Fold Under Pressure Quotes

Under pressure, would I fold and disappear, or would I show everyone that when bad things happen, you fight?

She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.

A man never suffers in defeat. But a weak man folds under pressure, while a real man takes it on the chin.

Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?

From its first property (the ability to turn a human being into a thing by the simple method of killing him) flows another, quite prodigious too in its own way, the ability to turn a human being into a thing while he is still alive. He is alive; he has a soul; and yet— he is a thing. An extraordinary entity this — a thing that has a soul. And as for the soul, what an extraordinary house it finds itself in! Who can say what it costs it, moment by moment, to accommodate itself to this residence, how much writhing and bending, folding and pleating are required for it? It was not made to live inside a thing; if it does so, under pressure of necessity, there is not a single element of its nature to which violence is not done.’ - Simone Weil

Don't bother unpacking the rest," she said, tearing the lease in half. "I'm kicking you out now." She was almost as strong willed and stubborn as he was. But he had much better taste in furniture. He snorted a laugh. "I'd like to see you try." "I'm sure you would," she snapped. "It's probably the only way you can get a woman near you with that giant ego in the way." "I am hardly lacking for female companionship." Layla rolled her eyes in an overly dramatic fashion. "I'm not interested in hearing about your visits to the nail bar. I just want you gone." "It's not going to happen, sweetheart. I have the document in digital form, and the law on my side." "Family trumps the law." She folded her arms under her generous breasts. Sweat trickled down his back. Karen had nothing on this woman, even with her creative use of a toy blood pressure cuff. "Not in the real world. My attorney works upstairs. If you need further proof, I can ask him to join us and confirm that the lease is valid.

From its first property (the ability to turn a human being into a thing by the simple method of killing him) flows another, quite prodigious too in its own way, the ability to turn a human being into a thing while he is still alive. He is alive; he has a soul; and yet - he is a thing. An extraordinary entity this - a thing that has a soul. And as for the soul, what an extraordinary house it finds itself in! Who can say what it costs it, moment by moment, to accommodate itself to this residence, how much writhing and bending, folding and pleating are required of it? It was not made to live inside a thing; if it does so, under pressure of necessity, there is not a single element of its nature to which violence is not done.

The crust [of the earth] is very thin. Estimates of its thickness range from a minimum of about twenty to a maximum of about forty miles. The crust is made of comparatively rigid, crystalline rock, but it is fractured in many places, and does not have great strength. Immediately under the crust is a layer that is thought to be extremely weak, because it is, presumably, too hot to crystallize. Moreover, it is thought that pressure at that depth renders the rock extremely plastic, so that it will yield easily to pressures. The rock at that depth is supposed to have high viscosity; that is, it is fluid but very stiff, as tar may be. It is known that a viscous material will yield easily to a comparatively slight pressure exerted over a long period of time, even though it may act as a solid when subjected to a sudden pressure, such as an earthquake wave. If a gentle push is exerted horizontally on the earth's crust, to shove it in a given direction, and if the push is maintained steadily for a long time, it is highly probable that the crust willl be displaced over this plastic and viscous lower layer. The crust, in this case, will move as a single unit, the whole crust at the same time. This idea has nothing whatever to do with the much discussed theory of drifting continents, according to which the continents drifted separately, in different directions. [...] Let us visualize briefly the consequences of a displacement of the whole crustal shell of the earth. First, there will be the changes in latitude. Places on the earth's surface will change their distances from the equator. Some will be shifted nearer the equator, and others farther away. Points on opposite sides of the earth will move in opposite directions. For example, if New York should be moved 2,000 miles south, the Indian Ocean, diametrically opposite, would have to be shifted 2,000 miles north. [...] Naturally, climatic changes will be more or less proportionate to changes in latitude, and, because areas on opposite sides of the globe will be moving in opposite directions, some areas will be getting colder while others get hotter; some will be undergoing radical changes of climate, some mild changes of climate, and some no changes at all. Along with the climatic changes, there will be many other consequences of a displacement of the crust. Because of the slight flattening of the earth, there will be stretching and compressional effects to crack and fold the crust, possibly contributing to the formation of mountain ranges. there will be changes in sea level, and many other consequences.

