Forged By Magic Quotes

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A mage's soul is forged in the crucible of the magic
Margaret Weis (The Soulforge (Dragonlance: Raistlin Chronicles, #1))
What was it like?” Manon asked quietly. “To love.” For love was what it had been—what Asterin perhaps alone of all the Ironteeth witches had felt, had learned. “It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling … I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
And for adults, the world of fantasy books returns to us the great words of power which, in order to be tamed, we have excised from our adult vocabularies. These words are the pornography of innocence, words which adults no longer use with other adults, and so we laugh at them and consign them to the nursery, fear masking as cynicism. These are the words that were forged in the earth, air, fire, and water of human existence, and the words are: Love. Hate. Good. Evil. Courage. Honor. Truth.
Jane Yolen (Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood)
I might be the forge maiden, but I am no delicate flower. I am as cold as silver. As strong as iron. I will bend for destiny, but not for any man.
Elise Kova (A Duel with the Vampire Lord (Married to Magic, #3))
But are the twin souls destined to be together? Synchronicity is at work here to bring the two back together again. How entrancing to find the same magical alchemy still at work, just as it was at the first meeting – a recognition of a deep rooted love so entrenched and so accepted, it could only have been forged in other lifetimes together. And probably that is what love at first sight is, recognition of an ancient love.
Chimnese Davids (My Unrequited Love Letters)
No doubt your sword is indeed a beautiful thing. It is a tribute to whoever forged it in bygone ages. There are very few such swords as this one left in the world, but remember, it is only a sword, Matthias! It contains no secret spell, nor holds within its blade any magical power. This sword is made for only one purpose, to kill. It will only be as good or evil as the one who wields it. I know that you intend to use it only for the good of your Abbey, Matthias; do so, but never allow yourself to be tempted into using it in a careless or idle way. It would inevitably cost you your life, or that of your dear ones. Martin the Warrior used the sword only for right and good. This is why it has become a symbol of power to Redwall. Knowledge is gained through wisdom, my friend. Use the sword wisely.
Brian Jacques (Redwall (Redwall, #1))
It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling … I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I still watched Killian with the same kind of intensity I would give a tiger—respect, distance, and the wish that there was a glass wall between us.
K.M. Shea (Magic Forged (Hall of Blood and Mercy #1))
Writing is the closest thing we have to real magic. Writing is creating something out of nothing, is opening doors to other lands. Writing gives you power to shape your own world when the real one hurts too much. To stop writing would kill me. I'd never be able to walk through a bookstore without fingering the spines with longing, wondering at the lengthy editorial process that got these titles on shelves and reminiscing about my own. And I'd spend the rest of life curdling with jealousy every time someone like Emmy Cho gets a book deal, every time I learn that some young up-and-comer is living the life I should be living. Writing has formed the core of my identity since I was a child. After Dad died, after Mom withdrew into herself, and after Rory decided to forge a life without me, writing gave me a reason to stay alive. And as miserable as it makes me, I'll cling to that magic for as long as I live.
R.F. Kuang (Yellowface)
My strongest magic was forged from intuition.
Rebecca Ross (Dreams Lie Beneath)
I [Music] was born in the open air, in the breaks of waves and the whistling of sandstorms, the hoots of owls and the cackles of tui birds. I travel in echoes. I ride the breeze. I was forged in nature, rugged and raw. Only man shapes my edges to make me beautiful. [Chapter 2]
Mitch Albom (The Magic Strings of Frankie Presto)
Patience is the virtue that forges great men.
Chris Vincent (The Prisoner (The Book of Arcanes, #1))
Grey might be good with a sword, and he might have the magic, but when it comes to words and strategy, no one beats Rhen.
Brigid Kemmerer (Forging Silver into Stars (Forging Silver into Stars, #1))
... the girl remained unmoving. Dead. And yet the Fate continued to hold her. 'Bring her back,' he said softly. 'I am sorry,' said the queen who'd just awoken. She was a petite thing. She's tried to pull her son away from the girl to stop his unnatural feeding, but her hands were not strong enough. The queen could not fight immortals physically, but she had an iron will forged of mettle and mistakes. 'You know I cannot do that.' The Fate finally looked up. 'Bring her back,' he repeated. For he also possessed an indomitable will. 'I know you can do it.' The queen shook her head remorsefully. 'My heart breaks for you- for this. But I will not do this. After bringing back Castor and seeing what he became, I vowed to never use that sort of magic again.' 'Evangeline would be different.' The Fate glowered at the queen. 'No,' she repeated. 'You wouldn't be saving this girl, you would be damning her. Just as we did to Castor. She wouldn't want this life.' 'I don't care what she wants!' roared the Fate. 'I don't want her dead. She saved you, you need to save her.' The queen took a shaky breath. If the story curse could have breathed, it would have held its breath. It hoped the queen would say yes. Yes to bringing her back, to turning her in to another terrible immortal. Despite what this Fate believed, the girl would be horrible- the ones with endless life always were, eventually.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Into the blackness of the night, which perhaps mirrors the color of my soul,” Josh morosely said.
K.M. Shea (Magic Forged (Hall of Blood and Mercy #1))
I lifted my chin. "All right then. You are always very precise when it comes to magic. So I've observed. And really, really don't like to get things wrong. So when you saw there were two young women, that day you came to this house, why did you not even ask about my cousin?" His crooked smile made my heart turn over. "All right, then. I'll tell you." He paused as if gathering courage, before he forged on. "When I saw you coming down the stairs that evening, it was if I were seeing the other half of my soul descending to greet me.
