Fob Quotes

We've searched our database for all the quotes and captions related to Fob. Here they are! All 100 of them:

They say the captain goes down with the ship, so when the world ends, will God go down with it?
Fall Out Boy
Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded time piece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pockets?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are-the quicker to take fright-the more violent they pray that every storm will be … Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms-they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeichi was right: they had dared to paint pictures of devils.
Osamu Dazai (No Longer Human)
I am equivalent of what in the Harry Potter world is called a sqib. A damp Squib. As the seventh child, all had expected me to come loaded with the whole box of fireworlks. Instead they got a girl who could tell you where you left your keys. Yes, that's right. I'm equivalent of a whistling key fob.
Joss Stirling (Seeking Crystal (Benedicts, #3))
On the way out to the car, Philip turns to me. “How could you be so stupid? I shrug, stung in spite of myself. “I thought I grew out of it.” Philip pulls out his key fob and presses the remote to unlock his Mercedes. I slide into the passenger side, brushing coffee cups off the seat and onto the floor mat, where crumpled printouts from MapQuest soak up any spilled liquid. “I hope you mean sleepwalking,” Philip says, “since you obviously didn’t grow out of stupid.
Holly Black (White Cat (Curse Workers, #1))
feel like I've never really been beholden to any genre. FOB's kind of changed on every record
Patrick Stump
Maybe what makes life so terribly fatiguing is nothing other than the enormous effort we make for twenty years, forty years, and more, to be reasonable, to avoid being simply, profoundly ourselves, that is, vile, ghastly, absurd. It’s the nightmare of having to represent the halt subhuman we were fobbed off with as a small-size universal ideal, a superman from morning to night.
Louis-Ferdinand Céline (Journey to the End of the Night)
About Soul Punk: There was this moment where I worried FOB really wasn't coming back so I tried to make a hit record out of an art project.
Patrick Stump
I've got troubled thoughts and the self-esteem to match. What a catch.
Fall Out Boy
Consider ourselves fortunate." Maldynado's jaw slackened. "How so?" "Amaranthe's birthday is next week and, with our limited funds, I didn't think I'd be able to find her a gift." "So, you're getting her...dead bodies?" "Perfect, don't you think?" Books smiled. "Most women like jewelry and flowers." "Do you honestly believe she would prefer jewelry over a mystery to solve?" Maldynado jiggled the key fob thoughtfully, then nodded toward the bodies. "Can we say one is from me?
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
Where is your boy tonight, I hope he is a gentleman. Maybe he won't find out what I know, you were the last good thing about this part of town.
Fall Out Boy (Take This to Your Grave)
Dr. Kellet himself wore a three-piece Harris tweed suit strung with a large gold fob watch. He smelled of cloves and pipe tobacco and had a twinkly look about him as if he were going to toast muffins or read a particularly good story to her, but instead he beamed at Ursula and said, "So, I hear you tried to kill your maid?" (Oh, that's why I'm here, Ursula thought.)
Kate Atkinson (Life After Life (Todd Family, #1))
You have a good cry, lovey, you'll feel better afterwards. You did feel better afterwards, but as if you'd conned yourself, fobbed yourself off.
Glen Duncan (Death of an Ordinary Man)
Hey, have you heard that one about the difference between me, Wit, and my loutish cousin, Hilarity? No? Okay, so I walk into a bar, you see, very unassuming, and order a martini. Then the bartender, Hilarity, hauls off and squirts me in the face with a seltzer bottle, ruining my n ice new camel hair suit, dousing my monocle and my watch fob, soaking my cravat. So, do I let him have what for, and blow my top? I do not. I simply say: Sorry, I believe I said 'very dry'.
Chip Kidd (The Learners)
The older and wiser heads of the world have always described revolution and love to us as the two most foolish and loathsome of human activities. Before the war, even during the war, we were convinced of it. Since the defeat, however, we no longer trust the older and wiser heads and have come to feel that the opposite of whatever they say is the real truth about life. Revolution and love are in fact the best, most pleasurable things in the world, and we realize it is precisely because they are so good that the older and wiser heads have spitefully fobbed off on us their sour grapes of a lie. This I want to believe implicitly: Man was born for love and revolution.
Osamu Dazai (The Setting Sun)
It was a silver watch with a matching chain and fob, and on the back was an engraving of Samaranth. 'Is it a time machine?' Jack asked. 'Will it let us travel through time?' 'I believe it will,' Ordo Maas replied. 'I've found that for every minute I watch it, I move a full minute farther into the future.
James A. Owen (The Indigo King (The Chronicles of the Imaginarium Geographica, #3))
To Americans, this may seem sick, but to first- or second-generation Chinese, Korean, Jamaican, Dominican, Puerto Rican immigrants, whatever, if your parents are FOBs, this is just how it is. You don’t talk about it, you can’t escape it, and in a way it humbles you the rest of your life. There’s something about crawling on the floor with your pops tracking you down by whip that grounds you as a human being.
Eddie Huang (Fresh Off the Boat)
This need to know things at the level of basic experience, and the reluctance to be fobbed off by the official story or the popular rumor, was a part of the “infinite capacity for taking pains” that Thomas Carlyle once described as the constituent of genius.
Christopher Hitchens (And Yet ...: Essays)
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded. She squirmed in his arms. “What are you—” He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides. Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate. Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
Katie Ashley (The Proposition (The Proposition, #1))
Patronising fobbing bastard,
Glenda Larke (The Lascar's Dagger (The Forsaken Lands #1))
You wigged out because he wanted to have an arranged marriage right there in class? I thought FOBs were into that kind of thing.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
The key fob played the first bar of Für Elise as I locked the car up. I hoped that Beethoven's ghost was out there somewhere, making the night hideous for the managing director of Ford's.
