Font Lovely Quotes

At least I'm not a font nerd." "A what?" Matt smiled. "You know. People who love fonts. There are people who go to a movie and get agitated because, while the movie is supposed to be set in 1962, the restaurant awning shown in the background of some scene is printed in Arras Bold, which wasn't invented until 1991, so clearly the producers of the movie are insane and should be beheaded.

I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.

Men were created before women. ... But that doesn't prove their superiority – rather, it proves ours, for they were born out of the lifeless earth in order that we could be born out of living flesh. And what's so important about this priority in creation, anyway? When we are building, we lay foundations on the ground first, things of no intrinsic merit or beauty, before subsequently raising up sumptuous buildings and ornate palaces. Lowly seeds are nourished in the earth, and then later the ravishing blooms appear; lovely roses blossom forth and scented narcissi.

Matthew, confess now. Are you a closeted font nerd? Do you go to these conferences? I promise I won't respect you any less if you are. OK, fine, secretly I will, but it's better to get this off your chest and be who you are, than to live in deception. Hiding the truth will only cripple your emotional development" "Well, I'm sorry to dissapoint you. I'm not a font nerd. You can email me in Papyrus and I won't care.

Je le sais désormais, en tant que lecteur, il faut faire confiance à l'auteur, au poète. Ils savent comment s'y prendre pour nous extirper de notre vie ordinaire et nous envoyer tanguer dans un autre monde dont nous n'avions même pas soupçonné l'existence. C'est ce que font les auteurs de talent. C'est ce que me fit M. Baudelaire.

Si quelques heures font une grande différence dans le cœur de l’homme, faut-il s’en étonner ? Il n’y a qu’une minute de la vie à la mort.

Love properly understood is God—the font of all creation and the ultimate goal of all desires; God properly understood is love.

Pourquoi sommes-nous autant marqués par un détail, un geste, qui font de ces instants minimes le coeur d'une époque?

Comment font les autres enfants pour vivre sans mes parents ?

When he really, really likes a girl, he creates a font and names it after her.

Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day, Gentle Mother, strength of women, help our daughters through this fray, soothe the wrath and tame the fury, teach us all a kinder way.<\I>

As my fingers began to dance across the keys, each stroke felt like a heartbeat, echoing in the otherwise silent room. “The Last Snowfall” in bold font stared back at me. It seemed fitting, a tribute to the endings and beginnings that had shaped my life

No, the font was lovely. But whenever the company is mentioned you edit out the company and change it to the company.

Tom remembered standing there beside her, in font of that field covered in snow, and falling in love.

I went to the mosque, went to the church, nowhere did I find a trace of divinity. Then I came and stood in front of you, all that is divine manifested in font of me.

Journaling is the single most effective tool you may ever find for deeper intimacy with Father God and Jesus. It is a heart-to-heart method of communication with God. For you see, it is God’s desire to intimately commune with you and to have you intimately commune with Him. Journaling facilitates this heart-to-heart communion—it is simply listening to each other’s heart and writing it down. Journaling helps you hear God’s voice. God is speaking to you most of the time. Often you do not differentiate His voice from your own thoughts and therefore do not realize you are actually hearing God’s voice. If you can learn to clearly discern His voice speaking within you, you have found the font of intimacy—the heart of God speaking to you.

I pen you words from my heart neither paper nor pen would do as I lay them out in flowery fonts what more could you ask for as I am writing in your heart the love that I want to endure I am no Keats nor am I anyone but me a poetess longing for your touch get lost with me in my words as I serenade you with a forever quill.

There are five stages of life. We live to learn, love, to loose and eventually we die. How will you go about living? The choice is yours.

Many of the first baptismal fonts were shaped as coffins, and baptisms took place just before sunrise on Easter morning to recall Christ’s triumph over the grave.

I loved the physicality of books just as much as the stories inside, the feel of pages between my fingers, the intricacies of classic fonts winding along the neatly lined rows of words.

Ultimately, these remedies are ineffectual because they don’t address the source of relationship distress: the fear that emotional connection—the font of all comfort and respite—is vanishing.

