gavin, I swear to god, if you—don’t do it. Don’t pick the mashed potatoes up again with your hand.” He stared at me as he did it anyway. Making sure I was watching, he shoved the food into his mouth again.
T.J. Klune (Brothersong (Green Creek, #4))
It's time for bed. And here's what I'm going to do. I'm going to get in bed, and I don't have anyone to sleep with now, so what I do is I sleep with my books. And I know that's kind of weird and solitary and pathetic. But if you think about it, it's very cozy. Over a period of four, five, six, seven, nine, twenty nights of sleeping, you've taken all these books to bed with you, and you fall asleep, and the books are there. *** Some of the books are thick, and some are thin, some of the books are in hardcover and some in paperback. Sometimes they get rolled up with the pillows and the blankets. And I never make the bed. So it's like a stew of books. The bed is the liquid medium. It's a Campbell's Chunky Soup of books. The bed you eat with a fork.
Nicholson Baker
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
Tyrion looked pointedly at his right hand. “Why, I have steel in my hand, Ser Allister, although it appears to be a crab fork. Shall we duel?” He hopped up on his chair and began poking at Thorne’s chest with the tiny fork. Roars of laughter filled the tower room. Bits of crab flew from the Lord Commander’s mouth as he began to gasp and choke. Even his raven joined in, cawing loudly from above the window. “Duel! Duel! Duel!
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Not only are there meaningless questions, but many of the problems with which the human intellect has tortured itself turn out to be only 'pseudo problems,' because they can be formulated only in terms of questions which are meaningless. Many of the traditional problems of philosophy, of religion, or of ethics, are of this character. Consider, for example, the problem of the freedom of the will. You maintain that you are free to take either the right- or the left-hand fork in the road. I defy you to set up a single objective criterion by which you can prove after you have made the turn that you might have made the other. The problem has no meaning in the sphere of objective activity; it only relates to my personal subjective feelings while making the decision.
Percy Williams Bridgman (The Nature of Physical Theory)
(1) When a situation has become too frustrating, a quandary too persistently insolvable; when dealing with the issue is generating chronic discontent, infringing on freedom, and inhibiting growth, it may be time to quit beating one’s head against the wall, reach for a big fat stick of metaphoric dynamite, light the fuse, and blast the whole unhappy business nine miles past oblivion. (2) After making an extreme effort, after pulling out all the stops, one is still unable to score Tibetan peach pie, take it as a signal to relax, grin, pick up a fork, and go for a slice of the apple.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
It was hard to get lost in Missoula even if you wanted to. Wherever you were, all you had to do to get your bearings was look around and find the big letter M, embossed in white halfway up the steep shoulder of grass that reared on the south bank of the Clark Fork River. Though only a hill, it was called Mount Sentinel and if you had the legs and lungs and inclination to hike the trail that zigzagged up it, you could stand by the M and gaze out across the town at a travel-brochure shot of forest and mountain dusted from early fall with snow.
Nicholas Evans (The Divide)
Senator. If you call my friend a liar one more time, I will take it badly." "Excuse me?" Arnos said, his eyebrows rising up. "I suggest you find an alternate shortsighted, egomaniacally ridiculous reason to blatantly, recklessly ignore an obvious threat to the Realm simply because you don't wish it to exist. If you cannot restrain yourself from base slander, I will be pleased to meet you in juris macto and personally rip your forked tongue from your head.
Jim Butcher (Cursor's Fury (Codex Alera, #3))
Your sister," I say evenly, "is incredibly sick. I'm sorry if that interferes with your dentist's appointment or your plan to go buy a pair of cleats. But those don't rate quite as high in the grand scheme of things right now. I'd think that since you're ten, you might be able to grow up enough to realize that the whole world doesn't always revolve around you." Jesse looks out the window, where Kate straddles the arm of an oak tree, coaching Anna in how to climb up. "Yeah, right, she's sick," he says. "Why don't you grow up? Why don't you figure out that the world doesn't revolve around her?" ... There is a scuffle on the other side of the door, and then it swings open. Blood covers Jesse's mouth, a vampire's lipstick; bits of wire stick out like a seamstress's pins. I notice the fork he is holding, and realize this is what he used to pull off his braces. "Now you never have to take me anywhere," he says.