Mike Carey (The Devil You Know (Felix Castor, #1))
apples; then sausage rolls, shedding their pastry all over his coat, and a thick slab of yellow cheese. From the back of his fob watch Charles extracted a screw of salt. Finally, like a conjuror, he took from under his hat half a roast chicken, wrapped in oiled paper.
Katherine Rundell (Rooftoppers)
Oiled, with tube bones cut from bronze and sunk in gelatin, the robots lay. In coffins for the not dead and not alive, in planked boxes, the metronomes waited to be set in motion. There was a smell of lubrication and lathed brass. There was a silence of the tomb yard. Sexed but sexless, the robots. Named but unnamed, and borrowing from humans everything but humanity, the robots stared at the nailed lids of their labeled F.O.B. boxes, in a death that was not even a death, for there had never been a life.
Ray Bradbury (The Martian Chronicles)
Revolution and love are in fact the best, most pleasurable things in the world, and we realize it is precisely because they are so good that the older and wiser heads have spitefully fobbed off in us their sour grapes of a lie. This I want to believe implicitly: man was born for love and revolution.
Osamu Dazai (The Setting Sun)
Me own mam saw things," he said, looking at the fire as if she might be there behind it. "And they always came true. She didn't say anything about spirits. She just called it the Second Sight. Said it was hereditary and dangerous sometimes,if you didn't take care." "Do you have it? Do you see things?" He shook his head. "Colin." If he thought I was going to be fobbed off with a vague reply, the day's events had clearly addled his wits. He had to know I had no intention of letting this lie. "She told me about a girl with violet eyes," he said quietly, rising to his feet. I looked up at him, startled. "She did?" "Aye." He nodded. "I should go." He stalked toward the door, opening it slightly to make sure the hallway was deserted. His hair was still damp, tousled. I couldn't help but remember the weight of his body pressing me into the grass. "Colin?" I said quietly. "I have to go." He didn't turn around. The door closed behind him.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are—the quicker to take fright—the more violent they pray that every storm will be . . . Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms—they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they appeared.
Osamu Dazai
It was only later that I pondered it: how could Job have allowed God to fob off a batch of new children on him and expect him to pretend that the dead ones no longer mattered?
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
So she sells her hair to buy him a watch fob and he sells his watch to buy combs for her hair. The moral I drew was you’re always safer giving cash.
Woody Allen (Apropos of Nothing)
[Sir Nugent] wore so many rings on his fingers, and so many fobs and seals dangling at his waist, that he might have been taken for a jeweller advertising his wares.
Georgette Heyer (Sylvester or The Wicked Uncle)
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. “Son of a bitch,” he exclaimed a second later. “What is it, boss?” Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded timepiece should have been. “That little bastard—” Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. “He picked your pocket?” Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. “Doughty,” he said, “I think we’d best say a prayer for Jan Van Eck.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Sexed but sexless, the robots. Named but unnamed, and borrowing from humans everything but humanity, the robots stared at the nailed lids of their labeled F.O.B boxes, in a death that was not even a death, for there had never been a life.
Ray Bradbury (The Martian Chronicles)
You don't know this yet but most people you thank for their service joke about killing babies and fucking their mothers. They have wet dreams about pink mist, about shake 'n' bakes, about enfilade fire. They're chronic masturbators, philanderers, and alcoholics. They wish for five hundred-pounders to drop on mosques just so the call to prayer will stop, they take bumps of coke before they get behind the gun, and smoke weed in the corners of FOB's to even out. They shoot dogs out of boredom.
Matt Young (Eat the Apple: A Memoir)
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. “Son of a bitch,” he exclaimed a second later. “What is it, boss?” Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded timepiece should have been. “That little bastard—” Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. “He picked your pocket?” Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Well, maybe you should prepare to be kissed.” “When? Where? By whom?” He turns, pulling his key fob from his pocket as he struts toward his sleek, blue Tesla. “Soon. Could be anywhere. And I sure as hell hope it’s me. Goodnight, Dorothy.” Oh the anxiety…
Jewel E. Ann (Perfectly Adequate)
I like watches from that era. Back then a watch was power. Not many people could afford one. The owner of a watch was a man who controlled time...chains and fobs were invented so that even when a man carried a watch in his pocket, you could still see he owned one
Jeffery Deaver (The Cold Moon (Lincoln Rhyme, #7))
Diary entry, summer 1973. It may be there in a distracted glance out of an open window or in the split second of an absent look when you speak to her, or in the guarded inflections of her voice as she replies, or in the subtle chemistry of touch or smell or the taste of her skin in your mouth, or in some unspecified sixth sense that you can’t name, but when love is over, its signals are louder than disclosure, if only you are willing and open enough to acknowledge them. But of course we shake off these feelings as if they were mere irritations, as if they were unimportant and uninvited guests at a feast. “Not now,” you say, fobbing them off with shallow excuses and feigning more urgent business elsewhere. But they linger long after the party, and skulk in a corner where they plot and fester and return to ask their impertinent questions in the still of night, when she’s sleeping and wearing her child’s face. When she looks so beautiful and vulnerable with her mouth slightly open, and her hair a mess on the pillow, but as you reach to touch her, she turns unconsciously away toward the window, and then the questions start again, and you can’t sleep….
Sting (Broken Music: A Memoir)
Enter upon your inheritance, accept your responsibilities...Don’t take No for an answer. Never submit to failure. Do not be fobbed off with mere personal success or acceptance. You will make all kinds of mistakes; but as long as you are generous and true, and also fierce, you cannot hurt the world or even seriously distress her. She was made to be wooed and won by youth. She has lived and thrived only by repeated subjugations.
