Forest Nymph Quotes

She's a tangled mess of wild- a forest nymph, a goddess child. She's like the seductive sea - feral and fierce, calm and serene. She's the starfish swimming in my soul, the woman child who keeps me sane, who keeps me whole.

Devic Magic Woodland sprites, elves and nymphs Waltz in time take a glimpse Fairies hide the forest wit Mushrooms fly, agarics hit

Yet Burzee has its inhabitants—for all this. Nature peopled it in the beginning with Fairies, Knooks, Ryls and Nymphs. As long as the Forest stands it will be a home, a refuge and a playground to these sweet immortals, who revel undisturbed in its depths.

It was a little strange, looking down at herself. She half expected to find she had changed in some way, become wild and magical, vined in Gracewood's caresses like a forest nymph. But no. She was skin and bone, blood and sinew, just like always.

The creature which stood before me was no bigger than a child, yet I would have sworn she was wood nymph. With pointed ears, translucent skin and a halo of woodland flowers in her silvery hair, the small woman held a strange presence. Besides the creature's obvious beauty, I couldn't draw my gaze away from her magnificent opaque wings. They fluttered in the breeze like the leaves above us.

We came down off this meadow down deep into a redwood forest then up again, again so steeply that we were cursing and sweating in the dust. Trails are like that: you’re floating along in a Shakespearean Arden paradise and expect to see nymphs and fluteboys, then suddenly you’re struggling in a hot broiling sun of hell in dust and nettles and poison oak…just like life.

There was a nice brown egg, lightly boiled, for each of them, and then sardines on toast, and then buttered toast, and then toast with honey, and then a sugar-topped cake. And when Lucy was tired of eating, the Faun began to talk. He had wonderful tales to tell of life in the forest. He told about the midnight dances and how the Nymphs who lived in the wells and the Dryads who lived in the trees came out to dance with the Fauns; about long hunting parties after the milk-white stag who could give you wishes if you caught him; about feasting and treasure-seeking with the wild Red Dwarfs in deep mines and caverns far beneath the forest floor; and then about summer when the woods were green and old Silenus on his fat donkey would come to visit them, and sometimes Bacchus himself, and then the streams would run with wine instead of water and the whole forest would give itself up to jollification for weeks on end.

Now, Daughter of Eve!” said the Faun. And really it was a wonderful tea. There was a nice brown egg, lightly boiled, for each of them, and then sardines on toast, and then buttered toast, and then toast with honey, and then a sugar-topped cake. And when Lucy was tired of eating, the Faun began to talk. He had wonderful tales to tell of life in the forest. He told about the midnight dances and how the Nymphs who lived in the wells and the Dryads who lived in the trees came out to dance with the Fauns;

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.

The first time I saw your father, I’d just come home from the hunt. The forests of Calydon are thick with game, but the deer are so clever that it was the first time I’d managed to bring one down. I was so proud of what I’d done that I insisted on carrying the buck into the throne room myself and dropped it at my father’s feet before I noticed we had a guest.” She smiled at the memory. “I’ll bet Father thought you were Artemis herself,” I said. That made my mother laugh. “Not Artemis. You know how he feels about her. But he did say he mistook me for one of her huntress nymphs. That was just before he told me he had to marry me or die.” I made a face. “Father said that?” “Men say many things when they want to win a woman. Whether or not they mean what they say…” She shrugged. “Your father meant it. Poor soul, it seemed like he would die, because none of my father’s advisers thought I should marry him. Tyndareus came to Calydon as a landless exile; his brother had stolen his kingdom.” The story of Father’s early trouble and final triumph was so well known that the palace stones could tell it. “Did you come to Sparta to marry him after he won back his crown?” I asked. “Or did he have to go back to Calydon for you?” “Are you asking because you want to know, or because you want to distract me from what we need to talk about?

Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.

