Color Scheme Quotes

some things don't matter much. Like the color of a house. How big is that in the overall scheme of life? But lifting a person's heart--now, that matters. The whole problem with people is...they know what matters, but they don't choose it...The hardest thing on earth is choosing what matters.

You know, some things don't matter that much...Like the color of a house. How big is that in the overall scheme of life? But lifting a person's heart - now, that matters.

We are Bay Aryans from Berkeley: prepare to be reengineered in an attractive range of color schemes for your safety and comfort!

The color scheme of the whole sanatorium seemed to be based on liver. Dark, glowering woodwork, burnt-brown leather chairs, walls that might once have been white but had succumbed under a spreading malady of mod or damp. A mottled brown linoleum sealed off the floor.

My color schemes were limited to what would go with the pewter-gray gown...except for the bridesmaids' gowns. I'd already decided that they were going to be a distinctly nonmatchy lemon yellow that Jolene's aunt Vonnie would have to special-order. The kind of yellow one would find on takeout menus or particularly urgent Post-it notes. In fact, if the outdoor lighting failed, we could use the color of their dresses to illuminate the ceremony. And yes, i had to use a vendor who hated me, because Vonnie held the only pattern left in the continental United States for the "Ruffle and Dreams," the very dress I'd had to wear in Jolene's wedding. Revenge would would be mine, for a few months, until i revealed the dove-gray bridesmaids' dresses i actually planned for them to wear.

If a man can devote himself undisturbed to the work which is on his mind, he can, as far I have observed, completely ignore his surroundings--they disappear for him; he can sit in filth and disorder, draught and cold, and be completely happy. For most women it is insufferable to sit in a room if the color scheme displeases them.

This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them

A language is the joint historical creation of millions of speakers. Although all speakers have some effect on the trajectory of a language, the process is not particularly egalitarian. Linguists, grammarians, and educators, some of them backed by the power of the state, weigh in heavily. But the process is not particularly amenable to a dictatorship, either. Despite the efforts toward "central planning," language (especially its everyday spoken form) stubbornly tends to go on its own rich, multivalent, colorful way.

Home points to a peace that is beyond color schemes and adornments. It points to the fact that the Lord is our refuge. We find the shalom we seek in him. Your house is not your haven; Christ is.

Reluctantly, he knew that he despised his fellow residents for the way in which they fit so willingly into their appointed slots in the apartment buildings, for their overdeveloped sense of responsibility and lack of flamboyance. Above all, he looked down on them for their good taste. The building was a monument to good taste, to the well-designed kitchen, to sophisticated utencils and fabrics, to elegant and never ostentatious furnishings. In short, to that whole aesthetic sensibility which these well-educated, professional people had inherited from all the schools of industrial design, all the award-winning schemes of interior decoration institutionalized by the last quarter of the century. Royal detested this orthodoxy of the intelligent. Visiting his neighbors’ apartments, he would find himself physically repelled by the contours of an award-winning coffee pot, but the well-modulated color schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture, and intelligent sensibilities, and no possibility of escape.

She was with me the day I went to the paint store to pick out the color. I had a nice tan color in mind, but May latched on to this sample called Caribbean Pink. She said it made her feel like dancing a Spanish flamenco. I thought, "Well, this is the tackiest color I've ever seen, and we'll have half the town talking about us, but if it can lift May's heart like that, I guess she ought to live inside it." "All this time I just figured you liked pink," I said. She laughed again. "You know, some things don't matter that much, Lily.. Like the color of a house. How big is that in the over-all scheme of life? But lifting a person's heart-now, that matters. The whole problem with people is-" "They don't know what matters and what doesn't," I said, filling in her sentence and feeling proud of myself for doing so. "I was gonna say, The problem is they know what matters, but they don't choose it. You know how hard that is, Lily? I love May, but it was still so hard to choose Caribbean Pink. The hardest thing on earth is choosing what matters.

The other project was, a scheme for entirely abolishing all words whatsoever; and this was urged as a great advantage in point of health, as well as brevity.

A wine-colored welt of scar tissue had bubbled up in the little stab hole; it was interesting to look at, like a small blob of pink glue, and it reminded her in a good way of Lawrence of Arabia, burning himself with matches. Evidently that sort of thing built soldierly character. “The trick,” he’d said in the movie, “is not to mind that it hurts.” In the vast and ingenious scheme of suffering, as Harriet was now beginning to understand it, this was a trick well worth learning.

We have practically been conditioned to expect God to be our helicopter parent. And if for some reason we don’t run to God to solve every little problem, from finding our car keys to deciding on color schemes for the nursery, we are told there is something deeply wrong with us spiritually. Phooey.

Sorrow and respect didn't follow a color scheme.

No one’s ever come up with a universal color scheme for the apocalypse, and if ours wanted to come in neon and peppermint stripe, well. That was okay.

Adora changed her color scheme from peach to yellow. She promised me she'd take me to the fabric store so I can make new coverings to match. This dollhouse is my fancy." She almost made it sound natural, my fancy. The words floated out of her mouth sweet and round like butterscotch, murmured with just a tilt of her head, but the phrase was definitely my mother's. Her little doll, learning to speak just like Adora. "Looks like you do a very good job with it," I said, and motioned a weak wave good-bye. "Thank you," she said. Her eyes focused on my room in the dollhouse. A small finger poked the bed. "I hope you enjoy your stay here," she murmured into the room, as if she were addressing a tiny Camille no one could see.

Because we know ourselves. Because others obey us as though we were gods, and we know we’re not. We see the fragility of our own power, and through it we see the fragility of every other link. What if the Spectrum suddenly refused my orders? Not hard to imagine, when you consider the scheming and lust for power it takes to become a Color. What if a general suddenly refuses his satrap’s orders? What if a son refuses his father’s orders? What if that first link in the Great Chain of being—Orholam Himself—is as empty as every other link before him? Seeing the weakness of each link, we think the Great Chain itself is fragile: surely at any moment it will burst if we don’t do everything in our power to hold it together.

But rock, of course, is many colors. The distinction is subtle, but it is not just one plain grey, that I can promise...I spent five hours one afternoon just staring at a rock trying to see into its color scheme.

Sure, we might pick the same color schemes, but if I ever decided to go the whole decal sayings route, I’d go with It takes forty-two muscles to frown, twenty-eight muscles to smile, but only four muscles to reach out and slap something and It probably could get worse.

You know, some things don't matter that much, Lily. Like the color of a house. How big is that in the over-all scheme of life? But lifting a person's heart-- now, that matters. The whole problem with people is--" "They don't know what matters and what doesn't," I said, filling in her sentence and feeling proud of myself for doing so. "I was gonna say, The problem is they know what matters, but they don't choose it. You know how hard that is, Lily? I love May, but it was still so hard to choose the Caribbean Pink. The hardest thing on earth is choosing what matters.

The style was bohemian, but expensive. So, you might sit down on a couch that was soft and comfortable, looked like it had been purchased in the 1970s with its mismatched fabrics and wild color scheme, but then you’d later learn that the couch came from Roche Bobois and cost over forty thousand dollars.

