Streak End Quotes

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Please, don't worry so much. Because in the end, none of us have very long on this Earth. Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day... make a wish and think of me. Make your life spectacular.
Robin Williams
Am I ever going to see you again?" Hideo asks him. In his voice is his lost self, the boy who grew up with a silver streak of grief in his hair. And that's when I realize that, at the end, we'd all wish for the same thing. Just a little more time.
Marie Lu (Wildcard (Warcross, #2))
And also, one is a mother in order to understand the inexplicable. One is a mother to lighten the darkness. One is a mother to shield when lightning streaks the night, when thunder shakes the earth, when mud bogs one down. One is a mother in order to love without beginning or end.
Mariama Bâ (So Long a Letter)
Because of a streak of dreaminess and a gentle abstraction in his nature, Victor in any queue was always at its very end. He had long since grown used to this handicap, as one grows used to weak sight or a limp.
Vladimir Nabokov (Pnin (Everyman's Library))
She felt as if she had been crying without end for minutes now. Yet this parting, this final farewell ... Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other. “I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.” “We will see you again,” Chaol said, but even his voice was thick with tears. “Together,” Dorian breathed, shaking. “We’ll rebuild this world together.” She couldn’t stand it, this ache in her chest. But she made herself pull away and smile at their tear-streaked faces, a hand on her heart. “Thank you for all you have done for me.” Dorian bowed his head. “Those are words I’d never thought I’d hear from you.” She barked a rasping laugh, and gave him a shove. “You’re a king now. Such insults are beneath you.” He grinned, wiping at his face. Aelin smiled at Chaol, at his wife waiting beyond him. “I wish you every happiness,” she said to him. To them both. Such light shone in Chaol’s bronze eyes—that she had never seen before. “We will see each other again,” he repeated. Then he and Dorian turned toward their horses, toward the bright day beyond the castle gates. Toward their kingdom to the south. Shattered now, but not forever. Not forever.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Unhappy endings might seem more realistic than happy ones, but reality often contained a streak of fantasy that realism lacked.
Salman Rushdie
The evening sky was streaked with purple, the color of torn plums, and a light rain had started to fall when I came to the end of the blacktop road that cut through twenty miles of thick, almost impenetrable scrub oak and pine and stopped at the front gate of Angola penitentiary.
James Lee Burke (The Neon Rain (Dave Robicheaux, #1))
I've often told people that the greatness of this football program will emerge when The Streak ends. I hope you will all live up to that. It's all numbers. It's nothing. It's not what we're about. It's not what this school represents." -Coach Frank Allocco
Neil Hayes (When the Game Stands Tall, Special Movie Edition: The Story of the De La Salle Spartans and Football's Longest Winning Streak)
What he longs for instead, as he sits at the food-strewn table, is winter, winter itself. He wants the essentiality of winter, not this half-season grey selfsameness. He wants real winter where woods are sheathed in snow, trees emphatic with its white, their bareness shining and enhanced because of it, the ground underfoot snow-covered as if with frozen feathers or shredded cloud but streaked with gold through the trees from low winter sun, and at the end of the barely discernible track, along the dip in the snow that indicates a muffled path between the trees, the view and the woods opening to a light that’s itself untrodden, never been blemished, wide like an expanse of snow-sea, above it more snow promised, waiting its time in the blank of the sky.
Ali Smith (Winter (Seasonal, #2))
I’ve seen thousands of mortal girls,” he said softly, “more than you could ever count, from all corners of your world. To me, they’re all the same.They see only this outer shell, not who I really am, beneath. You have. You’ve seen me without the glamour and the illusions, even the ones I show my family, the farce I maintain just to survive. You’ve seen who I really am, and yet, you’re still here. You’re here, and the only dance I want is this one." "For better or worse, I’m afraid you’re stuck with me now." "I plan to keep you, from everyone, for as long as I’m alive. That includes Puck, the false king, and anyone else who would take you away. I guess I should’ve warned you that I have a slight possessive streak." “My name is Ashallyn’darkmyr Tallyn, third son of the Unseelie Court. Let it be known—from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on…I am yours.” “My life…everything I am…belongs to you.” “I will always be your knight, Meghan Chase. And I swear, if there is a way for us to be together, I will find it. No matter how long it takes. If I have to chase your soul to the ends of eternity, I won’t stop until I find you, I promise.
Julie Kagawa
She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.
Flannery O'Connor (The Complete Stories)
The sun is at the horizon now, and the sky streaks with reds and golds. The whole world seems to be wearing a halo, and for a second I let myself savor it. I let myself believe. Alexei's arm is warm around my shoulder and a cool breeze blows in off the sea. Between us, we speak seven different languages, but not a one of us says a word. We sit in silence as the sun sets, marking the end of this day. Marking the beginning of everything else.
Ally Carter (Take the Key and Lock Her Up (Embassy Row, #3))
Um, you don’t have to join me, but if you’re looking for a table, there are a couple good seats over there.” He nodded toward the far end.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Streaking away from this moment are dozens of possible futures, each waiting to be conjured into existence by a random event, an idle phrase, a miscommunication or an overheard conversation.
Stuart Turton (The Last Murder at the End of the World)
Cancer, he’d said near the end, is the great equalizer. It doesn’t care who you are or what kind of salary you make. It doesn’t give one damn if you are a good person or a bad one. It is the ultimate villain because it’s not capable of mercy. It only knows how to destroy and that’s exactly what it does. Destroys everything.
Kristine Wyllys (Losing Streak (The Lane, #2))
I waited for the Earth to stop spinning, for the rift to open and swallow us. Yet the ash tree remained framed in the window, refused to fall. Rain streaked the glass. Blood throbbed in my ears. Preternatural silence. The cruellest April. I was not deceived. What I saw was samsara, illusion. The world had ended. I was sure of it.
John Dolan (A Poison Tree (Time, Blood and Karma, #3))
Directly overhead the Milky Way was as distinct as a highway across the sky. The constellations shown brilliantly, except the north, where they were blurred by the white sheets of the Aurora. Now shimmering like translucent curtains drawn over the windows of heaven, the northern lights suddenly streaked across a million miles of space to burst in silent explosions. Fountains of light, pale greens, reds, and yellows, showered the stars and geysered up to the center of the sky, where they pooled to form a multicolored sphere, a kind of mock sun that gave light but no heat, pulsing, flaring, and casting beams in all directions, horizon to horizon. Below, the wolves howled with midnight madness and the two young men stood in speechless awe. Even after the spectacle ended, the Aurora fading again to faint shimmer, they stood as silent and transfixed as the first human beings ever to behold the wonder of creation. Starkmann felt the diminishment that is not self-depreciation but humility; for what was he and what was Bonnie George? Flickers of consciousness imprisoned in lumps of dust; above them a sky ablaze with the Aurora, around them a wilderness where wolves sang savage arias to a frozen moon.
Philip Caputo (Indian Country)
Her breathing was so anxious through the end, her anxiety the last to leave the body. But shortly thereafter, when her partner had gone to tell the nurses it was over, I felt her streak past, right by me. Finally you're free of all this, I thought.
Ia Genberg (The Details: A Novel)
The idea is that people remember two things about an experience: the peak, and the end. In a poker game, when people think about another player they'll mostly remember any really good hands that the player got, and how he was doing at the end of the game. You took care to win only on believable hands and to leave on a losing streak—you completely blanked their peak-end retention.
Anonymous
We were fascinated by the little glass spheres, by those dark waves of color, some narrow and drawn out into several swirls, and others that widened out in the center of the marble into a single bundle and thinned out smoothly at the ends. There were reddish streaks in Añuco's new marbles, but in the cloudy, chipped ones the bands of color also appeared, strangely and inexplicably.
