Fog View Quotes

it's almost easier being down and alone than when you re up and no one s there to share the view with you

It is not easy to convey, unless one has experienced it, the dramatic feeling of sudden enlightenment that floods the mind when the right idea finally clicks into place. One immediately sees how many previously puzzling facts are neatly explained by the new hypothesis. One could kick oneself for not having the idea earlier, it now seems so obvious. Yet before, everything was in a fog.

Step out the front door like a ghost into the fog where no one notices the contrast of white on white, and in between the moon and you, the angels get a better view of the crumbling difference between wrong and right. I walk in the air, between the rain, through myself and back again where? I don't know.

Here dwell together still two men of note Who never lived and so can never die: How very near they seem, yet how remote That age before the world went all awry. But still the game’s afoot for those with ears Attuned to catch the distant view-halloo: England is England yet, for all our fears– Only those things the heart believes are true. A yellow fog swirls past the window-pane As night descends upon this fabled street: A lonely hansom splashes through the rain, The ghostly gas lamps fail at twenty feet. Here, though the world explode, these two survive, And it is always eighteen ninety-five.

Two roads diverged in a yellow wood, but I chose neither one. Instead, I set sail in my little boat to watch a sunset from a different view that couldn't be seen from shore. Then I climbed the tallest mountain peak to watch the amber sun through the clouds. Finally, I traveled to the darkest part of the valley to see the last glimmering rays of light through the misty fog. It was every perspective I experienced on my journey that left the leaves trodden black, and that has made all the difference.

A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait. - in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987

Strange, how death had a way of turning a table upside down in an instant. It swept away all the dust that covered treasures, blew the fog from one’s view, knocked away facades.

God, baby, I need you inside me so bad…” My husky moan fogged the glass, obscuring my view of the deep fried and smothered in chocolate goodness just one creepy glass lick away from being all mine.

The view of the highway was so bad that you could not even see the next viaduct. Te moment it loomed out of the mist it disappeared again, as if the world created itself and was blotted out again.

Victoria’s head ached under a heavy crown, and her hand throbbed—the ruby coronation ring had been jammed onto the wrong finger; it was later, painfully, removed with ice. Around her stood her older male advisers, in a state of disrepair. Her prime minister was half-stoned with opium and brandy, ostensibly taken to calm his stomach, and he viewed the entire ceremony in a fog. Her archbishop, having failed to rehearse, jumbled his lines. One of her lords tumbled down the steps when he approached to kiss her hand. But Victoria’s composure was impeccable. Her voice was cool, silvery, and steady.

Spirit dancing, I envisioned a place inside this energetic city, ours: a classic townhouse on a steep street with expansive views of the Pacific, the magenta siding sun-faded—a third-story perch, thick platinum haze embracing our new home.

Is the journey still worthwhile if the mountain turns out to be enshrouded in fog at the top?

Tho the dark be cold and blind Yet her sea-fog’s touch is kind, And her mightier caress Is joy and the pain thereof; And great is thy tenderness, O cool, grey city of love!

...Would you like to know the view I have out of my window, since you love snow? So here you are: the broad whiteness of the Moldau, and along that whiteness, little black silhouettes of people cross from one shore to the other, like musical notes. For example, the figure of some boy is dragging behind him a D-sharp: a sledge. Across the river there are snowy roofs in a distant, lightweight sky... I walked around the cathedral along a slippery path between snowdrifts. The snow was light, dry: grab a handful, throw it up, and it disperses in the air like dust, as if flying back up. The sky darkened. In it appeared a thin golden moon: half of a broken halo. I walked along the edge of the fortress wall. Old Prague lay below in the thickening mist. The snowy roofs clustered together, cumbrous and dim. The houses seemed to have been piled anyhow, in a moment of terrible and fantastic carelessness. In this frozen storm of outlines, in this snowy semi-darkness, the streetlamps and windows were burning with a warm and sweet lustre, like well-licked punch lollipops. In just one place you could also see a little scarlet light, a drop of pomegranate juice. And in the fog of crooked walls and smoky corners I divined an ancient ghetto, mystical ruins, the alley of Alchemists...