Kate Elliott (Cold Magic (Spiritwalker, #1))
When Christianity proscribed the public exercise of the ancient worships, the partisans of the latter were compelled to meet in secret for the celebration of their mysteries. Initiates presided over these assemblies and soon established a kind of orthodoxy among the varieties of persecuted worships, this being facilitated by the aid of magical truth and by the fact that proscription unites wills and forges bonds of brotherhood between men.
Éliphas Lévi (Transcendental Magic: Its Doctrine and Ritual)
What was it like?" Manon asked quietly. "To love." For love was what it had been—what Asterin perhaps alone of all the Ironteeth witches had felt, had learned. "It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn't escape it, and knew it would forever change me. And that witchling ... I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I've ever felt, greater than rage, than lust, than magic." A soft smile. "I'm surprised you're not giving me the 'Obedience. Discipline. Brutality' speech." Made into monsters. "Things are changing," Manon said. "Good," Asterin said. "We're immortals. Things should change, and often, or they'll get boring." Manon lifted her brows, and her Second grinned. Manon shook her head and grinned back.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Animals were often better company than people, anyways.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
Where you go, I go. I am with you until the end.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
Only fear stands in your way. Forge ahead in spite of it and don't let anything slip away. You could be glorious.
Kaye Vincent (The Treeman (The Hanningdon Magic Series, #1))
The most formidable chains are forged from beliefs. Ah, beliefs! Beliefs tear out the eyes and leave us blind and groping in the dark. If I believe in one proposition, I have become locked behind the door of that belief, and all other doors to learning and freedom, although standing open and waiting for me to enter, are now closed to me. If I believe in one God, one religion, yes, if I believe in God at all, if I have closed my mind to magic, to spirit, to salvation, to the unknown dimension that exist in the firmament, I have plunged my mind into slavery. Test all beliefs. Distrust all beliefs.
Gerry Spence (Seven Simple Steps to Personal Freedom: An Owner's Manual for Life)
Countries are forged by war; perhaps girls are, too. New England and I will be reborn together in this war between the witches and the Brothers. Between Maura and me. I am newly wrought -- a girl of steel and snow and heartrending good-byes. My magic is renewed by my heartbreak. It spills out my fingertips, swirling around me. The wind picks up, bitter cold now. The rain turns abruptly to snow, haloing the gas streetlamps like iron angels. Enormous snowflakes begin to fall -- fast, faster -- obscuring my sister, hiding her and Brenna and the carriage and the gray stone building that has become my home. I am all alone in a sea of whirling white. It feels right that it should be so.
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
The forge and dove shall break the cage. Wasn’t that the prophecy line? That meant Piper and he would have to figure out how to break into that magic rock prison, assuming they could find it. Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea. Festus kept flying. The wind got colder, and below them snowy forests seemed to go on forever. Leo didn’t know exactly where Quebec was. He’d told Festus to take them to the palace of Boreas, and Festus kept going north. Hopefully, the dragon knew the way, and they wouldn’t end up at the North Pole. “Why don’t you get some sleep?” Piper said in his ear. “You were up all night.” Leo wanted to protest, but the word sleep sounded really good. “You won’t let me fall off?” Piper patted his shoulder. “Trust me, Valdez. Beautiful people never lie.” “Right,” he muttered. He leaned forward against the warm bronze of the dragon’s neck, and closed his eyes.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
old ladies were just young ladies who’d seen and done more stuff.
Linsey Hall (Forged in Magic (Dragon's Gift: The Protector, #5))
I feel like you have unresolved anger issues with wizards,” I said. “Were you ever scorned in love by a human? Maybe had a Twilight fling?
K.M. Shea (Magic Forged (Hall of Blood and Mercy #1))
Into the blackness of the night, which perhaps mirrors the color of my soul,” Josh morosely said. “You have got to get out more.
K.M. Shea (Magic Forged (Hall of Blood and Mercy #1))
You, dance? I thought you hated parties.” “With you, I would dance until the world ends.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
Doubt is an insidious thing, creeping up when we least expect it. Have faith. Pursue your course of action and trust that you are good enough. You’ve proven it over and over.
Linsey Hall (Forged in Magic (Dragon's Gift: The Protector, #5))
I wonder,” said Crusher slowly, “if the fate of human beings is predetermined by the stars, or do they forge their own destiny? Is there really such a thing as ‘luck’? And what exactly do we mean by the concept of ‘free will’?” Which were all interesting questions, but perhaps not entirely helpful right at that particular moment.
Cressida Cowell
Ahh, yes. Selecting a weapon of destruction that feeds on the lifeblood of its enemies and sings the sweet promise of death is a careful process—though a futile one given the fragile existence we eke out on this dying planet.
K.M. Shea (Magic Forged (Hall of Blood and Mercy #1))
Laila’s desserts, though absent of Forging, were like edible magic. Her cakes took the shape of ballerinas with outstretched arms—their hair spun sugar and edible gold, their skin pale as cream and strewn with sweet pearl dust.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
gurus who will do the simplistic thinking for us and remove us from the suffering that forges larger and larger consciousness. They foster narcissism, naiveté, self-absorption, and indifference to others, promise magic versus the daily work of constructing our lives, and reward us with only superficial engagements with the
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
What was it like?" Manon asked quietly. "To love." ... "It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn't escape it, and knew it would forever change me... greater than rage, than lust, than magic.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
His smile matched the gold in his eyes. “Would you like to dance with me?” “You, dance? I thought you hated parties.” “With you, I would dance until the world ends.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
My love for you is endless, so all-consuming I cannot truly breathe when you’re not near. And all I want is to spend the rest of my life trying to make you smile.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
She threaded it into the music and found the song was different to the one she'd practised. What was coming out of her was new, painful to the touch, as if her fingers were leaving their usual bloodstains on the keys: she was locked in a dark cupboard; watching a picture of her mother curling in the flames of a fire; falling asleep, one hand in Effie's; Attis was reaching out to touch her neck; breaking up pianos in his forge, white keys scattered like bones; there was a small white key she wanted but could not have; a door that was locked, forever.