Anything else?” he asked, playing with my hair. “Oh, yeah, there’s a dragon in the alley behind the diner, hanging out with Nona.” Lend frowned at me, his warm fingers lingering on the back of my neck. “And this gets a mention after the color scheme for a dance and a new episode of a teen soap?” “Priorities, Lend. Priorities.

You know, some things don’t matter that much, Lily. Like the color of a house. How big is that in the overall scheme of life? But lifting a person’s heart—now, that matters.

The marketing techniques were getting refined. There had been a trend away from conventional political consultants and the traditional campaign philosophy of “getting our message out to the people.” Surveys showed the people were allergic to messages and refused to listen, even if the president was on TV saying the water supply was radioactive and giant spiders were running the government. The strategy shifted from “the message” to brand recognition after it was learned that most campaigns were decided during the selection of color scheme, typeface and logo. Campaigns began aggressively headhunting at Coca-Cola and Procter & Gamble. They spent heavily on focus groups and test markets. Conference rooms full of average citizens ate potato chips and pickle spears while campaign workers auditioned fonts and swatches.

It’s the color scheme of that first afternoon—that white panorama full of potential, that threshold white—that Marina understands as whomise. And that’s what she’s trying to recreate now, a year and a bit later, with a series of expensive light bulbs. ‘White light,’ the packaging promised. She fits them one by one throughout the house, and unbeknown to her, choreographs the slow dance of light-over-puddle in the passageway.

Mary's reading list betrayed her passion for forensics and detective novels. There were so many scientific journals and books randomly strewn around her little one-room apartment that it looked like the Great White Hurracane had struck inside. It's all part of my decorating scheme Mary would quip. This may look like the work of a slob, but if you look closer, you'll realize it's my way of giving color to an awfully drab floor.

In the first two decades of the twentieth century, experts advised men to have their kitchens painted apple-green. The experts believed that apple-green quieted nervous people, and especially wives beginning to think of suffrage, of careers beyond the home. Today the explorer of color schemes finds in old houses and apartments the apple-green paint still gracing the inside of the cabinet under the kitchen sink, and the hallways of old police stations and insane asylums.

As I came into the gardens the smell of cut grass wrung my heart—the smell of the high Alpine pastures where I used to walk with André with a sack on my shoulders, a smell so moving because it was that of the meadows of my childhood. Reflections, echoes, reverberating back and back to infinity: I have discovered the pleasure of having a long past behind me. I have not the leisure to tell it over to myself. but often, quite unexpectedly, I catch sight of it, a background to the diaphanous present; a background that gives it its color and its light, just as rocks or sand show through the shifting brilliance of the sea. Once I used to cherish schemes and promises for the future; now my feelings and my joys are smoothed and softened with the shadowy velvet of time past.

You know, some things don't matter that much, Lily. Like the color of a house. How big is that in the overall scheme of life? But lifting a person's heart - now, that matters. The whole problem with people is ... they know what matters, but they don't choose it.

He was going to enjoy pressing his little scheming hostess into improprieties she'd not soon forget. He didn't need a storm to make his point; he had his own powers of persuasion-and he'd use them all on her. He led her to the library, to the table holding the sherry. "Will you do the honors?" He leaned forward and added in a low voice, "Or perhaps you'd like us to do it together-your hand under mine, your fingers wrapped around the neck of the decanter as we-" Color flooded her cheeks, and she said in a breathless voice, "I will be glad to pour us some sherry-though I'm surprised you wish for some more." "It is wretched, but your cook has ruined my palate.When I return to London, I won't know good port from bad, burned meat from raw, and don't begin to talk to me about soups.

Our world was a battleground on which good and evil clashed, and many of the combatants on the dark side were known to everyone. Terrorists, dictators, politicians who were merchants of lies and hate, crooked businessmen in league with them, power-mad bureaucrats, corrupted policemen, embezzlers, street thugs, rapists, and their ilk waged part of the war, and their actions were what made the evening news so colorful and depressing. But those fighting in that dark army had their secret schemes, too, intentions and desires and goals that would make their public villainy seem almost innocent by comparison. They were assisted by other politicians who concealed their hatred and envy, by judges who secretly had no respect for the law, by clergymen who in private worshipped nothing but money or the tender bodies of children, by celebrities who trumpeted their concern for the common man while in their off-screen lives assiduously hobnobbing with and advancing the interests of the elite of elites.… The war unseen by most people was one of clandestine militias, unincorporated businesses, unchartered organizations, philosophical movements that could not survive fresh air and sunlight, secretive coalitions of lunatics who didn’t recognize their own lunacy, nature cults and science cults and religious cults.

Becoming a porn star is pretty much exactly like becoming a superhero. One day, an intrepid, fresh-faced young woman discovers that she has a talent. She chooses a new name – something over the top, flamboyant, a little arrogant, with a tinge of the epic. Somebody makes her a costume – skintight – revealing, a flattering color, nothing much left to the imagination. She explores her power, learns a specialty move or two, sweats her way through a training montage, throwing out punny quips here, there, and everywhere. She inhabits an archetype. She takes every blow that comes her way like she doesn’t even feel it. Then she goes out into the big, bad night and saves people from loneliness. From the assorted villanies that plague the common man. From despair and bad dreams. From tedium. Oh, sure, her victories are short-lived. She finishes off her foes in one glorious masterstroke, but the minute she’s gone, all the wickedness and darkness of the scheming, teeming world comes rushing back in. But when you need her, here she comes to save the day, doing it for Truth, Justice, and the American Way.

Likewise, our housing should be functional: It should do little more than keep out extreme heat and cold, and shelter us from the sun and wind. A cave would be fine, if one were available. He reminds us that houses with courtyards, fancy color schemes, and gilded ceilings are hard to maintain. Furthermore, our simple house should be furnished simply. Its kitchen should be supplied with earthenware and iron vessels rather than those made of silver and gold; besides being cheaper, Musonius observes, such vessels are easier to cook with and less likely to be stolen.11

You know, some things don't matter that much, Lily. Like the color of a house. How big is that in the overall scheme of life? But lifting a person's heart- now, that matters. The whole problem with people is they know what matters, but they don't choose it. The hardest thing on earth is choosing what matters.

Your team had to crunch for at least a month before each major milestone (E3, alpha, beta, etc.) and even though you bought them all dinners to make up for it, you still can’t stop thinking about the missed anniversaries, the lost birthday parties, and the evenings they didn’t get to spend with their kids because they were stuck in meetings about the best color schemes for your plumber’s overalls. Is there a way to make great video games without that sort of sacrifice? Is it possible to develop a game without putting in endless hours? Will there ever be a reliable formula for making games that allows for more predictable schedules?

Bosch had left Nigeria with his infamous Butcher Boys—assorted sizes, shapes and colors, but all killers for a price—when his scheme to take over a native village backfired. He had figured on cleaning up by selling the village girls in the Congo but found himself dodging spears, knives and related items of cutlery instead.

Our deepest beliefs about the universe filter their way up through the soil into the tiny aesthetic decisions that the artist makes. How we make our records. Which color feels right. Rhyme schemes and word choices. These kinds of decisions are rarely made out of purely analytical comparison. They come from the guts. From faith.