Two friends were trekking a mountain. One was motivating the other. “Come on! Think of the magical view from the peak. It will be worth the struggle.” When they reached the peak, they got to see nothing but fog.” Universe is the lover you can’t fool around with. You must love truly. You must love the whole journey. Then only you will get the magical view at the peak.

1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.

She's saying something. My mother's words found me, there in the black. I pinched my eyes closed, her face coming into perfect view One long, dark red braid over her shoulder. Pale gray eyes the color of morning fog and the sea-dragon necklace around her neck as she looked up into the clouds above us. Isolde loved the storms. That night, the bell rang out and my father came for me, pulling me from my hammock bleary-eyed and confused. and when he put me in the rowboat, I screamed for my mother until my throat was raw. The Lark was already half-sunk, disappearing in the water behind us. My mother called it touching the soul of the storm. When she came upon us like that, she was taking us into her hart and letting us see her. She was saying something. And only then would we know what lay within her. Only then would we know who she was.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

For five hundred won, you could gaze at North Korea. I slid a coin in the slot. It was so cold our eyelids stuck to the metal frames. To the right, the ocean. To the left, a wall of mountains. Ahead of us, fog. Not much a of a view, but what could you expect with this weather?

167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.

Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.

Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...] This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy. They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.

Ladies and gentlemen, you have made most remarkable Progress, and progress, I agree, is a boon; You have built more automobiles than are parkable, Crashed the sound-barrier, and may very soon Be setting up juke-boxes on the Moon: But I beg to remind you that, despite all that, I, Death, still am and will always be Cosmocrat. Still I sport with the young and daring; at my whim, The climber steps upon the rotten boulder, The undertow catches boys as they swim, The speeder steers onto the slippery shoulder: With others I wait until they are older Before assigning, according to my humor, To one a coronary, to one a tumor. Liberal my views upon religion and race; Tax-posture, credit-rating, social ambition Cut no ice with me. We shall meet face to face, Despite the drugs and lies of your physician, The costly euphenisms of the mortician: Westchester matron and Bowery bum, Both shall dance with me when I rattle my drum.

Many of us draw lines which we intend never to cross. But life tests our resolve, mercilessly at times, and a foot budges, nudged past that thinly-drawn line. So we draw another, resolving never to cross this one. Days grow dark and fog creeps in to blind our view, clouding the reason for the line’s existence from our minds. We draw another mark, ashamed that the last was crossed with less coaxing than we imagined it would require. Shadows and doubts give further need to draw a new line, and then another and another. Lines, I think, are too slim and obscure to be dependable deterrents for behavior. Too often, too easily, people stumble into places they later regret entering. What, then, keeps some individuals from crossing those narrow lines? It is the power of values. For if a person possessing values were to step one foot outside their line, they would be forced to release hands with those inflexible values and consciously abandon them. But their values are persuasive, keeping a tight grip, warding off the luring temptations beckoning one to test the line. Thus values maintained keep a person safely away from areas they dare not travel, steering a life between the lines, enhancing willpower and shaping mighty strength of character.

We may achieve climate, but weather is thrust upon us. Santone, then, cannot be blamed for this cold gray fog that came and kissed the lips of the three thousand, and then delivered them to the cross. That night the tubercles, whose ravages hope holds in check, multiplied. The writhing fingers of the pale mist did not go thence bloodless. Many of the wooers of ozone capitulated with the enemy that night, turning their faces to the wall in that dumb, isolated apathy that so terrifies their watchers. On the red stream of Hemorrhagia a few souls drifted away, leaving behind pathetic heaps, white and chill as the fog itself. Two or three came to view this atmospheric wraith as the ghost of impossible joys, sent to whisper to them of the egregious folly it is to inhale breath into the lungs, only to exhale it again, and these used whatever came handy to their relief, pistols, gas or the beneficent muriate. - A Fog in Santone (1898-1901)

I concentrate on the picturesque sight of the beach, whose light sand offers a fascinating contrast to the rugged black rocks. The rolling waves with their white crests add even more sparkling nuances to the countless shades of blue and white of the sky with the low-hanging fog. And the Golden Gate Bridge towers majestically above it all. It’s overwhelming.

