Folklore Christmas Quotes

There are some doubters even in the western villages. One woman told me last Christmas that she did not believe either in hell or in ghosts. Hell she thought was merely an invention got up by the priest to keep people good; and ghosts would not be permitted, she held, to go 'trapsin about the earth' at their own free will; 'but there are faeries,' she added, 'and little leprechauns, and water-horses, and fallen angels.' I have met also a man with a mohawk Indian tattooed upon his arm, who held exactly similar beliefs and unbeliefs. No matter what one doubts one never doubts the faeries, for, as the man with the mohawk Indian on his arm said to me, 'they stand to reason.' Even the official mind does not escape this faith. ("Reason and Unreason")

1. Santa Claus is real. However, your parents are folkloric constructs meant to protect and foritfy children against the darknesses of the real world. They are symbols representing the return of the sun and the end of winter, the sacrifice of the king and the eternal fecundity of the queen. They wear traditional vestments and are associated with certain seasonal plants, animals, and foods. After a certain age, no intelligent child continues believing in their parents, and it is embarrassing when one professes such faith after puberty. Santa Claus, however, will never fail us.

The Seer's Map by Stewart Stafford Howling dog, thou cursèd hound, Plaguest thy master with baleful sound, The cur's yelps taint the air around; A dirge for all that hear thy wound. The rooftop magpie foretells: Herald of guests to visit soon, A noisy speech announceth, Companions of the afternoon. Lucky horseshoe and iron key, Bringeth good fortune to the finder, But spilling salt provokes fate, And draws the evil eye's reminder. A shoe upon the table laid, Tempts the dead to live anon, For this ungracious gesture waketh, Flesh and blood from skeleton. Who crosses the path of hare or priest, A perilous milestone on thy road, Their very presence signifies That gathering trouble doth forebode. A toad on thy merry travels, Brings sweet smiles and kindest charms, Keep one about thy person warm, To shelter safe from danger's harms. Red sky at night delights the eye, Of shepherd that beholds thy light, Thy colour doth betoken dawn Of weather fair and clear and bright. Red sky at morn troubles the heart, Of shepherd that surveys thy shade, Thy hue doth presage day Of stormy blast and tempest made. December's thunder balm, Speaks of harvest's tranquil mind, January's thunder, fierce! Warns of war and gales unkind. An itchy palm hints at gold To come into thy hand ere long, But if thou scratch it, thou dost lose The fair wind that blows so strong. A Sunday Christmas forewarns: Three signs of what the year shall hold; A winter mild, a Lenten wind, And summer dry, to then unfold. Good luck charm on New Year's Day Maketh fortune bloom all year, But to lose it or give it away, Thou dost invite ill-omened fear. © Stewart Stafford, 2023. All rights reserved.

Cardinals appear when angels are near. Did anyone today even remember the old bit of folklore? Or did everyone scoot around it, avoiding such a sweet idea in the same manner they avoided stepping in potholes?

Because Christmas Ever is the one night of the year when the animals can speak, and the rocks can sing and the sea itself can whisper to us, if only we learn how to listen...

Who knows? But don't we all know the White Witch? Must she be someone in particular? We can try and find the source, but we are all born knowing the Witch, aren't we?" "Yes. We are." I think about the disease that has ravaged my brother's heart, making it weak. His illness is the White Witch. War is the White Witch. Cruelty is the White Witch. I take a breath. "There are so many things in your novel, Mr. Lewis. And then I've listened and I've written down the stories you tell me as best I can in my notebook, and I've read fairy tales and George MacDonald. I see, of course, that there is Greek, Roman, and Norse mythology in your Narnia story. There are British fairy tales, Irish folklore, and...even Father Christmas." His laugh bellows across the room so loudly that outside I spy a flock of birds loosening from their branches and flying away with their black wings.

What to read next? Hm…well, if you want more Carrie Jo, check out the Idlewood books. She’s at a new house, and there are heartbreaking child ghosts that need her help, but be warned, you’ll love them too. Most of them, anyway. I have also completed a historical fiction series about Queen Nefertiti. It’s called the Desert Queen series, and I’m very happy with it. If you fancy a bit of adventure in ancient Egypt, check it out. The first book in that series, The Tale of Nefret, is on Kindle. I also have a spooky plantation series called Sugar Hill. There are five books in that one: The Wife of the Left Hand, The Ramparts, and Blood by Candlelight, The Starlight Ball, and His Lovely Garden. I can’t wait to introduce you to the Dufresne family and take you through their plantation, Sugar Hill. Like Seven Sisters, the series will be chock-full of Southern folklore and historical places. Sugar Hill is like Gone With the Wind, but with ghosts! Thanks again for staying with me through this series. I appreciate all your kind words, the reviews, and the emails. Don’t forget to sign up for my mailing list or follow me on Amazon or BookBub so you can get the newest release information right in your inbox. I’ve got a website too that I visit infrequently. Check it out. See y’all soon. M.L. Bullock Christmas at Seven Sisters Three Short Stories from the Seven Sisters Series By M.L.