If everything is the same thing, then does anything matter?” I insist. He caps his pen, pauses, and finally says, “Well, I suppose it’s the way it’s all arranged that gives it meaning . . . it’s how it’s put together. But then again, in the grand scheme of things . . . no, it probably doesn’t matter in the way we think it does.

For so long, maybe all my life, I thought only a house could make you whole. I thought I was nothing without an interesting address. I thought I was only as good as my color scheme, my drawer pulls, my floors....it's the knowledge that a house can be as fragile as life itself. You'd think it would be stronger, since it can stand in one spot for centuries while generations of humans run through its rooms, grow up, move out, and eventually die. But a house is an inherently limited entity. It can't do everything, or even most things. It cannot give you a personality. It cannot bring you love. It cannot cure loneliness. It can provide comfort, safety, a sense of pride--that much I know.

Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves.

Say more about the Crips and the Bloods,” Richard said, stalling for time while he tried to get his mental house in order. “To us they look the same. Urban black kids with similar demographics and tastes. Seems like they all ought to pull together. But that’s not where they’re at. They are shooting each other to death because they see the Other as less than human. And I’m saying it has been the case for a long time in T’Rain that those people we have lately started calling the Earthtone Coalition have always looked at the ones we now call the Forces of Brightness and seen them as tacky, uncultured, not really playing the game in character. And what happened in the last few months was that the F.O.B. types just got tired of it and rose up and, you know, asserted their pride in their identity, kind of like the gay rights movement with those goddamned rainbow flags. And as long as it’s possible for those two groups to identify each other on sight, each one of them is going to see the other as, well, the Other, and killing people based on that is way more ingrained than killing them on this completely bogus and flimsy fake-Good and fake-Evil dichotomy that we were working with before.” “I get it,” Richard said. “But is that all we are? Just digital Crips and Bloods?” “What if it’s true?” Devin shrugged. “Then you’re not doing your fucking job,” Richard said. “Because the world is supposed to have a real story to it. Not just people killing each other over color schemes.” “Maybe you’re not doing yours,” Devin said. “How can I write a story about Good and Evil in a world where those concepts have no real meaning—no consequences?” “What sort of consequences do you have in mind? We can’t send people’s characters to virtual Hell.” “I know. Only Limbo.” They both laughed.

I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!

nation. But I cannot stand forward, and give praise or blame to anything which relates to human actions and human concerns on a simple view of the object, as it stands stripped of every relation, in all the nakedness and solitude of metaphysical abstraction. Circumstances (which with some gentlemen pass for nothing) give in reality to every political principle its distinguishing color and discriminating effect. The circumstances are what render every civil and political scheme beneficial or noxious to mankind.

Reflections, echoes, reverberating back and back to infinity: I have discovered the pleasure of having a long past behind me. I have not the leisure to tell it over to myself, but often, quite unexpectedly, I catch sight of it, a background to the diaphanous present; a background that gives it its color and its light, just as rocks or sand show through the shifting brilliance of the sea. Once I used to cherish schemes and promises for the future; now my feelings and my joys are smoothed and softened with the shadowy velvet of time past.

You know, some things don’t matter that much, Lily. Like the color of a house. How big is that in the overall scheme of life? But lifting a person’s heart—now, that matters. The whole problem with people is—” “They don’t know what matters and what doesn’t,” I said, filling in her sentence and feeling proud of myself for doing so. “I was gonna say, The problem is they know what matters, but they don’t choose it. You know how hard that is, Lily? I love May, but it was still so hard to choose Caribbean Pink. The hardest thing on earth is choosing what matters.” I

I don't want to give up my prime position over here by the cookies," she shouted back. "Are they good? The cookies?" "They're great!" This was the loudest conversation Rosie had ever had about cookies. "Really good, tight crumb structure. You can tell the butter is high quality. And each cookie is so consistent. And the piping!" She picked up another one, aware that she'd already eaten way too many of them but was probably about to eat another. "The piping on the front is beautiful, but the frosting still tastes good." "Thank you." He grinned. "Did you make these?" Rosie asked, surprised. "Yeah! I love Halloween." "You love Halloween." Rosie couldn't believe he'd made all of these. Firstly, they were so identical, they looked like they'd been made by a machine. But what she really couldn't believe was that Bodie Tal was exhibiting the same level of Halloween enthusiasm that Owen had abandoned several years ago because he'd decided he was too old for it. "Halloween is the best holiday ever. Costumes? Sugar? The sick orange-and-black color scheme? What's not to like?" Rosie laughed as he reached over her to grab a cookie and took a bite. She could smell his aftershave, again. She took half a step back. "Do you think they're too salty?" he asked, chewing. "No, the salt cuts the butter. You need it to balance the richness. You did it perfectly, actually.

Academia is an odd place. Stately buildings and ivy, wrought iron fences, and libraries fragrant with the smell of old books. Young people scurry to and from class, fresh, energetic, and naive. But in the long halls and narrow offices, those who work there fester in the dark like overeducated viral agents. Wet-eyed professors with obscure, irrelevant specialties and inferiority complexes browbeat students. Administrators, buffeted by faculty contempt and general inefficiency, sink into venal scheming. Any college campus is a circus, complete with color, entertainment, and the occasional glimpse of something really amazing. At Dorian University, the circus had a large number of clowns and a truly impressive freak show.

Linnaeus divided the genus Homo into two species, Homo sapiens (man) and Homo troglodytes (ape), and divided Homo sapiens into four natural varieties—H. sapiens americanus, H. sapiens europaeus, H. sapiens asiaticus, and H. sapiens afer—linked to the four known regions of the world, America, Europe, Asia, and Africa. He color-coded the subspecies red, white, yellow, and black and assigned each a set of physical, personality, cultural, and social traits. Linnaeus was influenced by the classical concept of the Great Chain of Being described by Saint Thomas Aquinas, which placed everything in the universe—from stones to angels—in a grand hierarchy established by God. At the pinnacle of beauty and intelligence Linnaeus placed H. sapiens europaeus: “Vigorous, muscular. Flowing blond hair. Blue eyes. Very smart, inventive. Covered by tight clothing. Ruled by law.” H. sapiens americanus, according to Linnaeus, was “Ill-tempered, impassive. Thick straight black hair; wide nostrils; harsh face; beardless. Stubborn, contented, free. Paints himself with red lines. Ruled by custom.” Linnaeus described H. sapiens asiaticus as “Melancholy, stern. Black hair; dark eyes. Strict, haughty, greedy. Covered by loose garments. Ruled by opinion.” And at the bottom, he placed H. sapiens afer: “Sluggish, lazy. Black kinky hair; silky skin; flat nose; thick lips; females with genital flap and elongated breasts. Crafty, slow, careless. Covered by grease. Ruled by caprice.” Here lies the origin of the color scheme for mankind American children still sing about in Sunday school: red, yellow, black, and white.