The views he let me have of himself were like those glimpses through the shifting rents in a thick fog — bits of vivid and vanishing detail, giving no connected idea of the general aspect of a country. They fed one’s curiosity without satisfying it; they were no good for purposes of orientation. Upon the whole he was misleading. That’s how I summed him up to myself

NEWT withdraws his head, still leaning against the wall of the dark alleyway, to find a single black glove hanging in the air in front of him. He looks at it, expressionless. It gives a little wave, then points into the far distance. NEWT looks to where it is pointing. High on the dome of St. Paul’s Cathedral, a tiny human figure raises its arm. NEWT looks back at the glove, which makes as though to shake hands. NEWT takes it, and he and the glove Disapparate. EXT. DOME OF ST. PAUL’S—EVENING Apparating beside a dandyesque forty-five-year-old wizard with graying auburn hair and beard. NEWT hands back his glove. NEWT: Dumbledore. (amused) Were the less conspicuous rooftops full, then? DUMBLEDORE (looking out over city): I do enjoy a view. Nebulus. A swirling fog descends over London. They Disapparate.

She didn’t notice the partially fogged vanity mirror as she walked toward the bathroom, either—two thick fluffy towels in hand. Not until she was inside anyway and a pair of jeans and fringed leather chaps tossed carelessly over the edge of the vanity came into view. She almost dropped the towels as she spun around. “Hey.” The Dixie Chicks crooning, there’s your trouble, straight into her ear was a particularly ironic twist.

The dark sky is being covered by a thick fog. The view reminds me of how I always felt about you. Instead of me being surrounded by your love, I was covered by a cloudy white thick fog, trying to find my way out of a chaotic maze in my mind. I’ve been broken all my life, and the fog hasn’t shown me any grace or mercy. I am tired of always trying to fight through the fog. I am exhausted from not knowing which way to go. Nevertheless, once the fog clears, I feel like I am on the hunt and racing time.

When a man meets a woman, he makes an image of her from his point of view, and the woman makes an image of the man from her point of view. Then he tries to make her fit the image he makes for her, and she tries to make him fit the image she makes for him. Now there are six images between them. Of course, they are lying to each other, even if they don’t know they are lying. Their relationship is based on fear; it is based on lies. It is not based on truth, because they cannot see through all that fog.

Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society—owing to the need, ordinarily developed at years of discretion, for some degree of mental activity—to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family—the monkey. And so Liberalism had become a habit of Stepan Arkadyevitch's, and he liked his newspaper, as he did his cigar after dinner, for the slight fog it diffused in his brain. He read the leading article, in which it was maintained that it was quite senseless in our day to raise an outcry that radicalism was threatening to swallow up all conservative elements, and that the government ought to take measures to crush the revolutionary hydra; that, on the contrary, "in our opinion the danger lies not in that fantastic revolutionary hydra, but in the obstinacy of traditionalism clogging progress," etc., etc. He read another article, too, a financial one, which alluded to Bentham and Mill, and dropped some innuendoes reflecting on the ministry. With his characteristic quickwittedness he caught the drift of each innuendo, divined whence it came, at whom and on what ground it was aimed, and that afforded him, as it always did, a certain satisfaction. But today that satisfaction was embittered by Matrona Philimonovna's advice and the unsatisfactory state of the household. He read, too, that Count Beist was rumored to have left for Wiesbaden, and that one need have no more gray hair, and of the sale of a light carriage, and of a young person seeking a situation; but these items of information did not give him, as usual, a quiet, ironical gratification. Having finished the paper, a second cup of coffee and a roll and butter, he got up, shaking the crumbs of the roll off his waistcoat; and, squaring his broad chest, he smiled joyously: not because there was anything particularly agreeable in his mind—the joyous smile was evoked by a good digestion.

From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.

