Foot Quotes

We've searched our database for all the quotes and captions related to Foot. Here they are! All 200 of them:

There are some things you can't share without ending up liking each other, and knocking out a twelve-foot mountain troll is one of them.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.
Lemony Snicket (Horseradish)
Man, when you lose your laugh you lose your footing.
Ken Kesey (One Flew Over the Cuckoo's Nest)
The thing under my bed waiting to grab my ankle isn't real. I know that, and I also know that if I'm careful to keep my foot under the covers, it will never be able to grab my ankle.
Stephen King (Night Shift)
Sigh no more, ladies, sigh no more, Men were deceivers ever,- One foot in sea and one on shore, To one thing constant never.
William Shakespeare (Much Ado About Nothing)
I want to see you. Know your voice. Recognize you when you first come 'round the corner. Sense your scent when I come into a room you've just left. Know the lift of your heel, the glide of your foot. Become familiar with the way you purse your lips then let them part, just the slightest bit, when I lean in to your space and kiss you. I want to know the joy of how you whisper "more
Rumi
When the going gets tough, put one foot in front of the other and just keep going. Don’t give up.
Roy T. Bennett (The Light in the Heart)
I've always envied people who sleep easily. Their brains must be cleaner, the floorboards of the skull well swept, all the little monsters closed up in a steamer trunk at the foot of the bed.
David Benioff (City of Thieves)
As he caught his footing, his head fell back, and the Milky Way flowed down inside him with a roar.
Yasunari Kawabata (Snow Country)
You never know what's around the corner. It could be everything. Or it could be nothing. You keep putting one foot in front of the other, and then one day you look back and you've climbed a mountain.
Tom Hiddleston
I’ve known people that the world has thrown everything at to discourage them...to break their spirit. And yet something about them retains a dignity. They face life and don’t ask quarters.
Horton Foote
Even though you may want to move forward in your life, you may have one foot on the brakes. In order to be free, we must learn how to let go. Release the hurt. Release the fear. Refuse to entertain your old pain. The energy it takes to hang onto the past is holding you back from a new life. What is it you would let go of today?
Mary Manin Morrissey
You'll get mixed up, of course, as you already know. You'll get mixed up with many strange birds as you go. So be sure when you step. Step with care and great tact and remember that Life's a Great Balancing Act. Just never forget to be dexterous and deft. And never mix up your right foot with your left.
Dr. Seuss (Oh, The Places You’ll Go!)
If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality.
Desmond Tutu
O Romeo, Romeo, wherefore art thou Romeo? Deny thy father refuse thy name, thou art thyself thou not a montegue, what is montegue? tis nor hand nor foot nor any other part belonging to a man What is in a name? That which we call a rose by any other name would smell as sweet, So Romeo would were he not Romeo called retain such dear perfection to which he owes without that title, Romeo, Doth thy name! And for that name which is no part of thee, take all thyself.
William Shakespeare
Did you seriously just stamp your foot? I thought girls only did that on TV.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.
Virginia Woolf (The Waves)
To dare is to lose one's footing momentarily. Not to dare is to lose oneself.
Søren Kierkegaard
A university is just a group of buildings gathered around a library.
Shelby Foote
Here, I’ll show you how to use it. Let me see your foot.” “That’s a pretty intimate demand in the angel world. It usually takes dinner, some wine, and sparkling conversation for me to give up my feet.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
I learned that there is good in this world, if you look hard enough for it. I learned that not everyone is disappointing, including me, and that a 1,257-foot bump in the ground can feel higher than a bell tower if you’re standing next to the right person.
Jennifer Niven (All the Bright Places)
I should have guessed you were Jace's sister," he said. "You both have the same artistic talent." Clary paused, her foot on the lowest stair. She was taken aback. "Jace can draw?" Nah." When Alec smiled, his eyes lit like blue lamps and Clary could see what Magnus had found so captivating about him. "I was just kidding. He can't draw a straight line.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
At every moment of our lives, we all have one foot in a fairy tale and the other in the abyss.
Paulo Coelho
I abhor the idea of a perfect world. It would bore me to tears.
Shelby Foote
You know that old saying. Once you go dead, no one's better in bed.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face. "Sorry," she murrmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I want to go about like the light-footed goats.
Johanna Spyri (Heidi)
Soon, the whole world would be searching for her--Linh Cinder. A deformed cyborg with a missing foot. A Lunar with a stolen identity. A mechanic with no one to run to, nowhere to go. But they will be looking for a ghost.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
But you can build a future out of anything. A scrap, a flicker. The desire to go forward, slowly, one foot at a time. You can build an airy city out of ruins.
Lauren Oliver (Pandemonium (Delirium, #2))
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
Gonna change my way of thinking, make my self a different set of rules. Gonna put my good foot forward and stop being influenced by fools.
Bob Dylan
He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
Jonathan Safran Foer (Everything is Illuminated)
I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.
Albert Camus
You never come back, not all the way. Always there is an odd distance between you and the people you love and the people you meet, a barrier thin as the glass of a mirror, you never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and no one in another, where everything is upside down and backward and sad.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
One foot in front of the other, counting tiles on the floor so I don't have to focus the blur of painted smiles, fake faces.
Ellen Hopkins (Impulse (Impulse, #1))
You called her Kitten? And she let you? She put me in a coma for three days when I called her that! My balls never recovered from her smashing them into my spine!
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Some things are fairly obvious when it's a seven-foot skeleton with a scythe telling you them
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
It is perhaps the misfortune of my life that I am interested in far too much but not decisively in any one thing; all my interests are not subordinated in one but stand on an equal footing.
Søren Kierkegaard
She's my kitten, and no one else's.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
He must love you very much,' Gavril said once I had my footing. I couldn't look at him. 'What makes you say that?' Gavril sighed. 'I've known Maxon since he was a child. He's never stood up to his father like that.
Kiera Cass (The Elite (The Selection, #2))
A man on foot, on horseback or on a bicycle will see more, feel more, enjoy more in one mile than the motorized tourists can in a hundred miles.
Edward Abbey (Desert Solitaire)
Where are you, bloodsuckers? Here, fangy, fangy, fangy...
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I have been stabbed, shot, burned, bitten, beaten unconscious too many times to count, and even staked. None of those held a candle to the pain I felt at seeing his mouth on hers.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Time Does Not Bring Relief Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year’s leaves are smoke in every lane; But last year’s bitter loving must remain Heaped on my heart, and my old thoughts abide. There are a hundred places where I fear To go,—so with his memory they brim. And entering with relief some quiet place Where never fell his foot or shone his face I say, “There is no memory of him here!” And so stand stricken, so remembering him.