Jodi Picoult (My Sister’s Keeper)
Last time I was down South, I walked into this restaurant. This white waitress came up to me and said, 'We don't serve colored people here.' I said, 'That's all right, I don't eat colored people. Bring me a whole fried chicken.' About that time, these three cousins came in. You know the ones I mean, Ku, Klux and Klan. They said, 'Boy, we're givin' you fair warnin. Anything you do to that chicken, we're gonna do to you.' "So I put down my knife and fork, picked up that chicken, and kissed it.
Dick Gregory (Nigger)
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
Nicaise had picked up a gilt three-pronged fork, but had paused before sampling the dish in order to speak. The fear he'd shown of Damen at the ring seemed to still be there. His knuckles, clenched around the fork, were white. 'It's all right,' said Damen. He spoke to the boy as gently as he could. 'I'm not going to hurt you.' Nicaise stared back at him. His huge blue eyes were fringed like a whore's, or like a doe's. Around them, the table was a coloured wall of voices and laughter, courtiers caught up in their own amusements, paying them no attention. 'Good,' said Nicaise, and stabbed the fork viciously into Damen's thigh under the table. Even through a layer of cloth, it was enough to make Damen start, and instinctively grab the fork, as three drops of blood welled up. 'Excuse me a moment,' Laurent said smoothly, turning from Torveld to face Nicaise. 'I made your pet jump,' said Nicaise, smugly. Not sounding at all displeased: 'Yes, you did.' 'Whatever you're planning, it's not going to work.' 'I think it will, though. Bet you your earring.' 'If I win, you wear it,' said Nicaise. Laurent immediately lifted his cup and inclined it toward Nicaise in a little gesture sealing the bet. Damen tried to shake the bizarre impression that they were enjoying themselves. Nicaise waved an attendant over and asked for a new fork.
C.S. Pacat (Captive Prince (Captive Prince, #1))
Pulling her eyes away, she figured it was best to keep such questions to herself. “You could have just, you know, asked me out instead,” she offered, though she wasn’t sure why. John let out a soft chuckle. “Very true. I guess I just…I wanted to keep you safe.” “Safe? From what?” Evangeline suddenly felt heat rush her face. Was this man just paranoid or what? “Safe from this? Or from you?” He looked up, placing his fork down on the plate. His stare was expressionless and she suddenly regretted her brazen accusation. “Both.” His reply had been simple, direct, stern. “Those people who did this to me, they’ll do worse to you if they think that we’re involved…if they think that their message wasn’t clear enough.
Shawn Maravel (Know Thy Neighbor)
I flipped to the author’s photo in the Library of America edition of O’Connor’s collected works, and forked it over. Solitary examined the photo. “Okay,” she said, handing it back, “I’ll read it.” What in Flannery O’Connor’s countenance met with Solitary’s approval? “I dunno,” she said. “She looks kind of busted up, y’know? She ain’t too pretty. I trust her.
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his lifespot became insufferable anguish; and when, as was sometimes the case, these spritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beconed him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire.
Herman Melville (Moby Dick)
I don’t understand people who eat Chinese food with chopsticks when the restaurant also offers silverware. As a tool, chopsticks are inferior to western utensils like the spoon and fork. So why use them? That’s like showing up to a math test with an abacus, knowing that the teacher is going to be handing out calculators.
Jarod Kintz (This Book is Not for Sale)
How is Mia, anyway?” I ask. Ansel looks up at me with the most goofy, dimpled smile I’ve ever seen. “Perfect.” “Ugh,” Oliver says, setting his fork down. “Do not get him started. Lola says she’s had to start warning them before she comes over. Last time she could hear them all the way down Julianne’s driveway.” Ansel only shrugs, looking disgustingly pleased with himself. “What can I say? I am quite the vocal lover, and would never stifle the loud, satisfied cries of my wife during what is possibly the best sex anyone has ever had.” He leans in, looks us both in the eye in turn, and repeats, “Ever”.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
FORKED BRANCHES We grew up on the same street, You and me. We went to the same schools, Rode the same bus, Had the same friends, And even shared spaghetti With each other's families. And though our roots belong to The same tree, Our branches have grown In different directions. Our tree, Now resembles a thousand Other trees In a sea of a trillion Other trees With parallel destinies And similar dreams. You cannot envy the branch That grows bigger From the same seed, And you cannot Blame it on the sun's direction. But you still compare us, As if we're still those two Kids at the park Slurping down slushies and Eating ice cream. Suzy Kassem, Rise Up and Salute the Sun (2010)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Tell me how you need us.” “I think this will be just the two of us.” But as Jon took up his fork, he gave Matt a look. “Still, thanks for all of it. Thanks for being here when I needed it. As usual.” “I will not be hugged,” Matt said sternly. Jon considered the food. “You‟re awfully nurturing for someone who doesn‟t hug.” “Eat it and shut up, or you‟re fired.
