Forged Signature Quotes

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she kissed as if she, alone, could forge the signature of the sun
Saul Williams (, said the shotgun to the head.)
Lux’s frequent forged excuses from phys. ed. She always used the same method, faking the rigid t’s and b’s of her mother’s signature and then, to distinguish her own handwriting, penning her signature, Lux Lisbon, below, the two beseeching L’s reaching out for each other over the ditch of the u and barbed-wire x.
Jeffrey Eugenides (The Virgin Suicides)
For me, Modern Warfare 3 's plot makes its signature turn around the bend when Russia invades Europe. As in, all of it. Simultaneously. Now, I've never invaded Europe, except for that one time, but I would think that's a project you might want to stagger out a bit if you haven't forged an alliance with any galactic empires lately.
Yahtzee Croshaw
Uniqueness is like a signature, nobody can forge it's exact copy.
Michael Bassey Johnson
My dowry is thirty-five. A year.” His brows climbed. “You’re joking.” “I would never joke about money with a notorious thief. Just imagine, in a mere two years you’re at a profit.” “How I adore a woman who does mathematics in her head.” “I can forge signatures as well.” “Splendid. Exactly the bride I’ve been hoping for.
Shana Abe
The only time I got into trouble was when I forged M's signature on the weekly report we had to take home every Friday and take back to school again signed by one of our parents. The reason I did so was that M happened to be out at the time and I thought I could save myself trouble.
Daphne du Maurier (Myself When Young: The Shaping of a Writer)
Irena Sendler (code name "Jolanta") described it. A Christian doctor's daughter with many Jewish friends, she reconfigured her job at the Social Welfare Department, recruited ten like-minded others, and began issuing false documents with forged signatures.
Diane Ackerman (The Zookeeper's Wife)
It would not be the first time that Jove and Stella had covered the traces of where I began and where they ended. I liked the playfulness of the lovers' argument: who are you and who am I? Which of us is which? Liked it less when the erotic twinhood developed into forged letters and faked signatures.
Jeanette Winterson (Gut Symmetries)
On a hunch she asked whose signature Claude Aubert had forged. The group was astounded to learn it was that of Charles Leblanc! The “frightened financier”!
Carolyn Keene (The Mystery of the 99 Steps (Nancy Drew, #43))
Through the lavender gloom clouding the entrance of the operations tent, Yossarian glimpsed Chief White Halfoat, diligently embezzling whiskey rations, forging the signatures of nondrinkers and pouring off the alcohol with which he was poisoning himself into separate bottles rapidly in order to steal as much as he could before Captain Black roused himself with recollection and came hurrying over indolently to steal the rest himself.
Joseph Heller (Catch-22)
And I don’t like the Mantle who refused to sign baseballs in the clubhouse before the games. Everybody else had to sign, but Little Pete forged Mantle’s signature. So there are thousands of baseballs around the country that have been signed not by Mickey Mantle, but by Pete Previte.
Jim Bouton (Ball Four)
You’ve been wandering about Juarez like a zombie in a though experiment, an experiment in collective guilt, where the zombie is shown the morgue-slab photos, and responds by saying “I’m truly sorry”, and making out a check to Amnesty International, or Nuestra Hijas de Regreso a Casa, or maybe Save the Children or Habitat for Humanity, and then sealing the whole deal by forging his own signature. What’s that you say? You didn’t know it was forged? No wonder the authorities are beginning to get suspicious. We’re sorry to be the ones to break this to you, but the violence that man is doing to his home is not some sort of thought experiment, and the last thing on earth the world needs now is yet another anonymous onlooker, trying to get the picture; our drawing isn’t a drawing exactly, it’s more of a kind of framing device, and you, mon frère, so slow to get the picture, are not only under suspicion, but about to be framed. We didn’t exactly select you at random, and you’re not precisely The Viewer in the abstract sense, and we’re not about to give you a bird’s eye view of anything, or a view of Juarez from high atop a smelting stack; we’re about to put you back exactly where you belong, wearing Douchebag’s shoes, in the middle of the picture, because while Douchebag isn’t you in any literal sense, you appear to be standing in Douchebag shoes, and Douchebag, unfortunately, is now your problem.