Fear and desire for pleasure. Aggressiveness comes out of fear, predominantly, and sexuality predominantly out of the other. But they mix in the middle. Anyway, both of these impulses can destroy order, which comes out of both drives, and which is another human need I haven't yet fit into my scheme. So both have to be controlled. But in fact, despite religious commands to the contrary, aggressiveness has never really been condemned. It's been exalted, from the Bible through Homer and Virgil right down to Humbert Hemingway. Have you ever heard of a John Wayne movie being censored? did you ever see them take war books off the bookstands? They leave the genitals off Barbie and Ken, but they manufacture every kind of war toy. Because sex is more threatening to us than aggression. There have been strict rules about sex since the beginning of written rules, and even before, if we can believe myth. I think that's because it's in sex that men feel most vulnerable. In war they can hype themselves up, or they have a weapon. Sex means being literally naked and exposing your feelings. And that's more terrifying to most men than the risk of dying while fighting a bear or a soldier. Look at the rules! You can have sex if you're married, and you have to marry a person of the opposite gender, the same color and religion, an age close to your own, of the right social and economic background, even the right height, for God's sake, or else everybody gets up in arms, they disinherit you or threaten not to come to the wedding or they make nasty cracks behind your back. Or worse, if you cross color or gender lines. And once you're married, you're supposed to do only certain things when you make love: the others all have nasty names. When after all, sex itself, in itself, is harmless, and aggression is harmful. Sex never hurt anyone.

THE EARL OF Hythe, who took a great deal of pride in the fact that he had never succumbed to the awkward and messy inconvenience of falling in love, was on the verge of salivating. Before him was a man's sweetest dream on creamy sheets, a treasure all but clamoring to become his. He reverently reached out one perfectly manicured hand and stroked along the elegant spine. "Beautiful," he murmured. "Utterly exquisite." Only heaven could have dictated such smooth, milk-pale expanses, such bold curves and delicate lines. And the colors, from the faintest blush of pink to glossy ebony, were of such perfection that any man's eye would be caught, his fingers itching to touch. Damn his rule about impulse. This was something he could not possibly resist having. "You are pleased with what you see, my lord?" The earl smiled faintly at the eager catch in his companion's voice. "Perfectly." Satisfied, he drew a deep breath and stepped back. "We are agreed on the price?" The book dealer mopped his shiny brow with a wilted handkerchief and gave his own shaky sigh.

Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so causedhim to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.

Racial stereotyping. For Martin Luther King, Jr., and other civil rights leaders, the sin of white racism was stereotyping all black people as inferior. It was a prejudice to be sure, but it was predicated on the assumption that all blacks were the same. King objected to stereotyping because he wanted blacks to be treated as individuals and not reduced exclusively to their racial identity (hence the meaning of his famous statement about the content of one's character taking precedence over the color of one's skin). The postmodern left turns the civil rights model on its head. It embraces racial stereotyping -- racial identity by any other name -- and reverses it, transforming it into something positive, provided the pecking order of power is kept in place. In the new moral scheme of racial identities, black inferiority is replaced by white culpability, rendering the entire white race, with few exceptions, collectively guilty of racial oppression. The switch is justified through the logic of racial justice, but that does not change the fact that people are being defined by their racial characteristic. Racism is viewed as structural, so it is permissible to use overtly positive discrimination (i.e., affirmative action) to reorder society. This end-justifies-the-means mentality of course predates the postmodern left. It can be found in the doctrine of affirmative action. But the racial theorists of identity politics have taken "positive" discrimination to a whole new level. Whereas affirmative action was justified mainly in terms of trying to give disadvantaged blacks a temporary leg up, the racial theorists of the postmodern left see corrective action as permanent. The unending struggle that ensues necessitates acceptance of a new type of racial stereotyping as a way of life and increasingly as something that needs to be enshrined in administrative regulations and the law. The idea of positive stereotyping contains all sorts of illiberal troublemaking. Once one race is set up as victim and another as guilty of racism, any means necessary are permitted to correct the alleged unjust distribution of power. Justice becomes retaliatory rather than color blind -- a matter of vengeance rather than justice. The notion of collective racial guilt, once a horror to liberal opinion, is routinely accepted today as the true mark of a progressive. Casualties are not only King's dream of racial harmony but also the hope that someday we can all -- blacks and whites -- rise above racial stereotypes.

Let schools specialize, as private schools would, and common interest would overcome bias of color and lead to more integration than now occurs. The integration would be real, not merely on paper. The voucher scheme would eliminate the forced busing that a large majority of both blacks and whites object to. Busing would occur, and might indeed increase, but it would be voluntary—just as the busing of children to music and dance classes is today. The failure of black leaders to espouse vouchers has long puzzled us. Their constituents would benefit most. It would give them control over the schooling of their children, eliminate domination by both the city-wide politicians and, even more important, the entrenched educational bureaucracy. Black leaders frequently send their own children to private schools. Why do they not help others to do the same? Our tentative answer is that vouchers would also free the black man from domination by his own political leaders, who currently see control over schooling as a source of political patronage and power. However, as the educational opportunities open to the mass of black children have continued to deteriorate, an increasing number of black educators, columnists, and other community leaders have started to support vouchers. The Congress of Racial Equality has made the support of vouchers a major plank in its agenda.

The scheme began to unravel following the Panic of 1873 when railroad investments failed. The bank experienced several runs at the height of the panic. The panic would not have affected the bank if it had been a savings bank, but by 1866, the business of the bank had become…reckless speculation, over-capitalization, stock manipulation, intrigue and bribery, and downright plundering…. In a last ditch effort to save the bank, the Trustees appointed Frederick Douglas as Bank President in March of 1874. Douglass did not ask to be nominated and the Bank Board knew that Douglass had no experience in banking, but they felt that his reputation and popularity would restore confidence to fleeing depositors….Douglas lent the bank $10,000 of his own money to cover the bank’s illiquid assets….Douglass quickly discovered that the bank was full of dead men’s bones, rottenness and corruption. As soon as Douglass realized that the bank was headed towards certain failure, he imposed drastic spending cuts to limit depositors’ losses. He then relayed this information to Congress, underscoring the bank’s insolvency, and declaring that he could no longer ask his people to deposit their money in it. Despite the other Trustees’ attempts to convince Congress otherwise, Congress sided with Douglass, and on June 20, 1874, Congress amended the Charter to authorize the Trustees to end operations. Within a few weeks’ time, the bank’s doors were shut for good on June 29, 1874, leaving 61,131 depositors without access to nearly $3 million dollars in deposits. More than half of accumulated black wealth disappeared through the mismanagement of the Freedman’s Savings Bank. And what is most lamentable…is the fact that only a few of those who embezzled and defrauded the one-time liquid assets of this bank were ever prosecuted….Congress did appoint a commission led by John AJ Cresswell to look into the failure and to recover as much of the deposits as possible. In 1880, Henry Cook testified about the bank failure and said that bank’s depositors were victims of a widespread universal sweeping financial disaster. In other words, it was the Market’s fault, not his. The misdeeds of the bank’s management never came to light.

Ah, God! what trances of torments does that man endure who is consumed with one unachieved revengeful desire. He sleeps with clenched hands; and wakes with his own bloody nails in his palms. Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so caused him to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.