Joey W. Hill (Afterlife (Knights of the Board Room, #4))
The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")
Ray Bradbury
Still writing?" I usually nod and smile, then quickly change the subject. But here is what I would like to put down my fork and say: Yes, yes, I am. I will write until the day I die, or until I am robbed of my capacity to reason. Even if my fingers were to clench and wither, even if I were to grow deaf or blind, even if I were unable to move a muscle in my body save for the blink of one eye, I would still write. Writing saved my life. Writing has been my window -- flung wide open to this magnificent, chaotic existence -- my way of interpreting everything within my grasp. Writing has extended that grasp by pushing me beyond comfort, beyond safety, past my self-perceived limits. It has softened my heart and hardened my intellect. It has been a privilege. It has whipped my ass. It has burned into me a valuable clarity. It has made me think about suffering, randomness, good will, luck, memory responsibility, and kindness, on a daily basis -- whether I feel like it or not. It has insisted that I grow up. That I evolve. It has pushed me to get better, to be better. It is my disease and my cure. It has allowed me not only to withstand the losses in my life but to alter those losses -- to chip away at my own bewilderment until I find the pattern in it. Once in a great while, I look up at the sky and think that, if my father were alive, maybe he would be proud of me. That if my mother were alive, I might have come up with the words to make her understand. That I am changing what I can. I am reaching a hand out to the dead and to the living and the not yet born. So yes. Yes. Still writing.
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
As the brother put the carving knife aside, he said, "Stuffing?" "Am I breathing?" Phury shoved a spoon into the bird and piled high. "Mashed?" "Do you have gravy?" "Am I breathing?" V cracked a smile. "Roger that. And affirmative on the gravy." When a plate was put in front of him, he glanced up. "No veggies? Not that I'm looking a gift horse in the mouth." "Vegetable matter is a waste of porcelain space." Phury pushed a knife and fork across the butcher block. "Ask yourself, would I sacrifice the surface area of mashed or stuffing for peas?" "I love you.
J.R. Ward (The Thief (Black Dagger Brotherhood, #16))
So what are you doing here?" Dylan asked in between forkfuls of eggs. That was the first thing Dylan had said that bothered Joey. He didn't want Aaron thinking too much about it, either. Going for the kill, Joey said, "I suck your brother's cock and take it up my ass. Any more questions?" "Gross. Fuck no. Jesus." Dylan grabbed his plate and went into the living room. "If you spill anything clean it up," Aaron yelled after him.
K.A. Mitchell (Collision Course (Florida Books, #2))
And Grandma spooned in some beans. “We need one of them psychics,” Grandma said. “I saw on television where you can call them up, and they know everything. They find dead people all the time. I saw a couple of them on a talk show, and they were saying how they help the police with these serial murder cases. I was watching that show, and I was thinking that if I was a serial murderer I’d chop the bodies up in little pieces so those psychics wouldn’t have such an easy job of it. Or maybe I’d drain all the blood out of the body and collect it in a big bucket. Then I’d bury a chicken, and I’d take the victim’s blood and make a trail to the chicken. Then the psychic wouldn’t know what to make of it when the police dug up a chicken.” Grandma helped herself to the gravy boat and poured gravy over her pot roast. “Do you think that’d work?” Everyone but Grandma paused with forks in midair.