What do you know about this forest?” Chaol quietly asked her. Was he mocking her? The soldiers sat forward, poised to laugh. But the captain’s golden-brown eyes held mere curiosity. She swallowed her meat. “Before Adarlan began its conquest, this forest was cloaked in magic,” she said softly, but not meekly. He waited for her to continue, but she had said enough. “And?” he prodded. “And that’s all I know,” she said, meeting his gaze. Disappointed at the lack of anything to mock, the soldiers returned to their meals. She had lied, and Chaol knew it. She knew plenty about this forest, knew that the denizens of this place had once been faeries: gnomes, sprites, nymphs, goblins, more names than anyone could count or remember. All ruled by their larger, human-like cousins, the immortal Fae—the original inhabitants and settlers of the continent, and the oldest beings in Erilea.

In The Metamorphoses, the Roman poet Ovid tells the story of a handsome youth named Narcissus, a tale he learned from Greek mythology. Narcissus is so intent on his own desires that he is unable to fall in love, rejecting the advances of all who are attracted to him. Never having seen his own image, he understands the power of his beauty only through the reactions others have to him. When he rebuffs the love of Echo, a nymph, her unrequited passion causes her to waste away and die. When one of Echo’s handmaidens prays to Nemesis, the goddess of revenge, Nemesis responds by declaring that Narcissus shall get a taste of his own medicine: If he should ever fall in love, he will be denied the very thing he so desires. One day, while stopping to drink from a forest pool, Narcissus catches a glimpse of his reflection in the smooth water. Smitten by the sight, he falls madly in love with his own beautiful image. He lies next to the pond, staring at his own reflection in the water. But whenever he reaches into the water and tries to embrace the image, it dissolves. Unable to kiss, or hold, or in any way capture his true heart’s desire, he too dies of unrequited love.

There were a great many other such tableaux. As Martial had predicted, bears featured prominently in most of them. A temple thief was made to reenact the role of the robber Laureolus, made famous by the ancient plays of Ennius and Naevius; he was nailed to a cross and then subjected to the attack of the bears. A freedman who had killed his former master was made to put on a Greek chlamys and go walking though a stage forest populated by cavorting satyrs and nymphs, like Orpheus lost in the woods; when one of the satyrs played a shrill tune on his pipes, the trees dispersed and the man was subject to an attack by bears. An arsonist was made to strap on wings in imitation of Daedalus, ascend a high platform, and then leap off; the wings actually carried him aloft for a short distance, a remarkable sight, until he plunged into an enclosure full of bears and was torn to pieces.

awake you glide upward through glimmering light your clothes fall like feathers from your shoulders with them the worries of day fade you are invited by mystic sounds in strange comforting tongues awake they call eyes open languid before you tiny creatures dance tickling greens and blues from the aura around you chef mischief their only game you smile warmth across your gaze again you float to new shores where you are clothed in the sirens song you relax deeper aphrodites nymphs send pleasure like golden knives into your chest you rise up stepping foot to sand walking to forest land tribal drumming moving with you the very beat of your own heart beaded threads drape you again in deep red the sound ringing in your ears move forth again childlike curiosity it leads you further across desert sands where the cherokee flute paints tiny circles in the palms of your hands the min mins call yet you cannot hear for what was you is no longer here again you float upward gravity pulls you back and forth until deep within a vibrating thunder sounds its clapping hands the fibers of your being all the tendrils of love come apart and dissipate you are dispersed across all these worlds unseen and unknown yet you will assemble again forget not the way you have grown pupps.

In the twelfth century, Hugh of Pisa wrote this in his etymological work Magnae derivationes: Many of the demons expelled from heaven live in the sea, the rivers, the springs, or the forests; the ignorant call them almost gods and offer them sacrifices. In the sea they are called Neptune, Lamia in the rivers, Nymphs in the fountains, and Diana in the forests.7