We're standing at the bar in Club Myst, one of the trendiest nightclubs in Las Vegas. The music is loud, and people are grinding, bodies close together, on the dance floor. The lighting inside the club is dim, and everything is done in dark woods and a dark color scheme. The ceiling is dotted with lights that are, I’m guessing, supposed to look like stars, and the ground is covered in a foot-deep mist that's lit a deep green from underneath, giving the room a strange, mystical glow.

We're standing at the bar in Club Myst, one of the trendiest nightclubs in Las Vegas. The music is loud, and people are grinding, bodies close together, on the dance floor. The lighting inside the club is dim, and everything is done in dark woods and a dark color scheme. The ceiling is dotted with lights that are, I’m guessing, supposed to look like stars, and the ground is covered in a foot- deep mist that's lit a deep green from underneath, giving the room a strange, mystical glow.

Companies rebrand so often because people who work in branding know, deep down, that they don’t have real jobs and the constant emphasis on logos and color schemes creates a frenzy of activity that distracts them from the creeping existential dread that haunts their every waking moment.

Will they achieve a uniformity in censorship methods among the various regimes?” “Not uniformity. They will create a system in which the methods support and balance one another in turn....” The Director General invites you to examine the planisphere hanging on the wall. The varied color scheme indicates: the countries where all books are systematically confiscated; the countries where only books published or approved by the State may circulate; the countries where existing censorship is crude, approximate, and unpredictable; the countries where the censorship is subtle, informed, sensitive to implications and allusions, managed by meticulous and sly intellectuals; the countries where there are two networks of dissemination: one legal and one clandestine; the countries where there is no censorship because there are no books, but there are many potential readers; the countries where there are no books and nobody complains about their absence; the countries, finally, in which every day books are produced for all tastes and all ideas, amid general indifference. “Nobody these days holds the written word in such high esteem as police states do,” Arkadian Porphyrich says. “What statistic allows one to identify the nations where literature enjoys true consideration better than the sums appropriated for controlling it and suppressing it? Where it is the object of such attentions, literature gains an extraordinary authority, inconceivable in countries where it is allowed to vegetate as an innocuous pastime, without risks. To be sure, repression must also allow an occasional breathing space, must close an eye every now and then, alternate indulgence with abuse, with a certain unpredictability in its caprices; otherwise, if nothing more remains to be repressed, the whole system rusts and wears down. Let’s be frank: every regime, even the most authoritarian, survives in a situation of unstable equilibrium, whereby it needs to justify constantly the existence of its repressive apparatus, therefore of something to repress. The wish to write things that irk the established authorities is one of the elements necessary to maintain this equilibrium. Therefore, by a secret treaty with the countries whose social regime is opposed to ours, we have created a common organization, with which you have intelligently agreed to collaborate, to export the books banned here and import the books banned there.” “This would seem to imply that the books banned here are allowed there, and vice versa....” “Not on your life. The books banned here are superbanned there, and the books banned there are ultrabanned here. But from exporting to the adversary regime one’s own banned books and from importing theirs, each regime derives at least two important advantages: it encourages the opponents of the hostile regime and it establishes a useful exchange of experience between the police services.” “The

Monochromatic color schemes are lacking in contrast, which is why I start many of my canvas or paper pieces in this way. I can add layers of contrasting elements later on if desired. Adding tints and shades will give you a larger range of colors with which to create a richness of hues in your projects.

So tell me about yourself,” I say, mentally rolling my eyes for sounding like an interviewer. “Where’d you grow up? What’s your favorite color? Biggest fear? All the basics.” He laughs, kicking at a cluster of broken flower petals on the ground. “I’d hardly put my biggest fear in the basics category.” “You know what I mean. I feel like I don’t know that much about you, in the broad scheme of things.” “Well, in the broad scheme,” he begins, “I grew up all over the world, my favorite color changes every day, and I’m terrified of green eyes.” I raise my brows and imagine my eyes shooting him with green laser beams. “That’s--” I stop myself from saying weird. “Why?” “It’s just this feeling I have.” “My eyes are sort of greenish,” I say through a nervous laugh. “Am I that scary?” He looks at me and we both slow to a stop. A Vespa shoots past, swirling our hair in the wind. He doesn’t speak, doesn’t blink, so I don’t either. I get the impression he’s trying to subliminally relay his answer to me. That I’m supposed to know what he’s thinking. I don’t.

The Society for the Colonization of Free People of Color of America, better known as the American Colonization Society was a group established in 1816 by Robert Finley of New Jersey which supported the migration of free African Americans to the continent of Africa In 1822, the American Colonization Society established a new colony on the West Coast of Africa that in 1847 became the independent nation of Liberia. By 1867, the American Colonization Society had sent more than 13,000 black emigrants to this new country. Beginning in the 1830’s the society was harshly attacked by abolitionists, who tried to discredit colonization as a scheme perpetrated by the slaveholder’s to rid themselves of any responsibility regarding the freeing of their former slaves. Of course this was true prior to the Civil War and laterr during the “Jim Crow” era! The concept had a sizable following of, southern whites, who thought of this as a way to rid America of a growing black population. Others felt that since the slaves were brought to America against their will that it was only right that they be returned to Africa. Paul Cuffee and other free Blacks petitioned the Massachusetts government to either give African and Native Americans the right to vote or to stop taxing them. Cuffee also advocated the return to Africa of freed slaves. Some years later, after the Civil War, many freed blacks actually wanted to go to the new country of Liberia to make a better life for themselves, however the money necessary to send them back, as could be expected, dried up. The entire program came to an end during the latter part of the 19th century when the American Colonization Society stopped transporting former slaves to West Africa and concentrated instead on educational and missionary efforts. Those blacks that did come from the United States and populated Liberia became known as the Americo-Liberians who soon become the ruling class of Liberia.

the inability to ameliorate the soul-destroying visual discord of corporate fast-food franchises. Some acquaintance or another would periodically drag me into one of the horrors, and, under the malign influence of a décor scheme that assaulted my retinas with primary colors,

committed a small oversight, and yet one that almost destroyed their venture. They had assumed that they would deliver the kerosene in bulk to various localities, and that the eager customers would line up with their own receptacles to be filled. The customers were expected to use old Standard Oil tin cans. But they did not. Throughout the Far East, Standard’s blue oil tins had become a prized mainstay of the local economies, used to construct everything from roofing to birdcages to opium cups, hibachis, tea strainers, and egg beaters. They were not about to give up such a valuable product. The whole scheme was now threatened—not by the machinations of 26 Broadway or by the politics of the Suez Canal, but by the habits and predilections of the peoples of Asia. A local crisis was created in each port, as the kerosene went unsold, and despairing telegrams began to flow into Houndsditch. In the quickness and ingenuity of his response to the crisis, Marcus proved his entrepreneurial genius. He sent out a chartered ship, filled with tinplate, to the Far East, and simply instructed his partners in Asia to begin manufacturing tin receptacles for the kerosene. No matter that no one knew how to do so; no matter that no one had the facilities. Marcus persuaded them they could do it. “How do you stick on the wire handles?” the agent in Singapore wrote to Samuel’s representative in Japan. Instructions were sent. “What color do you suggest?” cabled the agent in Shanghai. Mark gave the answer—“Red!

