Foot Fracture Quotes

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My mother always wanted to live near the water," she said. "She said it's the one thing that brings us all together. That I can have my toe in the ocean off the coast of Maine, and a girl my age can have her toe in the ocean off the coast of Africa, and we would be touching. On opposite sides of the world.
Megan Miranda (Vengeance (Fracture, #2))
Life is often absurd; all you can do is keep putting one foot in front of the other, looking for the joke in things – because there is always a joke, even if it’s bitter and sour – hoping for the best and trying not to be too broken when it doesn’t happen.   
Dave Hutchinson (Europe in Winter (The Fractured Europe Sequence, #3))
Our hearts may have broken in Nebraska but in Colorado they split open along the fractures, crumble to pieces, blow away. The peaks and green valleys, the lakes set at the foot of mountains like offerings. Beautiful and doomed and thus terrible.
Ron Currie Jr. (Everything Matters!)
Can you conceive of an injustice, criminal in nature, encroaching upon your life’s course? Yes, you; reading this. -- Does your status, as it were, have you so psychologically fractured you honestly believe you’re immune? If thought occupies you for more than a second, you’re entrenched in ignorance you favor. What should be an innate appreciation of society holds little to no relevance today. Your financial footing takes priority over just about any and everything. Being alive, able bodied, and breathing isn’t enough. What happens when that’s all stripped away? The choice to exist in the creation of social media was yours, where a mere accusation, or negative posting could damage what should be held in the highest regard, your reputation. The cyber establishment’s chokehold is fierce, and you feel it, yet you constantly wonder why you can’t breathe, but hey, you’re “woke” right? Your foundation, personal and or financial might be buckling, but you’re clueless, even though it was you who shared every delicate and secular aspect of your life. Our brand has replaced moral fiber, dictating and tampering with the control of humanity. Are we waiting for the catastrophic crash of mankind? It appears so, when you step back from the edge, watch and listen? That’s a predicament that wasn’t even on your radar, but here you are, “woke,” right? A roof over your head, clothes on your back, sustenance, hell, even the air you breathe, all taken for granted. This should be a daunting notion I’m setting before the appetite of your consciousness, but perhaps it remains far-fetched. The question you should be asking yourself is, how woke are you; really? Regardless of gender, a simple compliment, smile, assistance, or jealousy can ignite a desire to stalk or destroy a person. -- The only untainted bubble any of us occupied was in utero, so you are not above reproach of any kind. Whatever self-made bacterial hubris you’ve placed yourself in, outside of that, speaks to the degree of self-importance encasing you, so it’s impossible for you to appreciate what it is to be “woke,” in the real world.
Fayton Hollington (TWISTED)
For the dead are always close by in a life like Mahony's. The dead are drawn to the confused and the unwritten, the damaged and the fractured, to those with big cracks and gaps in their tales, which the dead just yearn to fill. For the dead have secondhand stories to share with you, if you'd only let them get a foot in the door.
Jess Kidd (Himself)
For the dead are always close by in a life like Mahony's. The dead are drawn to the confused and the unwritten, the damaged and the fractured, to those with big cracks and gaps in their tales, which the dead just yearn to fill. For the dead have secondhand stories to share with you, if you only let them get a foot in the door.
Jess Kidd (Himself)
all you can do is keep putting one foot in front of the other, looking for the joke in things – because there is always a joke, even if it’s bitter and sour – hoping for the best and trying not to be too broken when it doesn’t happen.
Dave Hutchinson (Europe in Winter (The Fractured Europe Sequence, #3))
Her words, herself: broken up, pieced together. Today she falls to the ground, together with her words, but regains her footing: the words arise once more, as she herself rises. She is thankful for those undulating words that hold her again, caressing her body and recognizing her scars. Her body and her phrase will tear again, but not at the old scars: they will split open in a different way, revealing new fractures. She accepts this future violence as something not necessarily negative, as a sign, perhaps, of a secret order.