A Paris Quand un amour fleurit Ça fait pendant des semaines Deux cœurs qui se sourient Tout ça parce qu´ils s´aiment A Paris Au printemps Sur les toits les girouettes Tournent et font les coquettes Avec le premier vent Qui passe indifférent Nonchalant Car le vent Quand il vient à Paris N´a plus qu´un seul souci C´est d´aller musarder Dans tous les beaux quartiers De Paris' À Paris, Francis Lemarque

Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes. I opened it. In the folder I found four 8×10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out. The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes. Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake. 'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.' 'A pot,' I said. 'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word “krater”. I heard it connected with another Greek word: “poros”. The words “poros krater” essentially mean “limestone font”. ' There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guesses, so much trial-and-error work. Here it was, faithfully reproduced. 'Well?' I said. 'The so-called intertwined snakes of the caduceus. Originally the caduceus, which is still the symbol of medicine was the staff of- not Hermes-but-' Fat paused, his eyes bright. 'Of Asklepios. It has a very specific meaning, besides that of wisdom, which the snakes allude to; it shows that the bearer is a sacred person and not to be molested...which is why Hermes the messenger of the gods, carried it.' None of us said anything for a time. Kevin started to utter something sarcastic, something in his dry, witty way, but he did not; he only sat without speaking. Examining the 8×10 glossies, Ginger said, 'How lovely!' 'The greatest physician in all human history,' Fat said to her. 'Asklepios, the founder of Greek medicine. The Roman Emperor Julian-known to us as Julian the Apostate because he renounced Christianity-conside​red Asklepios as God or a god; Julian worshipped him. If that worship had continued, the entire history of the Western world would have basically changed

There’s even a shirt for them.” “What does it say? I Brake for Fonts?” “No. It just says Helvetica, which is a very well-known and well-loved font, but the T-shirt’s font is in Comic Sans, which font nerds absolutely detest.” Julie

Have you ever wondered how therapists can listen to people's problems all day long without getting completely overwhelmed? The same principle applies: Pay rapt attention to another person over time and the quiet energy of love and compassion will rise up.

I’m a handsome, powerful man, with a well-earned reputation in this town as a formidable lover. Women love that sort of thing.” “What you know about women,” replied Maude, “could be written in large font on the back of a postage stamp and there’d still be room for the Lord’s Prayer.

Designer Kisses" I’m glum about your sportive flesh in the empire of blab, and the latest guy running his trendy tongue like a tantalizing surge over your molars, how droll. Love by a graveyard is redundant, but the skin is an obstacle course like Miami where we are inescapably consigned: tourists keeping the views new. What as yet we desire, our own fonts of adoration. By morning, we’re laid out like liquid timepieces, each other’s exercise in perpetual enchantment, for there is that beach in us that is untranslatable; footprints abound. I understand: you’re at a clothes rack at Saks lifting a white linen blouse at tear’s edge wondering.

People who love fonts. There are people who go to a movie and get agitated because, while the movie is supposed to be set in 1962, the restaurant awning shown in the background of some scene is printed in Arras Bold, which wasn’t invented until 1991, so clearly the producers of this movie are insane and should be beheaded.” Julie

I looked over at the dresser and saw a new issue of Zoobooks sitting there. On the cover was an owl. I love owls. Owls are beautiful and fierce. There was an owl right there on the front. A close-up of its face. Two big black eyes, bulbous, shiny, and empty. A brown-and-black feathered face. And its beak. I didn't see its beak. What were those two things coming out of its neck? I stepped closer. And in the lower corner of the cover, in white all-caps sans-serif font: "SPIDERS." I looked back into that face, brown and black fur, two big black eyes, and more eyes, and pincers. And oh god. I screamed. I screamed and I ran. I am still screaming and running from this, only on the inside now.

Isn’t that a little Old Testament for a nun?” “Ex-nun. And let me tell you, that serenity crap from The Sound of Music? Bullshit. Inside the cloister, the sisters are just as petty as people on the outside. There are some you love and some you hate. I did my share of spitting in the Holy Water font before another nun used it. It was totally worth the twenty rosaries I said for penance.

L’espace est terrifiant, putain, poursuit-il. Je suis content qu’il y ait la couche d’ozone, la force gravitationnelle de la lune et tout le bazar, mais il faudrait me ficeler comme un cochon rôti à la broche pour m’envoyer là-haut. L’univers est en expansion et ne cesse de se refroidir, des portions de notre galaxie se font absorber, des trous noirs se déplacent dans l’espace à des millions de kilomètres-heure, et des super éruptions solaires éclatent pour un oui ou pour un non.