Jim Gauer (Novel Explosives)
I signed with a flourish. I don’t have much opportunity to use my signature in day-to-day life, which is rather a pity, as I have a very interesting “John Hancock,” as our cousins across the pond would have it. I don’t mean to boast. It’s just that almost everyone who’s seen it has remarked on how unusual, how special it is. Personally, I don’t see what all the fuss is about. Anyone could write an “O” as a snail-shell spiral if they wished to, after all, and using a mixture of upper- and lowercase letters is simply good sense—it ensures that the signature is difficult to forge. Personal security, data security: so important.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
There is yet another bit of illogic on which deniers depend. They demand to be shown the one specific piece of evidence that would prove to them there was a Holocaust: Hitler’s written order authorizing the murder of all of Europe’s Jews. In all likelihood, Hitler realized the folly of affixing his signature to such an order, which, had it become public, many might not have accepted. More important, historians are not troubled by the absence of such a document. They never rest their conclusions on one document, particularly in this instance, when the Third Reich left a vast cache of evidence attesting to a government-directed program whose goal was the annihilation of the Jewish people. Deniers, of course, will insist that “the Jews” have forged these documents. But if that were the case, why didn’t the Jews also forge the all-important document from Hitler himself?
Deborah E. Lipstadt (Antisemitism: Here and Now)
In the “revelation” scene (Who forged the signatures? and do we really see a self-incrimination here?) the clock’s ticking, of course, convinces the naive that what we see has transpired in real time. It probably actually results from Welles’ conspiracy with the sound mixer. You can create a similar “revelation” scene by taking ten or twelve close-ups from half a year of filming, putting in a sound track with a tick-tock clock, and then just using your imagination to make the opening and closing dialogue seem to refer to each other. All the close-ups in between will then appear as reactions to the two lines of dialogue which can come from a scene, or two scenes, having no real link to the spoken words.
Robert Anton Wilson (Cosmic Trigger III: My Life After Death)
This is the second Old Master I have encountered that has the signatures of another artist forged over it. A painting that has been created by another artist entirely. It's like they played mix and match.
Dayna S. Rubin (Code of Siman: All is not Lost)
BF7BA421: "Eric Allman " 44 new signatures gpg: key A00E1563: "Gregory Neil Shapiro " 48 new signatures gpg: key 22327A01: "Claus Assmann (PGP2) " 14 new signatures gpg: Total number processed: 15 gpg: imported: 1 gpg: new user IDs: 4 gpg: new signatures: 222 gpg: 3 marginal(s) needed, 1 complete(s) needed, classic trust model gpg: depth: 0 valid: 1 signed: 0 trust: 0-, 0q, 0n, 0m, 0f, 1u Notice that the newest key imported in the preceding output was key 7093B841 (the signing key for 2007). To verify that this key is valid (not forged) print its fingerprint with a command like this: % gpg --fingerprint 7093B841 pub 1024R/7093B841 2006-12-16 Key fingerprint = D9 FD C5 6B EE 1E 7A A8 CE 27 D9 B9 55 8B 56 B6 uid Sendmail Signing Key/2007 Now compare the fingerprint displayed to the following list of valid fingerprints:
Anonymous
I removed a piece of paper from a drawer and scribbled the words down as he sulked out of the room, and when he returned, I slid the paper inside the envelope and sealed it tight. I pulled a piece of tape from the drawer and placed it over the seal. Then, I signed my name to the tape. “There, now it’s sealed for sure.” It was an old trick we used at the bank to protect the combinations we kept sealed in our keybox from the prying eyes of other employees. The safeguard worked just as well in this situation. If he removed the tape, I’d know it. And he couldn’t forge my signature well enough to replace it.
