Footprint In The Snow Quotes

Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.

Blondes make the best victims. They're like virgin snow that shows up the bloody footprints.

It felt as though the whole globe was dressed in snow. Like it has pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice. As you may expect, someone has died.

Paint ghosts over everything, the sadness of everything. We made ourselves cold. We made ourselves snow. We smuggled ourselves into ourselves. Haunted by each other’s knowledge. To hide somewhere is not surrender, it is trickery. All day the snow falls down, all night the snow. I try to guess your trajectory and end up telling my own story. We left footprints in the slush of ourselves, getting out of there.

she's the type of girl that has a place in her heart for all the lonely people to go with their forgotten footprints in the snow

...you are enchanted - only a princess can leave glass footprints in the snow...

That thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word ‘lost’ comes from the old Norse ‘los’ meaning the disbanding of an army…I worry now that people never disband their armies, never go beyond what they know. Advertising, alarmist news, technology, incessant busyness, and the design of public and private life conspire to make it so. A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. Children seldom roam, even in the safest places… I wonder what will come of placing this generation under house arrest.

Before we met, I was drowned in a deep blue sky, I thought I would never look forward again, I believed I would always stay stuck, Since that first snow, nothing remained the same, I came to know there was more to life, I realized I was ever ready to move on, All I needed was somebody like you, All I wanted was to trust in your vibe, In those shimmery eyes, I saw cheesy sunrise, In those silent moments, I heard the roar of rivers, In those joyous chattering, I sensed peaceful sunsets, In those pineapple thoughts, I lived life to the fullest, In that crazy ocean of love, I left footprints on the water, Trust me, in that lovely smile, I saw a sky I won't forget.

Remember sixteen – when all the world was new and a lifetime stretched before you like fresh snow just waiting for your footprints?

Grief never goes away. It just changes. At first it's like molten-hot lava dripping from your heart and hollowing you from the inside. Over time, it settles into your bones, your skin, so that you live with it, walk with it every day. Grief isn't the footprints in the snow. It's the empty spaces between.

Yesterday, I had a dream... A dream I have had since long ago. In that dream, we had yet to turn 13. We were in a vast countryside, completely covered with snow. The lights of the houses extended far into the distance, a dazzling sight. We walked on the thick caprpet of fresh snow, but did not leave any footprints. And like that... 'Someday we will be able to watch the cherry blossoms together again'. Both of us, without any doubt... That's what we thought.

Snow While falling it hides your passage When finished it documents your path

This is the wonder of names. Like the press of a footprint in the snow: proof that someone has been there.

Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do.

One boy's footprints are not long in being lost in the snow, in the steadily falling snow of the shortest day, the longest night; they are lost as soon as they are made. And once again the heath is clothed in drifting white. And there is no ghost, save the one ghost that lives in the heart of a motherless boy, till his footprints disappear.

The sky was white but deteriorating fast. As always, it was becoming an enormous drop sheet. Blood was bleeding through, and in patches, the clouds were dirty, like footprints in melting snow. Footprints? you ask. Well, I wonder whose those could be.

He was footprints in the snow. Not all loves are meant to last. Some are meant to grace you briefly, before fading, somehow leaving the impression that the world is just a little bit better because you had been touched by something so beautiful it was impossible to grasp.

Yesterday, I had a dream... A dream I have had since long ago. In that dream, we had yet to turn 13. We were in a vast countryside, completely covered with snow. The lights of the houses extended far into the distance, a dazzling sight. We walked on the thick carpet of fresh snow, but didn't leave any footprints.

Here we are," he said, pointing down an unshoveled path. "The Gardens." Cath tried to look appreciative. You wouldn't know there was a path here at all if it weren't for one set of footprints in the melting snow. All she could see were the footprints, some dead bushes, and a few weedy patches of mud. "It's breathtaking," she laughed. "I knew you'd like it. Play your cards right, and I'll bring you back during the high season.

both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.

He looked down at the street, and the unbroken whiteness, and watched his foot touch the snow and listened to the slight crunching sound as he stepped forward. He looked back at his footprints. They were fascinating. He had been the only one to walk along this street today. There wasn’t even the mark of a dog or squirrel, or the scratch of a bird. He continued through the soft, silent snow, a feeling of peace starting to flow through him, helping make his step lighter and easier.

Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.

We don't want to leave footprints in the snow," we'd say, even though in our town it never snowed.

The Garden Under Snow " Now the garden is under snow a blank page our footprints write on clare who was never mine but always belonged to herself Sleeping Beauty a crystalline blanket this is her spring this is her sleeping/awakening she is waiting everything is waiting the improbable shapes of roots my baby her face a garden, waiting.

I miss the snow. I miss looking at it, walking in it, tasting it. I used to love those days when it was so cold everyone else would be tucked away inside trying to stay warm. I would be the only one out walking, so I could look across the fields and see miles of snow without a single footprint in it. It would be completely silent -- no cars, no birds singing, no doors slamming. Just silence and snow. God, I miss snow. The stars, the moon, the wind, and blankets of pure, pristine snow.

Those footprints in the snow led me to this wildfire.

