Fond Remembrance Quotes

What good is your gold if your friends will not lift you when you have fallen? How long lived our memory of you when you are gone? Because in the end, that is the only measure. In the end, when life’s last flickers fade, all that remains is memory. Richness, in the final measure, is not weighed in gold coins, but in the number of people you have touched, the tears of those who mourn your passing, and the fond remembrances of those who continue to celebrate your life.

The pile of stones thus marks both an act of deliberate remembrance, and an act of deliberate forgetting. They're fond of paradox in that region.

The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.

How long lived our memory of you when you are gone? Because in the end, that is the only measure. In the end, when life’s last flickers fade, all that remains is memory. Richness, in the final measure, is not weighed in gold coins, but in the number of people you have touched, the tears of those who mourn your passing, and the fond remembrances of those who continue to celebrate your life. —Drizzt Do’Urden

To reside in someone's memory, one must set aside selfishness, as selfishness and fond memories cannot coexist in the same space.

For there was soft remembrance, and sweet trust In one fond breast, to which his own would melt, And in its tenderer hour on that his bosom dwelt.

Richness, in the final measure, is not weighed in gold coins, but in the number of people you have touched, the tears of those who mourn your passing, and the fond remembrances of those who continue to celebrate your life.

Spring Lane burned with a mythology of chipped slates, pale wash-water blue and flaking at the seam. The summer yellow glow of an impending dawn diffused, diluted in the million-gallon sky above the tannery that occupied this low end of the ancient gradient, across the narrow street from where Phyllis and Michael stood outside the alley-mouth. The tannery’s high walls of browning brick with rusted wire mess over its high windows didn’t have the brutal aura that the building had down in the domain of the living. Rather it was softly iridescent with a sheen of fond remembrance – the cloisters of some mediaeval craft since disappeared – and had the homely perfume of manure and boiled sweets. Past the peeling wooden gates that lolled skew-whiff were yards where puddles stained a vivid tangerine harboured reflected chimney stacks, lamp black and wavering. Heaped leather shavings tinted with corrosive sapphire stood between the fire-opal pools, an azure down mounded into fantastic nests by thunderbirds to hatch their legendary fledglings. Rainspouts eaten through by time had diamond dribble beading on their chapped tin lips, and every splinter and subsided cobble sang with endless being. Michael Warren stood entranced and Phyllis Painter stood beside him, sharing his enchantment, looking at the heart-caressing vista through his eyes. The district’s summer sounds were, in her ears, reduced to a rich stock. The lengthy intervals between the bumbling drones of distant motorcars, the twittering filigree of birdsong strung along the guttered eaves, the silver gurgle of a buried torrent echoing deep in the night-throat of a drain, all these were boiled down to a single susurrus, the hissing tingling reverberation of a cymbal struck by a soft brush. The instant jingled in the breeze.

Marriage is the only adventure open to the cowardly. Gossip briefly wondered if gossip had invented the whole story, but gossip decided that the worst interpretation of events was usually the safest and, in the end, the truest. Like most of his life's writing, the play was concerned with love. and as in his life, so in his writing: love did not work. Love might or might not provoke kindness, gratify vanity and clear the skin, but it did not lead to happiness, there was always an inequality of feeling or intention present. Such was love's nature. Of course, it "worked" in the sense that it caused life's profoundest emotions, made him fresh as spring linden-blossom and broke him like a traitor on the wheel. It stirred him from well-mannered timidity to relative boldness, through a rather theoretical boldness, one tragi-comically incapable of action. It taught him the gulping folly of anticipation, the wretchedness of failure, the whine of regret and the silly fondness of remembrance. In my opinion, every love, happy or unhappy, is a real disaster when you give yourself over to it entirely. But all love needs a journey. all love symbolically is a journey and that journey needs bodying forth. Madame Amelie briefly wondered if this was a philosophical truth or an empty platitude.

Two years ago, having been walking towards La Nouvelle France, I turned to the left, and willing to extend my walk round Montmartre, crossed the village of Clignancourt. As I walked along, thoughtful, and regardless of the surrounding objects, I felt something clasp my knees, and immediately perceived it was a child of about five or six years old, clinging round them, who at the same time looked up so fondly and familiarly in my face, that I was greatly moved, saying to myself, "thus I should have been treated by my own." I took the child in my arms, and after having kissed it several times, in a kind of transport, continued my way. I felt as I walked on that something was wanting to complete my satisfaction, and this obliged me to return. I reproached myself with having quitted the child so soon, thinking I had discovered in its manner a kind of inspiration, which ought not to have been slighted. Giving into the temptation, I ran towards the child, embraced it again, and gave him money to buy some small Nanterre loaves, a man who sold them happening to be passing by. J began to make him talk; and on asking who's son he was? He pointed to a man that was hooping some barrels. I was just preparing to quit the child, in order to speak to the father, when I was prevented by seeing a man whisper him, who appeared to be one of those spies who are ever at my heels. While this person was speaking, I remarked that the cooper's eyes were fixed attentively on me, with no very friendly aspect: this sight contracted my heart in an instant, and I quitted both father and child, with greater expedition than I had returned to them; but with a sensation less agreeable, and which altered my whole chain of feelings. I have, notwithstanding, frequently felt these sentiments revive, and have often passed Clignancourt, in hopes of seeing this child again, but have never since met either with him or his father, and the only result of this encounter is, a lively remembrance, intermingled with that pleasing melancholy which is natural to me in all those emotions that penetrate my heart.