Kiersten Modglin (The Arrangement (The Arrangement, #1))
Was I going to hold calligraphy tests on all my suspects to know who had the ability to forge my father’s signature?
Lorena Hughes (The Spanish Daughter)
One of Hellenistic Jewry's signature achievements was the Septuagint, the translation of Tanakh into Koine (common) Greek. Compiled between the third and first centuries BCE, it almost certainly represents the work of Alexandrian Jewry, who needed scripture in Greek because they no longer spoke or wrote Hebrew. The Septuagint makes some formal changes, reordering books and including new material. Its existence offers witness to the religious power that Jews in the last centuries BCE were according written texts, a significant moment in the process by which Jewish identity embraced Torah and Judaism became a "religion of the book." Even so, the Septuagint has arguably had a greater abiding significance for Christianity than for Judaism. The Old Testament used it, rather than Tanakh, for a basis; New Testament writers quoted it (rather than Hebrew versions). Catholic and Orthodox Christians would accept its additions as a second set of fully authoritative (deuterocanonical) books. Most Protestants would not, although some printed them in a separate section of their Bibles. The early Church forged its principal doctrines in conversation with it. The legend that seventy-two translators "harmoniously" produced identical copies has a Christian provenance: Epiphanius, a fourth-century bishop who defended the Septuagint's superiority against later Jewish revisions. As its importance for Christians rose, Jews abandoned it to assert the sole legitimacy of the Hebrew text.
Charles L Cohen (The Abrahamic Religions: A Very Short Introduction: A Very Short Introduction (Very Short Introductions))
It seemed as if doggystyle was her favorite position because she couldn't see who was behind her. She kept playing Snoop Dogg's song, “What's My Name?”. It seemed as if she was referring to my signature being forged and still being on the club and she knew perfectly. As if she was referring to all the dogs eager to breed in the video running after something after someone had let them out. As Snoop Dogg is magically transforming into a Doberman dog in the music video, just like the kind of dogs the Nazis had. I just realize Martina’s dog, Chicha was all black and her cat Anouki was all black too, just like the night Sky, just like the dark, empty, cold Space. The total darkness the canvas, on which our planet is just a pinhead. This rock. This sizzling rock. Spinning. Turning. Leaning. Following the Sun. Lost in the infinite nothingness. Ain’t like a balloon which has nothing inside. All the nothing is outside, all the cold and dark and wide and empty and vile. All the dark forces all the nights, all the known universe and beyond, is located here, inside. Iron comes from Outer Space, it is not a local material on this planet. Each one of us has iron inside a “kickstart-molecule” located in our hearts. Without iron, there would be no life. Are we locals on this planet? To what degree? Since when? I noticed three members of the Camorra in our street and the street parallel to it, casually passing by. I even nodded to one or two of them, since we already knew each other from the club where I hadn't been since Adam and I had our disagreement. Later that night, while I was waiting for Martina in vain, I noticed two to three of the Camorra's soldiers living a few houses down our street. From the rooftop, and our bedroom that was higher than theirs, I could see into their living room. I couldn't help but wonder whether this was a mere coincidence, or if Adam and Martina had found our new home together, hanging out in Nico’s store, and so we moved on the Mountain of Jews, on purpose, perhaps, knowing that the Camorra’s men were living almost right in front of us. No accidents. When I told Martina about the Camorra’s guys living across the street, Martina couldn’t have cared less. It was almost as if she never considered her life being in danger in Barcelona, Europe, but only mine. I had felt before like Adam had used my skin to make money, while I was the one walking around the streets, spotting tourists usually having fun, not thinking about how I was working hard to make their “unreachable” happiness come true. This time, however, I felt both stuck in our home, feeling helpless to make Martina happy and the outside world offered her much better chances to have fun and find a rich guy or any other smoker club manager with her beauty.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Every day I text and e-mail while driving. Every day I speed. I’ve driven double the speed limit. I used to steal plates of cake out of the revolving glass tower in a deli. I knew where my parents kept their cash, and I stole money from them all through my childhood. I used to steal bulk candy every time I went into the grocery store. I drank underage. I drove a car before I had a license. We had scavenger hunts in college where we had to steal everything to win. I used a fake ID. I smoked pot. I used shrooms. I did cocaine. I took Ecstasy. I used speed. I took LSD. I’ve driven drunk. I snuck an animal through customs. I backed into a car in a parking lot and drove away. I’ve cheated on my income taxes. I forged a signature on a car title. I evaded police when they tried to pull me over. I forged a college degree to get a trade license. I bribed a police officer after I was caught drunk driving. I broke my car out of an impound lot and used a friend’s license plates to drive it home. I carried a revolver licensed to someone else in my backpack across my college campus. I took a credit card that had been left in the copy machine at Staples and charged two thousand dollars’ worth of stuff on it before I threw it away.