It was too much. She reached between them, grasping his hand and finally, finally, pushing him against her. She leaned over him, meeting his eyes, seeing the dark pleasure in him, the tightly leashed need. His fingers slid through her soft curls, parting her secret folds, twisting, circling, guided by her hand at his wrist. His thumb stroked long and slow in a wicked loop that made her question her own sanity. He watched her as she struggled under the weight of the pleasure, teasing her with his words as much as his fingers. "There, love? Is that where it feels good?" She was lost to his wicked, encouraging words and his wicked, encouraging fingers, and she whispered her response, moving against him. And then he was touching her just as she wanted, circling her perfectly, stroking with exactly the right amount of pressure. It was as though he knew her body better than she did. It was as though her body belonged to him. And perhaps it did. One of his beautiful long fingers slid deep inside of her, the heel of his palm rocking against a point of acute, almost unbearable pleasure, and she called out his name, rocking against his touch, knowing that something incredible was about to happen. "Michael," she whispered his name, wanting more. Wanting everything. She was filled with desire and greed and she wanted him to never ever stop touching that most secret part of her.

Rider made this sound in the back of his throat. It was deep and masculine, part groan and growl, and it made me shiver. He folded one hand along my cheek and lowered his head to mine, but he didn’t kiss me. No. His warm breath glided over my forehead as his hand slid across my cheek, his fingers spreading into my hair at the base. His other hand landed low on my back, and the weight did insane things to my insides. He drew it up my back, leaving a trail of fire in its wake. My eyes fluttered shut as his lips brushed over the curve of my cheek. It was the craziest torture. My entire body tensed, prepared for the moment when his lips met mine. And it was the sweetest pressure, a feather-light brush of his lips over mine. Once. Then twice. I felt the touch everywhere, a jolt to the system that zipped through my veins, and then the pressure increased. Rider kissed me then. It was a real one, soft and beautiful, and when the kiss deepened, it wasn’t a shy one. He knew what he was doing, and even though I didn’t, an innate knowledge told me it didn’t matter. His lips mapped out mine, and my insides were in tight coils. Kissing was awesome. Amazing. Astonishing. I could probably think of a couple of more words to describe it. Kissing blew me away, and when he lifted his mouth, both of us were breathing hard. He rested his forehead against mine. Neither of us spoke for several moments. I still wasn’t thinking. I had no idea how my hands had gotten to Rider’s chest, but his heart pounded under my palm as fast as mine did. My mind was blissfully blank as I breathed in his scent, a mix of his citrusy cologne and the faint trace of paint. “Did you like that?” he asked, dragging his fingers out of my hair and over the line of my jaw. Screaming yes, oh, God, yes, would’ve probably been a little too excessive, so I managed a somewhat subdued, “Yes.” As Rider grinned, his lips brushed mine. “Good. Because I really liked it.

trusted. I had to go back to someone who worked directly with Julius…someone who had been on the team long enough to earn their spot and had never folded under pressure.

An infection or inflammation of the larynx is known as laryngitis (lar-in-JI .-tis). It commonly affects the vibrational qualities of the vocal folds. Hoarseness is the most familiar result. Mild cases are temporary and seldom serious. However, bacterial or viral infections of the epiglottis can be very dangerous. The resulting swelling may close the glottis and cause suffocation. This condition, acute epiglottitis (ep-ih-glot-TI .-tis), can develop rapidly after a bacterial infection of the throat. Young children are most likely to be affected. The Trachea The trachea (TRA .-ke.-uh), or windpipe, is a tough, flexible tube with a diameter of about 2.5 cm (1 in.) and a length of about 11 cm (4.33 in.) (Figure 23–6). The trachea begins anterior to vertebra C6 in a ligamentous attachment to the cricoid cartilage. It ends in the mediastinum, at the level of vertebra T5, where it branches to form the right and left main bronchi. The epithelium of the trachea is continuous with that of the larynx. The mucosa of the trachea resembles that of the nasal cavity and nasopharynx (look back at Figure 23–2a). The submucosa (sub-mu.-KO .-suh), a thick layer of connective tissue, surrounds the mucosa. The submucosa contains tracheal glands whose mucous secretions reach the tracheal lumen through a number of short ducts. The trachea contains 15–20 tracheal cartilages that stiffen the tracheal walls and protect the airway (see Figure 23–6a). They also prevent it from collapsing or overexpanding as pressure changes in the respiratory system. Each tracheal cartilage is C-shaped. The closed portion of the C protects the anterior and lateral surfaces of the trachea. The open portion of the C faces posteriorly, toward the esophagus (see Figure 23–6b). Because these cartilages are not continuous, the posterior tracheal wall can easily distort when you swallow, allowing large masses of food to pass through the esophagus. An elastic anular ligament and the trachealis, a band of smooth muscle, connect the ends of each tracheal cartilage (see Figure 23–6b). Contraction of the trachealis reduces the diameter of the trachea. This narrowing increases the tube’s resistance to airflow. The normal diameter of the trachea changes from moment to moment, primarily under the control of the sympathetic division of the ANS. Sympathetic stimulation increases the diameter of the trachea and makes it easier to move large volumes of air along the respiratory passageways.