Winston S. Churchill (My Early Life, 1874-1904)
Will you go with me to Wells, ma’am, or will you not?’ ‘Yes, sir,’ said Abby meekly. ‘If you are quite sure you wouldn’t prefer Miss Butterbank’s company to mine!’ The carriage had drawn up in front of her house. Mr Calverleigh, alighting from it, and turning to hand her down, said: ‘I should, of course, but having already invited you I feel it would be uncivil to fob you off.’ ‘Piqued, repiqued, and capoted!’ said Abby, acknowledging defeat.
Georgette Heyer (Black Sheep)
Thierry.” He kept using that placating tone. “I don’t plan on going anywhere.” “Good.” I wiped my sweaty palms on my jeans, then pasted on the syrupy-sweet smile I usually reserved for con jobs on Mom. “Then you won’t mind me not going anywhere with you.” “Stubborn.” Eyes flickering to white, he lowered his head, parted his lips. “You’re going to try to kiss me with that mouth? After what you just said?” I jabbed the unlock icon on the key fob dangling from his fingers then shoved him back. “Dream on, Shaw.
Hailey Edwards (Dog with a Bone (Black Dog, #0.5))
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
There was a silence of the tomb yard. Sexed but sexless, the robots. Named but unnamed, and borrowing from humans everything but humanity, the robots stared at the nailed lids of their labelled F.O.B. boxes, in a death that was not even a death, for there had never been a life.
Ray Bradbury (The Illustrated Man)
and we ran down the street, laughing in the dark, out of breath when we finally reached his car. He hadn’t been lying about it. It was a Honda Civic, although it was a newer model, so that counted for something. He pushed me against the passenger door, dropped my shoes on the concrete, and then swept a hand into my hair. I looked over my shoulder at the car we were leaning against. “Is this really your car?” He smiled as he reached into his suit pocket and pulled out his key fob. He unlocked the doors to prove it was his, which made me laugh. He stared down at me, our mouths thisclose, and I could swear he was already imagining what life with me would be like. You can’t look at someone the way he looked at me—with the entirety of his past—without also imagining the future. He closed his eyes and kissed me. The kiss was full of both desire and respect—two things a lot of men didn’t seem to know could go hand in hand. His fingers felt good in my hair, and his tongue felt good in my mouth. I felt good to him, too. I could feel how good I felt to him in the way he kissed me. We knew very little about each other in that moment, but it was almost better that way. Sharing a kiss that intimate with a stranger was like saying, “I don’t know you, but I believe I would like you if I did.
Colleen Hoover (Verity)
Adding carbon dioxide, or any other greenhouse gas, to the atmosphere by, say, burning fossil fuels or leveling forests is, in the language of climate science, an anthropogenic forcing. Since preindustrial times, the concentration of CO2 in the atmosphere has risen by roughly a third, from 280 to 378 parts per million. During the same period, the concentration of methane has more than doubled, from .78 to 1.76 parts per million. Scientists measure forcings in terms of watts per square meter, or w/m2, by which they mean that a certain number of watts have been added (or, in the case of a negative forcing, like aerosols, subtracted) for every single square meter of the earth’s surface. The size of the greenhouse forcing is estimated, at this point, to be 2.5 w/m2. A miniature Christmas light gives off about four tenths of a watt of energy, mostly in the form of heat, so that, in effect (as Sophie supposedly explained to Connor), we have covered the earth with tiny bulbs, six for every square meter. These bulbs are burning twenty-four hours a day, seven days a week, year in and year out. If greenhouse gases were held constant at today’s levels, it is estimated that it would take several decades for the full impact of the forcing that is already in place to be felt. This is because raising the earth’s temperature involves not only warming the air and the surface of the land but also melting sea ice, liquefying glaciers, and, most significant, heating the oceans, all processes that require tremendous amounts of energy. (Imagine trying to thaw a gallon of ice cream or warm a pot of water using an Easy-Bake oven.) The delay that is built into the system is, in a certain sense, fortunate. It enables us, with the help of climate models, to foresee what is coming and therefore to prepare for it. But in another sense it is clearly disastrous, because it allows us to keep adding CO2 to the atmosphere while fobbing the impacts off on our children and grandchildren.
Elizabeth Kolbert (Field Notes from a Catastrophe)
Pedersen was always wooing her. Sometimes he was gracious and kind, but at other times when his failure wearied him he would be cruel and sardonic, with a suggestive tongue whose vice would have scourged her were it not that Marie was impervious, or too deeply inured to mind it. She always grinned at him and fobbed him off with pleasantries, whether he was amorous or acrid. 'God Almighty,' he would groan, 'she is not good for me, this Marie. What can I do for her? She is burning me alive and the Skaggerack could not quench me, not all of it. The devil! What can I do with this? Some day I shall smash her across the eyes, yes, across the eyes.' So you see the man really loved her. ("The Tiger")
A.E. Coppard (Dusky Ruth and Other Stories)
Every February, (Charles)Shultz drew a strip about Charlie Brown's failure to get any valentines. Schroeder, in one installment, chides Violet for trying to fob off a discarded valentine on Charlie Brown several days after Valentine's Day, and Charlie Brown shoves Schroeder aside with the words "Don't interfere--I'll take it!" But the story Schulz told about his own childhood experience with valentines was very different. When he was in first grade, he said, his mother helped him make a valentine for each of his classmates, so that nobody would be offended by not getting one, but he felt too shy to put them in the box at the front of the classroom, and so he took them all home again to his mother.