In the end, when life’s last flickers fade, all that remains is memory. Richness, in the final measure, is not weighed in gold coins, but in the number of people you have touched, the tears of those who mourn your passing, and the fond remembrances of those who continue to celebrate your life.

Fond remembrance of Damien lead to the recollection of a few former love relationships that lacked in sobriety and in depth. Cruising through school and university, and not being unpopular or unattractive, Chloe commanded many distinguished young men’s attention even though the mutual interest between both the parties remained short-lived. Despite her current relationship being a classic case of forbidden love, like the romance depicted in Alfred Noyes’ ‘The Highwayman’, she experienced a certitude in the company of Lucien which she never felt before with her previous lovers.

I have tried to honour the name of the good Lord Palmerston, in fond remembrance of his long and unwearied labour for the abolition of the Slave Trade; and I venture to place the name of the good and noble Lincoln on the Lake, in gratitude to him who gave freedom to 4,000,000 of slaves. These two great men are no longer among us; but it pleases me, here in the wilds, to place, as it were, my poor little garland of love on their tombs. Sir

Imagination and recollection of cherished memories of the pastimes are closely related. We do not recall memories verbatim. As our perspective changes regarding our place in the world, we shift through our recollections and revise our memories. People possess the ability to edit their memories by repressing unbearable episodes and highlighting incidences that generate fond memories. How we perceive and comprehend ourselves in the past, the present, and the future shapes our evolving sense of self. Humankind’s ability to repress unpleasant events and humankind’s ability to act as the solo editors of our germinating awareness of the world that we occupy is ultimately responsible for activating our metamorphosing sense of identity.

He left them a note: “Dear Mr. and Mrs. Purvis, I am now sixteen years old and desire to be my own man. I shall continue my education in the World. Please don’t hurt and please don’t look for me. I don’t want to come back. Goodbye and fond remembrances, Timothy Peter Purvis.

Their voices blended into a threnody of nostalgia about pain. Rising and falling, complex in harmony, uncertain in pitch, but constant in the recitative of pain. They hugged the memories of illnesses to their bosoms. They licked their lips and clucked their tongues in fond remembrance of pains they had endured—childbirth, rheumatism, croup, sprains, backaches, piles. All of the bruises they had collected from moving about the earth.

How long lived our memory of you when you are gone? Because in the end, that is the only measure. In the end, when life’s last flickers fade, all that remains is memory. Richness, in the final measure, is not weighed in gold coins, but in the number of people you have touched, the tears of those who mourn your passing, and the fond remembrances of those who continue to celebrate your life.

I have tried to honour the name of the good Lord Palmerston, in fond remembrance of his long and unwearied labour for the abolition of the Slave Trade; and I venture to place the name of the good and noble Lincoln on the Lake, in gratitude to him who gave freedom to 4,000,000 of slaves. These two great men are no longer among us; but it pleases me, here in the wilds, to place, as it were, my poor little garland of love on their tombs. Sir Bartle Frere having accomplished the grand work of abolishing slavery in Scindiah, Upper India, deserves the gratitude of every lover of human kind.

How'm I doing, Mamma? Celesta, twenty years gone, would undoubtedly approve. The restaurant smelled like the kitchen of Rosa's childhood; the menu featured many of the dishes Celesta had once prepared with warmth, intense flavors and a certain uncomplicated contentment Rosa constantly tried to recapture. She wanted the restaurant to serve Italian comfort food, the kind that fed hidden hungers and left people full of fond remembrances.

Thamus, as Socrates told the tale, saw a threat to the very nature of philosophical discourse. Here is what the Egyptian king supposedly told the clever god: Theuth, my paragon of inventors, the discoverer of an art is not the best judge of the good or harm which will accrue to those who practice it. So it is in this; you, who are the father of writing, have out of fondness for your off-spring attributed to it quite the opposite of its real function. Those who acquire it will cease to exercise their memory and become forgetful; they will rely on writing to bring things to their remembrance by external signs instead of by their own internal resources. What you have discovered is a recipe for recollection, not for memory. And as for wisdom, your pupils will have the reputation for it without the reality. They will receive a quantity of information without proper instruction, and in consequence be thought very knowledgeable when they are for the most part quite ignorant. And because they are filled with conceit of wisdom instead of real wisdom they will be a burden to society.