Edna St. Vincent Millay (Collected Poems)
Q: You'er presented with a smooth-faced, eight-foot-high wooden wall. Your objective? Get over it. To, like, save comrades or something. How to accomplish this? A: Take a running start, brace one foot against the wall, throw one hand to the top, try to hang on long enough for a comrade to either grab your hand at the top or for another comrade to push your butt up from below. It takes team work! BKA (bird kid answer): Or you could just, like, fly over it.
James Patterson (Max (Maximum Ride, #5))
A forty-foot worm?" Will muttered to Jem as they moved through the Italian garden, their boots - thanks to a pair of Soundless runes - making no noise on the gravel. "Think of the size of the fish we could catch." Jem's lips twitched. "It's not funny, you know." "It is a bit.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
A slip of the foot you may soon recover, but a slip of the tongue you may never get over.
Benjamin Franklin
Who is it?" I asked teasingly "Bigfoot," Dex answered from his room. "What do you want, Mr Foot?" "Please, just call me Big." I snorted. "You wish." "You know.
Karina Halle (Into the Hollow (Experiment in Terror, #6))
Arum: But where will your arrogance be when we absorb your powers? Daemon: In the same place as my foot. You know, as in up your ass.
Jennifer L. Armentrout (Obsidian (Lux, #1))
My shoe is off. My foot is cold. I have a bird I like to hold.
Dr. Seuss (One Fish, Two Fish, Red Fish, Blue Fish)
Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.
May Sarton (Journal of a Solitude)
Juan gave Bones the most admiring look he’d bestowed on him yet. “You talked her into going without panties all these years? Madre de Dios, now that’s impressive. I could learn a great deal from you, amigo.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
He’d almost told the princess that she could keep Hellas’s Horse, but there was something to be said about the prospect of charging down Morath foot soldiers atop a horse named Butterfly.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
Stop it." Isabelle tapped a booted foot in the shallow water at the lake's edge. "Both of you. In fact, all three of you. If we don't stick together in the Seelie Court, we're dead." "But I haven't-," Clary started. "Maybe you haven't, but the way you let those two act..." Isabelle indicated the boys with a disdainful wave of her hand. "I can't tell them what to do!" "Why not?" the other girl demanded. "Honestly, Clary, if you don't start utilizing a bit of your natural feminine superiority, I just don't know what I'll do with you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
CHORONZON: I am a dire wolf, prey-stalking, lethal prowler. MORPHEUS: I am a hunter, horse-mounted, wolf-stabbing. CHORONZON: I am a horsefly, horse-stinging, hunter-throwing. MORPHEUS: I am a spider, fly-consuming, eight legged. CHORONZON: I am a snake, spider-devouring, posion-toothed. MORPHEUS: I am an ox, snake-crushing, heavy-footed. CHORONZON: I am an anthrax, butcher bacterium, warm-life destroying. MORPHEUS: I am a world, space-floating, life-nurturing. CHORONZON: I am a nova, all-exploding... planet-cremating. MORPHEUS: I am the Universe -- all things encompassing, all life embracing. CHORONZON: I am Anti-Life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds... of everything. Sss. And what will you be then, Dreamlord? MORPHEUS: I am hope.
Neil Gaiman (Preludes & Nocturnes (The Sandman, #1))
he's probably never met a six-foot tall hot elf-women in a fur bikini either.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I want to be where your bare foot walks, because maybe before you step, you'll look at the ground. I want that blessing
Rumi
He does what he wants, and I don’t ask,” he said. “He could bring a six-foot tall pink rabbit in a bikini back home with him if he wanted to. It’s not my business. But if you’re asking me if I’ve brought any girls back here, the answer is no. I don’t want anybody but you.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I can see what you’re up to.” “Five foot six inches,” Shallan said. “I suspect that’s all I will ever be up to, unfortunately.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Readers have the right to say whatever the fuck they want about a book. Period. They have that right. If they hate the book because the MC says the word “delicious” and the reader believes it’s the Devil’s word and only evil people use it, they can shout from the rooftops “This book is shit and don’t read it” if they want. If they want to write a review entirely about how much they hate the cover, they can if they want. If they want to make their review all about how their dog Foot Foot especially loved to pee on that particular book, they can." [Blog entry, January 9, 2012]
Stacia Kane
Fine, princess.... But if I get sick, I expect you to wait on me hand and foot." "If you get sick, I'll just have Ash put you out of your misery." "I'm touched that you care.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing so for a long time.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
The world takes us to a silver screen on which flickering images of passion and romance play, and as we watch, the world says, “This is love.” God takes us to the foot of a tree on which a naked and bloodied man hangs and says, “This is love.
Joshua Harris (I Kissed Dating Goodbye: A New Attitude Toward Relationships and Romance)
Wrong way, Bones. The men's showers are in the opposite direction." I'll file that away with all the other information that doesn't pertain to me" was Bones' mocking reply.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
You're going to meet many people with domineering personalities: the loud, the obnoxious, those that noisily stake their claims in your territory and everywhere else they set foot on. This is the blueprint of a predator. Predators prey on gentleness, peace, calmness, sweetness and any positivity that they sniff out as weakness. Anything that is happy and at peace they mistake for weakness. It's not your job to change these people, but it's your job to show them that your peace and gentleness do not equate to weakness. I have always appeared to be fragile and delicate but the thing is, I am not fragile and I am not delicate. I am very gentle but I can show you that the gentle also possess a poison. I compare myself to silk. People mistake silk to be weak but a silk handkerchief can protect the wearer from a gunshot. There are many people who will want to befriend you if you fit the description of what they think is weak; predators want to have friends that they can dominate over because that makes them feel strong and important. The truth is that predators have no strength and no courage. It is you who are strong, and it is you who has courage. I have lost many a friend over the fact that when they attempt to rip me, they can't. They accuse me of being deceiving; I am not deceiving, I am just made of silk. It is they who are stupid and wrongly take gentleness and fairness for weakness. There are many more predators in this world, so I want you to be made of silk. You are silk.
C. JoyBell C.
A first child is your own best foot forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that' s love by a different name.
Barbara Kingsolver (The Poisonwood Bible)
And that, Annette, is called Pilates
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Oh, I fully intend to form an alliance with Luna.” Kai glanced at the cyborg foot again. “I just intend to put a different queen on the throne first.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Rule number one of anime," Simon said. He sat propped up against a pile of pillows at the foot of his bed, a bag of potato chips in one hand and the TV remote in the other. He was wearing a black T-shirt that said I BLOGGED YOUR MOM and a pair of jeans that were ripped in one knee. "Never screw with a blind monk.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Why did he have to be so gorgeous? Why did he have to stand so close, and why did I still love him so much?