Toltosi il berretto, la salutò profondamente come una principessa e se n'andò col cuore oppresso; doveva lasciarla perire. Rimase a lungo turbato, non aveva voglia di parlare con nessuno. Per quanto poco si assomigliassero, quella fiera e povera israelita gli ricordava in certo modo Lidia, la figlia del cavaliere. Amare donne come quelle era fonte di dolore. Ma per qualche tempo gli parve di non aver mai amato altre che queste due, la povera, inquieta Lidia e l'ombrosa, amara israelita.

Hillary Clinton, who’d known about the book since I described it to her during my time working for her at the State Department, had agreed early and with enthusiasm. “Thank you, my friend, for your message; it is great hearing from you and I am delighted to know that you are close to completing your book project,” she wrote that July. The letter was printed on embossed stationery in a curly art deco font, like a New Yorker headline or a piece of set-dressing from BioShock. It was very lovely, and not the sort of thing that wins Wisconsin.

Aproximou-se certo dia de uma fonte clara como prata e não contaminada pelo gado, pelo pássaros, pelas feras nem pelos ramos caídos das arvores próximas. Narciso, sentando-se, exausto, na margem daquela fonte, logo se enamorou de sua própria imagem. Primeiro tentou abraçar e beijar o belo jovem que tinha diante de si; depois, reconheceu a si mesmo e permaneceu horas fixando o espelho da água da fonte como se encantado. O amor lhe era, ao mesmo tempo, concedido e negado; ele se consumia de dor e, ao mesmo tempo, gozava de seu tormento sabendo que, ao menos, não trairia a si próprio, acontecesse o que acontecesse.

It is said that when Martin Luther would slip into one of his darker places (which happened a lot, the dude was totally bipolar), he would comfort himself by saying, “Martin, be calm, you are baptized.” I suspect his comfort came not from recalling the moment of baptism itself, or in relying on baptism as a sort of magic charm, but in remembering what his baptism signified: his identity as a beloved child of God. Because ultimately, baptism is a naming. When Jesus emerged from the waters of the Jordan, a voice from heaven declared, “This is my Son, whom I love; with him I am well pleased.” Jesus did not begin to be loved at the moment of his baptism, nor did he cease to be loved when his baptism became a memory. Baptism simply named the reality of his existing and unending belovedness. As my friend Nadia puts it, “Identity. It’s always God’s first move.”9 So, too, it is with us. In baptism, we are identified as beloved children of God, and our adoption into the sprawling, beautiful, dysfunctional family of the church is celebrated by whoever happens to be standing on the shoreline with a hair dryer and deviled eggs. This is why the baptism font is typically located near the entrance of a church. The central aisle represents the Christian’s journey through life toward God, a journey that begins with baptism. The good news is you are a beloved child of God; the bad news is you don’t get to choose your siblings.

Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.

Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?' Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for. Poetry is the journal of a sea animal living on land, wanting to fly the air. Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams. Poetry is a type-font design for an alphabet of fun, hate, love, death. Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower. Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. Poetry is a packsack of invisible keepsakes. Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters. Poetry is the achievement of the synthesis of hyacinths and biscuits.

Cassie,” I growl at the young brunette. “How’s the sobriety?” Alex brought the submissive to us. She’s an addict that he councils at Transcend. I don’t want to be mean to her right now, especially since my best friend brought her here, but I’m furious and she’s an outlet. She can’t strike back. “Ninety days sober,” she says with pride. “That’s awesome,” I say enthusiastically and smile at her. “I love how we have to give fuck ups a medal when they behave. I would think it should go to those who never fuck up. What’s the incentive to behave if all you have to do is get shit-faced and steal shit for years and then ninety days on the straight-and-narrow we have to pat you on the back for being a good girl,” I say in a saccharine voice. She gazes at me with huge, glassy brown eyes. I can see the tears forming. Cassie worries her full bottom lip between her teeth and tries not to blink. “But hey, what do I know. It just seems like the system is flawed. The good little boys and girls just don’t get the recognition that a crack-whore thief gets,” I shrug. Cassie blinks and the surface of her tears breaks and they finally slide down her cheeks in shame. “But go you!” I shout sarcastically. I give her a thumbs up and walk down the hall. “Cold… that was just cold, dude,” Alex chuckles at me. That was so bad that I have to laugh or I’d puke. I shake my head as my belly contracts from laughter. “Score on my newest asshattery?” I ask my partner in crime. If I didn’t have him I’d scream. I’ll owe Master Marcus forever. He stripped me bare until Font was naked in the impact room at Brownstone I trained in. Alex walked in and shook my hand- instant best friend. “Ah…” He taps his chin in thought and the bastard tucks his black hair behind his ear. I growl at him because he did it on purpose. He knows how much I miss the feel of my hair swinging at my jawline. Alex arches a perfect brow above his aqua eye and smirks. He runs his hands through his hair and groans in pleasure. “8.5. It was a decent attempt, but you pulled your hit. You’re too soft. I bet you were scared you’d make her relapse.” “Yeah,” I say bashfully. “Not happening, bud. I’m just that fucking good. I better go do some damage control. Don’t hurt any more subs. Pick on the big bastards. They may bite back, but their egos are delicate.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.

