Magnet Holes Quotes

We've searched our database for all the quotes and captions related to Magnet Holes. Here they are! All 45 of them:

I wish I could draw you how I see you. I'd draw a boy with the most magnetic smile, and the kindest hands, and eyes that are gloomy, but can sometimes be bright. I'd draw a boy who deserves to see the ocean.
Jasmine Warga (My Heart and Other Black Holes)
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Where are we supposed to go to the bathroom?” he asked Magnet. Magnet gestured with his arms to the great expanse around them. “Pick a hole, any hole,” he said.
Louis Sachar (Holes)
Imagine if you were the positive pole of a magnet, and you were told that under no circumstances were you allowed to touch that negative pole that was sucking you in like a black hole. Or if you crawled out of the desert and found a woman standing with a pitcher of ice water, but she held it out of your reach. Imagine jumping off a building, and then being told not to fall. That's what it feels like to want a drink.
Jodi Picoult (Sing You Home)
Oh, yuck,” said Iko, trying to cover the hole with both hands. “I hate when my wiring is showing.” “I know the feeling.” Cinder pulled a pair of pliers off the wall’s magnetic strip.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Well, the first hole’s the hardest,” Magnet said.
Louis Sachar (Holes)
He smiled. “And you liked what you saw.” Oh God. She had. She really, really had. She closed her eyes and wished for a big hole to swallow her up. “I hardly even noticed you were naked.
Jill Shalvis (All I Want (Animal Magnetism, #7))
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
As presumptive heir to one of the largest Duchies in the Kingdom of the Mists, she could have easily grown up more spoiled than any human princess. Instead she grew into the sort of little girl who's always up a tree or down a hole, a magnet for mud, queen of worms and frogs and crawling things.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
He was gazing down at me, and his eyes were endless, deep pools of pleading and fire and barely restrained something or other, and they were magnetic, like black holes, but full of flames, and yet gray, and yet full of colors and see-through and dancing with little flecks of glitter, and I couldn’t look away, and what pretty eyelashes he had, as long and dark as a woman’s, as a kitten’s, as a panther’s, and the smell, oh, the smell, like crushed heather and berries and springtime in the morning and bodies rolling over and over in the grass and everything covered with dew like cobwebs making mandalas of raindrops, and I couldn’t stand it, couldn’t hold back for one more second...
Delilah S. Dawson (Wicked as They Come (Blud, #1))
Geeks are not the world’s rowdiest people. We’re quiet and introspective, and usually more comfortable communing with our keyboards or a good book than each other. Our idea of how to paint the Emerald City red involves light liquor, heavy munchies, and marathon sessions of video games of the ‘giant robots shooting each other and everything else in sight’ variety. We debate competing lines of software or gaming consoles with passion, and dissect every movie, television show, and novel in the science fiction, fantasy, and horror genres. With as many of us as there are in this town, people inevitably find ways to cater to us when we get in the mood to spend our hard-earned dollars. Downtown Seattle boasts grandiose geek magnets, like the Experience Music Project and the Experience Science Fiction museum, but it has much humbler and far more obscure attractions too, like the place we all went to for our ship party that evening: a hole-in-the-wall bar called the Electric Penguin on Capitol Hill.
Angela Korra'ti (Faerie Blood (The Free Court of Seattle #1))
I was also motivated by a strong sense of fear that we had still not begun to deal with, let alone solve, any of the fundamental issues arising from the gas attack. Specifically, for people who are outside the main system of Japanese society (the young in particular), there remains no effective alternative or safety net. As long as this crucial gap exists in our society, like a kind of black hole, even if Aum is suppressed, other magnetic force fields—"Aum-like" groups—will rise up again, and similar incidents are bound to take place.
Haruki Murakami (Underground: The Tokyo Gas Attack and the Japanese Psyche)
Alaska has long been a magnet for dreamers and misfits, people who think the unsullied enormity of the Last Frontier will patch all the holes in their lives. The bush is an unforgiving place, however, that cares nothing for hope or longing.
Jon Krakauer (Into the Wild)
So,” she says slowly, reviewing my case item by item, “you like ice holes, sinkholes, peepholes and blowholes?” I nod. “But not loopholes?” I nod again. Hole this, hole that – even when I’m determined not to just be myself, I’m such an asshole. I just can’t help it.