Cari Thomas (Threadneedle (The Language of Magic, #1))
Killian finally looked up from his paper. “Am I to assume there is some method behind my underlings sending you here?” I set the tray on his impersonally bare desk. “Not one I understand. They seemed to think you need to be entertained—though I’m not sure what they expect me to do.” Up went the edges of Killian’s lips in that mocking almost-a-smile. “Given your unique personality, to be amusing all I imagine you have to do is exist.” I pressed my lips together, making them thin. “It’s not like I go around doing stupid things.” “No,” he agreed. “It’s your propensity to hiss and puff up like a startled kitten when prodded.” “I still don’t understand why you insist on training me if you think I’m so harmless.” “Even when properly trained to the point of being deadly you will still resemble a troubled kitten or puppy,” Killian said. “It is due to your nature rather than your fighting abilities.
K.M. Shea (Magic Forged (Hall of Blood and Mercy #1))
In contrast to mainstream artificial intelligence, I see competition as much more essential than consistency," he says. Consistency is a chimera, because in a complicated world there is no guarantee that experience will be consistent. But for agents playing a game against their environment, competition is forever. "Besides," says Holland, "despite all the work in economics and biology, we still haven't extracted what's central in competition." There's a richness there that we've only just begun to fathom. Consider the magical fact that competition can produce a very strong incentive for cooperation, as certain players spontaneously forge alliances and symbiotic relationships with each other for mutual support. It happens at every level and in every kind of complex, adaptive system, from biology to economics to politics. "Competition and cooperation may seem antithetical," he says, "but at some very deep level, they are two sides of the same coin.
M. Mitchell Waldrop (Complexity: The Emerging Science at the Edge of Order and Chaos)
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
We want union with something, even if the opposite seems true.  Bring two atomic nuclei together and their positive electrostatic forces will repel each other, but, with the patience and strength of the blind god of the galaxies, there comes a point where something bigger takes over and welds them together. Physicists call it the Strong Nuclear Force; I’ve called this magic glue God. All the elements heavier than hydrogen were so formed, forged in the great hearts of the stars: sulphur, potassium, gold, radium. Everything you can think of.  
Sean J. Halford (Stronger Than Lions)
Among the most virulent of all such cultural parasite-equivalents is the religion-based denial of organic evolution. About one-half of Americans (46 percent in 2013, up from 44 percent in 1980), most of whom are evangelical Christians, together with a comparable fraction of Muslims worldwide, believe that no such process has ever occurred. As Creationists, they insist that God created humankind and the rest of life in one to several magical mega-strokes. Their minds are closed to the overwhelming mass of factual demonstrations of evolution, which is increasingly interlocked across every level of biological organization from molecules to ecosystem and the geography of biodiversity. They ignore, or more precisely they call it virtue to remain ignorant of, ongoing evolution observed in the field and even traced to the genes involved. Also looked past are new species created in the laboratory. To Creationists, evolution is at best just an unproven theory. To a few, it is an idea invented by Satan and transmitted through Darwin and later scientists in order to mislead humanity. When I was a small boy attending an evangelical church in Florida, I was taught that the secular agents of Satan are extremely bright and determined, but liars all, man and woman, and so no matter what I heard I must stick my fingers in my ears and hold fast to the true faith. We are all free in a democracy to believe whatever we wish, so why call any opinion such as Creationism a virulent cultural parasite-equivalent? Because it represents a triumph of blind religious faith over carefully tested fact. It is not a conception of reality forged by evidence and logical judgment. Instead, it is part of the price of admission to a religious tribe. Faith is the evidence given of a person’s submission to a particular god, and even then not to the deity directly but to other humans who claim to represent the god. The cost to society as a whole of the bowed head has been enormous. Evolution is a fundamental process of the Universe, not just in living organisms but everywhere, at every level. Its analysis is vital to biology, including medicine, microbiology, and agronomy. Furthermore psychology, anthropology, and even the history of religion itself make no sense without evolution as the key component followed through the passage of time. The explicit denial of evolution presented as a part of a “creation science” is an outright falsehood, the adult equivalent of plugging one’s ears, and a deficit to any society that chooses to acquiesce in this manner to a fundamentalist faith.
Edward O. Wilson (The Meaning of Human Existence)
The dream of transmigration is profound and complex. In it, you forget who you really are. Through this multiplicity of so many transcendental states, you have divided into many sparks with individual consciousness, and you have forgotten your real nature. We are the dream that appeared as an act of magic that has the solemn purpose of awakening you. It is a glorious day when, in small oscillating parts of the dream of infinite immensity, you, the dreamed personage, realize and know that you have been blindly following a forged mental conception—only a figment of a virtual imagination that lacks any real foundations. The individual mind turns and looks at itself as an astral projection or just a hologram, preconceived by the Source of Radiant Essence. In this instant, something we know as Grace happens. The Source floods the mind with dazzling light and destroys the coverings of psychological “I-ness”.