The only piece of home Ofelia had been able to take with her were some of her books. She closed her fingers firmly around the one on her lap, caressing the cover. When she opened the book, the white pages were so bright against the shadows that filled the forest and the words they offered granted shelter and comfort. The letters were like footprints in the snow, a wide white landscape untouched by pain, unharmed by memories too dark to keep, too sweet to let go of.

All brightness was gone, leaving nothing. We stepped out of the tent onto nothing. Sledge and tent were there, Estraven stood beside me, but neither he nor I cast any shadow. There was dull light all around, everywhere. When we walked on the crisp snow no shadow showed the footprint. We left no track. Sledge, tent, himself, myself: nothing else at all. No sun, no sky, no horizon, no world.

I was in the hotel,” he said finally. “I followed your footprints in the snow.” There were tears on his face. “Okay,” someone said, “but why are you crying?” “I’d thought I was the only one,” he said.

The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.

We all leave something behind us. A bird in flight will lose a snow-white feather, and flowers in the hedgerows will drop their petals. And people? We leave memories. Footprints in the dust and fingerprints on everything we've touched, warmth in every hand we've held. We become stories that are spoken of, for always. And in this way, we carry on.

I was still a boy when I left the Ozarks, only sixteen years old. Since that day, I’ve left my footprints in many lands: the frozen wastelands of the Arctic, the bush country of Old Mexico, and the steaming jungles of Yucatán. Throughout my life, I’ve been a lover of the great outdoors. I have built campfires in the Rocky Mountains of Colorado, and hunted wild turkey in the Smoky Mountains of Tennessee and the Blue Ridge Mountains of Virginia. I have climbed the Grand Tetons of Wyoming, and hunted bull elk in the primitive area of Idaho. I can truthfully say that, regardless of where I have roamed or wandered, I have always looked for the fairy ring. I have never found one, but I’ll keep looking and hoping. If the day ever comes that I walk up to that snow-white circle, I’ll step into the center of it, kneel down, and make one wish, for in my heart I believe in the legend of the rare fairy ring.

There is no snow, yet, to hold footprints, and in a moment, as his father disappears from sight, it is as if he never passed that way at all. Today it strikes Bird as unbearably sad, to pass by and leave no trace of your existence. To have no one remember you'd been there.

It was freezing, but the cold effortlessly numbed my feet and aching hands. I walked quietly, barefoot, to the end of the block, leaving my shoes behind to remind me how to find my way home. I stood at the end of the street, catching snow in my mouth, and laughed softly to myself as I realized that without my insomnia and anxiety and pain I’d never have been awake to see the city that never sleeps asleep and blanketed up for winter. I smiled and felt silly, but in the best possible way. As I turned and looked back toward the hotel I noticed that my footprints leading out into the city were mismatched. One side was glistening, small and white. The other was misshapen from my limp and each heel was pooled with spots of bright red blood. It struck me as a metaphor for my life. One side light and magical. Always seeing the good. Lucky. The other side bloodied, stumbling. Never quite able to keep up. It was like the Jesus-beach-footprint-in-the-sand poem, except with less Jesus and more bleeding. It was my life, there in white and red. And I was grateful for it. “Um, miss?” It was the man from the front desk leaning tentatively out of the front door with a concerned look on his face. “Coming,” I said. I felt a bit foolish and considered trying to clarify but then thought better of it. There was no way to explain to this stranger how my mental illness had just gifted me with a magical moment. I realized it would have sounded a bit crazy, but that made sense. After all, I was a bit crazy. And I didn’t even have to pretend to be good at it. I was a damn natural.

It is merciless, how the world moves on after the death of a person, how they can disappear without a trace, like footprints in the melting snow.

If we wanted to tell you everything, we would leave more footprints in the snow or kiss you harder.

I eventually came across what looked like tiny footprints in the snow

Remember sixteen - when all the world was new and your life stretched out before you like fresh snow waiting for your footprints?

The Deliverator had to borrow some money to pay for it. Had to borrow it from the Mafia, in fact. So he's in their database now—retinal patterns, DNA, voice graph, fingerprints, footprints, palm prints, wrist prints, every fucking part of the body that had wrinkles on it—almost—those bastards rolled in ink and made a print and digitized it into their computer.

The mud. There are no good similes. Mud must be a Flemish word. Mud was invented here. Mudland must have been its name. The ground is the colour of steel. Over most of the plain there isn't a trace of topsoil; only sand and clay. The Belgians call them 'clyttes', these fields, and the further you go towards the sea, the worse the clyttes become. In them, the water is reached by the plough at an average depth of eighteen inches. When it rains (which is almost constantly from early September through to March, except when it snows) the water rises at you out of the ground. It rises from your footprints-and an army marching over a field can cause a flood. In 1916, it was said that you 'waded to the front'. Men and horses sank from sight. They drowned in mud. Their graves, it seemed, just dug themselves and pulled them down.

Nahum himself gave the most definite statement of anyone when he said he was disturbed about certain footprints in the snow. They were the usual winter prints of red squirrels, white rabbits, and foxes, but the brooding farmer professed to see something not quite right about their nature and arrangement.