Rosario's declaration made me sad. For an instant I imagined the unknown Alberto, his huge cock and his huge knife and a fierce look on his face, and I thought that if Rosario met him on the street she would be attracted to him. Also: that in some way he was coming between María and me. For an instant, that is, I imagined Alberto measuring his cock with his kitchen knife and I imagined the notes of a song, evocative and suggestive, although of what I couldn't say, drifting in the window (a sinister window!) along with the night air, and all of it together made me extremely sad. "Don't be gloomy, darling," said Rosario. And I also imagined María making love with Alberto. And Alberto smacking María on the buttocks. And Angélica making love with Pancho Rodríguez (ex-visceral realist, thank God!). And María making love with Luscious Skin. And Alberto making love with Angélica and María. And Alberto making love with Catalina O'Hara. And Alberto making love with Quim Font. And in the final instance, as the poet says, I imagined Alberto advancing over a carpet of bodies splattered with semen (a semen of deceptive consistency and color, because it looked like blood and shit) toward the hill where I stood, still as a statue, although everything in me wanted to flee, go running down the other side and lose myself in the desert.

Thanks to bad graphic design, some readers love only the electronic version of some books.

I intone the words with perfunctory detachment, my mind raging dully against the Papyrus font in which they are projected onto the wall.

The serifs began to slither from the font like tendrils seeking to strangle something. To choke her.

Hey, we’ll let Huckleberry enjoy his lunch. Speaking of something, if you are in a better mood now, come with me to the Rainforest Room. I have something to show you. I wanted to wait until you calmed down because it means a lot to me, and I hoped you might be happy for me. Here, come with me.” He led her back to the previous room, which had amazing, rare rainforest plants in it. “Check this out!” He tossed her a magazine that said Horticultural Digest on the cover. Holly neatly caught it and opened it up to the dog-eared page. Blaring across the page in huge font was the title: WILLIAM SMITH, THE RAINMAKER OF SHELLESBY COLLEGE’S FAMOUS RAINFOREST ROOM. It was a five-page spread with big glossy photos of the Rainforest Room sprinkled throughout the article. “Five, count ‘em, five pages! That’s my record. Until now, they’ve only given me four. Check it out: I’m the Rainmaker, baby! Let it rain, let it rainnnn!” William stomped around in make-believe puddles on the floor. He picked up a garden hose lying along the side of the room and held it upright like an umbrella. “I’m singing in the rain, just singing in the rain. What a glorious feeling. I’m happy again.” Holly squealed with laughter and applauded. William jumped up on a large over-turned pot and shifted the hose to now play air guitar while he repeated the verse. “William, there is no air guitar in that song!” “There is now, baby!” Holly exploded again in laughter, clutching her sides. After a few more seconds of air guitar, William jumped off the pot and lowered his voice considerably. “Thank you, thank you very much,” William said in his Elvis impersonation. He now held the garden hose like a microphone and said, “My next song is dedicated to my beagle, my very own hound dog, my Sweetpea. Sweetpea, girl, this is for youuuuuuu.” He now launched into Elvis’s famous “Hound Dog.” “You ain’t nothing but a hound dogggg.” With this, he also twirled the hose by holding it tight two feet from the nozzle, then twirling the nozzle in little circles above his head like a lasso. “Work it, William! Work it!” Holly screamed in laughter. He did some choice hip swivels as he sang “Hound Dog,” sending Holly into peals of laughter. “William, stop! Stop! Where are you? I can’t see I’m crying so hard!” William dropped his voice even lower and more dramatically. In his best Elvis voice, he said, “Well, if you can’t find me darlin’, I’ll find you.” He dropped on one knee and gently picked up her hand. “Thank you, thank you very much,” he said in Elvis mode. “My next song, I dedicate to my one and only, to my Holly-Dolly. Little prickly pear, this one’s for youuuuuu.” He now launched into Elvis’s famous “I Can’t Help Falling in Love with You.” “Take my hand, take my whole life, too, for I can’t help falling in love with you.” With that, he gave her hand a soft kiss. He then jumped up onto an empty potting table and spun around once on his butt, then pushed himself the length of the entire table, and slid off the far end. “Loose, footloose!” William picked up his garden-hose microphone again and kept singing. “Kick off the Sunday shoes . . .” He sang the entire song, and then Holly exploded in appreciative applause. He was breathing heavily and had a million-dollar smile on his face. “Hoo-wee, that was fun! I am so sweaty now, hoo-boy!” He splashed some water on his face, and then shook his hair. “William! When are you going to enter that karaoke contest at the coffee shop in town? They’re paying $1,000 to the winner of their contest. No one can beat you! That was unbelievable!” “That was fun.” William laughed. “Are in a better mood now?” “How can I not be? You are THE best!