Get up,” Chaol whispered. She couldn’t bring herself to look him in the face. It was over. Cain began laughing, and she felt the reverberations of his steps as he walked around the ring. “Is this all you have to offer?” he shouted triumphantly. Celaena trembled. The world was awash with fog and darkness and voices. “Get up,” Chaol said again, louder. She could only stare at the white line of chalk that marked the ring. Cain had said things he couldn’t possibly know—he’d seen it in her eyes. And if he knew about her past … She whimpered, hating herself for it, and for the tears that began sliding down her face, across the bridge of her nose and onto the floor. It was all over. “Celaena,” Chaol said gently. And then she heard the scraping noise as his hand came into view, sliding across the flagstones. His fingertips stopped just at the edge of the white line. “Celaena,” he breathed, his voice laced with pain—and hope. This was all she had left—his outstretched hand, and the promise of hope, of something better waiting on the other side of that line. Moving her arm made sparks dance before her eyes, but she extended it until her fingertips reached the line of chalk, and stayed there, not a quarter of an inch from Chaol, the thick white mark separating them. She lifted her eyes to his face, and found his gaze lined with silver. “Get up,” was all he said. And in that moment, somehow his face was the only thing that mattered. She stirred, and couldn’t stop her sob as her body erupted with pain that made her lie still again. But she kept her focus on his brown eyes, on his tightly pressed lips as they parted and whispered, “Get up.” She pulled her arm away from the line, bracing her palm against the frozen ground. She kept his gaze when she moved her other hand beneath her chest, and bit down on the scream of pain as she pushed upward, her shoulder nearly buckling. She slid her good leg under her. As she made to stand, she felt the thud of Cain’s steps, and Chaol’s eyes went wide.

Rubin’s conceptualization of fog happiness helps resolve what appear to be contradictory research findings about the happiness of parents. Ask a young mother to pause from playing with her fifteen-month-old at eleven a.m. and indicate her current happiness level, and her answer will be about the same as when she’s vacuuming at four p.m. Ask that same woman when she’s eighty-five years old what her top three sources of happiness were, and “being a mother” or “caring for my children” will surely make the list. Vacuuming, not so much. Immediate joy and fun in parenting are scattered stars in the great black sky of strain, boredom, and unrelenting responsibility in parenting. But when the joy comes, it comes insisting. And when we take the long view and ascribe meaning to our life’s activities, little else competes for first place with raising our very own human beings.

What they were attempting to do was to bring all the different points of view closer to each other. Perhaps it wasn’t such a bad notion, but the methods that were being used to realise it were built almost entirely on hushing up any antagonism and difficulty. They lied away the problems. They glossed over them with constant improvements in material standards, and hid them behind a fog of meaningless talk pumped out via the radio, press and TV. And the phrase that covered it all was, then as now, ‘harmless entertainment’. The idea was, of course, that the contained infections would heal themselves over time. It didn’t happen. The individual felt physically looked after but robbed of his spiritual autonomy; politics and society became diffuse and incomprehensible; everything was acceptable but nothing was interesting. The individual reacted with bewilderment and gradually growing indifference. And at the bottom of it all there was this indefinable terror. ‘Terror,’ the man went on. ‘I don’t know what of. Do you?

This is also true for a simple relationship between a man and a woman. The woman has an outer image that she tries to project to others, but when she is alone, she has another image of herself. The man also has an outer image and an inner image. By the time they are adults, the inner image and outer image are so different that they hardly match anymore. In the relationship between a man and woman, there are four images at least. How can they really know each other? They don’t. They can only try to understand the image. But there are more images to consider. When a man meets a woman, he makes an image of her from his point of view, and the woman makes an image of the man from her point of view. Then he tries to make her fit the image he makes for her, and she tries to make him fit the image she makes for him. Now there are six images between them. Of course, they are lying to each other, even if they don’t know they are lying. Their relationship is based on fear; it is based on lies. It is not based on truth, because they cannot see through all that fog.

Two weeks ago my mountain of mail delivered forth a pipsqueak mouse of a letter from a well-known publishing house that wanted to reprint my story “The Fog Horn” in a high school reader. In my story, I had described a lighthouse as hav­ing, late at night, an illumination coming from it that was a “God-Light.” Looking up at it from the view-point of any sea-creature one would have felt that one was in “the Presence.” The editors had deleted “God-Light” and “in the Presence.” Some five years back, the editors of yet another anthology for school readers put together a volume with some 400 (count ‘em) short stories in it. How do you cram 400 short stories by Twain, Irving, Poe, Maupassant and Bierce into one book? Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito—out! Every simile that would have made a sub-moron’s mouth twitch—gone! Any aside that explained the two-bit philosophy of a first-rate writer—lost! Every story, slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read like Shakespeare read like Dostoevsky read like—in the finale—Edgar Guest. Every word of more than three syllables had been ra­zored. Every image that demanded so much as one instant’s attention—shot dead. Do you begin to get the damned and incredible picture? How did I react to all of the above? By “firing” the whole lot. By sending rejection slips to each and every one. By ticketing the assembly of idiots to the far reaches of hell.