Jonathan Franzen
You are needed more than ever now to fill the gap of a generation shorn by the War. You have not an hour to lose. You must take your places in life’s fighting line. Twenty to twenty-five! These are the years! Don’t be content with things as they are. ‘The earth is yours and the fulness thereof.’ Enter upon your inheritance, accept your responsibilities … Don’t take No for an answer. Never submit to failure. Do not be fobbed off with mere personal success or acceptance. You will make all kinds of mistakes; but as long as you are generous and true, and also fierce, you cannot hurt the world or even seriously distress her. She was made to be wooed and won by youth. She has lived and thrived only by repeated subjugations.143
Andrew Roberts (Churchill: Walking with Destiny)
It follows, of course, that those who are most highly esteemed are those most morally dubious, an axiom which can easily be proved by putting it to the test. My master, being extremely ham-handed in matters of this kind, commands not the least respect and, having no hope of winning respect by crafty misrepresentation of his true feelings, is quite open in expressing his inner cold-heartedness. The sincerity of his indifference emerges very clearly from the way in which he fobs off poor young Yore’s repeated pleas for help with repetitions of the same old formulae: “Well, I don’t know” and “Hmm, I wonder.” I hasten to comment that I trust my readers will not begin to dislike so good a man as my master just because he happens to be cold-hearted.
Natsume Sōseki (I Am A Cat (Tuttle Classics))
There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of even more horrible shapes. And the more nervous they are—the quicker to take fright—the more violent they pray that every storm will be... Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms—they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning: they did their best to depict these monsters just as they had appeared. Takeuchi was right: they had dared to paint pictures of devils. These, I thought, would be my friends in the future. I was so excited I could have wept.
Osamu Dazai (No Longer Human)
There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are—the quicker to take fright—the more violent they pray that every storm will be . . . Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms—they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeichi was right: they had dared to paint pictures of devils. These, I thought, would be my friends in the future. I was so excited I could have wept.
Osamu Dazai (No Longer Human)
There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are —the quicker to take fright—the more violent they pray that every storm will be . . . Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms—they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeuchi was right: they had dared to paint pictures of devils. These, I thought, would be my friends in the future. I was so excited I could have wept.
Osamu Dazai (No Longer Human)
Damn,” Stacia agreed softly.  “Sorry, but it was your own fault for calling him a monster,” she directed at the bouncer. “What?  What’s he doing?” the big bald guy asked. “He got your scent, so now he’s tracking down which car or truck is yours,” I said. “What’s he gonna do when he finds it?” Baldy asked. “Well, he kinda ate the last one,” I said regretfully. “What!”  Bouncer man took off into the parking lot at a dead run, pulling a key fob from his pocket as he went.  Almost immediately, Awasos came running from the side of the parking lot, having circled around. “Did you find it?” I asked him. He woofed once softly. “Did you pee on his radiator?” Another woof. “Good boy! Baked-on wolf pee has a half-life of like a year! Let’s go,” I said, ignoring the incredulous looks from the good ole boys.
John Conroe (Fallen Stars (Demon Accords, #5))
Now that things are super awkward, I walk to the car, and hop in the back seat. “Front seat, Violet,” Mom immediately fires back. But I point at the sunroof. “Emit’s not going to fit any other way.” “This is the absolute worst week of my entire bloody existence,” Emit seems to say in a decisive tone, staring at the car like it’s the most offensive thing ever. Mom even hesitates, and makes another frustrated sound as she presses a button on the fob to start the car. We all need sensitivity training, because we watch without an ounce of shame, as he truly struggles to put himself in what is possibly one of the smallest cars ever. The other three would struggle some too. When Emit’s head pops through the opening sunroof, Vance scrubs a hand over his face. “This is why you have rebellions,” Arion says with a restrained smile. “You can’t be taken seriously.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
Children, teenagers, and young adults frequently attempt to duplicate their cult hero’s mannerisms. Sometimes when we observe youngsters attempting to emulate the gestures and behaviors of a celebrity whom they admire, we state that they are putting on airs or engaging in pretensions. Adults tend to fob off such pretentious behavior as a frivolous act engaged in by children. In actuality, pretentious behavior is an important learning rubric for behavior and character formation. Imitation is more than a form of flattery. When young people mimic admired celebrities they are displaying telling behavior regarding what subjects spikes their interest and this in turn might provide clues to their future vocational and recreational activities. By engaging in mimicry, we are able to audition our future self. Just as many athletes begin in their youth attempting to impersonate the style of their sports idols, young people universally attempt to copy the mannerisms and behaviorisms of people whom they respect. Mimicry is one way that people feel safe exploring what persona they wish to adopt. How many rock stars and other successful people endorsed the mantra, ‘Fake it ‘till you make it.
Kilroy J. Oldster (Dead Toad Scrolls)
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. "Son of a bitch," he exclaimed a second later. "What is it, book?" Rollins held up his watch chain. A turnip was hanging from the fob where his diamond - studded timepiece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pocket?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. "Doughty," he said, "I think we'd best say a prayer for Jan Van Eck." "You think Brekker can best him?" "It's a long shot, but if he's not careful, I think that merch might walk himself right onto the gallows and let Brekker tighten the noose." Rollings sighed. "We better hop Van Eck kills that boy." "Why?" "Because otherwise I'll have to." Rollins straightened the knot of his painless tie and headed down to the casino floor. The problem of Kaz Brekker could wait to be solved another day. Right now there was money to be made.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We got some stupid fuckers,” Kauzlarich said after the inflatable doll had been tossed into a burn barrel and set on fire, which created a thick column of oily black smoke that rose over the center of the FOB. “We got what we got,” Cummings said—and what he and Kauzlarich were wondering was whether these first cracks were just the effects of war, or also the effects of an army forced to take more and more stupid fuckers. It was something they had been dealing with since they began forming the battalion. For several years, in order to meet recruiting goals, the army had been accepting an ever-increasing number of recruits who needed some kind of waiver in order to become soldiers. Without the waivers, those recruits would not have been allowed into the army. Some of the waivers were for medical problems and others were for low scores on aptitude tests, but the greatest percentage were for criminal offenses ranging from misdemeanor drug use to felonies such as burglary, theft, aggravated assault, and even a few cases of involuntary manslaughter. In 2006, the year the 2-16 was getting most of its soldiers, 15 percent of the army’s recruits were given criminal waivers. Most were for misdemeanors, but nearly a thousand were for some type of felony conviction, which was more than double the number granted just three years before. This
David Finkel (The Good Soldiers)
Say more about the Crips and the Bloods,” Richard said, stalling for time while he tried to get his mental house in order. “To us they look the same. Urban black kids with similar demographics and tastes. Seems like they all ought to pull together. But that’s not where they’re at. They are shooting each other to death because they see the Other as less than human. And I’m saying it has been the case for a long time in T’Rain that those people we have lately started calling the Earthtone Coalition have always looked at the ones we now call the Forces of Brightness and seen them as tacky, uncultured, not really playing the game in character. And what happened in the last few months was that the F.O.B. types just got tired of it and rose up and, you know, asserted their pride in their identity, kind of like the gay rights movement with those goddamned rainbow flags. And as long as it’s possible for those two groups to identify each other on sight, each one of them is going to see the other as, well, the Other, and killing people based on that is way more ingrained than killing them on this completely bogus and flimsy fake-Good and fake-Evil dichotomy that we were working with before.” “I get it,” Richard said. “But is that all we are? Just digital Crips and Bloods?” “What if it’s true?” Devin shrugged. “Then you’re not doing your fucking job,” Richard said. “Because the world is supposed to have a real story to it. Not just people killing each other over color schemes.” “Maybe you’re not doing yours,” Devin said. “How can I write a story about Good and Evil in a world where those concepts have no real meaning—no consequences?” “What sort of consequences do you have in mind? We can’t send people’s characters to virtual Hell.” “I know. Only Limbo.” They both laughed.