Lauren Baratz-Logsted (The Bro-Magnet (Nice Guy, #1))
Higher and higher he climbed. His strength came from somewhere deep inside himself and also seemed to come from the outside as well. After focusing on Big Thumb for so long, it was as if the rock had absorbed his energy and now acted like a kind of giant magnet pulling him toward it. After a while he became aware of a foul odor. At first he thought it came from Zero, but it seemed to be in the air, hanging heavy all around him. He also noticed that the ground wasn’t as steep anymore. As the ground flattened, a huge stone precipice rose up ahead of him, just barely visible in the
Louis Sachar (Holes)
Few people will campaign for an alternative vision of black holes or magnetic inversion, but we know from experience that about soils, vaccines, earthworms, bears, wolves, neurotransmitters, mushrooms, water circulation, or the composition of air, the smallest study will immediately be plunged into a full-scale battle of interpretations. The Critical Zone is not a classroom; the relationship between researchers and the public is anything but purely pedagogical. If we still had any doubts on this point, the pseudocontroversy over the climate suffices to dispel them. There is no evidence that any major corporation has spent a penny to produce ignorance about the detection of the Higgs boson. But denying the climatic mutation is another matter entirely: financing floods in. Ignorance on the part of the public is such a precious commodity that it justifies immense investments.
Bruno Latour (Où atterrir ?)
Inside, the two men holed up in Donald's office for a few minutes, where apparently no vaginas were invited.
Jill Shalvis (Rescue My Heart (Animal Magnetism, #3))
American planes full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors exerted a miraculous magnetism which shrunk the fires gathered them into cylindrical steel containers and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though German fighters came up again made everything and everybody as good as new. When the bombers got back to their base the steel cylinders were taken from the racks and shipped back to the United States of America where factories were operating night and day dismantling the cylinders separating the dangerous contents into minerals. Touchingly it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground to hide them cleverly so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Another analogy he made was comparing the way that light, sound, magnetism, and the percussion reverberations caused by a hammer blow all disseminate in a radiating pattern, often in waves. In one of his notebooks he made a column of small drawings showing how each force field spreads. He even illustrated what happened when each type of wave hits a small hole in the wall; prefiguring the studies done by Dutch physicist Christiaan Huygens almost two centuries later, he showed the diffraction that occurs as the waves go through the aperture. Wave mechanics were for him merely a passing curiosity, but even in this his brilliance is breathtaking.
Walter Isaacson
Cash I made it on the bevel. 1. There is more surface for the nails to grip. 2. There is twice the gripping-surface to each seam. 3. The water will have to seep into it on a slant. Water moves easiest up and down or straight across. 4. In a house people are upright two thirds of the time. So the seams and joints are made up-and-down. Because the stress is up-and-down. 5. In a bed where people lie down all the time, the joints and seams are made sideways, because the stress is sideways. 6. Except. 7. A body is not square like a crosstie. 8. Animal magnetism. 9. The animal magnetism of a dead body makes the stress come slanting, so the seams and joints of a coffin are made on the bevel. 10. You can see by an old grave that the earth sinks down on the bevel. 11. While in a natural hole it sinks by the center, the stress being up-and- down. 12. So I made it on the bevel. 13. It makes a neater job.
William Faulkner (As I Lay Dying)
Funny word, that: "fault." As in San Andreas. The crack through which one world intersects with the next, or vice versa. This crack in my head, still gaping open--a magnet, a haematoma, a dark and spreading pool. A cigarette-burn hole in the fabric of everything I see, or hear, or do; right in the middle, impossible to mend, impossible to disguise. Impossible to ignore.
Gemma Files (We Will All Go Down Together)
Silence. Then, “What does. This. Sound like?” “What does what sound like?” “Io is a sulfur-rich, iron-cored moon in a circular orbit around Jupiter. What does this. Sound like? Tidal forces from Jupiter and Ganymede pull and squeeze Io sufficiently to melt Tartarus, its sub-surface sulfur ocean. Tartarus vents its excess energy with sulfur and sulfur dioxide volcanoes. What does. This sound like? Io’s metallic core generates a magnetic field that punches a hole in Jupiter’s magnetosphere, and also creates a high-energy ion flux tube connecting its own poles with the north and south poles of Jupiter. What. Does this sound like? Io sweeps up and absorbs all the electrons in the million-volt range. Its volcanoes pump out sulfur dioxide; its magnetic field breaks down a percentage of that into sulfur and oxygen ions; and these ions are pumped into the hole punched in the magnetosphere, creating a rotating field commonly called the Io torus. What does this sound like? Torus. Flux tube. Magnetosphere. Volcanoes. Sulfur ions. Molten ocean. Tidal heating. Circular orbit. What does this sound like?” Against her will, Martha had found herself first listening, then intrigued, and finally involved. It was like a riddle or a word-puzzle. There was a right answer to the question. Burton or Hols would have gotten it immediately. Martha had to think it through. There was the faint hum of the radio’s carrier beam. A patient, waiting noise. At last, she cautiously said, “It sounds like a machine.