When she opened the book, the white pages were so bright against the shadows that filled the forest and the words they offered granted shelter and comfort. The letters were like footprints in the snow, a wide white landscape untouched by pain, unharmed by memories too dark to keep, too sweet to let go of.

Benji barely leaves any footprints in the snow as he moves between the trees. That always used to surprise people who encountered him on the ice, the combination of agility and strength. Adri always says it's incredible that someone so agile can be so bad at dancing, and he always replies that it's incredible that someone can be so bad at cooking as she is yet still be so fat.

The snow fell fast and thick. He looked up for a moment in the air, and thought that those white ashes strewn upon his hopes and misery, were suited to them well. He looked round on the whitening ground, and thought how Marion's foot-prints would be hushed and covered up, as soon as made, and even that remembrance of her blotted out. But he never felt the weather, and he never stirred.

I’d read, listen to music, or just sit there and watch the leaves spinning in the wind. Needed to be away from everyone, everything. That’s what hunting became for me. I liked being on my own. The quiet of it, the stillness of the snow, the familiar spruce, fir, and pine trees, the challenge of the hills, finding footprints of large and small game. All of it a world I understood and one that didn’t need to understand me.

We are and remain such creeping Christians, because we look at ourselves and not at Christ; because we gaze at the marks of our own soiled feet, and the trail of our own defiled garments, instead of up at the snows of purity, whither the soul of Christ clomb. Each, putting his foot in the footprint of the Master, and so defacing it, turns to examine how far his neighbour’s footprint corresponds with that which he still calls the Master’s, although it is but his own.

An exciting sense of rodina, ‘motherland,’ was for the first time organically mingled with the comfortably creaking snow, the deep footprints across it, the red gloss of the engine stack, the birch logs piled high, under their private layer of transportable snow, on the red tender. I was not quite six, but that year abroad, a year of difficult decisions and liberal hopes, had exposed a small Russian boy to grown-up conversations. He could not help being affected in some way of his own by a mother’s nostalgia and a father’s patriotism. In result, that particular return to Russia, my first conscious return, seems to me now, sixty years later, a rehearsal – not of the grand homecoming that will never take place, but of its constant dream in my long years of exile.

I watched her. I was a ghost in the woods, silent, still, cold. I was winter embodied, the frigid wind given physical form. I stood near the edge of the woods, where the trees began to thin, and scented the air: mostly dead smells to find this time of the season. The bite of conifer, the musk of wolf, the sweetness of her, nothing else to smell. She stood in the doorway for the space of several breaths. Her face was turned towards the trees, but I was invisible, intangible, nothing but eyes in the woods. The intermittent breeze carried her scent to me again and again, singing in another language of memories from another form. Finally, finally, she stepped on the deck and pressed the first footprint into the snow of the yard. And I was right here, almost right within reach, but still one thousand miles away.

Dear you, Yes, you. The person reading this right now. If you're anything like me, sometimes you might feel like you don't matter. Like you're completely ordinary, unremarkable, boring, invisible. Like if you disappeared, nobody would notice. Don't. Don't feel that way. You are extraordinary. You are remarkable. You are interesting. You are dazzling. Your presence is noticed and appreciated. You are moonbeams and starlight, a sugar rush, the sound of laughter like bells. You are a soft breeze on a sweltering summer day, the wonder of a year's first snow, and the magic of a million smiling faces. You mean something to someone out there. You mean something to someone right here. You are important, and the footprints you leave in this world make a difference. Even though you might not always realize it, you are wonderful. You matter. And I am happy you exist.

Now, as they pressured perfect footprints into the snow that had been accumulating all day, his father took Harry's hand. "Heshele, how are you?" "OK, I guess." "Are you very sad?" "I don't know. I know I should be. But what does it mean to be sad?" His father stopped. He cupped his free hand to let the snow gather. It quickly turned from an inviting white coating to black-specked gray water. "Sadness is in my hand. In a second, a thing of beauty becomes dirty water; innocence leaves a child's eyes; he who strived for immortality lies forgotten under weeds. Sad is missing the love that death has sealed in the ground or that life has denied life to." "Then I'm sad. When you took my hand, I remembered how he took my hand when we went to the pier to fish. And I thought: That will never happen again. And then I thought: Up until now I never understood the word never, and there was a lump in my throat.

And then there was him. Devin hummed an icy chill. Both gentle falling snow and roaring storms at the same time. He was the evergreens that thrived in the cold. The crisp stillness in the air, and the dark night full of cold white stars. There was most definitely a pull, and it was overwhelming. More than the thread tugging incessantly in my chest, my whole body wanted to sink toward that comforting chill like it was a giant pile of blankets and I hadn't slept in days. Something told me the weariness in my bones would find comfort there. I could feel it. Taste it. I wanted to run to it. My arms prickled with winter sensations. I wanted to dance in the moonlight, leaving swirls of footprints in the snow. The cold didn't bite like it had only a few minutes ago. My new skin was comfortably warm, and something told me that nothing would chill me to the bone ever again. Even if I hadn't felt Winter's pull, I still felt a pull toward Devin. In his bright eyes I saw only longing; the urge to run to his arms was strong.

experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2

A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. As far as the animals are concerned, the suburbs are an abandoned landscape, and so they roam with confidence. Children seldom roam, even in the safest places. Because of their parents’ fear of the monstrous things that might happen (and do happen, but rarely), the wonderful things that happen as a matter of course are stripped away from them. For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back. I wonder what will come of placing this generation under house arrest.

Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury 11,277 ratings, 4.11 average rating, 1,140 reviews Open Preview Zen in the Art of Writing Quotes (showing 1-30 of 90) “You must stay drunk on writing so reality cannot destroy you.” ― Ray Bradbury, Zen in the Art of Writing tags: writing 5923 likes Like “I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room.” ― Ray Bradbury, Zen in the Art of Writing tags: humour, individuality, science-fiction 5858 likes Like “Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.” ― Ray Bradbury, Zen in the Art of Writing tags: chaos, construction, creative-process, destruction, writers, writing 220 likes Like “That's the great secret of creativity. You treat ideas like cats: you make them follow you.” ― Ray Bradbury, Zen in the Art of Writing tags: cats, creativity, ideas 195 likes Like “You grow ravenous. You run fevers. You know exhilarations. You can't sleep at night, because your beast-creature ideas want out and turn you in your bed. It is a grand way to live.” ― Ray Bradbury, Zen in the Art of Writing tags: ideas, writing 191 likes Like “Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.” ― Ray Bradbury, Zen in the Art of Writing

That thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word “lost” comes from the Old Norse los, meaning the disbanding of an army, and this origin suggests soldiers falling out of formation to go home, a truce with the wide world. I worry now that many people never disband their armies, never go beyond what they know. Advertising, alarmist news, technology, incessant busyness, and the design of public and private space conspire to make it so. A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. As far as the animals are concerned, the suburbs are an abandoned landscape, and so they roam with confidence. Children seldom roam, even in the safest places. Because of their parents’ fear of the monstrous things that might happen (and do happen, but rarely), the wonderful things that happen as a matter of course are stripped away from them. For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back. I wonder what will come of placing this generation under house arrest.

the tyre?’ said Janet. ‘I mean – it just might come in useful. And we could measure the width of the tyre print too.’ ‘I don’t see how those things can possibly matter,’ said Barbara, who wanted to go down the lane and join the three boys. ‘Well, I’m going to try and copy the pattern,’ said Janet firmly. ‘I’d like to have something to show the boys!’ So, very carefully, she drew the pattern in her notebook. It was a funny pattern, with lines and circles and V-shaped marks. It didn’t really look very good when she had done it. She had measured the print as best she could. She had no tape-measure with her, so she had placed a sheet from her notebook over the track, and had marked on it the exact size. She felt rather pleased with herself, but she did wish she had drawn the pattern better. Barbara laughed when she saw it. ‘Goodness! What a mess!’ she said. Janet looked cross and shut her notebook up. ‘Let’s follow the tracks down the lane now,’ she said. ‘We’ll see exactly where they go. Not many vans come down here – we ought to be able to follow the tracks easily.’ She was quite right. It was very easy to follow them. They went on and on down the lane – and then stopped outside the old house. There were such a lot of different marks there that it was difficult to see exactly what they were – footprints, tyre-marks, places where the snow had been kicked and ruffled up – it was hard to tell anything except that this was where people had got out and perhaps had had some kind of struggle. ‘Look – the tyre-marks leave all this mess and go on down the lane,’ said Janet. She looked over the gate. Were the boys in the old house with the caretaker? ‘Let’s go and see if we can find the boys,’ said Barbara.

Outside, Ambo slogs through snow ankle-deep, making bloody tracks down the graded yard toward the box truck. Scanning the roundabout below, where the dirt utility road spills from the wood into the clearing. No movement. Nothing on approach. Only the snow that contours the turnabout, shaping itself against the trunks of the surrounding glade. Near the split-rail fence at the end of the back yard, Ambo stops and places the cooler at his feet. He lays the shotgun in a wide drift beside the last stile, working it in with his hands, using the snow to scour off the worst of the gore. The slush reddened like a confection. When he finishes, he puts the cooler under his arm, shoulders the weapon and continues the descent. His hands numb. The truck is ahead, blanketed from nose to tail, the drifts reaching halfway into the wheel wells. When Ambo reaches the cargo bay, he glances back over his shoulder. The red house, a cornice of snow gathered on the eaves. The red tracks—his own footprints—leading away. A red imprint roughed out in the shape of a gun on the side of the path.

The Bodhisattva rests in glacial air, under a dust of snow, leaves fallen into one arm. This fairyland Buddha sits in an exquisite etched chair, a powdery image of beauty. Winter brings blinding thoughts of flaky falling dreams, slushy icy hard footprints, with crunchy mantras of wind. Forever surrounded by obscuring of days, whiteout of the mundane, penetrating freeze, and blizzard of emptiness. Crystalline diamond Vajra surrounded by endings. Slow drifting meditations that meander to the ground. White snow like bones, cold as death, frozen in compassion. Drifting to enlightenment with vows to return until all are in blessed fields. Icy mantra Om Mani Padme Hum to mountain emptiness, echoing forever in alpine Buddhafields. Not this, nor that— but always something else. These days, we mostly see blessed falling flakes of snow.