José María Arguedas (Antología poética)
She took him to places inside a shaded room that he’d only dimly imagined might exist, and while there in sweaty reality he reclined like a pasha of lust, a man lost to squirts, sighs, fresh angles of entry and the enveloping stink, and to find this carnal enchantment for the first time at his age was to welcome a streaking of madness into his life—madness he prayed had no end now that it had begun.
Daniel Woodrell (The Maid's Version)
He’ll protect me until his dying breath. He’s too good. Too good for me, that’s for fucking sure. I finally meet a decent, hardworking, adorable man with a chivalrous streak a mile long to boot and he ends up being my adopted brother. And a werewolf, but nobody’s perfect.
Anonymous
How much are you lifting?” “Seven hundred.” Alrighty then. I will just stand over here, out of your way, and hope you don’t remember my promise to kick your ass. He grinned. “Wanna spot me?” “No thanks. How about I just scream verbal encouragements at you?” I took a deep breath and barked. “No pain, no gain! That pain is just weakness leaving your body! Come on! Push! Push! Make that weight your bitch!” He cracked up. The weight stopped, perilously close to his chest, while he shook with laughter. I stepped up and grabbed the bar. It put me into an incredibly compromising position, since his head was really close to my thighs and the area directly above them, but I didn’t want to explain to a rabid Pack how I was responsible for the Beast Lord crushing his chest with a weight bar. I put my back into it. There was no way in hell I could ever pull it up without him pushing. The bar crept up very slowly. “Curran, stop playing and lift.” I looked down and saw him looking straight at me. He had a smile on his face. The sight of me puffing and straining apparently amused him to no end. He raised the bar up and slid it into the twin forks on the side of the bench. I beat a hasty retreat, putting a few feet between him and me. He sat, pulled his shirt off, and used it to wipe the sweat off his chest. Slowly. Flexing a bit for my benefit. I turned around and looked at the scenery. Having a streak of drool hang from my mouth would seriously cramp my style. Besides, if he full-out flexed, I would probably faint. Or jump off the building.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I admit it - there was a streak of sadism in my lusts. There was the taint of vanity. I choose ordinary men who would not refuse; who would feel lucky to have me. I did not thrill to the sight of their flesh - which was either bulky or scrawny but always abashed and grateful - so much as I did to the fact of their capture.
Michael Cunningham (A Home at the End of the World)
She sees and hears this by direct gathering, through her limbs. The fires will come, despite all efforts, the blight and windthrow and floods. Then the Earth will become another thing, and people will learn it all over again. The vaults of seed banks will be thrown open. Second growth will rush back in, supple, loud, and testing all possibilities. Webs of forest will swell with species shot through in shadow and dappled by new design. Each streak of color on the carpeted Earth will rebuild its pollinators. Fish will surge again up all the watersheds, stacking themselves as thick as cordwood through the rivers, thousands per mile. Once the real world ends.
Richard Powers (The Overstory)
No—I’ve got it,” Jill announced, interrupting my musing. “He’s a vampire.” I laughed again, feeling there was no end to the outrageous, ridiculous excuses we were coming up with. “Seriously, it makes sense. He’s always tired and pale, and keeps himself away from people so he won’t bite them....Maybe that’s what he’s doing when he disappears. Getting his fix of blood.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Streaking away from this moment are dozens of possible futures, each waiting to be conjured into existence by a random event, an idle phrase, a miscommunication, or an overheard conversation.
Stuart Turton (The Last Murder at the End of the World)
There was a wonderful sunset across the distant sky, reflected in the sea, streaked with blood and puffed with avenging purple and gold as if the end of the world had come without intruding on every-day life.
Muriel Spark (The Prime of Miss Jean Brodie)
The formula was the same formula we see in every election: Republicans demonize government, sixties-style activism, and foreigners. Democrats demonize corporations, greed, and the right-wing rabble. Both candidates were selling the public a storyline that had nothing to do with the truth. Gas prices were going up for reasons completely unconnected to the causes these candidates were talking about. What really happened was that Wall Street had opened a new table in its casino. The new gaming table was called commodity index investing. And when it became the hottest new game in town, America suddenly got a very painful lesson in the glorious possibilities of taxation without representation. Wall Street turned gas prices into a gaming table, and when they hit a hot streak we ended up making exorbitant involuntary payments for a commodity that one simply cannot live without. Wall Street gambled, you paid the big number, and what they ended up doing with some of that money you lost is the most amazing thing of all. They got America—you, me, Priscilla Carillo, Robert Lukens—to pawn itself to pay for the gas they forced us to buy in the first place. Pawn its bridges, highways, and airports. Literally sell our sovereign territory. It was a scam of almost breathtaking beauty, if you’re inclined to appreciate that sort of thing.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
Shadows ran all around her and someone was talking to her but it was all just white noise. Goodbye solo she would never perform. Goodbye perfect night that never got the chance to end in Garrett’s arms. Garrett, oh god. Goodbye love of her life, she had loved him and with the thought of never seeing him again her body gave up a single tear. It escaped her eye and coursed through the blood and dirt on her cheek making a single clean streak as the blackness took over.
Renee Jean (Never Give Up)
Did I ruin it?” “Ruin what?” he asks. “Us.” “Addie.” He grabs her shoulder. She turns, expecting to see his face streaked with anger, but it’s steady, smooth. “It was just a fight. It’s not the end of the world. It’s certainly not the end of us.
V. E. Schwab
I had reached the end if the trail and the dead end of Willow Glen Road, which meant I had a long way to go, most of it uphill. I heard a bicycle, and because sometimes the world gives you what you want, the bicycle that streaked into view held Amiel.
Laura McNeal (Dark Water)
That first bite of fat-streaked tuna sushi was a culinary epiphany. It was as though I had been wearing a mitten on my tongue all those years and had suddenly taken it off. The velvety fish had a rare beef-like core surrounded by a creamy richness from the marbled fat. The lightly vinegared rice and earthy soy were like exclamation points at the end of a perfect sentence. The wasabi added a final unexpected prickle of heat that kindled my desire for more. That night I promised myself that one day I would eat sushi in Japan.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
You all know and lived the 'secrets' to De La Salle's success-love, brotherhood, sacrifice, discipline, heart, courage, passion, honesty. These are not just 'catch words' we throw around to impress others or justify our existence. We know what these mean because we created it and lived it. Understand that with that knowledge there is no turning back for us-ignorance is not an option. It is your future duty, no matter where you end up, to create the environment you have created here by bringing your best selves to the table.
Neil Hayes (When the Game Stands Tall, Special Movie Edition: The Story of the De La Salle Spartans and Football's Longest Winning Streak)
Pull-heavy, right-handed hitters should also have seen shifts, but rarely did. According to BIS’s database, the first shift employed against a right-handed hitter in the modern era didn’t occur until June 11, 2009, when the Phillies shifted left against Gary Sheffield.
Travis Sawchik (Big Data Baseball: Math, Miracles, and the End of a 20-Year Losing Streak)
McCain said the lower gas prices were sitting somewhere under the Gulf of Mexico. Obama said they were sitting in the bank accounts of companies like Exxon in the form of windfall profits to be taxed. The formula was the same formula we see in every election: Republicans demonize government, sixties-style activism, and foreigners. Democrats demonize corporations, greed, and the right-wing rabble. Both candidates were selling the public a storyline that had nothing to do with the truth. Gas prices were going up for reasons completely unconnected to the causes these candidates were talking about. What really happened was that Wall Street had opened a new table in its casino. The new gaming table was called commodity index investing. And when it became the hottest new game in town, America suddenly got a very painful lesson in the glorious possibilities of taxation without representation. Wall Street turned gas prices into a gaming table, and when they hit a hot streak we ended up making exorbitant involuntary payments for a commodity that one simply cannot live without.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
Serena and Jimena walked into the crowd, strides long and seductive. Jimena wore a silver bustier and capris with matching sandals. Her hair was rolled on top of her head with glitter and jewels. Curls bounced with each step. Her face gleamed; her full lips sparkled. The tattoos on her arms seemed iridescent. She whooped and squealed and gave Serena a high five. Serena had moussed her hair so it stood on end. Streaks of orange glitter shot from her temples into her hair. She wore a yellow tulle skirt over a sheer, clingy red dress and looked like a walking flame.