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
The useless sentries in the watchtower are now all half in love with you,” he lied. “One said he wanted to marry you.” A low snarl. He yielded a foot but held eye contact with her as he grinned. “But you know what I told them? I said that they didn't stand a chance in hell. Because I am going to marry you,” he promised her. “One day. I am going to marry you. I'll be generous and let you pick when, even if it's ten years from now. Or twenty. But one day, you are going to be my wife.” He shrugged. “Princess Lysandra Ashryver sounds nice, doesn't it?
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
You go on. You set one foot in front of the other, and if a thin voice cries out, somewhere behind you, you pretend not to hear, and keep going.
Geraldine Brooks (March)
If the foot of the trees were not tied to earth, they would be pursuing me.. For I have blossomed so much, I am the envy of the gardens.
Rumi
If I hold her hand she says, ‘Don’t touch!’ If I hold her foot she says ‘Don’t touch!’ But when I hold her waist-beads she pretends not to know.
Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
Percy, we're going to Polyphemus' island! Polyphemus is an S-i-k...a C-y-k..." She stamped her foot in frustration. As smart as she was, Annabeth was dyslexic, too. We could've been there all night while she tried to spell Cyclops. "You know what I mean!
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
He leaves less than a foot of space between us and I'm 10 inches away from spontaneous combustion.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
You must know that I am made of death, from head to foot, and it is a corpse who loves you and adores you and will never, never leave you!
Gaston Leroux (The Phantom of the Opera)
She moved like water, graceful and soft and lovely. Every part of me wanted to stick out my foot and trip her, just to see her stumble.
Cassandra Rose Clarke (The Assassin's Curse (The Assassin's Curse, #1))
Regardless of his motives or his methods, Rhysand was keeping me alive. And had done so even before I set foot Under the Mountain.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
But from that moment on, Hermione Granger became their friend. Because there are somethings you can't go through in life and become friends, and knocking out a twelve-foot mountain troll is one of them.
J.K. Rowling
May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest as long as I am living; you said I killed you—haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!
Emily Brontë (Wuthering Heights)
Forming your worldview by relying on the media would be like forming your view about me by looking only at a picture of my foot.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
Take your foot out of the graveyard, they are busy being dead.
Anne Sexton (The Complete Poems)
Sometimes life is a series of obstacles, a matter of putting one foot in front of the other. Sometimes, she realizes suddenly, it is simply a matter of blind faith.
Jojo Moyes (The Girl You Left Behind)
You are the Truth from foot to brow. Now, what else would you like to know?
Rumi
If the shoe doesn't fit, must we change the foot?
Gloria Steinem
Not looking up at me, his smile widened. “I’m reading your porn.” Smacking his foot as I walked by, I scoffed, “That’s not porn…it’s romance.
S.C. Stephens (Effortless (Thoughtless, #2))
How can I explain purposely setting foot on a path so blatantly treacherous? Was the fun in the fall?
Ellen Hopkins (Crank (Crank, #1))
You just do it. You force yourself to get up. You force yourself to put one foot before the other, and God damn it, you refuse to let it get to you. You fight. You cry. You curse. Then you go about the business of living. That’s how I’ve done it. There’s no other way.
Elizabeth Taylor
I am Delilah Bard, she thought, as the ropes cut into her skin. I am a thief and a pirate and a traveler. I have set foot in three different worlds, and lived. I have shed the blood of royals and held magic in my hands.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
I just swallow hard. Nod and smile. One foot in front of the other. I'm fine, thanks for not asking.
Sarah Ockler (Twenty Boy Summer)
There comes . . . a longing never to travel again except on foot.
Wendell Berry (Remembering)
Everybody loves you when you're six foot in the ground.
John Lennon
The vampires start to close in. "shouldn't we stand back to back or something?" Clary said. "What? Why?" "I don't know. In movies that's what they do in this kind of...situation." Jace laughs, "You, you are the most-" The most what?" Clary demands indignantly. Jace: Nothing. This isn't a situation okay? I save that word for when things get really bad." "Really bad? This isn't really bad? What do you want, a nuclear-" The windows exploded inward in a shower of broken glass. Through the shattered windows came dozens of sleek shapes, four footed and low to the ground, their coats scattering moonlight and broken bits of glass. Wolves. "Now, this," said Jace, "is a situation
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You are my whole heart, Scarlet. And this is breaking it.' My heart cracked open and clear dropped out of me. My mouth opened, and I looked round me and stamped my foot. 'Does this look like a good time to tell me that, you damn stupid boy?' I meant to sound mean but my voice wobbled. 'Now?' He gave a little smile. 'My foul-mouthed warrior.
A.C. Gaughen (Scarlet (Scarlet, #1))
A demigod!" one snarled. "Eat it!" yelled another. But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters. "Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. "New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!" To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long. I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Put your foot upon the neck of the fear of criticism by reaching a decision not to worry about what other people think, do, or say.
Napoleon Hill (Think and Grow Rich: The Landmark Bestseller Now Revised and Updated for the 21st Century)
C’mon,” he said. “One foot in front of the other. You know how it’s done” “You’re interfering with my plan.” “Oh really?” “Yes. Faint, get trampled, grievous injuries all around.” “That sounds like a brilliant plan.” “Ah, but if I’m horribly maimed, I won’t be able to cross the Fold.” Mal nodded slowly. “I see. I can shove you under a cart if that would help.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
People can't be just tied together. They have to connect. Otherwise, they'll find themselves bound hand and foot.
Ai Yazawa
A bookshelf is as particular to its owner as are his or her clothes; a personality is stamped on a library just as a shoe is shaped by the foot." [Baffled at a Bookcase (London Review of Books, Vol. 33 No. 15, 28 July 2011)]
Alan Bennett
Cats are cats . . . the world over! These intelligent, peace-loving, four-footed friends- who are without prejudice, without hate, without greed- may someday teach us something. -James Mackintosh Qwilleran
Lilian Jackson Braun (The Cat Who Saw Stars (Cat Who... #21))
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
Pablo
It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try to readjust the way you thought of things. The Baudelaire orphans were crying not only for their Uncle Monty, but for their own parents, and this dark and curious feeling of falling that accompanies every great loss.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
When you love a city and have explored it frequently on foot, your body, not to mention your soul, gets to know the streets so well after a number of years that in a fit of melancholy, perhaps stirred by a light snow falling ever so sorrowfully, you'll discover your legs carrying you of their own accord toward one of your favourite promontories
Orhan Pamuk (My Name Is Red)
Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves.