Ó Cristo, ele é a fonte, doce e profundo manancial de amor...

For if the sacred liturgy holds first place in the life of the Church, then the Eucharistic Mystery stands at the heart and center of the liturgy, since it is the font of life that cleanses us and strengthens us to live not for ourselves but for God, and to be united to each other by the closest ties of love.

Tes caresses me font aimer la terre, tes regards me font comprendre le ciel.

A Paixão é a fonte de toda a imbecilidade

Better to have a font of money in middle age than when you're young. Middle age is the time when you'll need it and appreciate it." "I'll never appreciate it. I've been trained out of it. I don't want money. I want much more. I want what rarely happens. I want what people are afraid even to imagine." "Like what?" "Resurrection, redemption, love.

We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.

The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked interesting. It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something—your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. The narrator of this story is Steve Jobs, the legendary CEO of Apple. The story was part of his famous Stanford commencement speech in 2005.[23] It’s a perfect illustration of how passion and purpose drive success, not the crossing of an imaginary finish line in the future. Forget the finish line. It doesn’t exist. Instead, look for passion and purpose directly in front of you. The dots will connect later, I promise—and so does Steve.

Jour après jour, la puanteur disparaît des rues, remplacée par le suave parfum des fleurs de sophoras. Arrive l'été, avec une chaleur normale, un franc soleil baigne toutes les plantes qui croissent, verdoyantes. Dans les champs des environs, les beaux légumes poussent à vue d'œil. Une centaine de magnétophones apparaissent dans les rues de la ville; ils diffusent tous les jours des chansons célèbres à Taïwan ou sur le continent, sans que l'on sache très bien si ce sont les chansons populaires qui font se multiplier les magnétophones ou les magnétophones qui propagent les chansons. Quand une nouvelle boutique s'ouvre, pour attirer l'attention, elle diffuse à la porte des chansons qui soupirent de façon incongrue sur l'inconstance de l'amour, sans aucun rapport avec le commerce en question Même dans les cortèges de funérailles, on entend des enregistrements de chansons d'amour. Les chansons à la mode ne peuvent échapper au thème de l'amour, de même que la vie des gens ne peut échapper au sujet de l'amour. Ces chansons d'amour font perdre sa tranquillité à la petite ville qui devient bruyante. p 153-154

And love is two misfortunes which together do an happiness .(Et l’amour, c’est deux malheurs - Qui ensemble font un bonheur)

Also, he had short black sideburns with streaks of gray in them, a boxer’s build, a Ph.D. in English literature from Harvard, and no wife or girlfriend. These qualities made Douglas a font of intrigue for the all-female population of St. Agnes—both the lay faculty and the students—but in truth Douglas led a sedentary life. He loved books, he was a passionate, solitary filmgoer, and he got his hair cut every four weeks by Chiapas, whose father ran a barbershop down the block.

The remission of punishments called an indulgence is not an unconditional amnesty, but postulates in the re cipient a moral disposition or worthiness, as well as the performance of certain prescribed acts. For this reason the moral worthiness of the recipient is not endangered by an indulgence, but rather partly taken for granted and partly effected. Charity or the love of God is the font and well-spring as well as the gauge and a necessary con dition of the whole system of indulgences.