White people in the North and the South sought to limit the civic and social equality of black people across the country. They devised political and economic schemes to push black people out of mainstream American life. To keep power, white Americans used terror as a tool through lynchings and rape, violently solidifying the place of people of color as second-class citizens.

Sabism is an art and theatric movement of 21st century occupied with the philotipes, mythologic forms, schematism and chromatic scales, dual art, logism of color, cult art, conglomeration. As an art movement it tries to explore word act, group performance, collective structure, fruitfulness and aesthetics of multitude through philotipes as implicit connotation of colors or schemes in their general use (honeysuckle yellow, female, courtly, savage, dionysiaque).

The upsurge of revolutionary egalitarianism that obliterated differences of status and color in the name of human equality restored connections between these two peoples of African descent. The successful establishment of a revolutionary republic under a proclamation that 'all men are created equal,' and the bloody enactment of those principles, provided an ideological umbrella under which slaves, free people of color, Indians, and even disaffected white men and women could band together. The confluence of the plantation revolution of sugar and cotton and the democratic striving of the Age of Revolution made for new, explosive possibilities in the lower Mississippi Valley. Revolutionary republicanism spread rapidly during the last decade of the eighteenth century, and planters soon found themselves surrounded by insurrection and intrigue. Challenging the new harsh regime in the countryside, plantation slaves schemed to break the masters' grasp. Runaways grew in number, and maroon colonies reappeared in the backcountry. Thus, even as slaveholders sealed off their plantations from outside influences and instituted the discipline necessary to create a plantation regime, the plantation regime shook. Revolutionary activities took place at many venues. The primitive, frontier plantations, where newly arrived Africans reformulated their common African heritage, were the sites of many intrigues. Others took shape in the streets and back alleys of the port cities, where disenchanted black and white workers drank and gamed together. Yet other plots were hatched in the barracks, where white and black militiamen - mobilized against the very threat of revolution - had been joined together. Almost all the insurrectionists talked the language of the revolutionary age. But while some linked their cause directly to the revolutions in the United States, France, and Saint Domingue, others drew on their memory of Africa.

Here it is claimed is the fatal defect of all monistic schemes: they disclose hopeless contradiction of our necessary laws of thought and truths of experience, as their inevitable corollaries. Thus Spinoza, having assumed that all real existence must be absolute, existence and therefore one is obliged to teach that modes of extension and modes of thought can both qualify and at the same time be the law; and thus, that phenomenal beings as real and true to our experience as any a priori cognition, or as this very law itself, are both modes of the One, although a part of them are qualified by size, figure, ponderosity, impenetrability, color; and the other part universally and utterly lack every one of these qualities, and are qualified by thought, sensibility, desire, spontaneity, and self-action. But this is not a mystery, it is a self-contradiction. The qualities of matter and extension cannot be relevant to spirit, nor those of thought, feeling, and volition to matter. They utterly exclude each other. Descartes was right: the common sense of mankind is right in thus judging. The proof is that just so soon as we attempt to ascribe intelligence and will to matter, or qualities of extension to spirit, utterly absurd and impossible fancies are asserted. Spinoza teaches us that the Absolute Being must inevitably have an immutable sameness and necessity of being so strict, as to necessitate its absolute unity. Yet he has to teach, in order to carry out this monism, that this monad exists, at the same instant of time, not only in numberless diversities of mode, but in utterly opposite modes, as for instance, as solid, liquid, and gaseous at the same instant...Or, worse yet, that this One so necessary, eternal and absolute in its unity, may at the same moment of time, hate a Frenchman and love a Frenchman in the two modal manifestations of German and Gaul, and may hate sin and love the same sin in the two manifestations, at the same moment, of good souls and bad souls! Yet this Spinoza could not admit that infinite, eternal power and wisdom can make a beginning of real being objective to itself. Truly, this is 'straining out the gnat and swallowing the camel.

DECEMBER 22 Parallel Universes Doubt, for me, tends to come in an overwhelming package, all at once. I don’t worry much about nuances of particular doctrines, but every so often I catch myself wondering about the whole grand scheme of faith. I stand in the futuristic airport in Denver, for example, watching important-looking people in business suits, briefcases clutched to their sides like weapons, pause at an espresso bar before scurrying off to another concourse. Do any of them ever think about God? I wonder. Christians share an odd belief in parallel universes. One universe consists of glass and steel and wool clothes and leather briefcases and the smell of freshly ground coffee. The other consists of angels and sinister spiritual forces and somewhere out there places called Heaven and Hell. We palpably inhabit the material world; it takes faith to consider oneself a citizen of the other, invisible world. Occasionally the two worlds merge for me, and these rare moments are anchors for my faith. The time I snorkeled on a coral reef and suddenly the flashes of color and abstract design flitting around me became a window to a Creator who exults in life and beauty. The time my wife forgave me for something that did not merit forgiveness—that too became a window, allowing a startling glimpse of divine grace. I have these moments, but soon toxic fumes from the material world seep in. Sex appeal! Power! Money! Military might! These are what matter most in life, I’m told, not the simpering platitudes of Jesus’ teachings in the Sermon on the Mount. For me, living in a fallen world, doubt seems more like forgetfulness than disbelief. I, a citizen of the visible world, know well the struggle involved in clinging to belief in another, invisible world. Christmas turns the tables and hints at the struggle involved when the Lord of both worlds descends to live by the rules of the one. In Bethlehem, the two worlds came together, realigned; what Jesus went on to accomplish on planet Earth made it possible for God someday to resolve all disharmonies in both worlds. No wonder a choir of angels broke out in spontaneous song, disturbing not only a few shepherds but the entire universe. Finding God in Unexpected Places (34 – 35)

Once the desire for comprehensive urban planning is established, the logic of uniformity and regimentation is well-nigh inexorable. Cost effectiveness contributes to this tendency. Just as it saves a prison trouble and money if all prisoners wear uniforms of the same material, color, and size, every concession to diversity is likely to entail a corresponding increase in administrative time and budgetary cost. If the planning authority does not need to make concessions to popular desires, the one-size-fits-all solution is likely to prevail.

Rising after a few moments onto my elbows, I looked, for the first - and probably last - time in my life, at something I'd never seriously imagined I'd cast my eyes upon: a hundred miles of sand in every direction, a hundred miles of absolutely gorgeous, unspoiled nothingness. I wiggled my bare toes in the sand and lay there for a long time, watching the sun drop slowly into the dunes like a deflating beach ball, the color of the desert quickly transforming from red to gold to yellow ochre to white, the sky changing, too. I was wondering how a miserable, manic-depressive, overage, undeserving hustler like myself - a utility chef from New York City with no particular distinction to be found in his long and egregiously checkered career - on the strength of one inexplicably large score, could find himself here, seeing this, living the dream. I am the luckiest son of a bitch in the world, I thought, contentedly staring out at all that silence and stillness, feeling, for the first time in a while, able to relax, to draw a breath unencumbered by scheming and calculating and worrying. I was happy just sitting there enjoying all that harsh and beautiful space. I felt comfortable in my skin, reassured that the world was indeed a big and marvelous place.

Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.