Lynne Ewing (Goddess of the Night)
Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.
Mark Z. Danielewski (Only Revolutions)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
Annie Dillard (Pilgrim at Tinker Creek)
Still, self-giving is not always so simple in practice. People sometimes give generously of themselves, without experiencing the happiness promised by the Gospel. Instead they encounter sorrow, fatigue, and frustration. Their own needs are forgotten; they themselves are ignored. We have all heard a generous person explode with anger and exclaim. “I’m fed up with waiting on everyone else, with having to do all the dirty work, with being taken for granted and never so much as hearing ‘thank you’!” Self-giving can end like that when it is not freely chosen or when it is chosen out of some motive other than disinterested love—fear of saying no and not being accepted, emotional dependence, a perfectionist streak rooted in pride, a sense of indebtedness, the notion that to save others we need to please them, or else the desire to teach others a lesson by shaming them. There is even such a thing as calculated generosity that resembles a kind of unconscious bargaining: I will give myself to you, provided you give me the emotional gratification or the ego boost that I crave. It is important to examine our motives and rid ourselves of such imperfect ones, so that our self-giving can become truly free and disinterested.
Jacques Philippe (Called to Life)
Know that sometimes we must break to be forged into who we were meant to be,” she said, streaks of violet flickering in her eyes like lightning cutting through the flecks of gold. Then she bent and pressed her lips to Tessa’s brow. “You will break, Tessalyn. Make sure you get back up and take what is yours.
Melissa K. Roehrich (Rain of Shadows and Endings (Legacy, #1))
He’s a vampire.” I laughed again, feeling there was no end to the outrageous, ridiculous excuses we were coming up with. “Seriously, it makes sense. He’s always tired and pale, and keeps himself away from people so he won’t bite them....Maybe that’s what he’s doing when he disappears. Getting his fix of blood.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
He's prowling back and forth like a lion with distemper now. There's a shiny streak down one side of his face. "I shouldn't have let her go ahead - I ought to be hung! Something's gone wrong. I can't stand this any more!" he says with a choked sound. "I'm starting now -" "But how are you -" "Spring for it and fire as I go if they try to stop me." And then as he barges out, the fat lady waddling solicitously after him, "Stay there; take it if she calls - tell her I'm on the way-" He plunges straight at the street-door from all the way back in the hall, like a fullback headed for a touchdown. That's the best way. Gun bedded in his pocket, but hand gripping it ready to let fly through lining and all. He slaps the door out of his way without slowing and skitters out along the building, head and shoulders defensively lowered. It *was* the taxi, you bet. No sound from it, at least not at this distance, just a thin bluish haze slowly spreading out around it that might be gas-fumes if its engine were turning; and at his end a long row of un-colored spurts - of dust and stone-splinters - following him along the wall of the flat he's tearing away from. Each succeeding one a half yard too far behind him, smacking into where he was a second ago. And they never catch up. ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
La mala racha" Mientras dura la mala racha pierdo todo. Se me caen las cosas de los bolsillos y de la memoria: pierdo llaves. lapiceras, dinero, documentos, nombres, caras, palabras. Yo no se si será gualicho de alguien que me quiere mal y me piensa peor, o pura casualidad, pero a veces el bajón demora en irse y yo ando de pérdida en pérdida, pierdo lo que encuentro, no encuentro lo que busco, y siento mucho miedo de que se me caiga la vida en alguna distracción. "When Luck Runs Out” During streaks of bad luck, I lose everything. Things fall out of my pockets and my memory: I lose keys, pens, money, documents, names, faces, words. I don’t know whether someone wishes me harm and has put the evil eye on me or whether it’s pure happenstance, but sometimes this slump just won’t end and I lose one thing after another. I lose what I find, I can’t find what I’m looking for, and I’m quite afraid of losing life through some little hole in my pocket.” Eduardo Galeano: El libro de los abrazos (The Book of Embraces)
Eduardo Galeano
One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light
Émile Zola (Delphi Complete Works of Emile Zola)
He turned out the lamps and walked down to his bedroom. He had no preliminary sketch of an idea, not a scrap, not even a hunch, and he would not find it by sitting at the piano and frowning hard. It could come only in its own time. He knew from experience that the best he could do was relax, step back, while remaining alert and receptive. He would have to take a long walk in the country, or even a series of long walks. He needed mountains, big skies. The Lake District, perhaps. The best ideas caught him by surprise at the end of twenty miles, when his mind was elsewhere. In bed at last, lying on his back in total darkness, taut, resonating from mental effort, he saw jagged rods of primary color streak across his retina, then fold and writhe into sunbursts.
Ian McEwan (Amsterdam)
Gorge after gorge, turning, turning. Caverns of sunset, falling, falling away—just a single vast gold air breathed out by beings—they must have been marvelous beings, those gold-breathers. Down. Purple-and-green islands. Cleft and groined and gigantically pocked like something left behind after all the oceans vanished one huge night: the mountains. Their hills fold and fold again, fold away, down. Folded into the dens and rocks of the hills are ghost towns. Broken streets end in them, like a sound, nowhere. Shadow is inside. We walk (oh quietly) even so—breaking lines of force, someone’s. Houses stand in their stones. Each house an empty socket. Some streaked with red inside. Words once went on in there—no. I don’t believe that. Words never went on in there.
Anne Carson (Plainwater: Essays and Poetry)
As we walked homeward across the fields, the sun dropped and lay like a great golden globe in the low west. While it hung there, the moon rose in the east, as big as a cart-wheel, pale silver and streaked with rose color, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world. In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there.
Willa Cather (My Ántonia)
She was a mimicry of a façade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...
H.T. Martin
going on. Models had always been different each year, but consistently solid and square, usually black or dark green. Suddenly a completely new generation was on gleaming display – wider and softer than ever. I’ve looked at the advertisements for that year. The earthy colours of previous decades were replaced by pastels, pinks and pale blues. The Chevrolet Bel Air and the Pontiac Star Chief, with their Strato-Streak V8 engines, were available in ‘Avalon Yellow’ as well as ‘Raven Black’. The new models had rounded, panoramic windscreens and, in the case of the new Cadillac, a strange rear end with tail fins like a fighter plane. Sales soared, rising by thirty-seven per cent between 1954 and 1955 alone. People were no longer so concerned about technology and durability; it was more
Geert Mak (In America: Travels with John Steinbeck)
Girl dancer! Oh you shifting Of all that passes into steps: how you manage that! And the eddy at the end, a tree made from a vortex, Does it not take full possession of the swirling year? And the tip of your tree, does it not blossom Quietly above you, from your spinning? Is it not Your limitless warmth, the sun, The summer, its heat? But your tree of ecstasy bears, Gives quiet fruit: the flagon streaked with ripeness, And the vase riper still.