Janet Evanovich (High Five (Stephanie Plum, #5))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
I didn't stay just for you." I kept my eyes down. "Right.Of course you didn't.Duh." His foot nudged mine under the table, and I finally looked up at him. He was leaning forward, his face intense. "I mean it. I like Graymalkin. I like being close to the ocean and working outside. Working for the Council would've meant..." He sighed, lifting his eyes to the ceiling. "Offices and planes. And wearing a tie. It wasn't for me." "Cal,it's fine," I insisted, even as my cheeks burned. "I didn't actually think you were hanging out at Hex Hall because of your burning love for me. But that's what I'm telling all the girls back at school," I said, stabbing a forkful of eggs. "I'm thinking 'heartbreaker' might be a nice addition to my 'avenging witch' reputation.
Rachel Hawkins (Demonglass (Hex Hall, #2))
‘And what about a [band] name?’ said Tony [Iommi]. The three of us looked at each other. ‘We should all take a couple of days to think about it,’ I said. ‘I dunno about you two, but I’ve got a special place where I go to get ideas for important stuff like this. It’s never failed me yet.’ Forty-eight hours later I blurted out: ‘I’ve got it!’ ‘Must have been that dodgy bird you poked the other night,’ said Geezer. ‘Has your whelk turned green yet?’ Tony and Bill snickered into their plates of egg and chips. We were sitting in a greasy spoon caff in Aston. So far, everyone was getting along famously. ‘Very funny, Geezer,’ I said, waving an eggy fork at him. ‘I mean the name for our band.’ The snickering died down. ‘Go on then,’ said Tony [Iommi]. ‘Well, I was on the shitter last night, and...' ‘That’s your special place?’ spluttered Bill, blobs of mushed-up egg and HP sauce flying out of his mouth. ‘Where the f**k did you think it was, Bill?’ I said. ‘The hanging gardens of f**king Babylon?
Ozzy Osbourne (I Am Ozzy)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
in the dark room she sits and in front of her is a plate and on the plate lies a black hunk of bread the size of a deck of cards. The bread has sawdust in it, and cardboard. She takes a knife and a fork, and cuts it slowly into four pieces. She eats one, chews it deliberately, pushes it with difficulty through her dry throat. eats another and another and finally the last one. She lingers especially on the last one. She knows after this piece is gone there will be no more food until tommorow morning. She wishes she could be strong enough to save half of the bread until dinner, but she isn't, she can't. When she looks up from her plate, her sister Dasha, is staring at her. Her plate is long empty. " I wish Alexander was coming back" says Dasha. " He might have food for us" I wish Alexander was coming back, thinks Tatiana.
Paullina Simons
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
Violet Bonham Carter
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation. Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams. Like the spaces between our fingers, in the spaces between I, love, and you, we wait. The in-betweens have always been my favorite.
Marlen Komar (Ugly People Beautiful Hearts)
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Was this how you were going to awaken the creatures?" Machiavelli,clutching the bars of his cell,smiled but said nothing. Virginia stood in front of Dee and stared into his eyes,using herwill to calm him down. "So you tried to use the pages to awaken the cratures.Tell me what happened." Dee jabbed a finger into the nearest cell. It was empty. Virginia stepped closer and discovered the pile of white dust in the corner. "I don't even know what was in the cell-some winged monstrosity.Giant vampire bat,I think.I said the words,and the creature opened its eyes and immediately crumbled to dust." "Maybe you said a word wrong?" Virginia suggested. She plucked a scrap of paper from Josh's hands. "I mean,it looks difficult." "I am fluent," Dee snapped. "He is," Machiavelli said, "I will give him that.And his accent is very good too, though not quite as good as mine." Dee spun back to the cell holding Machiavelli. "Tell me what went wrong." Machiavelli seemed to be considering it; then he shook his head. "I don't think so." Dee jerked his thumb at the sphinx. "Right now she's absorbing your aura,ensuring that you cannot use any spells against me. But she'll be just as happy eating your flesh.Isn't that true?"he said, looking up into the crature's female face. "Oh,I love Italian," she rumbled. She stepped away from Dee and dipped her head to look into the opposite cell. "Give me this one," she said,nodding at Billy the Kid. "He'll make a tasty snack." Her long black forked tongue flickered in the air before the