Sylvia Molloy (Certificate of Absence (Texas Pan American Series))
Owning a vehicle, you could drive by and with the pressure of your foot on the accelerator and with your eyes on the road you could pass it quickly—maybe not fast enough to overlook it completely, but fast enough so that the speed of the auto and the fear centers of the brain created a fractured marriage of light and sound. The images of poverty would lift and float and recede quickly like the gray shades of memory so that these images were in the past before you came upon them. It was the physical equivalent of the evening news.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
The boy stuck his hand out politely and shook hers, then extended it to Fergus, his eyes bright as stars in the night sky. "That's cool," he said, looking down at Fergus's hand and turning it sideways so he could get a better look. "You have little webs between your fingers. Does that hep you swim?" Marcus cleared his throat, looking embarrassed. "Tito, dude, it's not polite to comment on people's, um, oddities." He shrugged an apology at Fergus, who just laughed. "I do not mind," Fergus said, grinning at the dark-skinned boy. He leaned down and whispered. "Can you keep a secret? I am actually a Merman from an undersea kingdom; that is why I have webs between my fingers." He held up one bare foot and said in a more normal tone, "Toes, too, see?" Tito's face was a study in conflicting awe and disbelief. "I never heard of a Merman," he said, dubiously. "I thought there were only Mermaids. And they're made up." Fergus snorted. "If you do not have any Mermen, how would get more Mermaids, eh?
Deborah Blake (Wickedly Wonderful (Baba Yaga, #2))
Some twenty minutes later, I was back at the river, and my son and father were waiting on the far side.  Crossing the swift river with my dad was something I was really dreading.  I helped him check his bandages, and he was under the impression that his injury was a compound fracture—bone sticking through flesh.  While I didn’t get a good look at the foot itself, I noticed there were blood blisters everywhere on his lower leg.  It was a shockingly bad injury, and I worried he might lose his foot.  It was time to cross the stream.  My son took my father’s left side, where he could keep close watch on the placement of the improvised wooden cane.  I took my father’s right arm in mine and silently prayed as our feet hit the water together.  Our footing held firm on the stream’s rocky bottom, and the rushing water didn’t rise above our knees.  I was so tremendously grateful at that final step onto the rocky shore, but there was lots of work still requiring our attention before my son and I could make the final journey to the trailhead beyond Lake Pamelia.
Karl Erickson (Mt. Jefferson Wilderness (Oregon, My Oregon, A Photographic Journey))
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Doyle was puzzled by the instructions and by the fact that they carried no signature. He looked again at the label. It had been typed on the standard office machine of the radio department. This also puzzled him. He turned toward the door, intending to ask Rogers for a comment. Rogers had disappeared. Doyle shrugged and turned back to the heater. For a moment he toyed with the heater, then plugged it into the workbench’s double-outlet plug. He flicked the switch on the outlet plug. The resulting explosion broke windows in the workshop, and shook the main police headquarters building over two hundred feet away. It was a miracle that Doyle escaped death. His left hand, left leg, and right foot were smashed. His left eardrum was fractured. He was rushed to Bayonne Hospital, where he underwent an emergency operation. The next day Rogers visited Vincent Doyle in the hospital, and asked through his tears: “How can I get the guy who did this to you?” Two weeks later Rogers was charged with the attempted murder of Vincent Doyle.
Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
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I stamped my foot and pointed more forcefully. “Off with you. Courtyard’s that way. Be sure to clean those awful boots before coming back in.” “Someone told me I’d find a princess of great worth here. One with the strength to be the hero this realm needs.” He stared at me with those unsettling blue eyes. They were cold, like ice water— made me shiver from head to toe. Then his gaze seemed to search even deeper. Finally, he looked through me, like I was nothing. “It seems she was mistaken.
Betsy Schow (Spelled (The Storymakers, #1))
In a matter of seconds, his wooly body with a mouthful of hideous fangs and a fistful and a footful of monstrous claws lay in a hairy heap of blood and gore. He was still twitching, but completely incapacitated by a broken back and fractured limbs. His severed right arm lay at an odd angle to the side in a pool of blood.
Billy Wells (Don't Look Behind You)
That was diverse.” Poppy looks surprised as she slides down the wall like a bird that’s forgotten how to fly, landing in a crumpled heap on the curb. “Positively Dionysian,” I manage to slur. The world is a crazed kaleidoscope. Colors fight for space, desperate to steal each other’s names. “They’re just labels!” I yell at the untidy bundle of shades and bones near my foot. “Are you talking to me?” Patterns birthed by multiple reflections coalesce into Poppy’s face. “Maybe. I think other people’s musical chi has saturated my cells.” Myriad venues and tonal flavors are scattered through my memory, like broken harmonies. “Why did I feed on so many tunes?” “You wanted filtered sounds to rain down and seep clean through, beyond blood, to the soul.” A lone streetlight flickers behind her and for a few alienating seconds she shimmers in and out of existence. “Too much.” My stomach turns over, but I manage to keep everything down. If I throw up now, nothing will come out but music. “Tonight’s orgy of sound has left us in a pure, concentrated haze of other people’s emotions,” Poppy announces proudly, unperturbed by the fact I’m squatting in a gutter. She holds out her arms to me, palms turned up. “Look, I’m full of music.” I stare at the small woman, posed like a crazed Messiah. The cat mask is still caught in her hair. A cracking sound fills the air and her face starts to fracture into pieces, like shards of a broken mirror. Closing my eyes, I take deep breaths till my head calms down. When I open them again, Poppy is gone.