Rainer Maria Rilke (Sonnets to Orpheus)
I didn’t say, “I’ll call you.” I didn’t hug her because of the wet clothes. Just a quick kiss. Then I turned and left. I made my way quietly down the hallway to the stairwell. I could tell she thought she wasn’t going to see me again. I had to admit she might be right. The knowledge was as damp and dispiriting as my sodden clothes. I came to the first floor and looked out at the entranceway of the building. For a second I pictured the way she had hugged me here. It already seemed like a long time ago. I felt an unpleasant mixture of gratitude and longing, streaked with guilt and regret. And in a flash of insight, cutting with cold clarity through the fog of my fatigue, I realized what I hadn’t been able to articulate earlier, not even to myself, when she’d asked me what I was afraid of. It had been this, the moment after, when I would come face to face with knowing that it would all end badly, if not this morning, then the next one. Or the one after that.
Barry Eisler (A Lonely Resurrection (John Rain, #2))
How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.
Lawrence Schimel
Sure, there are good things, lots, sure, blow jobs, chocolate mousse, winning streaks, the warm fire in your enemy’s house, good book, hunk of cheese, flagon of ale, office raise, championship ring, the misfortunes of others, sure, good things, beyond count, queens, kings, old clocks, comfy clothes, lots, innumerable items in stock, baseball cards and bingo buttons, pot-au-feu, listen, we could go on and on like a long speech, sure it’s a great world, sights to see, canyons full of canyon, corn on the cob, the eroded great pyramids, contaminated towns, eroded hillsides, deleafed trees, those whitened limbs stark and noble in the evening light, geeeez, what gobs of good things, no shit, service elevators, what would we do without, and all the inventions of man, Krazy Glue and food fights, girls wrestling amid mounds of Jell-O, drafts of dark beer, no end of blue sea, formerly full of fish, eroded hopes, eruptions of joy, because we’re winning, have won, won, won what? the . . . the Title.
William H. Gass (Tests of Time)
Presently a soprano voice of richness and depth floated from the open windows of the parlor, resonating over the darkening greenery. All at once it was as if the entire scene before them was awakened by that voice, infused with unexpected life: the western sky, streaked with bands of pale gold and purple; the two houses, standing gray and disconsolate against that sky; the clusters of trees casting deep black shadows here and there across the ground. The same voice that brought everything suddenly to life also drew them into another, much deeper world—a world that was normally hidden, a world that stretched out into eternity. Yusuke, who had at first looked on with a sense of distance as everyone else sat listening, their faces intent on the music, found himself being gradually drawn in as well, forgetting the moment and the place, lending his ear during that unworldly stretch of time as if entranced. No one spoke. The singing could not have lasted ten minutes, but when it ended he found the darkness all at once grew deeper.
Minae Mizumura
I stood for a second staring at this imbecile, feeling like a burned-out sentinel watching the meteor streak toward the planet, bracing himself for the lethal impact. The Devil’s Whisper—the fart that happens just before you run for the bathroom to expel your waste—still hung in the air like the Grim Reaper blowing you a kiss as he passes by. I was too stunned to speak and too incensed to stutter. But I’m glad I was there, for as I regarded this kiddy pool of a grown child lying in a horrific amalgam of Technicolor Yawn, top soil, and literal shit, certain things started to occur to me: contemplation of my own misdeeds, realization that if I didn’t rein in my own uncontrollable urges, I might end up looking as pathetic as this pain in my ass. All of this shot through my big-ass brain in what felt like an eternity but in actuality was possibly just a millisecond. In that moment of clarity a tone was set. I also remembered how early it was in the morning. So I did what anyone with half an IQ would have done in my shabby shoes.
Corey Taylor (You're Making Me Hate You: A Cantankerous Look at the Common Misconception That Humans Have Any Common Sense Left)
ONE OF THE peculiarities of the white race’s presence in America is how little intention has been applied to it. As a people, wherever we have been, we have never really intended to be. The continent is said to have been discovered by an Italian who was on his way to India. The earliest explorers were looking for gold, which was, after an early streak of luck in Mexico, always somewhere farther on. Conquests and foundings were incidental to this search—which did not, and could not, end until the continent was finally laid open in an orgy of goldseeking in the middle of the 19th century. Once the unknown of geography was mapped, the industrial marketplace became the new frontier, and we continued, with largely the same motives and with increasing haste and anxiety, to displace ourselves—no longer with unity of direction, like a migrant flock, but like the refugees from a broken ant hill. In our own time we have invaded foreign lands and the moon with the high-toned patriotism of the conquistadors, and with the same mixture of fantasy and avarice.
Wendell Berry (The Unsettling of America: Culture and Agriculture)
When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn’t know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn’t think of anything that wouldn’t be rude or just plain stupid.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black-and-yellow dog, who for four and a half years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black-and-yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and groveled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.
L.M. Montgomery (Rilla of Ingleside (Unabridged Start Publishing LLC))
There was a noise out back and Megan stalked to the end of the hall to look out the window. The door to the shed was just closing. Finn. He was just as bad as his brother. Finn had stranded her that morning too and he hadn’t said a word to her about Spanish class, even though he never would have passed that pop quiz they had taken without her help. Megan turned and stormed down the hallway. Maybe she was too scared to say anything to Evan, but Finn…she was going to give that boy a piece of her mind. “You guys all suck, you know that?” Megan shouted, flinging open the door to the shed. Finn dropped his paintbrush on the leg of his jeans, where it left a streak of orange before hitting the dirty floor. “Sorry?” he said. “You! You suck!” Megan fumed. “We’ve been over this. I know I suck.” “Not your art. You! You…guys!” Megan shouted. Finn blinked. “Actually, I think I’m kind of an okay guy.” “Oh, please!” Megan said, squaring off in front of him. “I mean, what’s wrong with you people? Were you all born like this? Because it’s gotta be in your genes. Either that or you’ve all gotten each other in one too many choke holds over the years and you’ve deprived your brains of too much oxygen. Which is it?” “Megan, I think you need to sit down,” Finn said, carefully reaching for her shoulders. Keeping her at arm’s length, he steered her over to the old bench and pushed her down until she had to let her knees go and fall into the seat. “Now, is this about Hailey and Evan?” “No! It’s about you! You deserted me this morning,” Megan said. “And then I went to get my bike and the tires were flat. You guys popped my freaking tires! What is this? The McGowan Home for the Criminally Insane?
Kate Brian (Megan Meade's Guide to the McGowan Boys)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.