My favourite part of my new book so far: Chapter 48: Creatures of The Night A figure stood in the stairwell beneath the Smoke's Poutinerie close to Simcoe Street and Adelaide Street West. He munched his pulled pork poutine and watched the strange object glide through the fog that engulfed the tall blue R.B.C. building. “Nice night for a stroll,” smiled The Rooster. Upon heading North, Fred had decided to take a detour and glide the exact opposite way: South. It was why he was now flying through the fog that suspended over the R.B.C. building. Through the billowing cloud he sailed and higher up into the air as he was heading towards the business district of Toronto where all the skyscrapers were. As Fred got closer, he understood why they were labeled as skyscrapers: they basically scraped the sky. But the view from up here was fantastic. It was a rainy and cold night, but Fred felt very warm in his upgraded suit. Soon, he was zooming past the green windowed T.D. building and back towards the North side of Yonge Street. However, as he sailed home, he began to worry about Allen. The Rooster had already cut up his ex-girlfriend so what would he do to Allen? Allen had been a friend to Fred when no one else had been there. Of course, he used to have many friends in preschool, elementary school, and high school but no one he clicked with. Allen McDougal was really the only family he had left and he didn't want The Rooster to kill his old friend in any way. I must radio him, thought Fred as he shot past Dundas Square. But when he pressed the button on the helmet that alerted his Butler's phone, there was no answer. Damn it. They've already got him.

Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up. "What's going on?" she asked, her eyes bright. Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse. "That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class." Betty made a face. "You like poetry stuff? I thought you were into maths and science." "I like it all," Martha replied. "I love astronomy and hip-hop-" Betty rolled her eyes. "Not hip-hop again." "Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture." "No," Betty said. "You didn't make up a rap to that." "Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle: "At the centre of our system is the molten sun, A star that burns hot, Fahrenheit two billion and one. But the sun, he ain't alone in the heavenly sphere, He's got nine homeys in orbit, some far, some near. Old Mercury's crowding in 'bout as close as he can, Yo, Merc's a tiny planet who loves a tan.... Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party.... "Venus is next. She's a real hot planet, Shrouded by clouds, hot enough to melt granite. Earth is the third planet from the sun, Just enough light and heat to make living fun. Then comes Mars, a planet funky and red. Covered with sand, the place is pretty dead. Jupiter's huge! The largest planet of all! Saturn's big, too, but Uranus is small. So far away, the place is almost forgotten, Neptune's view of Earth is pretty rotten. And last but not least, Pluto's in a fog, Far away and named after Mickey's home dog. Yo, that's all the planets orbiting our sun, But the Milky Way galaxy is far from done!" When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering. "Whoa," said Chad. "Martha's awesome.

