Opera Birthday Quotes

We've searched our database for all the quotes and captions related to Opera Birthday. Here they are! All 14 of them:

And in that gaze I see it all—birthdays and dinners and shopping trips. Mornings spent watching soap operas in her bed. Nights on the phone. Care packages mailed to New York City. Scraped elbows and fevers and her voice, always her voice. Everything is going to be all right. You’re okay. I’ve got you.
Rebecca Serle (One Italian Summer)
[Ginger said,] "Today's the anniversary of my mam's death." . . . Doc leaned over and took Ginger's wrist. "Happy birthday," she whispered.
Marc J. Lipman (Astral Chariot)
with making the Sorcerer’s Stone, a legendary substance with astonishing powers. The Stone will transform any metal into pure gold. It also produces the Elixir of Life, which will make the drinker immortal. There have been many reports of the Sorcerer’s Stone over the centuries, but the only Stone currently in existence belongs to Mr. Nicolas Flamel, the noted alchemist and opera lover. Mr. Flamel, who celebrated his six hundred and sixty-fifth birthday last year, enjoys a quiet life in Devon with his wife, Perenelle (six hundred and fifty-eight).
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
She pushed the book toward them, and Harry and Ron read: The ancient study of alchemy is concerned with making the Sorcerer’s Stone, a legendary substance with astonishing powers. The Stone will transform any metal into pure gold. It also produces the Elixir of Life, which will make the drinker immortal. There have been many reports of the Sorcerer’s Stone over the centuries, but the only Stone currently in existence belongs to Mr. Nicolas Flamel, the noted alchemist and opera lover. Mr. Flamel, who celebrated his six hundred and sixty-fifth birthday last year, enjoys a quiet life in Devon with his wife, Perenelle (six hundred and fifty-eight).
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
But she had learned about love through books, knew enough of it to recognize its absence in her life. Everywhere she looked, she was blinded by other forms of love, as if God were taunting her. From her bedroom window, she’d watch mothers pushing strollers, or children hanging from their father’s shoulders, or lovers holding hands. At doctors’ offices, she’d flip through magazines to find families smiling wildly, couples embracing, even women photographed alone, their bright faces shining with self-love. When she’d watch soap operas with her grandmother, love was the anchor, the glue that seemingly held the whole world together. And when she flipped through American channels when her grandparents weren’t looking, again love was the center of every show, while she, Deya, was left dangling on her own, longing for something other than her sisters to hold on to. As much as she loved them, it never felt like enough. But what did love even mean? Love was Isra staring dully out the window, refusing to look at her; love was Adam barely home; love was Fareeda’s endless attempts to marry her off, to rid herself of a burden; love was a family who never visited, not even on holidays. And maybe that was her problem. Maybe that’s why she always felt disconnected from her classmates, why she couldn’t see the world the way they did, couldn’t believe in their version of love. It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone’s arms after a bad day, had known the comforts of the words “I love you” growing up. It was because they’d been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn’t.
Etaf Rum (A Woman Is No Man)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
Of the tendency, Angus said, of things to get better Dogs and the optimistic are usually convinced; Others, perhaps, are more cautious: When I was your age I remember Thinking that most of life’s problems Would be over by the next day; I still think that, I suppose, And am often pleasantly surprised To discover that it is occasionally true; Thinking something, you see, Can make it happen, or so we believe, Though how that works, I doubt If I shall ever find out. From your perspective, where you are Is probably the only place It is possible to be; some time soon You will discover that we can, if lucky, Decide who we shall become. A word of warning here: Of all the tempting roles You will be offered, being yourself Is unquestionably the safest, Will bring the most applause Will make you feel best; Greasepaint, dear Bertie, is greasy: Leave it to the actors; The most comfortable face to wear, You’ll find, is your own. So what do I wish for you? Freedom? I imagine You know all about that Even if so far you’ve had To contemplate it from a distance. I could think of other things; I might wish, for example, That you should be whatever You fervently want to be: a sailor, A fireman, an explorer? You may live, you know, To seventy-seven and beyond: What, I wonder, will Scotland Be like seven decades from now? I’ll never know, but what I wish Is that some of it will be left for you, Some of the things we’ve loved. Happy birthday, then, Bertie: Be strong, be thoughtful; Don’t be afraid to cry, when necessary: In operas, as in life, it is the strong Who are always the first to weep. Be kind, which you already are, Even to those who deserve it least; Kindness, you see, Bertie, is a sort of love, That is something I have learned, And you’ll learn too if you listen To the teacher we all should trust: The human heart, my dear, the human heart, Where kindness makes its home.