We naturally focus all of our time and energy on the things we care about, the fun stuff: setting up the Facebook page, printing business cards, picking colors and fonts for our website, writing cute thank-you notes, choosing ribbon for packages, and decorating our space to be “just right.” We don’t think about the business side of things until we have questions like, Do I need a business license? What taxes do I owe? Do I need patents for my products? Should I form an LLC? Do I need a lawyer? And then we hit a wall. In my research, I’ve discovered that this wall is where women take one of two paths. Some women take Path One, where they decide they aren’t “business-minded” enough. They resolve to keep their hobby a hobby and let their business dream die. But other women take Path Two, where they decide to push through. They get answers to their questions and help with things they don’t understand. Instead of turning back, these women get over the wall and go on to reach their goals and grow their business.

So on matters of faith," continued the Chinaman, the student of Confucius, "it is pride that causes error and discord among men. As with the sun, so it is with God. Each man wants to have a special God of his own, or at least a special God for his native land. Each nation wishes to confine in its own temples Him, whom the world cannot contain. "Can any temple compare with that which God Himself has built to unite all men in one faith and one religion? "All human temples are built on the model of this temple, which is God's own world. Every temple has its fonts, its vaulted roof, its lamps, its pictures or sculptures, its inscriptions, its books of the law, its offerings, its altars and its priests. But in what temple is there such a font as the ocean; such a vault as that of the heavens; such lamps as the sun, moon, and stars; or any figures to be compared with living, loving, mutually-helpful men? Where are there any records of God's goodness so easy to understand as the blessings which God has strewn abroad for man's happiness? Where is there any book of the law so clear to each man as that written in his heart? What sacrifices equal the self-denials which loving men and women make for one another? And what altar can be compared with the heart of a good man, on which God Himself accepts the sacrifice? "The higher a man's conception of God, the better will he know Him. And the better he knows God, the nearer will he draw to Him, imitating His goodness, His mercy, and His love of man. "Therefore, let him who sees the sun's whole light filling the world, refrain from blaming or despising the superstitious man, who in his own idol sees one ray of that same light. Let him not despise even the unbeliever who is blind and cannot see the sun at all." So spoke the Chinaman, the student of Confucius; and all who were present in the coffee-house were silent, and disputed no more as to whose faith was the best.

I did this partially because Matthew is the kind of person for whom the internet is simply a utility: a font of information and nothing more. He has the supernatural ability to look at his phone only when he needs to, and the idea of posting something about his life on the internet in a way that strangers can view is a concept he cannot grasp. So yes, I was partially trying to respect his privacy, but I was mostly trying to protect myself. From the judgment of others, which was primarily just a projection of my own self-judgment. There was a version of me that thought loving another person would somehow diminish the love I still felt for Aaron. A version of me that thought that if I was happy, I must not be sad anymore, and if I wasn’t sad anymore, then I guess I didn’t love Aaron as much as I said I did. Or maybe that my new happiness was ill-gotten, a well-made fake, something I swiped off the back of a truck when nobody was looking. This is what life looks like when you water the seeds of joy with guilt and shame. It feels as good as it sounds. When bad things happen to you—a death, an illness, a divorce, a job loss—you quickly go from being a person to being just a sad story. I know from experience that nobody wants to be a sad story, and that no matter what you’ve been through, your story is always so much more than just sad. And your happy stories are more than just happy. Obviously, everything is more complicated than it appears on Instagram. But it is incredibly difficult to live with complicated. It is even more difficult for other people to deal with complicated.

I desire to write, be wildly in love, support my son to be who he is, keep my hair thick and shiny, get more tattoos, recite mantras, speak onstage, sleep in linen sheets, drive alone in the wide open spaces of New Mexico for hours, be flexible and productive, be alone at parties, be alone at home, be alone, be liked-loved-respected, keep a temple-tidy house, drive a reliable car, make millions of dollars and give lots away, meditate, get caught in thunderstorms, dance long and hard, wear cashmere, make things that make people want to make things of their own, sleep in, recycle, be One, seek approval, go to weddings (and funerals), order in, worship Rothko paintings, call my grandmother, free spiders, go back to India, stay up too late, get just the right font spacing, listen to Tibetan singing bowls on repeat for hours, watch three documentaries in a row, give all I have to give at any given moment to pretty much anybody, wear perfume every day of the week, shave my head, burn everything I’ve ever written, give insight, give money, give time, find my True Nature, and touch the face of God … Why do I desire what I desire? The answer is fast, clear, and simple: to feel good, of course.

By this point, I could zero in on true crime by Dewey Decimal or Library of Congress classification in five seconds flat. It wasn't long before I had Helter Skelter and was browsing the rest of the section, seeing if there was anything else that might be interesting. There was one book with the greasy plastic cover of a Waffle House place mat, the red font large and garish, that promised to be a tell-all from the daughter of a serial killer who'd been local to Central Florida in the 1980s.