Anaïs Nin
A man could be a lover and defender of the wilderness without ever in his lifetime leaving the boundaries of asphalt, powerlines, and right-angled surfaces. We need wilderness whether or not we ever set foot in it. We need a refuge even though we may never need to set foot in it. We need the possibility of escape as surely as we need hope; without it the life of the cities would drive all men into crime or drugs or psychoanalysis.
Edward Abbey (Desert Solitaire)
The future was uncertain, absolutely, and there were many hurdles, twists, and turns to come, but as long as I kept moving forward, one foot in front of the other, the voices of fear and shame, the messages from those who wanted me to believe that I wasn't good enough, would be stilled.
Chris Gardner (The Pursuit of Happyness)
Time has no dominion over love. Love is the one thing that transcends time. (Bones)
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
Norton Juster (The Phantom Tollbooth)
I didn’t hear him behind me. I felt him. Electric. Wild. One foot in the swamp. Never going to crawl all the way out. And I wanted to have sex with whatever he was. Where was I supposed to put that in my head?
Karen Marie Moning (Faefever (Fever, #3))
Careful, luv. I might be angry with you, but that doesn't mean I don't still want you. So if you do that again, I'll shag you right here, right now, and sod anyone who wants to watch
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Jack couldn't help but watch Nonie as she left. She looked to be twenty-nine, thirty at the most, stood maybe five foot-four and was slender. She had shoulder-length, curly, walnut-colored hair and the largest most beautiful blue eyes he'd ever seem Her nose and ears were small in comparison to her full lips, which he'd give anything to kiss.
Deborah Leblanc (Toe to Toe)
He ignored me, thank God, saying to Kat, "Let go of Frosty's leash. You're choking the life out of him." Kat's eyes narrowed to tiny slits, a sure sign of her aggression. "He deserves to choke. He didn't keep little frosty in his pants this summer." the words snapped like a whip. "He did." Cole snapped back with unwavering confidence. "Not." "Did." "Not!" "Did," "Not, not, not!" she shouted with a stomp of her foot. "What are we five?" Cole said. "Six.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
...cursing my heels and debating whether it was faster to stop and take them off--damn ankle straps!--or keep running with the potential neck breakers. Wouldn’t that make a charming epitaph? Here lies Cat. Killed not by fang, but Ferragamos.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I am a Muslim, because it's a religion that teaches you an eye for an eye and a tooth for a tooth. It teaches you to respect everybody, and treat everybody right. But it also teaches you if someone steps on your toe, chop off their foot. And I carry my religious axe with me all the time.
Malcolm X
You called her Kitten? And she let you? She put me in a coma for three days when I called her that? My balls never recovered from her smashing them into my spine?" "And well she should have," Bones agreed. "She's my Kitten, and no one else's
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I was starting to see that this wasn't just sex, and it wasn't something just working out of my system. Sex was just the fastest route to the deeper possession that I needed. I was falling in love with her, and falling to fast and hard to easily find any footing.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
He pulled my foot, drawing me closer. Being this close to him was making me feel dizzy and nervous. I said it again, one last time, even though i didn't mean it. "Conrad let go of me." He did. And then he dunked me. It didn't matter. I was already holding my breath.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.
Virginia Woolf (To the Lighthouse)
Okay. Let's see what we've got." He lifted up her foot and said, "Well, what we've got here is a freakin' boat." Really?" She slammed her heel against the side of his face, snapping his head to one side. "How big are they now, Mitch?" Rubbing the abused side of his face, "Dainty little elf feet?" "Exactly.
Shelly Laurenston (The Mane Attraction (Pride, #3))
Now I am short on some props, and there isn't nearly enough time in one night to run through all the ways I've fantasized about taking you, but I promise you this..." His voice deepened, "You'll be scandalized in the morning when you can think again.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. "You won," Four mutters. "Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. "I think you should leave," he says. "Take a walk." I'm fine," I say. "I'm fine now," I say again, this time for myself. I wish I could say I felt guilty for what I did. I don't.
Veronica Roth (Divergent (Divergent, #1))
I think, therefore I am is the statement of an intellectual who underrates toothaches. I feel, therefore I am is a truth much more universally valid, and it applies to everything that's alive. My self does not differ substantially from yours in terms of its thought. Many people, few ideas: we all think more or less the same, and we exchange, borrow, steal thoughts from one another. However, when someone steps on my foot, only I feel the pain. The basis of the self is not thought but suffering, which is the most fundamental of all feelings. While it suffers, not even a cat can doubt its unique and uninterchangeable self. In intense suffering the world disappears and each of us is alone with his self. Suffering is the university of egocentrism.
Milan Kundera (Immortality)
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
Philip Roth (American Pastoral (The American Trilogy, #1))
And there stood Basta with his foot already on another dead body, smiling. Why not? He had hit his target, and it was the target he had been aiming for all along: Dustfinger’s heart, his stupid heart. It broke in two as he held Farid in his arms, it simply broke in two, although he had taken such good care of it all these years.
Cornelia Funke (Inkspell (Inkworld, #2))
I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures. She simply must put her foot down and say no to half of what she believes she "should" be doing. Art is not meant to be created in stolen moments only.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
You can run from the grave, but you can't hide.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Shit. I hated her already, and we hadn’t even met.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I’ll never be lonely Even if I am alone For I've a precious Savior Who’ll come to take me home. But while I’m here His servant I will be With one foot on earth And one in eternity. And I’ll gather His crops To populate His land And if I feel weary I’ll cling tighter to his hand.
Melody Carlson
For thousands of years, human beings had screwed up and trashed and crapped on this planet, and now history expected me to clean up after everyone. I have to wash out and flatten my soup cans. And account for every drop of used motor oil. And I have to foot the bill for nuclear waste and buried gasoline tanks and landfilled toxic sludge dumped a generation before I was born.
Chuck Palahniuk (Fight Club)
I’m in, Cat. I’d never leave you. Especially when you’ve got death breathing down your neck.” “Very funny,” I retorted, since Bones was inches from my throat
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
A forty-foot worm?" Will muttered to Jem as they moved through the Italian garden, their boots - thanks to a pair of Soundless runes - making no noise on the gravel. "Think of the size of the fish we could catch." Jem's lips twitched. "It's not funny, you know." "It is a bit." "You cannot reduce the situation to worm jokes, Will. This is Gabriel and Gideon's father we're discussing." "We're not just discussing him; we're chasing him through an ornamental sculpture garden because he's turned into a worm." "A demonic worm," said Jem, pausing to peer cautiously around a hedgerow. "A great serpent. Would that help your inappropriate humor?" "There was a time when my inappropriate humor brough you a certain amusement," sighed Will. "How the worm has turned.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I breathe in. The water will wash my wounds clean. I breathe out. My mother submerged me in water when I was a baby, to give me to God. It has been a long time since I thought about God, but I think about him now. It is only natural. I am glad, suddenly, that I shot Eric in the foot instead of the head.