Matias Flury (Downloads From the Nine: Awaken as you read)
The Netflix documentary Sour Grapes is a fascinating insight into this world. A crooked, though brilliant, Indonesian wine connoisseur called Rudy Kurniawan was able to replicate great burgundies by mixing cheaper wines together, before faking the corks and the labels. He was rumbled only when he attempted to fake wines from vintages that did not exist. I am told that it is possible to detect a forged Kurniawan wine by analysing the labels, but not by tasting the wine. I hate to say this, but Rudy was an alchemist. Several experts I have talked to in the high-end wine business regard their own field as essentially a placebo market; one of them admitted that he was relatively uninterested in the products he sold and would sneak off and fetch a beer at premium tastings of burgundies costing thousands of pounds a bottle. Another described himself as ‘the eunuch in the whorehouse’ – someone who was valuable because he was immune to the charms of the product he promoted.
Rory Sutherland (Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life)
In those days there were two dark elves who lived in a fortress by the sea. They did magic there, and feats of alchemy. Like all dwarfs, they built things, wonderful, remarkable things, in their workshop and their forge. But there were things they had not yet made, and making those things obsessed them. They were brothers, and were called Fjalar and Galar. When they heard that Kvasir was visiting a town nearby, they set out to meet him. Fjalar and Galar found Kvasir in the great hall, answering questions for the townsfolk, amazing all who listened. He told the people how to purify water and how to make cloth from nettles. He told one woman exactly who had stolen her knife, and why. Once he was done talking and the townsfolk had fed him, the dwarfs approached. “We have a question to ask you that you have never been asked before,” they said. “But it must be asked in private. Will you come with us?” “I will come,” said Kvasir. They walked to the fortress. The seagulls screamed, and the brooding gray clouds were the same shade as the gray of the waves. The dwarfs led Kvasir to their workshop, deep within the walls of their fortress. “What are those?” asked Kvasir. “They are vats. They are called Son and Bodn.” “I see. And what is that over there?” “How can you be so wise when you do not know these things? It is a kettle. We call it Odrerir—ecstasy-giver.” “And I see over here you have buckets of honey you have gathered. It is uncapped, and liquid.” “Indeed we do,” said Fjalar. Galar looked scornful. “If you were as wise as they say you are, you would know what our question to you would be before we asked it. And you would know what these things are for.” Kvasir nodded in a resigned way. “It seems to me,” he said, “that if you were both intelligent and evil, you might have decided to kill your visitor and let his blood flow into the vats Son and Bodn. And then you would heat his blood gently in your kettle, Odrerir. And after that you would blend uncapped honey into the mixture and let it ferment until it became mead—the finest mead, a drink that will intoxicate anyone who drinks it but also give anyone who tastes it the gift of poetry and the gift of scholarship.” “We are intelligent,” admitted Galar. “And perhaps there are those who might think us evil.” And with that he slashed Kvasir’s throat, and they hung Kvasir by his feet above the vats until the last drop of his blood was drained. They warmed the blood and the honey in the kettle called Odrerir, and did other things to it of their own devising. They put berries into it, and stirred it with a stick. It bubbled, and then it ceased bubbling, and both of them sipped it and laughed, and each of the brothers found the verse and the poetry inside himself that he had never let out.
Neil Gaiman (Norse Mythology)
...and the handsome jester, Devil’s Gold, is shaking his bead-covered rattle, making medicine and calling us by name. We are so tired from our long walk that we cannot but admire his gilded face and his yellow magic blanket. And, holding each other’s hands like lovers, we stoop and admire ourselves in the golden pool that flickers in the great campfire he has impudently built at the crossing of two streets in Heaven. But we do not step into the pool as beforetime. Our boat is beside us, it has overtaken us like some faithful tame giant swan, and Avanel whispers: “Take us where The Golden Book was written.” And thus we are up and away. The boat carries us deeper, down the valley. We find the cell of Hunter Kelly,— . St. Scribe of the Shrines. Only his handiwork remains to testify of him. Upon the walls of his cell he has painted many an illumination he afterward painted on The Golden Book margins and, in a loose pile of old torn and unbound pages, the first draft of many a familiar text is to be found. His dried paint jars are there and his ink and on the wall hangs the empty leather sack of Johnny Appleseed, from which came the first sowing of all the Amaranths of our little city, and the Amaranth that led us here. And Avanel whispers:—“I ask my heart: —Where is Hunter Kelly, and my heart speaks to me as though commanded: ‘The Hunter is again pioneering for our little city in the little earth. He is reborn as the humblest acolyte of the Cathedral, a child that sings tonight with the star chimes, a red-cheeked boy, who shoes horses at the old forge of the Iron Gentleman. Let us also return’.” It is eight o’clock in the evening, at Fifth and Monroe. It is Saturday night, and the crowd is pouring toward The Majestic, and Chatterton’s, and The Vaudette, and The Princess and The Gaiety. It is a lovely, starry evening, in the spring. The newsboys are bawling away, and I buy an Illinois State Register. It is dated March 1, 1920. Avanel of Springfield is one hundred years away. The Register has much news of a passing nature. I am the most interested in the weather report, that tomorrow will be fair. THE END - Written in Washington Park Pavilion, Springfield, Illinois.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.