There was one book with the greasy plastic cover of a Waffle House place mat, the red font large and garish, that promised to be a tell-all from the daughter of a serial killer who’d been local to Central Florida in the 1980s. I didn’t remember putting it on my bibliography for my section on familial relationships between author and subject, but it could be helpful.

me, and forbid them not; for of such is the kingdom of God.” Please, believe me, it’s the baptism and the spirit of love behind it that counts, and not the man that does it, or where it’s done. We need neither a church nor a font,

I didn’t help Cassius to save them. I helped Cassius because I didn’t want him to die. And he would have died, for strangers. A font of respect and love for the man grows in me. Sevro called him shallow. He is not. Not by a longshot.

Baptism's power doesn't stop when the water dries. God preaches in your baptism every day. When the bullies and demons return, remind Jesus and yourself you are his. When you want to slink into the shadows, God says, 'You are robed in Christ.' When you feel shackled by your past, God calls you to the future he opened at the font. Whenever you're insulted or falsely accused, hear God's declaration: 'Whoever has died [in baptism] is justified from sin' (Rom 6:7). When you're fearful, call on the Spirit, and he will give you words to speak. When a murderous mob surrounds you, remember your baptism is fulfilled in martyrdom. You are what God says you are, not what you feel. Consider yourself to be who baptism says you are. Whatever happens, you are in your Father's love. Trust him. Stay loyal. Don't 'melt like water' (Josh 7:5). Plunged in God's water, you become God's water. Imitate the fish. Live in the water, and be God's rain on dry ground, God's flood again the wicked. Be God's water, for nothing is more powerful than water.

tu fais le bruit d'une rivière je te serre dans mes bras la douleur et le plaisir nous font nous ressembler

C’est ce que font les vrais amants : ils se retrouvent.

Puis il y a l’amour, l’amour ou le pouvoir de guérir les maux les plus profonds. Un mot, un sentiment qui permet juste d’avoir foi en la vie. L’amour, c’est croire aux jours meilleurs ; l’amour, c’est la joie, la créativité, l’élévation ; l’amour, c’est un regard, un sourire, une odeur, des souvenirs qui font sourire.

Life is monotonous if you don't allow for synchronicity. Through the years, I've learned that "chance" encounters aren't random. There are beautiful people and moments that can change your life if you let them. Synchronicity is the font with which God writes.

Can you photoshop Brandon’s smile to be bigger so he looks more in love with me? Maybe put some stars in our eyes and warm up the color in the background. Can you change the color of my boots to a more vibrant red? Definitely a smaller font so it doesn’t take away from the purity of the picture. Okay, but who sent pictures of themselves to all their friends and family for Valentine’s Day? Wasn’t that a Christmas card type of thing?

On cite souvent les cas de Henri III et de Henri IV de France, qui auraient été pris d’une passion subite et irrésistible pour des femmes dont üs avaient senti les vêtements intimes ; dans le cas de Henri III, on dit que sa passion, née ainsi, pour Marie de Qèves, à survécu à la mort tragique de celle-d. Cf. R. von Krafft-Ebing, PsychopaOtia Sexualis, Stuttgart '®, p. 25. Lorsque cet auteur doute (p. 18) que des effets de ce genre liés aux centres olfactifs puissent se vérifier « chez des individus normaux », il identifie évidemment les individus normaux à ceux qui ont une sensibilité « subtile » assez réduite. Ploss-Baitels (Op. cil., vol. I, p. 467 sq) font allusion à des croyances populaires selon lesquelles l’odeur du corps (nous dirions : de l’être) d’une personne peut avoir un effet intoxicant sur une autre personne, si celle-ci est de sexe opposé.

Du reste, lorsqu’interviennent dans ce domaine des prétentions scientifiques, «sexologiques», les résultats, en général, font montre d’une incompétence plutôt grotesque : le présupposé pour comprendre une expérience étant, ici comme ailleurs, de s’y être déjà correctement livré soi-même. Havelock Ellis a souligné avec raison que « les femmes qui, très sérieusement et très sincèrement, écrivent des livres sur ces problèmes (sexuels) sont souvent les dernières auxquelles on devrait s’adresser comme individus représentatifs de leur sexe : celles qui en savent le plus long sont celles qui ont écrit le moins ». Nous irons plus loin : celles qui en savent le plus long sont celles qui n’ont rien écrit du tout, et cela, naturellement, vaut aussi, dans une large mesure, pour les hommes.