Veronica Roth (Divergent (Divergent, #1))
He gave the body a final kick and then turned to face me. “You and I need to talk, Kitten.” “Now?” I asked in disbelief, gesturing to the dead vampire near his feet. “It’s not like he’s going anywhere, so yeah. Now.
Jeaniene Frost
Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh. ...And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
One of the things Ford Prefect had always found hardest to understand about human beings was their habit of continually stating and repeating the very very obvious, as in It's a nice day, or You're very tall, or Oh dear you seem to have fallen down a thirty-foot well, are you all right? At first Ford had formed a theory to account for this strange behaviour. If human beings don't keep exercising their lips, he thought, their mouths probably seize up. After a few months' consideration and observation he abandoned this theory in favour of a new one. If they don't keep on exercising their lips, he thought, their brains start working.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Do you know what you’ve done?” I asked in a bland tone. Annette gave me an inquiring look. “You’ve gotten on my last nerve.” The table went crashing into her before she could blink, and then my fist found a home in her perfectly arranged hair.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Together let us hold the intention that all aspects of this living planet come together in love, acceptance, and celebration of both our diversities and commonalities. Let us possess the common purpose that we heal from our hearts into compassion and forgiveness for ourselves. Together let us own the belief that we will no longer unite with blame and judgement, but come to accept that we all carry the same wounds. In acknowledging this, the hope is for the whole planet in its jubilant diversity to be healed from any and all woundings so that we come together on equal footing, living in peace and joy and setting the tone for a future of harmony within and on this planet. Peace to all and healing to all.
Wendy E. Slater (Of the Flame, Poems - Volume 15)
It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls' bodies ease from one place to another, from arc to the foot to ankle to calf, from calf to hip to wait to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I'd noticed curves before, of course, but I had never quite apprehended their significance.
John Green (Looking for Alaska)
Two students severely injured, you yourself covered in blood, a Reaper on the premises, a Fenrir wolf running around loose somewhere, and extensive property damage to the resort. Well?" Nickamedes snapped. "What do you have to say for yourself, Gwendolyn?" I thought for a second, then grinned at him. "I followed your directions exactly. I never set one foot outside the hotel.
Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
There are rumors that your Lantsov prince has been sighted.” I drifted nearer, trying to keep my voice casual. “Where?” He glanced up, his lips curling in a slight smile. “Do you like him?” “Does it matter?” “It’s harder when you like them. You mourn them more.” “Tell me, Alina,” said the Darkling. “Has he claimed you yet?” “Claimed me? Like a peninsula?” “No blushes. No averted eyes. How you’ve changed. What about your faithful tracker? Will he sleep curled at the foot of your throne?
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
You'll drain me dry, but not my neck, and you'll beg me to stop before I'm finished." -Bones
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
He is not only dull himself, he is the cause of dullness in others.
Samuel Foote (The Life of Johnson, Vol 4)
Wouldn’t that make a charming epitaph? Here lies Cat. Killed not by fang, but Ferragamos.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
It’s 11 am and I’m sitting in a restaurant 3 beers in. Believe me, even I’m surprised I’m still alive sometimes. I have been drinking about you for 2 days. Lately you remind me of a wild thing chewing through its foot. But you are already free and I don’t know what to do except trace the rough line of your jaw and try not to place blame. Here is the truth: It is hard to be in love with someone who is in love someone else. I don’t know how to turn that into poetry.
Clementine von Radics
It's like Dungeons and Dragons, but real." Jace was looking at Simon as if he were some bizarre species of insect. "It's like what?" "It's a game," Clary explained. She felt vaguely embarrassed. "People pretend to be wizards and elves, and they kill monsters and stuff." Jace looked stupefied. Simon grinned. "You've never heard of Dungeons and Dragons?" "I've heard of dungeons," Jace said. "Also dragons. Although they're mostly extinct." Simon looked disappointed. "You've never killed a dragon?" "He's probably never met a six-foot-tall hot elf-woman in a fur bikini, either," Clary said irritably. "Lay off, Simon." "Real elves are about eight inches tall," Jace pointed out. "Also, they bite.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
She nodded, grabbed her purse out of the drawer and skedaddled, walking like she was on a catwalk, one foot in front of the other, her ass swaying under the skirt of her expensive, tailored suit. Bitch. I thought again, watching her go. “No comparison,” Luke said after the door closed behind Dawn and I turned to him. “Excuse me?” “Dawn’s a man eater. You’re not. No comparison,” Luke answered and I didn’t know how to take that. “Is that good?” The half-smile came back. “Most men prefer to do the eating.” Holy fucking cow.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
There is a determined though unseen bravery that defends itself foot by foot in the darkness against the fatal invasions of necessity and dishonesty. Noble and mysterious triumphs that no eye sees, and no fame rewards, and no flourish of triumph salutes. Life, misfortunes, isolation, abandonment, poverty, are battlefields that have their heroes; obscure heroes, sometimes greater than the illustrious heroes.
Victor Hugo (Les Misérables)
A Litany for Survival For those of us who live at the shoreline standing upon the constant edges of decision crucial and alone for those of us who cannot indulge the passing dreams of choice who love in doorways coming and going in the hours between dawns looking inward and outward at once before and after seeking a now that can breed futures like bread in our children's mouths so their dreams will not reflect the death of ours: For those of us who were imprinted with fear like a faint line in the center of our foreheads learning to be afraid with our mother's milk for by this weapon this illusion of some safety to be found the heavy-footed hoped to silence us For all of us this instant and this triumph We were never meant to survive. And when the sun rises we are afraid it might not remain when the sun sets we are afraid it might not rise in the morning when our stomachs are full we are afraid of indigestion when our stomachs are empty we are afraid we may never eat again when we are loved we are afraid love will vanish when we are alone we are afraid love will never return and when we speak we are afraid our words will not be heard nor welcomed but when we are silent we are still afraid So it is better to speak remembering we were never meant to survive.
Audre Lorde (The Black Unicorn: Poems)
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
Ian McEwan (Atonement)
Tell me when it's over " Thalia said. Her eyes were shut tight. The statue was holding on to us so we couldn't fall but still Thalia clutched his arm like it was the most important thing in the world. "Everything's fine " I promised. "Are... are we very high " I looked down. Below us a range of snowy mountains zipped by. I stretched out my foot and kicked snow off one of the peaks. "Nah " I said. "Not that high.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
Peter Craig (Hot Plastic)
I noticed you the first week. Not just because of how pretty you are, though of course, that played into it. It was the way you lean onto your elbows when you 're listening in class, when something catches your interest. And when you laugh, it's never to get attention, it's just-laughter. The way you obssevively tuck your hair behind your ear on the left side, but let the right side fall down like a screen. And when you 're bored, you tap your foot soundlessly and move your fingers on the desktop like you 're playing an instrument. I wanted to sketch you.