The centre of the conception of wisdom in the Bible is the Book of Ecclesiastes, whose author, or rather, chief editor, is sometimes called Koheleth, the teacher or preacher. Koheleth transforms the conservatism of popular wisdom into a program of continuous mental energy. Those who have unconsciously identified a religious attitude either with illusion or with mental indolence are not safe guides to this book, although their tradition is a long one. Some editor with a “you’d better watch out” attitude seems to have tacked a few verses on the end suggesting that God trusts only the anti-intellectual, but the main author’s courage and honesty are not to be defused in this way. He is “disillusioned” only in the sense that he has realized that an illusion is a self-constructed prison. He is not a weary pessimist tired of life: he is a vigorous realist determined to smash his way through every locked door of repression in his mind. Being tired of life is in fact the only mental handicap for which he has no remedy to suggest. Like other wise men, he is a collector of proverbs, but he applies to all of them his touchstone and key word, translated in the AV [the Authorized Version] as “vanity.” This word (hebel) has a metaphorical kernel of fog, mist, or vapour, a metaphor that recurs in the New Testament (James 4:14). It this acquires a derived sense of “emptiness,” the root meaning of the Vulgate’s vanitas. To put Koheleth’s central intuition into the form of its essential paradox: all things are full of emptiness. We should not apply a ready-made disapproving moral ambience to this word “vanity,” much less associate it with conceit. It is a conception more like the shunyata or “void” of Buddhist though: the world as everything within nothingness. As nothing is certain or permanent in the world, nothing either real or unreal, the secret of wisdom is detachment without withdrawal. All goals and aims may cheat us, but if we run away from them we shall find ourselves bumping into them. We may feel that saint is a “better” man than a sinner, and that all of our religious and moral standards would crumble into dust if we did not think so; but the saint himself is most unlikely to take such a view. Similarly Koheleth went through a stage in which he saw that wisdom was “better” than folly, then a stage in which he saw that there was really no difference between them as death lies in wait for both and finally realized that both views were equally “vanity”. As soon as we renounce the expectation of reward, in however, refined a guise, for virtue or wisdom, we relax and our real energies begin to flow into the soul. Even the great elegy at the end over the failing bodily powers of old age ceases to become “pessimistic” when we see it as part of the detachment with which the wise man sees his life in the context of vanity. We take what comes: there is no choice in the matter, hence no point in saying “we should take what comes.” We soon realize by doing so that there is a cyclical rhythm in nature. But, like other wheels, this is a machine to be understood and used by man. If it is true that the sun, the seasons, the waters, and human life itself go in cycles, the inference is that “there is a time for all things,” something different to be done at each stage of the cycle. The statement “There is nothing new under the sun” applies to wisdom but not to experience , to theory but not to practice. Only when we realize that nothing is new can we live with an intensity in which everything becomes new.

There is something truly extraordinary about a tropically-designed city when viewed in overcast light. The neon paints that swarm the buildings maintain their luminosity even in the thin fog, and their voices crackle like those of sleepless children—for even in elderly weather, everything about them is eerily youthful.

You wouldn’t believe Morocco between Casablanca and Fez. The valleys are just splendid with green grass and flowers. The verdant land is singing the praises of its Maker, and so shall we in fullness when Jesus brings in the big springtime of His new world. This old world is such a mess when you get to know it: so much hatred in it, so much revenge, so much greed, and an almost endless supply of human foolishness. It makes it a mystery that we mortals cling to it with such strong fingers when we are really holding on to winter’s fog, mist, damp, rot, and mud. Lord, give me a longer view. Help me to see springtime in Your return.

Finishing up my bath, I wrapped myself in a towel upon getting out of the shower. I went over to the mirror that was fogged from the steam in the atmosphere. With my hand, I swiped over it to get a full view of my face. I just stood there and stared at myself. I barely even recognized the woman I was looking at, anymore. I looked like a woman whose nose got opened up. I was feeling myself and didn’t know how to stop it. I was changing for the worst, and it wasn’t fair to my husband or the life-long vows we made to each other. What I was doing wasn’t an act of death, but if I didn’t stop, it would certainly due us apart. *I guess this is what happens when the flesh wants what it wants.* _Bijou La Valentna, I Don't Wanna Be A Murderer

Finishing up my bath, I wrapped myself in a towel upon getting out of the shower. I went over to the mirror that was fogged from the steam in the atmosphere. With my hand, I swiped over it to get a full view of my face. I just stood there and stared at myself. I barely even recognized the woman I was looking at, anymore. I looked like a woman whose nose got opened up. I was feeling myself and didn’t know how to stop it. I was changing for the worst, and it wasn’t fair to my husband or the life-long vows we made to each other. What I was doing wasn’t an act of death, but if I didn’t stop, it would certainly due us apart.' *I guess this is what happens when the flesh wants what it wants.*

But love wasn’t just the lightness in the air and sunny days with mountain views that stretched for miles. It was the clouds and the weights and the fog that blocked even your own feet sometimes. Real love required finding a way, not walking away.

Ideas without precedent,” he was to write later: are generally looked on with disfavor and men are shocked if their conceptions of an orderly world are challenged. A hypothesis earnestly defended begets emotional reaction which may cloud the protagonist’s view, but if such hypotheses outrage prevailing modes of thought the view of antagonists may also become fogged.