outlaw, who immediately grabbed it,jerked it forward and allowed it to snap back like an elastic band. She screamed,coughed, and squawked all at the same time. Billy grinned."I'll make sure I'll choke you on the way down." "It might be difficult to do that if you have no arms," the sphinx said thickly,working her tongue back and forth. "I'll still give you indigestion." Dee looked at Machiavelli. "Tell me," he said again, "or I will feed your young American friend to the beast." "Tell him nothing," Billy yelled. "This is one of those occasions when I am in agreement with Billy.I am going to tell you nothing." The Magician looked from one side of the cell to the other. Then he looked at Machiavelli."What happened to you? You were one of the Dark Elders' finest agents in this Shadowrealm. There were times you even made me look like an amateur." "John,you were always an amateur." Machiavelli smiled."Why, look at the mess you're in now.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
It might weigh little over a kilogram but, taken on its own scale, the brain is unimaginably vast. One cubic millimetre contains between twenty and twenty-five thousand neurons. It has eighty-six billion of these cells, and each one is complex as a city and is in contact with ten thousand other neurons just like it. Within just one cubic centimetre of brain tissue, there is the same number of connections as there are stars in the Milky Way. Your brain contains a hundred trillion of them. Information in the form of electricity and chemicals flows around these paths in great forking trails and in circuits and feedback loops and fantastical storms of activity tat bloom to life speeds of up to a hundred and twenty metres per second. According to the neuroscientist V. S. Ramachandran, 'The number of permutations and combinations of activity that are theoretically possible exceeds the number of elementary particles in the universe.' And yet, he continues, 'We know so little about it that even a child's questions should be seriously entertained.
Will Storr (The Unpersuadables: Adventures wiith the Enemies of Science)
So why don’t you eat meat, Cam?” Jeremiah asked, stuffing half his burger into his mouth. Cam swallowed his water and said, “I’m morally opposed to eating animals.” Jeremiah nodded seriously. “But Belly eats meat. You let her kiss you with those lips?” Then he cracked up. Susannah and my mother exchanged a knowing kind of smile. I could feel my face getting hot, and I could feel how tense Cam was beside me. “Shut up, Jeremiah.” Cam glanced at my mother and laughed uneasily. “I don’t judge people who choose to eat meat. It’s a personal choice.” Jeremiah continued, “So you don’t mind when her lips touch dead animal and then touch your, um, lips?” Susannah chuckled lightly and said, “Jere, give the guy a break.” “Yeah, Jere, give the guy a break,” I said, glaring at him. I kicked him under the table, hard. Hard enough to make him flinch. “No, it’s fine,” Cam said. “I don’t mind at all. In fact-“ Then he pulled me to him and kissed me quickly, right in front of everyone. It was only a peck, but it was embarrassing. “Please don’t kiss Belly at the dinner table,” said Jeremiah, gagging a little for effect. “You’re making me nauseous.” My mother shook her head at him and said, “Belly’s allowed to kiss.” Then she pointed her fork at Cam. “But that’s it.” She burst out laughing like it was the funniest thing she’d ever said, and Susannah tried not to smile and told her to hush. I wanted to kill my mother and then myself. “Mom, please. You’re so not funny,” I said. “No more wine for Mom.” I refused to look anywhere near Jeremiah’s direction, or Cam’s, for that matter.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…
Rick Bass
Across from me at the kitchen table, my mother smiles over red wine that she drinks out of a measuring glass. She says she doesn’t deprive herself, but I’ve learned to find nuance in every movement of her fork. In every crinkle in her brow as she offers me the uneaten pieces on her plate. I’ve realized she only eats dinner when I suggest it. I wonder what she does when I’m not there to do so. Maybe this is why my house feels bigger each time I return; it’s proportional. As she shrinks the space around her seems increasingly vast. She wanes while my father waxes. His stomach has grown round with wine, late nights, oysters, poetry. A new girlfriend who was overweight as a teenager, but my dad reports that now she’s “crazy about fruit." It was the same with his parents; as my grandmother became frail and angular her husband swelled to red round cheeks, rotund stomach and I wonder if my lineage is one of women shrinking making space for the entrance of men into their lives not knowing how to fill it