Michael Swanwick (Tales of Old Earth)
Rise" Such is the way of the world You can never know Just where to put all your faith And how will it grow? Gonna rise up Burning black holes in dark memories Gonna rise up Turning mistakes into gold Such is the passage of time Too fast to fold Suddenly swallowed by signs Lo and behold Gonna rise up Find my direction magnetically Gonna rise up Throw down my ace in the hole Eddie Vedder, Soundtrack: Into The Wild (2007)
Eddie Vedder
The introduction of cinematography enabled us to corral time past and thus retain it not merely in the memory - at best, a falsifying receptacle - but in the objective preservative of a roll of film. But, if past, present and future are the dimensions of time, they are notoriously fluid. There is no tension in the tenses and yet they are always tremulously about to coagulate. The present is a liquid jelly which settles into a quivering, passive mass, the past, as soon as - if not sooner than - we are aware of it as present. Yet this mass was intangible and existed only conceptually until arrival of the preservative, cinema. The motion picture is usually regarded as only a kind of shadow play and few bother to probe the ontological paradoxes it presents. For it offers us nothing less than the present tense experience of time irrefutably past. So that the coil of film has, as it were, lassoed inert phenomena from which the present had departed, and when projected upon a screen, they are granted a temporary revivification. [...] The images of cinematography, however, altogether lack autonomy. Locking in programmed patterns, they merely transpose time past into time present and cannot, by their nature, respond to the magnetic impulses of time future for the unachievable future which does not exist in any dimension, but nevertheless organizes phenomena towards its potential conclusions. The cinematographic model is one of cyclic recurrences alone, even if these recurrences are instigated voluntarily, by the hand of man viz. the projectionist, rather than the hand of fate. Though, in another sense, the action of time is actually visible in the tears, scratches and thumbprints on the substance of the film itself, these are caused only by the sly, corrosive touch of mortality and, since the print may be renewed at will, the flaws of aging, if retained, increase the presence of the past only by a kind of forgery, as when a man punches artificial worm-holes into raw or smokes shadows of fresh pain with a candle to produce an apparently aged artefact. Mendoza, however, claimed that if a thing were sufficiently artificial, it became absolutely equivalent to the genuine.
Angela Carter (The Infernal Desire Machines of Doctor Hoffman)
I say this—after six million years of evolution, is there anything else more in tune with the planet than the human body? We grow muscles to withstand fourteen pounds of air pressure per square inch at sea level. We develop senses to detect changes in wind patterns and know when a storm is approaching. We can hear threatening footsteps approaching and feel the stares of an angry ex-girlfriend as her eyes burn a hole in our back. We have millions of nerve endings in our skin to feel our environment. In short, we evolve. We become more in tune with the world, like birds that use the Earth’s magnetic field to help guide them on their long migration or mammals that can feel winter coming and prepare for hibernation. So when my body tells me there’s a spirit present, I trust it.
Zak Bagans (Dark World: Into the Shadows with the Lead Investigator of the Ghost Adventures Crew)
American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. •  •  • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
One of my favorite stories is when Jesus meets the woman at the well. Imagine that moment. She was a ‘loose woman,’ known around town, and in the flash of a second, He knew everything about her: her five husbands, current boyfriend, everything she’d ever done wrong—He knew it all. Yet He spoke to her and loved her despite all the baggage she brought with her. Something about how He treated her was magnetic, because she wanted to be there. Like all of us, she was thirsty, and when He pulled that bucket up just spilling over with clear, cool water, she shoved her whole face in it and sucked it dry. “The people who are really thirsty aren’t going to church on Sunday. They’re driving around this lake, running from their secrets, looking for a good, quiet, fill-your-stomach place to eat. Trying to fill that God-shaped hole with a bigger house, another boat, a second mistress, whatever. So let’s take the bucket to them. Speak to the heart, and the head will follow. And the fastest way to the heart is through the stomach. I want to get in the business of making God-shaped cheeseburgers.” The
Charles Martin (When Crickets Cry)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.