Told from the man’s point of view, Vertigo is awash with romantic fog, but from the woman’s perspective, it’s about being forced to disappear— not from the top of a tower, but in everyday life as two successive lovers make her into someone else for their own ends, a common enough tragedy.

Imagine looking up at a cloudy sky with small patches of bright blue. The clouds are the limitations fogging your view, and the bright blue sky is you. Your only goal is to remove the clouds, one at a time, so you can shine through the limitless nature of your being - a nature that is extremely attractive to other people. But in order to remove these clouds, we need to rewrite the stories that created them in the first place.

Our life is full of mountains we believe to be forbidden or that we feel incapable of climbing, but the fog that prevents us from seeing the path ahead is usually on the lens through which we are viewing it.

Yet the denial of feelings is one way of blocking the chronic depression that can descend like a dense fog on those who deal day after day with sickness and death. It is better than not caring at all, better than burning out. Only a few are tough enough to maintain both equanimity and caring for a lifetime; these renowned nurses and legendary physicians are saints of the medical profession. Copper knew a few of them, and he wished he could be more like them. It took a lot of growing up.

Friction thus caused delay and confusion. Action in war became like walking in water, and vision was regularly obscured. “All actions take place in something virtually akin to dusk, which in addition, like fog or moonlight, gives objects an exaggerated size and a grotesque view.

Smith had imagined that there would be time again for serious speech between the two of them, on the return leg to New-York; but as well as a hold full of sacks and a deck laden with casks, the lugger had also taken on a moderate clutch of New-York-bound passengers, from Dutch farm-wives carrying baskets of eggs to several more would-be sailors for the Indies voyage, and a talkative attorney, up, he said, from Baltimore to view the northern colonies. Smith and Tabitha were parted by the casks and the crowd, and he spent the journey back into fog and darkness on the ebb tide, obliged to lob back the attorney’s conversational sallies; and thinking wonderingly, where he could betwixt the distractions, as young men are likely to do in these circumstances, how very ordinary and general and unremarkable a destiny it must be, how predictable a part of the universal portion of mankind it is, to love and to feel oneself beloved; and yet how astonishing it seems when it happens to you, yourself; what a stroke of glorious, undeserved, unprecedented, unsuspected luck it turns out to be, that you should be permitted, in your own person, to share in the general fate. It was not until the end of the voyage that she squeezed her way back to his side. They

Grady Memorial Hospital looms large in Atlanta’s consciousness. To many, it’s a place of horror stories and ghost stories, of lawless halls teeming with the poor, the crazy, and the critically ill. My first close view of it comes in the dark of a June morning as I await the start of a four A.M. ride-along. The giant lighted cross atop the hospital glows red in the dark sky, and steam from a pair of smokestacks slowly rolls out like a blanket of fog. There is a large moon in the otherwise empty sky. Somewhere in the distance, a lonely siren wails.

The fog, which Meg knew from her father wasn’t fog at all, but low-lying clouds, began to burn off as the morning sun continued its climb through a blue-gray sky. The Golden Gate Bridge came into focus right before her eyes through a cloud that caressed the crimson metal into view.

Most people live their lives driving in fog. They may have been told of possibilities or seen a bit of the valley, but imagine if they had a crystal-clear view.

Not only is it easy to lie with maps, it’s essential. To portray meaningful relationships for a complex, three-dimensional world on a flat sheet of paper or a screen, a map must distort reality. As a scale model, the map must use symbols that almost always are proportionally much bigger or thicker than the features they represent. To avoid hiding critical information in a fog of detail, the map must offer a selective, incomplete view of reality. There’s no escape from the cartographic paradox: to present a useful and truthful picture, an accurate map must tell white lies.