Jorge Luis Borges
There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound: choosing the right bread for instance. The Sandwich Maker had spent many months in daily consultation and experiment with Grarp the baker and eventually they had between them created a loaf of exactly the consistency that was dense enough to slice thinly and neatly, while still being light, moist and having that fine nutty flavour which best enhanced the savour of roast Perfectly Normal Beast flesh. There was also the geometry of the slice to be refined: the precise relationships between the width and height of the slice and also its thickness which would give the proper sense of bulk and weight to the finished sandwich: here again, lightness was a virtue, but so too were firmness, generosity and that promise of succulence and savour that is the hallmark of a truly intense sandwich experience. The proper tools, of course, were crucial, and many were the days that the Sandwich Maker, when not engaged with the Baker at his oven, would spend with Strinder the Tool Maker, weighing and balancing knives, taking them to the forge and back again. Suppleness, strength, keenness of edge, length and balance were all enthusiastically debated, theories put forward, tested, refined, and many was the evening when the Sandwich Maker and the Tool Maker could be seen silhouetted against the light of the setting sun and the Tool Maker’s forge making slow sweeping movements through the air trying one knife after another, comparing the weight of this one with the balance of another, the suppleness of a third and the handle binding of a fourth. Three knives altogether were required. First there was the knife for the slicing of the bread: a firm, authoritative blade which imposed a clear and defining will on a loaf. Then there was the butter-spreading knife, which was a whippy little number but still with a firm backbone to it. Early versions had been a little too whippy, but now the combination of flexibility with a core of strength was exactly right to achieve the maximum smoothness and grace of spread. The chief amongst the knives, of course, was the carving knife. This was the knife that would not merely impose its will on the medium through which it moved, as did the bread knife; it must work with it, be guided by the grain of the meat, to achieve slices of the most exquisite consistency and translucency, that would slide away in filmy folds from the main hunk of meat. The Sandwich Maker would then flip each sheet with a smooth flick of the wrist on to the beautifully proportioned lower bread slice, trim it with four deft strokes and then at last perform the magic that the children of the village so longed to gather round and watch with rapt attention and wonder. With just four more dexterous flips of the knife he would assemble the trimmings into a perfectly fitting jigsaw of pieces on top of the primary slice. For every sandwich the size and shape of the trimmings were different, but the Sandwich Maker would always effortlessly and without hesitation assemble them into a pattern which fitted perfectly. A second layer of meat and a second layer of trimmings, and the main act of creation would be accomplished.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
No, I don’t want to live a fairy-tale life fashioned of pixie-dust and enchanted forests. I would much rather forge a life out of the dust and grime of this soiled existence, for to fashion a life out of materials such as these is truly magic.
Craig D. Lounsbrough
Everything I’ve ever written has brought me into being. Every project has matured me in a different way. I am who I am today precisely because of what I have made, and what it has made me into. Creativity has hand raised me and forged me into an adult.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
A person can only stave off the impending magic-less fantasy for so long by themselves, before they succumb to it and it becomes their reality. The stardust flicker that glows inside us is not meant to shine alone, and so there are those who fight the good fight in attempt to gather together and forge magic into our realities. Poetic entendre, lapsing into oblivion, suffocating on internal truth with no hope of outside lies.
Cody Edward Lee Miller
My life was freaking scary a lot of the time, but there were perks. Like hellhound sleigh rides beneath a magical sky while dragons protected us from ice mammoths.
Linsey Hall (Forged in Magic (Dragon's Gift: The Protector, #5))
The quest was drawing to a close. Just as well. Nothing worse, as far as he was concerned, than those legends of old when the stalwart, noble adventurers simply went on and on, through one absurd episode after another, with each one serving some arcane function for at least one of the wide-eyed fools, as befitted the shining serrated back of morality that ran the length of the story, from head to tip of that long, sinuous tail. Legends that bite. Yes, they all do. That’s the point of them. But not this one, not this glorious quest of ours. No thunderous message driving home like a spike of lightning between the eyes. No tumbling cascade of fraught scenes ascending like some damned stairs to the magical tower perched on the mountain’s summit, where all truths were forged into the simple contest of hero against villain. Look at us! What heroes? We’re all villains, and that tower doesn’t even exist. Yet.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
Aren't you going to get yourself burnt?" "I don't burn easy." "Forged in the fires of hell and all that?" "Something like that.
Cari Thomas (Threadneedle (The Language of Magic, #1))
Do the daily choices we make determine our path, or is fate universally unavoidable, written in stone by the hand of destiny?
W.K. Clyde (Pangerath: Enter the Dark Wizard : An Epic Magical Fantasy. Unveil ancient secrets, forge unbreakable bonds, and confront the shadows that lurk within.)
No!” he insisted. “A spade is not magic, just because it turns the earth better than your fingers! Iron is not magic, just because it needs a smith’s skill to forge. It is just knowledge.
Adrian Tchaikovsky (Elder Race)
I can, and I will.” He cupped my cheek. “Where you go, I go. I am with you until the end.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
She had heard that the first dragons came from the east, from the Shadow Lands beyond Asshai and the islands of the Jade Sea ... Magic had died in the west when the Doom fell on Valyria and the Lands of the Long Summer, and neither spell-forged steel nor stormsingers nor dragons could hold it back, but Dany had always heard that the east was different. ... "A trader from Qarth once told me that dragons came from the moon," blonde Doreah said...
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
She had heard that the first dragons had come from the east, from the Shadow Lands beyond Asshai and the islands of the Jade Sea ... Magic had died in the west when the Doom fell on Valyria and the Lands of the Long Summer, and neither spell-forged steel nor stormsingers nor dragons could hold it back, but Dany had always heard that the east was different. ... "A trader from Qarth once told me that dragons came from the moon," blonde Doreah said...