Exposure of either one could spell disaster. He covered the tracks of his double infidelity with precision and care. Every few days, he would send a disguised message to Leila, and commit adultery in a different Copenhagen hotel; every four weeks, he would make his way to an unremarkable flat in a boring Danish suburb, and commit treason. Over the course of a year, he established a system of evasion, eluding both Soviet surveillance and the suspicions of his wife. His relationships, with both Leila and MI6, were deepening. He felt safe. Which he was not. One winter evening, a young Danish intelligence officer was heading home to Ballerup when he spotted a car with diplomatic number plates parked in a side street, far from the diplomatic enclaves. The young man was curious. He was also trained, and mustard keen. On closer inspection, he recognized the car as belonging to the Soviet embassy. What was a Soviet diplomat doing in the suburbs, at 7 p.m. on a weekend? A dusting of snow had fallen, and fresh footprints led away from the car. The PET officer followed them for about 200 yards, to an apartment block. A Danish couple were leaving as he approached, and obligingly held the front door open for him. Wet footprints crossed the marble floor to the stairs. He followed them to the door of a flat on the second floor. From

Norman slid down a 30 cm (12 inches) wide bench of snow beside the creek on his hip until he reached a rock bowl. At the far side, the stream emptied over an icy waterfall on to sharp rocks 15 m (50 ft) below. Somehow he used cracks to worm his way down from rocky crease to icy blister. The slope wasn’t steep here, but Norman had to traverse giant shale boulders. His stomach was chewing itself and exhaustion tore at him like an animal. He staggered woozily on until looked up and saw the meadow of snow 180 m (600 ft) down slope. But the mountain still wasn’t done with him. Now the enemy was a snarling mass of buckthorn, which lurked below a thin layer of snow. He dropped into it and stuck deep in the well formed by the jagged branches, unable to climb out. A plane passed high above. He yelled and waved. It circled. It had seen him. No. It sailed over the massive ridgeline. ‘I never gave up. My dad taught me to never give up.’ From Crazy for the Storm by Norman Ollestad. With the last ounces of his strength, Norman scrabbled and slithered out of the nest of buckthorn. With a flush of euphoria he found he had made it to the oasis of the snow meadow. It was tempting to sit down and celebrate, but he knew he might never get up again. He had to push on. But how would he get out? The vines wove a dense forest on the other side of the meadow. Then, he found some footprints. They were fresh. Norman followed them. After a few minutes, he realized the boot tracks made a circle. Was he delirious? Panic flooded his system. Then: ‘Hello! Anybody there?’ Norman screamed his lungs out. A teenage boy and his dog appeared out of the thickening gloom. ‘You from the crash?’ ‘Yes.’ ‘Anyone else?

The snow melted before they could make a footprint in it. Their lives ended before they even knew what they could be.

Life is like the footprint left by a solitary crane in the snow, visible for one moment, and then gone.

When winter hits Manhattan its attack is unrelenting. What begins as a cleansing snowfall blanketing even the ugliest streets with a white serenity soon turns into a chaotic slop of wet, gray grunge and grit. The snow continues its pursuit of tranquility however, but it will never stand a chance, disintegrating into the grubby traps of tire treads and footprints. Like a new pet, winter is loved for its first few precious moments, but it is quickly tired of by anyone but the most devoted, and it becomes an unwanted beast, requiring a constant audience to manage its disorder. Yet, even as the clouds pull themselves apart like torn denim and as the glass and concrete towers take advantage of a moment’s bleak respite by scraping the open sky once again, the city still braces itself for the next imminent wave.