Tammara Webber (Easy (Contours of the Heart, #1))
Had he but turned back then, and looked out once more on to the rose-lit garden, she would have seen that which would have made her own sufferings seem but light and easy to bear--a strong man, overwhelmed with his own passion and despair. Pride had given way at last, obstinacy was gone: the will was powerless. He was but a man madly, blindly, passionately in love and as soon as her light footstep had died away within the house, he knelt down upon the terrace steps, and in the very madness of his love he kissed one by one the places where her small foot had trodden, and the stone balustrade, where her tiny hand had rested last.
Emmuska Orczy (The Scarlet Pimpernel)
Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, 'Is there ANYTHING about this scene you can change, Liz?' And all I could think to do was stand up, whle still sobbing, and try to balance on one foot in the middle of the living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control: at least I could cry hysterically while balanced on one foot.
Elizabeth Gilbert (Eat, Pray, Love)
Looking at the stars always makes me dream, as simply as I dream over the black dots representing towns and villages on a map. Why, I ask myself, shouldn’t the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take a train to get to Tarascon or Rouen, we take death to reach a star. We cannot get to a star while we are alive any more than we can take the train when we are dead. So to me it seems possible that cholera, tuberculosis and cancer are the celestial means of locomotion. Just as steamboats, buses and railways are the terrestrial means. To die quietly of old age would be to go there on foot.
Vincent van Gogh
There seems to be a requirement for just so many people to be in the poor class, just as the need for a middle class exists. One class actually supports the other. The only way to get out of that cycle is to fight your way out. Never pass up an opportunity, and stick your foot into every open door, even if it’s just to see what’s inside. If there’s a possibility of seeing something you never have seen to experiencing something new. Do it. 
Gaylan D. Wright (Slave to the Dream: Everyone’s Dream)
She tossed her towel on her dresser and turned to the bed where shed left her PJs. Only it wasn't just her PJs on the bed anymore. Lucas, eyes wide, sat on the foot of her bed, about four feet from where she stood completely naked. She squealed. He laughed. She dashed for the towel. Once she had it around her, she glared from a still grinning Lucas to the door. "I'm killing Della!" He laughed again. "I'm afraid I might have to protect her for this one.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.
Laini Taylor (Lips Touch: Three Times)
So, Angel?" I said, looking over at her. She was gliding through the night, her eight-foot wings looking like a dove's. "Have you picked up anything from Anne, about anything? Anything off?" Not really." Angel thought. "From what I can tell, she does work for the FBI. She does care about us and wants us to be happy. She thinks the boys are slobs. I'm blind," Iggy said irritably. "How am I supposed to make everything all tidy?" Yeah, because you're so handicapped," I said sarcastically. "Like- you can't build bombs or cook or win at Monopoly. You can't tell us apart by the feel of our skin or feathers.
James Patterson (School's Out—Forever (Maximum Ride, #2))
A man leaves his great house because he's bored With life at home, and suddenly returns, Finding himself no happier abroad. He rushes off to his villa driving like mad, You'ld think he's going to a house on fire, And yawns before he's put his foot inside, Or falls asleep and seeks oblivion, Or even rushes back to town again. So each man flies from himself (vain hope, because It clings to him the more closely against his will) And hates himself because he is sick in mind And does not know the cause of his disease.
Lucretius
For this is what we do. Put one foot forward and then the other. Lift our eyes to the snarl and smile of the world once more. Think. Act. feel. Add our little consequence to the tides of good and evil that flood and drain the world. Drag our shadowed crosses into the hope of another night. Push our brave hearts into the promise of a new day. With love; the passionate search for truth other than our own. With longing; the pure, ineffable yearning to be saved. For so long as fate keeps waiting, we live on.
Gregory David Roberts (Shantaram)
And there is my payment the rubies in your cheeks. Are you properly scandalized by your wicked behavior? If you were Catholic, you'd singe the ears of the priest you confessed to. Do you remember making me swear to repeat all those naughty actions agian, no matter what you said this morning?" Now that he brought it up, I did recall saying that. Great Betrayed by my own immorality. "God, Bones...some of that was depraved." "I'll take that as a compliment." He closed the distance between us."I love you. Don't be ashamed of anything we did, even if your prudery is on life support.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was mt face. "Sorry," she murmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Hadley grabs the laminated safety instructions from the seat pocket in front of her and frowns at the cartoon men and women who seem weirdly delighted to be bailing out of a series of cartoon planes. Beside her, Oliver stifles a laugh, and she glances up again. “What?” “I’ve just never seen anyone actually read one of those things before,” “Well,” she says, “then you’re very lucky to be sitting next to me.” “Just in general?” She grins. “Well, particularly in case of an emergency.” “Right,” he says. “I feel incredibly safe. When I’m knocked unconscious by my tray table during some sort of emergency landing, I can’t wait to see all five-foot-nothing of you carry me out of here.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
They tell us, sir, that we are weak; unable to cope with so formidable an adversary. But when shall we be stronger? Will it be the next week, or the next year? Will it be when we are totally disarmed, and when a British guard shall be stationed in every house? Shall we gather strength by irresolution and inaction? Shall we acquire the means of effectual resistance by lying supinely on our backs and hugging the delusive phantom of hope, until our enemies shall have bound us hand and foot? Sir, we are not weak if we make a proper use of those means which the God of nature hath placed in our power.
Patrick Henry
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger — look at his state when left alone; remember his headlong nature; consider the recklessness following on despair — soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for you? or who will be injured by what you do?" Still indomitable was the reply — "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad — as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth — so I have always believed; and if I cannot believe it now, it is because I am quite insane — quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have this hour to stand by: there I plant my foot.