Neal Stephenson (Reamde)
In the 1990s, Gov. Fob James argued that the Bill of Rights did not apply to states.
Anonymous
For some time now, the conventional wisdom at most agencies has been to partner with experts in specific fields—social networking, gaming, mobile, or any other discipline—in order to “get the best people for the job.” But given the success of AKQA, R/GA, and so many other innovators, perhaps it can be argued that to be truly holistic in our approach, it’s better to grow innovations from one’s own stem cells, so to speak, than to try to graft on capabilities on an ad-hoc basis. Some would no doubt argue that it makes the most economic sense to hire experts to execute as needed, rather than taking on more overhead in an increasingly competitive marketplace. But it should be pointed out that it’s hard to have the original ideas themselves if your own team doesn’t have a firm grasp of the technologies. Without a cross-disciplinary team of in-house experts, who knows what opportunities you—and by extension, your clients—may miss. “It comes down to the brains that you have working with you to make it a reality,” John Butler, cofounder of Butler, Shine, Stern & Partners, tells me. “The history of the ad agency is the Bernbach model—the writer and art director sitting in a room together coming up with an idea,” he says, referring to legendary adman Bill Bernbach, cofounder of DDB and the man who first combined copywriters and art directors as two-person teams. Now, all that’s changed. “[Today, there are] fifteen people sitting in a room. Media is as much a part of the creative department as a writer or an art director. And we have account planners—we call them ‘connection planners’—in the room throwing around ideas,” he says. “That facilitates getting to work that is about the experience, about ways to compel consumers to interact with your brand in a way that they become like free media” by actively promoting the brand for you. If his team worked on the old Bernbach model, Butler adds, they would never have created something like those cool MINI billboards that display messages to drivers by name that I described in the last chapter. The idea actually spun out of a discussion about 3-D glasses for print ads. “Someone in the interactive group said, ‘We can probably do that same thing with [radio frequency identification] technology.’” By using transmitters built into the billboards, and building RFID chips into MINI key fobs, “when a person drives by, it will recognize him and it will spit out a message just for him.” He adds with considerable understatement: “Through having those capabilities, in-house engineers, technical guys who know the technology and what’s available, we were able to create something that was really pretty cool.
Rick Mathieson (The On-Demand Brand: 10 Rules for Digital Marketing Success in an Anytime, Everywhere World)
jacket that gives you a little hug when someone likes your Facebook post; a paintbrush that samples any color or pattern you tap the brush on and turns it into digital paint; tables that listen, furniture that melts into the floor or into the wall when it’s not needed; lights that understand your activity and adjust their intensity and focus appropriately; watches that help students meet other people like them and prompt face-to-face conversation; E Ink Post-it notes that dynamically update to show place-based messages; a key fob that displays the traffic situation on your commute ahead.
David Rose (Enchanted Objects: Design, Human Desire, and the Internet of Things)
Fantasy & Science Fiction, Free Exclusive Digest (Spilogale Inc.) - Your Highlight on Location 642-646 | Added on Tuesday, November 11, 2014 4:24:48 PM F&SF COMPETITION #89 By Carol Pinchefsky | 532 words F&SF COMPETITION #88 "Anagram/Raga Man" IN THIS competition, you were tasked with taking a popular science fiction/fantasy title, rearranging its letters, and creating a synopsis based on both the original and the new title. The results were fabulous—or as we call it now, "usual fob." Thanks to all who rearranged letters for the betterment of humor. ========== Fantasy & Science Fiction, Free Exclusive Digest (Spilogale Inc.) - Your Highlight on Location 649-651 | Added on Tuesday, November 11, 2014 4:25:12 PM Ender's Game = Same Gender Ender Wiggin, turned down for Battle School, becomes a writer. In adolescence, he has feelings that he can't deal with. He becomes a prominent homophobic author. His repressed homosexuality reveals itself when the title of his first novel is an anagram for "Greased Men." —Eric Cline Bowie,
Anonymous
We would hear Reenie, later, on the subject of his politeness. Orphans were well mannered because good manners had been beaten into them, in the orphanages. Only an orphan could be so self-assured, but this aplomb of theirs concealed a vengeful nature – underneath, they were jeering at everyone. Well, of course they’d be vengeful, considering how they’d been fobbed off. Most anarchists and kidnappers were orphans.