shoulder when she started to get up. “I told her it was a mistake when she did, and I’ve come around to seeing that was a lot more about me than you.” In a defensive gesture, she folded her arms under her breasts. “If you’d taken such an instant dislike to me, I’m surprised you didn’t put a lot more pressure on Bodine.” “It wasn’t dislike, and pressuring Bodine when her mind’s made up’s a waste of time. Taking your time’s not wasting it.” And he took his time now. “I thought it was a mistake, believed it was because I didn’t see you staying. So pretty, so polished, I didn’t see how you’d fit in. And since I was damn near struck deaf, dumb, and blind the first time I saw you in that red suit, it didn’t bode well for me. I figured to keep my distance until Bo came home and said how I was right and you were leaving.” “Apparently you’ve been disappointed there.” “No, just wrong. I kept my distance as best I could because every time I saw you I wanted to touch you. And

He need not have worried. Huxley had a splendid trip, one that would change forever the culture’s understanding of these drugs when, the following year, he published his account of his experience in The Doors of Perception. “It was without question the most extraordinary and significant experience this side of the Beatific Vision,” Huxley wrote in a letter to his editor shortly after it happened. For Huxley, there was no question but that the drugs gave him access not to the mind of the madman but to a spiritual realm of ineffable beauty. The most mundane objects glowed with the light of a divinity he called “the Mind at Large.” Even “the folds of my gray flannel trousers were charged with ‘is-ness,’” he tells us, before dilating on the beauty of the draperies in Botticelli’s paintings and the “Allness and Infinity of folded cloth.” When he gazed upon a small vase of flowers, he saw “what Adam had seen on the morning of his creation—the miracle, moment by moment, of naked existence . . . flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged.” “Words

I had come to a new way of thinking about time. It’s not the hard and fixed thing we imagine it to be, no, it’s something soft and pleated, and under extreme pressure, it folds

This is about so much more than losing my virginity. This is about growth. Taking control of my life. Being the best me I can be. A big part of accomplishing that is sticking to my guns and not folding under the pressure of other people’s expectations.

One day nature too will be a myth. Something that is questioned to have existed. Nature was created by God. Set in motion millions of years before our arrival to be our teacher. Out of arrogance, we continue to wage war against nature. Out of convenience, we choose no way but "our own." Disregarding the majesty all around us. Nature gives lessons in pressure. Pressure in nature antecedes growth. Think of the pressure during birth. In order to bring new life an immense amount of pressure is required. Why do we fold or run under pressure? We must learn from nature itself. Our great teacher. We have to stop killing and radically turning away from nature. The very thing set in motion to inspire & encourage us. To teach us. To warn us. To humble us.

When we engage in what she terms a “high-power pose” where our bodies are more open and expansive—arms open as opposed to closed across our chest, standing straight with shoulders back as opposed to hunched with shoulders folded forward, occupying more space versus less—our brain and body respond by increasing testosterone and decreasing cortisol. Testosterone levels go up by 20 to 25 percent, and cortisol goes down by 20 to 25 percent.