Charlotte Brontë (Jane Eyre)
Jem’s knees gave out, and he sank to the trunk at the foot of his bed, still playing. He played Will breathing the name Cecily, and he played himself watching the glint of his own ring on Tessa’s hand on the train from York, knowing it was all a charade, knowing, too, that he wished that it wasn’t. He played the sorrow in Tessa’s eyes when she had come into the music room after Will had told her she would never have children. Unforgivable, that, what a thing to do, and yet Jem had forgiven him. Love was forgiveness, he had always believed that, and the things that Will did, he did out of some bottomless well of pain. Jem did not know the source of that pain, but he knew it existed and was real, knew it as he knew of the inevitability of his own death, knew it as he knew that he had fallen in love with Tessa Gray and that there was nothing he or anyone else could do about it.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
At the hill’s foot Frodo found Aragorn, standing still and silent as a tree; but in his hand was a small golden bloom of elanor, and a light was in his eyes. He was wrapped in some fair memory: and as Frodo looked at him he knew that he beheld things as they had been in this same place. For the grim years were removed from the face of Aragorn, and he seemed clothed in white, a young lord fall and fair; and he spoke words in the Elvish tongue to one whom Frodo could not see. Arwen vanimelda, namarie! He said, and then he drew a breath, and returning out of his thought he looked at Frodo and smiled. `Here is the heart of Elvendom on earth,’ he said, `and here my heart dwells ever, unless there be a light beyond the dark roads that we still must tread, you and I. Come with me!’ And taking Frodo’s hand in his, he left the hill of Cerin Amroth and came there never again as a living man.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Wherever forests have not been mowed down, wherever the animal is recessed in their quiet protection, wherever the earth is not bereft of four-footed life - that to the white man is an 'unbroken wilderness.' But for us there was no wilderness, nature was not dangerous but hospitable, not forbidding but friendly. Our faith sought the harmony of man with his surroundings; the other sought the dominance of surroundings. For us, the world was full of beauty; for the other, it was a place to be endured until he went to another world. But we were wise. We knew that man's heart, away from nature, becomes hard.
Luther Standing Bear
There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
The woman knows from living with the abusive man that there are no simple answers. Friends say: “He’s mean.” But she knows many ways in which he has been good to her. Friends say: “He treats you that way because he can get away with it. I would never let someone treat me that way.” But she knows that the times when she puts her foot down the most firmly, he responds by becoming his angriest and most intimidating. When she stands up to him, he makes her pay for it—sooner or later. Friends say: “Leave him.” But she knows it won’t be that easy. He will promise to change. He’ll get friends and relatives to feel sorry for him and pressure her to give him another chance. He’ll get severely depressed, causing her to worry whether he’ll be all right. And, depending on what style of abuser he is, she may know that he will become dangerous when she tries to leave him. She may even be concerned that he will try to take her children away from her, as some abusers do.
Lundy Bancroft (Why Does He Do That?: Inside the Minds of Angry and Controlling Men)
Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.
Tyler Knott Gregson
The sea had jeeringly kept his finite body up, but drowned the infinite of his soul. Not drowned entirely, though. Rather carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro before his passive eyes; and the miser-merman, Wisdom, revealed his hoarded heaps; and among the joyous, heartless, ever-juvenile eternities, Pip saw the multitudinous, God-omnipresent, coral insects, that out of the firmament of waters heaved the colossal orbs. He saw God’s foot upon the treadle of the loom, and spoke it; and therefore his shipmates called him mad. So man’s insanity is heaven’s sense; and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God.
Herman Melville (Moby-Dick or, the Whale)
What does it feel like to be alive? Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling! It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.
Annie Dillard (An American Childhood)
Lucius paused, turning on his heel to face me. "I grow weary of your ignorance." He moved closer to me, leaning down and peering into my eyes. "Because your parents refuse to inform you, I will deliver the news myself,and I shall make this simple for you." He pointed to his chest and announced, as though talking to a child, "I am a vampire." He pointed to my chest. "You are a vampire. And we are to be married, the moment you come of age. This has been decreed since our births." I couldn't even process the "getting married" part, or the thing about "decreed." He'd lost me at "vampire." Nuts. Lucius Vladescu is completely nuts. And I'm alone with him, in an empty barn. So I did what any sane person would do. I jammed the pitchfork in the general direction of his foot and ran like hell for the house, ignoring his yowl of pain.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
What, you didn’t pack your lunch?” Ty asked sarcastically as he shifted around in the seat and wedged himself against the door. He kicked a foot up and propped it on the console between the two front seats. “Sure, in my SpongeBob SquarePants lunch box. I have the thermos, too,” Morrison shot right back. Zane kept his mouth shut, eyes moving between the two men, and occasionally back to the driver, who was casually paying attention. Ty stared at the kid and narrowed his eyes further. “Spongewhat?” he asked flatly. Zane didn’t even try to hold back the chuckle when Morrison looked at Ty like he’d lost his mind. “Spongewha … you’re yanking my chain, aren’t you?” Morrison said. “Henny, he’s yanking my chain.” “Yeah, well, that’s what you getting for waving it in his face,” the driver answered reasonably. “What the hell is a SpongeBob?” Ty asked Zane quietly in the backseat.
Madeleine Urban (Cut & Run (Cut & Run, #1))
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
The Nobodies Fleas dream of buying themselves a dog, and nobodies dream of escaping poverty: that one magical day good luck will suddenly rain down on them---will rain down in buckets. But good luck doesn't rain down yesterday, today, tomorrow, or ever. Good luck doesn't even fall in a fine drizzle, no matter how hard the nobodies summon it, even if their left hand is tickling, or if they begin the new day with their right foot, or start the new year with a change of brooms. The nobodies: nobody's children, owners of nothing. The nobodies: the no ones, the nobodied, running like rabbits, dying through life, screwed every which way. Who are not, but could be. Who don't speak languages, but dialects. Who don't have religions, but superstitions. Who don't create art, but handicrafts. Who don't have culture, but folklore. Who are not human beings, but human resources. Who do not have faces, but arms. Who do not have names, but numbers. Who do not appear in the history of the world, but in the police blotter of the local paper. The nobodies, who are not worth the bullet that kills them.
Eduardo Galeano (Open Veins of Latin America: Five Centuries of the Pillage of a Continent)
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?' 'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.' 'Sounds to me like a euphemism for "freaky cult." ' 'Freaky, you say?' 'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!' Langdon scanned the class. 'Does that sound freaky to anyone else?' 'Yes!' they all chimed in. Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.' Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?' Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.' The class looked horrified. Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.' The classroom remained silent. Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
On September 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I'd later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the Seventy-eighth floor of the North Tower—one high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lake—I am overcome by awe, not because she looks like Reva, and I think it's her, almost exactly her, and not because Reva and I had been friends, or because I'll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
There is nothing more alone than being in a car at night in the rain. I was in the car. And I was glad of it. Between one point on the map and another point on the map, there was the being alone in the car in the rain. They say you are not you except in terms of relation to other people. If there weren't any other people there wouldn't be any you because what you do which is what you are, only has meaning in relation to other people. That is a very comforting thought when you are in the car in the rain at night alone, for then you aren't you, and not being you or anything, you can really lie back and get some rest. It is a vacation from being you. There is only the flow of the motor under your foot spinning that frail thread of sound out of its metal guy like a spider, that filament, that nexus, which isn't really there, between the you which you have just left in one place and the you which you will be where you get to the other place.