Margaret Atwood
In other words, the U.S. government is creating a vast artificial market, where a handful of repeat offenders can fob off shoddy or defective products on American citizens at ever-increasing prices, without suffering any market consequences. Patriotism keeps us from quibbling. Fear, too: What would you not spend to stay safe? Another powerful pretext for this larceny is jobs. Defense contractors, we are told, employ people.
Sarah Chayes (On Corruption in America: And What Is at Stake)
The driver was closer, which was good, because he had seemed to be the take-charge guy. The senior figure. He would have the key. In his suit coat pocket, probably. On the left. Because he was right-handed. He would have held his gun in his right and blipped the fob with his left.
Lee Child (Blue Moon (Jack Reacher, #24))
Paint me. Put me in a sports coat with a big pattern. In silk or wool or cotton. Padded shoulders. Nipped in at the waist. A wide tie. Silk, of course. Paint me in one of my light ties on a white shirt. Make my clean, heavily starched shirt jump from the canvas. Have my good Johnson and Murphy shoes shined. Make my creases sharp. Creases count all seasons of the year. If you don’t want to paint me in spring or autumn in a sports coat, paint me in winter when I have just come in from the cold wearing a suit, with a cashmere coat in the crook of my arm. Hat still on my head. Pocket square. Tie clip. All the Ziggy details in place. Or paint me in one of my shirts that let me wear a collar bar. Remind us that that is how, once upon a time, we did it. That ours was a world of pocket squares, and tie clips—tie clips were most important, as they held a dancer’s tie in place midflight—and stick pins, and gold cigarette lighters and silver key fobs and money clips of metal or a plain rubber band, and cufflinks, and good hats, and mohair V-neck golf sweaters and fine tuxedos and Murine. Don’t paint me dropping Murine in my eyes. Or me in my boxer shorts and white cotton V-neck shirt sitting at my dressing table in my room at the Gotham, my toes tickled by the wool wall-to-wall carpet. Or maybe paint that. How and where we got ready. And we were ready. Paint our readiness.
Alice Randall (Black Bottom Saints: A Novel)
She said a few hellos and was fobbing off a well-meant enquiry about the recent half-term break – no, they hadn’t spent it whizzing down a Swiss mountain, like everyone else – when, with relief, she saw her friend Katie Green waving. Katie was normal. Yes, she did have a lovely husband with a good job (Michael was something important in publishing), and she did only work part-time, but she was passionate about her job as a yoga teacher. She also managed not to nag Beth about her own lack of fitness regime, and she had a lovely normal son, too, who was Jake’s greatest friend. The two women kissed on
Alice Castle (The Murder Mystery (A Beth Haldane Mystery #1))
After your buddy gets blown to bits, it’s your job to clean up whatever’s left. You busy yourself trying to find anything more than a hand and a boot so the family will have something to bury and because you don’t want to leave a fellow Marine behind. You work all day to find what you can, and all the while your head hurts and your gut’s locked down tight, wondering if there’s another bomb out there with your name on it. Then darkness falls, and you get back to the FOB with that boot and the hand and an ounce of flesh and you’re so nauseous you can’t eat and so tired you can hardly stand and the Sir tells you to shade it black. And you say, Yes, sir, and you look down at the gurney—at that hand and that boot and that ounce of flesh. And you wonder how the fuck you’re supposed to do that.
Barbara Nickless (Blood on the Tracks (Sydney Rose Parnell, #1))
What then, are the nonscientific reasons that have fostered the resurgence of biological determinism? They range, I believe, from pedestrian pursuits of high royalties for best sellers to pernicious attempts to reintroduce racism as respectable science. Their common denominator must lie in our current malaise. How satisfying it is to fob off the responsibility for war and violence upon our presumably carnivorous ancestors. How convenient to blame the poor and the hungry for their own condition – lest we be forced to blame our economic system or our government for an abject failure to secure a decent life for all people. And how convenient an argument for those who control government and, by the way, provide the money that science requires for its very existence.
Stephen Jay Gould (Ever Since Darwin: Reflections in Natural History)
He slipped the gold fob-watch out of his waistcoat, flicked open the cover and stared at the dial. The Cat had replaced the conventional numbers with a series of symbols, which stood for 'food', 'sex', 'snooze', 'light snooze', 'heavy snooze', 'major sleep', 'self-adoration hour', 'preening' and 'bathtime'. Right now, it was twenty past sex, or, to put it another way, quarter to food.
Grant Naylor (Better than Life (Red Dwarf #2))
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She said a few hellos and was fobbing off a well-meant enquiry about the recent half-term break – no, they hadn’t spent it whizzing down a Swiss mountain, like everyone else – when, with relief, she saw her friend Katie Green waving. Katie was normal. Yes, she did have a lovely husband with a good job (Michael was something important in publishing), and she did only work part-time, but she was passionate about her job as a yoga teacher. She also managed not to nag Beth about her own lack of fitness regime, and she had a lovely
Alice Castle (The Murder Mystery (A Beth Haldane Mystery #1))
a few hellos and was fobbing off a well-meant enquiry about the recent half-term break – no, they hadn’t spent it whizzing down a Swiss mountain, like everyone else – when, with relief, she saw her friend Katie Green waving. Katie was normal. Yes, she did have a lovely husband with a good job (Michael was something important in publishing),
Alice Castle (The Murder Mystery (A Beth Haldane Mystery #1))
key fob. You enter through the door and take the steps down a level to an underground passage. The passage leads to an elevator under a high-rise on Forty-Ninth Street near Madison Avenue. The elevator only stops on the eighth floor. At this point it takes an eye scan. If your eye doesn’t
Harlan Coben (Win (Windsor Horne Lockwood III, #1))
Oui, m’sieur, parfaitement, je suis allé jusqu’au golfe du Mexique, droit dedans, et je me suis noyé. Et j’ai fait ça gratis. Quand on a repêché le corps, on a découvert qu’il était marqué FOB, Myrtle Avenue, Brooklyn ; on l’a renvoyé port dû. Quand on m’a demandé plus tard pourquoi je m’étais tué, tout ce que j’ai pu répondre ç’a été : parce que j’avais envie d’électrifier le cosmos ! Par là j’entendais une chose très simple – la compagnie Delaware, Lackawanna and Western avait électrifié son réseau, de même la Seaboard Air Line, mais l’âme humaine en était encore au stade de la cariole bâchée des émigrants. Né au cœur de la civilisation, je l’acceptais le plus naturellement du monde – que faire d’autre ? Mais la bonne blague était que personne à part moi ne prenait cette histoire au sérieux. J’étais le seul vrai civilisé de la communauté. Il n’y avait pas place pour moi – en tant que tel. Et pourtant les livres que je lisais, la musique que j’entendais, m’assuraient qu’il existait au monde d’autres hommes pareils à moi. Il a fallu que j’aille jusqu’au golfe du Mexique et que je m’y noie, pour trouver une excuse qui me permît de poursuivre une existence de pseudo-civilisé. Il a fallu que je m’épouille de mon corps spirituel en quelque sorte.