back up once they leave. I have been taught accommodation. My brother never thinks before he speaks. I have been taught to filter. “How can anyone have a relationship to food?" He asks, laughing, as I eat the black bean soup I chose for its lack of carbs. I want to tell say: we come from difference, Jonas, you have been taught to grow out I have been taught to grow in you learned from our father how to emit, how to produce, to roll each thought off your tongue with confidence, you used to lose your voice every other week from shouting so much I learned to absorb I took lessons from our mother in creating space around myself I learned to read the knots in her forehead while the guys went out for oysters and I never meant to replicate her, but spend enough time sitting across from someone and you pick up their habits that’s why women in my family have been shrinking for decades. We all learned it from each other, the way each generation taught the next how to knit weaving silence in between the threads which I can still feel as I walk through this ever-growing house, skin itching, picking up all the habits my mother has unwittingly dropped like bits of crumpled paper from her pocket on her countless trips from bedroom to kitchen to bedroom again, Nights I hear her creep down to eat plain yogurt in the dark, a fugitive stealing calories to which she does not feel entitled. Deciding how many bites is too many How much space she deserves to occupy. Watching the struggle I either mimic or hate her, And I don’t want to do either anymore but the burden of this house has followed me across the country I asked five questions in genetics class today and all of them started with the word “sorry". I don’t know the requirements for the sociology major because I spent the entire meeting deciding whether or not I could have another piece of pizza a circular obsession I never wanted but inheritance is accidental still staring at me with wine-stained lips from across the kitchen table.
Lily Myers
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Silveny's pregnant,' Sophie told her friends when she joined them for breakfast. Fitz dropped his fork. 'Are you sure?' 'Oh yeah,' Sophie mumbled, sinking into the chair next to him. 'She showed me...' 'GAH!' everyone said. Keefe pushed his plate away. 'I'm done with food forever.' 'Me too,' Dex agreed. 'Me three,' Biana said. 'Seriously, that is one batch of memories you do not have to show me,' Fitz told Sophie. 'I don't care if it's part of our Cognate training.' 'But it's still huge,' Biana added. 'Do you know how far along she is?' 'I'm guessing it's new, since the last few times I transmitted to her she didn't mention anything about--' 'STOP!' Keefe held up his hands. 'Ground rules for this conversation: All talk of alicorn baby-making is off the table--got it? Otherwise I'll have to rip my ears off. And for the record, I do not want to be there when Baby Glitterbutt arrives.' 'Me either,' Fitz said. 'My dad made me go to the Hekses' unicorn preserve for a delivery one time.' He shuddered. 'Who knew they came out so slimy?' 'Ew, dude, I did not need to know that. Can we talk about something else? Anything else?' 'Does anyone know how long alicorns stay pregnant?' Sophie asked. Biana shook her head. 'We've never had a baby alicorn before. But I'm pretty sure unicorns are pregnant for eleven months. So maybe it's the same?' 'Do you think Silveny knows?' Fitz asked. 'If her instincts are telling her she's pregnant, maybe they'll also tell her how it's going to work.' 'I guess I can ask. It was hard to get information out of her. All she wanted to tell me about was--' 'STOP!' Keefe said. 'I wasn't going to say that. She was telling me that she's really hungry. I'm not sure if it's a pregnancy craving or an excuse to get more treats, but she went on and on about how she needs more swizzlespice. We'll have to find a way to let Jurek know. 'Do you think he already knows?' Fitz asked. 'He's the equestrian caretaker at the Sanctuary. Maybe he...saw stuff.' 'WHAT DID I SAY ABOUT THE GROUND RULES?' Keefe shouted, covering his ears. 'That's it, this conversation is officially over. Next person who says "alicorn" is getting pelted with fruit.' 'What's wrong with the alicorns?' Granite asked behind them. He'd arrived with Mr. Forkle, each of them carrying stacks of scrolls. 'Silveny's pregnant," Sophie said, and all the scrolls went THUNK! 'Are you certain?' Granite whispered, bending to gather the uncurling paper. Sophie nodded, and Mr. Forkle rushed to her side. 'Tell me everything.' 'And I'm out!' Keefe said, covering his ears and singing, 'LALALALALA! I CAN'T HEAR YOU!' as he raced up the stairs to the boys' tree house.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))