Christians can never count on a moment’s peace. If we were of the world, the world would love us as its own, but because we as true saints are not of the world, the world hates us.

PRAY: Veni Creator Come, 0 Creator Spirit blest! And in our souls take up Thy rest; Come with Thy grace and heavenly aid, To fill the hearts which Thou hast made. Great Paraclete! To Thee we cry, Highest gift of God Most High! O font of life! O fire of love! And sweet anointing from above. Thou in Thy sevenfold gifts art known, The finger of God's hand we own; The promise of the Father, Thou! Who dost the tongue with power endow. Kindle our senses from above, And make our hearts o'erflow with love; With patience firm and virtue high The weakness of our flesh supply. Far from us drive the foe we dread, And grant us Thy true peace instead; So shall we not, with Thee for guide, Turn from the path of life aside. Oh, may Thy grace on us bestow The Father and the Son to know, And Thee, through endless times confessed, Of both, the eternal Spirit blest. In glory while the ages run Be to the Father and the Son Who rose from death; the same to Thee, Holy Ghost, eternally. Amen.

The letter was printed on embossed stationery in a curly art deco font, like a New Yorker headline or a piece of set-dressing from BioShock. It was very lovely, and not the sort of thing that wins Wisconsin.

The unsuspicious testimony of Bishop Hay leaves no doubt on this point: "It" [the water kept in the baptismal font], says he, "is blessed on the eve of Pentecost, because it is the Holy Ghost who gives to the waters of baptism the power and efficacy of sanctifying our souls, and because the baptism of Christ is 'with the Holy Ghost, and with fire' (Matt. iii. 11). In blessing the waters, a LIGHTED TORCH is put into the font." Here, then, it is manifest that the baptismal regenerating water of Rome is consecrated just as the regenerating and purifying water of the Pagans was. Of what avail is it for Bishop Hay to say, with the view of sanctifying superstition and "making apostasy plausibly," that this is due "to represent the fire of Divine love, which is communicated to the soul by baptism, and the light of good example, which all who are baptised ought to give." This is the fair face put on the matter; but the fact still remains that while the Romish doctrine in regard to baptism is purely Pagan, in the ceremonies connected with the Papal baptism one of the essential rites of the ancient fire-worship is still practised at this day, just as it was practised by the worshippers of Bacchus, the Babylonian Messiah.

Holy cow,” he said. “You’re into typography?” Zoe turned to him, her eyes flashing with excitement. “Into it? I love it.” “Me too!” Mike exclaimed. “How has this not come up before?” “I don’t know!” Zoe said. “I was going to try to start a typography club at school last month, but then Ben got wrongfully accused of trying to assassinate the president, and that kind of sucked up all my spare time.… ” “Whoa,” I said. “Hold on. What’s typography?” “The art and technique of arranging and designing type to make written language and numbers more legible, readable, and appealing,” Mike said. “People who study it are called typophiles—although I prefer the term ‘font-natic.’ 

My wet fingers dipped in the baptismal font remind me that everything I do in the liturgy—all the confessing and singing, kneeling and peace passing, distraction, boredom, ecstasy, devotion—is a response to God’s work and God’s initiation. And before we begin the liturgies of our day—the cooking, sitting in traffic, emailing, accomplishing, working, resting—we begin beloved. My works and worship don’t earn a thing. Instead, they flow from God’s love, gift, and work on my behalf. I am not primarily defined by my abilities or marital status or how I vote or my successes or failures or fame or obscurity, but as one who is sealed in the Holy Spirit, hidden in Christ, and beloved by the Father. My naked self is one who is baptized.

I was a font of useless information. The only thing that had ever rivaled my Chase obsession was my love of all things trivia. Trivial Pursuit games ended with me drinking the tears of my fellow players and leaving a trail of their bloodied hearts all over the board. After my grandparents left the Amish in Pennsylvania and moved out to California, one of the first things they bought was a TV. When I lived with them decades later, they still had that same television. The only program they ever watched was Jeopardy!, and I remember sitting on their uncomfortable couch in between them as they missed so many questions. My guess was that my love for weird cultural minutiae came from them. Alex Trebek was kind of my hero. So I tweeted out random facts. Which was better than having to hear Lexi say, “If you say one more thing about stoplight colors, I will slip arsenic into your orange juice.” Twitter was a good outlet for my useless knowledge.