Henry Miller (Tropique du Capricorne / Tropique du Cancer)
With the emergence of the #MeToo era, the letter could then be fobbed off as “speaking out” and taking advantage of a legitimate movement. The fact that pushing a false accusation exploits genuinely abused and harassed women does not seem to matter.
Woody Allen (Apropos of Nothing)
But here’s the weird part: when Sam unlocks the doors to the car with his key fob, Monica immediately jumps into the shotgun seat. Considering we’re giving her a ride, that seems odd to me. I’m Sam’s wife—I should be the one sitting next to him.
Freida McFadden (The Surrogate)
Here you go, Maurice,” he said as he tossed the fob out of my window. “Drive it in good health, bruh.
Shae Sanders (The Replacements (Jackson Brothers #1))
But here’s the weird part: when Sam unlocks the doors to the car with his key fob, Monica immediately jumps into the shotgun seat. Considering we’re giving her a ride, that seems odd to me.
Freida McFadden (The Surrogate)
I returned to the trail at the exact spot I left it and said a simple prayer. “God, thank you for bringing me this far on my journey. Please be with me again today and keep me safe. Be with my fellow hikers and keep them safe. Watch over my family…especially Janet. God, you know what I’ll need today more than I do. Please give me whatever it is I need today to get through it. In Jesus’ name, Amen.
Steve Johnson (Sir Fob W. Pot's Journey to Katahdin, Volume 2)
When I got on the trail each morning, I made some specific requests of God, based on my plans and desires for the day. I asked God to remove my foot numbness or to hold off on an anticipated thunderstorm until I’m in my tent that night. But since my second month on the trail, I began daily (on my first AT step of the day) asking God to, “Please give me whatever it is I need to get through today.” You see, God knows what I need better than I do.
Steve Johnson (Sir Fob W. Pot's Journey to Katahdin, Volume 2)
What was at stake for him was not so much risk taking as the experiencing of the risk. He could bring the drama to climax—of fight or flight, as it were—but he was merely ridding himself of the drama. It was anticipation itself that had become a phobic object,because it ushered him towards a threshold of action. Between waiting and wanting and doing something about it there was a terror, a delay that seemed unbearable. There was a Jekyll of definite intent, and a Hyde fobbing him o with either satisfaction—the kiss “planted” as he would say—or evasion, the hurried (and harried) rush home.
Adam Phillips (Houdini's Box: The Art of Escape)
front of the line. He wasn’t tripping on the paper either. On the hood of the chrome rose gold luxury vehicle, sat a large bow. Richie stepped out and gave Meech the key fob.
Talena Tillman (Had Me At Hello: When Nina Meets Meech)
Call me old-fashioned, I don’t care, but I have yet and will not let her open her own door.  Rounding the car, I unlock it on the key fob and open the passenger side to find Indy wearing an unimpressed expression. “You’re so weird about that.”  “I’m not weird. You’ve just never had someone take care of you before, so you may as well get used to it.” 
Liz Tomforde (The Right Move (Windy City, #2))
She moved silently over the thick corridor carpet. The hinge side of the door was closest, and the knob side farthest. She ducked under the peephole’s field of view and flattened against the wall beyond the door. She reached out and tried the knob backhand. Long training. Always safer. Guns can shoot through doors. She mouthed “Locked,” and mimed that she needed the key. Sinclair tucked her purse and her licenses up under her arm and scrabbled in her bag. She came out with a brass key on a pewter fob. Reacher took it from her and tossed it to Neagley, who caught it one-handed and put it in the lock, from the same position, backhand again, at a distance, out of the line of fire. She
Lee Child (Night School (Jack Reacher, #21))
They will turn you over, toss you about, fob you off, take you less seriously, because to get there, you must walk on your own feet.