Christine Montross (Waiting for an Echo: The Madness of American Incarceration)
up and work harder. If he answers his phone. Otherwise his secretary will act sympathetic, and send a card with a forged signature, which will arrive weeks late. Not worth the bother even if he is closer in Chicago instead of half a world away. With a confused jolt, I wake up when Darren tosses my prescription bag into my lap. “You should consider becoming a nurse, Darren. You have a real gift for empathizing with people’s plights and pains.” I sit up, forgetting about my ankle until the pain reminds me why I’m napping in the back
Daisy Prescott (Next to You (Love with Altitude, #1))
One thing more makes these men and women from the age of wigs, swords, and stagecoaches seem surprisingly contemporary. This small group of people not only helped to end one of the worst of human injustices in the most powerful empire of its time; they also forged virtually every important tool used by citizens’ movements in democratic countries today. Think of what you’re likely to find in your mailbox—or electronic mailbox—over a month or two. An invitation to join the local chapter of a national environmental group. If you say yes, a logo to put on your car bumper. A flier asking you to boycott California grapes or Guatemalan coffee. A poster to put in your window promoting this campaign. A notice that a prominent social activist will be reading from her new book at your local bookstore. A plea that you write your representative in Congress or Parliament, to vote for that Guatemalan coffee boycott bill. A “report card” on how your legislators have voted on these and similar issues. A newsletter from the group organizing support for the grape pickers or the coffee workers. Each of these tools, from the poster to the political book tour, from the consumer boycott to investigative reporting designed to stir people to action, is part of what we take for granted in a democracy. Two and a half centuries ago, few people assumed this. When we wield any of these tools today, we are using techniques devised or perfected by the campaign that held its first meeting at 2 George Yard in 1787. From their successful crusade we still have much to learn. If, early that year, you had stood on a London street corner and insisted that slavery was morally wrong and should be stopped, nine out of ten listeners would have laughed you off as a crackpot. The tenth might have agreed with you in principle, but assured you that ending slavery was wildly impractical: the British Empire’s economy would collapse. The parliamentarian Edmund Burke, for example, opposed slavery but thought that the prospect of ending even just the Atlantic slave trade was “chimerical.” Within a few short years, however, the issue of slavery had moved to center stage in British political life. There was an abolition committee in every major city or town in touch with a central committee in London. More than 300,000 Britons were refusing to eat slave-grown sugar. Parliament was flooded with far more signatures on abolition petitions than it had ever received on any other subject. And in 1792, the House of Commons passed the first law banning the slave trade. For reasons we will see, a ban did not take effect for some years to come, and British slaves were not finally freed until long after that. But there was no mistaking something crucial: in an astonishingly short period of time, public opinion in Europe’s most powerful nation had undergone a sea change. From this unexpected transformation there would be no going back.
Adam Hochschild (Bury the Chains: Prophets and Rebels in the Fight to Free an Empire's Slaves)