Robert Penn Warren (All the King's Men)
You know what your problem is, Justina? You're in desperate need of a good shag. "Not that I'm offering you one myself, mind. My days as a whore ended back in the seventeen hundreds." The gin was abruptly sucked back into my lungs as I gasped. He did not just tell my mother about his former profession; sweet Jesus, let me have heard incorrectly! I hadn't, and Bones went right on. "... But I have a friend who owes me a favor and he could be persuaded to... Kitten, are you all right?" I'd stopped breathing as soon as he casually admitted to his prior occupation. Add that to the liquid stuck in my lungs, and no, I wasn't all right.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Thump “Oh, God” Thump Thump Unbelievable… I woke up faster this time, because I knew what I was hearing I sat up in bed, glaring behind me. The bed was still pulled safely away from the wall, so I felt no movement. But there sure as hell something moving over there. Then I heard ……hissing? I looked down at Clive, whose tail was at full puff. He arched his back and paced back and forth at the foot of the bed. “Hey, mister. It’s cool. We just got a noisy neighbor, that’s all,” I soothed, stretching my hand out to him. That’s when I heard it. “Meow” I cocked my head sideways, listening more intently. I studied Clive, who looked back at me as if to say “T’weren’t me”. “Meow! Oh, God. Me -Yow!” The girl next door was meowing. What in the world was my neighbor packing to make that happen? Clive, at this point, went utterly bonkers and launched himself at the wall. He was literally climbing it, trying to get where the noise was coming from, and adding his own meows to the chorus. “Oooh yes, just like that, Simon…Mmmm….Meow, meow, Meow!” Sweet Lord, there were out-of-control pussies on both sides of this wall tonight.
Alice Clayton (Wallbanger (Cocktail, #1))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Imagine that you were on the threshold of this fairytale, sometime billions of years ago when everything was created. And you were able to choose whether you wanted to be born to a life on this planet at some point. You wouldn’t know when you were going to be born, nor how long you’d live for, but at any event it wouldn’t be more than a few years. All you’d know was that, if you chose to come into the world at some point, you’d also have to leave it again one day and go away from everything. This might cause you a good deal of grief, as lots of people think that life in the great fairytale is so wonderful that the mere thought of it ending can bring tears to their eyes. Things can be so nice here that it’s terribly painful to think that at some point the days will run out. What would you have chosen, if there had been some higher power that had gave you the choice? Perhaps we can imagine some sort of cosmic fairy in this great, strange fairytale. What you have chosen to live a life on earth at some point, whether short or long, in a hundred thousand or a hundred million years? Or would you have refused to join in the game because you didn’t like the rules? (...) I asked myself the same question maybe times during the past few weeks. Would I have elected to live a life on earth in the firm knowledge that I’d suddenly be torn away from it, and perhaps in the middle of intoxicating happiness? (...) Well, I wasn’t sure what I would have chosen. (...) If I’d chosen never to the foot inside the great fairytale, I’d never have known what I’ve lost. Do you see what I’m getting at? Sometimes it’s worse for us human beings to lose something dear to us than never to have had it at all.
Jostein Gaarder (The Orange Girl)
The point is, the brain talks to itself, and by talking to itself changes its perceptions. To make a new version of the not-entirely-false model, imagine the first interpreter as a foreign correspondent, reporting from the world. The world in this case means everything out- or inside our bodies, including serotonin levels in the brain. The second interpreter is a news analyst, who writes op-ed pieces. They read each other's work. One needs data, the other needs an overview; they influence each other. They get dialogues going. INTERPRETER ONE: Pain in the left foot, back of heel. INTERPRETER TWO: I believe that's because the shoe is too tight. INTERPRETER ONE: Checked that. Took off the shoe. Foot still hurts. INTERPRETER TWO: Did you look at it? INTERPRETER ONE: Looking. It's red. INTERPRETER TWO: No blood? INTERPRETER ONE: Nope. INTERPRETER TWO: Forget about it. INTERPRETER ONE: Okay. Mental illness seems to be a communication problem between interpreters one and two. An exemplary piece of confusion. INTERPRETER ONE: There's a tiger in the corner. INTERPRETER TWO: No, that's not a tiger- that's a bureau. INTERPRETER ONE: It's a tiger, it's a tiger! INTERPRETER TWO: Don't be ridiculous. Let's go look at it. Then all the dendrites and neurons and serotonin levels and interpreters collect themselves and trot over to the corner. If you are not crazy, the second interpreter's assertion, that this is a bureau, will be acceptable to the first interpreter. If you are crazy, the first interpreter's viewpoint, the tiger theory, will prevail. The trouble here is that the first interpreter actually sees a tiger. The messages sent between neurons are incorrect somehow. The chemicals triggered are the wrong chemicals, or the impulses are going to the wrong connections. Apparently, this happens often, but the second interpreter jumps in to straighten things out.
Susanna Kaysen (Girl, Interrupted)
Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret. Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really. You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge. There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter. At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale." George W. Bush has gathered around him upper-crust C-students who know no history or geography, plus not-so-closeted white supremacists, aka Christians, and plus, most frighteningly, psychopathic personalities, or PPs, the medical term for smart, personable people who have no consciences. To say somebody is a PP is to make a perfectly respectable diagnosis, like saying he or she has appendicitis or athlete's foot . . . PPs are presentable, they know full well the suffering their actions may cause others, but they do not care. They cannot care because they are nuts. They have a screw loose! . . . So many of these heartless PPs now hold big jobs in our federal government, as though they were leaders instead of sick. They have taken charge of communications and the schools, so we might as well be Poland under occupation. They might have felt that taking our country into an endless war was simply something decisive to do. What has allowed so many PPs to rise so high in corporations, and now in government, is that they are so decisive. They are going to do something every fuckin' day and they are not afraid. Unlike normal people, they are never filled with doubts, for the simple reasons that they don't give a fuck what happens next. Simply can't. Do this! Do that! Mobilize the reserves! Privatize the public schools! Attack Iraq! Cut health care! Tap everybody's telephone! Cut taxes on the rich! Build a trillion-dollar missile shield! Fuck habeas corpus and the Sierra Club and In These Times, and kiss my ass! There is a tragic flaw in our precious Constitution, and I don't know what can be done to fix it. This is it: Only nut cases want to be president.
Kurt Vonnegut Jr. (A Man Without a Country)
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles: Volume One)
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (The Sun and Her Flowers)
DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.
Sylvia Plath (Ariel)
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.
Fyodor Dostoevsky (The Adolescent)