Chinonye J. Chidolue
With respect to cheaper alternatives of lower quality, we close one eye, while our trading partners in Asia are closing both eyes and are still allowing themselves to be fobbed off with the illusory value of our currencies. In
Rahim Taghizadegan (Austrian School for Investors: Austrian Investing between Inflation and Deflation)
You were wrong," he murmured ruefully, resting his cheek on top of Amy’s head. "You weren’t safe with me." "I feel like Psyche kissing Cupid in the dark," Amy said dreamily. Richard drew Amy’s arms around his back under his cloak. "Feel. No wings." Amy could hear the smile in the Gentian’s voice. "Does that mean if I unmask you, you won’t fly away?" Richard tightened his grip on Amy’s arms. "Don’t even consider it." "You could give me three trials, like Psyche." "With what as the prize at the end? Me, or membership in the League?" Amy managed the difficult feat of looking at him askance with her nose only inches from his. "It would be much easier for me to answer that question if I knew who you were." "What’s in a name? A Gentian by any other name would—" "Be an entirely different flower," interjected Amy, swatting him on the arm. "I refuse to be fobbed off with poor imitations of Shakespeare." "If you don’t like Romeo and Juliet, how about a sonnet?" Richard suggested. "Shall I compare thee to a summer’s day? Thou art—" "Not that easily deterred." Amy extricated herself from Richard’s arms – and his cloak, which had tangled around her knees – and hopped off the window seat. "Damnation," muttered Richard. "I’ll ignore that,"offered Amy generously. "And we can go straight to the crucial question of how I’m going to help you restore the monarchy
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
The U.S. troops joked that ISAF stood for “I Suck at Fighting,” “I Saw Americans Fighting,” or “I Sunbathe at FOBs [forward operating bases].
Daniel P. Bolger (Why We Lost: A General's Inside Account of the Iraq and Afghanistan Wars)
The Commander tucked the timepiece back into the fob pocket, and with the air of a conjurer brought out a full moon, as bright as a new coin, and tossed it up in the air. Heads, Humphrey called, and laughed, because he knew this trick, but just couldn’t at the moment remember how it went. “That’s it! Time’s up! Time’s up!” the empire cried then, fussily drawing stumps. The moon sat above the cricket ground, where it struck twelve more times than was strictly necessary, it was the umpire’s opinion, and Humphrey opened his eyes to the sound of the grandfather clock on the bottom landing chiming the half-hour.
Peter Maughan (Sir Humphrey of Batch Hall plus The Famous Cricket Match (Batch Magna #2))
the CIA's Baghdad station chief came to Tiger FOB as part of a tour of outlying U.S. military units in order to get a better feel for conditions around the increasingly restive country.
Anonymous
Now he laughs for real, cackling with the wicked innocence of the bright and easily bored. Staff Sergeant David Dime is a twenty-four-year-old college dropout from North Carolina who subscribes to the Wall Street Journal, the New York Times, Maxim, Wired, Harper’s, Fortune, and DicE Magazine, all of which he reads in addition to three or four books a week, mostly used textbooks on history and politics that his insanely hot sister sends from Chapel Hill. There are stories that he went to college on a golf scholarship, which he denies. That he was a star quarterback in high school, which he claims not to remember, though one day a football surfaced at FOB Viper, and Dime, caught up in the moment, perhaps, nostalgia triggering some long-dormant muscle memory, uncorked a sixty-yard spiral that sailed over Day’s head into the base motor pool.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Wall Street is a casino in which high-stakes wagers are placed within a limited number of betting houses that keep a percentage of the wins for themselves and fob off losses on others, including taxpayers.
Robert B. Reich (Aftershock: The Next Economy and America's Future)
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FOB origin is stipulated when the order is placed, and the buyer selects the transport company and pays the freight company, owns the title, and files the claims for bad or damaged goods. If FOB destination is stipulated, the buyer pays the freight charges, but the supplier owns the title and files any claims.
Ruby Parker Puckett (Foodservice Manual for Health Care Institutions (J-B AHA Press Book 150))
A common shipping term, free-on-board (FOB), means that the products are delivered to a specific location (preferably the foodservice loading dock) with all transportation paid. FOB origin refers to the place from which the product is originally transported, and FOB destination refers to the place the product is going to be received.
Ruby Parker Puckett (Foodservice Manual for Health Care Institutions (J-B AHA Press Book 150))
Dr. Harpe, glancing through her window, read purpose in his stride as he came down the street. Her green eyes took on the gleam of battle and to doubly fortify herself she wrenched open her desk drawer and filled a whiskey glass to the brim. When she had drained it without removing it from her lips she drew her shirtwaist sleeve across her mouth to dry it, in a fashion peculiarly her own. Then she tilted her desk chair at a comfortable angle and her crossed legs displayed a stocking wrinkled in its usual mosquetaire effect. She was without her jacket but wore a man's starched piqué waistcoat over her white shirtwaist, and from one pocket there dangled a man's watch-fob of braided leather. She threw an arm over the chair-back and toyed with a pencil on her desk, waiting in this studied pose of nonchalance the arrival of Symes. The
Caroline Lockhart (The Lady Doc)
It's always the guys that brag about wanting to mix it up with the bad guys that shit their pants when it hits the fan. We talked a big game back at the FOB, but now we had hot lead snapping and cracking over our heads.”               Williams
Steven Hildreth Jr. (The First Bayonet (Ben Williams, #1))
You are the explosion of carnations in a dark room. Or the unexpected scent of pine miles from the woods of Maine. You are a full moon that gives midnight it's meaning. And the explanation of water For all living things. You are a compass, a sapphire, a bookmark. A rare coin, a smooth stone, a marble. You are an old lore, a small shell, a saved silver dollar. You are a fine quartz, a feathered quill, and a fob from a favorite watch. You are a valentine tattered and loved and reread a hundred times. You are a medal found in the drawer of a once sung hero. You are honey, and cinnamon and West Indies spices, lost from the boat that was once Marco Polo's. You are a pressed rose, a pearl ring, and a red perfume bottle found near the Nile. You are an old soul from an ancient place a thousand years, and centuries and millenniums ago. And you have traveled all this way just so I could love you. I do.
James Patterson (Suzanne's Diary for Nicholas)
He plucked at a long rose cane that attempted to grab his sleeve as he passed through the gate. “Good morning, my lady. May I give you my arm up the street? I’m engaged to escort this rosebush to the shops, but I’ll fob it off.
Laura Kinsale (Lessons in French)
team had joined the FOB at Hastings: a small village outside Freetown, a location chosen to maintain a low
Josef Black (The Blades: SAS Special Operations Force (The Blades SAS Series Book 1))