It was worse than she’d expected. “None?” she asked. “No fresh boot prints anywhere around the perimeter of the house,” Sheriff Coughlin confirmed. “It was windy last night. Maybe the drifting snow filled in the prints?” Even before she finished speaking, the sheriff was shaking his head. “With the warm temperatures we’ve been having, the snow is either frozen or wet and heavy. If someone had walked through that yard last night, there would’ve been prints.” Daisy hid her wince at his words, even though they hit as hard as an elbow to the gut, and struggled to keep her voice firm. “There was someone walking around the outside of that house last night, Sheriff. I don’t know why there aren’t any boot prints, but I definitely saw someone.” He was giving her that look again, but it was worse, because she saw a thread of pity mixed in with the condescension. “Have you given more thought to starting therapy again?” The question surprised her. “Not really. What does that have to do…?” As comprehension dawned, a surge of rage shoved out her bewilderment. “I didn’t imagine that I saw someone last night. There really was a person there, looking in the side window.” All her protest did was increase the pity in his expression. “It must get lonely here by yourself.” “I’m not making things up to get attention!” Her voice had gotten shrill, so she took a deep breath. “I even said there was no need for you to get involved. I only suggested one of the on-duty deputies drive past to scare away the kid.” “Ms. Little.” His tone made it clear that impatience had drowned out any feelings of sympathy. “Physical evidence doesn’t lie. No one was in that yard last night.” “I know what I saw.” The sheriff took a step closer. Daisy hated how she had to crane her neck back to look at him. It made her feel so small and vulnerable. “Do you really?” he asked. “Eyewitness accounts are notoriously unreliable. Even people without your issues misinterpret what they see all the time. The brain is a tricky thing.” Daisy set her jaw as she stared back at the sheriff, fighting the urge to step back, to retreat from the man looming over her. There had been someone there, footprints or no footprints. She couldn’t start doubting what she’d witnessed the night before. If she did, then that meant she’d gone from mildly, can’t-leave-the-house crazy, to the kind of crazy that involved hallucinations, medications, and institutionalization. There had to be some other explanation, because she wasn’t going to accept that. Not when her life was getting so much better. She could tell by looking at his expression that she wasn’t going to convince Coughlin of anything. “Thank you for checking on it, Sheriff. I promise not to bother you again.” Although he kept his face impassive, his eyes narrowed slightly. “If you…see anything else, Ms. Little, please call me.” That wasn’t going to happen, especially when he put that meaningful pause in front of “see” that just screamed “delusional.” Trying to mask her true feelings, she plastered on a smile and turned her body toward the door in a not-so-subtle hint for him to leave. “Of course.” Apparently, she needed some lessons in deception, since the sheriff frowned, unconvinced. Daisy met his eyes with as much calmness as she could muster, dropping the fake smile because she could feel it shifting into manic territory. She’d lost enough credibility with the sheriff as it was. The silence stretched until Daisy wanted to run away and hide in a closet, but she managed to continue holding his gaze. The memory of Chris telling her about the sheriff using his “going to confession” stare-down on suspects helped her to stay quiet. Finally, Coughlin turned toward the door. Daisy barely managed to keep her sigh of relief silent. “Ms. Little,” he said with a short nod, which she returned. “Sheriff.” Only when he was through the doorway with the door locked behind him did Daisy’s knees start to shake.

He takes a halting step forward. The dust seems to crunch beneath his feet, like a covering of snow: there is a firm footing beneath a soft, resilient layer a few inches thick. His footprints are miraculously sharp, as if he’s placed his ridged overshoes in fine, damp sand. He takes a photograph of one particularly well-defined print; it will persist here for millions of years, he realises, like the fossilised footprint of a dinosaur, to be eroded away only by the slow rain of micrometeorites, that echo of the titanic bombardments of the deep past. He

stepped out of the tent on to nothing. Sledge and tent were there, Estraven stood beside me, but neither he nor I cast any shadow. There was dull light all around, everywhere. When he walked on the crisp snow no shadow showed the footprint. We left no track. Sledge, tent, himself, myself: nothing else at all. No sun, no sky, no horizon, no world. A whitish-grey void, in which we appeared to hang. The illusion was so complete that I had trouble keeping my balance. My inner ears were used to confirmation from my eyes as to how I stood; they got none; I might as well be blind. It was all right while we loaded up, but hauling, with nothing ahead, nothing to look at, nothing for the eye to touch, as it were, it was at first disagreeable and then exhausting.

As one learns more and more about the networks of protocological control, it becomes almost second nature to project protocol into every physical system: Traffic lights become the protocol for successful management of moving vehicles; a grocery store queue is the protocol for a successful checkout; airport security points are the protocol for prohibiting weapons; and so on. Protocol pops up everywhere. But protocol is more than simply a synonym for “the rules.” Instead, protocol is like the trace of footprints left in snow, or a mountain trail whose route becomes fixed only after years of constant wear. One is always free to pick a different route. But protocol makes one instantly aware of the best route—and why wouldn’t one want to follow it? Thus, a better synonym for protocol might be “the practical,” or even “the sensible.” It is a physical logic that delivers two things in parallel: the solution to a problem, plus the background rationale for why that solution has been selected as the best. Like liberalism, or democracy, or capitalism, protocol is a successful technology precisely because its participants are evangelists, not servants. Like liberalism, democracy, or capitalism, protocol creates a community of actors who perpetuate the system of organization. And they perpetuate it even when they are in direct conflict with it. Protocol then becomes more and more coextensive with humanity’s productive forces, and ultimately becomes the blueprint for humanity’s innermost desires about the world and how it ought to be lived.

Got himself fired for pulling a sword on an acknowledged perp. Slid it right through the fabric of the perp’s shirt, gliding the flat of the blade along the base of his neck, and pinned him to a warped and bubbled expanse of vinyl siding on the wall of the house that the perp was trying to break into. Thought it was a pretty righteous bust. But they fired him anyway because the perp turned out to be the son of the vice-chancellor of the Farms of Merryvale. Oh, the weasels had an excuse: said that a thirty-six-inch samurai sword was not on their Weapons Protocol. Said that he had violated the SPAC, the Suspected Perpetrator Apprehension Code. Said that the perp had suffered psychological trauma. He was afraid of butter knives now; he had to spread his jelly with the back of a teaspoon. They said that he had exposed them to liability. The Deliverator had to borrow some money to pay for it. Had to borrow it from the Mafia, in fact. So he’s in their database now—retinal patterns, DNA, voice graph, fingerprints, footprints, palm prints, wrist prints, every fucking part of the body that had wrinkles on it—almost—those bastards rolled in ink and made a print and digitized it into their computer. But it’s their money—sure they’re careful about loaning it out. And when he applied for the Deliverator job they were happy to take him, because they knew him. When he got the loan, he had to deal personally with the assistant vice-capo of the Valley, who later recommended him for the Deliverator job. So it was like being in a family. A really scary, twisted, abusive family. CosaNostra

A short story thrust itself in his mind; he couldn’t remember the name, about a little vampire girl out in the snow. She hadn’t left footprints either.