I’m on a Year Walk, or årsgång, a tradition that has been attested for centuries in Swedish folklore, which tells how a walk taken before dawn on Christmas Eve, without eating or drinking, without talking to anyone, without looking into a fire, will show the future. More specifically, it should show me shadowy enactments of the burials of anyone who will die in the village this coming year. It might even show me mine – there’s an oft-repeated story of a man who stumbled across his own funeral procession on just such a walk as this.

I’m desperate to understand what I’ve participated in, and I’m surprised (and a little disappointed) to discover that rather than being an arcane mystery, or a folklore that has been passed down through the ages, we can actually pinpoint the origin of the plays fairly easily.

In the Vienna Folklore Museum is a yellowing wooden goat head on a pole. It has flapping black ears, short, curved horns, wide black eyes and an enormous, gaping, snapping mouth, lined with sharp little rows of carved wooden teeth. The jaw is rigged so that it snaps closed when the performer, holding the pole and hidden beneath a sheet, pulls on a thin piece of string dangling from the back of the monster’s head. This creature is called a Habergeiß, a name almost certainly related to goats (‘geiß’ is the Austrian for ‘goat’) and it can be found prowling the streets and snapping at the unwary in Bavarian towns over Epiphany.ix Over in Poland there’s the Turon, another horned, shaggy monster head with a clacking jaw that’s held on a pole by a performer under a sheet. The Turon is led on a rope house to house, where its escort sings carols and the Turon jumps and claps his jaw, chasing the householders. In Romania there are the Corlata, monsters who appear at the end of the year led by groups visiting houses, and are made from (you’ll never guess) a horned, wooden head – a stag’s, this time – with a clacking jaw, held on a pole by a performer who hides under a sheet (although the sheet that covers the Corlata can often be extremely brightly patterned – one photograph from 2010 shows it covered in brilliant flowers). In North-East Germany there’s the Klapperbock (the snapping buck), in the Italian Tyrol there are the Schanppvieh – snapbeasts (although these normally appeared at Carnival rather than Christmas). In Switzerland there’s the Schnabelgeiß, the ‘beak goat’, which looks like all the other goat monsters except that the snout narrows to a point, to take the form of a beak. In Finland and Sweden there are the Nuuttipukki, more stags who bother householders, this time on St Knut’s Day, on 13 January (hence their name). And we’ve already come across the Finnish Julebukk – the Yule goat – another goat monster portrayed by a performer hiding under a sheet, this time made of animal hides. In some parts of Lithuania and Silesia, meanwhile, there was the Schimmelreiter – the grey rider – which came with a new innovation. As in Britain, this monster was a horse, with a snapping head that was often a horse’s skull held on a pole, but this one was played by multiple people and could be ridden.x It starts to feel like you can’t go to Europe over the Christmas period without being snapped at by an animal head on a pole, held by a performer lurking under a cloth.

Again, Burchard’s list of penances is a showcase for these folkloric female figures: Have you prepared the table in your house and set on the table your food and drink, with three knives, that if those three sisters whom past generations and old-time foolishness called the Fates should come, they may take refreshment there?2 According to Burchard, the belief held that once the Fates had eaten from your table, they would help ‘either now or in the future’. The practice he’s referencing seems to relate to a common early medieval tradition of leaving out food for a group of women who travelled by night, and who would bring prosperity in return. Often led by a figure called Satia or Abundia (names meaning ‘Satisfaction’ and ‘Abundance’ in Latin – a set that ‘Holda’ fits right into), or generically referred to as ‘The Good Ladies’, they went to homes at night, consuming the offerings that had been left out for them and bringing good luck in return. It’s worth noting as well that their ‘consumption’ is magical – anything they eat returns untouched in the morning, much like the devoured children and organs consumed by the night-travelling strigas.

The Dead of Winter by Stewart Stafford In truth, winter is the dead's season, Their graveyard chill touches Earth, The skeleton moon's danse macabre, As the darkened Sun heralds rebirth. Wild hunters of Christmas Eve skies, Mighty Odin or Arthur leading all, Hellhounds, fiery steeds, chase, To feast in a Valhalla or Camelot hall. Assemble at the hearth, my kindred, Share unnerving tales of gothic fright, Raised pulses as spectral guests join us, Frayed nerves spiked on this haunted night. © 2024, Stewart Stafford. All rights reserved.