Elizabeth Bishop (The Complete Poems 1927-1979)
Of course, sharing the illness du jour with large numbers of fellow-sufferers has a supportive, salutary effect. In this case, the affliction is called electromagnetic hypersensitivity, or just electrical sensitivity syndrome. There is a wealth of Web sites and chat rooms devoted to it. Sadly, when it comes to dealing with, much less treating, such borderline theories, I have no spiel to offer, and sometimes revert to being a jerk. In this case, I suggested that they both might be magnetized. As an experiment, I said, he and his wife should float on their backs in their swimming pool to see if they both pointed north. I was guessing that they had a pool. I was right. They never came back.
Allan H. Ropper (Reaching Down the Rabbit Hole: Extraordinary Journeys into the Human Brain)
I took the opportunity to scan the room, my eyes taking a cursory glance at the other students but drawn like a magnet to the enigmatic boy in the back. The others stared openly at me, but him especially, brilliant blue eyes burning a hole into my skin. I shuddered and quickly turned back around, but the heat of his stare still blazed against my back.
Kellie McAllen (Growing Wings (The Caged, #2))
Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.
Darrin Cook (Steel Baton EDC: 2nd Edition)
Barnes & Noble, notes from your bookseller: Scott Slater's brilliant debut Down the Hole is a mosaic of Julia Donaldson charm, Jon Klassen magnetism and Ryan T. Higgins humor. Adam Ming's art is the perfect pairing for Slater's story about a fox and rabbit trying to outsmart each other... with possible dire consequences. Down the Hole has everything you'd want in a picture book.
Scott Slater (Down the Hole)
He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • •
Kurt Vonnegut Jr. (Slaughterhouse-Five)
He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed. • • •
Kurt Vonnegut Jr. (Slaughterhouse-Five)
1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.
Kristen Jervis Cacka (Busy Toddler, Happy Mom: Over 280 Activities to Engage your Toddler in Small Motor and Gross Motor Activities, Crafts, Language Development and Sensory Play)
Where do you want me to sit?’ he says, eyeballing the couch. It’s a three-seater, so we can share it without me getting weird. I sit on the left, he flops down on the right, and an immeasurable black hole opens up in the space between us. I’d never really noticed how far away the other side of the sofa was until now. We may need cups and string to communicate. ‘So, what do you wanna watch?’ Luke asks, his voice raised a little because he’s noted the overcautious distance and is having a little fun with it. ‘I don’t want to catch boy cooties,’ I tell him. ‘You could have been anywhere, rolling around in anything, before you showed up here.’ ‘This is true. Can I just note, I really admire your level of resistance to my raw animal magnetism,’ he says, all snark. ‘I’m not going to lie.’ I let out an exhausted breath. ‘It’s been tough.
Louise Gornall (Under Rose-Tainted Skies)
You're not just looking up into a curtain of black. You're looking into the eye of the universe. Stare for a while and you start to realize -- on a deep, gut level -- that the moon is a giant rock circling us in space. The sun is a violent, fusion-fueled ball of plasma and gas millions of miles away that destroyed the atmospheres of all of the inner planets (including Mars, which is farther away from it than we are) and would do the same to ours if we weren't lucky enough to have a magnetic field that diverts the solar wind. The cute little pinpricks of light you see out there are other giant, explosive, incredibly pissed-off balls of gas floating in an infinite void, most of which are far more impressive than our puny sun. And that smear of milky white through the sky? That's the center of our own galaxy -- a gigantic pinwheel circling a supermassive black hole like floating detritus around the vortex of a flushing toilet.
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
In 1968,” he continued, “Stanford University biologist Paul Ehrlich echoed Malthus in many ways in a wildly influential book entitled The Population Bomb, again predicting an inevitable disaster that never came. He later declared with conviction that four billion people worldwide, and sixty-five million Americans, would die of starvation by the year 1990. “In the seventies, many scientists became convinced that the globe was cooling, and raised alarms that a new ice age was just around the corner.” Elias shook his head. “I could provide endless examples of other coming disasters and doomsday scenarios that evoked widespread anxiety, but that were grossly exaggerated. Acid rain and low sperm counts. Y2K, AIDS, Ebola, mad-cow disease, and killer bees. The bird flu and the reversal of Earth’s magnetic poles. Severe shortages of everything under the sun, from oil, to food, to zinc. Black holes created by the Large Hadron Collider, and unstoppable genetically engineered organisms breaking free of the lab. Famine, nuclear war, and asteroid collisions. Oh, yeah, and predictions of the near extinction of all species on Earth, which was supposed to have already occurred. And on and on and on. Esteemed scientists or government experts convinced us to fear all of these coming catastrophes. Most never happened at all. Those that did wreaked only a tiny fraction of the havoc that we were assured was coming.