In a lonely place, he stopped, struck by the sight of a long stretch of freshly fallen snow. Unscathed by animal tracks, footprints, or wheel ruts. Untouched by man. Pure white, unblemished, unspoilt, beautiful - perfectly capturing and reflecting the sunlight. What would it be like to be that new, that perfect, that pure, he wondered, when he himself felt sullied - a dark, muddy mess. And what was it about seeing such a sight that made a man want to step foot across it, to claim the virgin territory for himself and make his mark? And too often, end up ruining it? Richard shook his head. Not this time. Not him, not anymore

But on the way home tonight, you wish you’d picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As if it were you who could, somehow, save him. For the moment not caring who you’re supposed to be registered as. For the moment anyway, no longer who the Caesars say you are. O Jesu parvule, Nach dir ist mir so weh . . . So this pickup group, these exiles and horny kids, sullen civilians called up in their middle age, men fattening despite their hunger, flatulent because of it, pre-ulcerous, hoarse, runny-nosed, red-eyed, sore-throated, piss-swollen men suffering from acute lower backs and all-day hangovers, wishing death on officers they truly hate, men you have seen on foot and smileless in the cities but forgot, men who don’t remember you either, knowing they ought to be grabbing a little sleep, not out here performing for strangers, give you this evensong, climaxing now with its rising fragment of some ancient scale, voices overlapping three- and fourfold, up, echoing, filling the entire hollow of the church—no counterfeit baby, no announcement of the Kingdom, not even a try at warming or lighting this terrible night, only, damn us, our scruffy obligatory little cry, our maximum reach outward—praise be to God!—for you to take back to your war-address, your war-identity, across the snow’s footprints and tire tracks finally to the path you must create by yourself, alone in the dark. Whether you want it or not, whatever seas you have crossed, the way home. . . .

We are no longer in that primitive state of mind. We have an expectation of survival and have conquered most of the obvious predators that plagued us day to day with our superlative contemplation skills born of language. We sit in our comfy heated houses while the snow flutters like butterflies around us and we bask in a feeling of general contentment.

And if I go out to look for your footprints among the flowers, snow will fall in my heart for the entire twelve months of the year. -Snowy Map

I went outside and walked along the quiet streets. The fat snowflakes made it hard to see ahead, snow fell in every uncovered nook and turned familiar things into different shapes, making everything seem special. … I felt like I was travelling alone in a foreign land, too. I continued slowly down the street, leaving footprints on a clean, fresh blanket of snow no one had stepped on yet. When I turned around, my footprints were already growing faint. The sight seemed somewhat secretive and a bit heartbreaking.

On April 8, 2016, Samantha and Gianna had been home a little more than four months. They were just beginning to get reacquainted with their family and community when ABC’s 20/20 first aired its episode “Footprints in the Snow.

I am lost like the forgotten footprints in the snow. Yet, you stand like the fire against the cold. Like a dark Raven bringing light, guiding me to you, so I can hear the silent whispers of your soul.

A lone wolf doesn’t tread paths its ilk leaves; it makes its own footprints in the snow. Most of its kind lives in packs, but it is an army in itself. As quiet as it is fierce, it hones its own skills in the wild - building its lair, hunting its prey, sharpening its claws and facing its predators – no hurdle too big to cross in its passionate pursuit of a quest. It loves with similar ferocity too, a loyal protector and provider when it crosses paths with its mate for life – a true soulmate. Above all, however, it is a survivor. When the conditions get harsh, it will do what it has to, to make it out alive. No, a lone wolf would not go down without a fight.

Think about making a footprint in the snow or sand. How was that impression made? In your mind’s eye you can see it and envision how deep, how wide, and how long it is. Each aspect depends on the one making that mark in that place. So it is with teaching by using differentiated instruction. Each person is different, and each needs or requires instruction that will make an impression that lasts. However, the significance of how it was made will last longer than the actual footprint, because of the persons involved, the place it occurred, and the way it was done: Special needs, different abilities, and different ways!

There are outlines along the wall of where the previous tenants’ furniture used to be. I stare at them, and they remind me of footprints in the snow—a shadow of a life that came before me.

Grief never goes away. It just changes. At first it’s like molten-hot lava dripping from your heart and hollowing you from the inside. Over time, it settles into your bones, your skin, so that you live with it, walk with it every day. Grief isn’t the footprints in the snow. It’s the empty space between.

answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and

. . . [O]ur footprint was always spreading into places where no human development had existed before.