Bernie Morris (The Fury of the Fae)
Everywhere you look with this young lady, there’s a purity of motivation,” Shultz told him. “I mean she really is trying to make the world better, and this is her way of doing it.” Mattis went out of his way to praise her integrity. “She has probably one of the most mature and well-honed sense of ethics—personal ethics, managerial ethics, business ethics, medical ethics that I’ve ever heard articulated,” the retired general gushed. Parloff didn’t end up using those quotes in his article, but the ringing endorsements he heard in interview after interview from the luminaries on Theranos’s board gave him confidence that Elizabeth was the real deal. He also liked to think of himself as a pretty good judge of character. After all, he’d dealt with his share of dishonest people over the years, having worked in a prison during law school and later writing at length about such fraudsters as the carpet-cleaning entrepreneur Barry Minkow and the lawyer Marc Dreier, both of whom went to prison for masterminding Ponzi schemes. Sure, Elizabeth had a secretive streak when it came to discussing certain specifics about her company, but he found her for the most part to be genuine and sincere. Since his angle was no longer the patent case, he didn’t bother to reach out to the Fuiszes. — WHEN PARLOFF’S COVER STORY was published in the June 12, 2014, issue of Fortune, it vaulted Elizabeth to instant stardom. Her Journal interview had gotten some notice and there had also been a piece in Wired, but there was nothing like a magazine cover to grab people’s attention. Especially when that cover featured an attractive young woman wearing a black turtleneck, dark mascara around her piercing blue eyes, and bright red lipstick next to the catchy headline “THIS CEO IS OUT FOR BLOOD.” The story disclosed Theranos’s valuation for the first time as well as the fact that Elizabeth owned more than half of the company. There was also the now-familiar comparison to Steve Jobs and Bill Gates. This time it came not from George Shultz but from her old Stanford professor Channing Robertson. (Had Parloff read Robertson’s testimony in the Fuisz trial, he would have learned that Theranos was paying him $500,000 a year, ostensibly as a consultant.) Parloff also included a passage about Elizabeth’s phobia of needles—a detail that would be repeated over and over in the ensuing flurry of coverage his story unleashed and become central to her myth. When the editors at Forbes saw the Fortune article, they immediately assigned reporters to confirm the company’s valuation and the size of Elizabeth’s ownership stake and ran a story about her in their next issue. Under the headline “Bloody Amazing,” the article pronounced her “the youngest woman to become a self-made billionaire.” Two months later, she graced one of the covers of the magazine’s annual Forbes 400 issue on the richest people in America. More fawning stories followed in USA Today, Inc., Fast Company, and Glamour, along with segments on NPR, Fox Business, CNBC, CNN, and CBS News. With the explosion of media coverage came invitations to numerous conferences and a cascade of accolades. Elizabeth became the youngest person to win the Horatio Alger Award. Time magazine named her one of the one hundred most influential people in the world. President Obama appointed her a U.S. ambassador for global entrepreneurship, and Harvard Medical School invited her to join its prestigious board of fellows.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
We start with a next-generation miso soup: Kyoto's famous sweet white miso whisked with dashi made from lobster shells, with large chunks of tender claw meat and wilted spinach bobbing on the soup's surface. The son takes a cube of topflight Wagyu off the grill, charred on the outside, rare in the center, and swaddles it with green onions and a scoop of melting sea urchin- a surf-and-turf to end all others. The father lays down a gorgeous ceramic plate with a poem painted on its surface. "From the sixteenth century," he tells us, then goes about constructing the dish with his son, piece by piece: First, a chunk of tilefish wrapped around a grilled matsutake mushroom stem. Then a thick triangle of grilled mushroom cap, plus another grilled stem the size of a D-sized battery, topped with mushroom miso. A pickled ginger shoot, a few tender soybeans, and the crowning touch, the tilefish skin, separated from its body and fried into a ripple wave of crunch. The rice course arrives in a small bamboo steamer. The young chef works quickly. He slices curtains of tuna belly from a massive, fat-streaked block, dips it briefly in house-made soy sauce, then lays it on the rice. Over the top he spoons a sauce of seaweed and crushed sesame seeds just as the tuna fat begins to melt into the grains below. A round of tempura comes next: a harvest moon of creamy pumpkin, a gold nugget of blowfish capped with a translucent daikon sauce, and finally a soft, custardy chunk of salmon liver, intensely fatty with a bitter edge, a flavor that I've never tasted before. The last savory course comes in a large ice block carved into the shape of a bowl. Inside, a nest of soba noodles tinted green with powdered matcha floating in a dashi charged with citrus and topped with a false quail egg, the white fashioned from grated daikon.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
The trail wasn’t hard to follow. It had a pattern. An irregular patch of scattered spots that looked like spots of tar in the artificial light was interspersed every fourth or fifth step by a dark gleaming splash where blood had spurted from the wound. Now that all the soul people had been removed from the street, the five detectives moved swiftly. But they could still feel the presence of teeming people behind the dilapidated stone façades of the old reconverted buildings. Here and there the white gleams of eyes showed from darkened windows, but the silence was eerie. The trail turned from the sidewalk into an unlighted alleyway between the house beyond the rooming house, which described itself by a sign in a front window reading: Kitchenette Apts. All conveniences, and the weather-streaked red-brick apartment beyond that. The alleyway was so narrow they had to go in single file. The sergeant had taken the power light from his driver, Joe, and was leading the way himself. The pavement slanted down sharply beneath his feet and he almost lost his step. Midway down the blank side of the building he came to a green wooden door. Before touching it, he flashed his light along the sides of the flanking buildings. There were windows in the kitchenette apartments, but all from the top to the bottom floor had folding iron grilles which were closed and locked at that time of night, and dark shades were drawn on all but three. The apartment house had a vertical row of small black openings one above the other at the rear. They might have been bathroom windows but no light showed in any of them and the glass was so dirty it didn’t shine. The blood trail ended at the green door. “Come out of there,” the sergeant said. No one answered. He turned the knob and pushed the door and it opened inward so silently and easily he almost fell into the opening before he could train his light. Inside was a black dark void. Grave Digger and Coffin Ed flattened themselves against the walls on each side of the alley and their big long-barreled .38 revolvers came glinting into their hands. “What the hell!” the sergeant exclaimed, startled. His assistants ducked. “This is Harlem,” Coffin Ed grated and Grave Digger elaborated: “We don’t trust doors that open.” Ignoring them, the sergeant shone his light into the opening. Crumbling brick stairs went down sharply to a green iron grille. “Just a boiler room,” the sergeant said and put his shoulders through the doorway. “Hey, anybody down there?” he called. Silence greeted him. “You go down, Joe, I’ll light your way,” the sergeant said. “Why me?” Joe protested. “Me and Digger’ll go,” Coffin Ed said. “Ain’t nobody there who’s alive.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter. So I was right--he had been watching us. “So?” “So, nothing.” He shrugs. “Just making an observation.” “Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.” A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?” I swallow hard, unable to reply. Because the truth is, I don’t know. “I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out. For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.” He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand. I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate. This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again? My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!” I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end. “Just go,” I say, my voice shaking. He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.” “Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?” “C’mon, Jemma. You know I can’t.” “I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.” “Fine,” he says, shaking his head. “If you say so.” I step away from the car, feeling queasy now as he slips inside and starts the engine. But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares. “She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away. I guess he does get it, after all.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Another general would have let them go and been glad of it. But he saw that if they secured that high ground they might regroup and come at us again, this time with their archers positioned to advantage. So he called us to ranks with a curdling cry. I glimpsed his face through the crowd of men. It was bloodied, dirt-streaked, avid. Then he turned, fist to the sky, and sprinted. He set the pace for the fleetest of his runners, youths who could give him a decade. Even uphill, he seemed to fly over the loose stones that slid out from underfoot and left me skidding and swearing. I fell behind, and lost sight of him. Others—younger men, better fighters—overtook me, swarming to him, compelled by his courage. When I finally glimpsed him again, he was above me on a long, slender ridge, in the thick of fierce fighting. Trying to narrow the distance between us, I lost my footing entirely on the uncertain ground. I slipped. Metal, leather and flesh scraped against rough limestone that bit like snaggleteeth. I could not control my fall until I planted my foot into something that gave softly under my weight. The man had been attempting to crawl away, dragging himself with his remaining hand while a slime of blood pulsed from the stump of his sword arm. My boot, mashing his neck flat into stone, had put an end to that. When I lifted my foot, the man gave a wet gargle, and was still. I scraped the mess off my boot onto the nearest rock and went on. When I reached the ridge, the king was making an end of another fighter. He was up close, eye to eye. His sword had entered just above the man’s groin. He drew it upward, in a long, slow, arcing slash. As he pulled the blade back—slick, dripping—long tubes of bowel came tumbling after. I could see the dying man’s eyes, wide with horror, his hands gripping for his guts, trying to push them back into the gaping hole in his belly. The king’s own eyes were blank—all the warmth swallowed by the black stain of widening pupils. David reached out an arm and pushed the man hard in the chest. He fell backward off the narrow ledge and rolled down the slope, his entrails unfurling after him like a glossy ribband. I was engaged myself then, by a bullnecked spearman who required all my flagging strength. He was bigger than me, but clumsy, and I used his size against him, so that as I feinted one way, he lunged with his spear, overbalanced and fell right onto the dagger that I held close and short at my side. I felt the metal grating against the bone of his rib, and then I mustered enough force to thrust the tip sharply upward, the blade’s full length inside him, in the direction of his heart. I felt the warm wetness of his insides closing about my fist. It was intimate as a rape.