One way to make yourself less vulnerable to copycats is to build a moat around your business. How Can I Build a Moat? As you scale your company, you need to think about how to proactively defend against competition. The more success you have, the more your competitors will grab their battering ram and start storming the castle. In medieval times, you’d dig a moat to keep enemy armies from getting anywhere near your castle. In business, you think about your economic moat. The idea of an economic moat was popularized by the business magnate and investor Warren Buffett. It refers to a company’s distinct advantage over its competitors, which allows it to protect its market share and profitability. This is hugely important in a competitive space because it’s easy to become commoditized if you don’t have some type of differentiation. In SaaS, I’ve seen four types of moats. Integrations (Network Effect) Network effect is when the value of a product or service increases because of the number of users in the network. A network of one telephone isn’t useful. Add a second telephone, and you can call each other. But add a hundred telephones, and the network is suddenly quite valuable. Network effects are fantastic moats. Think about eBay or Craigs-list, which have huge amounts of sellers and buyers already on their platforms. It’s difficult to compete with them because everyone’s already there. In SaaS—particularly in bootstrapped SaaS companies—the network effect moat comes not from users, but integrations. Zapier is the prototypical example of this. It’s a juggernaut, and not only because it’s integrated with over 3,000 apps. It has widened its moat with nonpublic API integrations, meaning that if you want to compete with it, you have to go to that other company and get their internal development team to build an API for you. That’s a huge hill to climb if you want to launch a Zapier competitor. Every integration a customer activates in your product, especially if it puts more of their data into your database, is another reason for them not to switch to a competitor. A Strong Brand When we talk about your brand, we’re not talking about your color scheme or logo. Your brand is your reputation—it’s what people say about your company when you’re not around.

The pink ingredient in your fried rice: it had to be these." Nagare produced a packet of fish sausages from a plastic bag at his side. "You must have noticed them in the rice?" "Oh yes," said Hatsuko. "You know, I think I remember seeing something like that in our fridge." "I picked these up in Yawatahama. A local butcher told me this brand was the closest you could get to the type Aihachi Foods used to make." Nagare set the sausages to one side, then produced another packet from his bag. "Now, this was the other reason for that pink color." "What's that?" asked Hatsuko. "A Yawatahama specialty. Kamaboko flakes. Just like bonito flakes, except made from kamaboko fish cake instead of tuna. They were invented back before people had fridges, as a way of making kamaboko last longer. Normally you'd sprinkle them over things like chirashi-zushi, but your mother decided they'd be a good addition to her fried rice. They make a pretty decent drinking snack too, by the way." Nagare opened the packet and retrieved a handful of the flakes, which he began to nibble on. "So it wasn't just the fish sausage, then," said Hatsuko, also sampling the flakes. "That's right," said Koishi, grabbing a handful for herself. "Given what they're both made from, it's no wonder you remembered the fried rice having a fishy flavor." "As for the all-important seasoning," continued Nagare, "I imagine she used a mix of shredded shio-kombu and sour plum. That's where that tart aftertaste you mentioned came from. Then I realized: sour plum is pink too. It all fits the color scheme, see?" He showed her a can of the shredded kelp and sour plum mix. Hatsuko gave a deep, appreciative nod.

Expensive clothes hung well, and my monochromatic-color scheme guaranteed that everything matched. Add in a regimen of hair treatments, facials, Botox, and workouts, and the facade was maintained.

In the next five days, Bud Selig, the franchise’s proud new owner, changed the team name from the Pilots to the Brewers, in honor of the Milwaukee minor league team that he had cheered on as a boy. Though he was able to change the name, there was not enough time to order new uniforms with the navy and red colors from those Brewers teams of yesteryear. Instead, the newly minted Milwaukee Brewers were forced to adopt the blue and gold of the Seattle Pilots, a color scheme that the team still wears to this day,

Nevertheless, it strikes me more and more that America’s reputation for materialism is unfounded—that is, if a materialist is a person who thoroughly enjoys the physical world and loves material things. In this sense, we are superb materialists when it comes to the construction of jet aircraft, but when we decorate the inside of these magnificent monsters for the comfort of passengers it is nothing but frippery. High-heeled, narrow-hipped, doll-type girls serving imitation, warmed-over meals. For our pleasures are not material pleasures but symbols of pleasure—attractively packaged but inferior in content. The explanation is simple: most of our products are being made by people who do not enjoy making them, whether as owners or workers. Their aim in the enterprise is not the product but money, and therefore every trick is used to cut the cost of production and hoodwink the buyer, by coloring and packaging chicanery, into the belief that the product is well and truly made. The only exceptions are those products which simply must be excellent for reasons of safety or high cost of purchase—aircraft, computers, space-rockets, scientific instruments, and so forth. But the whole scheme is a vicious circle, for when you have made the money what will you buy with it? Other pretentious fakes made by other money-mad manufacturers. The

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The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good

For so long, maybe all my life, I thought only a house could make you whole. I thought I was nothing without an interesting address. I thought I was only as good as my color scheme, my drawer pulls, my floors....it's the knowledge that a house can be as fragile as life itself. You'd think it would be stronger, since it can stand in one spot for centuries while generations of humans run through tis rooms, grow up, move out, and eventually die. But a house is an inherently limited entity. It can't do everything, or even most things. I t cannot give you a personality. It cannot bring you love. It cannot cure loneliness. It can provide comfort, safety, a sense of pride--that much I know.

Each branch should be made in a different color, just to distinguish the arguments, while the sub-branches are of the same color of the branch from which unfold. A scheme proposed in this way allows the mind to photograph what he sees. Remember that the more memory that is mostly consistent and efficient visual.

No point in describing the office. No point in even allowing the office to even register on her eyeballs and take up valuable memory space in her brain. Fluorescent lights and partitions with carpet glued to them. I prefer my carpet on the floor, thank you. A color scheme. Ergonomic shit. Chicks with lipstick. Xerox smell. Everything's pretty new, she figures.

I think Miss Delia is dancing in heaven knowing that her beloved cat is here with you, although she might think that green ribbon with yellow polka dots is too bold a color scheme for her sweet Bow.” The

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One day I picked up the phone to hear a middle-aged female voice asking if there were “any green Salles” left; she wanted to match Salle’s art to the color scheme of her living room furniture. It’s all such a joke,

love to have pillows everywhere. They warm up a room so easily and without a lot of expense. I've discovered oversized pillows are a lot more comfortable than smaller ones. Make sure some of your pillows are filled with down. They're much more comfortable. (But know which ones they are in case some of your guests are allergic to down.) You can even have old ones restuffed. And don't be afraid to mix the patterns. Florals, stripes, bold colors-as long as they're in your color scheme go for it in every room. You'll be amazed at the transformation. Make your home the kind of place you and your family want to spend time in. lear some time in your week for creative pursuits, whether it's writing poetry, performing music, or planting a garden. Most of all, open your heart and let God fill you with His love and His creativity. He wants to nurture you, care for you, and help you grow.

and front yard. Whoever they were, they'd kept the same black and white color scheme even though the paint seemed new. A few other houses

You want so very much to adhere to your comfortable, uncomplicated contrasting color scheme. But that part of you that is no longer delicate, the pieces of you that have been impressed upon time and time again are making it difficult. You are beginning to understand, perhaps quite reluctantly, that life is cast in shades of grey. And that grey, whether it leans towards a lighter washed out version, or towards a never ending darkness, is not in the business of solace.