Douglas E. Richards (Veracity)
Identifying our subject is not rational, analytical, methodical, or consistent. You cannot set your clock by it, as my grandfather used to say. Instead, it is fire-in-the-hole, it is combustion, it is a knowing thought with the force of magnetism, and it is very short-lived.
Melanie Faith
Technically, the shapes of our electrical fields and magnetic fields are different. Our magnetic fields look more like the torus, mirroring our twirling blood cells. A torus is a magical figure. It looks like a doughnut, but the only part of it that exists is the outside surface. Instead of a hole in the middle, there is a vacuum. This void begs a question of quantum physicists: are we dealing with a shape that entices subatomic particles or waves out of other dimensions? The torus-shaped field emerging from the heart is so intense that it stretches to the rim of the universe. If you cut a doughnut, you end up with two or more pieces. If you cut a torus, you still have only one piece. This fluidity establishes a uniform magnetic field generated by a single pulse of the heart, even though the slightest shift internally alters the spin of our blood vessels and, therefore, our heart field.
Cyndi Dale (Energetic Boundaries: How to Stay Protected and Connected in Work, Love, and Life)
first published on tumblr 27 Aug 2020 Treason45 said crimes lies vomit murder unabated blood lust sadistic racist arousal the plantation slave master slave hole American rot, my gifts to America. THATS TREASON45 WORKING FOR ANOTHER NATION RUNNING FOR OFFICE IN AMERICA HOW LOVELY. JUST PRICELESS. #volume5 gwencalvo 8 27 20 From the racists who hurt humanity in texas to the racists in protests for the black lives matter movement TREASON45 wants humanity to be damaged for what reason TREASON45. BECAUSE OF THE PLANTATION MASTER IN YOUR HEAD? the racists in the world from the north to the south to east to the west who cant stand folk crossing or being near their fucking garbage lawn you cant handle that but you would fine with another nation on your lawn the green men that are not there and they are thats okay. And you are just fine with a TREASON45 who bows to another nation. All of this stupid racist garbage leads your existence not being yours but of that nations that TREASON45 WORKS FOR good luck with that racist bitches that nation will love destroying the fuck out of anything thats all it does no you dont get to keep your weapons or your fucking manicured lawn DO SOME RESEARCH RACIST ZUNTS#volume5 Real leaders in the world like 44 have attitude Biden does too so does Harris they are charismatic charming magnetic real honest and decent and thats something racists cant fucking handle. for racists its just a slave hole for humanity and that thought is pure white lunacy. TAXPAYERS voters have real power THEY ARE RUNNING FOR OFFICE VOTING FOR REAL LEADERS AND NOT TAKING THIS RACIST GARBAGE ANYMORE. WHY SHOULD WE?????????? ITS YOUR RACIST MADNESS. HUMANITY IS NOT HERE FOR YOUR RACIST VOMIT. why should voters continue to pay taxes and fund racist vomit cops and police unions who want to continue treating humanity like their fucking slaves to tame to hurt to murder to humiliate even when they are like mr blake trying to remain alive why continue this humiliation because you stupid racist cant handle that humanity has attitude that humans dare to think dare to live dare to walk away and try to get the fuck away from you A weapon had to be used on mr blake who could have been overpowered by one or two racist cops RACIST COPS WANT TO CONTINUE TO murder openly on AMERICAN STREETS. SLAVERY COLONIAL AND ALL THAT FUCKING EVIL SHOULD NEVER NEVER SHOULD HAVE BEEN ALLOWED WHOEVER THE FUCK ALLOWED THAT FUCKING THING TO BE OF SLAVE HOLDER SLAVE HOLE THAT BITCH IS LIKE A TREASON45 who hides notes lies during a plague to kill citizens off allows military to be murdered by another nation permits kurd genocide concentration camp isis unleashed erases federal documents purges igs buys sells humanity trafficking it for the continuation of the slave hole AMERICAN ROT in the world uses taxpayer money to destroy the planet if there is no planet there is no existence and uses courts to hide his evil hides his evil.
Gwen Calvo
Stanley was thankful that there were no racial problems. X-Ray, Armpit, and Zero were black. He, Squid, and Zigzag were white. Magnet was Hispanic. On the lake they were all the same reddish brown color—the color of dirt.
Louis Sachar (Holes (Holes Series Book 1))
Last I saw, she was with Joey,” I mumbled. “They were holed up in one of the spare bedrooms together. They don’t leave each other’s side.” I shook my head. “They’re like magnets.
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))