Mrs. Parsons says, ‘I know exactly what you mean but I envy you all the same. I envy you going to new places every few years – meeting new people and making new friends. It is such an interesting thing to study people, to get inside their skins and see life from their point of view. And you can do it. Some people travel all over the world and see nothing. They go about clad in a thick fog of their own making through which no impressions can penetrate

We can’t do anything about it,” said the giant toadstool. “The mist and clouds and coolness are always with us. If they weren’t, we’d all die. That’s depressing. And what’s even more depressing is that we don’t particularly like perpetual mist and clouds and fog.” Jon-Tom struggled desperately for a reply, feeling victory slipping from his grasp. “It’s not the fact that it’s cloudy and damp all the time that matters. What matters is your outlook on the fact.” “What do you mean, our outlook?” asked a newcomer, an interested slime mold. “Our outlook is glum and miserable and pointless.” “Only if you think of it that way,” Jon-Tom informed it. “Sure, you can think of yourselves as hopeless. But why not view your situation in a positive light? It’s just a matter of redirecting your outlook on life. Instead of regarding your natural state as depressing, think of the constancy of climate and terrain as stabilizing, reassuring. In mental health, attitude is everything.

Soon we forget who we really are, and we start to live our images. We create not just one image, but many different images according to the different groups of people we associate with. We create an image at home, an image at school, and when we grow up we create even more images. This is also true for a simple relationship between a man and a woman. The woman has an outer image that she tries to project to others, but when she is alone, she has another image of herself. The man also has an outer image and an inner image. By the time they are adults, the inner image and outer image are so different that they hardly match anymore. In the relationship between a man and woman, there are four images at least. How can they really know each other? They don’t. They can only try to understand the image. But there are more images to consider. When a man meets a woman, he makes an image of her from his point of view, and the woman makes an image of the man from her point of view. Then he tries to make her fit the image he makes for her, and she tries to make him fit the image she makes for him. Now there are six images between them. Of course, they are lying to each other, even if they don’t know they are lying. Their relationship is based on fear; it is based on lies. It is not based on truth, because they cannot see through all that fog.

Three additional properties hold for any conscious experience. They cannot be doubted. First, any experience is highly informative, distinct because of the way it is. Each experience is informationally rich, containing a great deal of detail, a composition of specific phenomenal distinctions, bound together in specific ways. Every frame of every movie I ever saw or will see in the future is a distinct experience, each one a wealth of phenomenology of colors, shapes, lines, and textures at locations throughout the field of view. And then there are auditory, olfactory, tactile, sexual, and other bodily experiences—each one distinct in its own way. There cannot be a generic experience. Even the experience of vaguely seeing something in a dense fog, without being clear what I am seeing, is a specific experience.

Pilgrim’s Progress by Stewart Stafford Solitary steps in silence grim, As waters lapped the lakeside’s rim, In our time, before and aft, Magpies cackled, crows laughed. I drew level with a miasmic curtain, In vapour folds, to views uncertain, Sound grew thick in compensation, I took each step with trepidation. Sweet breath wind, fog dispersed, Marvelling at the ground traversed, The garden path to a shelter trite, As hailstones on my windows bite. © Stewart Stafford, 2024. All rights reserved.

As he walked to the back of the campsite, everything he had hoped to see came into view. He couldn’t believe his eyes. The tops of the mountains, still covered in snow, were lit by the dawn with pinks and blues. Below them were more mountains, covered in the deep greens of the forest. His eyes scanned across thousands of places he was yearning to explore. Just below the campground, a broad meadow stretched out before him. He left the campsite and meandered down the hillside and into the meadow. He felt invited, drawn into the immense space by its beauty and by the sounds of water. The soft rushing sound grew louder with each step. A gray fog rose from the winding course of a stream, lit by the faint red light of

The dark side of the moon seemed especially cold. John William Atlas pulled his thick coat tighter over his chest and shook himself. From his view out of the port window, Earth was a ghost of its former countenance. The land not covered by vast grey oceans was parched and arid, the only life left thriving were those who walked the land. Atlas scrubbed a hand over the window as the glass fogged, and recalled dusty photos and flickering holographs of the Earth of before. Bright green and dazzling blue. Atlas had never known the planet in that way, had never grown to love his war-torn, hardened home world.

In her own dreams, when she tries to imagine other places, other futures, the picture won’t come clear. Her view is blocked by a dense white fog. Beyond that thick smear is the place she wants to get to. She doesn’t know where it is or what it looks like. Only that it’s not here, and not this.

I don't pretend I understood him. The views he let me have of himself were like those glimpses through the shifting rents in a thick fog—bits of vivid and vanishing detail, giving no connected idea of the general aspect of a country. They fed one's curiosity without satisfying it; they were no good for purposes of orientation.

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