Geraldine Brooks (The Secret Chord)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Annie Dillard
As the fight wore on, it became obvious that Streak was beating the other wolf. He wasn't as heavily built, but he was faster and sharper, and for every swipe to the head he took, he delivered two or three of his own. All of a sudden, the dark wolf stopped, lay down, and rolled over, baring his throat and belly. Streak opened his mouth and clamped his teeth around the dark wolf's throat, then let go without breaking the skin and stood back. The dark wolf got to his feet and slunk away, tail between his legs. I thought the wolf might have to leave the pack, but he didn't. Although he slept by himself that night, none of the wolves tried to chase him away, and he took his regular place in the hunting pack the next time they set out. I thought about that a lot over the next day or two, comparing the way wolves handled their losers to how vampires handled theirs. In the world of vampires, defeat was a disgrace and more often than not ended with the death of the defeated. Wolves were more understanding. Honor mattered to them, but they wouldn't kill or shun a member of their pack just because it had lost face. Young wolf cubs had to endure tests of maturity, just as I'd endured the Trials of Initiation, but they weren't killed if they failed.
Darren Shan (The Vampire Prince (Cirque Du Freak, #6))
While the seven essential elements are a distillation of what we did on an everyday basis, they represent long-term discovery too. An important aspect of this book is the way we built our creative methods as a by-product of the work as we were doing it. As all of us pitched in to make our products, we developed our approach to creating great software. This was an evolution, an outgrowth of our deliberate attention to the task at hand while keeping our end goal in mind. We never waited around for brilliant flashes of insight that might solve problems in one swoop, and we had few actual Eureka! moments. Even in the two instances in my Apple career when I did experience a breakthrough—more about these later—there certainly was no nude streaking across the Apple campus like Archimedes supposedly did. Instead, we moved forward, as a group, in stepwise fashion, from problem to design to demo to shipping product, taking each promising concept and trying to come up with ways to make it better. We mixed together our seven essential elements, and we formulated “molecules” out of them, like mixing inspiration and decisiveness to create initial prototypes, or by combining collaboration, craft, and taste to give detailed feedback to a teammate, or when we blended diligence and empathy in our constant effort to make software people could use without pulling their hair out. As we did all this mixing and combining of our seven essential elements, we always added in a personal touch, a little piece of ourselves, an octessence, and by putting together our goals and ideas and efforts and elements and molecules and personal touches, we formed our approach, an approach I call creative selection.
Ken Kocienda (Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs)
The humidity in particular had been like nothing he’d ever encountered. Mel, trying to take notes for his article, had had to give it up. First, the ink from his gel pen wouldn’t dry on the page, but ran down it in streaks instead. Then, when he’d borrowed a pencil from Scofield, the point tore through the limp sheets. And as the last straw, by the end of the first hour, the glue in the binding of his notepad had liquefied and the pages had come apart in his hand.
Aaron Elkins (Little Tiny Teeth (Gideon Oliver #14))
Out in the yard, Baldwin ran his hands through his hair, making it stand on end. Taylor saw a glint of silver deep in the black, a precursor to the more salt than pepper look he’d obviously have in a few years. He had a few strands starting in his temples already; this streak was new.
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
Distant voices reached him; inwardly, he sighed, and reluctantly brought the kiss to an end. He raised his head. Patience's eyes slowly opened, then she blinked, and stared straight at him. For one instant, the look on her face, in her eyes, had him puzzled- then he recognized it. Curious- she wasn't shocked, stunned, or thrown into a maidenly fluster. She was curious. Vane couldn't stop his rakish grin. Nor could he resist the temptation to brush his lips over hers one last time. "What are you doing?" Patience whispered as his head bent to hers. Even at close quarters, she could still see his smile. "It's called 'kiss and make up.'" The curve of his lips deepened. "It's what lovers do when they fall out." A vise locked Patience's heart; panic- it had to be that- streaked through her. "We aren't lovers." "Yet." His lips touched hers and she shivered. "We never will be." She might be giddy, but she was quite sure of that. He stilled, but his confident smile didn't waver. "Don't wager your fortune on it." Again, his lips brushed hers.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
Tompkins Square Park. The Park is crowded. This is not 14th street, this is the community. There is a music phenomenon coming out of hundreds of transistor radios. There is a mamba phenomenon. There is a dog phenomenon- there are dogs in the dog run taking craps, dogs on the leash, dogs roaming free in packs. Men and girls playing handball in the fenced-in handball courts. The girls are good. They shout in Spanish. Dogs jump for the ball in the handball courts. In the benches of the park sit old Ukrainian ladies with babushkas. The old ladies have small yapping dogs on leashes. Old men play chess at tables. The old dogs of the men lie under the stone tables with their tongues hanging. On the big dirt hill in the centre of the park, a kid and a dog roll over each other. A burned-out head drifts by, barefoot with his feet red and swollen. A dog growls at him. Down the path from the old ladies in babushkas sits one blond-haired girl on the pipe fence. Four black guys surround her. One talks to her earnestly. She stares straight ahead. Her radio plays Aretha. Her dog sleeps at the end of its leash. Benches are turned over, a group of hippies huddles around the guitar, dogs streak back and forth under the bandshell with the zigzag propulsion of pinballs. Two cop cars are parked on 10th street. Mambo, mambo. A thousand radios play rock.
E.L. Doctorow (Ragtime)
He leaned in on a whisper. “That first night you came over and washed my hair? Do you remember that?” “Yes,” I said as hot tears streaked my cheeks. He thumbed them away, his hands cupping my face, and waited for my eyes. “I was about to end it.” He leaned in slowly, so slowly, and brushed his lips against mine. “You saved my life that night just by showing up.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
This is the importance of the Irish problem for Marshal. It tested his capacity as not other episode of his life. He had to fend off the king with one hand & preserve his lordship in Leinster with the other. Here we find the first signs that the man had some streak of greatness in him; that he was more than a simpering courtier. In the Leinster years we discover why the Marshal came in the end to rule England.
David Crouch (William Marshal: Knighthood, War and Chivalry, 1147-1219)
...And looking back, at least we got to state our love...before our world in Orleans ended in a symphony of broken glass. Earlier that evening, I had sat on the porch with Matthieu-Michele, as Cross and Christy watched over their Grandpa Timothy's comatose body in the back bedroom. I looked down into Timothy's face and wept. Timmy already looked dead. He was deathly pale, and his hair was heavily streaked with grey. "Don't cry, Uncle Obadiah," Matthieu-Michele said tenderly. "Just have faith, and love Him. Believe in Him, and keep preaching His Word." "And here I thought that you were a man of science, like your Daddy Matt." "I cannot be both?" he smiled gently, as he took my hand and led me out on the back porch. He lowered me into a chair, and seated himself beside me. "Look at the stars," he said softly. "However could I believe in the vastness and the great wonder of the universe itself, and not in He who created it? Science and Theology go hand-in-hand; they are not polar opposites. We must remember, the Holy Bible is only a guide. God isn't just a quick-fix solution for all of our problems. He isn't a pill that we pop to make everything go away. Instead, He is a shepherd, looking out for us...loving us from a great distance and calling out to us constantly...and sometimes, things get lost in the translation. We, for example, as men, will try to weave our own selfish desires and prejudices in with His. That is the greatest sin of all, the great sin of mankind. It frightens people away from His Word and His Grace. They believe that He hates them, that it’s the voice of God condemning them, rather than the blackened hearts of the misguided men who twist His words to suit their doctrine of anger and misunderstanding. Their words are straight from the evil core of mankind, who, in their foolishness, try to take on the guise of God." I leaned upon him heavily, the tears wet upon my cheeks. "And to think that there were times when I wondered if I did any good at all," I sighed, "But His Word lives in your heart." Matthieu-Michele embraced me in his wings. "Uncle, you are a wonder!" he smiled. "Never doubt it. My father couldn't ask for a better vessel for His Word." "I love you, Boy," I whispered. "You and Croccifixio and Christophe...we will always be family, and nothing will ever part us--" ~*~*~*~ ...And it was over, just like that. It happened so quickly. The window in the front room exploded in a rain of glass, and two soldiers seized Arik. Two came for me as well, and I surrendered. Arik struggled, and was silenced with a blow to the back of the head. Matthieu-Michele--who had been behind me--was mysteriously absent, and Cross, Christy, Morgan and Simone were nowhere in sight. Matthieu-Michele must have thrown up a psychic bubble around them, and around Timothy's body, as Arik and I were manacled and taken out into the street. A barred wagon awaited us there, and we were roughly forced into it...