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
With you, I would dance until the world ends.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
How I wanted to be loved. I spent years imagining this moment—where a man swept me into his arms and claimed he wanted me. Not for the prestige of the forge maiden. Not for the clout my family brought in Hunter’s Hamlet, or the safety of being surrounded by silver. But for me. Me.
Elise Kova (A Duel with the Vampire Lord (Married to Magic, #3))
I finally did realize that destiny is like metal—seemingly unbendable until you put it under heat and pressure. You can forge it into the shape you want.
Elise Kova (A Duel with the Vampire Lord (Married to Magic, #3))
My duty is seen as more sacred than that of many of the hunters themselves. For I am the one who will arm and armor them for years to come. I know the secrets of the forge. I am the keeper of steel and silver.
Elise Kova (A Duel with the Vampire Lord (Married to Magic, #3))
But he didn’t share them, not before he said to Athalar, “Luna’s Horn was a weapon wielded by Pelias, the first Starborn Prince, during the First Wars. The Fae forged it in their home world, named it for the goddess in their new one, and used it to battle the demon hordes once they made the Crossing. Pelias wielded the Horn until he died.” Ruhn put a hand on his chest. “My ancestor—whose power flows in my veins. I don’t know how it worked, how Pelias used it with his magic, but the Horn became enough of a nuisance for the demon princes that they did everything they could to retrieve it from him.” Ruhn held out his phone, the picture of the illuminated manuscript glaringly bright in the thick shadows. The illustration of the carved horn lifted to the lips of a helmeted Fae male was as pristine as it had been when inked millennia ago. Above the figure gleamed an eight-pointed star, the emblem of the Starborn. Bryce went wholly still. The stillness of the Fae, like a stag halting in a wood.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
They were here to catch a glimpse of the kaleidoscope of color within their souls. To examine closely the beauty that lurks inside all of us but is rarely seen. They were here to explore the radiant spectrum of their inner selves, to uncover a magical primal strength inherited from their ancestors. They sought treasures buried in caves that many feared to enter.
Ronald Duren Jr. (The Art of Forging Mettle: A Blueprint for the Evolution of Mental Toughness and Leadership for a Shifting World)
Being an ARC reader is more than just a hobby; it's a passion that intertwines my love for literature with the thrill of discovery. There's something truly magical about delving into the pages of a book before it reaches the hands of the masses, experiencing its narrative unfold like an exclusive journey just for me. But what truly warms my heart is the connection forged with authors. To receive their work before the world does and to have the opportunity to offer my thoughts is an honor in itself. Yet, it's the gesture of appreciation that follows which truly makes my day. When authors take the time to send me a complimentary signed copy of their book after my review, it's a testament to the bond between reader and writer, a token of gratitude that resonates deeply. Each signed book I receive holds not just a story within its pages, but also the author's acknowledgment of my contribution to their journey. It's a tangible reminder of the impact words can have, both in the creation and reception of art. To hold such a book in my hands is to feel the weight of appreciation, the validation of my perspective, and the joy of being a part of something bigger than myself. In those moments, I'm reminded of the power of literature to connect us, to bridge the gap between creator and consumer, and to remind us all of the beauty in sharing stories. It's a feeling that leaves me humbled, grateful, and eager to continue my journey as an ARC reader, cherishing each signed book as a cherished token of the bond between author and reader.
Chantelle Blackburn
And though forging new ones requires a combination of dedication and luck, it’s so much easier to focus on the former. To think of friendship as a kind of magic, when it’s really closer to alchemy.
Bobby Finger (The Old Place)
Norse mythology and the Western literatures recognize the dwarf as a skilled artisan and renowned smith. These creatures have crafted the most important objects owned by the gods: Thor’s hammer (Mjöllnir), Odin’s spear (Gungnir), Freyr’s boat (Skiðblaðnir), and Freya’s necklace (Brisingamen). In order to obtain this last object, Brisingamen, the goddess had to sleep with each of the four dwarfs that had made it. Dwarfs crafted the golden hair for Thor’s wife, Sif, and they forged the ring Draupnir and a boar with gold bristles (Gullinbursti). Each of these objects was endowed with magical properties, which strongly suggests that the dwarfs knew magic (although we should also note that smiths have always had the reputation of being part sorcerer, as Mircea Eliade has clearly shown50
Claude Lecouteux (The Hidden History of Elves and Dwarfs: Avatars of Invisible Realms)
Tough break on the family,” Osvaldo said, breaking the silence. Max choked on an unexpected laugh. “Yeah, Kitris for an old man?” Joshua added, nose wrinkling. “That is tough,” Bryce agreed. He was standing nearby. “Family evenings would be mathematical quizzes.” Max groaned, trying not to laugh. It was too easy to imagine. Kitris had tested her often enough about the magical formulas she had failed to learn.
Vanessa Nelson (Forged (The Grey Gates, #4))
Even small steps such as these can give you an uplifting sense that you are making change and can be catalysts for re-forging your future. No time? Too tired? Worried nobody will want to speak with you? Then allow Goethe to lead the way. He understood the wisdom of acting now, reflecting later: Then indecision brings its own delays, And days are lost lamenting o’er lost days. Are you in earnest? Seize this very minute; What you can do, or dream you can, begin it; Boldness has genius, power and magic in it.
Roman Krznaric (How to Find Fulfilling Work (The School of Life))
He’d bought a ton of silver to forge magic swords that would slay the Stark wargs.