The Sufi‘s book is not composed of ink and letters: It is naught but a heart white as snow. The scholar‘s provisions are the marks of the pen. What are the Sufi‘s provisions? The footprints of the saints. – Rumi (p. 131)

All life is just like the footprints in the snow as you look back, sometimes you see two sets, and sometimes not. Now and then, you look back on the path that is your life, and you only see one set of deep prints. However, they are not your prints. I have come to realize and believe, that is when I was carried, through the hard and difficult times, by my angels, or by the Lord himself. Should I, or could I? Did I need to get another love? Should I have found someone new to be with romantically? Was there any need for another man in my life? Well, I will leave that up to you to figure out. Just remember it is not always, what you do that stops you from what you wanted in life. Sometimes in my case, it is something or someone that has been there, and they are pulling at you. Just remember that he saved me from total and complete destruction, so just think about that. Then you will know how I feel about other relationships or letting them get into deep with me. So, that is a no I never had another man in my life romantically. Furthermore, afterward, you look back on life and think, maybe I should have done this, or maybe I should have done that, do not waste your time. It is all meant to be even if you cannot foresee it all. The journey is not always clear, however, I always got where I wanted to go, I remember a time when I had an opportunity to find love again in a living form.

宇宙間的平衡是諸多因素運作維繫的，即使能運用神通力避免掉一些不好的事，也只不過是延遲他的發生而已。 同樣的因緣終究會以另一種面貌呈現出來。

In the black eye sockets of the dead, and over the thousands of molehills spread throughout the plains, the snow fell noiselessly. Only the bandy-legged wolf, wandering over my footprints among the crosses on the graves, did not leap over the cemetery walls, on this long night.

The most dangerous weather condition that I experienced at high altitude was walking out of the observatory to check on astronomers in another building during a snow blizzard. When I was returning to the observatory the conditions progressed to white out, stranding me in a nighttime snow field. I was only able to return to the safety of the observatory by following my footprints in the snow with the flashlight.

The Laetoli footprints were preserved by a rare combination of circumstances. About 3.6 million years ago, a volcanic eruption blanketed the landscape with ash like new-fallen snow. Rain transformed the ash into muck like wet cement. Into this scene ambled two or three human ancestors who left behind a set of tracks as vivid as footprints on a beach.

Mother to child and child to mother, this is the story that follows me, the ghost that haunts me. My daughter, my mother, her mother, her mother’s mother. It is as if they have left footprints in the snow. Try as I might to deviate, my feet fall gently but firmly into their well-worn grooves. My daughter before me, my daughter after me. The times when I carry my daughter and the times when she carries me.

...Finally, through the gray, we saw them. Three officers on horseback led. We ran outside to cheer, but the men were quiet and thin. The sight of them took my breath away. "They have no shoes," Elizabeth whispered. We watched for several minutes as they passed by. We were unable to speak. Their footprints left blood in the snow.

So this pickup group, these exiles and horny kids, sullen civilians called up in their middle age, men fattening despite their hunger, flatulent because of it, pre-ulcerous, hoarse, runny-nosed, red-eyed, sore-throated, piss-swollen men suffering from acute lower backs and all-day hangovers, wishing death on officers they truly hate, men you have seen on foot and smileless in the cities and forgot, men who don't remember you either, knowing they ought to be grabbing a little sleep, not out here performing for strangers, give you this evensong, climaxing now with its rising fragment of some ancient scale, voices overlapping three and fourfold, filling the entire hollow of the church - no counterfeit baby, no announcement of the Kingdom, not even a try at warming or lighting this terrible night, only, damn us, our scruffy obligatory little cry, our maximum reach outward - praise be to God! - for you to take back to your war-address, your war-identity, across the snow's footprints and tire tracks finally to the path you must create by yourself, alone in the dark. Whether you want it or not, whatever seas you have crossed, the way home...

Remember sixteen - when all the world was new and your life stretched before you like fresh snow waiting for your footprints.

There was evidence of last night’s strange activity outside. Dozens of tracks cut through the snow. They all meandered erratically. Some zigzagged to and fro as if made by a drunk person, while others appeared to have been made by someone making enormous leaps across the field. Two pairs of tracks circled the cabin five or six times, then separated and re-entered the woods in different places. One set of footprints moved in a straight line from the trees to the place I stood on the porch, and never turned around.

So he’s in their database now—retinal patterns, DNA, voice graph, fingerprints, footprints, palm prints, wrist prints, every fucking part of the body that had wrinkles on it—almost—those bastards rolled in ink and made a print and digitized it into their computer.

know a lot of people don’t like winter, but I love it. I lay back in the snow and waved my arms up and down to make angel wings. I did the same with my legs, making the angel’s dress. Then I stood up carefully and leaped as far away from my snow angel as I could. (You have to do that or you’ll leave big footprints in the angel’s dress.) “Careful, Kristy, the sidewalk is extremely icy.” “Watson?” I peered down the drive. “What are you doing out here?

Soviet divisions were not far behind. ‘It is severely cold,’ Grossman noted as he accompanied the advancing troops. ‘Snow and the freezing air ice up your nostrils. Your teeth ache. There are frozen Germans, their bodies undamaged, along the road we follow. It wasn’t us who killed them. The cold did. They have bad boots and bad coats. Their tunics are thin and look like paper ... There are footprints all over the snow. They tell us how the Germans withdrew from the villages along the roads, and from the roads into the ravines, throwing their arms away.’ Erich Weinert, with another unit, observed crows circling, then landing, to peck out the eyes of corpses.