Lioness DeWinter (Corinthians)
Take all the time you need to figure out who you are. And I hate to do this to you. But I’m about to seriously spoil the ending of this for you.” After catching the stream streaking down her face with my thumb, I curled my hand around the back of her neck. She held her breath as I leaned in close, cheek to cheek, and put my lips to her ear. “We end up together. I don’t know how or when, but it’s the only thing I’m truly certain about.
Aly Martinez (The Difference Between Someday and Forever (Difference Trilogy, #3))
Frank gained a couple of yards on the next play on a smash-through tackle. Then, on the following play, Joe faded back and tossed a short pass to the left end, Tony Prito. The dark-haired, wiry youth, a close friend of the Hardys, took the ball for a first down on the Hopkinsville thirty-five. A couple of line bucks by Biff Hooper, another of their special friends, gained a few yards, and finally on the fourth down Joe faded back for a long pass. Frank shot down the field like a streak of lightning, the ball sailing straight toward him. But just as he was reaching for it, a Hopkinsville player batted it down, and the opponents took over.
Franklin W. Dixon (Hardy Boys 32: The Crisscross Shadow (The Hardy Boys))
Yes, he was terrible. But I would have married him. I need to marry someone, for the love of God. I’m so ready to end my streak as the sad old maid of the group.
Emma Rosenblum (Bad Summer People)
You didn't hear the story I told,' he goes on. 'A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like.' She laughs. 'You really are terrible, you know that? I don't even understand why the things you say make me smile.' He lets himself lean against her, lets himself hear the warmth in her voice. 'There is one thing I did like about playing the hero. The only good bit. And that was not having to be terrified for you.' 'The next time you want to make a point,' Jude says, 'I beg you not to make it so dramatically. His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds. 'So long as you're begging,' he says.
Holly Black
No matter what anybody tells you, words and ideas can change the world.” “But poetry, romance, love, beauty? These are what we stay alive for!” “Please, don't worry so much. Because in the end, none of us have very long on this Earth. Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day... make a wish and think of me. Make your life spectacular.
Thomas H. Schulman
Within the Fed, officials were fully aware of the strains on the financial system - the hoarding of currency, the growing problem of bank failures, the reluctance of banks to lend, prices falling at a rate of 20 percent per annum. Somehow they were unable to put all these pieces of the jigsaw puzzle together. At the Federal Reserve Board, Meyer pressed for a more aggressive policy and even Adolph Miller, who with his natural contrarian streak, seemed to end up so often in the minority, joined him. But the Board was legally powerless to initiate action.
Liaquat Ahamed (Lords of Finance: The Bankers Who Broke the World)
The sun is setting in Destin, and I can’t remember the last time I’ve seen a sunset like this. The sun sets every day in Florida, and it’s always beautiful, of course. But it strikes differently when you actually take the time to appreciate it. I notice how the streaks of orange seem to be melting into the ocean, and the billowy cushions of white are shifting with the warm summer breeze. I feel a flutter in my stomach when I think about how vast the sky seems to be, never-ending and dimming with every second. Or maybe that’s the effect he has on me.
Katia Miyamoto
Human lives run in lines," she said as her sisters held the thread against a rod and snipped it. Atropos held it up in a shimmering streak. "They have beginnings and ends," she said. "The fact that a life must end gives it great power, a potent magic all its own. The freedom to do what you choose with the thread that is allotted to you." "You may tell a tale of great adventure or one of quiet purpose, and both have equal value," Lachesis said, measuring dared againsthetrod. And hopeful when die hirads or out you will book back and say that was alicel sais jams content for my book to be returned to the great liagd the Fates. "But stories are circles," Clotho went on, gesturing a her wheel as it spun round and round. "They are made from the same stuff as life but formed in a different shape. And in stories great power comes from the fact that an ending is always also beginning.
Anna James
Jealousy? Ain't got time for that! I'm too busy counting my blessings and cheering on others' victories. Winners support winners, baby! There's plenty of success to go around, and celebrating someone else's win doesn't dim my light—it just adds more shine to the room. So, while they're out there scoring goals, I'll be on the sidelines, clapping louder than anyone 'cause, in the end, we're all on the same team—Team Success! Let's keep this winning streak going!
Life is Positive
That possessive streak is sexy as fuck.