George R.R. Martin (A Game of Thrones / A Clash of Kings / A Storm of Swords / A Feast for Crows (A Song of Ice and Fire #1-4))
Thanksgiving has become the first day of what in now thought of as the “Holy or Holiday Season.” The “holidays” as they are generally known, are an annually recurring period of time from late November to early January. These days are also recognized by many other countries as well, with the “Christmas Tree” and all the trimmings, generally being considered secular. This period of time incorporates the shopping days, which comprises a peak season for the retail market. Regardless of religious affiliation, children and adults alike enjoy the many window displays and Christmas tree lighting ceremonies. To a great extent it really doesn’t matter that there are still some people believing that the commercialism of these holidays is blasphemy and that they should be reserved strictly for worship. There are virtually, no valid reasons why we can’t all enjoy these days in our own way. Children of all faiths and ages should be able to understand the true meaning and still be able to enjoy the music, surprises and magic of the season… This year we are again faced with a severely, politically divided country; with a great number of people fearing for their future. It might be too much to hope for, that politicians will be able to put aside their differences. Unfortunately many of them still believe that their hypocritical concept of Christianity is greater than that of their opposition. Regardless, they should however understand that we are all equal in the eyes of God as well as the law, and that America was built by a diverse people. Let us not slip back into a newer form of “Small Minded Bigotry,” but rather forge ahead in a unified way making our country stronger. The time has come to energize our nation by rebuilding our bridges and highways. Rebuilding our airports, investing in high-speed trains, and making education affordable is the way to a more productive future. If we head down this ambitious path of development, we will create jobs and put more people to work. It will help the middle class to regain their footing and it will strengthen our slowly growing economy. When our citizens earn more, the economy will lift us all out of the recession that so many.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
Through the Forging spell, Emarion was broken up into nine realms, each named for one of the Kindred and infused with its patron god’s or goddess’s respective magic.
Penn Cole (Spark of the Everflame (Kindred's Curse, #1))
What was it like? Manon asked quietly. To love.... “It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling…I loved her, too. I loved her in a way I cannot describe- other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
What was it like?” Manon asked quietly. “To love.” “It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling… I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
CHAPTER TWENTY-SIX The inheritance syndrome is a condition where those resurrected by a sacrificium potion inherit the Willing’s memories, emotions, magic, and, in some cases, magic-forged commitments unaffected by death. —The Unofficial Guide to Post-Resurrection Care
Bethany Baptiste (The Poisons We Drink)
Dear reader, Grab a blanket, a mug of tea, and say goodbye to brutal kings and hello to grumpy village blacksmiths.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
There would always be those who'd rather die fighting for a king than live bowing to a queen.
Katelyn Schoumaker (Forged in Gold)
CHAPTER FIVE Mediums use a summoning spell to slit through the veil between the living world and the spirit one. Familiar-forging happens when a Spirit pledges servitude to a bloodline, earning the physical form of an animal or, in rarer cases, an agathion. Very few can switch between the two. A familiar’s assigned appearance and speaking ability are contingent upon a medium’s mastery and magic strength. Years of servitude fortify magic strength. Anima does not exist in familiars because they are extraplanar spirits, not living beings. Their essence is loyalty. —Witcherpedia, an online witchery encyclopedia
Bethany Baptiste (The Poisons We Drink)
magical
Samuel DenHartog (Apprentice to the Wizard: A Forge Your Own Path Book)
It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn't escape it. [...] I loved [...] in a way I cannot describe - other than to tell you that it was the most powerful thing I've ever felt, greater than rage, than lust, than magic.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I’m assuming you have some secret magical way of dealing with the negative health effects of all those cigarettes.' 'It’s kind of you to ask. I sacrifice a virgin schoolgirl every other fortnight by the light of a gibbous moon, using a silver scalpel forged by Swiss albinos. Who are also virgins. Clears my little lungs right up.
Lev Grossman (The Magicians (The Magicians, #1))
Technomancy, which had been in old days the magic of letters and forged things, and was now the magic of words and machines and miscroscopic knives and wires.
Elizabeth Bear (All the Windwracked Stars (The Edda of Burdens, #1))
Melody has been forged in pain her entire life. We need to temper the blade now, to help her grow into who she needs to be, who she was meant to be from the start. Had Georgia not reared her ugly head, Melody would have grown into an extraordinary witch under her mother’s tutelage. However, I think this version of her will be even better. Do I regret her pain? With every fibre of my being, but I will not dismiss who she’s become, and who she’s becoming.
Jade Thorn (Civil Contempt (Of Magic and Contempt, #3))
They are stuck in the past, while you, darling, forge the future.
Maya Realm (Roam Within: Macallah and the White World of Light)
You’ve been forged in despair, Yza, and tempered in hardship. It’s made you considerate in ways many wouldn’t be. That is why we were given a power that could not just feed a nation, but temper it, too. Because you, of all people, will use it for good.
Diana Pinguicha (A Curse of Roses)
His breathing was ragged and his hair was mussed, but he’d never looked more handsome.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
You’ll have to sit on my lap,” he finally said.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
You’re supposed to pour it into the bowl, not on your face,” I said. He waved at the fog of flour and slowly approached, like a wolf stalking his prey. “Oh, is that so?” “Now Rivelin. Wait—” He took his flour-dusted hand and smeared it across my face.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
But as she moved away, she rubbed her hand along her hip—right where a dagger would normally reside.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
And it’s a good thing I did. I doubt your neighbors would be thrilled with noisy pounding all night.” Something flashed in his eyes. “If it came from inside the house, I doubt they’d hear.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
I wouldn’t do that to the Daella I thought I knew,” he said in a rough voice, “but after what’s happened today, I don’t see how that Daella wasn’t a lie.