Nesta asked into the rustling quiet, “Nymph?” Gwyn lowered her hands, noted the lack of glowing power in Nesta’s eyes, and sighed in relief. But her voice remained casual. “My grandmother was a river-nymph who seduced a High Fae male from the Autumn Court. So I’m a quarter nymph, but it’s enough for this.” Gwyn gestured to her large eyes—blue so clear it could have been the shallow sea—and her lithe body. “My bones are slightly more pliant than ordinary High Fae’s, but who cares about that?” Perhaps that was why Gwyn was so good at the balancing and movement. Gwyn went on, “My mother was unwanted by either of their people. She could not dwell in the rivers of the Spring Court, but was too untamed to endure the confinement of the forest house of Autumn. So she was given in her childhood to the temple at Sangravah, where she was raised. She partook in the Great Rite when she was of age, and I, we—my sister and I, I mean—were the result of that sacred union with a male stranger. She never found out who he was, for the magic chose him that night, and no one ever showed up to ask about twin girls. We were raised in the temple as well. I never left its grounds until … until I came here.

All women were magical creatures to Kanan, but there were happy forest nymphs, and then there were wizards.

The footprint reminded me of grass and trees, the green of the forest. It could point to Vodyanoy, the old Water Lord out in the rivers who dragged people underwater and enslaved rusalkas. There were the rusalkas themselves, drowned maidens turned sirens unable to let go of the Land of the Living. There were other sprites, nymphs, and spirits—the poleviki and poludnitsy of the fields and meadows, the treelike leshy, mushroom-topped lesovichki, Wild Ones, and vily fairies of the forests. But like the gods, these spirits had not been seen in a very long time and never by me.

Neptune's bounty was followed by that of Diana. I had staged a "hunt" to take place while the diners ate. Several of the bigger slaves were dressed like bears, and hunters with bows chased them playfully around the couches while nymphs tried to hinder their progress. They ran carefully around the slaves serving trays of pork cracklings, mushrooms marinated in wine, stuffed dormice, and figs soaked in milk and honey.

I liked The Water Nymph. It was a dark-haired woman sitting in a dimly lit deep green forest on a gray stone slab overlooking a dark blue spring. It was a contemplative, moody piece and the girl looked the way I imagined I would if I were alone and someone was staring at me without my knowing that they were there.

The boys married nymphs and the girls married would gods and river gods. The lamp post which the witch had planted (without knowing it) shone day and night in the Narnian forest, so that the place where it grew came to be called Lantern Waste; and in, many years later, another child from our world got into Narnia, on a snowy night, she found the light still burning.

Although a few legends tell of Callisto welcoming Zeus with open arms, most of the versions have Zeus resorting to trickery. In these versions, knowing that Callisto was completely devoted to both Artemis and her vow of chastity, Zeus appeared to the nymph as the goddess Artemis herself while Callisto lay resting under a tree. Once Callisto’s guard was down, Zeus abandoned his disguise and used force against her. To make matters worse, Callisto ended up pregnant from the encounter. Fearing Artemis’ legendary wrath, Callisto tried to conceal her condition but finally was no longer able to one morning when all the nymphs bathed together in a forest glade. Furious that Callisto betrayed her vow (even though by most accounts Callisto hadn’t done so willingly), Artemis turned her into a bear, which she then hunted down and killed. In other versions, Callisto was still allowed to give birth to her son, Arcas, who in turn encountered his mother in her bear form and killed her. In yet other versions, Artemis was on the verge of killing Callisto when Zeus interfered and placed her in the sky where she can be seen as Ursa Major. (Interestingly enough, Riordan’s Artemis takes credit for placing Callisto in the sky herself.)

Oh, ants, my sisters, good old honeydew-seekers! From close up you are sticky and shiny and gristly; and your nymphs have parasitic red mites stuck to them. You are too intent upon your chewing and gathering to listen to me, but I tell you that despite my warm feelings I really do not like you, and I cannot feel sorry for you in any way because there are too many of you and you are not cute at all. You eat too much of my forests; you are a rebellious tribe, and I will destroy you; I will poison your nests with sweet-smelling traps.

But then, who of us hasn't had a promised land, caught up with happiness, the constant nymph, and run with her swiftly through the green birch forest of Arden only to trip and fall and watch her disappear into the trees without a backward glance? So light a candle, love the light, and face the darkness when the candle fails.