Alexander McCall Smith (Bertie's Guide to Life and Mothers)
The Golden Apple for Margarita Teresa’s seventeenth birthday (a special present from ‘uncle’), to which Leopold himself contributed several genuinely beautiful arias. This opera must have been something to see, so scenically unwieldy that it took two days to put on, but with spectacles of flames, thunderclaps, flying dragons and shipwrecks of a dangerousness and scale that we are sadly sheltered from today. Cesti’s
Simon Winder (Danubia: A Personal History of Habsburg Europe)
the Sorcerer’s Stone, a legendary substance with astonishing powers. The Stone will transform any metal into pure gold. It also produces the Elixir of Life, which will make the drinker immortal. There have been many reports of the Sorcerer’s Stone over the centuries, but the only Stone currently in existence belongs to Mr. Nicolas Flamel, the noted alchemist and opera lover. Mr. Flamel, who celebrated his six hundred and sixty-fifth birthday last year, enjoys a quiet life in Devon with his wife, Perenelle (six hundred and fifty-eight).
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
The ancient study of alchemy is concerned with making the Sorcerer’s Stone, a legendary substance with astonishing powers. The Stone will transform any metal into pure gold. It also produces the Elixir of Life, which will make the drinker immortal. There have been many reports of the Sorcerer’s Stone over the centuries, but the only Stone currently in existence belongs to Mr. Nicolas Flamel, the noted alchemist and opera lover. Mr. Flamel, who celebrated his six hundred and sixty-fifth birthday last year, enjoys a quiet life in Devon with his wife, Perenelle (six hundred and fifty-eight).
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
IT WAS THE MORNING after the morning after my hundred and fiftieth birthday, and a terrible noise was trying to wake me up.
Spencer Ellsworth (Tor.com Publishing's Summer of Space Opera Sampler)
Beneath a common banner of classically liberal ideals, countless tastes and traditions may mingle and mutate into ever new and exciting flavors. Thus would be born a homeland where the Sufi dances with the Breslover round the neon jungle of Times Square, where the Baptist of Alabama nods along to the merry melodies of Klezmer, where the secular humanist combs the Christian gospels and poems of Rumi for their many pearls of wisdom, where the Guatemalan college student learns to read Marx and Luxemburg in their original German, where the Russian refugee freely markets her own art painted in the style of Van Gogh and Monet, where the Italian chef tosses up a Lambi stew for his Haitian wife’s birthday while the operas of Verdi and Puccini play on his radio, where two brothers in exile share the wine of the Galilee and Golan while listening to the oud music of Nablus and Nazareth, where the Buddhist and the stoner hike through redwood trails and swap thoughts of life and death beneath a star-spangled sky. In this America, only the polyglot sets the lingua franca, the bully pulpit yields to the poets café, decent discourse finds favor over any cocksure shouting match, no library is so uniform as to betray to a tee its owner’s beliefs, no citizen is so selfish as to live for only themself nor so weak of will as to live only for others, and such a land—as yet a dream deferred, but still a dream we may seize—such a land would truly be worthy of you and me.
Shmuel Pernicone (Why We Resist: Letter From a Young Patriot in the Age of Trump)
July passed, and in August, the heat in the room beneath the roof set the air to shimmering like a veil before the open window, and Mary Carew, gasping, found it harder and harder to make that extra pair of jean pantaloons a day. And, as though the manager at the Garden Opera House had divined that Miss Bonkowski had left another birthday behind her, like milestones along the way, that lady's salary received a cut on the first day of August.
George Madden Martin (The Angel of the Tenement)
Given extensive leisure, what do not the Chinese do? They eat crabs, drink tea, taste spring water, sing operatic airs, fly kites, play shuttle-cock, match grass blades, make paper boxes, solve complicated wire puzzles, play mahjong, gamble and pawn clothing, stew ginseng, watch cock-fights, romp with their children, water flowers, plant vegetables, graft fruits, play chess, take baths, hold conversations, keep cage-birds, take afternoon naps, have three meals in one, guess fingers, play at palmistry, gossip about fox spirits, go to operas, beat drums and gongs, play the flute, practise on calligraphy, munch duck-gizzards, salt carrots, fondle walnuts, fly eagles, feed carrier-pigeons, quarrel with their tailors, go on pilgrimages, visit temples, climb mountains, watch boatraces, hold bullfights, take aphrodisiacs, smoke opium, gather at street corners, shout at aeroplanes, fulminate against the Japanese, wonder at the white people, criticize their politicians, read Buddhist classics, practise deep-breathing, hold Buddhist séances, consult fortune-tellers, catch crickets, eat melon seeds, gamble for moon-cakes, hold lantern competitions, burn rare incense, eat noodles, solve literary riddles, train pot-flowers, send one another birthday presents, kow-tow to one another, produce children, and sleep.
Lin Yutang