Jenna Wolfhart (Forged by Magic (Falling for Fables, #1))
Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.
Daniel Thomas
It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling … I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.” A soft smile. “I’m surprised you’re not giving me the ‘Obedience. Discipline. Brutality’ speech.
Sarah J. Maas (Throne of Glass)
The magic of this life isn’t found in the hustle and bustle of constant activity but in the intentional, ordinary decisions of our days.
Ainsley Arment (The Wild and Free Family: Forging Your Own Path to a Life Full of Wonder, Adventure, and Connection)
The magic of this life isn't found in the hustle and bustle of constant activity but in the intentional, ordinary decisions of our days.
Ainsley Arment (The Wild and Free Family: Forging Your Own Path to a Life Full of Wonder, Adventure, and Connection)
It seemed as if doggystyle was her favorite position because she couldn't see who was behind her. She kept playing Snoop Dogg's song, “What's My Name?”. It seemed as if she was referring to my signature being forged and still being on the club and she knew perfectly. As if she was referring to all the dogs eager to breed in the video running after something after someone had let them out. As Snoop Dogg is magically transforming into a Doberman dog in the music video, just like the kind of dogs the Nazis had. I just realize Martina’s dog, Chicha was all black and her cat Anouki was all black too, just like the night Sky, just like the dark, empty, cold Space. The total darkness the canvas, on which our planet is just a pinhead. This rock. This sizzling rock. Spinning. Turning. Leaning. Following the Sun. Lost in the infinite nothingness. Ain’t like a balloon which has nothing inside. All the nothing is outside, all the cold and dark and wide and empty and vile. All the dark forces all the nights, all the known universe and beyond, is located here, inside. Iron comes from Outer Space, it is not a local material on this planet. Each one of us has iron inside a “kickstart-molecule” located in our hearts. Without iron, there would be no life. Are we locals on this planet? To what degree? Since when? I noticed three members of the Camorra in our street and the street parallel to it, casually passing by. I even nodded to one or two of them, since we already knew each other from the club where I hadn't been since Adam and I had our disagreement. Later that night, while I was waiting for Martina in vain, I noticed two to three of the Camorra's soldiers living a few houses down our street. From the rooftop, and our bedroom that was higher than theirs, I could see into their living room. I couldn't help but wonder whether this was a mere coincidence, or if Adam and Martina had found our new home together, hanging out in Nico’s store, and so we moved on the Mountain of Jews, on purpose, perhaps, knowing that the Camorra’s men were living almost right in front of us. No accidents. When I told Martina about the Camorra’s guys living across the street, Martina couldn’t have cared less. It was almost as if she never considered her life being in danger in Barcelona, Europe, but only mine. I had felt before like Adam had used my skin to make money, while I was the one walking around the streets, spotting tourists usually having fun, not thinking about how I was working hard to make their “unreachable” happiness come true. This time, however, I felt both stuck in our home, feeling helpless to make Martina happy and the outside world offered her much better chances to have fun and find a rich guy or any other smoker club manager with her beauty.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
I might be the forge maiden, but I am no delicate flower. I am as cold as silver. As strong as iron. I will bend for destiny, but not for any man. CHAPTER 2 No one notices my white knuckles; they’re too busy cheering.
Elise Kova (A Duel with the Vampire Lord (Married to Magic, #3))
Early on, advocates of big bang cosmology realized that the universe is evolutionary. In the words of one famous cosmologist, George Gamov, “We conclude that the relative abundances of atomic species represent the most ancient archaeological document pertaining to the history of the universe.” In other words, the periodic table is evidence of the evolution of matter, and atoms can testify to the history of the cosmos. But early versions of big bang cosmology held that all the elements of the universe were fused in one fell swoop. As Gamov puts it, “These abundances …” meaning the ratio of the elements (heaps of hydrogen, hardly any gold—that kind of thing), “… must have been established during the earliest stages of expansion, when the temperature of the primordial matter was still sufficiently high to permit nuclear transformations to run through the entire range of chemical elements.” It was a neat idea, but very wrong. Only hydrogen, helium, and a dash of lithium could have formed in the big bang. All of the elements heavier than lithium were made much later, by being fused in evolving and exploding stars. How do we know this? Because at the same time some scholars were working on the big bang theory, others were trying to ditch the big bang altogether. Its association with thermonuclear devices made it seem hasty, and its implied mysterious origins tainted it with creationism. And so, a rival camp of cosmologists developed an alternate theory: the Steady State. The Steady State held that the universe had always existed. And always will. Matter is created out of the vacuum of space itself. Steady State theorists, working against the big bang and its flaws, were obliged to wonder where in the cosmos the chemical elements might have been cooked up, if not in the first few minutes of the universe. Their answer: in the furnaces of the very stars themselves. They found a series of nuclear chain reactions at work in the stars. First, they discovered how fusion had made elements heavier than carbon. Then, they detailed eight fusion reactions through which stars convert light elements into heavy ones, to be recycled into space through stellar winds and supernovae. And so, it’s the inside of stars where the alchemist’s dream comes true. Every gram of gold began billions of years ago, forged out of the inside of an exploding star in a supernova. The gold particles lost into space from the explosion mixed with rocks and dust to form part of the early Earth. They’ve been lying in wait ever since.
Mark Brake (The Science of Harry Potter: The Spellbinding Science Behind the Magic, Gadgets, Potions, and More!)