Brooklyn Cate (Tight End (Red Zone #4))
She’s rather desperate to marry the lot of you off, isn’t she?” “All I know,” Anthony said with a shrug, “is that my mother invited so many eligible women last time that she had to go down to the vicar’s and beg his sixteen-year-old son to come up for supper.” Kate winced. “I think I met him.” “Yes, he’s painfully shy, poor fellow. The vicar told me he had hives for a week after ending up seated next to Cressida Cowper at supper.” “Well, that would give anyone hives.” Anthony grinned. “I knew you had a mean streak in you.” “I’m not being mean!” Kate protested. But her smile was sly. “It was nothing more than the truth.” “Don’t defend yourself on my account.” He finished the tea; it was bitterly strong from having sat in the pot for so long, but the milk made it almost palatable. Setting the cup down, he added, “Your mean streak is one of the things I like best about you.” “Goodness,” she muttered, “I should hate to know what you like least.” -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Static blared from the blood-streaked screen of her boxy television set, and a fallen lamp cast angled shadows over Sophia’s mutilated corpse. Her murderer wasn’t human. It was a faceless wooden mannequin with jointed limbs, like a life-sized version of an artist’s posing doll. One of its hands ended in a wooden nub, the other in a jagged, rusty knife. The mannequin hunched over her body and plunged the blade into Sophia’s stomach over and over again, a murder machine that didn’t understand its victim was dead. Meadow Brand stood on the far side of the bloodbath. Her smug smile twisted the scar I’d given her.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
The scourge, which the Romans called the flagrum, was a long-handled whip that branched out into multiple leather thongs a total of five feet in length. At the end of each thong was a knot with an embedded piece of iron or glass. The sharp material would rip the flesh from the victim in streaks of bloody gore down their backs.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
To the extent that we can identify the causes of these revolutions, they’re highly varied: glaciation in the case of the end-Ordovician extinction, global warming and changes in ocean chemistry at the end of the Permian, an asteroid impact in the final seconds of the Cretaceous. The current extinction has its own novel cause: not an asteroid or a massive volcanic eruption but “one weedy species.” As Walter Alvarez put it to me, “We’re seeing right now that a mass extinction can be caused by human beings.” The one feature these disparate events have in common is change and, to be more specific, rate of change. When the world changes faster than species can adapt, many fall out. This is the case whether the agent drops from the sky in a fiery streak or drives to work in a Honda. To argue that the current extinction event could be averted if people just cared more and were willing to make more sacrifices is not wrong, exactly; still, it misses the point. It doesn’t much matter whether people care or don’t care. What matters is that people change the world.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
I see you’ve been paying attention to my pirate tricks.” “Indeed I have,” she said, looking down into his handsome face and twinkling blue eyes. She didn’t want to think about the next chapter, not now, not yet. But there it was, staring up at her, framed in tousled blond hair and five o’clock shadow. This could be your life, Kerry McCrae. Just say yes. “In other news,” she said, sliding off him to sit on the side of the bed, drawing the sheet around her, trying like hell to push those thoughts away for now, “we need to pull anchor before the sun gets any lower.” “Aw, because that would be…bad?” he said, tugging at the sheet. She couldn’t help it; she laughed, and the glow simply refused to fade. She tugged the sheet free from his grasp and stood, albeit on wobbly legs for a moment or two. Summoning her most haughty pirate queen manner, she made a show of draping the end of the sheet over her shoulder and shaking loose her bed-head curls, knowing she likely looked more like Medusa than anything remotely regal. “Your merry band of one here is going topside to get us underway.” She made the mistake of looking at him, sprawled in all his gorgeous, naked indolence across white sheets, beams of the lowering sun streaking across his golden skin, making it look even more burnished than it already was. Dear Lord, she wanted to have him all over again. Even hungrier now that she knew what awaited her when she did. Taking full advantage of her hesitation, he propped his arms behind his head and crossed his legs at the ankles, a grin equally as indolent as his pose sliding across his handsome face. “You were saying, my queen?” She scooped a pillow off the floor and threw it at him. “Incorrigible.” Chuckling, he caught the pillow with one hand and tucked it behind his head. “Well, I’m pretty sure that’s near the top of the list of preferred character traits in the pirate handbook.” She laughed, then dodged to the door when he made a sudden, nimble grab for the edges of the sheet.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I’ve decided to bridge out a little, explore different genres, if you will. And because you, my very good friend, are starring in a play penned by none other than the renowned—which I’m sure you know means celebrated—Mr. Grimstone, I decided to try a few of his gothic novels.” “What did you think of the Grimstone stories?” Bram asked from behind them. Turning, Lucetta found that Bram had stepped out of the carriage and was looking dashingly rumpled, with his hair standing on end and his face streaked with soot here and there. Glancing at Millie, Lucetta found her friend considering Bram closely, right before she nodded at Lucetta and arched a brow. “The mysterious grandson, I assume?” “One and the same.” Lucetta pulled Millie forward, stopping right in front of Bram. “Millie, I’d like to introduce you to Abigail’s grandson, Mr. Bram Haverstein. Bram, this is one of my very dearest friends, Millie Mulberry, formerly Millie Longfellow.” “It’s a pleasure to meet you, Mrs. Mulberry,” Bram said, bringing Millie’s hand to his lips and placing the expected kiss on it. “Lucetta and my grandmother speak most highly of you.” Millie smiled, the action causing a dimple to pop out on her cheek. “It’s a pleasure to meet you as well, Mr. Haverstein. I won’t embarrass you by relaying all the things your grandmother told me and Lucetta about you over the past few months. Although I will admit I thought she was exaggerating your attributes—and that means features—but . . . never mind about that.” Her smile widened. “I’m very relieved to discover that you appear to be relatively normal, and that you’re not sporting a humped back or any other peculiar deformity, something Lucetta and I were afraid your grandmother was trying to hide.” Bram quirked a brow Lucetta’s way. “You’d thought I’d be deformed?” Smiling, Lucetta shrugged. “Abigail made you out to be so mysterious, who could blame us for concluding the worst?” “She kept calling you a dish,” Millie added with a grin.
Jen Turano (Playing the Part (A Class of Their Own, #3))
The steel-framed span loomed thirty feet above the muddy water. At the far end of the hundred-foot deck, the forest swallowed up a dirt road that used to lead somewhere. Years of traffic rumbling across the bridge had worn parallel streaks into the deck, and heavy runner boards covered holes in rotted planks. Metal rails sagged in spots. Still, the reddish-brown truss beams on either side stood stiff and straight, and overhead braces cast shadows on the deck below. On that rusty frame, between lines of vertical rivets, someone had painted a skull and crossbones and scribbled: 'Danger, This Is You.
Jason Morgan Ward (Hanging Bridge: Racial Violence and America's Civil Rights Century)
while Koreans also are relatively group-oriented, they also have a strong individualistic streak like most Westerners. Koreans frequently joke that an individual Korean can beat an individual Japanese, but that a group of Koreans are certain to be beaten by a group of Japanese.”36 The rate of employee turnover, raiding of other companies’ skilled labor, and the like are all higher in Korea than in Japan.37 Anecdotally, there would seem to be a lower level of informal work-oriented socializing in Korea than in Japan, with employees heading home to their families at the end of the day rather than staying on to drink in the evenings with their workmates.38
Francis Fukuyama (Trust: The Social Virtues and the Creation of Prosperity)
Lord Alexander Clarke stood before her, looking quite regal in his frock coat and top hat. She couldn’t breathe. “You’re supposed to be on that boat,” she said, her voice trembling. “Going to London.” “London is no longer my home.” “But Lady Judith—” He stopped her. “She did not want to stay here.” “You were supposed to marry.” He shook his head. “I did not love her, nor did she love me.” She brushed her hands over her yellow apron, streaking dirt down the front of it as he stepped closer to her. The pounding of her heart seemed to echo in her ears. “Why do you Waldrons keep running?” “Micah and I—” she whispered. “We had to finish our journey.” He reached for her hand, and her heart leaped as he wrapped his strong fingers over hers and placed them on his heart. “The trail ends right here, Miss Waldron. With you and me.” “If you don’t call me ‘Samantha’—” He leaned forward and drowned her words with his kiss. Her body warmed in his embrace, her skin fluttering at his touch. Strong and tender. Powerful and passionate. Alex Clarke hadn’t gone to London. He was here, and he wanted to be with her.
Melanie Dobson (Where the Trail Ends: The Oregon Trail (An American Tapestry))
Don’t trouble yourself with me.” The thought of a heavy meal for breakfast made Lily’s stomach churn. “I’ll be happy enough with a cup of coffee—if you have any to spare.” Vera stopped in midswirl and took in Lily’s appearance. “Coffee? My, my, my. You need more meat on your bones, girl. You’ll blow away with the slightest breeze. Don’t you agree, Connell?” Lily glanced to the corner spot, only to find the young man she’d met the previous evening staring at her above spectacles perched on the end of his nose. He quickly looked back at the open book in front of him, but the slight reddish tint creeping up his neck above his collar was evidence that he’d been paying more attention to her than to his books. “I’m sure Miss Young would appreciate whatever you’re willing to provide.” The young man pulled out his pocket watch and peered at it. “Especially considering the fact that breakfast has been over for exactly one hour and twelve minutes.” His hair was neatly combed, except for one sun-bleached streak that fell across his forehead. He’d shaven the scruff from his face, revealing skin that was rough and bronzed from long days outdoors. “Connell McCormick.” Vera thumped her hands onto her hips. “You sure don’t seem to mind when I sneak you an extra doughnut or two. I think half the reason you loiter here in the mornings is because you hope I’ll feed you more.” The faint red streaks climbed up to the base of his cheeks. He didn’t say anything and instead dipped his head and scribbled something into one of his books, as if there were nothing more important at that moment than the page in front of him.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))