Forgive me, Mother.” He bowed. “My argument is with my father.” “Well,” the duke announced himself and paused for dramatic effect in the doorway of the private parlor. “No need to look further. You can have at me now.” “You are having Anna Seaton investigated,” the earl said, “and it could well cost her her safety.” “Then marry her,” the duke shot back. “A husband can protect a wife, particularly if he’s wealthy, titled, smart, and well connected. Your mother has assured me she does not object to the match.” “You don’t deny this? Do you have any idea the damage you do with your dirty tricks, sly maneuvers, and stupid manipulations? That woman is terrified, nigh paralyzed with fear for herself and her younger relation, and you go stomping about in her life as if you are God Almighty come to earth for the purpose of directing everybody else’s personal life.” The duke paced into the room, color rising in his face. “That is mighty brave talk for a man who can’t see fit to take a damned wife after almost ten years of looking. What in God’s name is wrong with you, Westhaven? I know you cater to women, and I know you are carrying on with this Seaton woman. She’s comely, convenient, and of child-bearing age. I should have thought to have her investigated, I tell you, so I might find some way to coerce her to the altar.” “You already tried coercion,” Westhaven shot back, “and it’s only because Gwen Allen is a decent human being her relations haven’t ruined us completely in retaliation for your failed schemes. I am ashamed to be your son and worse than ashamed to be your heir. You embarrass me, and I wish to hell I could disinherit you, because if I don’t find you a damned broodmare, I’ve every expectation you will disinherit me.” “Gayle!” His mother was on her feet, her expression horror-stricken. “Please, for the love of God, apologize. His Grace did not have Mrs. Seaton investigated.” “Esther…” His Grace tried to get words out, but his wife had eyes only for her enraged son. “He most certainly did,” Westhaven bit out. “Up to his old tricks, just as he was with Gwen and with Elise and with God knows how many hapless debutantes and scheming widows. I am sick to death of it, Mother, and this is the last straw.” “Esther,” His Grace tried again. “Hush, Percy,” the duchess said miserably, still staring at her son. “His Grace did not have your Mrs. Seaton investigated.” She paused and dropped Westhaven’s gaze. “I did.” “Esther,” the duke gasped as he dropped like a stone onto a sofa. “For the love of God, help me.

I open my mouth to say thank you, but the words catch in my throat. Two broad bodies walk through the door quietly chatting among themselves. Each dawning similar grey Armani suits and crisp ties that match InnoTech’s color scheme. But it’s not them that have the air in my lungs evaporating. It’s who’s behind them. No. No. No. Alarm bells in my head start ringing and I can feel a trickle of sweat form along my neck. Of all the people in this city he has to work here? Of course, he does.

Could any city import the resources needed to create a startup hub? [Paul] Graham took up the question in 2006 and pondered what would make, say, Buffalo, New York, into a Silicon Valley. To Graham, it was strictly a matter of enticing ten thousand people—“the right ten thousand people.” Perhaps five hundred would be enough, or even thirty, if Graham were to be permitted to pick them. Three years later, he suggested that a municipality offer to invest a million dollars each in one thousand startups. The capital required for such a scheme should not seem daunting: “For the price of a football stadium, any town that was decent to live in could make itself one of the biggest startup hubs in the world,” he said. Any place that wants to become a startup hub needs to understand, however, that it requires welcoming hackers and their unruliness. Unruliness is also “the essence of Americanness,” Graham maintains. “It is no accident that Silicon Valley is in America, and not France, or Germany, or England, or Japan. In those countries, people color inside the lines.” In America, too, failure in business is accommodated. Graham has consistently argued that few people are well suited for starting a startup but that the only effective way of determining who does excel is by having lots of people try: “As long as you’re at a point in your life when you can bear the risk of failure, the best way to find out if you’re suited to running a startup is to try it.

As a result, levels of addiction and death were statistically low among African Americans. It appeared to be a rare instance in which systemic racism could be said to have protected the community. But people of color were disproportionately affected by the war on drugs. Purdue executives might have evaded jail time for their role in a scheme that generated billions of dollars for Madeleine’s family, but in 2016, Indiana’s governor, Mike Pence, signed a law reinstating a mandatory minimum sentence for any street

McDonald’s has toned down its bright yellow motif and radically expanded its color scheme when it announced in early 2016 that “the new look is simple, fresh, and consistent with the company’s vision to be a modern and progressive burger company.” Interestingly, it was about that time when the company decided to substitute its signature red and yellow colors that its sales began to substantially decline.

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Instead, he whistled idly as the wizard and his miserable human caboose led him to a parlor done entirely in black on black. Really with this color scheme? Jadren liked black just fine, particularly in formal wear and lingerie on beautiful women, but this was too much. He was going to start referring to Sammael as House Over the Top.

Animal awareness is the perfect carrier of propaganda - it is the ideal facilitator of animal conditioning, while human awareness is the only civilized answer. Let me show you how animal conditioning through propaganda works. I'll mention a word, and you'll tell me what's the first thing that comes to your mind. And the word is - "terrorism". Here, the first thing a white american nationalist will think of, is "arabs". Ask an indian hindu nationalist the same question, and their first thought would be "pakistan". In the same way, israeli zionists would automatically associate the word terrorism with palestine. Like it or not, that's animal nature. Every moment you are bombarded with materials that have no relation to truth and humanity, as far as the civilized mind could see. Through cinema, through video games, through news - propaganda is everywhere. And no, I am not talking about some grand conspiracy. Apes, who still cannot look past the color of skin and language of tongue, do not have the brains to orchestrate some grand scheme of manipulation - all they can do is, simply peddle the same old rotten narrative of hate and fanaticism repeatedly, and the rest is taken care of by the primitive survival instinct of the ape brain. So, what's the way out? Simple - start using that grand instrument you carry on your shoulders, which you call a brain - driven by an actual civilized craving for uplift and illumination.

After a few moments' consideration I decided the seaside landscape project I did the previous summer after my trip up to Saugatuck, on the eastern coast of Lake Michigan, would look great in that spot. While landscapes weren't my usual thing, I thought I did a decent job with that series. I'd been in a rare mood for watercolors on that trip, and I thought the warm, sandy tones I'd used would go well with the color scheme of the room. As would the seashells and pieces of beach trash I'd glued to the canvas once the paint had dried.

I’m sorry,” I said, bored by this travesty of the truth: “Look here, I am at this school as a teacher, that and nothing more; the Council did not employ me because I am colored, and I have no wish to be used as propaganda for any idea or scheme, especially the one you just mentioned.

When Arizona emerged from dry dock with new steel plates welded into place on the portside blister to close the gash from the collision, there was a far more noticeable and ominous change in the ship’s appearance. The Navy’s peacetime color scheme of light gray had given way to a dark bluish-gray applied to the hull and superstructure up to the level of the bridge. Only the foretop and maintop enclosures on the two tripod masts and the tops of the masts themselves were still light gray. This was a form of wartime camouflage that supposedly made the ship less likely to stand out against the horizon.