Gil Liane
I kept putting one foot in front of the other, drawing up energy from the earth through my feet, breathing in air that creates a cool, vibrant rhythm inside me until it becomes trance-like. Mountains take you to this point very effectively.
Sarah Wilson (This One Wild and Precious Life: A Hopeful Path Forward in a Fractured World)
We're avoiding the potentially ugly, confronting image in the proverbial mirror that another human always holds up to us when we interact face-to-face or show up emotionally. We're avoiding being vulnerable. We don't like the mirror; exposing our vulnerability is terrifying. But it's precisely this reflection in the other, and in the world, that has always tamed our worst impulses and held us accountable. An offended look on a friend's face makes us recognise our insensitivity. A smile can encourage our commitment to making changes within ourselves. Calling someone back when an issue is in our court, and apologising or front-footing things, sees us rise to our better selves. That's how we grow and become kinder humans.
Sarah Wilson (This One Wild and Precious Life: A Hopeful Path Forward in a Fractured World)
Our hearts may have broken in Nebraska but in Colorado they split open along the fractures, crumble to pieces, blow away. The peaks and green valleys, the lakes set at the foot of mountains like offerings. Beautiful and doomed and thus terrible.
Ron Currie Jr. (Everything Matters!)
I tap my foot anxiously on the floor. Do I want to sit here and listen to more of his story? Or try to run? I feel like I’m in a maze where almost every end is a dead end or a trap and it’s hard to figure out which path will get me to wherever I need to go. Also, my emotions are confusing, combine them with the electricity; I feel like I’m being pushed toward Alex and then pulled back. Pushed and pulled. Pretty soon I’m going to tear in half.
Jessica Sorensen (Fractured Souls (Shattered Promises, #2))
Tell me what you’re hiding, what you’re harboring, what you don’t want the world to know about yourself for fear that it will be cast into light. Tell me about the times you couldn’t save yourself. Give me your broken parts, your fractured pieces, everything that’s weighed too heavily on the floor of your heart for you to ever reach down and reassemble. Tell me where you went the first time that you lost yourself. Tell me the ways in which you never came back. Give me a map with coordinates that lead into the deepest, most twisted corner of your soul where all of your unconquered demons still lurk. Let me see them. Let me reach out and touch them with my own trembling fingers, because I still can’t bear to face my own. Give me your shortcomings. Tell me the story of the first person you never became and all the ways in which you let him die. Tell me which regrets tear on your heartstrings and which unfulfilled dreams still take up residence under your skin. Show me the mountains you never conquered, the roads you never traversed, the battles you surrendered before ever setting foot upon enemy soil. Show me the things you never measured up to because there’s no war more wounding than the one we never waged and there’s no road more daunting than the one that we never walked down. Give me your struggles and impurities. Tell me about the worst thing you have ever done. Tell me about the regret that slithered under your skin and beat through your bloodstream like an unwelcome disease after you made the biggest mistake of your life. Tell me how it ripped straight into to your soul and took you over. Talk to me about the times you couldn’t look at yourself in the mirror or fall asleep at night because the malevolence and madness of your own mind kept you reeling. Give me your vices and misjudgments because I can match each one with my own. Tell me all the ways in which you’re scarred by your own capacity for darkness. Let me fall in love with your human parts – the battles you can’t fight, the wounds you can’t heal, all the ways in which you are not enough for yourself. Give me your joys and your pain in equal measure because you are the most brilliant and terrible mixture of both. I don’t want your good intentions and your well wishes. I want the whole of you, the depth of you, the breadth of all you are and the light that shines in between your broken parts. Let me fall in love with what you’re missing, what you’ve lost and what you’re still holding onto, through and despite all of it. Show me the things you haven’t lost along the way. And I will show you your own greatest strengths.
Heidi Priebe (This Is Me Letting You Go)